Art is important to Austinites, says Lauren Harris, director of mall marketing at the Domain, so the project’s developer installed 22 works by local artists to enhance the uniqueness of the setting. Much of the Domain’s art integrates form and function. For example, railings of decorative wrought iron by Rudy Saucedo of Kyle protect pedestrians from the roadway. Tile mosaics by Stick Horse Studios in Drip-
be of similar size. These two factors contribute to an appropriate cohesiveness. Less cohesive, in many cases, are the residential units above the retail which seem to share uneasy relationships with one another. Although thought was given to better integrate the retail and residential units through canopies, balconies, and by extending retail facade materials into the residential facade, the retail and residential components had different developers and different architects. In communities that have truly evolved over time, individual buildings are conceived and realized independently from what was built before. Such sequential growth typically involves new structures erected adjacent to older ones, rarely on top of one another as at the Domain. Design is underway on a second phase, roughly the same size as the first and also developed by Simon, that will feature local retail shops, an eight-story hotel, and a connection to a future commuter rail stop. And yet another phase is being planned east of the existing complex. Ultimately, the development is expected to include more than 8 million square feet of retail, office, and residential space, along with a 28-story hotel/condominium tower that will be the tallest building outside the downtown. With concerns over energy consumption on the rise, the Domain concept is welcome. In addition to eliminating the unnecessary conditioning of thousands of square feet of common area, careful planning of such developments can engender a comprehensive sense of community. As this project grows, and the trend towards mixed-use complexes continues, the inclusion of all elements that make up a sustainable community should be taken into account. Although not yet evident at the Domain, staples such as grocers, delis, cleaners, post offices, pharmacies, and similar services are necessary to attract and maintain a strong residential base. Even with the notion of “instant community” afforded by mixed-use developments, they too must evolve in order to thrive.
ping Springs are recessed into stone seating that helps to create an interesting and inviting outdoor space. Also, two kinetic metal sculptures by Jim LaPaso of Kyle serve as distinctive place-making elements. The multicolored “petals” of Wild Flower spiral in the breeze atop a hollow green stem planted in a oversize clay pot, and guitars snake around Music in the Wind, depicting Austin’s music scene through abstractions of notes and instruments. All of the artwork featured at the Domain was commissioned specifically for the project and made to fit each location. Phil Matton, project architect with Simon Property Group, who oversaw the installation of art pieces, said he gave the artists some guidance but allowed them to have the final say on the color and composition of their finished work. “Our theme for the art program for the Domain was to create ‘little discoveries’ for the shoppers and visitors,” Matton said. “Having these touches of refinement and beauty subtly sprinkled throughout the project really adds to that feeling of luxury for this mall.”
Carl Gromatzky, AIA, is a principal of Barnes Gromatzky Kosarek Architects in Austin.
Photo by R. Greg Hursley
A rt at the Dom a in