In a world dominated by digitally mediated images (fine art and otherwise), advances in reproduction quality, image manipulation, technological savvy, and postmodern discourse on the socio-cultural implications of it all frequently take precedence over the picture itself. While it would be a vast oversimplification to say that the works by Kent Rush presented in this exhibition are a formalist, object-maker’s rejection of these ideas, there is something immensely gratifying about the unstudied simplicity of his images, the low-tech way they are made, the quiet curiosity they arouse, and the sensual physicality of the photograph itself.