__MAIN_TEXT__

Page 1

n

r h.

r:l

l_

U

i

f-

I

I

tl

ll

I

t

'q l \

l--.-

"bt" transeau : a

?

I

kl

I

â‚Ź

I

7

\

0

I

L.

a

I I

L

T

I

I

I

F

a

I

,

I

r \

l

^

XI

t

?ortv

I

9rgrou /

BT expra6s...

F

I

\ .a

./

tl

L

J

12 !

!

L.

I I

I


I

n

I

I

a

I 1

/ T

/ f ,

t

I t I

I -

\ \

\

,/ ll

7

/

E / /

WWW.EIEH'I,

t ,1LL.EtrIM

7


IUI{GLE AMBIEI{T II{OUSTRIAI- BHAIiGRA FREESTYI"E SOUI. fUI{K R&B LATIII

TICHTO RAP HOUSE REGGAE ROCK DAIiCEHATL ACIO

o

'AZZ

IiI,tR

o

alternativelndusttiol . bhongro . blues . dub. freestyle . hi-nry house. iozzvibes . jungle.latin. rop. reggoe/dancehall

/

. rock . techno

remix poradiso

music & business: take o ride on the bt express...

prem um music zine: print

*

web

v

I tl f!

t)

\

I

1

ta, ) !

I' --l

l

t

tI

I

I

1

E =

_)

ti

http : / /www.streetso t)ag (IuExTED,ToRS: SEwTCES

?.d

sn€graour{D

E.

top.E

u n d.co

rd tDtlOa-AI-tARGE.

JAZZ VIEES

. Ri.l Edl.i

trtrl.t

jU NGIE

flodtE SoUL flJ N(

. Cl.rl.s lftGlyrn

R&B.Syu.li

REGGAE

. Dlrc

Houde

&

aLrtRNATlVt. B.mrd

T.ry D.hopo

los HOUSE .

io6lit

rS

um$ | M.td .woorba and uiai 6olg. r&.od., &havi.i

O6dC.,lndk O!t.,Iopt t6n3.

fEddy

fr6h lob.n

d. h 6.urhar, fi.yruld

t has..

G.Mlrs

l.rkl. ( hinir, lohnny 'tnud€d.|." Daira, 0.!. Bob Gou,U Iodd

chni war.6, ftds Bbdsld. Drvld -srln3sn"

AD

iiI5rnATMECOORDINATOR

lrlc.rd.t .

.

.

Rody

CANADA 416.7o3.oo7o

.

'

lcI

Emn, il.lson " Th BqaDiaz, 8aEhm.n, nn H!$l!|, lFn DdEi

l!,

E(

vldta

BHANGRA

lft

fl-li

IRANSCRIBERTo.IPltl

ENGTAND

,

+273.23.592

EMAIL: feedback@streetsound.com STREETSOUND WEBZINE: hftp://www.streetsound,com 5IRIETSOUND / SlRtEl^/|EDIAVENTURES UsA: tow.rlh5l,,12rhfli, NewYork, Nvloox rel.2t?,)37.14!7 hr212.337,1418 tel 416,703,@70 fat:4t6.tor.t7o2 Bd t7r6 Bndton, 8n14BA t l.+L2?1.7?1,592 Lt+L273.2a8.76 rF.fude Ismt s.tsri,i.Bi oE irr, (u rsc, t€ us / t 2(:&/tDto rr,ius.t llLos.liadF.b.'-!

5TaEETMEDIAVENTURESCANAO&i74spadinaAv€.,sLrite506,Ioronlo,onlano,rr5r2(2 STREETSOUND UK: P.O.

(rurs!6bvedit dhhiuEr^Ller!te6..3rhlldLFdkH .ddj5.h46lo9'd9d,'pl& [-fudaF{F'rdd &i.' .iprh.od6k5rRir.di.\hrq t7.sp:rid&.,i['e..']ddro, 'n

b

lrp..t xtE

wierl

EorTOilAtCOORoll{ATORfliddi.nnh

ADV€RIISING USA/ INTERNAIIONAL 212.397.6201

sam

cl6houa. Dthhi H.d! ftnr

G FREESIYLE

. Iln Frhry /

lnita

u( coxla

m

Eorror.rn.orrrr richdmrnrlil*'t^Ll'^fl-t##fhHffiJt**nurr,*r.ro* o,,,"oo, lonnld.msrAP.&ltLry.s !g'f.mll:rin ($htiff) S P.lnnrle BoG TECtltO. r Todd "Lrh" BlGe T!(H. L.dh tdno.& *O(t.

f!t|rlc! Ht.tPG. ocrnc.

Ot

I,

)

dl4cddadi6'itr.rttuudjr6l.!rd-0riii.'0rl&rt'.+E3.-.':.4 d@.lr'.


I

|

.t

The Underground - an internationaI community of artists, tabels and Drs iuggting creative expression with the painful reatity of having to pay the bilts. Shake'em up attitude and pure freedom of expression aIe I the real hard currency in this exctusive club, But rvhat happens when members of this esteemed collective begin to break out ofthe underground? When once-underground artists seep into the mainstlea.n and cold cash begins to beckon, classic battle lines are usualty drawn: the indie spirit and a fiercely possessive original fan base on one side, the more conservative. take-tess-chances demands of a "commercial" caleer on the other, and the breakout artist smack in the middle. Case in point, Brian Transeau, alias o BT, not so long ago wiltingto "remix for food", now staring as a big-time UK dance sensation. BT's trip from cool Washington, DC indie, Music ow, to superDJ Paul Oakenfold's UK-based, maior label-owned Perfecto tabet (who now have the fun iob of trying to sell him back tc America) illustrates fairty typicat fi]st steps in the

I

oflhe fresh musica L connedion5 with artisls thal have charac terlz€d I\4uslcNow! operalion to dale. "We do progresslve acld trance," says IlusicNowloLrnder Kurosh Nasserl. "A4y pa rer Levln Veceyndt and lioklngLy (ame Lrp with the lerm when wewere tryins to describe the tvpe of musk we do, N€ver mind that the term d dnlexisl estabLishing more

r

lil.

"From tho label's oerspe.tive ll becomes reallv imponanl lo Jo.us ln on whatworks, Ourphilosophy is to try to squeeze in belween calegories," says (urosh. "\r!et€ tryingto avoid belng pigeonhoLed a5 either a houre labeL, or

Its rhis kind ofideologythar has sel l$usicNowapart from many of th€ other streer.levellabels out rhere by leading it down irs own distinclive path tonically,lhis has stillevenrually put some limit5 on shal they can do. "lthink itl rcallypositive thatwelesorl ol found our sound. bul al lhe same rime it5 rcallydiffi.ultto maintain it blcauseoften times ir's nol a perle( Before,oiningthe ranks ofAmerkan indie dance labels, Nasse.iwat of al

thin$aconrra.r lawyerata bigDC lirm.ln 34hed traduated Geortetown Lan. in'37 finished his MasterS. and a vear larerlool a t p to NeB Yo'k with a buddy, Kp

taven&r

Musi(tio ha5quielly !e.om.thefocal poiit for WashinStoi, DC! bo.geo.ing

MusicNow planet.

1

\-

t)

:*

Stre.t oirrd gets the qclusive

underground nosi. s(en€, {hich h.s produ.ed the likes of Dep Ditt, at and now Alok ., in th. protes5 chaEcterized . whole new sound heard on dan(efloors around the

lowd n frM Musi.

ow

fouider

Youte at a rave or a club. in the middle olthe dancenoo., already going stark menlal. Suddenly, againstalLoddr, the Di mixes in a track tha! manages lo brlngaLlnew meaning to being "off your tu.e, f this is 1196, then it E a fa r bel thatThatTrack has either.ome trom or been dlredly inflLrenced by lhe work ofth€ [ us]cNow famiLy. The 0C based labeLhas rcached a mileslone, galning the props and iespe.l ollhe lnterna(ional club music fraternlty. Hard work and carefu Ly.alcu Lated gambLes have paid ofl, and wth the su.cess ofthen slgnature artist, BT (signed away lo Easrlresr Uk! Perfecto label), ir's now back to

n

-l

0land. until.ecenrlx

tr ow e

T

io

.,

escape from iourney from th€ underground to the land of largescate commercial success. At this crucial crossing, Streetsound inviles you to hop on board the BT express and meet the crew...!

(a

production managerat Eighlball). li was on ihar rr p thal Nasse d d is.ove red house. G "lstayed up allnlght. we.r ro three clubs, and lwas floored bv lhe music, was si excited to llnaLly find a form of m!si( Ihar had a vibEnt ene.Ey and innovation. rl was iresh aid new. On lhe whole d.i!e back ro t,r DC, I kept flipping through ihedialro nv to find that.irusk. bLrl there was absoluteLy no way itwas on lhe Gdio ' The newfound lnle.est in dance must penetraled his legal miid and.€sul!ed " l<urosh reprcsenung Dls and a4lsis lik€ Kelly Hand. 0l Dlsclple. Ca Clalt, oeep Dlsh. and BT. That was phaie one, Phase two, ano I poqreesive a.id kan.ewas lo be rhe sound forMusicNow' Bria. BT"Transeau was the adsl toprcduce it. Hewas somebody who cam€ alongatlhe.ight timewith the thr abilities,srilL, i wain lsomethint that"just happened",Iheir first pro. ject. 'ioumey Into Cyh€6pac€', set tnem back t4.ooo. whi(!. was preny much all they had tospend ar the rime. Srill, rhit was rhe rracl rh.r would gain lhem a,i,st taste ofi.ternationala.claim. "We eere almost ouI ofmoney when yrctor lnbres lone halfolAlcatrazl

tt"

cane into l€vln5 re.ord shoplalso caLled r',lu5icNowl $i ith a demo oi"Embra.lnt The Future'on it," saVs (urosh. "ltwa5like our do ordi€ shol. and lt turned out No kidding..-With BT's conlracteventually bo!ghl oul by PautOakenfold'5 Perfecto label. a slewofsu.cessfuLreleases and remixes under his bell. cove6 onU(magazines,andadowningTopOf The Pops appearan.e.BThascomea long way since his days ofeating (rah oinner in LA, and lo a large degree MusicNowhas been the forqotten plaver in the BT storv.

sefo.e lhe hype. aT did a couple ofhouse lracks wilh oeep 0i5h {hich achieved medioc.e response- loni.ally, 'Embra.ing lhe Fulurc" was sonelhing rhar rhe Deep Dish guys didn t reallylike.ln hindrighl.lhit(ould have been lhe srarr olrhe poblems that were to.ome belween BTand oeep Dishand the souceofalllhe muc,< flyingabout in lhe Britdance prcss. When (rrosh hea.d the track he instantlyfellin love wilh it. rl was Seprember'91, and with promos in had.newent to ManrhesterS h The Ciry music conf€rene,and stopped by Eastem Bloc Reco.de tosee hisfriend Guy Oldham. "Hewas rhe nrstoneio hea.the rc.ord and he ended !p p{ayingii ove. a dozen tises in lhe shop and people staded to ask whafethie?!l ' Thir waswhen the buzzstarted. catchingthe attenlioi ofa lot ofU( Dls, l\4orc imponantlv, "EmbracinsThe Fut!rc".aught lhe atlention of Sasha,lhe biggest thing on the UK s.eneat the time and a€uabLvstilLso today, ForSasha ro like a track waslik€ haviigGod thinkyoute a swellgly at lhe tal€s ofheav €n,The nexl Logicalstep was to asksasha to do sonre mixes on t.Thh woLrld req!ire a loan-afteralLthey were broke. "Sasha was aduallyve.y.oolaboul

ir," (urosh says casually.

The 56sha remixes werc reteased as "EmblacintThe Sunshlne' (re.nanred ait€r the tilLe oflhe fLip side,'A Deeper sunshine") and would ma{ the nexl chapt€rln the rapidLy deve oping BTstory,and it was where (u.osh's skllrwouLd


startto come lnto play. ALmost inslantLy,the remixes caughton in the labels approached them, but ll waswith East Uresr that theyseltled in the falLof 94. "Wethought lhe^4any Sasha mixes would be released ln 1994 and then we'd be f ne," sayt K!rosh. "E lherthey'd pi.k !p the options or thev wouldn t and we! be ab e to put out more rea

Ly

!(.

terious cramp in lhe Labels plans, BT was sti L comlng to them with more tapes, not aLlon the mark. There were some hits and misses." ln racr, one was elen turned dowi by lhe A&R team of(urosh and Levin. (urosh wouLd dr ve by BT'r house al 11 o clock al nisht to brins hlm tapes oivarious things and sav "listen to this, rh s is /eaLlv sreat". Ar the same. line (urosh, Levln, and BT, spent a lot oitihe working on developing a direction. The amount of atlention and deta Lthat they pay towards the art st is the type ofthing that make5 them diff€renr from a Lot of the other lndependents out there. The midnight runs paid off and Mu5icNow came out with "Nocturnal16nsmission". "lt's notas ifBThappened over night," saVs (urosh. Butwhen an artisr ls reaLLy talented, the sky's the limit in tetms ofwhat thevcan n the meantime. periecro

"We've put out records where they got some lf:i'#:;:.'il:':''" underground acclaim. The very same records Pr et 1 'tuo'o '' d-."T: . put oui two years later, with a'bsotutety #,l.:J;.""ff118"r.::,|:l (Perfecto). changes, by a maior Now it's 5,:'::"j"i:,1""* best thing since sliced bread, and it's all over .i-i i 1"..i - irr,",,,, the press." - Kulos h ni[':j[:i:::J: iT

no the

a

in the way that

dance label

Deconstruction ora

FFRR

a

is. Theyle much

more about the image of the label than

Bul rhls wasnl the.ase. Given lhe contrad, rhe llcensing agreement where EastWesr had ex.Lusive options,westartedtoac.umulaleallthesemastersbutwe.ouldnlputthemout,! says (urosh,Thi5p!ta

do'"

"We're veryanxious notto be seen asiust

.

-'

Nosseri

bLew upl

Now. you would think w th rhe success of BT and lhe exposure that he's gotlen in the !K, that J',lusicNow would be on the collediv€ mind ofclub and rave.ulture. But au cont6te, the A4lsicNow connect on seems to have been left as ode ofthose trlv aLrh ngs thal lE nspo(ters the wond over can dweLlon at Leisure. 'Alloflhe press.overage thal came out ofthe U( media very carefuLLy negLected to mention says Kurosh, Brlan swea6 up and down that he meniioned us in a flostevery interuiew. n fact, there ^4uskNow,' was a big ple.e ln IMuzl( magazine recently wlth nol a word about cNow. Wed never responded to any ofthls. so we finaLlysenta verysho( Letter poinllig out that Brian d dn't ^4!sbl ndly hir the mark: there war a kbeLbehlnd h m that mav of had somethinsto dowilh it," This is iust one ofthe things a North Ame.ican LabeLwith a UK hit has to address. "lstand in awe at how much the U( maior! promotion and pubLicity d€partments can ac.ompLish with the press,'says (urosh. ''We've putout records where they got some underground acclaim.Ihe verysane records are reLeased two yea6 Late( with absoluteLV no changes, by a major[Pededo], and nowtheyt€ the bestthingslnce sLiced bread, and lheyle allo!erthe press. "ld England, orln Europe, you hdvevery unifled scenesthat are well.lnformed, and that's what breedslhe respert. For instan.e, in England you have six, seven, eight dlflerent musk magazines on the nationaLleveL. You ve got several nationaL radio stauons that at Least hale a dan.eshow, aid that rcalLV

the artist." -

Spencet Boldwin

Perfecto 3r\

Ar the tuat af

su..ess in Enqland is supeo) Pa' ao AI sasha, 6ra.p. tiosaiq.dd 1 1\, Pe4ecta isaneafthe prcniae DlLabe!. ih existen.e. Sttee\aund \pake wilh Spen.er SaLdw i, the non rcsponsibte fat siqridg Rr ta Pefecta, ta ae: sane insighl ihro why the label has dane well in to date,and haw they plan to eany on that success os they negotiate thet

aakenfoLl\

Peie a Lbel. Hane

q

entry inta the

Naih Ane

con

What'. tha .e...r r. Peiecto's success?

Pau aid feeL rhat weve been su..essful be.ause our direcuon

s to

deveLop

a.ls lhat will

albun.seilins artists, even if ln the

be onLv

loigrun. Ratherthenspend

ng

lots of money li.ensing in the hol

tads that everybodyehe is.has

.oi

ng, weve .hosen to spend our money in deve oping a.ts on a long terfl bas s, ET5our b ggest signlng out, he! mvsieningd re.t { and hesourmain thrusr asai arlis:. We want to make him a live a.t. we want. makp him mus.a as posslbLe. !./ilh our artlstswe're try ng to se them and prohotethem asindividuaLartirrswh le us ng rhe Perfe(to label and rhe sound as a conslait. wet-. very anxious nol to be seen asrun a dan.e labelin th. waythal a D€construction ora ffiris.They'rc much mo,e about rhe imase ol the LabeL. than the a isr. wirh ds

:r

there! a.onsistent dkection to the abeLwh.h, sua pote, .a(les over to .onsumei .onfidence. We keep

Bf cdn

be a

stat ln Ehslo"d nDd vet h. .ould-

n't get atrest.d ln his honetown. fio*

does

thdt hoppen? And .!o you thlnk thdt you

..n

a unde round "We both told people things that we shoutdn't have, and now it's iust become completely whacked!" n lhe British d.nce music rcene,scandaL is new5, and in Brian "BT' Transeaus case, the (andal has'blown way out of proponion." Thls who e scenario with fellow DC house producers, Deep Dish rippingofand not.redllins BT for h s work on some tracks, is some. thing that the British press has over blown to the point where Brian and All (Deep Dish) are talking more through th€ press ralher lhan lace to lace oi

d ffculr area fo. the States. but ir does seem to be hap

.e.ain reglons. palticuLary Florida. CaLfornia, acros5 the 50uthern states, even Georgla. and Da as s lnsane Btrr irt d Lr to r.. ihp wh.c dance .uLturc lhing lhat happons here in Eneladd exlst ing as a maior ror.e vet ln the States. aut m hooeful thal willhappen. Cuhures.an be.aried anoss lhe t.rs penlng a.ross

ff

BT

"r'm slck and tned of thls shit, bro,'says Brain-'\r!e both toLd people just become.ompLeteLy rvhackedl dont care f we don't do another trac< together again, we should stilL remain fiiends. Ali and I were friends in school, we grew up together, we d d things forlhe firsttime tosether" rhls is rhe rype of bond that shouldn't be brok€n after so Long aid dolng ro mu.h togetherWhat happened bebveen thetwoofthem seems ro have realLy h t Brian hard, buthe's tryine to pur it behind him. "rhis ir a1L in the past now," he 3ays. "Lets gel on with lhings. Deep Dish and AlcatE2 are doins welL. MusicNow is flying. And allofthem are seelne Ihe suc.es5 ofthe DC sound, This is what we 5houLd b€.on.€n

thiigs that we shouldn't have, and now

what's the stdtus

il!

rus been a rocky road to thls po nt of success but it aLL makes sEnse rhen you gel down to his husi.- Listeiligio his tracks is Like making a

dte.l.onneclionto 5pirituaLen€rgy: in.redible buildsthattakeyou.isht out of your body, piano rlffs that get you offon some

welL,llhlnktonaft withrhe niualprobLemGrhatNorlh Amercaisverysegmented.lr!dictatedbyradioplay.rr youdonlnt nrooreorrheseigenresordemographks th€n youte up againn t.Thedan.ethngisstil ave,y

ol the P.te.to tl.ol

in

Wete k nd of negotat ng wirh aL of our afiLlates for whero and how Perfedo h going to come out in ths Slates. We've been in no htrrry to make lhal happei, be.ause weve been .onstanlly bu ding things here And Amerca willhappen as it's ready to happen. as

t!

tt, 4

veiy doudyatthe moment, thorc3 no realob(ade. lusr dealinswith a majn nsrtutiod, Everythinslakes a long rime. And lt's very dlff.uLt to puLLou6eLves awa! rorm thegowrh hore, rorakeoureyeorrthe

to

baLLand go

th. Slates.5o wele kiida of etring everything

Yau

ni,

ton heotthe best of Peiecto on Pele.tion

-a

hap

neaa

Peiecto srcatest hits Lampilotian, .vailoble o' inpan and hapefully saon os dohestit Elease ct c


BT

tnternational pop rrensation

acort'd,.J sort of mentaL hish, breakdowns thal elam into you like the iists of the5e a,e the typ€s of sensations generaLly felt when Listenirg, jaws denched, to BTt musk ata rave. fsLikehetgotsomesortofconnectionto somethinq inside of you that iust draws out an overwhelming amount of emot:on.Yourould p d,l..arly,al, drpiCiorserp"ri"n,e... "Well, l'llteU you, man," he says. "Oi a religious so( oftip, Im Like a spir itralmutt. You know, I believe in things that are like a cross-hybridizatior of

LA BOUEHE, thPir debut album "5weet Dreams," featuring

God

just about every differe.t culture- lthinkthat there is trLrth in maior religlons. lsubscribe to pleces and parts ofmany ofthem." But where does the energv come iron? " This is really weird," he begins. "l just found this out recently. /!1y mom went to San Francisco when she was pregnant with me.she went to the Redwood forcst lhere and she just fell in love with it.she didnt want to Leave. The strangest thing is, and I neve. told her that 'd gone up there to spend any time and that\ one of my favorite places to if rot my favorite place that I've ever been on the entire face ofthe earth. And when I told her about il she freaked out. Sheb Like thatt really strange,I wert there when I was pregnant with you.'And just.ecently lwent to New orleans and frrrrrffeaked, it was incredible. Ard lspoke to my mom rccentlyand shewas like I went there when I was on the same trip' t's rca lly stra. ge." 50 the erergycomes kom nature? 'Absolutely," he says. "ldo feela great degree ofconnection to nature. t was what lwas raised around you know Iu Pacsaid somethirg like lwas ir jailin the womb.' WeU, was ir the woods in the womb, homeyl" From Briart innerwornb experierces we retum back to the present to flnd outwhat he's been occupyinghis time with. "l'm doingToriAmos new record.lr soufds fucken amazing. She went to my rival high school too. Ya she wert to Rkhard N,lontgomery and signed with the same gly at East/Wen in London...isn't that a trip mar?"

"Be MY LovER"

I

lnterview by Da\id Nan forStrcetsound News Current LP: /ma Current 5ingle: "LovinqYau Mare' label PetectoEast west

a

MusicNow acort'd..J helps get the wod aooss. f there! a hot record peopLe wlLl €ad about it, hear it on the radio, or in cLubs. People hav€ lhe opportunityto be informed. lfwe compare it ro North America, any time ll!rn on IrlTV,l hardlV see anyofthe type ofdance musk thar we're talkingabout. "ColLege radio here isa great nelwork, bll ltt dominated by alternative rock."says lturosh. "lrefuse to beli€ve that NorthAmerica is an lsland that is exempt lrom a gLoballrend.To me, dance music is th€ new rock'nloll.You have to beli€ve that ifgood m!sic keeps being produced, and beins released, then that! what!going to heLp the.rowds togrow.ii [lusicNow's conrmitmentto producingquality music is their main focus. ln the past, BT was their flag ship. They took hiin as far as they could, and

l4i

i

,i.

N

u,

S,

\r'.< l--z

eventuaLlyhad to letgo forsomeoneelse to take him further. Butthe break wasn't immediate. "lthinkthat even though the last couple ofrecords werc

\il/

collaborative records, or produced by Brian, it's been a sort of weanins away processwherc he\ had less and less to do with the product." You can see the results with Dharma, where the production is joirtly handled by BT and John Selway. The labels Latest is the G.T.B. prciect with Guy Oldham, Taylor, and Bl "lt\ a matter olreaLly establishinga musical communication with the artist and helpingthe artist get there...lthinkthat theTaylorrecord is a good indkation that we've actually managed to move in the righl direc. With the future now in hand and the m uska I connectio n renew€d from the source with a new crop ofcarefully developed artists like Selway,Iaylor. and nowlean Phillipe of Alcatraz fame, [4usicNow remains soLidlyrcoted in the undersround wh;le maintaininsa clearshotatthe gold. Inteyietr'r' by Davicl Nam for Streetsound News

wilh

^

I I

-1

Now dppedrinq on:

ffi:!E ffi

.

;-'i

alile from chris TorcIa

1-[[[

MUSICNOW (dk.ographyJtrLy 1993 . pEsenl) Neurcmancer "lou rney lnlo Cybe Epace"

oo1 ooSr MNR oo4" IrlNR.o.5 006 ^,lNR MuR.oos MNR oo9 MNR ob ^iNR NINR

3.r "Embra(insTheFutuft'b/w"oeepersunshina" _Cassa ELasti. Reality dex" -EmbG(lruThe fulure" (5a5ha Remiret) B.T. B-L "NoduiJlhdsm sslon" b/w "Po*idon' D.Konrrcl -Mkrcdol EP" Dharma "TEnsway"b/w'seleau" Iaylor'Anomaly(calllnsYourName)"b/w"Earci.a" "Entbpy'b/w"(orex" G.T.B. Taylor

lohn

seLway

"Prolecr

"" licen*d by fribal Aneicoinbol ur)

[Stt

ilrutl It tN.Ill{.lllli

G \--/ HEAR

fHE NUS|C! *riar

'

?1,.r

2t2-3$-Hr#@


".t I

-

l

Massive

.J

Under Attack!

e'6os. ir was ritrie!.acd, and ganja smoke15 fLoat ns to the guitarstyLings ne Beatles and Jeffe6on Arplane. ln the'9os, its tilties, a.id, ecstasy, and ihokers ravingro Europe's Lat€st Goa trahce, intelligentjungle,and u(

!

Every vear like do.kworkthe mig6tion ofthousand5 of international pa ieE ,!e on the white sand beaches ofGoa, lndia's hedonistic hot spot for budget ers and Rve.star horeLs. ltt a dash of cullu.€5 whi.h onLy refle.ts the bea.h

'':. i

'':__ siale's struggte for local empowerment. llormerPotlguese colonyand main attEction for foreign amlesand local :ispoG sioce its birth in the l,lauryan Empne ofthe lrd aentury Bc, nobody in Hindustan l<nowslnvasion likeGoa,Today ich foeigntourists and even richer : aisram uprhe Rve star palaces which doflinate many private bea.hes.Their

:r-.rerparte are the posing.as.poor llesten backpackers who flo.kto the bea.h es ro exposetheir bodies to the sun and their minds lo the h€rbaLhishs and And Like everyyear before, the 9ti96 invasion has atlra.t ed its share of government scrutiny, Thisyear, followingthe annual bashes held atChristmasand NewYear's, Goa! Chief Minister, Pmtapslng Raie, has vowed an allout ban on the "acid parties" which continueto altra.t ever growing numbeE ofvisilors, Ramesh Nalk, Goa state chiefoflhe rindu fundamentalistShi! Sena pa ycondemned the parties as -somethingthatcould reaLly harm our youth'. Lo.alpolice sources say theyte heLpless, as permisslon to hold the parlles isgiven bv lo.alomcialsand land owne6 who have builtveritabLe finan.lalemptes by renungrooms and serv.

Loaded !pand readyto boun.e, by mid octobermostforeigne.sleavi:-r rowntotr6velthrough Rajastan and make thenwayto the lucrativew nle' s:E_€ The /e/rsaleD Posr newspaper rcported thal undercover narcoti.s oi.e's from sraeLwereoffto Goa lo invesligate "massive illegaldrug pa(iet in!i ! -3 . :'? thousand5of lsraeliyouths".DamnstraightlEverylndlaheadknowslFal. town with no contacts, you head slraight to the sraeLi en.Laves to hoo( !8. a-: befo.eyou Free Druss readers 6llyvourforcesto opposethe g

@member the downside.

ThisyEaralone morethan a dozen foreign nationaLs died ofdrugjelaie. compLications. Otricials said ihat most of the tourists died ln the bea.h aree 5.

rcundlngCalangureandCanacona,twoof Goa'strendierbeachcoves.5!.h

best highthat she smoked a coupLe

{

D ('

c)

fl I

t\l

UU

TIND OT

ir\

JAZZ. 'UTURE

NEW

.l'e

eae!l or Lo!al!-llu'e Mq-dl' ro /e"') mountain town where the hash smoker5

waitforthegosignaltoGoa,reLigioussenumentisoutrightkiLled byhalf naked, grimyWeslerners Looking to score oveDrlced a.d ro.k hard hash. Sad buttrue. lfindeed a nackdown at Goa comes thls December, mosl hardcore head5wiLLalready be firmly entrenched in the neighboring state of Kamataka, lnstead ofGoa's white sand beaches, hvers wiLlbe nestled in the hlLls of Gokam overlooking the Arabian sea on Om B€ach, orcampingout in the aLreadrfamous hamplCaves, But lhen again, the.opsand LocaL politicians are

a'ead/or ardnpd.g

'

tle'e8ior lo"void herodip-"'io.

What's next? Guess

yo!'ll

have to buy a plane ticket. Seek and ye

Extlusive ftpan bv Roian Chinta for Streetsound News

. -

srDtwARD BEAIS, ANG|tD MEl"ODtES, ABSTEACT BREAKS AND SOME

LittLe

fo,eign curiency have attracted both lndian and foreign prostitutes as weLLas a burgeoning newlocal mafia. ln Goa, where LocaLs are both used to and richerfrom the par ties, beachesattract more lndian tourlststrippingon bare b.easl5 than temples could everboast- Localboysare rcped into selLing druss, gtls into prostitution, and whiteynever had a bettercoLony. And ln Pushkar, a Hindu holytown in Rajastan where pa(iers

I lL\r\

)-)

inpo anl

wouldquietlychillwithfamiliesrunningguesthouses.Today,(ulu and PEwatiValley are rlfewith rub.yourown hash complexes, the town locals sufferall-night techno parties,and the floodwaters or

Thi5season, ao unldentified Au5lralian .oupLe and an lsraeli were are5ted after LsD and hash supposedlywoft more than Sl/t.ooower€ seized by the localnarcotlcssquad,Thi5 isa big bust in a sea of manv and the intemationalpressure is on. hteDoLis Looking into the extensive drug cncuit that stads in the Himachal Pradesh mountain town oflvlanallin the summer, nakes its wayto6oa ln Decenber, and eventually ends up in the export market ofEurope- lnltialLy colo nlzed by hippy to!ristsseeklngan alternative hash.smokins spot after the (ashmk Valley exploded wlth insuGency,lManalihas become hdia'5 pi.k it and pack il .enter forlraveling hash 5alesmen.

-r- \

ore

agowas a sLeepy

ering the thousands of rupees they rake in everyseason fron bok5hees, (payofir. But while they allow the pafties to continue, coa.ops a.e stillpuriuins the drus element ofthe seasonal

l

bongswo hofdaluraand

went permanently mental,

ngbananapancakesandsanjatoba.kpa.kers.ThepoLi.ethem loo sympathetic to then chiefl,linister,.onsid

rti (l

('

deaths, urfortunately, a@ pretty regular duting Goa's p€ak season. Travellhe c!it and you'll hearhundredsofpa(ylegends; the gnlwho swallowed so nu.h acid in Manalithat shewoke up haltdead the n€xl dayafterbeingsaDgraped br flve lsraelis; the woman in Goa who was so pumped on the nexl

seLves couLdn't be

r)

.

M E

C

T

A

P

S

NEW ALBUM FEA TURING AIRO,, "K

THE

tO THa X tN'96;

ON IOU R IN MARCH


.-

'.\ I

-

'Dub music is like a long echo delay, [oopingthrough time. Regenerating every few years, sometimes so quiet that only a disciple could hear, sometimes shatteringly toud, dub unpicks music in the commercial sphere. Spreading out a song or a groove over a vast landscape of peaks and deep trenches, extending their

hook and beats to vanishing point, dub creates new maps: sound sculpture, sacred

sites, balm and shock for the mind, body, and spirit llaanitdoqllll adu€lcgllrd lrllclla h thesoik lrtuEli3 uddt'f.i iry lrft{cit ,.od&€s tnth.

" -David Toop

5{t!at oord

(A d![

CarTc

.E(o.ds h.ve unbtururcly

,oa (16 aorrrEyslhd govld.d drp 6,r..p !,d b.5b Io. v&b.[v.l ooLrlnol-Jy ddErrt{tic It€ br!. d!.p?r&€of lsi.tan dubigdr€ flrt lE 6 lhroEhor{ drrte Eu$tlrrljtd, .d!he pdsc ir

mediuns

ff

ndr liuh

n**r!a.f !.odr.r6 .rn be

EIlI{ary Arbflto&rirr .aqi{dlon (mn).{lidt katr€s lroopa burd

$d

lhe

a! |.n SlEta prctasfs

Ih n

who rc.or&d four .lbumr for

fr.n

Snah!

[---:]

t

I

a

mr,Jrd

irlu&d re tte hlgtlly ku&dadt db5 h.r,e neFrd lay lh€ fol,ndafioi Ior lhe

4

(ui'I!ntrcsrlerre.

u(h of &e.ontPmgo rdy nerv rcol5 dub saeie has also arEen fiom theon{oing wort oflhgaft, tros€

\iX'll

ln le Ro.d in tordoo hav€ Fovid

legerieryonere.soldub lessbns tlolorv3y

tEpirdlonto riorprs.

num€roug cornempo.ary

SHlnl $.lpp€d

down

pra('

dEft.l drrb &,Orerd l.{rl Or" (g*v.r/Ulo .oopfldr.o

ba* (.ttha

0

r]n tttr

it chcrt inv canffms thttlErL EM ard tle Od.lJ Sound ,o5s. arr oo ttP Shala label.

tlte oths d{|(e nl€<ra. fie ,w 106r! dub k ffrr€nd torcnor € 0l ditll' a form..rd thusthe 12" Ghns 6upcln i{€\llrth.l€sq a $rot rBny sDerb dub cn. llcr hil to nEkc tlEir rBy a<a066 0r! Allanti(. fior thal reasn.lhe ,e(cna soala o,

notdrb\JdLrffih-b.ilE-.D,tM dtu

tr.dstrolnlrffi,haffi. Itdr!S.!Fi/r.O.dao0hl:id

ftaht dtlErs. Olrrr,add matc5 cvi&lla th.t lhe 5dn4 5y.bm pyroerhd(lof Ltl 5t6la ira,c rlotlo.* ulnrotkad.Ihcconp[.lioa lnclrrd€3 .n .(.rEly. *aogadry fu €ach

a \

I


RECOMMENDED COMPILATIONS

Varlous (shiver/Ul0 Various (ROIR/US) Variou, (Plan€t Dog/Ur0

2 Dub Revolution

3 Planet Dub 4 club lvleets Dub vol. 1 S Macrc Dub lntuction 6 l'ime wae Dub clash Z

Dubnoloty

8

S€ning Sail

Vaious (zip Dog/Ul0 va rious

{caoline /U5)

Varlous (rsLand/us) Varlous (l\4iddle Ea h/Ul0

hrAn ouEnali0nal Re$ae SW

Var ous

(Buba.k Tontrass/Gemmy)

r

RECoMiIENDED NEW RoOTS DUg LPs/12"s The Dub SpeciaLists (Crlspy/U r0 Dub to Dub, &eak to Break ALpha & omesa (RolR/Us) 2 Sound SFtem Dub Ihe Disciples (Cloak & Daggeru l0 3 Resonations

I

ILPI

[LPl

[tP] [LPl Star of Davld [EP] 6 History/Revolution IEPI z Megadub[P] 8 Conqu€nng Dub IEPI 9 ln Dub We Trust [LP] & Strictlv Dubwlse [LP]

Alpha & Omega {A&O/U l0 lah Wador (]ah Warior/U l0 The Dub Spe.iaLists (crispy/u l0

4 Tree of Ufe 5

i

eets West (DuboLosy/Ulo Henry & touis (Amasideon/U r0 The Rootsmai (Ihird Eve/u l0 Bush Chenists (Conscious Sounds/U r0 East

artists featurcd. ThrowhaulDub Revolutian and Dubhead,the melanchoLy miror keypiano is pushed even further into the echo chamber while disitaland aralog basslines provide a cavernous backdrop. The stun-

thatwould be considered impossibly limited by contempoary standa rds,

r ing debut albu m by rhe Dub specialisls, Dub ta Dub, Brcak to Break

Uptow, has dircct influenceon theworkofAlpha &omega,who've pared

(crispy/Ul0 is one inwhich musical reference pointsconfound easydefini' tion,where house sarnples collidewith roots piano while the electrofunk

down the implemerts ofsound to drums, keyboad, bass, guitar, and meLodi

ofthe

rhylhms ofthe RoLand 8o8 drum machine provide percussive force. Tracks such as 'Reality"tak€ theirinflLren.e from Newcteus, Pfince Farl, allthe while samplingan early Marshall,efferson track, "Goha Have House [lusic". .8o8 Dub'drags the Roland anaLogdrum machine into the domain ofdub, rnaking serse of an imasinary clash of Kins

Tu

by the team of Petter and Wardrop, r.rembe6

bby

a

nd Newcleus. Produced

they nevedheless created towering,

fl

uid dub sculptLrres. Augustus Pablo3

pioneerins uEe of ihe melodica on albun,s like Kinq Tubby Meets Rackers

ca.The Dub Spe.ialists all-electroric track pickapa thefab cofdrum and bass, taking hold ofthe stylistic gauntlet thrown down by KingTubby et al,

usingdigitalandanalogequipnrenttocreatelo'techdubwithhi'tech. lnthat resa'd, contemporary British dub beals a conceptualresemblance to techno, a

genrewhichalsoappropriatessophisticatedtechnologytoproduce

rau

ofthe Bush Chemkts and Dubt story is one that can never be fulLytold becausethe musk is

Centry, this aLbum isa magniflcent state-of-the-dub addrcss. The new dub is gaining a considerable audience outside of Britain,

alwaysmovingon,encompassingnewmeanings.sounds,contexts.lhe

padicula y in Chicago, where members of lo.fr indie instrumentalist Tortolse

outeredges ofdubb influence are felt sirongly right now on Henry & Louis'

provide tumtable suppod lor a dub and drLrnr-and'bass night.Johnny

mixofThePurple P€n$inb sorseous "Prcssurc" (Cup ofTea/U10, and

Machine and Gsey Rice ofthe band host the night aLong with the DraSon Sound SysGm. TortokeS Goriri" is also featurcd on the o utstanding Mrcro Dub tnfection (CarcllnellJS) com pilation which charts dubl bloodline through jungle, techno, and outerspace.

Moon Scientistb Shrub-a Dub EP

The stylistic continuities between'Zos Jamakan rent revival are mad€ dear on the wide-,anging

fine

dubandthe cur

Warp Dub Clash (lsland

us) compilation, compiled, in pad, b\/ Don Letts, whose work atthe intersec' tiors ofreggaeand punkin Britain duringthe last 20 years. What distirguish es the new dub fror. its artecedents is the use ofdigitaland analog instru' ments to rccreate some

olrcots dub3 most heart.rending, suspenseful

moments. While KinsTubby, Augustus Pablo, and Joe Gibbs used equlpment

(Ha

FUU

Hand5 Lll0. Chrcnically under appr€.

ciated B stol produceE Smi$ & Midty have been recording their journeys into the echo chamber and beyond forweLlover frve years. You need look no

fu

her than their evocativ€ dub of a classic British house recod,

Gdton!

"DoYou Dream", (trrrluK 1990) to apprcciate their pesclence regardingdub and house hybrids.The pak recently rcleased a new album, Eass ls ll4otemol ([4ore RockeE/U

10,

which sees them eludingeasy. reductivedefinitions yet

again.

iin

Hasled is dance editor af cMl New Ntusic Monthly ond $teekly donce

nisr for C 4l New Music Repon.

enail: THaslett@oaLcan)

calun


aorronrFRANKlEBONES http://www.streetsound.com/techno

Sympathy llewous Syrrpothy Nervous albud,lu.L.d wlth had 6nalog erpeimeils dugh b.at!.id de(ron.ov{tones, Produ.e'Yorhuhitliiuhi a h3fii5 ar wu,dan.enooi peakhouLAid th.5wqar (Nova Z.nbla/Selsium) Seriou, doubh

@ pnagreretve koawe EorroB Ctn S HARSHtvtAN. $,wwsteetsound conr/techno

di05,Ch(kout"losingYo(Eidorphli"&'ThrouShTheCoie"5pllltins(hi.a3o\ghexohou5.&n.w ele.lrctrka, Thi5

G

te(hno

n

1996

m

lpd oi

igoi

"Read & Wnte" what h... k a te?iage RobenAmanioi so6? hallu hisfltsl p,oi.d.roufd lh.sahe tineastheo.isiral "Ci<us3.lls"

(i99r.Ther?nofftis EPfollsrhirthsrymrkliglhl! EP.nun h!8, and (h..k oul

ll.n

rhe Rud€ 66 EP .alled

tldll(

t

rrom

finlrtrdllllso

Anorh., Diu sronpe'

With l{o l{ame Floor EssEt(E

(P.,r.do/ux) co t6nc Yu.* Pasin! ph:s.? mayb.- spi,l!.P irayhe ir all soundr th€ nE to n. _fldr Esn.e" 6ll.d'3hrk UBht", Emph.sis on the had ri.k drum, alnotl Rotl.dtn unril ihi5 nn ol h d. Uplirliig n.lodB heavy a.id ul!9ul lh. p.inl by nuDb.E had fis snarc{oll.nd lhouB r..p .qyon. shiling. This is re.hm nan.. in irs fi'.n mon. , highly rsommpnd.d.

Xl

P.t.y X

150nr!()very 'PYtiurtnr aamier,INAC nyL.d nuft, ik..ledmikworkouts, musicalLy@red,Ch(kout "SubLoop'{hkh b gs old skooL'aneGy Flash'fl&o6oul ln a 1996 sp,ingbreako!t.50ni lsgolngto b.

r[.

UK

r..hno Lab€Loflhe year

Swgeoli DYN^NCrE

R

ght Elon3{llh Pea..ftogand your eaBwiLlapFove

so

doy, Ahd

colch the lotest Plostiktun rideo on

At don.. nvsi.goins dototl.ty, th. state olployir ttu.lubs y stob.h.ad. .onneftiol slrket pun.h ol hohdhoq, thonkfutly bzinq Eph.ed by (nDst irpodont U not do^r.obt. knhms ond nptod i.s. sode hote seio s but whor thz Duth srod.d lost yeor hos stt od oll or.t th. ffitld ond the g.nE of pb. qt$sit. hottok u . *hol. a.w nankq . but t qu$t thot\ why we.dtt it ptu gretti!4 right? Stoy tuned! Aon butt6 to lollow...

1 S[oArE STRAilcrRs

2

,t

ItD

OVER

MarrER

H.a,L[ndigsds smoorhd vingnanr. Dt lD WELconE fo ANaTHER WoRLo

(Y.ri)

(Hamony Hou*)sup€rb?n€ry m!!k, rough but flow]ng

EquaroR 3 (TEnsoo

Ff,EEzE

EP

5.orchiiqlhre€ xa(ker lrom

)

trrrHY 4 (Ban)

RrcH Cs,sro

w

Lo(k label.

lrusrc

5 WaY Our WEsr ,o,firfl,qrrorv .oi5rrudlonl wo hrhewaI.n ept,h dersound 6 Vrsr{ADr Mr[D Lrr 6,4P (!MM) ltalo NRGwithapun(h

Yro Moo Sr r Prus

(0sx) Druam l\il!$. ar its 6ne{

&nbition/lnle4rm/6.maiy)

r..riigrh.pn

ath.t

ing owoy ftun the

7

fr$rlrcrr

a n.r lrb.l lirh a ane€n... rerh.d yith an add r..n.. rwlir BP *hirh it kl.d o, rl. p.rl.t r.mpo for (h. momnl. Th. nl 'rdnr.nd' ie aioths winn.i {.dlng ofi lik. R.d I .id building iito a 3rntng t .(s ehkh ir .ko r

(clobal

the

coolqomoeron us Ben

EP

lrd€dTGrul0 Daveclarke,ais !houldn r m $ lhls EPbyman dfrh! noment, SuEeon.ALreadykiowi {@m hG rom, of R€d l, th. Surgeon.nt.B you, daiftflooraid op!61.s-Theselh.ksallnah aid d.monnGt.wharr.rhnd r.a.s asre dose ii oi !hey.ar:!m. And rhiis EPprcbibky{ llnillsoutrd

l{egalive Return

os t did in

Gmdny

l\.

heod thdt the nod renirol "ahildren by Roben Mites (DBxtltoly) is beiag used os on lntrc. ro the dolly .ews on o rv .hon-

,9larko Laine /!losa,a (0iar/Lrp B.ah/HolLand) .iiogrii. subsian.e

lp wh.r tnu

fou know thlrgs aE looklnq

lV

rts smiling about rAo

8 U [y

3 vs. TArERrco t'LL laKE You IUERE rar e*ithaft.shdepeund VEGAS SouL Yr6^s 9 (s.llbov) (03I)

An old

Bi$y.hunI ru,nt ang.lt

Shamen

,rar

tilde l.dian/UOrhelad heru i5rh15,you, i Oop !and, you E lineallyht d e.,y r.nix.ri^rhe bir ro rcniryour5hit, (you6 rruryrndud.d),id rirLl*,fl ro h3v. undel8tuuidsbru3. PootrIh.Aw.r r.mlr. .! w€r..hok.aid anyrhiig byAw.xiofr.5,e(omm.id.d,.5p.rhlLy!h. io ofiBa.kOnPLastk'l Lone

to PLANET (5451

GEflERAno

0'd you buyyou,.opy yer

Zto

11 DAvro AIVARADo AuRoPr Somb rist.om.s upwrh 16i..house pe.fedion

(x Rated)

t2SHAsHt lr's Mv

LtrE

IR x]

(Byl€ bLue)Natural Bom Grodv.6 serye

I

BAZZ,... The Crystat Method Single : Keep Hope Alive LabeL City OfAngles/Sl

u-l ll t

tos Angles CrystalMethod are Kenlodan.nd Srotl (nkland. TneV are curently buzzing on rews ollheir eigning lo sony! 5l label for tu@pe. Miring hard

beakr with melodic syntbs, the band has been desdbed as "out chemical'd lhe Uk srotheB". Theyle.ecently romhed (€oki3 5ma5h hil calerpillar and will .e ainty be doiig more remixingwork.,\,Vatch ior an Aflerlcan aLbum and tour this 5ummeror you can .akh them performingApril2oth Llve at SrreelsoLrnd a.d Pieasure rorce's Revelationl, ai on going series of concerts to promole and h ghLight North Ameri.a! besl new talent.

lCHRts HaRsH AN RMxl

upa,loorlill.r

13 l-auRA ltlUMAN R4a,o

t4

Ltus

A

FoREst

(UMM)Th. C!.e are.evived byrh.5!

r5 5un Cmnrrns (Be[boy)

/l

'cosplut

! rErrsofsmoo'h daft.noor dnv.

L6YENDEIIA

Lan IH rc

{venderra) Could this be 5pain! Rollo

17

l

r{ER CrrY H|AIUS

(6by6),Cmhtvo(alr.rhnoroDo*you

t8 to{Nt Ft^sco Acto WasH ttl tGx) yes ta.kl or d runki r,

19

3d

7

NAKED APE

(wr TD,

Wtto's eot lr?

suaiFht b€r pump m nB rhr

rufl

20 SPooxY SHUN| EP {Geier .)

C

(ult breakhq

brcak beal

D

recor

d s

pure electronica, electro, acid, trance, detroit techno, rotterdam

frankie bon heather heE adam x

gabbr, chicago house


DUB PLATE SPECIAL so tur'96 is

prd nsto

be a good yeartorrunsLe DJsand avid

oftop rnsii hit tunes from 'cr flna LvavaiLabLe to loe BLowon vinvl. A Lotofrhesetunes Jr;ushbrqhirsin 95,were prevousyunavarabearsrreer LeveL.Th6 s do ro rhe ra.t that the luns e s.ene s larseLl/a dub pLate business, iot unliketheappaGlus€ngneered and .oLl€doE ofv

nyL.

Therc!

a ton

rmployed by the rcggaescene. Her€! how it wo*s: lhe top produ.ers& ol/prcdu.e6 in the sceneerhange ormakeerclusivelyavaiLabLe to ea.h other oATs of the rnew materiaL.Thesesongsarethen fercd from DAT to a fomatwhich alLows Dls to pLaylhefr.a ''dub" plate. The dub plale, a matoelofSoyearold te.hnoLo' 3l,,.an bethe intermediale slage behveen a master.opyand vinyl(itt d:tr€rent frcm alest pressingwhich l! usually mass 0rodu.edl. Bastra ly, a dub pLate oots llea lo" re.ord and

ttn!

(ai b.paved +eone, b!l rheywe outoverrim€(usualY aheraboul2o So

pLays). I\,letaL PLatPs

arc.wered with

a

lhln

Lacouercoatins,then ekhed with the grodet. Brad al Torcnlo! LacquerchanneLfiorcnto! dub pLate central), geG

aid

"We t6nspose lhedlgltal signa! intoa fom.aLled 16lo s gnalinro prev ewand progrrm, the ma.h'ne

sp

'trhe reads tbeiore

.utthe

l wte5 landmalesenouPhmonloritto

gmove, which G.aLled nestiag".Thercforcyoute

giving tenough spaceand optimizingthe plalespa.e thatS used.You getlhe besl possibLe.ut and you save the most rcom onyourp ate andvotr g€t the most program allhe

aid press

you.an sriLlplay

r

up

pLate. rt helpsthe

lran! I on fmm

inrlh DJ

twoof the junsle

(einy (en

How nony dub pldtes hove You hot!.1 r2o LurLrnq a Lear rwke a month. A Lol orlhe Djs n Loidon go everywee( but don'tsee the point. Halfthe Iunes peoplegiveyou to puton dub plateare outon lest pessingtwo weeks laler so you've just waned vour so r url LUtwhen Ineed lo, and on averaee ll.ut z ;r r and floe orrhem &e my own 5rurl

:.f

rrr;.

Whot's

u, wlth

the

ltngle scele bt.o*lng up

lnto so nony lrcsnents llke hdppy hdtd.ot.

ALLlcan say G we as Dlsarelo blame. we dlctale lhe scene, we de.ide what gels p ayod and where. We alllalk toea.hotherand DUtourvewslogether f onemanspu ro me, '55lwas atthk pLa.e and played ragga iungle and lheoaree,plodedaiotherewarlrouble.Wel eonna pass t on to lhe ne{t quy, and bero,e you lnow t wele aLl saying don't pLay ragga.ause it! promotingv o lence. Andthattlhe same wilh thes.ene.When lunBLe qol ma$ive a or of Dls brole away, and sta ed lo spe'

DJ

s.eie!

and 0155...

01.

n s.hooL n Lekeslerwe use lo have a break.dance group n the earLy 3os, wh€n brcak dan.ing ki.da faded out we pole.ted allourenergyinto being Dls. we basi.aLLy

(rassa)-rt\ Like wh happened when we were , av 13 _ hadcor€,and then hardcoresol reaLLy.omme( arad0 thechaft.You sta ed getuig eve.ysharon Aid r'a(' (a namegiven lo people that go to lo.alnile.Ltrbsthen,?! to one rave and thinklhey re ravers)a1l.on ng oi the rave s.ene and rhlnBs got really watered down And i-ai'! whatiook thii€s rcaLLy dark. And the people rhar we,e reaLLy niothescene uiderslood, andthe peopleRho were n tforthe"YaYa here we go 'didnl,and thev -er faded,0n.ethevwerecLearedoutwe gotba.klothe program again. And lhat's whatwele doinB with j!ngie now, wele gonna go deep and da and.learlhe peoe e thatarenotsupposed to be outth.re.The reggae ba$linewiL always betherc butnol asdominaor. Frodavone sadwewere notsonna do fullon tssa abeL,thafsnotwhatwereaboul.TheraggapeopLe aLreadvhavethetscene,we naeded to be more nea..! aid oaginal. I fi nd the hardstepst!ff la.ks original l,_ thevtake a Lttle sampLeand pul Ito a drum and bass rhylhmand rhey1eofi.3ut realDtumand Bass s mo.. musi.aL voule Llstei ngto a song not just a l13.k rre intelligent stuff has more meLody, 5ax, horns, and vo.aE

o..:

;alrze youcorvourle.hnopeople,yotrrH'ghSreppeo' pre, yourdrum and bass peope t u5e ro bea as one. we (ould allo ayaLrhe same pa'rv fsiorllethatnow

<

aboutunirv. eol(ins oeoole roqelher, nolseftlns people battLlng against ea.h olher.That's why wete keep ng

Dl ss Hor dld you be.one o

The Psy.ho EP

gle,bu(ourmusLEnol te thar Thelungles.ene

Now' n thejungles.ene.who s p.ivy to DATS dependt on pol ti.al afiiliation,what(ewyoole down withoryour abiLitytoerertleemge inotherways,Thissystem 6ciLitates the condll ons underwh.ha smaLlgrcuD ofpli€ Dls.an have a monopoLyonalLthelop tunesalways and forcver ALso, be.ause the transLation from dub platetotestprcssing to tulLreLeaseonvinyl.an often lake six monlhsto a year, (hpcllmate it.reated where a produ.er.an have a bona fide sieer.LNeL hil withoul having a rcLease. what this means to loe,unslr 5whar! new to h'm orp ayabe i5 ofren o d to rheeai be.au5ethe t'a.l\ been pumprq oi rhe 55. Mlclq Finn, Hype or (enrry Ken lapeln his.arforthe lastslx

SrceEo,ndchecled

Led

release on our label, Format on R€.ods.

No, that'sthe reggae sceie lryin3 to bring that into jun-

to prcducer by providingan expermental aM.osteffe.live slage where you an cul dlbsofyouraniisliveo^ your

biggestdub plaie maste6.

fi6t

thlnk vc'll evet see rcgga. styl. Dl sou"d closhes It lungl.T

5m.opies ofYour Late5t.rcation,

outof

and was the

Do you

You.an geta dub made ror about$5o $roo, tom a pressins plantormasterlns house (se.1he List below or .heckwith the lo.a rc8gae shop io flid the best dea0 The ma n advanlageofdubpLates isthat, ifyoudon't havethe cash to go

tra.ks.The f rst track lpressed was ca

awavrromthe.aqeaiunslerightnow.PeopLeare jumplns on the ragga lungLe bandwagon, thln[]ng ragga! bLa.k man'smusi.and allthat. Aid it! no1. its iust a natuGL prosress on oJ hado(e techio. And lhe maiorityof ravers that go lo a jungle sesslon now, don'tappre(late whereourmusk is.omlng from. So big ols like your FabloandGrooveridorarenow&breakinqawavfromit

whot's 55 stond fot? lnetoiew bv Chanes M.cLynn

Kenny Ken Ho( conpetltlr. ls th. lurgle scene ln n England everyDl is

lhlnkthatoneortwoaea couitry

E

6fl 7-247-326E rAT 6fl 7-D47-8982 A{A]L ORDEB

{

aLL

around the worLd, wete

tlends.

unofiicaLrtrL€. Noonetalks about( n!ju5r done 've got mvoan pprsonaLdub plates, but ldighr be ungdown with Ra^deLL.and he mlShl be.utting a l!ne and lmight say "yo lel me have a p e.e ofthal" and he'

{t

Letme.ut t. Thenlrlchthavesomethinglhathe*ar:!. and tometimes we'lL do a lillle flop.

vou've b.en

or.t to Notth anetica. nrnber ol

tlnes, what do vou thlnk ofthe scete?

There's like this rivaLrybetween 0Js, aid somet mes thinkthatit's the w@nE klnd ofrivaLry t!notgoodlor whatyoute tryiig to do ov€r here. lfthey don\ stop Rghlingwilh ea.h other and stop slagglng ea.lr other oii. rhen the scenewontget biggei Theyte against ea.h other alLtryingio pullthe power to thenseLvps. B gger Dls shouLd sli.k tog€ther, and try and coicenlrale oi making the scene biggerover here. nEnglaidwekeei everythins iungle. ALL(he record dstribution. allthe re.ordt getting made, everythingto do with spread ng th€wod isdone by people inthelungLes..ne litery ew by ChanesM.6lf"_ A stdftinq list af dub plote cutters... lamaka: Bu nr , Geminl 8o9,968.31s6. NewYork EightbalL Records 212.t17.1416. Ioronto: La.quer Channel 416.444.6771

ol

ts@str@N'6

TEI(NO

y_-'l

@DC0

UbE EtsGR@U6E

,UNGLE

tsEG@@

EI.E(TRO

aatD

!r

gCC@P

tazz

NEGGAE

HIPHOP RARE

(LA''

a@@46!-4949

A'I'

alL

ai

w HOrrtE

PHONE

cut above the rcn, bul lhe rop

Do you .v.r shorc your dlb plot.s? You getintothe positon whereVou arc goingto r.ave lunes that you don'twantlo glve away. m goiig 1o ia\. tuies that don'l want anyone eLse to have, it! kli.t.f

rsrarted offwilh hip hop, then did a.oupLe ofhousey

CAll ;(,R IXF(,:

ts

Dl!, the ones lhattake thing seriously who so oul and pLayeverweektodlfferenlcrowdsupaiddowillie

weweil

51de

up,

LittLeone!und.rnealh.TheDl'sarenotagainsteach

inro thehappy,lhen intothe dark em, thenlnto ragga, thei itodrum and bass.We were rcaLLy.reatoE in the

vthen.llt you get lnto the prodt.tion

a line

other,it!Llkowariorslnthewoods,wetealltogether. we'realltryingtopushthlsthing. 0bviounyyoumight

playpdhiphopand soulthen got nto house,then hard. .orere.hno,thenweoroFr€ssedinto jungLe. twas jutta ialuraLprogresslon into iungle, from hard.ore.

atop Dl,when you do

notlike"ya, (enny Kenand Groovpridel' and lhen alllhe

FOR

D.'. BRUNO

-rrL-

9E Mngs.AVE. auzzEB #9

n

0


AMPLtftERS

tracking

'

Cis

A

C/|5t5,

MI)GRS

ffimo€[kl)m

BY DJ DISC PLE

ALolofgoodiesw€re atW nter

Mut.

Hill a .olLabo rating €flort wil h h mseLfand

Vdorsimonelll. Wat.h out for V.to/s LP due oursoon nlhe UKii lvlCd BookerTi5.aus

Conference, so Lets get straight lo il, Tunnel Anrhem" ir iiadonm .aLLs odginalLy rcLeased by Ur'ltl otal, has been s.heduled ror rclpa* on GlodaLic ous w lh lr vasqua

ing a st r with his new bomb with Lll

mixes.lunlor sals.wo n3oi a hotnew prcle.twllh Erel}n J*n, Moleab.utth6 nexl ssue. CaiualGontheLptiD.omingisnewles rrom Tenance F[4, Pauuohns and "Ri(e & Beanj fom Dl Sn*L wakh lor a new Dis

ft i4B

anonymous prcje.t Irom GjuaL as

Th. Llght" is

Lde

N

e

Nenryst@el sotdopelolnts.odlig

thGspringlicludinglhe remixesof PiavThe world" by lohn Nick and k€nny Dope, By the time youle read th s "au.ket boodeg" by (enny Dope will be the floor lilLei, but how

Hani s reeing rcaLlygreataboutlhe 'velL. sister Moon (Stin3J mixes he did tu AV[4.

aboutthal N&erGetEnough tunethal

Ner (o Laboratinc wiih lol Grdw€u on

Todd Terry dld for the LabeL. De6nitely slam-

"Baingrrly5oul".whilelol

is

geltiig praf

mln.Speakincof ToddTerry,watch oulfora new io nt

Eqhrbal), herlalesl enge, off and rcLlln3. Han atro r€amed uo uth FEnlde Knuckles oi a P.bbl6 pmied for t4l3!n €nlitled Like

-\e

(now w.aLs, ^,lanha so vou

lime'. cutl

i&ls

Humohn:6 bans nq lieaiher Cs 'Don1 Go' .eroLJrod)whi€puttingtheir handson

-Erer,th

You

^g r-r s hor rune

s

Dd'

(Kuu) tor

Grcle

Tdd

0nTheUKride,95 Nonh! suc.ess is

(o.riilingto g@a5"laair", aseryta.k is .e is rcLeasedon fticlioi/U(and remixes of &$ySled8es"AnorherStar' s.omlngoul oi Narcorics. Ro8.r5 LabeLownerof Na@ti.s -.s iris own Load to .ary havlng to deny

,rno6irarrhe

LaboLno longer exists. Fururc by Ptnic w th

..i.asesare Your Love" - es by E srode and

ker

B@ker T.

It

Repudi. with the Earth Shakq EB and a new z. Stri.rly Rh!,thm is giving h m

ordEsth

PErAtr

sPtr,

Bla.k

M

0^"

by l.ar6. MousseTaLso remixed

"combeLi.o Del Mundo' d tune oerfomed by ra an rapperJoDmd.rh6@(ord G st,a sht upthe bomb Ma$eEAtWolkremt reep slrcng" for Blzarc h.. Derry The

eases. Living n Xrc" (rEatown/Ur0 wiLl bea strong one ior cons stenl hltmaklng. [,lood Swnqareals lhe guys respoisible forNewYo e6 Eoing wild to DonellRGh! "Perfe.r Day'', (^iAVV) and Do tr{yWay" (crcove On) EmotiE Recods havea buz gongwith Show MeThe Love" perfom€d by Lue aid prcduced by Enc Krpp€i Th Oly, notdead lo manywhoappreciatehou* husic hasa rcLeaseouton Spnitud Llre rc.ords. lG'nine W has a new rclease entltled "one Morc Tly' @

k r (rondoi)

LaM

Fonna b€ hot. hottest prcdu.er, pul

me on 1o this kid Bodswho\drcppiiga wirked oro ecl for PeppemintlafrentitLed "Keep

i. *p*kn.s

lrfrr)

. .. . . Dt.oRod5loov ori) Grco€.o d!e(c rlep)

' ,,,,colm]oIphl!.) . . .Ihdm.Ho6bnlA4L) . . .. . . ... imrladronrA[PM) . ..saidyBl.hii,p oD) .. kdr(Po.il al ' rGrhcwL.hamF oi) ', , ]a0

SoLulon EPandSonv w th Lesaq Of Sound on ''Yo! Don'r Wait to That TGii Boy". axi Re.odr lateu re ease ^4i$.omes iom Shay in " r ReaLLy ooesn\ Mattel', prcdu.ed 5y Mlke Dunn and syon Stln8v. tldy Bunny Diminiand Hani also.oLLaborateonaprcle.t di rhar 4iLL denniteLy male headslum.

"asn,m'nlhe;

l

h6 trr

rrenextSwing52wilLbe weAl!NeedTo aome iircLvlns the same @w knold laMs, waFe Rollitu and Bnjl Gndabno.

o

ed for Wayne and

B€nlil

,rl

! 6emmiPMXT 2 phono, 2I'ne .2nipmaa. He?dphone . Mrc

idmill

"*trtr

I @E@Gre

(Chamolon) but t! "1sht 0lThe Living" seems to be Snining mu.h bua over here. Thanls to De€p Dish whose remixes we@ reiected by the lab€|. FEnkie Xnu*les is in the studio writing & oroducins tor LutherVandN.

th

E

o tJ

war.h out for thatsoon.up & com nB pmducer Rlclg

Mori9n ls

hirlinB t here with "On& 0n" bV

lvc)

tnrt bul nol :i.rhprLrn.lerc6rnd

The DJ "Starter" Pa(ka 9e

il!

iio@lGedany!

TenaElia ^,!uslcr.mirslanetlackso.! Pleasure ftiiciph'for A&[i. fte new Ubedy OIY is gonna bea rrotone forTrba MmdllSwing are gonna have a hor /earwirh lhe r Line upot

s,ttn.

also belng remixed by

hel prcdu. nscalled'1umpin". and l@lyn BiM are on the

wah

dc re.od ns artisl OrMU gro is et to rc.k the next single, E.oneo v wirh Ked chaidler and Mike oelEdo on rhe mix Dl Dm on Lhe red ' tip uiii_i shed "torlhe Ne{tlrme by Bb.t (Smaco. e5 Norli has Toiy Lasl

tu00 ftioSry

slde. "s€e one of h s best podu.tions

abouflo bedroppedonsLip

kan. tuelai.edto

a

get somelhing ofi mv chest, .on. .emingdv an EP on Frceze/TNT, Di(y

DA4Cln her.olumn quotedthat' b.ashamedof notonlv bootLeg$ns oror Ubet wo*. but oa$ing ilotrasmv own." rcad, support aid @p!rt to D^4c, bul Ler! gEt tho la.ts stra ghl, nes rcdited fryseLf as the pioducer or "L.tin Love aid

ooolhyof

shouLd

ao notrcsponsibLetuwhatanotherLabeL Epk Re.ords,but Dorclhy!statementsaelncor rc.r loumalsts need to get both sides of the

ouGout.Apologlesloouttoomarand

o

t,E J

ll o l/) rai, lu

o o l-

{J F ={

:fF

l, = = =

29944


It's already April and we have the uneasy feeling that the house scene stil[ hasn't kicked into gear yet for'96. More accurately, the U.S, hoLrse scene seems to be sputtering along these first few months.The quantityand quality of releases this tast little while has dropped. White manyofthe American house labels continue to push the same dated, tired and altogether uninteresting ideas ('let's make a slamming bitchy queen record!" ..."let's sanple Lolleatta Holloway, it hasn't been done for six weeks!1"), the IJK house music scene is currently peaking with a creative outpouring of fresh experimentation and innovation. Labels like Nuphonlc, Basement rax)(, U'Star and Matrix are redefining "deep" house music for the late '9os, bravely preserving the kadition of classic labels like Nucroove in the early 9o's, while moving foruard with eclectic production and musicianship. The irony is that a lot ofthese talented British producers don't get the credit they deserve (from both clued out American Dls and the often self-loathlng British media) while way over-hyped Ameri(an producers get fat label deals from rich British labels. What's more, garage lovers aIe getting used to scoring theirlersey fix from British labels like Freetown, lnterstate, Swing City, Hott and Public oemand. Of course, we all know that the UK is where much of the worldb house music market is at, but is that an excuse for many US house labels to be stuck in the past? No, we?e not attacking American producers, beâ&#x201A;Źause a lot ofthe best house stillcomesfrom these shores. Butwith allthe

I E -5

exciting changes happening in the UK, both in terms of commercial success and creative output, isn't it time some ofthe US power brokers start taking less things for granted and updatingtheir outlook?

OE =o

Urban Blues Proiect presents Mother of

a=

rsoi- i'L Pe(ororlqs T''!

Pearl YauR HEA/EN /l CaN FEEL Ir)

s lhe fi'slreleasF tom d n"w ov.he U'oaa Bue, ProFc lo e o' n. lq| "p menls and carelllatlenliof lo delai lhal is becoming lhe UBP slamp Lookoltalso forthe new UBP featurino Mi.haelProclor caled Love Don I Live. aso on lhis abel.

!!6 "d

label\al

i;

95 North feat Heather Don't Go

(Resolution/UK) Garaoe pickJrom veterans Bchard Paylon

aSmr trrho'a opr\ocolsr Lool or'ror lrer Ja_.7 oiErF"roir o\ pl r) rher m, o Cdrole Syvdns Everyth ng lDo on (ul Groove Collective SHE'9 So HEAW ald Do

EE

step) E c Kuppeas epcjazzy house mix has been nre no^ dnd oo^s oossble o oe'a wrder ieease Aeqn ol qood lhnos lo co e lor lhs n"ew (G ant

lloaLno a.o"no lor

a

Galaxy People M\ srtcAl J1UBNE\ L aLtc(soflf is .p rabelp'oper v 4nh dl Expa'eo.s-.spred dr Voe ol ti\ rrrl pleaqel

(Clea'N,fJec)1"1-y Eo

ldjul Boys JAzz FooK (U.S bovs lLrk J" Lp.qdi1, wilh no? orlhe r dooe "1-fe grooves. Probably the r best lo date. Meechie You'LL NEvEfr FtNo

Tr'o'-.'

Vi..

(lvLe.c oanrr VDp LrF's b,ord rw Plorl roe B rhe home lor lrre.chiee alesl. The *hoe Vibe oosse s

i. eilecliorths one,

wirh

epecled resulrs

(Cash)The Sou mmgranls relurn lo Crash anolherlasle oilhendeep holse ilavas. Also keep an eve outlor lheir upcomng vocal0pa. featurinqAfter Darks Yo! and Me on rhe labe as we as lhe new slbsidi.rv ol Crash Vrnvl

P.i.. R...rdn.s Fallout Sheiter presenls Dinah Moore yyH.rr Do You WAN|? (T'bd Sl.pp/ /o alby I'p lpar lFdl broLqhr yo. A _aho7'c Gimme Luv producer Vcror lmbres and loca isr Dinah

Mousse T You C,w GEr

Davidson Ospina

THE CHRoNtcLES Fo,oi U.de or.rd MJ. ' O,oLp's Ddvid<on Ospna. Or io|he Blboa'd rai'he'r. rl. man who brouqht you Toma Check the Key ol Ds lrac[

{q.11 Srael

a1d

ths Ilme sylvesteas due lor a makeover Soul lmmigrants DArvclN'

Mone MovtN'

(Srridly Rhyrhm) st cr y Bh!1hm boasrs rhe orainalJazz and Groove m^6s and lh6 FrankE Fe(ano mres ,hre Ai',,I:PM inc udes add llonal Far ey and Heller mixes

e

<tu

reEordg oftn.bâ&#x201A;Źttnd lab.k oftt.lantwo yeart

"on. wrth

..d rcl.at

oozlna qtrallty" 6.neEtor o K

Aclion

lN rHE TREE9

(Nuphonic)Been kckLng around lor qu Ie a whie now bul has recently been made more avaiabe lorlhce thal mssed 1l rheln$ time Awesome iunk house fusion.

8ftf,4JtJ

|,;:.;a

Nica, rnooLl

Catoline SNEAKIN lN AND Our (New GeneGlon) Deep, uncompromsng Jersey garaqe wilh vocals and d!bs lo suil al lasles

Faze

K-Oope FtvE OH FANrAsv .Ferrvlreel ^e r/ Dope oac( *.ll rore o'ar bFar

/r

(Peppe/minl Jam) Gemany's number one conlnueslo rip shl up wrh lhis new EP or hs home abe ALsoyoucan now lind his rne m \es of Kev lo L fe's Find AWav on

a


johnbronski

REAL LrvE

s

Reat Live Shit

r34seorrhesansstaboogietuneorthenonrhcom.srtunN.wk6Ey.rary 0and(Der drcp a h-4lof a Lot morcrh€n the bombon rh s debuts ngLe rhar! ipp.n upevrrywhere,

uaAD Life's Gettin Ruff @,r.i,s, Morcroro

o Hip Hopfrcmrhe 8.side

a Farba.k loopthiough

ofth.irdahtrrnnsh

ir! pa.e5provhgrhafihk.lry.an

5ery€

rhe

"The tes y", UBAD DUt ghr fiav wirh rhe tunt.

BAHAruorA Spontanelty Grlr, ftom her oDsawaiteddebut Lp th s womai d6psa lyri.arreesl}G thatspits dynes lke a Ma. {o,rhe sw€ehe$ isju5rrcseryed for herlooks . whar! loft is nrarghr up had EDrroR:

IOHN ADAMS ED[oR-AT-

LARGE: S

NAGG

GHosr tacr KTTLER Winterwan (lsldnd ftom th. soundr&k Don'r Be A J\1en

http://www.skeetsound.com/rap o .. r totr.5-rl-,l5os6rdi/L,t.rp,dn,.du.".eg.o4iig,on.a.-d.orort4rdpno .o,ry.p\",". /.a,"d l\l reD.". o riprop"._rp .p,"si,spo.i,'drrEp I I dbor. r'" ec, md., o.11".orq4lyor.t-. -. a. rdo oor ^..n,T) ^..ro,,.iFB

nom "raprccords". NowrhatthelndEtryhasawaken.d to rhe fa.l thal rhey have goie ui.he.ked whiL€ .ashin' Large .he.kr for ro long, the queslion remainsr How.an the damage

table. fyou?e familiarwith this.olumn (espe.laLy durnglhe ltwas the only of its klnd) you'LLknow that lons b.for€ rhe S.rtrp, ribe, andfopPrges,lhaveawaysque(iotrfedlhe nlegrtyofthea isl and thet musi. as it ,efle.led the ldeaLs ofthe.uLture rowards a imorersionabLe audiei.e rhinli rhat when rap mus. bl€w up ii i99ow.aLL.ouldn'lresistthe.areeropportunue5thalfeLLiitoour aps ove' i ght. W€ promoted rhe musi. ar the expense olthe culture and Lel it aLLso to our heads. Anists were never.he.ked on Iha r lack of respe.t fo.the hip hop press. Wrile6 and ,adio 0l!.aughl wre.k irod the very artislsihal they played or p6moted. lr uia rivalie5 developed betweei a ists due ro then a.I ofbus ness sense. whiLe lab.sen.ourasedthlsnonsensetoseL re(ord5.Nowthesiluatioihasdeterorated ntoa Eanrwe5t.oastthinq,lhatnowlndudesabodv.ount. And aLlthe whiL.lhe likes ofthe poir6Lighl BobDole,c, Deloiis Tucker.Ilpp€r Gore - are workhg against us.3ut we did. e rause the Loot was good and m!thaftr.keB best k€ep out ofour way. we aLLfellror :.e .ulrural .Llque, w. werc bad and we kn.w thal they kiew il. What wenl Mong? 5trb..ois(iously we propagaled a one dimens onalnouon ofour !elvetloihe maiinream medlaand a young lmpiess onable aud en.e Lire has now begun lo etuLaie a -lhe soew fa.e loo( and the ghetto metrtalily are reaLny.Those ofus who had obs as marGting, promo, and a&R rcp5,never.ommui.ated lo Labels that rh.y borE some ,espoisibiitylowards fu.the ng hip hop cu turc. Even woc. w€re th€ anistswho never re. ogiized Ihe. own rc5ponsibLty to thet audiei...l\4any rcvoLuuoG faiLwhei no unified lonBie,mobie.tve s introdu.ed atthe in.eprion. Ioday we see lhetairureln rhe poLa.i?alion or To me thG day wa5 inev

m d lo

hte

Sos when

tr.

r:,

hop (ity natos: N€w York never respe.ted LA; LA never rcspe.ted NewYorkr add no-one

.e!o€d! seanL. or Hourton.

However, nurrresped to men Llle Coouo

for sett ng (nu(k eheads nra ghl wilh his

a,ammya..epian.espee.h. Now is ihe time for heads to listen and Leam. Expand your depth :'.ealiln nop sheitotingyouEeres, and see the longterm efte.rs ofyoura.l otrs. fhip hop

.!l!,eeverneededalimelorthose

nvoLvedtobeprcgrcssive,now

srhotim..

e...", The Wu Pa.k. Ghdsr rar€ Killa.

aid cappadoona easyin to rh. dub ambl.ntsdov€ olthe

fwreor) Prcd(ed by (RS, Soad{aydoes his best to keep th s wodhy ro rc.k any show

s

hlm.Thi5ta.k

fn"A,tlrlrbaE, Pe6omlly rh

ind ba- 3'do."o. FaB

a Rum

kiid

soove

rrom runiinsaway nom

df rsy myself, but 0omho outss!.h a nire drum

.li,.idq hd ngh dr{'g .rF"u,lcr,)p.

FNE Blah

(P7,oiit, The b slde to "leflah." rwondarwhyno one prayed rhk our. Enough tow eod rd keep

rhelowridfthappn pru5enoush

yme

Busra RHYMES Woo - Hah You Atl ln Check

!!Got

skik tok..p rh. h.adr'odding,

fEre*rml Ihe rclum ortheoayoie hlrs llke a ridal wave. con!umins everyrh ng it tou.hes wh le deansiig .a itd€v€nabd. Ihe rem xes indude a appearen.e from theothe hip hop msdman lhe0.D.3. A tie6hip

rh.

p

(Re/,.ikt, rhd€h it

may .onla I the sly stone h I'Faniy affan," ftdn! pon .eI de ivery ides a snooth oul LA souLsouid that b ns! the me55age or one love.

fE6tw6, rhd! drhtthetith

s

'Untu.k*irabl. loaruiis the iy lunl maste, Mr Clinton. lhk s !ome nir. and easy tuik bu5 nes5with ML C iiton fll ag in the breakJ, whllelamal!ve,5e5 heLp expLaii tlrk trackS

t

www.streetsound.com

ffiffiffi . ,74LDs.

i

T}lE D'SITRiBUTiO OF REGGAE RECORDS

Di.r.ibuto. o, telgde ne.o.d6, cDs, 249 Du.do. Street Eost,

455, 12". dnd

(HATT' t[o}J

YlDE0i . 12" . ilEW5 . lilTElVlIWt

BR0AD(A5fl{G A(R0S5 flonrH

SEIID US YOUR

O

I9HOI"ESAI.E & RETAiL

E clu.iv€ Distributor fo. E.ie.ma.otor ona roppo tecords oL rsa lxr . Phon. (oo5) 2?5-44a3 tot (oo5) 275-6698

t

I

a

lts .

'r.il4, iii$i*du8d,

cod

B.oAD{raY Must Stay Paid

#r with a bu[[et...

SPECiALiZiI{G

!

RzA.

Ar,{flro Vll ].{U(HMU'C,

HB0

Dtiffi

GBLE

Ptil0x SYSTEMS

At{D

Dt{tfi

li(ti

Ty Nmffonl(

VID'O,I2",OR IIIOUINT AIOUT IOUR ARTISI APPIANI

G


t

10

To

n

IRCA) Iher/1,!! like thal Ened?er bunnv they keep oi goins.Afie, Lock ng down

yearwirh

CA

bn

LPs

ftom the Ga, Raekwoi and 0l' Lookslusr a5 prcm slng

0n! Bastad-'96

I

oddit U

tor-l

Ghostface Killer

i!n

SEIJ

e

5U e I

poritoied

Gho5rfare K leraka Tony Sla s, i5 rd rake h s tu.n busth some morcshots d vour headoleG. aher tunnlng w th h s fel ow

cimey, Raekwon, oi hk lPaid shos n'G r:$.rorhk t\ now histum to shhe. The lid.ene$with whirh hea(a.ks lhe mi.:5

*ik.

unp aLleL€d as he orren appeaE to be takhs on ev.ryoie and everythinsatonG.

Thlef ln

Da isht

(Prclle)Slealinq o.oos bv rhe dozen,Ihiefmay beunfaml to those ollsid. the NYC. but

{

thatshorldrhange sooi. He akeady ha5a rouph ofuid grcund ioints mak ns nd se rhanks ro hhuniquenyLe (imaginea pry.ho gu ne wth himseLr)and 50me buteptududion by ihe up and.ominsSound PLur Rhythm team. H s dl.k, the Dunseon, also briigssonediffer e sh( ro thetablowhth should aho gGbyourattenton. (eepan eydoi then to be making

r'j,

,

I

{a

-.4

Ras Kass

)..

ve ben wailingonth 5 k d rodtopaid LPforsdme lime iow "Rema n Anonynoul', dernitely6trght thos.{ho head tand p@peLled Ras Kase lo dne dlhip hop!

lPd.hw..k)

ly,kallead€6.complexfiymesthataG.areruly.onnruded eatthecnterof Ras(asj nvk.Attim0s itsounds as thoush he is golns th6!sh alltyoes ofsientin( prc.edures n oder ro prcdu.eh sve6es. Hi5 formulas alLequd. up Ioone lh ng phat".lt!ha't idl ro appre.iate someonewho spdtiigii rhe€tfortaid.oriigugwlthsom€ n&shlr.

I

Big l{oyd

t

OommyBoy)F€armd on Mobb D..p! "The iranous', Bis Noyd nor€ rhan h.td his own Irarkt s(h as 6lv. upThe Goods",and "P ty\ Ove/'dispLayed Noyd! rhyming abiityas he

d.Livdedsomeolthemo51memoGhlellnesoibothruts(Ev.noa.kmygatwlren so to see ny P0.")Fo,ever rcprcsenrhsaB, Noyd! ftsl shgle Re.ogdize & Rea te" G definitoly th. iam ,ght nowAsforan rP(hdugh, Is been deLayed aner BG Noyd sotlhrdwn b kh lhe.linkfor ! o arins his pabLe. Gu.rs he shoulda enhis bumer ba.katrhernb.

sibisE.is'Bl IT

The tab 5 lDrckdown/Prodty)rhe Bodkampcl.k(ontiiues lo rove roMad with th€t own Label, as relterSkeherand o.6 c. .due lodop albums lhG summs. Bothgroupswerc d splayed on "LelLaii', a sonqbv both grcu05 underthe iame rhe Fab 5. Many Bookamp roLloweB hav. beei aiti. paringthes€ rtleases ad should sooi be satisned with Blatk Moon aid smlfN wes5un already Lo.ling sh t dowi, HeLterskelter:nd o.G.a should beii rhe centerorthing5

(Easrwesr) A Liuh oLd <hooLfLavo4and a bagf!lLol pun.hLinesshould 3et everyone open oimis.€n.e,frcm Northc o ina, has hodlcd upwirh the prcdu.l on talent5 ofl Bdys f.on New kwith great rcsuli5. ctrb Lik.'Amarin" and "Tou.h Y alL'b nshad p ry flava to the thatmake5yourhead bopun.oixoLlable.Voalyhe50undsLikeKeithM!raywithoutalLthe

.=

mx

Royal flush GlunVrW'l'mso high/You

so higlr/ l'lLbe seltin monoy tllLrh. day rhd ldk'.Wilhlhe5€ words, weare ntodu.ed 1o Royalnush after appe ng on l,li.Gercnimo!Ihe N ralLP. Now he ha5 hG ownalbmdmppiigsoon. The l'5t siisle "Movin onYa/weak Prcdu.tion" k

l1r

U

bass is 5TF0N

,LEadyb ngingoutsohefloreoflhatQreensflavadvdaladba.ktm.k,Hl5 yftaL.onr€ilis fatand siniL&loJu c Gercn mo. He should dowe laLsodue to some rishr head nodding prcdu.

Bahamadia (tM00ultaPhily,Bahanadia.dugh'TotaLWrc.k'a.oupLeyeaE6aLkoncaigsla

i

llKid

samplel Noq in t6,shehasgottobeoneoflhehlie5rfemaleMcroullhere.A.tuaLly,lu.k g!nder, don t rhiik too many reLlasouttherE.ai rourh her Hdflowisorgiial, and her yfts e llLedwlth thought and oeativity. HerLPshould be outbythe time you read this, and th. fad tharshe has DlPerhrworkii lo he..onnalso should set kids runningdown ro rhe re.ord nores,& lyr.a .omporirloi gectighte,, Bahamadia is the pe .deranpLet0 sho{ us lhal no on.! gonna b€ gouingaway willr weaIsk]ls 96.

ii

Natural Etements (rotr€$l

A dew ourta the NYc

rhathas.rcaled aLoiorunds ground buz.aons n nsdfsuth tisrc as M,.vooddo,

rswft,

p

G

Blass,ah Laoagie

and othds, the s asdeep as they eve. le.TheyteaLlon an indepefr deitthat! gonna bLdw up soon giventhet rahol. Heads al over New Yd alrcady knowwhatt up, and withlome so should everyono €lse, Keeg an our forth.n n

el

de{

1996and

e beydnd.

-

SNAGG

1.

'r. L

l

I

t

EO l.4t N

TO

U

Ft55Et I N5 t5 SPttNG


at

the fotlow-up to the #1 biltboard dance hit Whgn

I

THATIK y0r.r ALL FoR

luxnc tEFTFIE[0'S AFR0-tEtT

A

-.,

#

YOU I{NOW WHO YOI] ARE!

iust in lrom the planet dog I

cw /

Oo o o

o

4

oo

%"

-

Gn-DRE { ol the BOtlG

ltii.s

Sourd3

"Mulai t am

hah, l.te

bi.hl.te.hno lhal means lo do yo!todiu ace R.elily is parl Eno,

lho'2oom'lteme,

ID

s€al,pad

end alldelhiously bad lor y0u,"

Also comhg -I

!a

PLAIGT DT'l3 Ov€, teo hou6 ol rar€ |racls by legends $c,' ar iootsman, The Disciples, Alphaand0m0gr, The Rhythnites andlheoutsider wilh Jah Worts, plus new sehclions by hol-or.lh€-scen€ acls including Aslralash Childr€n ollhe 80n9, Full iloon Scieilist, 1001h ilonley and Eat Slalic,

h

ol tie Bong lnlerlace nealily' 12 Ap?il: Ghadron Brrco de Gaia Xincajou 12

e.mail i.loemanmolh.con o.line:

hltp/**w.mammolh,con

@8


e v te w s ,

dhhdprksEbsdrdrl B dehpa@i4hmrdyG,yByir€rimerirs@4wu,edMH,tittur sarleryrniaro okw'6i"iM

House r.[ihrom

qd

hFndrdi!,bl!b

onhe

4usr {@ btei

ton, fi

s

s*

se @1s'oqh se m&i !!

e

5

hri tom

rbP

Progressive House

Lro!s[Ydidrem*!

'Dm

uitotuMkh idhtu

o'iserh! &r{@r'u{r,Ie! b6

Br nE lt 0n Down EPIEPI ada Da eD 1r.",(@ NM,!4tu ,

tu

Lad

Bksafuikyd$q@l$he*"ho& @ hdr howei Fe $E 8tu d: ho!* 3om

kt

is

Mar re.ry m.r.s lh

ad w4s i aend

a

5

tPm

i*p ed ed

n

so4

h 0G r6.N

turwash:boddLa@to,ft GELh

FI

G.f.a.

I

Iighaigad&epe|t!43€$ircaidt5ds.rcdilbllriswsihgloi l.b!w6d€ad}ihsMdooooornh$d Pnd.

kwe lodw (M!+

Phtt)fiea@nd rthae iom MLi tud ihmsLyvbe MN d dn hrE d

tulo+EP HdMlsj!'.ri€*tur *sal!{F(kd NnFd kd' arEPs te rhe rdmEn kked st M.lrr taFB si3tumd€!0irrris,@d,M

6€ ot

b5d

b

be

{tuLhip i@ hsr.h€

"h.h 3y

[h ie oeoohstr

tr

r

lLbe

o

r.Lrid

.o" r.dr. sdmahrlEFdddr(h Thcme F om

eb8

r.oha d6s @risM,

1N.tu6)Mw!!tudEeehbB$i*, hm*yfruaieaiyAtuiGidMm"re.h

MeiG

!md. ddpdqLon

ilqteFre

lVasters at Work presenr Nuyorlcan SouL RPh

d!tud, [3

duo:re

b* ldnsdr ju

F

odi,,

eta. a/, nn tuLr.r

Blr. Ci.ara.ha 6r se s@a

L€s

hdaaidsy ilkpre& bd irtr!r0,6!Lni.dy llhmsfo,

ltuBhndemdhtu,or

6ti?ft.

@rybody huid here on rh

oturmLbks?

{i&

b d0e

s

d4e F.r a

de Fety

@Ld,

r

6"9mpliePsnlyofdrun tus

tr

a ias

b

*m

lho4hfub?56]iEdd.Mmaihrh6kksbfuorqubiGLymsa:.qdMb*lsi

"ft.kruralr"

@ud

dd

l/rterrb&hrird 4Eidi

toh

ln.ruqfiL t6.k ! MlLft€ utuuhd

h€

shdtrlooedseMdr

dd.€aresm.ft dbrkbmderk6

nnpt:hd4roi tE r pre

J€

M,

q

!p rmrhs

d€L!

redsr$.n

lr!i.bdr

os i@

oih.M@i

edbonp

lk€

w:mdi9]i0gjlmtry

0I

(tubhor5dedhsiiie

d6

aLrekde

laFd!fth:hftaBriE$m'nafus6 n$Ld€qBsadupinl4@rc'Arenb3

Energ! & Harmonv LPILPI

siwirddyftdmdherpd!.dB&.i:e14ad3€dbuffmd'dBppitethcr ,s.1Uf€lrL€ftofwlh.funlqn ofb€k, bli bu* noida s'v e trE, aid da'dt

N Bhr

I oMyqa" e rcaM,:dturhewid

G€ry,

ondmrLy

Preed

a

olele modhs

fiR.

rd{erd6!,

rarL6i* w€ 4E [h

Ihe fard & Deeo DjTrax

s

Fleht

b{

rid su

fuNxsrER/I tciArr

tn{}@dE ruolrs sws r ere qtoB todem!, thR bkd tunF iishrrsr H@ sbwhlhegofliwbo4fi,pEIhekto!3fioullEfurnd

d be

EPIEPI

M.tqv l*liadd; Wonedt#Nndr

eriiiELy hi

se

&!c:id

6rturaE&fikLyidaNdaseid."eoRdd i"paiLy&+

llaru r aL soR,t GRoovE Rs (x36;

&&rdrk Nd eF iM: hrkro

plx5!l!$hdiBh<!

ELasrekooth*a i*Lrburrc@ra

M. tuhwt 6otu tktu)Mq hs Frbm h hR rem

x

tu "3,h8 e&k

Nort

lcss tr ri "b rbud' d'Hisksbk iete( EFor,id' h'!ftktad*tu W Halpin€s" br Mobr PEr*iM *tu b du: rlnE

6rtuO(.kshishr ri'hrd{onretuo,bd!rd

dreuLryisdbrhe

ftfutBlfiN@ndM.hlhepr?ar@t@,mP,6d

industry I+#BPFreq E\rcmt

securrty

e

Perts

your one-stop choice for concert, club or rave security.. Our North American network ofbonded security professionals can handle any job, small or large.

High Profiles

9807

is

Ea:r:9OS 9'19 83tz "The oBty way to get out ol a [o-wh rltuatloD iE trot to get hto lt ir tbo flrst placo."

Tel: 416 376


etu4

urAtu

a

h n,

bq

Rirm Riub

rlme,

dln

rM.bid,htu wk. hh drcs aporsre r@r*crtuemi eE.4dradci d

h niru oit (@pis cr h€r Jd streis

olotE

s€ B

rvrl:ldgr\6ryd,b, *lits

-

fop

eei,BkNb4jcwd) 6

b1, nmde

'fu

l.durairAse rau:Fhmmmro,tGr to& 6 tumpai e t de' 4, rM sh

de/ [ ad Fun[

R

edksshtsdDforua

k'fr!omismtshaddFurcuLdgFd

,i&!6f

:i;MMr aditdftHrrp&

DErh4dEF

d a

btdskp sv€ sm hr

rhe,md6 d rH@F My

iLidaen.rMF h i{rrc

sirper sharp shooler/ so Damn Fiesh I,m.l

mMhq o.dft@ dimssbtreid tnmhffi

&nobeol€olllebilslft|s d u

nilF

d*p

th"

fiffifrl4tEmsi brp6s htrm

n4usfridorhaslunb€en( t4do esny:rd rrrs ts m uedbi. sbdso[i$ JmieF€iladbuidss*r,silhaqudd i,ish a.omdde y dire€ddid muir

kq)A ro*b&Lor

iile

fuheBakF*,cl*pm.smdhlqto Hlp

]&tum

Ly

tsihd

(tukrdoMsud o tu$uq r'qdE,8'ddm Aenda n A sie u.ro a rer sd ds ru &rim

rhe

ediEr, sFlem

@l6Gt&ksphfdM,de|Pid4ahis

maNes r

etk@afulMpksdftde6 hbar, iditu,$dsersbiG d@pd.onaayohftwdoddapLiofu l3lmpffilhlftlL!g*sepi.dal afofu}pbriftisi6Go,fud

q

lPDpsrobodfFlrre

tr

!riF gre

il*r

il

JolihngfuLen,$lhcffi@cd

n/a

lMdtu*

€m E5 of D€ad

fteedfiauyonlkft6slip,ll* nr rurtu b {& n cLyfri n,45, nre

ei si

6 a

6:e

k i.

/

Br n{

Ihe Lishrs Down

hdrpriDtueldrkioiMertu .fopli4!pkeat,Wdrhl0

ELEtrE rs oF

h

Fde

eulR&B/a@M1{d3 s

J<e-l@'e5@e)653odiMrm$rbrh5

dr,ry

rul6n

tlots. wrr MC

6.ouDfrRabumGaEM: r,tot n ie dh M. Dd m !i w rh he vfts d sri.l

kii3bEbaLtrhwhfum*1lt'lil:l

ad, i 16 ddiikt b, At:$ fr€ {irF rc rur rarltl Ffrtv Nd tr, dft. rh tumtu r m€ sr& s. EFd. ru€, dd Er6 od lih h 6mB th,hpbn

lxe,ryddA nd.: nsis Fd(w6

,

llk tu+r@iu(cittu.N

d

a.hdft G.lbuo stu![qbir;i!nefr

n

1sit6

rr.[prhd

sd€4ldtealEbtuEtuin qdh tu l-.admGrmiiaryre brheaih

rds bMys

016r

b ya

k iu66

pbyd

hoh@/R&6/[uikhiarh

trdkladbdb{nresd'!1,@p&3rylRdfuki .kd06-dl9r*hddd,@nnfu,d

r.4.?dA sei pu.4rd sr bd irheehe r5 ido

ded@ol+edggpBa'hlo9m

Techno I€de|Youroyieh]mx,hrci'&m,resfudio,crry7trimply diG&da'rt6ElededrodoPodwE

KENtr b4

a C@L

KEN

k

(moemy

hc

Iwisted Anen/ Garbage D, lD8d)rk* tur4k5 rre sR *ioE M6r.!

BTEEZE

the mad( m@

up

RSj

aeh

rhe

r€.k

r€

bHh &

rmo.6ad.s 0lsm5 0 rh ira bqimG

'mph

dit6Nhlrhis ideFnd{r@aeaiy nAtsi.co d(5,4re,6e1 second Toughest 0n the lnfantslLPl kB,rvrft e + tuhe ldiiik *k rhy kt

HaiLHim

on hom

hei

*rt

d@Edi..6ihffiAdh8Mama l*l9AbruEe{s5kh<mreka ,,qyfu6colUi&midooforod60n:fu HEoo]ILPI ruqd

*yrGnInsE6

(:bwa

ki

Ib

i4

bor.h4n

tu

Quest spots/Drug siore Rude Bwoy kmxl e5

d,€ sbbLe

trhth

6

6

1p??

tud

up

3ed.

r

dre

tP fFu

r

re

llt

rddotuhe ol rdh. MGr

tudms-

eia lud

qdphdmidBmeMsi&

$ips

hhtuirdsraL&

Ai4

B

atubPrhknfu)w.kdh'o,sriba d,rms&eiridehkmom4

('ft

6

he

tu,oi.e aeri atudt)

rrn t tu

No

h rhe

o kr oi

s

@r.ondioi

2P^c

waD !o

lsi

xofwap,

G

pmhdysenal9qh:ieu€oilht.o

i:6bldkFuoiIlt!rl]k]hiNre

0,]16k se

Bi#oi

s

a@

d,49

as d. "

,] d5 ore.

4I

ims

t

reir/a F&Mi

M rde "ft@rE(rD€ h rhe durion ofurr

a

tu1. ht Ni@ c@lohw I 3 , tuq e bE e atu6 tl@h tuelntw)Fesr o!ft ki,

fuhb€l{stli4slllsl3ie9!foF(h6 d@pdare!!c0rh:lri6lD,MeA@El

ioul

Deh R4

msh atud jslhlire for 6otricb, oiEdsewadb4idro

rs?@dras&

t

Lr':r.j.i::..;:ll r* bi*{ ue 6 h

rlB

has

toud hi

dd

h

h

043qRimh4r4R@lrehm,

e6

rdi4

h s

pbF

im

holqlrthNhim$relhngi|e1

irerstate (Doc Scon mix)

(d d

so{

6

p

hEwd'beft D@dedtD0a, dDdd wn*t&49@p,N,eDog,(urup|

(Bra4D,tue@,h*beionh !G 6m,

o br

'de,

h

,ohes,eyllrEtlqF ldortrnMvrrywurcub e

rln.l€slas de, NdrB.lh stud br 6ob[ !.od ,iisrhftdoE ido a rrad D&B rG.f,Ms &, sFr. fdr 0idb0. 0sedrhi,hle(urc).

ore

h6ie

Rap

a

sL

k

r..a)a,&,ftL"*db*

a

/odEd.

w 6 m,,orotoairs from EUd rE de. ihB rh. iB h 8Mc iry nurb., s* & se olhsdsi$ dis tu tr Gs tohdiM ie E. t i bEe4 bu* oia. Ma|6eGh

&,!do

Mbi@

LoreF

dub65htrksE6dkssddlehlgtlgbli|9idiinehoFlRd

rdhod,

d**

i

rD

canja FrontlineAlb!m IEP] sE

a bad

r€.k rEr

srpDin

to@lelRic i

{omFiiedby|8,6o.,!5on6eeMi

cnffisEr*e

a

s€ Ea cm,

.l8pdfo6dboq6olibJb.s4h

Jungle AMh U.ICE FEAI DI RU5T PUPPIE &h r@e erftE oie ddE wtrs:ho

s@ftd"u

The Shil @rnt otr &3ir srh

{P?r@d?)A tde, Wdld rc

cF.lhdillipF!bgodbffitheE''! €&l oq bul be,oEnd,,lh 5 ahse d lbbj l a

iuhp !p maslk thB B

ng

i\e.oi'iosbbe]lpfudE!8hem65fu,FirRdBuki &ed lNt rh shlFuiurc + rr.ft roft RmLyM€sded,dst'r^

l4dhFbdoH€@rtrLamda*da*io

0*dr.d.dtuse

rEerflun.dPN*

lemLrBcdmy $M

h s

LFtd

bhs

a

ddlft]qhtq}+hBMiqm'dola.6 biGd dr,) tu hr B hd kq ato L suGned b MFU ,4 +,ku, e iMr h: d, eto'e @ .iar


cr

,nd.\Ps.hewd/NmlrhxiDil\*lds sedwu !3 irnoLsry H! iips

a

rirh

e

n6igh ro@d

L

erousir,

i

ddidhL

3l}+ ona hte n€ o{ rrrfrd 3. oft$

3o&w:!1b rt nE$$

ir!

odi.mfrmrrprry idhits Fni(u ;iy +.b[

$rd

ne hes

d L

r

q

shsl

lofhm,mmeb4|!{3]wl

I Here To Save You AlLlLPl

re.tuil'My3rlr.

66'* Buh'

:

ddr

r6.iJcr6

€hrel

h€Lae

fofwu

H.

@

"3r 16

rtur

k bF., fr4 soun&d the r ryd. -d i r ou h a! dhlr

mary wh

i*

Freezone 2:Variatiods 0n A ChilllLPl orxrsyhd aa se &d bc turrhe bld

rn6bs.r

J

r.5€

b

1ip ho/,id

€d

idhde6mibiqwh.Lthetursoilhen.aid herqro

offbeatlLPl

(tua{rvThdh{E

w

im d}

rmft m 1&h.addQ:n

sNryrd

&Gh,

cl€dwzcoirsistlbt

idr[rGLFschimxts€Ps

aryrue3n+bhL4b$n.eH.iu*nr6dri4a:Epntu dkes,

Eammnd, * wr r€sb).oib€d

M

r&i9fu€i[ds53aFltybd]icI

K@ (Warh as

w

rcarLy

rr.5

D6abdnelydy|6hlie

4 h swr

ad dd natoaBlMer &al he @rry mmpida rhE hc. qd d by spoorv!

lar

The DarkerSne of lazzlLPl

rsi.ppr'tuide lu 6mts

D

bh!i6bengiipFd,fre[Usga€+dy

Rufrp€,rlPr smtu f#,rcud

'rE

be@

ed

b hip

,1&rrcm6!di$ d!s a @

ri€

h up

6frdt

eryhere) rhkh

a,lun pu reeaotr

lgr

Ggdsr

h..

Fr

'r ift.4.4 nK dh ldsHrkn

B

reru*.o,ih€

?

{ drcu+frd&,b

s€ w4 6 ! Edlp r

cn

b

*ry.Errrit atu.

ohE6

!w r! d

+h nhien 4 nte. a06haDpdnldonwlid€.dLyLyts,

for Space Tou smVoL,IILP]

r,mdd

Hi.NRG

-,t

Mtu kh@xh@tdisrzdbndr

be

or4tu 0. sB

er

dishdn&AssDi€nmmssdseftslPeeltki*Re6"@l i!4re hdmed, hsbe sr L€s$

otu h

Ebp,em

f0okE.61/,

*'ifrsyeio4hbdehghhean(yd}

vd..€km€llmP*nbhH$

poa.

n*

d tuid

Ly

m€mmb

e

ftki.s rdituIstr

3y mmn€eide n.ne, &s smmrhanddm4@lnhhFh

M6 &eta/.^bliw r

sbsitr h rs hood mre d'jE

br id i3 d€fnievsmestu b

llbrerN rai€adidLFB6ia se

rhtu

i*

ery

s;r'3t" (h?

ad

m

rywio el

bthred in

mme

$tso

rldbr

"ft€ )

sr4

6!

gd sn€

p.c

ror

tu

t

E6 $nng srl

da,rQd mFEior

!d!.

@1/: rdi4

pdiE oi

momsb

or

@

3une4h$eb4

m

d

d,ily.

i6 "sad

Msk.rre

ind6

rctedioc,

ctumbre, dr 6

6

n".i

b,itr

M

B

edr,

Mred6me

@b!trdoforFr

Fp

turslsszido€bby%iddwr,idnabyo b3sinn€phe.Nam,a. mthns

h hh iop, iB iun

d

.

Fi@d

rdoErdrjsre4aBuheBol!ir.rydh$m$b€.M6 ehe s rrp b6dB.6.k id B lr arYo! Bu ldi4Aremlk h

YNBurdtucptoea&orh

d

3"e6

rhdms

$@r

rprd mids

my

dkmptsat!i4ld6wh9m!ojdghooLfuv6bkesiipbpfod3ts

Original Gangstas stk ILPl

ltbrestet: @trroEmv amtur

h, Bh 1n(hs

hllditu B! m bft

olldlRlsbfrlfuksiqBylh.fulnl0tlhrdareadyhadaesi

sd+[ jln,h1lotunfsre.'s@

by

tound

r rh 3

k

re@dhii.,rhem*d'kise*ddm,8ftdory6beii1#

Fascnarion

dn. Fu rnm b it]l]lrDudi

lihrr!.rrh i€

bd

Ar€ You BuildinsA Temple ln Heaven? ILPI

PBmioitr0thdse?dgEn6!d.pa

tpki

lfislid,fuydlhim,smodhbeiElL€/hi &ys6m4h sei ..m. H. h6 shere $n.h is:prt "tudy.

b. hadt enadt rtummii&

tu{*or3dio,&Fid:n

Rock

overkilllLPl shah

M pbpe

kirhhion86

i&

$uidshBDl,yw]6Brniidrnd'e]u

hs mru "M*"

rred. upbeal

@,ut!hrn

$bdb

dbyiyoudL+eBbowthalbsry

shi da HnE m,k

d:un

motry EM;mmttzntt!fu

wrs

ftru!"

ts

diffir:n6ier1haft&@fffilslktfdtuhtr'mrtuitudyad

m€mdEhnftdFjryiolE'Biuiinlu

frrre"rrue drMd,Fipesve dri!iheG.ftpLi(Ersad x Getures$ dc€idtob).$rpuE tufteaEietrird!* h

uieaolid

ao ofi€in3bG

nmp.

M^h*tum@xMt)RiPnang{

R4iod

]

bhbp.Allhoqirli€trondhmeEihoE

h s

se

lilmF%ileiuh.!tslhElghfuElEwc!

dvlr.aoiFr, dnetoirp:i tsr.r.tur +i.hrmslhdI 4614F.ar.*to (amq#,fta

lP@rr4ns

up

s€db!" -. Nd aqRiis rMrm 6r u rE cdry Fp/diso dd.h4'fu]lvn:glhe,lhtsom!rla.b!

wc.i,rhs

moE

drr

Pod,6uc c*n@wukmarsn

i:a.

'rE

ft€e!

M

pdldM,@D!Bil€@tr

u ema

PDdr..DrD€oisrEL&tc

to€,

a

yrhr rohi NAsah@ rrur 4FldLy h:k mabi:Ifo'vE1si6.fu|'L€4n]mrciel tyd

3

K,LL.P

ibodirx€ e

4rydffiofb5ftlhm4hh

arnrn&dlad.atifomb!srmid

tu"k[BMeeBr'

.#h

(hei

hop,

llusk

cd

sis tuiiy

seemF}dddhois]IaldheI*.lis!'ooR4old

tuee

F M6 k damn $tslodgkdarefte9@e,IheMdlqrnd n

k

fu|5fui]Eg@plryesi:bmlci,sroda

d r silom n&i p rh is 4

rom

pimd s4

ad.ohm6eu. ord oD druid ta s@? 6di Rd d@s pLaF6lrekFns tu shr sFlrm orEodyrtrN@up tr rk did ad &haMs

lcry

!6oqkfurnesslfumiLyBGh6id

ftifim

Ly

b@nE m@ a

rdfi.,romseildGpdahs

lazz Vibei

c*l4u€L€nofdrcPhart,d€,fu!Fbh

rrstrmw bN €@6r rE ie

oretu

and

mnq",

tbMqRqlBrdlh. r@s de bL@ 4 q h 6i orhr 6Er r, blr rrc [$r MpB HEds €nt !!ryk es pqre$tu a Dinard

a

dyn iih,

hh6 a

h

tlgalavb/ila@*he)t'ewtitr;.k

hd.46

fldl

rSNy ab)

tris

m'JG

nihms ortrhei,6.mr ebt

EnvvlLPl

hdrigvh., tud€droe,

hi

otsai blioi h

R€d tsd

ahl d€d y

ser The Twilight ReeLing ILPj

l4h.rvr'drhskNdudqmdi

r

ro 3

turv

tu'ys dlnbinjunyd.tu rehe dhB bbc

R!€ligsdhelh,lr|ghlihssal.gLo6e ir[r6 iuoi€d the she'/enME b kd !

opG,

lim

erft

hL e3e 14

rsi iqd NryYoic

s.


I shj i

m:dblkd3Np.*skism'whkehs eemhdy bndK ae dE ae 5lft d dtphylmrpdr' smmm*,bd@d

t

eft hffia Lasd.dLd

rff€qdt€phi

olfuai@ledylh@nds,6lspeo miiviBmd],66ii'on6dbn,]6u.

94dBwlreres"Mmsn]uE"9alF.

@bh

o

m res,

sir

5eb$dbelel'ol$e0qmu4161kli.|Hods

MotaLrs

rEAr. Losr Bovz

Can r BeWasring My Time

rLbdus he p

i€,,,

ILPI

eE\hasMi(slol}!e,wis@E5G€ilBoilie6lhswAtsN€*, 6dl6UPdMgfrgnFai3bv:ho{o

(lE.ry)Amd wih sree

nq

d se

[s oNr

(M.! ft! D6l hN r.noE{h p ead bopF D Nic sF b iahh se om Dftd

Fm

bad

Bl Bs rns:

Down Low (Nobodv Has To Know)

d

0,€lMerd:i€rkn rL+(kndb

d0€hn*lfvlilhssid4ihedgitrlG r,:6

rrer

m

xbirmo tu FU +eEjLhdr

tdfol6€funJaresPdf. m

b]ee*$eMedh-Psqs'cdb dr'wyrc4/ e *rrintumromrupone$e,,:nsimmn dids bbn. cn 4 hrm x 0 ir. [tu ]ohd ei

6t ri€l,

prcde

on

byhf Dido. wh

tfurrdrhetrds.i

iN

s aqdmE

Noth ng But Smooth ILPl

m rhe Boi

bdad (,f) e56{'6,.

.raiirs60rsmdh

'

ae

a ReB

hr &*d tu E

Hol!!@dEoIds,l|€lidqk.!1dMl&:

ohD.

b

oft mly siFd

brceilh€eup+olB*e@damssd'adofihlhetid$Bre,l la!4d,.0oEoi1heh6rhldhh$i6ae

tudreLGrm€ttum€rryd

aQdlyr@r& ,a'dvMctGda r

oi drhe iercn

toa$.

{is

*

rhh rhe

G

t

Where Do You Want [,le To Put

i<!]cdins4loh€lruLyldhmiedhde

lrt4?dvd hmdr

heid

a

sB

lre $ s rn

a.a$hotu.ensIoi'mnrheHpHopEm 4:5ladkb{B@ cnM remr

:rn@d 6 &frehhsly Mt a i r i

ako has a

b@ hs

6o*!s,

fr

a

ftrbetrs ldiamshfrb I ii a sld(' hezdY 6fte d

supershiny DreamslLPl &ri6ieNearhM:bn8iod.she!@nsilyGwdhsoi r

o,. tuy

iMerrd, hd:i

6€n,1r'.

G

!!

ltuh ids

s€ ednec, ae,r ? isko.

R/B

l^&ftrapaody

o. b

dr

rlms

deNsa

pardy

Nd

4;

odiqrF6n&!6 @u!!Marylik'G &

he

trE* srmedadsrishturishro

h

E

lhyl turr6mwmde'i, byLrtr€ M dMn6(ko,iEidr€dshsoi$e.mr6its),6Ymioi,N:pe, dtu

iun.qsord, bloe a4 rr

b d.ud'iuB rh6 abum\

dbhd hdq ilhri

hiphopmlntrB'gp€qld!,|lniolMi6r! amqoseE h s5lhm *.bol., Gr@ bt iu{

mon6bc3imtrceaed ats

L€

Don't Be a Menace.... soundtrackILP)

.i9]Ddlhyiwd,lhtri'cnee*o

cr tu

e d F!.

'.n"ro, nilFumglrl*Rlpdsecoi9ksoMslPai.tHode

ur.,

ft.!E54eltr@ngqhtishotlo

5

rh drhig

$€rrer sFid

ru

mnq €EwrrP

DlAll5tarz lnThe Mii

sd tb{ta hs ad rcdh se iMhmriun ro. nn€ 6d

6s3r'

byktreMeknd€zrd

nft &ah"

by

I

rc,i/olr4eerhL dnp hld s

tumor,'Tme

1e$dYdMe ts

re

cmcd

d/,

Rqmd

Compitations

I ts

TaylorlLPl

&ri

br,

sm

LAsutrdis'codruodymdb/I,}foi6e

soEA[dbylheGFhlMdfudddra'6AMlsnorfum"by sbtb,m,d's sore b, ths rcLrdiotr t a

hnqaadllk 1

i

s€t G6roi oibiobrebei dEraeclLyih,

ffofrcdlh.tmedslhesFdd

dieesf dd

@d h:s rhrcld

s.

ca

tgsdhalyhomqrsadhg@l

d e€i

ILP]

tk

:dbi rorkade\F5 ts

HameB peri.a

t

V

Freestyle ronlywantedTo Love You/one lMore shot ILPI

re

DJ'. ',

.,58,{@,rw, id

d,

@ *Perton a.

f,d

DM1

e

rhe o

ndrr.

fdd

b1 rhe

Sounds 0f The City: Manchester ILP] aFrtor€lh & de y€!6R srLlds oriE

a.cRoMsdmImL,citru

eeideiseU,[c'bs

dilFrhindarh€vdaLDrftLw!&abhhFd4 4FedLytu p*hstrr

{omelibMyAnnr,&6yiym"Noorelea :idb€ds. ArA^d " bilq esnie

besord

rtu.EhrdErs tu h

Freestvle's Greatest Groups volume 2 lLPl

4

ro,

hs dsb(nbun,

m1ofury*o!d{n$bymaryofi!sly]e!FaE'30!6rn{rs

d

lchbyeq.bmmdldftre[afutrFi,ne&idmlm4oiira nft

b

s.

d siNreGion d

the

rar/w:domp

Nt

&nhn MeNliNl8adrry)

hr on

s

ah&rirk otr ork ptrf€ftd se iomadEr I B6v€ hde 'd Vo[ru1i5[dLyssiglets:Eiltyoim

hs

d

ooii daB*

ftir.d

nawtthb hr6* 'e{.Nf b,$rheaMh$Llehbw4dy!!nmcw@.tud!@db/wrhv:k i pdrcd

b,

s.,rr 6rb4

d s

!61:

eeFk

'

a&@,1&/,.rdnren iDm $e Yo!

6"

lRtor Re.ods)

r*r/eid

oi,'tu$le

h

r

ctr6l,r)

5*t9oo.

You Don't Have To Worrv ILPI

r so

w-u

b 3m

to

s

cd awiy.

{rhlh5nsiamneiammtA BEAror .EAr. LL CooL doN br

tua

s

oi 0( da

oi

sds !k

ilheilips&,rayEieErenL a

mrh* tue

Ms.

@

aE

161d

ddoiedu.ktsnrkdi{ sd*i

iE6"c

myiEor.cFbMbfu{daeRibb "i;esdqba.r.!dsie4 6e tuic otww l6tud hbi ra

oFui,mm.

he€prsIdd7l5ds3 Nida

a€a ato rhe u@rd sNy

Arubio@ydhtpnd.be

h6 dDp emP

i?@tuid i

mmprbr

0@n"Amon4d<&nfube@!pdy,

Bk

ll6rcbaGanF.hk I cu*.bily

544

lL4esryr,t

@ofl

)

BhMdhyd&nqmd!f,*@rftnxlfurtkBods

rr:p

k lungle skylLPl rL + d siyMsi! hd a Ewilqr. !i*djnqeltum&b5 dMinq trn &"tlM,KMKuLrarh4@ rusi

This

wh,orn6ds trtun byc htuhemehadtp.ft €l!i3k{eE <r

DinonwatBB mie "tuYou

lFLomNd

&i

d*

s.lidesm

ie!tu)w.ito trnui5 emp hr

)rhe f6r

d

Bhd New

:maef6trdlldyroB!rascbyw6s d!Lr*0!tIored.wth spredPEdudnb,Eeitd!r&ru

Time And Time Asaln [LP]

b

,roriolns dodlh6Fu L

aVindudiBlrt66liq,l!{ol

6e634! r

freesveMdsh&d

roE

pnn6EohMarh.mad

@

(161

aF(@ qbe,do.u ii wtr. vl. s.c sdexd

e (a

sNyMs.i5a@k]qoIliPfop:idambiebik'ioBaddpdbgdhgn

Urban rP@r@/orMd#

hlpr7@bpdrdb rurs 1ofis

[&dsr7r6t

.dbd

r r

ms

This ls Home Ente ainm€ntILP]

Tre$Vd

ad.t bre fromth€tur/enem.

e&dr' tu$Baedyre isnt36 *!trr 4 F!{ d FanNie Bq db: sdr *r

sre

art,1re@idAiaF.r@ewnfulh

dc4lgv:hando,prcdyJdbych6

ia

mde dbe

hdhrdldm ohMdor€i.e/amb

iMdorntu3od eria.drres6k

rd

iNtrriaft'k:

fr6ri4 ta

syntheuc Pleasures ILPI

/.ui,,4, Gai4

d

trkdmshmsipp.d ir lhlsbncdh,i4ii386ftfi(&lalRfudednieyb,lh€ bmhos &F tr se i

E

@lh

R4i0 d


M Edoim (E*Em3o./uKh!)

c(rildo (,Inlu(/86)

rrdy

ceek

Aiako. rrb. (NuMu,

lsemrd

Acid lazz

v

ous(sru€ Nd€/us) courrey Piie ftLNin rord/u0

tr

ft€

(cort0owi/us)

ii,ture/!0

Dr rood (N 0? bb (F od/uo rhi€very cupocr on (rsr/0s)

v

,oMG!s

K Dope

s

o

Ydr

MyPre.ioE

Eys

sd

rm

carerine

(f*s/wa o.0

ruiia/Mdroporiai) lr ad (L r) omiie (vies/MdroooLi ) Mo 4e (rdei/w Lod) turc fl eaure (ra,msD/MdmeoLl:i) weidv cnGr k/MtM:.) s smr R€Fs 0am,tu/Md6pd[,) rre (PrynE ryn€/ior) fiaikbBoy(ve d: .hdidnavB&Gtase)

NurnasetlmkerD:nerryDn

dion)

rmh

)

lH.iry sr€d)

s:

5

(cE+)

( €*6emu t oi). (rrdryRh*hn)

Mom

Ro.he e (so9

iungle

\rk

or Dre (v

rmno

rz(mrion(cdrh3)

i(o

Rhyrhme

Rap

randu shdhr pEsed: 0harr MooE (irib. ) Mou$e r (Pepp{mhlam) odidson 05pha (H{ry srer)

YdaYada(,Koorur0

bo*

BabnadL(rMrl

M.{he(M6rPb

Freestyle

3

N4d (rqmny Bryl

Gd y P.op. (.Gr M6t) rdldsorlu sb,

6odh.ad rohtr (oaf,ge EgsluK Kid Lo.o (Ye ow/Fnme)

risdre

Br3

to€lh) rtoi8raP,q{rrtr'i6Md.dkrrls rtir) e5 Noit r.d r6ts (Raorr'ioi/ukl crcore coedk (6bd shp)

(Md Fuir/can)

leeids 0i sryLe (. cr) Md4da 6ds/w rfto

tP

House

thusswi (.e

Pee Busiu li srlbdrlusl

o:mon

Rap

rhe tuFes(cdumba)

bro6(doorshine/usl

s

/c.cdr!6)

ajem

N€3'octr lDo$ Souh/u$ Narie soLlrr In Loud/u{

r!

r/caGdra:)

(NuMu7

*

06Icompon/Gumary)

oEsrp sqoid

rk/u(/ ,

(tos

wAtceo y/4,

Bumi reasw (rAr

4rk

:

R{ddfs)

Miids (Reh,orced)

ush tupp e (P,rme

R.n3

5ousrspoc/DrugioERudeswqlm,

Streetsound UK oancefloor

line wn)

hertao(PrcF,rahi,

cordMtssroi(Rehrorcd)

M (rom

capoi. (ia'd

rDorbb D@€hm (Rude

di)

kds,

(fb,

r D.ad,

5alsa

Heds (ch$ fied 0tr Pohr (sroig szidlroi) rocF tdque(cLa$li€d

Ap4he r€d N! rnae

Y!4!W.

(.ri€e/oz(e[oor)

t,,El

ffi @

Streetsound tlK Sales

TraditionalHl-NRG

roieByore ch€rkubmrl/wa (h rMemphG(ws/uK/1,6) :.at50n au s d Mi{h (NuMu:ik/c:nad48,

M.selmrl sadiocmi (ru/6eh y/a6) sm, Dkm Ros (EM /uK/'r6) yero (ois J kerrhE Be ofhwtur,Amn ,ush31) 6 Low 6e/ toGd Me NoE bBodrel crTBoLaidhr4) I kr

4,

wi surywlMor

Merengue

10

Me& My GMr/Denm

r/!6)

ALryshe (zYxlcsm:ryh3,

e nr

suEma ( ( oM/ bryh3o cob€ lzyx/usr,3&!,

DooM (Powe'

D3s (A

dl wh, rhly uad ro 3?)

ay/sn s@ii/l4odr4)

Ae€ m ((

m€/ur4,

idi:m (Drchm/ br!13o34, . shrhrheAd(zYx/ushr, wo ds Ap I (Porydoru&r36)

Ps. 3oi 0 4o/ bry^r, Mthe elN!MD[/GiadrBo)

oB.$ o te5

(0m/lary/4,

Progressive Hi-NRG MBs & rhe

r t0€ rwe

t0.lf€

e(iudhsmrl M

p

dlu(ma

n.gie/r6i!. rAr

uryn%LYh16)

srhn ([uMD*/.,iadrn, .rd:id (.r& sidi/u(r!4)

R&B B6idy tud,

yMei llvrr E bb€t/usAn$) r€.hiorrei. (Ais/BeLs uf, 183)

hdryiduL,e

roYou

s

rob

r2vM&k{M.A/ufir6l

tui

(M.rcnry/uM36)

e

oo!tr bw (Nobody

B

ro

(ioP)

(Ro) (A&ia)

Gad 30y)

Gbid

a[a (vat, soLo(P$oe'v.) ora,Rie A.i isloi lMc) Ma

RryMann

Mury

*

MoE !rs. red ton BoF

(mtGemry/no)

t [A/uv,,e) GLadQ:(whtdu i)

coot I (A&b)

Mrryl.B

Progressive House

0l oado Cyx/Gsm:ry136) Birri€

rL

.ha y sd.ge

ghry0!b cts (so hertuild/rJ(]ne)

rareAns esryH

0

3rr€( brbn styh/[aLr/116)

I LDre*il2ar..


r

nr

INSTRUtrTIENS: /'2 Buz just bouqhta new Roland [4S-1 Digilal Sampler. Now he's dying to see how versatile his cool new purchase is. See how many ways you can get Buzlo work his lVlS-1 before he kicks back at home with his pal, Spot.

6

'[

siTART

Sanple beat loops, gtooves, elfecE and , funky phrases lron a 74-ninute CD that cones , nh ewry MSl

eF

t

)

a

I

s (

nenoty provides 49-2 second sanpling line so licl,s and phrases.

ad,

you can go

20 ninutes.

("

Wh

Wond

with s?rco sanpling

l(.

based an 16 bl AID/A conrersion and onboad sequencet the MSi can cul t in lhe studio.

a I

a

-q * ,rs ,

*-*i** - .- {,.

rA,

FINISH

l

ll you oot Buzz to all his stops, you probably picked up on somelhing along the way. For beat loops, remixes, studio wo , drum sounds, samplino and live perlomances nothing Oets you Ooino like the [,lS-1. With unlimited velsalility and a tiny pricetag, you'llneverfind yoursellata creative dead end. Ivlove o! down to your nearest Roland dealerand try one out. lt'llamaze you

lERoland'

Roland Coeomlion U.S.,7200 Dominion Circe, LosAngeles, CA 90040 (213) 685-5141

wu

Ricr'moid 3 c v8v 2Ma i60a)270 6626

Profile for Christopher Torella

Streetsound Magazine Issue #83  

Streetsound magazine issue #83 more here https://streetsoundmagzine.com/

Streetsound Magazine Issue #83  

Streetsound magazine issue #83 more here https://streetsoundmagzine.com/

Advertisement