Editor’s Note Design and Full Circles Observations from a former Texas Architect editor who is back for a while as a guest by Larry Paul Fuller
irst things first. Regular readers of this magazine will notice that the name attached to this column is not the same as the one appearing here for almost 12 years now. Indeed, the tenure of Stephen Sharpe as editor of Texas Architect has come to an end — as even good things must do. But it is abundantly clear that his legacy will endure. No single individual deserves more credit than Stephen for the publication’s ascendency to its current stature as an illuminating record of architecture in Texas, and a compelling voice for the architectural profession. As I assume the role of guest editor during the search for Stephen’s replacement, I not only wish him well, but I thank him for his help in conceiving the content of this May/June edition on urban design. And I encourage readers to note his farewell remarks in “The Big Idea” on the following spread. to observe that the “Urban Design” label for this issue may imply a certain focus, a type of content, that — for the most part — is neither intended nor included here. Our primary features do not deal with urban design per se, as typified by comprehensive plans for large swaths of urban environment. Rather, we discuss the design of four different works of architecture that, by virtue of where they are, play important roles in a broader urban context. Fort Worth campus as gateway to downtown. Houston high-rise as CBD catalyst. Large Dallas hotel as civic anchor. And boutique Austin hotel as contextual gem.
All these projects make for interesting discussion in conventional architectural terms that capture how a building looks — its image. But they also underscore the potential for a richer design dialogue that goes beyond image. Ideally
It is this richer form of design dialogue that the magazine aspires to embody more completely in future editions. such discussion would be based on the premise that design properly considers a wider range of issues — such as the impact of buildings on their communities and their users; effectiveness in meeting client goals; sustainability and energy efficiency; and the sheer appropriateness of a building’s visual character. It is this richer form of design dialogue that the magazine aspires to embody more completely in future editions.
PHOTO BY JULIE PIZZO
Meanwhile, it seems right
On a personal note,
it was March of 1985 when — after a 12-year stint as editor of Texas Architect — my name last appeared on this editor’s page. Even as I bade farewell to pursue other paths, I believed that elevating architecture to a more prominent level of public discussion was a worthy ambition. And after all those years, I still do.
Larry Paul Fuller cradles a copy of the issue that marked his farewell as a 12-year editor of Texas Architect in 1985. His current engagement as guest editor of the magazine brings him back, not only to the present-day home of his first employer, but to the recent headquarters of fd2s inc. — the environmental graphic design firm in which he remains a founding principal.
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