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CHIIO RAP HOUSE REGGAE ROCK DANCEIIALL ACID IAZZ ]UIIGI-E AMBIENTALTERNATIVE BHANGRA FREESTYLE SOCA SOUL TUIK R&B LATII{ HI.X

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qlobal hor-rse it,-s

arriwd! che rrrles

It was only a matter

raril

oftime.1996 was theyealthat House

Music, unofficially 10 years otd, became truty GtOBAt. since it first burst unto the music wodd, Dls and fans from tar and wide expected houset freshest, dopest records to come from the uS where it a[[ began: (hlcago, Dehoit or

llew York, to be precise. Sure, there'd always been pro-

I never be dre sarne--ln 1996, all that

ho!$

(atong with lots of not-so-good) house. who could forget

by yeais

music, suppoded by their

M

ofabsolblngthe eunds and @ltuE

Bdiq pE5,

oflmlr

and vibrant

deErcurdspi,ilcflectingadeallveoltp@ ngrhatdarusroqp€rimelnaglirtusioE of dlr.o,,.za tunk L.llno, dub, pDrl6iEand *i drumh't .. elenent! hare all fi8rrred in a bursl of bdulant Eords rele@d this ye6r from the "ru" ..noot of tlobal house prcdu@E. The shadry ofthe "big blothe'- 9tateslde *ne h6 becn tift€d foB€r' fieiry pod!.eE *ryuherc to do wh.t th€y do best - release quatlty hous. muslc And since

ducers from other parts of the planet putting out good

dangrd. Alter

.lub .iftuit5 lo€l hou5e *enes fion arcund lhe Mdd f,n.lly €ned thelr wlngs. lntemational prcdu.eB beean El€cing im@tiw and .Bative hous. that oftei sunas!.d lhe Ameii.an pb ductoistney m.y hare Mred just a couple ofye.E @rtiei Taldigihe mck bactto its upedm.ntal Dot5, producels ftoh lo.atlons .s dlEE as tl.now, GL5aw, atLrt , P.dr, Lodotr, [.pt !, aid xonln8,l.n cHted bold nq fusiorls of holse Ii a lruly unhan

4Mhiry.omeswllh

a pdce, one

ofthe more negaliE undenon€s ofthecom-

ABi6n

ing of agr of dobal hou* h.s b.en a subtle Ft Slowlig eseitment of the $en€, wnh its @rpaid rcnlreB. D,s eld poducets who don't put aiything back rntolhe community Itis will be one oflhe thlngs to look out for in gtob.l house phenonenoi has anived and the rut6 wil n*r be the sane.

ude€rouid hdse

r99.'Ih.

the original ltalo-house inyesion and Black Box? orthe

Or.o(8, hra[ ofits incMinsly beleaguercd hol'le *.ne, "Amed6" unquecionably @nriiu6to nleale someaw@me hou* mci., dgpitethehnlllarcomPlaids(m Edio

first British Summer of Love and the Acid crdze? But be-

Anedcan prcducG lil@

neath atl that remained the nagging beliefthat anything

$eStates

suppo4 p@r

pEs(@ragr,

duding n06t notably du.ets

that didn't come from the States, no mafter how good, was stitl iust an imitation, not the genulne alticle Drs fett it, iournalisG fett it, and, most significantty, producels outside of

phatt Some

otr@

In this

sln he

eiio!,.d

is

$ie h@i

l$u€.Ite4o{dd

ln lts

pl@,8

Pr

cdebEtethe nu s.hooloftloDal a pdmc sdediotr of0l. t6h€51

pofit€6 colleded here.re

-ishpmducelstohetumedheadsin'96,intou!.,d..9noc.and&rrtp.

he€n pDducing for a couple of yea6

dtDusn. o({rels aleilst iow

r(hdng& nam

ior,

but'96

6

lhe th€ir time io

bEk

y.u sitl d.finit€ly b€conehmluarwlth

Ii

pGpEs glanc€ atslE€.sofidsfrstGlobal Hou* 6ter,ft * atuly multiEtional tuEe - fr.n(!, @nnry,lt ly.lGlrl.,.mongoth.,s.long5ide,of.ours., 'q.laldng BELnd

a last

and rhe

U5- pushingbMard the

on. thing is cedaiir the

Anerica fett iL

elo. Sone ofihe hottest @tpur in ho@thisyearcanenom

Iood ll 9ving, 0l s..rlq Deep !oi., Eft fopo.r and otlE6, indrC@r5ta[ &rad !h lhltur. P{nthe monoPoly PEduffi from

trqtwewnh

*ond d$de ofhou*

tush

and

unlqle lniueicen and

musi. will be the BOIUB!

ohoaterY Steebound Ho!@, De./96


&t lito

the house phenomenon...

lvhat ldnd of nuslc dld you nr*

Anmand Uan Helden

I Ms into das.o a.d xl55! and @lly that.xplai.s a lot about me roday. I was eight or

nine and walking around with my

blasting th€ O/F rhe l4,I album. And then "Rappe6 Delight"came outandthat justSol me. From thec on, hlp hopjust sucked m€ right In. I was still i.lo the olherstuff, bur hip hop was so imoediate. And th€n "Planet Rock" cam€ out and - BooMl lwas into electo and lhat whole RaE.

Hovtrootd you classltyoulsltf lf you Ie.

aIry hadto? My wholethlng ls Uke lhls. Me and nryni€nd5 are like a race of peopl€ rhat shouldn't we can't b..lassified. Actuallr I think a lot of

qis!

It\ gonna be a bit ofa mystery ex.epl lo say th{ n wi[ he allthe thlngs that arc Amand ,ne doing what I do

b6t, which

i5

i

mak.

yo! slll tno the ,ur8t sound?'c.@ 6uglt!m. n .k.tth.wlnr.r Glc (ontucn@. bw F.E ba.ktor Dbylnalun. Aro you

l.E€d b leam md€abdn the

*tlid,

aoits

Holv har your

rhe had srufi. r lite n ough and 6w, it's street, Now its matued, butthere wlll alM,ts be a younger sidethat! slrcetand ghetlo. lrhat! out in York ls alnost a 3o-ptus iu.gle s@ne lt! reld, and rs too bad @use ft should be balan@d olt with the kid5and

lr.

HIII s.nd

6s.tD.r

a.eltt6lo Bob6y

d

ro all lhe mrin

Dlt llk.

Ste

lab.b aid

paul "Trouble' and

mar.zine and lhen voute gone. lt\ almosl woue than disco hack in rhe day Bul you do

.opi.s, gatllng ln.m out on th. way ro crcar. tryp., t{m.days,

Flt*

q

c

and

qe

who vants

ro

h&

s.ll rEks

d.Mr,

make

rrE thai

il.

t it, it jusl sod of

you

he

a qualhy

caiual a rap..

found lhat lhe most efie.liw way is to pr th.n olt lh.E. Gie iir.oDl6to Dlr$ch & Parl "Trtublar An.

W.

is

som. whlt. labels lo 3rl th. buz out, ELase lhe R.od on

lull

5.id

our |ap.s ro

stEts

R pr6s ,p

EEtStXnltlor ,u.t

B.bby & S!.v.,

MGt p€opl€ in lhe biz ain't gor a.l@ abori aood Du5i.. so I tend to sleer.le oflh. s.hmoozln.ss. How.v.i lh.rc arc a fes g.nuin. people ou herc tryinslo keepthis

musi.alive,shi.hiserouEgin&

Tony

8lmphri.s

rnd orhr Dls it the .unhs .dsc of lhc e.ne ha h.lp.d 6 5ell acdple ofaa(ls.

mots abour

wlth th. lab.l, I am rotal hands.on. The renirinsl le e to my man.ger,.nd Dl

No

lawr/managei llde it l'nlotallv

hands{n,

ift

lhe best aay to lean.

l'h moc the anist lype-althougt iR wry

leak lt to fty lab.l manager I ne.d lo learn norc abour allrhisr .ky business

-

Promotion, marketing/A&R

I

no number

rcaUy.nioy the hands'on appE.h, bul

@rtainlyneed to leah

I

ns

lra.k

Sharc

ls a

doe.

I

erylhinsouElE' ButN

We haE to do do hm a lwayer

lortho*

rensE

situadm.

I .n stlll lshln& but I g!.ss p.ople .an lhlnkl'h not.asy b..ause lknNwh.rc I wanr to go aid h lwanrtos€lth€el

D'

LIUS

Definilely

he

lo leah moe.

I

beli* e4ry

leahitrg.0M-

uilh patnel

a

hsyci

DlxOTTEiiY Always lenmin& Prctly mu.h inrclEd

tnn

*Mhing ton

th€ D@duclion oftd.ksto dHnbudon lo [..n*E to pEs. At thc modent I lea€ ll to my lawy.r and to ti. olher predu@Eofnyleam, tws, bul I

uanl to lean morc'@ure

I

fisure out whar

I

@it

I

think. 0l hG

and lel my

l.rlar

haven'tloundqlatL.torymtnag€ment.

can work al major,youcan slartyourown indie hb€1, oncevoute ln and outtherc, you don't Eally ever disappeai Look al what lellyh€an ls dolng, he! not remaxans lik€ h€ u*d lo. bul hes buill an emlne. as long as you fteep pbgr.ssin& that! whalS impor Dld

th. b.sr

soultu

on Xis.FM,

eve4thii& rolally hands{n. I l.am rh. busiies &ry day I take th. l@iumblo.failmentalitY W€ do

mlsic-at!themosldisposableshita@und - you're up otre *.ond, on lh€ c@erofwery

Idonlrcallygoab

r

DE'P DISII

Bran and nyselfl.nd to€nd up dealins

Brl I rhink thal goligand pressingtoo tdo

My pannei lGre RGs, deals shh lh€ na. I gct inwlwd on

lolly otthe bosines, bul

to

wirh all rhe business mainly because we

labalsrhatM llk. or $m.tlr€s gd a.€lal.s plat€d, d.u5u.llytend

all.r.pt th. a..ouiting I n..d

We do it aU ouEelE and reie aided and ab€tred by our law)€r Kuresh Na$en.

I

song-s€lllng stratagles...

I

lt

got golng nw ls g.nna 6e gone s@n. I mean, especiauy an house

a

hm rnatwhater

hot! w€ asked our nu-school€rs for their own

*r.

at it,

DLUGOs(H

yo! haE rlly fonnal nud. tralnlnt?

No. I have nolhing! My

DE, rhats h,

side.

whalso*r, ltn .Ep

and man

vision in lhe business, I

h. nobody. I hav.

Inacks For $ale! 6.li

I do

tlieoE

hawatonof opllonswhenyourbuzzi5@er:

Mall oot to 25

hsins

lasyq

Abltof bolh.Som.tim*itl leaveitlomy manag€/, but orheB I like lo d o ir myself as lh. DeHral .onlacl 6n be wry eniovable, lle made manyBrcat niend. rhbugh

jecristosuckqerytucklngdlmeoltof ilthal you6n-thal! thebusiness.l ererybody! on you, iump on it, '6u* next y..r you .an

the gaEge scen€. You gol the dancets in the cnd€ 6rd ther yo! got the elde6 on lhe oulslde - aU lhe old school Pa6dir GaBg€ p@ple sayins, "Oh, that cncle shit ha5 gol to go." aut lhe.ircls ae one

c.t '.m whllc theyle

nry

l'm still a businessman, I sive plenly of input lo my manag€r, fim S.ot aI Bla.k+Whil€ Mu5iq and my beklng aglnl Xdin M.HUh at $aY Iuned Pbd.

chan&d over Ure lad

rh€ heatolrhe mom€nLyoui€ it, and

it!notll!.lmosllik

rhings goin'on.Itey sirethe hotlom line is that it!. pb resslon of nuslc, you have the young and the old, ard what md€s lhe youns doesn't

hft

wl6in.

d.finitelv ned lo l@m moft,.Ihoush l1n nol l@.oncencd ah.ut lhe wnob fiin&

My llfe ls a constant slate of nur, it! alMys in a state otchange. I 6n't even teu yo! h@ I 8d nom poinl A to B, I now undeEtand h@ lh€ musi( induslryMrk, wh.n you he.om€

4

fi.

I

fibm

I

don't hee a thousht in my h€ad abour the business side otthings. Basicallx without then lx-Mir M.nagEmeit li B6tonl, l'm nothin'.You could lun thetablesand say wllhout ne they're nolhing, but I don't see it lik that. lve b€en in the o6c€ and th€ 5tufi they d€al with on a daily basis is scary I mean, some people like to h.nagethem' *lws, they llk€ to k€ep lt pe@nal But for me, I don'r Stve a f!ct. I $y rak€ that whole side ol it il! vouE. I get a .all each day from my m.nags with stuffthat ome up that day, il! about aour or flw thlnes and I go "Y6'or "No", il! about a two-minute.aU!

hen't

fane

p6ant

Nolhlng

I

qerc when I played E8Ba -the rude boy hard stuffwni.h I Eally liked, P€ople would say. "l lilejunsl€, but I hate all that Egga stufr." Brl l liked h,llwasoieoftft€ lhingsthat dr€w me into lhe $und ln lhe,lEl place. lt! tlnny how Junsle ha5 nd bEnched offinto lwo diflecnt camp5. Thee's the mellN stull and lhen you got the nigger th.l want to md€ ro the hardcore st!fr. r llke both.6ut I been abl€ to fnd somene rhat will play horh, dcpt maybe sutem whdll pl.y the intelligent stufi, hut when he plays our h.1l play

cluh .neEy.

ar

asked our new

agcnant .ompany on, as it enablcs oe to on.entEteonthercatiresid€of lhefr 61..

8le?

otthe

hmaMsion

aooxEnr

wh.t'3 you lnvolY.n. ln th. musl.

Yeah.l'm mean,lle b€€n into iungle for a longtime.lwas i.ro it befoE Iwas.alled jungle, wh€n it was just brcakheat.Ihe only people th6t weE giving me flackabout lt

hands on.u/h

l/ge

alphabeli.alod€iof course,nvhohandtesthe i,loNEY?!"

tasyer and Managei

y w1tu,

$rbt

good pafty rc@d they hate. So you can so to one hip hop party and rt! one lype ofvibe and then wu .ould go to another .nd it! lolauy ditrercnt. Hip hop use to be under one roof, and now lt3 all der lne phce.ll also inn!. ences q€ry rype ofmu5ic today. lt5like when l5ay I lik€ house,I like it all when lsay I llke hip hop, I like itallas relL I dont gel the West coast vibe in hip hop, but lstill respect it. Ewn lhou8n it may not b! whatyou'E about,

E trom ior lllJns . lot of dlftlenl mBlc Wh.l dyt6 .c you 8uE CoB on

ii

holi5€ lead€6, ln

extcme undersound - 4erything lhat! a

You

get the whole pidir€, ftom s€stion to cash rEgis(er,

To

whal do you thlnk ofhlp top th.!€ days? For me theEb a lot orit our th€E and ir! hard to keep tcck ol You haw the heads thal arc

peopleare likerha! hut lthintrhe media likes io make people sinple, youle la$pd, a.d yolte lnto that, and thal! it 8ul its rcally not likerhat, it! compliGted and th. media liles to make people seem stupid.

on

Im Bushess d ]UlsG

littl. bon

it6l To

ol mv5rufil5 on

fi ai

tion

is on€

lem for my produc.

wod: "ghetlo".

The shlt is

ghetlo

Irom the start to the end, I don't unde6land whar llndoinghalf thetime. lw.stalkinsto someone that! b€en doing what I do tor y€aG. And h€ asked m. hM much I gel paid

o

todoa mixandrrold him,andn€ahostfell over and l iust told han l'm dingtheTori anos waw. And I told hin b€tore Tod I was doinr it forthis much. all it is, as lsid betoE, you g€t something going and youjui.€ al. when youte up .nd gettlng your llava oo, rhe fi6t thlng ,eople sanr to do i5 get rid of your asi They alway5 want the n€w ia.lq it!

llle

"We'rc over him

h€! tn€d"

hb€|, Paper

pomol., @ u.. t.sl pftsslngs.

m.llyl@U upalabel llhinkwlllbe iil€rested, mer up,.hal, erih.rge .as. s.lt 5, and .bss nry ing.u-

ldid talkto heronceon lhe phone, but nor m.lly I n4er talk to anyone I Emix. ltl not lhal I don'l want lo, but vou iust usuallydodt s€l the dance and I prcbably wouldn't haw mu.h to say ro ih€m. with To , she has a d€al with th€ label wherc she cets to aDDrM lh€

rcmires.,{o5t lab€ls do a.ontracl whec th€y can do whatever th€y want wilh rhe remix€s. She o(ed it, she *emed to like it,

wh.fs

the s€drt io your

su...!s?

what I like and I inm what m@s ne when I do a mix, they don't get a rcinte4rclalion of lnen mi* lh€y get m€, th€v gdamand. lt\ notrhat I don'I mnt to EinteDetthen mix, ifs just ln nost 6s.s theo sinal.in't good! ltn not dlssln'them, but theyte not good for lhe dancef,ooi lt! llk€ Basenenl Jaa caued me lhe olher day to rcmix "Fly Life" and I eid no Why? lt! a phat song. Why am I gonna Emixa $ng thatk phat to h€gin with? ldor'twant io rcnil a had E@d and lool llke a f@L The same thlng happened wilh Josh! "Don't Laugh"- why would I touch il? ll! nol like that with cl solland, the original wrs good but I had b do my lfilng to h, and lt Ms to tally dlfterenr. That's h@ I 8et @i lfrh€E's any formula ro h@ I Emjx, rhat! ir. I donl do jack to the orisinal. My mixes ae always a whole other lhing. And rnets wty people €nd up liking my mixes. I don't renlx phat

with Emiles,

I

knq

rcods I don't take hoose aords and do an. other ho6e mix. lll take a record lhat! off in alternative land or.ohy pop bnd, and do what I da Ihat makes me look goodl I rcauy ld€ music and when I h€i a g@d rccord I

steersounrQ


don'twantlotou.h it. My whole chall€nge is ro take emethingthatsdilferent and to put it inro what ldo, And thatS why lamwhere

I

ln terms ot hous€ nusir,'96 was a 5lranse y€ar, a Loi of biu arre records workei. '97 will b€acoitinuation of'96 bul you'U hav€ wider ac.eplance, '96 was the big-baus y€a L a lot of 0J5 got biaballsandde<id€d to brcakweid stuf. And ir was nice.'97 will be that, but it will

Atnond s deblt olbun is due

ir

the UK this spino@Ndr astitu D4/q6 sstillovoil abb fot li.enrns in tte USand {anoda) Ren'. ||ts? you .an LheLl htn an 6.notid. 2 on tnter naluK. tnsonnia on Aisto.the Sndkd Pinpson vtein, ord Apalo *o an Epi. UK 5n idt Rhtthn wtt otsa be teteosnq a best ol amand leatttino

mGL-maldngr.dDoloty? Sutvq

8o&rl I

,hl.< m. r. h..nm..r.iriF 'lrlrh sounds which will aulomatkally sel the path for re to tale fiuslc lo anorh.

-inve nte

Re

this funk.fueled

hi nse

ftl ey Beede Erle.ti. Londonet cone

It It

I I !

ddn ltudio

Tookthe house

L

II

wo

d

bystom with in-

E: Felix Suxlen/simon Raklilte

sTnE ,sl .entury

is ther€ to expr€ss

your id..s in

on inthe studiq bur I really don't enioy it. I do it because I am rhe most efficient pogramfrer I kno*

ft5 geningtorhe Point where ltn tom berreen rhe vintage stuff ard lh€ new I liketo makea nice blend of both. I tove tech, it keeps ya brain

lm ie.hml%y, but I also l@

a.tive, I

musi-

Pop, soul, classi.al, re& dance, USIEflS TG Ev.ry,lhing. Our eau ar. g.ntsless. BaSI

Owx PnOoUCnOxSr MK

"fte

rieed" (Mul.

riply) calt'ysledse"Anolhssta/'( arcti.)Coina loseph "Ihru With U" (Atlanti.lau) SOULI^II' Lary Heard -csrg€ Duk -Sean "Pury" Combs TOP I IOUSE LrrEts. AlGnli.

U$ rs

one olthe new

rhoot

oJ

chicago deep

BOdGN T one oJthe teodets ofthe London new

iE Lx IE. Gary BookerBoRx: Loidon il. Sl0E5: B xloi Dl? Yca STYLE: soirllul house and 3i6ge sirh vo.als. GRE* UPWII: Reg'

F.

& RaB usrExs ro. R&B aftisG llka D'Ang.lo,G.nuwin.& Faith,and Epp€6 like BGta Rhynes, Method Man and Naz. lESt Ol OWI PiOOUC'IOXS: ti5a while/ Guity {a2ul0 (arhy v{odd "civ. M. loy" (Phulure IGr) - lz love "see Ihe tighr" (sllp N Slide) sOUL. XAIE& Ri.ky a fran {Mas) - MGteG ar work

BmiE

HOUSE

tllEls!

XinsSl

Ih€

alt the linl. twiokly listt and sounds the mirder th. 8!ar the belter.

Pt6sing butto.s

I

is

a

r lde eveMhins aboul tfth, gad8ds, toyr anything with buttons tt.t looks

\tEalili!(

fEcination for machl..6.

!,u

s

I hale

r..dlng manuals, but

I

lM

the

sp.ed, and the abllltyto cor.

I 6an create

inndative sounds, but

I

h.ve

pleE

$n. n.&.

5 Dlusos.h

Ih. B.atLs, LlStEflsIq I don'l listen ro mtrsi. a lot. My lavo le CDs risht nos are lanlmquai. BEST Ot OWfi PiODUCT|oXS: Bons Dluogbs.h "(..p Pushin"' (Peppeminr Jam) - D..p (outs.

"Aliw"(Pepp.minl,am) leff rolber"tctwith You" {Polydor) SOUflTtES: MasteE Al Wo* MalthiasHeilbonn(Deepzona)3 IiOUSE

llBEIS! Pepp€mint

Gatcf

h{duclims

Jam

l'LouislOP - arn:PM -

Muttifa.eted produ.eE know, lor theb

@sr,""t.o.na

GeUh FENIT hod house out

RErr X fla: lcvin Fsher BOil+ East OBnse. ,nE5loE6: Yc Dl? Yes SiYIE: Soultul + tribal, GiEW Ut wlTll: R&8. uSIExS lO: House onlyl BaSt Ol OwlI PiODUCTTO 5, Chaka xhan "tM You AU My tif€time" (Wnmer 8Gl -Cwin tl5her"ch*k11risour"(Mar)-srnday s.h@l "Hou* ls A FeelinS'' (Hard6y) SOUL: DannyT.naglia M6leBAtwolk loe

rfiE

IE

c at Drn.e

ks

lOP,

HOUSa

ltlEls: M

zines ard

cad all hy equipnent mai.

I retuse to talk about

tech.

s.npling ofthe resulting

u-

s ut( .,.,GR f,rrErsq ..Dl

...dsP

W.ked nam€,wdedsund.

m

GtrlrR .rcussEr

hous.,

GiEr

. .............. D' rxrP AITIXTETII) Irfislx1rcd1or...................,....,.. -a;J9fl1!11fff[l F.rrh. dtlk uEdlt.d su@y eeul6 go Nlhe : M.sttu!nd.@/9lodlw*.

wlI|I:

Punk

rhe

Phreaky philter phunk

lxdr one oJ the bng

phrun Phrunee.

Itscfl AKA:

lights hon the No-

oublte & Sharam,

Yosh loshi, M ddl€

ttlL xlf,I. ali s hlE2ln la & ShahmTayebi lOiI: lEn iESlDE& Wahin4on, DC Drl Y€5 SIYLE: Dob house, GiEW UP UIIH. Cl6si. b.L n.w waw and hip hop,

USltIS

TO. Soundsar

d.n, Bosh, Ma lyn Manson, Mad PDfessor, Mazzy Star BaST Ol OWI PnODUCflOxS: Elatl. Re.

alty "Gssa de r O balAmefta) Cho.olale City "Lde songs" (D.ep Dish)-Th. Shamen "Tcnsamazonia" (one Little lidlan) SOULlES:

oan ny

T.naglia Ca CEis-MeteG

Al wolk mPt HouSE Emission Audio Output

......Asfi1fY StIDl"E

0P

b.k. LISTEIS

llalt Pul(

I

I{I(E TEVENSE ., iuPHdlc ..,...,

Jos.ph Glder lOiI:sus. f,ESIDES: London Dr? Ye5 SIYLET ConlempoGry

te4 England

adners Basrn" ( uphonl.) TEs: tarry tevan ldiut Soys- Phil Sp..lor lOP, IOOSa lllELS: Nuphonic U.

soutf,

krow)

.....,.......,.142-x{ll@YE

uJEtoIE...

lljtcSOrm.

q@lityfum one olLondon\

TO: Roots lab.l. IESI OFOrfX PRODUCAOXS: Cenlury falls "lf5 MuiC'(sound onh.m Lighls "Cau.asiln Boy" (Ma'

ldr) -"Lel

............outusf,r8slEx 5m rhleldMarket. .............qnsDurcGot (dan PHILASIiER..

ffilh,

men

Cdslh J

tzl

hd

e

a..ic

lones.Mi*htvBoB

Irl.k Drak., Pal M.th.ny, elc.

IESIOFOWx Df,Ol|{CnOxS: Iog.lhar Ttu othing Wrcn8" (Happy Tra.k Vol 6/Happy souD - turry PhHks "Want M. (tite waler)" (Lde rrcm san rEncisco) - Prcsen.e "aad Y.ar (R. mot l lioulfllTEs. (enny D ibn n-Ronrrc -Yelltu Pedu.tons I!P, HoUIE L lallt: Moodyman Guidan.e Presdp-

pboo-

phr6ethatconestonindwh..youEadea.nofthebll ingnames(butna 'x' ilyou oON'TK OWanythingabodpanicularp€6on)", folloed bya com-

plete list of our *leted nu hou* crs. B€low. .hanges - *h.t lhey 5aid abour e..h othel-

Der

'Aitr'l

tFr

Asa finalpDbing toray, we ended theGlobal House sureywilhthesl.ndardAstuiotion QUE "Wite down the VERY tlRsIword or iz.d Steers@nd

cEvtxE$lEn ...........

E

tof,x:

chanes webster

brshn€, England iESlDtS! Nol llngham, England Dl? Yes5iYLE tove6' house. Gf,Ew UP wlIH: Punk. ltSIExS IC Rk[ie Lee

f,lAL lflE C spii

Who Knows ltlllro?

n9ll,GOtOr.......

i

GlBleE [ftD8Er Ai stocnti. de e p ho u se r,

Consistent

a studio tuU ol k€yboardr & etrects. I read the tech

t

ilAXE! Bo

I

think the b.st music-making is tech

ollmscl

mf,x:Hambu8 xESlDaS: HambulgOr? YesGREw UPrflTx: L

0

iEAl IAIE|

a(cid.nt,,.

ny lif€. ni.y r.rely

0..9

he

th ings that happen by

-

0qSsEd.l|

Long-tine Genoh uberDl with biqqest

iE

6.oEe Benson to nam€ a tuw IISI OF OW{ PnoDUCTOXt Mar Blan.o "Losr ln Yoo" (a remirrc dad neaiy a yed ago whl.h sllll hasn't b.en rcleas.d) The R.public 'Republicai ctude" ( ar.otk; spri.g 97) CollediwEffod 1l! lusr a feelin- (Gt.h) aou Lf IES: Ro8.r San.hez eLe la.ksmoolh IOP' IOUsE L IELS: cat h (obdousM - subu 6an stid

Furry PhEak6, P€sonce Elc

D;p UCr

-

-lu.N4bremP3

tend ro lkt€n lo a lot ofjazz musk.

I

oilohn colhne, Donald Byrd aid

AxA: Love From San Fr.ncis@, B€mole.

deep dan.e. GREW UP

fiTll:

800

Ieci

l'm a tan

New Yo*et pushing the

aORx:England/Hollandf,ESlDlS: tondon Dl?

Oa

it.an give us

Uine and cosls.

okdnl Ghnr

DJ

Bassm Jan

Yes

used the risht wav,

IlflE:

tuhhv A.edle SOiI: England RESIDES: onh.m Shaolin Dr? Yes STVIE House music. GREw UP wlTH: Reggae, soul, ro.( funk. U5IE S lO: Recsae, soul, iaz. tESToF Of,t tiODUCtlOliS: Bla(k Scicnc€ orcheslE "wherc Werc Yoo" X'Prc$ 2 "Music Erpres" {tBo) - rh. Bal[sn. Bmrh.r "London tlooligan soul" ounio, SOULXIIEs| Ro.[y - Dles.lMAWmP,HOUSEL IEL& li Boy5 Own - Nu-

ll

tllrr

I ld. th. way tehnoto8y .an be so simple and iusl an e(ension or you finse6 (wnen il! *ell d.srtn.!,.9: SSooo), you tll tothe n.g. wh.Ewu don t need to thint .bout it a.ymore. Bot when il goes sreng, ir .an b€ 50

I

iEAL

lli!

80.b DlqrEdl I love then ehen ih.y do wiat I wanr

(-ln

en.ed3a6g€.GIEWUPWITH:lo gnallyslart ed out d a soul Boy. s an was lnlo laz mcL

LrsTEIlIo

ual! Thethingthat llike mosr about lect h, hddermu.h you have, yorl alwi ys seen to watt.omething el$.

lan veryhands

di specs ffift Lhn fleldsr d lf year with

ft€l abod

s.z-

en-

lite the l.chnolosy blcause

Curs

,$

iErLxrIE:c

nu sahml o, hous€ pruduaats

Ho[ do€! th€

Love h oa hata ft?

Ta, Banana R€public, The Re pub c, A Baifl€d Ropublic, Psycholroplc Col l6cl v6 Efion, cap ral sw ig; Fa@ in "Fa.e" Mills iof,t: tondon RaSIDES: London Dla Yes slYtlr l.zlliflu-

A/.A AnoEk

Technology

L iElS: Atlantic i - hper ne@dln8i

llcop $olBalim fhe deep shit fun s@tlond.

Axr: Rufi C'n Sou Semnd Crusde

xtrl l

E: colin Gat€ SIDE5! Scotland Drl Yes

Boil+ S.otland

it.

soulfirl horse.

'InE

Gf,EW UPWllll:'6os sul & R&B, LISIIIS IO. Ar rhe mom.nt lh llsl.ning to som€.la$i. self. prcduc€d LPs,like Leroy Hobon, sam 0..s, and


won..t

Sobby

talilIEcanosmi ! Pueno Rko RE. SrnE, Chi.ago disko va.k. GiEw uP

for itrspnation and sone

SIDES: Chka8o Dl? Y.s

cGade6

Donald Byrd, Lonliston Smilh for'lhe nodes'. Als, a

iu.nrnk ni.

like

lflTI!

Old shool Chi.ago tlSTEfls TOr oo.n. mind€d abour all kind5 0f

h.o*.

m0sk (unsle). BESI or OWX PIODUCIIOiS: Dl Sneak "Moondoggy" tP Olsko Erctia/Caiual) 6le/' EP (ShM Me Al rhe way/Hen,y sD - Dl Sn€ak 'h fie douds" (sneat E$.n' Dl Sn€ak "Poly'

Deep Sensatlor "Talkin " (caiu.l) solrli.k Peacot - Yo31 Ha!8hlon

IrrES: t

loP

HOUsa

-

uaEls!

ialr/Sl .tly) SOUlxalES:

- MAw

Suburhan

v.n

Armand

Iery Denid( Grtd tot t flou5a ultl& I*lsted - $n.dy nMhm H€lder-rodd

RErL XrXE Paul Huntd mift

JGy lt/IBadra 8b hopw soruge prcducq .ton

GlaSw

iE L lIElo.y

dI

PiOOUCnOIS:rno Puenl.

.at log. BaST Ot Owx PmDUC' TIOIS! se.oid Crcade "t@ aid Happi'

feflsls lI Sord

Laodins

lA!E!'!

HOUSa

-

ficeze

Giant st€p

-

llce[ zom

loz2y ganse fren NYc.

Supe6tot tuen.h deep house Pre'

Rl

lt

loiL

XE 0imits, xn.pD.rs

t

Aite N'Sh ne iEll xrrat: Ghnr Nel$n loxt: London lEslDES: totrdo.0l? Y.s STYTE o bol_ l6k5 undeGround clob

-

utwltlll

in

wond.dand "IimepDblen" (B..s.T/199r_Dimitn & lalny "Don'r BeA P sondolYourOrn sMe" (oo{andr99d_Ali.e D in wondeF land "wb c.he ro Paftr {a.,s.I/oec 96) lioul ATES! D€ilck May - carl cEia

-

m0

Ict'y

&

Cotods leoding lot $e/ qotuge

'7c dls.o

je,

nrnk,

i*, Raw owx

UP wlTH: Lal€

LISTEIS IO: A.id

shnd ewH€ . 5rl0s IE I Ot 24Hr

*peien.e "la,z riom the Head' (Ni.e

N

RiE) f€dedlioi X'Odysey One" (swing Tomny clty) soUL lTEs: , ous* Musto - l5m.s PEston IoP, 3EL5! Suing Cily-Sobudan _

T

llousa

souhn

llr

Eon

ar6trioE.hsto superaas.

lbFr subtemtw

gtooves

lmn kodtng

BoyE

Blunted house

lrcn onginal

duo,

JAdG IHIUEC IAIE|

iEAL

olno &

Teq

Defropoolos

ol the ltulians set to tun heak

One

il4f,lllraE clb Sa$o 3olll. r{apl6llalv xaSlDE Fomi. Dl? Yes 5IYIE Pur

"what

ls

Happin6t'(CEh)-

hMenGl.GiEWUtf,[ : Di*o music and'3c Dop. LISTEISIO,A.idia,tu ( us Ra& ltsr or owll Pioougloxs: la.xe R.*R"YouAE nycutie" (s{ntune) 0&T "H.nny

a[

(?) - Ihalna Houston or That' (tuulo soulfalt+n/louspl Mattniat Heilbrcnn - ltAw IoP t HOU5E L IELS: Kng 5t-(tuh/l/rryl P.*€ -Azuli

K.ys"

- Blad( Market "Ah.utYou" 5E

lu ltsr[ Aweso n e FP D th Dl /p tod u c4 l n tlf,E Cynl Eienre aoiL Pais nE_

J@{$e0te

SIDE$ Pa s Dl?

Ar!& Uban

mTl+Funk usllxl'loAlhon.Ili.tenlo Harcld Budd, Bri.i Eno, d.,.. FAnli-

iE xrxE

Y* SrtrEr UndergDlnd soulfulele.tmnl(d .emusi.!GIEUUP

sul tunL..ls,

€nr?l!9, ldz,

hlP hoP,

di{o, Delolt L.hno, ek. tESr Ol OII PtoDUoloI& I lhlIk "skd Sudner Mbe" thatdme outon a frend.omoilation

,rr,r5 U, (Mul) ms a @18lle. - I [k€ "SEuluE" on Guid.d. b.o6e I @n13€l n,ed of h.anns Ald daying (th. r.yboard)

oni

-J@nnlO93

lu

HOUSE

iEAt

!Ltu.

Doerf.in

lO {:lo-

hannesbuE, 5A f,E3lolll: Mu.i.h, 6er many ol? Y6 5IYIE! OeP dub and SaEst h06.. GnlW UPlfll& ld.P€ndent.

U'

IltliTGAnFhingand @ryttin&lEslor

OllI

PXOIUCflOIS:

(compose)

(codpo*) 0l oi*iDle

-

D,

Dl

UnG

1(BBGm"

Linc 'ild,eEeY Fuik"

-lioulfl A'IS:Todd

-lMnn mPt

tlv..O - tubii. Demand - Sma.k

IU SEa[ lireIess Chicogo

Edwads

HOUSE

pioter

-

lo€Y

lElS:AM:PM

Eus POed, S.uliuic,

soul_

anin Tappet EOxL: Newl€r s.y i6tEEa: Flo da Dr? Yes 5II1a: w. m:1.'tlub musi.'. Gf,EW UP lnttlr flai. ric b.k (ted z€ppelitr, et.). UsTEIS Tol Classic soul. BEsl Ol OWI IiODUCIIOIS! Micha.l

t

t

Po.ter "oallEr

Me'

(Basslin€.Us/Hon.ul0 Mother Of P.an'You Heaver', (5dhrnc-U5/!lrod.Ul0-

Mi.ha.l

ft.er1*

Don't LiE"

G4&nc-

-

trBaLli:

llcic

iESloE . tlo

0l?YesSrYrE Rth, <nrltul .lub nusk. cxEf UP WITI|, Diso, da

RaB. USlExsrG Rush (.hs sicrc.l(),srelyDan,o'Argdo&oterd*p

mk(cl6rl.). R&8.

aa! ot owutoou(flors.

Mi.hael Ro.ter1* Don t UE" (Stult!dc' Us/lta:PM'Ul0 - Molh.i of Peai "Yoor H.aren" (Soultu aus/Won.ulQ - RMA

"Pisr And Presanf !iOOL

smE:

Musi. Wth r.eling, Sery

t \.

House,Afr.rhou6,GiEwUt wlTHl Hip hop, Sly& Robbie,

dis LItIxSTG Duh Pink Floyd, ambient , th. Sound of tha S.a, lEsr Or dub,

(

l-

Hatl6

'Al K€nnyH.wkes

OWI

XcnnY

Myslf/ha(tuurys.Ni..) 'nODUCIIOIS! 'ld Sq"{tuuryseM@) - DeP aElh "0n My Own" (shit€) soulx rEs:

Luke

Boys

l(Grh

\

rtP t floUsE LrEEtS: tuxury

lltlhy

M u zio ue

tE

Ta D ioue head honcho Jrcrn

LA

E x.vln

McKaY

lon*

sngs. UgIEIS

lolrlf fi

Ihe lqlesl ys;umg

-

Ho6eof 9o9-Alod-Salanc

tol

Conbining sveet gdoge with o

Clossk Reconb

,;?i, .-:-:'-.',

tO:

Drum',n',b6s, dit.o, dub. BE5 0r owx PlODUmOiS: Aam 1azne S.a" (Mu ique Trcpique) - GlasSpw Undergrcund "Sl.sta" 0us TB) - Mlstl.al s.ul "Dub Al. E5! rEdion" (Munquelrcpique) omid oun4deh G6B) lrari (subduh) ConEd (ldjul Boy) IOP, flOUSE L IELS:

lJlc&hnmpoinetwith

l1

Edln'

U*l,."fi

Itetkk

in

ltrcdsf inifiys $r00ve senes. [eoluring

f,tltI

xEr tlke solomon loRI. B stol iES|DES: Banit, Eruland Dr? Yes STYIE

Hmm. Good Srufi. GiEW UP WIIrl: Eanv '36 pop su.h G dr Poti.e, D€ry Midiighl Runne6. ttliTEIS tU A Tnbe Gll€d Quesl

[T] Bukem

luriono meeis lhe Jungle Btolhets

aasror orrx ?xoDlrnolsr A$ Iheory "rt16ic for fr€akr Ard lh.n Ficnds" (Pllnk (Phom)

-

The

-spic

[omh

Shrnlen

Head "Frcaks' Andljme "H6€n & EanH'

(PEssiprion)aOULfl IEs!Dc-lustlnHar HolrliE uaEt& sic lhe, he)- Mind f@d -a.ld n5-Rob M.llo

loP,

[B nix

f

ItihS lu

@e oI GenmyS

ond mony more!

clar

n a nn Sodot - supe mekv M Lonihn qorose podrcR.

ft

dqd eeplptE/

ATES: Ouln.v

td6-T. Musro-t Relllyto9, toult

u-

BEL5rSouifui. Peppemintlam/swina

Als ovoiloble:

ll(nlynEr ED b

n an e o nd u I @ilqon i ti ng Ite'

NMMBffi Eneqing Ar"a:

CN

ia^tIl

itsloas: GREW

FreDch

rlhnl

!lCo.lI {(,,i@6

Rotidh ol (ool 2

r{{*mr,tr

Rlhdfi of (ool 3 o,

e orr,

@6

ptoduee6 EodYto

us, Cedoneschi

IrPhllippeZd IOxx: Fbn@ Pais

Dr? Yes

liIYLETEns tunlc

UPWII+ Comme(l.l dls.o

tls'

rExs rDl HiD hop, sout, reffae ton& laz. indl. anylhins, druf, & bass, SESI Or

owll PiODUcfloIS:

Ezio

- Motor

Ba55

"Gel Phunked uy''- Cassius "Fouy tady" AIES! Romanlhonv Dah Punk-

lout

lro r [y:

Alex Reere

Al(A, Clasic. Oassic Plaslic

Plono

I

\

sdlomon ttani Ol from S@tlano - Ihe ldjut

I

t, .I

, -:.

DruSEy, The Deepnas, New

TommY

iEll,Il EMaEP.meDytOn& *,er s€y

,a_

SOUI-

Mcro - touL le? -Gamble & Hofilot, flOt 5E lAltts Soullud. 5ubu6.n

d itco cuta nd pste r

llfrr

l

Us/arltPll-Ulo SOUII IES:

lirE

c e mnn

Got the Funk

llossivegange [tun talented Floi+

SOlrl.IIItS: Slaa- K.riChandler l^aEUi: Gutlan@-

I

EP'tl,fuions r'h€ad" Guntund I TES: , ouss T - Ghnt Nelson MuelhiaroPrHot

0

PtoDUCflOtS:

ran[el(N.kres"waltii''MEi.)

[n

W

GiIw

musi.,

An-

Ame on bla.k soul (€aiy'36) and tunk 08, Piiiamano. USTEIS tor (soma) ftg. 3.., iunglc, soul-te.hm, baskally mu.lc lhat I also playa a U, IISTOIOllI PiG

DUCIIOIS: Ali.e D

Bngfton RESlDasl tondon Drl Y6

lhSol Bfl Londonlrcigning nego gotuqr W'

iedan iES|DES! Amrlerdam Dl? Yes nnE: Hi-te.h 5oul music a balaice b.. .en t€.hno and.oul. GiEU

(HD

t*

iotk/Ptc

Haukes BOi ,

T

-.{

(in,997)

nu

I IEr &.ny

nEAL

Ar"A: Sw ng Ciy,

llriui

or

lGwlffilct London house

utI

8fi Urtc[

-Bas.n.nl Boys-r6nkl.hu.kl€elop,

tuat lndia

ro9, flousE usEli: P.ppemint

Swins('ry-Uhe

6ahtf,ia

c

SOUI. tory'oon'l slop rx. M!si(" fl IE!i: GEnl Nel$n-MouseI-B an Tapped

ff o

"oy. como !h" (McA) - ann Marie smith Musk Fac'sEfie'',', (M.dia/irca - c&c (MG)

laf,

(rr€eze) - Deep s€nsalion "Ialkin"' (caiu.l) - Poels orlhoutt "lusr lry M.' (frceaHi! Hop) louLf, TES! colln Gate

F€ekood

RESIDES: tondon ol?Yes 9IYIE:

Et fttr

iess'

[ebi]'l[

Ths tondon

w.al $6ge GtErUPUlI : Eleclrc and dlsco. LlgIEiSTO: Popul Soul,laniio' qui, c&c Musi( Fadory H.avies SESIOr

RESIDES: 6lasgow Dll Ycs aIYl.C: talin funk house. 6ntw uP UIT& soul. LIS_ IEIS'IO: CaDlyn F@ikll., Dl Premie'"s

back

ron*

Mlephia

4 &[ 6s.EdFd!lm^Pd'c'an.

strersoundO


Bas€m.nl

lu

IOP

t

IOUSE

lrlfll:

Motor

Bass/casslus-BladMale-^llani.le

llhn$e

T

loQltupin

iEAlII

96 with

d

slew ofawesone

Mustah Guudagdu mn* HaSue RESIDEa, Hanorer Or? Yes 5TYIE: P'Funk E:

house. GREr UP rrIH: Pop (Abbt). LlSIExs IO: stan G€tz. astrud Gilbefto. BE!iT ol owll

I IGct

PmOUCITOXS:

(wams&os) Anne esby"can (A&M)

liOULf, lES: Bo sD-

L.

6Ent N.lson - LouleVegircP, IOUSE iELS:Peppeoinllam-Pepp€hint,am P.p.

luIl|mb

Retrc-dis.o nu house lea.le6.

iE L II

E: Simon te. SIDEs: L.ndon q?Y6 Sn

iORIi: London

RE-

rE 9osdi*oturion.

But.rlield ToP 3 HouSE U 5t -Spi tualtil€

tltEln,

Nu

Hdtd rimet rctidents heeping it rcal with Popet Recodings.

u! It f

,

Euiot Easrwi.k BoRl+ Man.h.st IESIDES: Ma..h.sr.r Dr? Yes STYrEr Bobodit @. Gf,EW UP wlTH! ska. LIsIEIS m: RGk, tunk, ACR, o.sis- BEsl Or Owx PIODUCTIOIS: Pap.r Mr.i. *1 "Downlimc" Th€ Belowd "DeliEr M€" SOULIATE5: Salt Cily R

E:

-

Odestra"stom" NidBold.r"Paradlse"mP3

i 3 D

LrtELS: Luury

HOUSE

s.toke-50urc

il-

at^l XrIE:

PhilAsher BOix: tondon SIDES! tadbrcke Grcov€ Ol? Y.s SIYIE: Jaz2 funk. GREW

UPIIIH.Iamla itolown,

Usrtxs ru. IESI Ol Orll PiODUCIIOXS:

8L.k& Spanish'?az Pora" (Sllp N Slld.)- Bah Samba "cahlval" (Loaded) - Ca$io '1 Like" (D.n) SOULIITES! R.iny City R€.ords.

(ha.dbrmP,

tftlq

involv.d at Dlron ,r - Keri

AU the Cuys

- lcnny

HOUsE

LrtElJ. Spintual

Ufe

-

llhttrlili

Pop u I o t h d I io n Dl/ptod Lrce'l Al/qt Elh.c Mam P@rdngs

:Rimini, lraly lESl0ES: Rimlnl, naly Dr? Yes tTYrEl HoGe.und€4rcund sarase, GnEr UP YITI: oi*o musi.. LlSTlIS m: Anythlng. *srOr Pf,oDUCAOX& Omnive6e "Anlarcs" (lma) IME "lust A Matler ot.." (sunlun.)

olx

C6lgir ak n fiapp4n"

SOUlfrIEsT

Tony Humph

-

(Prbllc Demano

s-

Ralph

-

tarry

tqEory Hulrcliom Luury seruice

lx

duo pushing the dubby

Ertnn

lraE

dM

up the 5tyle5 and the banieu and the divi'

House music in 'r7 wiu €xplode walh moE cool aGngements and dub5. A lot of rh€ kids aE leaving th€ junsle eene and are getting into the d€eD lick

Morcliwinstrum€nt pump a blt harder

Gilrr lEuiox

lLtft

ClUr

l/tz-ta{iqm

lroh

l'llansrerthi5o.ean Miami atWMC'97. 'lSltEi

cHAi16 WtttiIEt MoEola hope than

a pEdictionr a re-

tum to rhe und€Brcund 5mall€r Enu6 and a more open'minded clubb€i

CNlsPflI J GUryEi MoE live el€m.nrs, moe tunL l6s aG titude, moe fusion, more mon€y (for

tion-it!coincto cate

$

pop,

I s* a good tEnd d*loping in p@duce6. Theyle starllng to rcalia tneE 6n be quality and inlegrlty ln house murlc, hn lmking foBafll lo he.nng'e7.

fiin

A continuadon of 1995, but wlth

en

moE podu.eE coming th,ough, mak-

mr morc compeltiE. rc lYfiawxrl lns n

DEEPDISII

mF

olr pEdldtion

is rhat. due to the satumted stale of d.n.e music by wack lab€15, wa(k ols. and wa.k rroduceG. th€ industry will come to a conplete

individuals, will eme.ge slronger than der Sound.likea movi€. doesn'l il? Moreder, wilh the sl@ eme8ence of strong support lor dance-based mu5i. by Mw, maior labels and @mret€nl and young.rA&R scouts, it 5hould ultimate ly p@ to he a gHt vear lor dan.e in

waF einrenrs irserand

goes back

u.-

ltt

llke a .ycle. a $e momenr most of th€ good 5tufl is ftom

Hopetully real ga6ge music will ger more recognitlon and dbpth. che8y Eputalion il has galn.d ln the u( der

it.

slower tefrpo, bett.r

$ngs

-

I hope in 'r7 p€ople like Blaze,

(erl

Chandle[,@on., JoeClaussel, Lil'Louis (he is, to me, a true

hou*

his

DJ an

nu-

si@l choice), elc, will s€l resp€ct. 5ucce55 i5 sood when it! nol Brilish DEss hyp.. What @ hare to si€ to those toe

Dlltxu5

kn

and she it will go back lo the old school

sb.st,

sr!@s

ar

ory

S.ryice)

Summ.r GroNe "Sensory Ele-

menr." {a2!lD soul- rrEiz.klDee - Luk€ Solomon- Dl D TOD 3 IOUSE LrlEts:Guidan.e tuxury seni.e WaB lEll flAf,a: D.i AbEhams BOII: Chelsea England RESIDES: tondon 0l?Y6 S,YLE: Don'r

likE.ateF

es

but hare been.aued deeD

GiEW U? wlTll: Soul boqie, dis.o IO: fltsi lde hlphop alrays slll be.

ho6e.

LlltTEI'

tfsl

OF

Owl DnOoU(ItOxS. (Azuli)

to*

Sen5ory Elements vol. 1 Ba33! "Dan.in"' (tuury seM.e)

loy..lyn &own "r trke' Imrl (Frc.rom) SOUI fiEa: wayre Gardincr - Lenot BurS€s

-

-Andrs LlovdWebberIOPr Spnitull

Uf.

fl OUSI

L lll]s:

RainyCny-Soulturl.

llhlHiE

Playinq live in b6 wos

(Qst .oo""o

orlet ofthe

IIIE SUWEY E'Ety . h ottntnhootcpwre.eiledthehL towino twa eaae auesttdnrdte bt fc,: HAD ro

da$rfy iouBerr

*

rcprcsiring

one sryle or house musi. (or olso a Brltish mus . y*ay),wharwoutd iounarist wourd do ir for rhar atetufl b. (h.L hee to make uD own

y.u

wr

2.w|ratwasthewryfirlstyhofmusklhalruper te thrce sonss th

a

rs(/

rf

vou had to rcLorare

tomoro{

wherc in rhe

I

rfyes, *havwhen/wheE wa !!ur ta{ sB7 tud whavwh.i/whe€ was yor hsdte sis?

T.Hoedo}!usoabo(eninganewrE.k(eg.GLL

noE quality, especiatly

mocmusi.alcontent.Thelircaspectln house is aliE and gwins,

lt

r: PrcBrE$ or Die!! 2r lf I hew that, bea millionaiE, but re'll kep ddving musi. that

md6

us emotionally,

ad

oYEs oNo the mus.

0fFu

rfYes,why?

ha€oneaLreadv

busii*s {ep:'leave it

Lawy?/manage/; "lo€

ir, totalLy

aLl

ro

mv

haidlon ,i,,noed

o.Righr n@,rharmusi.de@uo.60f, arlvl nei. iig to Gryre, artkt, er) rhat! lhe tunho$ aron n, are you

a

tethioLosy freak (do you Lm musk

ma.hinesrr

cYrS

l

o

w l.lEnl{o

makins

$ink'97will betfi . ye.rof helodies + live instruments + pumpin'8oMs. WATIUE I(D5 Moe diw*ity, more mu3ic, moE $ul.

!z.Whi.haErheroprhrc.houerab.rsdghtnow?

I

r,|

Do

llu rhinkrohaLmusl.tnlihgEai

adEn.

rr

5wir.hed at Binh: cai you nam. oie house sons didi,t d6em b mak€ ir, bu! som.hedid (adisvrirre/mix/L.ber, Dlea*)?

$tats

(ord or newl rhar rcaLLy How

abou th. opposrr.,

ther, Streetsound's craak tean ofstatlstlclans odractcd sone cruclal coddail tiYia-.. Percenlase ofrespondenlswho are under 3or 6t%

a

.onpLer.ry oErLooked

And

Percentage of respondenls who Dl: 91% Percenlase of respondentswho have formal musictraining: 4r% Percenrase of respoidentswho think musiclraining s an advantage: 7r% PercentaBeof respondentswho are "te.hnoLogV freaks"r 62% Per.entaseofrespondentswho would likeor have their own label:79% Percentage ofrespondentswho are hands-on wlth the business:4!% Percentage ofrespondentswho would ifgiven lhe rholce relo.ate tol

NYC|

35%

London: ra!6

Paris: .lav.

SIREEISOUI{D GIOBAL.HOUSE

up.edain Lab€Lsiser erarero.enainDls)?

tEiloiY Pf,o0ucno 3

DI DEEP

t!ry Heard loPt llousE uBElS: -s Allanticle-Pcac. froc Guidanc.

worldkouLdyounonlketoliwandpork?

More thought,

tots ol la€ inslruments, less formula,

-

rcuidam.)

- xlng Bnr-

r

xousstT Uw'

h't;.e"rf

Wamdu. Prcied "KnB of r y car rle" (un ed.d) SoutIrIEs: f,ha'1es webster

4.Nane thle.tullowpmdrerDl/anis6you.on slder to be soulm .s (evei

PIIIR iECOIDIXGS

DttPgfltsanox

xl.,l,fllhJi*il1:ull

you wrcte/pmdu.edl*o'ked on (iidude

ur(Est torox to dan.e to

ontl

l1iH3li,:#fllllll?:f [11 I Hie,'ei1,!;::fl:3I!l,r*;

r,u,h.h eyourpdeialfaE

ttx

t(EMx Y Th€E wiu h€ ho@ m6lc in'97.

E@ry.ms going

-

L lEtS:AM:PM

Chris Ahnn Bof,x: Ailanra REAlanh SIYItr Deep music, GiEW UP

r-r [r f

I rf ru

Horenrly moE mu5i@l house, Muslcal.

de8bund,

HOUSE

toncedout deep house fun A

SIDES:

iEYERlt Hou* music will be the 2o@!

loaY lrs

IOP3

Deep Di5h

tElL XIXE:

Gadl,.

Abour ihree million nry joumali5t gon6 and a drop h Dls'wags.

chanse, the n€w school every,lhing, everywheE: Pads,Gemany Flo da, uK,

It! llne for.

P/sunlu ne) - olga 'rtn A Bikh" (UMM) Ald Panv "Don't GimmeYour tif." lmxl (UMM) IiOULXATES: Maste6 Ar wolk - Mousse T

lllan f, l0dr

r/rzElEflox

b6

goingto

miing

be FUsloN, brcakins

for 37 is

tII

lE E: Roberto Ka m Alt Boil+ Soshey wadod iasloEs: tondon Dl? Yes STYIE: P.r v.^€d Hou* GREW UP Wfillr Elc.to 6p LltTEIS lO: Mobb Deep HeU On Eanh LP llSIOl Oll PmDUCrrcxS: lo.€Un n"lLlkell Uk€ lhat" (Frcclun)- L@s.,, "Dancin'" {Lux

r€elins, live in struments & soul vok.s. foi m., pbdu.er na is Mou$e T. the top

E

hou*

BOi'IENI

Mygnfriend sa]s, Luxury seryi@, zak 'Hol P nk" Dee,

nutt aith iaz

atsT ot otYr PioDUcIorS: Walt.rlno liPlay ve" (tive

My prcdictlon Is

0lllo&TEinY

ffltiAIE!RiodoMonlananl(r

Ro6bi.

hcking

standslillanda5 a Esull, wilh lhe help ora n€w b@d olralented and ideaustlc

Pll lslEr hoBe

up, rcality is

Hopetully norc direEaly, morc orlglnality,neaniffie$nssof 5lyie@lego es,

cofres

rhlcf necu{ur

tt i

E 5E

lt*lf

oUCI|OXS: Faza A.don "ln Ihe Ihrces" (Nu phonl.) - F.ze Aclion "Plans and D€si*ns" ( uphonic) Faze A.tion "rull Molion" (N(. phoni.) SOUUiI IES: rdlut B.rs - D.v€ HilG phoni.-

5

ll better wake

GrEwUPwl ,l@.LISTE

Jools

wlII!

ASHI.EY AEEDU

IORIS DLUGOsTH

5 TO lazz & r.gsae and a bil of Afri.an. IEST Ol Orx PnO

L Waller Biasir aoilt Pbdda,ltaly IESIDES: Padffi, ltaly Dl? Y.s tmE: GaEg. & lazz house. GnEw UD A.id ia. soul, funk. hous.. LIS-

I{ow thet wev€ Eonounc€d house GLOBAI. whafs n€l(t? We asked our panel 6r house predictlons for the aomingyear...

D "Kecp

"-Quin.ylones "stomp"

Pushin

Wiln6s"

A

aois

It ltflt,

The Future

9%

(NEDlIs & NIE PiITT Ih. 6E

.H

on rh&

G.l tdftlon, h rlDh.b€ll@l

kh.c In.nibi,sy'M. ralnG6tn),rrih.bLrs nom $. dt id.d StE lsouid.rcq li. dudrng D, DkdPh, nm & r LGd.d (ux)

.klan..

Glo6.l liou* . fld Edlrloi was a$embled rrom surces hl and *id.. wol€ mad. ery efoh ro in.

duderhemo(ohpret€

and

acuhre ros$aid

andonissions e inevitab le. Than ks to rhe Net, Global Housewlll6flyon onlhe at ,sdr.!

$und..on/dobrlh

se wilh addiliois, updares


ww..t4etsor[d.com/hors0

Afl,,td

NtAw rctum to ine dl5.o

G10B

t

byDlDisciple

rom. Cla$lc

XO

PrcpssoouttoaLllhenspmduteBand rcmixeEwhoarc.ont butingro makinga

(Sno*ir' Ae,6lGarage mixe5 abound oi lhi5 dou b Le-pa.k fon lh e hap p.nin g smokin B.ats

]he hottest new house tracks in North A.rerica as compiled bY

Unneleased Tnacking

m ,Ilols

TnE

stleetsoed

difieen.eindan.emusic allyouha€to do is che.k out

GlobaL hourer

STE9||AXrE COOI(E

was

(\rryi P.a.e) Dep

Ab5oLuteLy slamning double pack of M&S mires of top gamge tune.

BYnOta

(rhll,rrr&

Britliantwalr.wah futurc lrouseluik

tonreryprcmisinsiawlabeL.

AE.I

TE,ITT.

SELII{AKIIIG

as!,rowerl De;p

and

iazy

m

IJRREL

SrtacrrY

6d€s)

a[

Bla.k" (sliCN'slTda), D'l.tnln! "rlindu Love/' (d.Coislruclion) and fin€ Young

CanilbiG' rcmak. of "She Ddves [ie CGzy"

$,

M6t 6AtWott arc.ominglhtoush

ll Swlig!

byJo. Clausellso you

fsprnvdarF)

Emlx of V.hd. G€or8r!

"Searhin " was well in denand

knM

Bassm.ntJ originalG

[U].KY PEOPL:

TEAT.

CASSIO

IYARE

Dl Sneak, lhe lastesr tmck prcduc€r in

/V srde) Louh vesa do6n1 stEy rar the onginal on these phar €mix.t chek also rh€ slammlng "akEhf by Mijan,

fsli,,

thewo,ld,dldsomephalnewpbduclions aid Erixes of "You Can't ttide Fhm Your Bun" (lnabombei askLlasafunkyrcnn or "tets Go Di*o" (oEital Duns€on).

ton

AfRtxax rl2z $pir'tudl ri,t l Tihmy Regitiod

NYC.

'Iwo brctha6 not lo neep dn fot nexl yaar a'e lbnol aid lunlors.nche, wath tor Mario,s newesl prciecl oi U tomb.r, a Canadian labeLrun by D,SN.LJunlor san.hez "&by You Don't (now" (Natot i.) issoingto blowhimrighr up-sal.hlhis

LMng up lo alLthe hype...one of

lhe yeaG besr. The

li

Lonl O.lt. has (@rad the sons ror rc' lease dn Gtu@ On, Al5o buzzlng n lh€ dubs is Atrlll Mo@s nirc5 df "Plastic Drcams" bylD and "N.wYork CitY GiG" bY

coRRllA lOSEPll

Yc

a

prcje.t .alled "Letl Do lt".

lki

The sound of NYC..-anlhemi..

^lired

lcunkoln/

oi

N Goova,

Gdin .l_

album.Theirmlr.s of"The Boss" hy Tl* BErtons is slllL on Londoit most wanled eS have remixed a ne, 3.d66 Tu.lcrforAzulicall.d"LoviigYou". Mood

lot ctRDwEtl

(Bas@ /d,

,au

some new mixes of Cd{o3 "Funky People". Dln.(!mll! "Run ro M." and lasl hur nol least lhe N! Yoi.ln 50!l

txsTAr{I llousE PaulTm{Udlndslon/lG! tll ' Loidon

Speaking of

theye wlh

Nobody lake5 it de.p lik€ Blaz. do.

fclrhrbdl,

(nr.

theyle ate.olLaboBled whh

tuatu,ing LouT.

zE Pf,ES, TRA]aS-llrZ EP

fs,aple,

Enstlsht

To

GR(X,YE BOX The lMoleYou wanvcasioS Theme

ftl.a*

rm

"Tesrr6/". ,ay w ll also g.l the rcmix naahent bv Ro!!r 5 aid l@_t{_ GltM. ln 1997, be surc lo wath oul hr nany morc mix swaps belween prcdu..E who have rheir own Labels. sanchez ls doing mix6 tur Kors (nndyltEr4 "Fade

ixes rmm Rat llffe

andlmpressire mixesf rcm D. Bah.s. H ghlyre.

rcmixwl(

uIhms

house with Detbit naEs on

Hyped.up

"Get Up" (Neruour,

Lenr

ALeady massiE a5 a pmmo, this on. is only soing ro get big:gel "Ro.kin', rceLin'"1

I.OITY rcVE ghe/'ror

hl5 6na

"super Natu61" (Nighlire), and l.Y

(lLryols)

(/vile Nu skoolSampLerVolumel avosni.osh, Check The Ro.k" and H

the man who

whh new mixes ror Bybn Sdtrdlys ex.eL

DEEP BROS TEAT. S ARTSTRO}IG AIID EARBANA TUCI(ER

H- Ail

Mo@l

fi6t.roosed herc in the pages of

SlEersou,4 .oilinues

(rngs,Mood llSwingtutr nthin8supinlhet YI]ICE AITEY PRES. BIf,HETOR APT

tazrl,

ou Global Ho@ fealurc l0

le.

on th€ mk 60r

,U tamn! is th. rcsidenl ar Trler6 one ofthe mostsall.atlended dubs

lnLdndonon Suidayn ghts. He\al5ooi. ofthe pemiere rcmlxeEand Produ.ere n

that sun&y s(ene". 50 fa. ha5 dorc

Maydle Mllls' "(eep on Lovin " (Dan.e/Uo. F .y la.knasr.r Fuik! 1Mcan'tTumAmuid" (L beny/uK) and Phlllp RamiE" wad r_o/'(cd(h/Uro, spe.iaLptupsgo out to En.kwh man of

ta

whi.h is

finaLLy

representings0m.

sreat musictorlhe califomia club 5.ene and 66em.nt Bots'mixes of "stand Talf should do welL for his name. ALso keeping hk name ln good 5ra^d-

ing G retecn ByEn Srin8lly wilh hc n.w..r rcndirion of " t! ovel" (Nefrous) by lhe Basement BoYs. AndsDeakif gof Ba*h.nrs,

with mixes

l

B&mrt

havabeenkeepinghusyr.aturedprc

)e.tsarcrn g.ory Cheeks E? ddd Utuon ,dzel EP for thet own Label, th.larter he nga(ld (6[rtold moheSnotsurcwhar Lnd ofrea.tion he'LLget fiom that one). They've also remixed the P€t shoD Boys and a proied for talian mesa 0,, claudlo La5r but nor least. prcps go out to lay"l. one oflhefrcntrunnere in san kan\dub s.efe. wal.h for his Latest prcjedfearur

iig loi

crdrell! "cryhgEyeJ'.That\ aLl

lor nowl Nave a sieat hollday and wekome

Iony Bumphd.s/Hot 97 . [ryc

lotx Hrraos

EP lNeedYou/PeopLe Get Up Owsnty sTde

fo,r srE

ey) Rlddims rrcm the

tuxr(Y

xtst

(Pesorur,o,) Futurc

(,Ill

d.&.r

lI

of tondon! gadge scene.

(rrphod

r&nPorU hlle'ed madness lrom

jd.ho uP rusion.

le'as As0

SLot

ii

belw.en 0 TGinandvismL.

XGTEI'SHUX

cherk DrY! new one oi rhis new Label.

,(

Prtnl Awesome liE iazzsith house flava5 in-

crash Records - vin I Peace Recordlngs Ride

the Rhwhm! O

\r

VINYL PEACE RECORDII{OS

ON CRASH

stt6m all fcat Dorl€l 'can You Hear ite'

o

Ba.ndd apartm.nt

kx{.rd..q!!r

EP

adrdBat

ryIElrtlEtu

(


a

i

p ro

ri r

Bom?

Bom? PLce

wl'o .r€ yourthree hvodte D,s?

A two-day pady ln

fte

worn thlns about b€ing a Dl? 0ealing with fl aky people. nle best thlng alout belnt a D,? Freedom, youcan beyourown boss. The la€est patyyou've play.d .t?

fi

t"

Cunent Top 10 ln your

bor

youletumed out whatsthe

a spaQ

a Dr?

Tne natural high you get wh€n you know

Michaet laclson lofr The wall Curent Top ro ln your bo*

a crowd

mrnd

- allthe pos-

[rnk Prei.d (YerL*/un

Don t we hav€ enough to worry aboul

Whet

I

naaboutb.lnS, Dl?

carryinaiecords, and eBning no espet. Wh.t wodd you b€ doln8lftoll vreEnt DllnE? I'd be bouncing off the walls in a ni.e

swithallthisalienstulf

weI! you dolns

at

Band trlw ory (PPtr{b/K rrt

d

i8?

Golng to Chaka Khan con.erts. wtifs your hl'orlte movL?

Rdisrg,4rrzoro, Nick Cage i5 the Man. what w.le you dolnt at t8? Livlngin japan, buyins Japanese 12" singles of Depe.he Mode and hanging

lflh! motftelsftlp hnd.d, muld

you 8Et

Aslons.sithad. uRElandathree-way

t.pes, like'em or hate'em?

lfthe nothelshlp landed, would you

illxirp€sUk'emorhate'€m?

chiti rukvoL.l (EpLt tvhyruK)

Do you

sra.rcb$clMG.(odiirm/us)

0o you b.llet/€ li a God? Yes. bul ldon't knowwhich one. Top three allums of all tlme?

Ett dMd.s hA tin2

L9#)

lM

Hate'em iflheyte for bootlegglig, 'em if theyte for pure entertainment,

the fare? And is it

lumChdslv/Soft0hta(@/(Gprt

;L lrt

Gem.ny for about

Whafs th. bestthlngabo0t D.lnt

flave you or som€one you know b€en

ir

I

whrrs th. blgtEst party you'vr ev.r

I curentlyattend UCLA,I majorin East Asian studies,,,so somethingrelated to

H.w mu.h

E Drs?

David Mo.ales, lun ior Vasq uez, Danny

ifloureBnt

No,andwhat

ofbtft?

wtoaEyoorthr.ef.wit

Jeno, Terry Mullen, Onionz Wtatululd you be dorns

ML\

llhnd

,i o.rr, Manny

eEfl[ llauenpont

d

fEt w*t cN,

pad of the Rassd

beMa stttyins

tobeL which hcs

hmdte albums of.ll tlne: t.leena Maie l@s ln lhe Fte 2. Rutus & Chaka

j6t

c€dre:GnwlEmilymr(tshnd)

ln a God?

Itre.

hod at

tov6 md ttub. he's ote

md

b.llm

whennotrendin|lhefunbdaallheeightbol ny n be fond sn.ke the

rcod

'hop,ehe tu tobks

Art ndzs

dl NYc s deepq hat 5pot5.

tz

b@

&iI

First Double

AL@G

M

Single

yzixa

@)ergJ

Second Double

"ECHA FA LANIE'

Single

@a E@fi-rG &qrEE

Third Double Single

"ARROZ CON FOLLO"

"EL COIO

&

&

&

FREA,C' DEM S'(4" "FLEASARE "W'ry proctuced by Norty Cotto p.oduced by Prince Mix

SO quick GOOD" "FEELS produced by Prince

t@p

MIx

Quick

Coming Soon!

"Aptogtessive BOY IN A DRElg,s'

SLA",

houge

a

SLAU',

ttdck

produced by Norty Cotto from Mega 97.9 FM NYC

,g@MMf]NWW (n

-

;:b

.;;;b

Spdnish ,fouse ,frlra, ,fouse oeeP House PtogtessiYe Houge Gatdge ,rouse Gospel House

Teee

&gaPWTq

<{z@

SLAU'

$l 4.O0

Please cur out ad and ctcld y.tr desned items. Send mo.cy order or chsk b:

slxnm,n Rec..ds:

PO

Bor l2l7 Fon L.c.

N

SLA'],

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$4s.oo

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Add $2 50 for shippinghandline per nem. intemadrnal ddd $1.50 tb. shippinS/handling per

icn.

light b1!e, pllple & natural

'lrf

14.00 A Set of zJ


Pnognessive Update

Doc Martin o,oo". noaiotn; .... Bodywo (Erpesbt ) . ,esus on My M nd Oets@d) .....RuderBii('rdi) .. ,',',',, klhsequel(bBd . .

.

of scenes on

orsldeof the

, , ',',Livig tr ftnay(w o

The waywe see it, whiL. bigtraveling Dls

ii

make the ,ouids to the Likes or Ans Bo5ron, Ctulhed in CL@Land, MetDpolis ln LA. fiEslone in Onando and GuEmmem & lndBb, n Toronro to nam. buta sridgen. themus.alrasresof ih.dlrercnt rc8ionsre. ma ns adadi.. Recods d stihtried arcund rhe natiof show that tunlv brcalc are sl Il popular ew.where and are delnileLy dom-

Itiel

AlineNNYU/NY)

,',, ',,. fun cho. ('d d .. . .leasotrMYMhd (rw*led) , ' ALblm (s (v Bh) '',', , ,. ,RoxyBre s,(Pdg) . . .. tv€rybody D .h (vhcl ,

6dAwii6s (toreFd

lnalingth€ sodh and southeast,Ihe DEp

*lrd

h

nqi.n*n*

l€.hio

a

nd

ho@,,u1. the

midwest. De.p Dlsh, ah€rsome ex.eLLenl m xes,seem to b.rhe darLings of the mid easr with theirsignature b,and or6tdyhou*. lunior and oannyarc y eldinsmorcthan a Little ground ii NewYork ro new.ome6 Like the ereptional Cain fish. er. The wen h€loigs ro the !lhe, house {und.r N.nh.n ca iromia.wirh Dubtrbe niLl beinga malorroreonthes.ane. Nlany longtime0lsirom thar area (and n.w on,{) arc makins mus

.

ng 6arth, simn,

to

0 Barrrs Ahslract

(stt ,

wambduePmFd .. . re$rQ Dily Bshiksom oiesry h Ih. shade (t{u Lofsouid ..... .. sneamhgHsd:{P6n,oor) voL.1

failh (M:ryh Na+l ........ s t oi (ssR Bers un) .. .. .... tub)unps( E@m)

and Dar.

Amarta isstepplng it upa bitwith

@rlando) fto bq

nu.h suc.ess. indud.

lqo

el

,,,, BeiIorhefu l?rc.) ......N/a(trhi(o ... '....Mikvw4(Esrysr.) . .. . .srsnduE(c!id .e)

Base Nelwolk Go reLeses in monrhs) and

commuilqu., wI

.bwconhaidne silratro)

,', ',,, , 9:y w lh Me (fB) .... rM,{surture) ... ......u irheoayOwned)

Let'5.he.[iiwthwhat's goiigon inthisdi v€,s..olLa.tion

last 0l

re

lebula lie

he llll

are pan ofthe burgeodrg

"tou ngAn. 6tr le6no s.ene. (!r Ently unsi8 €d,lh.y cpG.nl onc of fie i.w choi.€ prorpe.ts lo. hip A&R dudes lmki.gtoc@t hof, € gllm UndeMddi Ptldty! d chens. Th€ oemr bated "pc gEssie thne" duo .d $et.l$ed .on. lenponil.s (tl..ld( slq.hurch ( oonshli€). sdl oddirv (A!ral**s),ft .Crysltl

speak n-SpeLl and get.ompo5ing....... hnahnon@sneeEound-@n

(crcsstra/u0

osltawA (fl owe,

iloxx lt{D P UL llanRr

yoMs/hoLlano lh.

rulurc orwlldpit.h

DEN

DNITE

with s.xy ",inger instru.lions" (eye

PLAItsOY 0aq/uk)

o andovoom! oiginallipp.d

YOtaI TRAPP (aousee/uk) THE flLTER

t

oul by

q/u0 dobrc

spooky dalk flans.d out house:

indir

otAnsl6)),.Eoiqu6ttoedu..l€th€l sene on llf. b.yond fte Dl.strc.c.u

Ir{h60E *€m.h.n&d torbeitet

ci..ted

lsi

In slth ,ama stort, .nd ,ulirr BEdl€yorare@ stop*r ii flYc Do yo{ thlnk tn. arrlon 6E i4@ ls

,B: My inprcsdon is lhal th€yr€ not Y.t rcady to apprc.ial. the livc aspe.t of live dan.e musi.. frcr trterc @ go and ktGv el a lor

k

g.I the

iipEslons

peoplc

(rop hanana/uk) t.heyand ssat.hydub ls

thi.k

€ry slreng

shds. for mEe I lhlnk lh. drug i$u6

v!lu. rcal_

ly still have to be addrcss€d. An also I doi t h. ahl. lo re{rdte lhe .neF rhi.k you'll n.w of $e earlv yeaE, she. thitr8s and etltlng, the 5ccne is not as mr5lel'

4r

s

,.r.

m

ousandunknomdton.awas

t$it3tt. D.Mseuk .rd6.t liato s . nuhbd of Daph .m nm out tn4 orbD., LL Blshop, ol

rurJ?

D.y.uihlntsddrhl,E.c[k Unlon]at

s$noEcDcthin

USrfi

.nhon.lM

been 3oii3 slbng lorlhe lat.ouple ofy€a6. Tte4le.ome gsd

eme qralhy Mtrls, they\€ DJs

adwnli3€

sht noy ln th. US simply b€.ause thay'r. nom Eubpe and lherc i5 so mu.h roft hyp. over ih.rc. But I think $ar! gonna .hange sh.n ir becon€s Ameri.a5 tim., when we

odrherci bltthe s.en€ has relly y.tto b€ in the rcsrofth..ountryThe kids

r..ooized

ii lhes..neuercreallyerdt.deh.n

Xeoki

mownlhcrcla$y.arforab eflimeandhe! brcrhs slill liw.lharc. Bot we Lep a lM pD. file rhere, do our musi.,lou and so snow.

NOBERI OE

ADAJ BEYER (planet

lhrhm/uk)

absolutely hynoric pun.hy

LI GIUTHIER

(aquatk planvhoLland)str.etsound repone€t lal8e daliv.rsthuidercus and hypnori. break-

l

haLdrum...."

HECIOR ($ny/gemany) beaurlrull

Like

hadflooron

a

El'

sltlRP house dominatoBoi tha

LfDBAf,K LUI(E ofsup.r

]AI'RE]fT GARXIER

vrcEfioE

and wicked

r..hno

r*

a

tf

HOUSE COFTEE BOYS (Gmpanvus) rampant rctum wrh an uplifring funky brcakswinne wdth thesait

ooR

(deal/holland) sood vib. onan allsyned5s0.

STRAIGIIT AH:AD

norc legillmat pro'

moteE v.nu6i and hi3her pbdu.lion

beats? ".-.beal or a

(r@nm/nd.r/nan.el tou8t

u8t00

For better you have

dlr

,A: Dcnwr ha. had the chan@ to reauy pul on

(ouche/holLand) hrilliant a trc(k ep

very.ooLvibratiigsunds

thinl

that Dls a4 maklng the musi. wete par toming Solh.rc is d.fi nitcsohe Mlklhal nsds 10 h. don. beforc lhcy.an appE.iat

NAYASHTKU

(shao/ukl newhad

(main bom/hoLland) pun.hinghard house with

I

Mt{S

withanuDLifrincn ngteak

EDARXAGE

e

sl$.d to Geffenb n.w onp.so .nd Ubetun. (Cny

and jamez deliv.r a poppin

(hallo/holland) basslinea{o3o }€t

SPq)K

I

(Ane @n B.ids) sb @r to Eurcpe. Y@le h4n ro3lth.r for th. L5t tour y€.u

RII![

(sabam(helslum ) drivin8 modeL prcsrc55lva hou5asith an unbelievabLe brcaI

firrY

(soa,k/holland) minlmal and sinister house

a some

be forcwaned on lhis one sided

TI

ilethod (E.ently d.n.€

,B: UK live hands nay have a Unb

9ouniil^exrrime,digoutthatcasioand

american techno bands

"ltu

gadstomus.prcdu.ridiandthdlgreatto 5ee.

ncbula ninc

sroxE

tGR

(bellboy/uk) washy prcgrcssive hump\thft e frcm the awesome srable (n..hdok)

(n/a holLand formuLadut.hh dhouseortop

r

tr

records

frankie bones heather heart adam x

pure electronica, elwtro, acid, tance, detrcit techno, rotterdam gabber, chicago housc

sb ganc twlds

(lust south ol6th av &

41 ca,tr/,tne sfieet, new yotk . nv . ,tn14 bleecket st) Tel 212.675.52U lax 212.675.5172


,iryf,,.

[U!tI

DJ

ai prorireDJ Mongpheus D.t

tl@ laodt .lblmof .[dm.:

*

I

7 \

L

1de6oy..,,,,,,,...Got tucky

UvllalL.

wio.nyqrttlt

!l|.xori{ rylloutb.iia.0l? 6qlng

lolnl

. rery h6vy Eord bag

IEt n lnht.tct Tuningo

wto

rlF4

Datren Jar

4.rMn4.srdtd- .Dlip G,irrtdn

tvo.l.otsr

,{F{cal rnREnc, Hipp€.

Wt.t3 0l!

Ulltli

4r

p.lty youL

S[ylab lll ln o.nwr, thal wa5 lilc ]@o

uhfstn.!..tthliar!

n

b.h8.

'Waslin8" mo..y on rc.ods. Wh.t muld you !. dolng |tyou

{undlIlftrAe (lut.Rx.d, rtiel hirrc

dr.)

(vhlr sFd

I

dolry rt

mftdtoColoradotob..omeapbsn

Wh.fr you, ftvodt

fidl.t

f $. molt.Rtlp hid.d. ,uld

you aEt

lf

Rmr(suhhou{h

Hen

UL'.in ornd.'.o?

Tl'bnodn,w.t .Contraddig$e+pad

iuid. Ii An.d.., oryis o. trcn tan ilu! <@r rtory sith .d *eN cporG

feotlin, th. b6r

Anetia ond the pton.taftteaseanestopei^th?ne ?nt lnh adoss Nonh

quenr.

B.tim

a{(

MC Dub2

a:( ub 'Yond"

.k..

s.ems

ro b€

uK-

lrnL"

(Ph

has a nke (hilL

,osDh.r aid featurcs Esdenrs: ,.oDd 0m, sLrl, aid orhe6. Any quesrions, .om. a.ntsl ltt

\e to| tuha41@lotoIle.ed|

thE.lDu6 oh(

KBtMrk,ft .

dne?

s.ry!dlv.6.

lr5-ru{, mrk, or

populat on !n les beh ndthehip.hdo,ra2,esga..ele(rrcik and

alloserher pure rolling goodness

of

urban

Iherunq.(ene h 0uawa itptrl ng up slowly. Re.o ly, fllpild. Pom. oi! pd on rhe.irys lrsl ar1unql. D ttra^d ilwas a birtu..ess.

aho an aLLiunrle iight.alled fullln Fuil every wedi.sdav night at the w.ll on GeoB st. in the BWad Malket. li!.lway! a fuLl house w th rcsidents Dl Hop aid P.ndt hying Ihere

G

down some ohat drum

'n

r"

(ssR)

bass

E,ooves.

6iAEl& \bil/sl*l&[rt!40

EP" (Envircn) 7. cuio/" onh Stat'{Nift Bd Reds) 3. Motor Sass/Pansoul LP (Casriurl

uiqs/EdEd (ErE r!.ri

9.

o.

Man Ma(nine

Ih€ r.miry srone. Th€rc! A Riol

Baby Mammoth/'lo.ooo YeaB 8e-

fomerGtBane twasatu n.nb.r.an hund behird th. highly sucsfull F@. zahe conpilotian sei.s ovoiloble lon rh?

be

(lmnttopt nlnFrt{'1,16

rrce/Eshl|Mfda!*

(S.andanavi./uK) t ndsltumn spits .lEtoni. ron.s at y.u that ki.ts you in lh. h..d wilh lh.

rpon

wh (h featurcsaweekLyjungle

llyof.ou6a) whkh

IoD

3. 5U a

futtt.

rhc pla.€ ro

wh.n r hear Rob.rr Watr sing(and het

H.

qhtlll keep an eve 6ur for Iorodo!

drum a;d base (iowd

on

6MdE Geisv"Remnanrs

tu1.

neishbo6 lo lhe !odh.. . 3..ause for rhe fiEr r me hefoG th

1. Tek e/"15 ir

5.

2,

) They arc rcsidents

,oo6 Also,lunsLe h ai up.dmins lavorit. at _our. oa'res wlh phal lo(a raent lile l9bdr. Ih. oirv AtL,UNGLE (Lub's "Xon.ret

glt

dtumand.llyoo(an& ied,ibbl..llNryou.

G

'EPfiAX

elf. S.aryh.an iopping€le.lEni(a.Ery hrd lo mi! rhoqh nr dill . nu, he.

(Phono) sluff wh.h islaidba.kre.h. no/hous.andth.olh€rsidetendsl@ad "Bdt C h ann.l both done rery well aim ed for nighr 0aid

TllR Xl

IB

isanothe,p.akhdu,rush.St6ighltoM d,ml(s the floorpu5he5th. bouidar.s.Also se.kou "BotherYal' tuthe lane efie.L

(t.k/a*dei)rhGsoundsalotLikethe.urenl

+

Tn...

th. hotlfthlp bd.d, would you

rhe unqle ArotolrheEigl€spotsi.0C arc in rh€ shddr .m up .lubs. PIEA5E HELp

ru.kii

X

2- Dl Dan prcsents Cate.hi?€r"Th€ Pri.

ro lor

tEh *wire.tlound.(om/iungle...

lrt

W€Ues

Rft o'd,

ol

rvh.s b..i buiLdiiruD a uicLe<enepcd. r. ryrorhanyyeac, t bLew up h srhesummar .1.,'sAcA (SutAlhnGPDdu.tloB)...some rr c rcy (ont buroc arc PhillyXadneph.,

06on

s not

Sondy 8ou'd.oux

,unde Culturt map UP0AIE

hy

h

4,tsrtr$Es/DgiiEP'6d.dd)

or the \lopes, tury k the i6. none in oenvef s devetopinq iuhole s.en.. o.ctthe last yeat and o holl he ohd his bn. pony, Low.tuottd tuodunions, hov. put to. gethet s.vetut a junste ?v?nts, the li6r ol wh.n he

then kind in colaoda,

tlLt !.n

F-

and

I$htlp.4lli.'.no,h.t'.n?

wr.nt

.

*rds

you doinAd d? IhlnkinB ltn loo old lo rcck

0l?

lar

E

Dl?

Ih lJtrc DotyFl/t! llrd r, Al@Pmh,ohar.hrs(25e) No,rYos o. r.lEm yor law b....tCltl.n (ane

Dllng r.ally hn't ny naln focus, sno!. bo.rdligl3, Solh.llwhal l'd bedoing.

bdIg.

purns tonq

l{tn mc

0llnd

rln y.!

rhe

lrmdKin.ld( tur$x srE&ni.

D,?

wtrfr tt. mllt Olnt$out !.|nl.

whrt

h,odLDls?

lEhi[Urk MGIEU/r'E i dff'edwink wht Fuld you b. dollt lf F! E@t

w:

16 L your lor ddlt

Top

oflldf

"lr.d..r"

(Nwamute/us) B.ltramt oriq nal qets a new Life .ounesy of Luke Slater Nk is the bestrcmirl'w he d sii.. Dav. CLafte did Afrohead\,'The Da We tiE'thrc? yeaE aso, BuiLd! 6he6,, and fury mrk.thisa mun, FLlp for lhe originala Damon Wiid.mxwhkhirsodd hur not as in yourrace

tlta06rRUlrr

Gddany) tv.ry kl.ae oi AS S.nse k atuLlle.hnoe dur.S..ond rcl.a5.for'IhoE, (AE 5€n5e

D,,ES EP

(chi.ago Grode/US) "Deepe. and 0umbea this sums it up.A.iuaLlyles is a Chi.ago new

ta.k

s.helerwhco knows howtoripil out.Also.h&k outh s nerer EPon cat'Lysl aid l.H.R.rhisoily goestof unherp,mihd chl.ago dominat.srhe

Gluralifiec, EIJs! l(eep up on the latest Ul( Releases with EIIB0PBEUIEWS. Iull length mixes on monthly GB direct from London!

Becent Previews Have lncludedr SLrrl e Dancrfq Drvas RE prno Bros,Todd TerI.y ,Love To lnfinity,BBG,Jupiter,Hyper Go Go,Thrrd drmens on Dudearella,Brff and Memph is,Kelly Liorenna.SnaP,Nush TonY Di Vit

Transatlantic Beat CDs feature the Top Remixers As Well As Special Non-U.S. lmport Versions' conracr rransatrarric Bear

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ffJ*ori?;#1)#"tH;iy#3;

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s. New York, NY 1 Do 1 e.


bottom. I wasbroke,itwasthelowesl polnt inmyL ie,l hadabandoned myrccodinsca rcerto pu6ue nydream of breakinstechno @inAme ca.Somanypeoplewouldhave diedtohavehadthechanceof beingsigned

to a six-digil maior label deal, to be

I

take

I

a

a

abandoned n, no fear, no rcgrers.rheysaid it couldn't he done but idid it,lbroke lhe scene, the style,lhe culturc, h€re on lhe Rishr coast, helped out on the Left Coast and played EnerEy in the UK, Mayday in Ger manx and partied Like it was 1999 in 1991. But lpaidthe pri.e,l losl eveMhins and alI

ww..tEetsourd.mm,t'.ino

As onothet year rolls

by

Frankie Bones reflects on his rolle r-cooste r post...

S

mtchingthesryen yearilch.lustwhen you lhought lhe scene (raw) was dead

behind me. Goove Recods in Brooklyn

the next geneGiion of promote6 and

.on.ept, so we .ontinue the struggle. when I first pioneered undergrcund pa ies in Brooklyn,l aLways kied to b€ differcnt then the tired Dls emeqe with then own DIY

clubewnlsthatwas 4Yo&nightlife.Ialwavs tult an obligation to do whatever I couldto push techno musicand Ewcultue to tho* who wanted to boldly go whee no man had gone before. We b@ke into waB. houses, we rcnted sene€tors, we had our

mappoints,our.heapk nloflye6,and info Iines. Mosr

rmporrantwasGo(m R@ds

in &ooklyn, which was our bas€ for Stom Re and thines happened fasl. Thedavs, monthsandyea6 come and go without waming.The last Storm Rave, on Dec. D, 1992 tull on a Saturdav nisht after a major snoErom which.rippLed the entirc northeas!. 12rr5'of snoq Myfl ightwas.an.

celled, so I junp on an AmtEck train in Torcntoatgoo am and u hou6 later walk onstagetolind!5oodiehard r4e6pound. ingto LenryDe's indust alstrenglh had' coc which helped keep a 20 desee ware' housewarm. K6ki played the lasi set at 9am andthen withoutatearSiom Rde was dei lpredicted rhe weather better then Al Rokerand as kids threw snowballs at ea.h orher, I laushed ai the teaser flver I @at€d that said'stom waming in Effect for lh€ T State arca". ltnewsnowsin Decemberand

bulMolherNaluremade mypartvliw!pto itsname.Thiswasn'tSound FactoryclosinS

openea'Sont Crcm

Brooklyn shouted sell out, but I didntforget my tuots,lrcm lhe other end olFlalbush Ave.

coft

hale done pemaneni biain damage, I fe[ lhepain and nesativitvof eEMhinsaround me and became rcckless, ltwould lake close to tldo yea6 lo feeland think positiwly I was

the Madne ParkBddge to Rockamy, where srill resldewith my24.trackstudlo. Everyday I drive through Arooklyn to te' mind me wherc lcame fom, and though Manhaitan swherc l'm soing, I will neverbe' come part of ih€ rx2 mile lsland rat nce business. thar is

hou*,hadcore,brcaks,..ltbe.amethei6t raw-oriented club on the East coast, we all partied and expe mented with all kinds of

stuff llyouexceededyourlimitfivetimes over, you w€re probably at Caffeine. Not everyonedid, butfoithreeyea6, until1995, a lot of people became aware of the scene though flye6 and styles ofcafieine- lust like Stom, Caffeineis now l€gendaryThewhole year o11994 was a bLurlome and lhitro.k

Proccr KhqD

Conqueb lbur Love rhe mind b.hi.d Lords olAcld, cnonnel X, ond mny ol ydr

L Zolex

idwiios unl6oshe hl. llEt Us $lo I Zolex lni€ci.d wlth o olbln F6otuE!; phdnbJd FolE€r . I Don I b6 H6n

oLord. zolEx wlll help yq. zoLo( willcombn you zolEx will b6 y@. !O[EX p@lde tEnc€ I enhoncfrdl o, lhe hord6.t wl.iy Feoru6s: Ilme Moduloioi ,

L@ Me BobY . I Ar'or r@rleslby/

1995^4anhattan and 1996 have been a perio! of re-

t-,[entca,,i€'

buil! ngand rbynomeanshavel been born again.l'll5tilLsparka phat blunt, but lknow mylimitsnow, and l'm @sponsible. sonic

iv

Groove has become one of the lew rccord5 shops thal pushes Eumpeanand futuristi. music.lam thanktulthat I have had a se. ond .hanc€. '97 ls taking no prisone6. All our house music Legends haw then hlstory but my story is legendary- And my story is

LstrEDlqqrniel J

Row\llolks I

lhe eo6€dy M[ed us d6but I €l6oso lDm luDp€ 3 iocmott Club DJ. Footue.

OowNad5luK) n its

I

I

I I I I

for more. As for styLes: house, techno, tip hop,l6nce will be it for the year to come. Slicks and stones may breakmybones,but nameswill never hurt me.

FrankieBones

I I I I I I I I

notinitsclosingchapteB watchthisspa.e

,stdl

Dboms ond D.nol.

DoubLeDalfulLoff tulLoim nln.sl moment. No builds, no

Arlists , \hlious Rodikol Feor The ChicogoAll Stors

I

brcaks, runsh ghl roMard eLedroii.s Iaking no orisone6,lo.k ngFU inrotha grode.

I

I

IHR/chi6go/uS) Caesa, N Produd on Ch.ago sodhs de styLe, Go lorthe 6hetto bootyrora fuLLv .haGed hotrs. groove with ru5ed te.hno tweeks, bLeeos. bass and everlthlns .Ls. that makes a dan.efloo, so sazy. The 5th wave of

IT DEEOII (0an.emania/us) skipaLl the buLlshitand booty (ao and head stra eht to "50 Hish'. Here we hav.a Derfecl undeErcund ta.kthat hasthkk bassLiesa 5pa.y keyboards lke an ea,Ly Lil' Lou stm.k.Al5o.h€.[ uka]tRuff ".arepeatiig .horu5 pounding you skull on the damefl ool

heLloto Naohlsha

tutusawa,llre lapanesse Roben Armanl ntrff

Hdsd

I I I I

{

{

{

{

{

{

{

{

{

I

I I I I

Nolurol Born Techno _ Ihe One the on. locs6 the cmm ol thi.

occl.lm.d @

6s

hio q rlngle

dis

povidlng Ya wilh lhe bGl ol upcoming &

6lobl6h€d

Euop€on Tochno Arb: l{ctutrlEr Lll'. ld- 12

7.

Felir Do

Vorious Arlists J

(toop/swgrheysay rcn 6hi15rhelapan.*retr

$y

amdndd

I I I I

:!

IIAOHISHA TUIUSAWA MirLs.if rhd holdslruethen

b el smplhq o, lhe b€d clo$ic, qnd soon lo be clo$ic Dlt An ott too

I who in tru6 Chi@go.tylq R@t I the hous. y oll. Feotu€s DJ S.6ok,

czR

Enter Gfielne on LonB lsland.lt was a safe hawn frcm the drama olBrooklyn or trcndy llanhattan club kids that made a freak show out of something I believed in. Like Storm, cafeine knew no boundaries. Musically, the sound ofCatrein€ coold be

I I I

Lies

maLte.hno

illnes from poly4ub6lane .bo*

t I I ! I

eeen"tctr Vltage.

utdoy Night Fevet you know, cros5 th€ brldge ftom Brooklyn and the moviet over Nah, not reaLlv, 'caose this ain't no movie,

waukee as the last bass bin was being hauled into a Ryderlru.k.The Stom wa5 der, but the Reisn olTemr wasn1,

ral

in

z9t Ex

I

As we drove up natlush Awnue over the Manhattan & dge, I leh Llke the movie 5"4

REGIS

Even when things got tough for me in late I managed io somehowalways keep po5itiv€.lhitrcck bottom in Oct.'93 men-

I I

cLosed, and that five-yearexperlence preparcd me forthe concret€ junSLe of lrlanhatran. rr,rv oaGnrs- Ad.m x. and Heatller He.n

and loniorVasquez hatingthe wond Ior it. mer l(ut f@m Dop Bass [etrvotk and he drove me 20 houE in the same storm to Mll.

r9q,

I I

mostkilled myself in'94,1 spentmanydays al AA m€etings and in rehab. Itallchanged on Jan 23, 1995. ln a matter of aweek,l putwhatl.alled mypastlastlile

I

I I

So,ooo pqprcje.tremixerand label owner

-.4 lrur E9csdLGIAU0-Erlodr[!, - -Ercrusvdr Dlsl bulrd bv Propd s0 0s

&

Dsl bullon

IeL. 212ld797374

tmollr n6vpioPolnch com

I

ExponsloD -Aqrql Remixed Sheep

I . ' I I i I

L

Auol Erponsion lslheFinnkh Mod Prnesr 6r Ebclbnico. JounlAlklo Feotu6i 6mlre! lom trit iocnno & qmbienl expeio€ntolisi3 !-ziq, tFo Mirmster Morii llbgon Chri, &


rou.h melike norhingelse(an. Notmy Eaft h, not mvmoms, not some sood cheehs, nothiig.And Nas shitlusthilmelikerhar. ltwaslika

frap

rh.epll

omeofthar shftthattakas loursouland puts Check

i996 &eakingatoms... You.an

ine that l.ouLdn twair to

he

(

Ih.wo d"fict.itwas.oolburlain'tnee,real. lvdiqslnqingon hiphoptoomu.h. J$ pi.kad up a Doo wop tape in vA. and heard Street

Bneakin' Atoms

Dreahs".rrwas(ooLtoo,lLiked tbenerbut was stiLla b t uneasyaboutthe Nas'LP. Now do you

pertudpefe.tion?wh€n headrhealbuma.oupLeofjoinrshitme ghtaway. IheMessage","l cave You Powel', "Aff.mative A.tion" and "Shootouc" hit me lkelhe fi,5t tPdid, hd the ,est warit whar I was ax-

peding. ALot of hip hop purkts agreed. Too mu.h Mafiosa Aman shlt". "Nas'

ril

has nopped lnnovaring and

I

nart.d dupli.aung",

"Ne taLkingthe same sh t every one eLse islalkins" i5 whar

mott .ommerts wer.

Llke.

what happoned? r don\think twasuntil I sawMelaLli.aser bump€d ouna nunb.r on. sDot on BllLboard that real

7

Cash RuLe5 Everylhing

Arcund Me Right? Nas was ,,Yo No,r oi MIv, Not lVTv Raps ',lm talkng bout rcg

ula. MTV here,

aLons5ide

0asi5 and ALanis l\,!oriset.. Nas new LP may not have baan as hnovarlveas"lLLrat

t-1

smadel I ramamber

when "rLlmat C' came out erery rap dti. pEised it,and CoLumbia Re@rdswithaLLits .ting and promorions power poued mad .heese into it,yet,when allwas saidand done t had iu5t

na

W***til*"1-*i* duringthe past year Cash Rules Ewrything Arourd Me right? [o doubt. You Ent nidence? well, lets talk abour one of th. ycats bigsEst albums for a minute, -e.embg Lale.9:, ea y.9]]swhenlheard l, ! nsLe was offthe zebrahead soundra.k.l iuieSredsoundofli.e Listeningtoaftesh ^e! :- rne of wax thro(gh my headphones. __r

'irer(

your

me our y'all. NastyNas n

ea...

:rr,rro

cuse mas hysleria",wasthebierin oi rhe €pper gave over a lh,obbins, "rcrt _e:d noddiig Efia Pbasnine.whar lthen prc. :4ded ro hea, war rhe equivaleit df wlbal and --s rl .a.N, sdn. shit rhar took me some rheard it.lpLayed that ^-€t € se everytme --:1ne'loint every singk dayoverthe nexl ,sr aid a haLr. ALot olkids.ouldi't unde6tand ._, .oved tsomu.h.andevcnnorakds.ouLd

-::omorchend r

'.ea. sshd

_HaLftime

?Thatsh tainlaLl

wou dget mostoithet me.lhad

?.r:ei a.opy orthevldeo, whi.hwas

some uLta.

r.

budsetshitbtrtyo,l kepthumpin' toverthe -er: vear and a haLfeither on Tv orelse in my had moved iito50me bulGhit, anLhf.sted

lom

-

in th. Richmofd sed on DfQmens. By thG r me I had head :A d ro TeLL alroady and was awa t ng n

atwo

roDm

basenert

i'lH -!:dhi.. orrh. Nas LPrrcmcoltrmhla. was I ng rortheBrcokLyn boundAtEin atrh.west ^a p rormwhen .atrghtagLimpsaofthenew .Sr t.i.e. cang(rrwaronthe.ove( couldn'trc si oald mythree beansro,lt.thengoton my

barelygone goLd. Nas'peoplesaT, howew sot

sisied 5oon ateMards and drdpped

an overused sugarfre."sahpL.with hiphop.ut e of the mohent Mss lones sinqinq on it and

B00MlThatshitfl ewotrthe 5helEs, Every!rhan in the.o!ntrywas play]ngir. Nas'who was hyped as the se.ond.omhg of Rakin, wouldle faLt glad for AZ. but nust!e been Lke, "what the ru.k? iu5t barcLywert

[iusi. ndio slation

gold." rIRuledThewo,Ld"Gthesameiomuk thdA2 us.d

ihool

for Sugad lL.IakaonewelLLovad

0!hodinit "Friend5"), aid an old s.hoolhook((u s BlowS lrlRuLed Ihe oLd

break,

Wo d"),andasho ythatishorand hasgotthat hip hop fLavo(whob been hote, than Laurynl, mix with rusgedvo.alsand BooMLGel the pkturc?Merhdidittoowith Mary.l. H.yyou know what,lu.kit. Even fsho{y a n't wellknown t

wo

sweLL. Evidence? luky" by Bisgie, My Crew Can't Go For Thal" byTri$a, coolio cangs ra\ Paradi5e", "whd! My Name"Snoop Dogg, shalLlgo on? Hey Saukates, wanna seLLsome

rc.ords? GveT Boz a.aLland usethar old uFo break. Now look atthe rc(of Nat tP. "BLa.kGi Losf'R&B lisreneE and 6dio friandlvhip hop headsshould digit."StreetDrcams"wllh it\ boF

Love

gar gave Nas,5 mics? had seen that shitonly oi.e befo,e and thatwas ba.kwhen th.y re rewed s f,sLes. Duk€, ilyou.oulda seen the smiLeon mvIa.e.... renember heading up lo Fordham h ihe Brcirthe nextdayand pi.ksd up

didiustlhat. LasttinelloolGd,ithadsold'bout , andahallmill oi.ddrhrcerlmesasmuchas "llLmatir" soLd. h rhatsellnq out oristhatlu5t

thismixGpewrh NewYorksbt.of Mhd"and -onetov€"onii.lk ndafehl0st lied with my en thus ism ,or thG Droied. Some nigsa5 readins rhis m ghr be ike "Yo,that n ssa on Nas nuts".

buryo,il

a n

revenlikethat. nean,hiphopcan

(D€flan)

Dua to ta.hnkal difli.ultes Reggie NobLawiLl norbe perormhgtofight... This be camelhelamlhefl 6tt meitwasdrcpped., Red. man rcrrns owr re\ "cold cetii oumb"

u(

HellOnEarth (Loud) Havo.!prcdudlon keaps getting t ghter, and H.LL0n Eanh isnoex.eption. Thebeatis mad smooth and the 1$obbarc runnlnstheront

CHOCLAIR (Knea Deep) Chodairteams upwlh newcomer luLi. Bla.k on tlre.ho,u5lhar'll delin€rLy sEb

someatrenuon. Addinsaiorherdopetarkto rhe rcsum€,

rq tq

10

KEITII iIURRAY

IIOBB DEEP

bestrrcto.he.kforthevideorhatt

i

0ve)Withaw.abularythatdon t quii[i Mu, 6yand Eri.kSemonft atea sol d sophmore er ron. ALthoush you'd kindaexpedsomethinsto iumpalyouas"TheNit", instead you h eapret ty mu.h .onsGtant album. Throughout Kenh doe5histhlnsonth€ mir. AGd as pdnised from the lasl album the L.o.D are siven rhan.es to sh ie, mainLy (eLVkious on "tove t.0.D" and "Rhymin wit KeL". othortra.ks to (heck . " Dangerotr5 sround" and rhe

pdss..[

"YEAH

featu ngBusta, &.ksemon, and Redman,

Tt,)qYBROwlI

KLIA

GHOSTTATE

(Deflam)staighrup iruthe

(Epld Paft vl of thewu hmiLysaga,lhemuch anti.iDared 6ho5lfa.e rclea* also tealuinE Raek. won,cappadonna, and lnspe.tor Deck. rh. di. e6iryin Rzct beac mak.lrsomelhingthal hits h3der asan album than byth€s,nsLe5.

,:NU

IHI

d mu.h ratherbe review.

new REDMAN album, burlorsomercason

nobodywants me lo have it in advance, so n. nead l've sot r_ouy Brdwn! aLbun abo a nonlh in advan.e? Arie, kirkinsve6e5 oi a bunch ofgoldand pLatinum 5ingles. t!t re ror rhealbun. rdon'tdoubr that Foryt got sklLLs, btrlbe.auseof easyma et ngabiLityrhisalhuh

justisnlrultiig l. WhatthisaLbumcrcallyla.k.

DATIIAIA

ingis deativity. Th.rearc too many beats that (Payday) PRTMOT rhakahour alllhat n.eds to b. said abour rhe b.at, and with leru€duqllng

withlhelyri6,lhetitLeprcttymu.hsaysitall,

tR xt(ExsflEt{ (Xiowleds€ 0f5.Lf) Afrs genins heavy play with "FeelThe Pain", thl5 rlngle i5 anothn st6ng self. p6dudad smoothlh.ksith ba.kgbund 6.aLs

arc usin8rhesame

touxo Ttox )GIBIT (Loud Repcsenlin'the w€st, but hiltinE.oasl to .oa5t, tyi.r @dh ListenTng to. also .h..k th. rtuof Ey.s May shin. f.atuing Mobb oeep. LUCHT

to srad

lh

lu.kylhelabeLownsbothof thebeats. As mu(h astherusthlngsthd don'tLikeabouthkalhuh and wouLd 6ther be lsteninsto RED[4ANlheG are some good ka.ks. 6ottaGetYou Home w rh BLa.kst€et, Letter Io Ihe r_tn, and f .. with

wEstStDE cotataEcflot{ (Prioritv) Althoughlhisalbun goes a bil over

hmd, sair make that a lot Mlboard on the NY dlsse5ititatlghtaLbum. Th.beaGhilhad,and Cube,

(Prolil.)lr! phhahlygonna lake d.ryone

beatsddandderagain.

sayif gthiswithout haviru head the "new" ver sion of Ro.kIha BeLlswhkhaLsosamolesPet.r P pe, (didn'tsomeoneeGe jutl u5ethall?). Phew

Navoc. No nalte, what anyone thlnks oflhi5 aLbumitwiLlseLl,anduifortunalely guesthat\

feelingthir bul

some tim€ tor pick it up .ause

it'llbeblwingupsoonenoush,

snogg's x-noss wish

list

rwuhnt5?ondorhhkab rwh:rh

,,fh!ftm[6,Az.drmq,aid

Mack$.andWCrcllthrcush

on a LvftaL

hlssion. lfyoudoi'tmindhearingendL.sshoa arthe E6 hisisanaLbumNdh.he.kiig. what wouLd've made this a strcnseralbum is if the

conia.tionfocus.dsmeof thatang.ratthlngs rhalarc aduaLlyeftbdiigourso.ierydharthai

hap

uyBrewi.

som€lhinglhal mon aGErowingtircdoi

GIIIUwlXE (Sony)OHMyCod! (an'tfl ndanyrc.hashedhip hop b.als, or samples that w€ryon€ else has u*d mranddar IhisaLbum tooksom.time lo.alch on. butPony Ridei5 bLowlngupand soon thealbum willloo, ThepDdu.liononlhis

albuh lsapa ..texampleof whatRaaproduc €Eharelostandoins. Beinedeatih,deating ihen owi sound. Ginuwlnelw.als compLiment rhe h.arsasmu.h aslh. b*lscompliment his wq ls, AI housh lh ee5 dmes wh an simihr tor

v

Rtous

Bare Grodes Vol.l & Vol.2

(Priorilo15lG.k5onea.hc.D. lnrotal lot6.ts lhar hav. supplied hlp hop poduceE enoush

(of

t.Al lsomethlngro,ewryone. a n'rawo Nas needed to expand hG ran base and thh LP

brcaksto oeateabo$a.oupl.hundrcdlh.ks.

$0edandh-eryorusetrbilahm i[s

beinga smadbusinessman? l'lLleave yJwith a

ouotelsotfiomRas Ka5srhatsumsitaLl up€ry ni.ely"Make a radio h t, haads(tkDe t/ Un dersround dassi.? Nobody buys it./ 5o Gp it furked and eveMhinq com ngout 5ounds t.

Ly bad, hurhebighirthatsnoop mightbe Looklngfordosen t seen to be there, agah thiskn r na.essariLLybad, causenodoubl t'L sliLLsell. Snoop\ stillgot ly .sand his smoolh floq but atlimesthey?e Lost beinstoo low in the mlx. overallyou think sioopwould shlne more w th. outrhe b g.ommerclal hits, but the end rcsuLr Leavesyou lhinkid ngmaybe5noopshouLd keep

andfrtaksitLikeonlyRedmancan;'You hattLed ma/You might'wwoi/ Bullhenyouwoke up". Check the renlxfeatu ngthe rctum ofK.5oLo who n p5 it with Redba&aid foith.

prcdudion thEy jtrst don'r hav. rhesame appeal rhar someoie like Dre has in otherpa s olthe .ountry Evarything Drchastou.hed sinre, Fad has gone plaiinum. Al lhe same tine mix in "l

i.,emembe,5klpp nsto the re.od @.w sedionto see how manym 6theiew6angstar got:nd innead got a sho.k.5 m.s?Them nig tra

REDIilA}'

Pete Ro.k and LaEe Professor3

6ave You Power", "Ih. Me$age'and a.ouple olMobb Deeplo nts rorthosewhosuppon€dthe last LP. Top r alLoff with Alfrmar v€ Adion' whi.h wlll help promotethe Frm prcjedthat he3 gonna bedrcpplng soon. Nowlellme thatshit

I

tw tot l0

EuMhmi.shookwill.aththesam.mlddleorthercadListen€6aidappealtoh drc.ks

asruchas

Fnn$ingrobesaidisrhatwithou Derhareka notkeabLeditreren.e. AfrerLis

(Dearh Row)

tenlngtoth salbumsewmltimesyou.an thelp butnoticelhatthat usualboun.ebehindSioop l5n'lqu(ejumpin odatya. Thisli r ieft.sari.

rcwed

be.auseof irs hustlerlyi.s.TheEaGalsowest cdasr lnflue n.od t 6cks Like 'walrh Dem N iggaa' and the Dre produ.ed Na5lstonlng".lmean

THE DOGG'ATHER

Dr

imag.

Nas'newshit.I mean, was justwaiting.More.aut ouslhistime tause the erpe.tations from iot iust me, but ewryon. was high.Thistime Ihead rIRul€d

<{re..tnetsound.con/Ep>

dundanv Butmon.ytalksand bulLshitdoesnlne flatinthehundred/And goddann/lf ldon'r5lam than mywaLlet! in dansel,..". Dollar,dolL hllL

herefrie

BlLlsrr

f),.nd

a

h

hg€cMads(etr

(crl,.trdiGniB hrro4m Lmq ryo tudrw r ih. mthirLida rhis F4 ts'dis?, "hob

TEcks onlheseC,D! have madetadcforBla.k Moon, Beariurs, Eri.kSemon/Redman, Maryl., D'anselo and lhe Lisr soes oi and on. rhesa c.D! .an b. list.ned to as a hislory lesson oi b.€aks, orfor justslltiigha.kto.hillto. Ihaa!a good enou8h varely ottE.ks and atisils lhal you pobably won't fiid much ov.nappingofolher

.ompilalions.

wonh.he.kiigfo


IA5

rap lps of 96

Colufr bia)weLl son.whare abund two mllLion

!eopleaLreadyhavethealbum tWasWrltten", so nosl have heard strcelorcams, whatadds rolh ssinsle sthevideo. ttdopeLTaken afrer the movle Casino, Nas makes his adingdebul. -he video! alrcady in roration so if you hawn t seen iryotrlLgeryour.han.€ soon. Ihe B{lde Alirmauve adion f.arurlng rhe tm (toLy B,opi,AZ,Comeasa) saLsoonthealbum, but

a morcpositivethemewllL.om€

iito play after arlthe negarlvhyrhatwlebeenthrough. Peo pl. araalwaystalkingaboul whal dne.lion hip

vou.ouLd rcLeaseaiolhe,aLbum

hopislaklng. nsleadolralkinsabodh,wanead and tuming th.m lnto a. lion (how abdut hr nglng ba.kthecrcativity in sampLiid. with society in geneGL evoLvin8 at a

HELTAH

losGn bkingwods hpid 6te, hip

hop needs to keep up. Looking

ba.k,we'vebeenhandedmorcthai enough er amplesorhow,orro goaboutthings. tels lea nomthisand put tto good useforthe'92.

sKEITAII

wo dwid. BootCampCli.k, Sin.e

8La.k Mooi

andsmiff N wessunfi 6r.ameout€veFnewar

waitiruformorc. 8€rau*of pol ri.srhewairberame a mu.h Longarthan antk pated wa t, but the rab 5 rcLease ofthe single Leflar tefiah Eshkoskka gavea bitof rcllef

andledroNodur

ht haqdn

pi.kil uplo,the inrl,umedaL. isallorh€,enlx, wirh n.w Lyi.s

no doubt DlSwill

FiiaLLyrhe,e

of h scuest ap.

overrha"Ioo HadTo Handle"bEksomewhat ,eminicentof l\ianevMa SSvmphone Dernl leya worlhwhlle singLero pi.k up, esp€.iaLlyfor

rh. Dfs,.auserh.aLbum!onLypressedon

fi,t'.

sn

fi,N\ai ral

a[i,r'lns

0l 96

ATLIEII5

rR^llI(f,TSNEX

Put pLain and s mpLe a50uthemplayaLht .doDeassalbum. Thi5i5rhemo(uiifu ngalbum of

(Prcmo 0nLy) onLy a rew were ble5sedwithrhis

dotrblevinylalbum ofr€hixes. Fiank talcss aa

theyear.nothe.aG€

rapaLlara.ksindudingMobboeep,lN,Nas, Method Man.... An innovative way to show.ase produdonskilLz. Straightup,ewrybearwilL ger yorhead ioddiig,butthe€arc s.vehLstandouts. fakin byrN getsmypk(thist6.kwas ieverrcaLlyanythiruthat wastoohypedabout, but frank! rcmixmalies it bounre prNingthat produdion can .arry a slngle. ALso the remixof Nas'lrlRuled TheWo d sves the na(kwhat mon tue Nas lans werc lookins forinrhe fi6r pla.e. riankalso glres Meih5 P.L.O StyLe an

.auseyou

rai'r Ircnt

it was trying to be.butbe on shitthaGthi5 Ly .alLy

l

Aheie

s

Dylng slo{Ly

nal. B.aa and fiymes from what seens lo be thatighrestandhadestw ing di.k mlling ido

conpil.r on

t{s

exlE[nLesumlhh. lfyourlookngforprcdu( lion.he.kthe lab rorFrankenstiei, iryou Look

rap

0ne of the non ankipated aLbuns ofthe y.ar, althou3n iiLlddi tgatrhatfaaling gotfbm lLl mart. ThisaLbumtookatruelVClo a LeBlwherc mdst tu. [!at don t ever gel to reach. ]\iusi@l ly more.ommerchl Cfrackmane6). Nas

slntles of 96

ing for a ropy ofthisgood Lurk hur lourgonna

hav.tosertL.foradub,.au*you.an'tbtryitl

nll

.ameDrcp edwith ri.5toFo(.he.krheinsid€

IIELASOUL

WeLlheEwearc,anoth*y. tolookba.kon. Manv nesati€lhins stick out from the lasl wai a Lor of ll blowi up hy the m€diat expLoitalion, but th. bortom lin. is: $ith rha good .ones the bad. A5 hop hop grM largerand LaE* and gen. eGts morc and moE moiey rete bound to find

morc oflhe wack. Hallass MC3,lame rccod .ompanie5, "R&B Brkhes @r suLlshitT6cIs",

StakeslsHigh

Dek rctumed siLlianess". 6do

sqslRa{rd)

arcsltthe

in

e!

orDe6

,R&r, KE 1' B R€aL,

a,

BUSTA RHYXIES

ltaGo.anhemurh

more prolitable. Take lry Z and ilater P, who bolh relea$d lhenowi alhums on thenown lahelsand wenl gold. Now, wllh tully opeElins .ompanies, th€yte puningout olheranins and .rcs, and huildingas busiies*sThis was also a year 60r lh. East to make it on rhe.harts, tlas, Frgc,Idb., and 8rrsta hadastongf,6rhalf,anda5th€yed.amero a (lose, MobbD.€D, Gl$rh@ K[., foov Bl!m, 0.laSouland Rednu were all holding it down, we .duld .ll learn a lot frcm '96 - hopetulln

uslnto'9-

\

1

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Rhrc

('slEadir!

L--

o6rhrc€ rcleasas. A datall.d expe en(e or Tr be! pbge$ on through the yea6 srowins up

keepins g,eatercrcatiE.on-

toLofydurhusT.as@11.

a

D.tasetsitst6iqht "ruckKeeping

sell 1n.e aqain TCQrctun and bigFrlhan ins morc rc.odsrhai anyofrh. rorhr prcv

peoplewhodiditonlhenMi,Anyonewhocan put produdoi rhe shelvas on their ownrems desere props. And lhe do.it'you€.lf sthtegy s€nenlly rcsults

the 96 hrinsingamu.h need-

rRIBE CAILED QUEST

pLain and simpl.lgiorant pspl. - h.lisr g..s on and on. Bul from here on in, lel3 fo.us on the

TheBESTthingtohappeithisye

in

ed arknowLedgrmentthat "wiLlien.ss s indeed

oaama

rhat have been

{

.l

t

trqs I

ontodoasdLoaLbumwthoutt.0.N.S sabout alL rhars gorto besaid. Afrerlhissingletookewryonebvstomlhercwas notuminshark,and any doubG thal Buna Lould hold his osn toran Thede.

l!rned

It

5

otr r for the basr. Woo Haa!

Awird

in.he.e erdrthetanwen

www.Streetsound,com/rap

l Yz Ralaased on Ro(afeLla Re.ords his {lay

4

own

layZprcwdlhathe.ouLdpuLl off onhis own. Thr5alhum w6 junrhestadof layztmany suest app.aren.as, whkh together with tlre Label.

albummade tprcttymu.h mpossible lo go any. wherc wilhout heains llgsa". or"Rd.aafeLLa

suestfreestyle board

Y'alL". Ihe alhuh!alrcady60ld, and aLthough Jayz had said rhatthiswould be hisonlyaLbum

DAI?-z

wwwstreetsound,com/ tapexchange heavytradingaction

and scratch video


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With sincere thanks for your support we wish you a very happy hgliday and a properous New Year $ Wholesa.le 'DANCE' Distributor of le"Singles, CD Shâ&#x201A;Źles, CD's, A1bums & Label Accessories.

wArrs uusrc *o (516) 596.IB88 fax (516) 596-096r www.wattsmusic.com

I


iletatlg

reviews, interuiews, chorts,tips, bitz & pieces pBious cDs and rhet Eh.k tlia sid€. ptojed,sthercshould beemeanti.ipalionfortu ture, the r n@ minicD. Iha ritle tG.k tuaturcs then tGd tionaLbl€idof te.hiosn@sburledb.nealh some hatshd augmenlation, and .omputerbast' ed vo.als thal arc d€Llvercd ln a .onveBdionaL paced mannel with onLy seven tatks, thr.e of whth phriiisor"rdurc".lwashfr kindorhun yy 0{t Out, howewr, fiLled up my stoma.h with wrth then

Stnapped in the Cyhenchain Rowan-Morrison

aa

I nddld-sakrmrhar m nrc:mptr' I *^. r. ro..m" t,,nin .a,t Ir ur..mn.,,i"a",n",*-a

the r CD rcissue of tuppebdr@ls Ewn though t h k wa5 orlg naLly rcL.asd in '91 t is su rprisingLy .ompaEbLeto rhe.urent mp ofaggrc$ire srnth andlitr bLoaled {eneqed My fawite tG.k c the pia no d dEn -Admne Ihe Quenlon", wh i.h ad ds a

hernlab

uniqFtulsttowhatkln@nasabaLLad.landing $mewhercbetv€enea y lEth€rstlp, Numb and tuiEh eG Mlnbty, out out will der n ilely a ppeae snth@rc{dLet ng corPhtesls. ir?rtupolrs Po

*rr a. o' ioi ne**"*n,to "Lanmn sopunlbysamplingabun.hof sulbBwhilath.s txoradloErrLlunde heunde€rc(ndtransLation or" ndGuaL,sodoanumberof othe,5ynth.and ddl*-oi.nted D o ects. oLd $hool sLinge 6 of th e ''r"wodappLyiltofoLkswho tthmkalLybangon .onstru.t on 5ite mateiah, while othe6 aLl@ it 1o

Ru

hth seraorhomager,Cleopat6hasn'l

Pli(tk

sexplorcdinapmfirientfahioi.Iheoneircidlk Haunred Mans on

orthelhemetothe mwie lidl-

Piin Stadm, OP! Labelnales,.trltlEte an

-4*-

trdii.brcwrhddehasasiniste,nuan.e.butone that k the rcsuLt ofroLd heaq metalLi. synth la,€r ingas opposed ro.ftepy pianotou.hes and melod.

t

keyho d liLls. 0n /rxlery. the Sration pay

homage to the Fronl 242 and Puppy .urkulum, thrcuh ten use ofdrum ma(hine percu$ion, .ompurerpa.ked gb@' and pain tin8ed wclr thata€sungin an aLmonspokenmanner re.i&/, 17125C W. Bluenound Rd. #122. Rtooklield,

Wrad.%s.

fomat oftechno and intu5e5 it with some induni al snsib Lilles, su.h as Sar.i

Folmnl m6mer

Dhgvo.altarkon N..d

oestrcy". Blgod 20

showalLegian.ewlththe rs.ond tuluengrh CD, foi Sd. Mllirh. ChemLab rcly on fien tbdiuonal

then prevlous €Laase, therc arc

9M+

&1t€ Bo, kiNthat m6t

of

nteerclatio nt arc as h.a!'y as

th.

t h

musi..themaiorityof No{hAme .ananende€s werc prclent forthe same prpose.And su. .essfuLby most a(ounts.vaious us Labels re po ed newdealsatu$th€ sLobe,atthe same rina.olL.dinq Europeanta.tsforeLeasein the

is'nals,

e o

k

th? Looking 6loss

ptlls\o

And whlle busln.ss axchange seemed to be the orime dn€dlva, infomation ex.hansewas in

gethera.@nolBansheelhmatedrcmen 5u.h asSwit r$ladesympllorry, colllde, rllephltowalz andWhnirytorc.d whoeedlyemularaSioNiei dkt n ct creo n @(yhersothllke n ru.tu rcr ln rad, thefiontuman for Sin shMes awke with su.h an inDresivehnqe,thatMn ! oEewlLlbeflat i€€d. aeaprtu a726 s. seprlveda ste. D 32 /14 cA

9@a5 .

great demand. Semha6 fiom topks aigiig ftom lte Futuc Of Dan.e to Teritory Fo.6

for EigLand, The Nethenands and Bel. Germany,werc seneElLyranhedw rh peopLe looling tor ma,keting, distrlbution. and

^ieings slum,and

w.holluina..ankteapotn

Any qLEstiansot fe?dbaLk,

no

lN

nuan.esro

drdd

me at:

Myl6tsemlnras a parti. pantwasthe lntemadoDl Dan@ Medla raeeun& Mod€ratd by Gary Snlth (ltrlcE, MCM, lllDE a, n rzi& tlre dis. .usion wasa wa5lr as audlen.e mehbetsdN ty eva.uded rh. haLL.The rcason? Med atyp€s are thewo6ton talklng abo(t themseLves lr

Romn

WMCAllE

lunangst Ladensynth.orc, ut LDing some pop in fl uen.esloaddawamddimensiontothen.oE.

waw\ond. rilh

@ded

hnt tu.i net.m

wdhkq-

fi ft h.a tv n n

UnddIlE No&. €Laasd 0f6e,eu ab,s

When

dd rozrr,br. rn

Cotunn, PA Box7a7,

N, @44. w.

bn,

thair

tuLL leryth debur, lt .cving lor horc matedal.

*ellent

a demand and a

odartofi LLthewid untilthenndor

ginal

offer

ing, UnderThe Nole ha€.hosai to plaate uswilh nege,?u t o,, a diq tull of rcm]re' 0r.otre, by aLlowins menha6 rom Hata Pdin Emlsslon. aid

M,

D.pt. slsod

9iMpl.Dists

2d,

ro.

to (on

tibute, rcbodys.omplahing. although therct no shoft aseollaleitlnthe nudio duinsthese Ehix

primaiLy insttu-

se$iois,vou shouLdlanetheodRinaGl6tand

bea lon8 b@l loop Ethedhan an adualsong, whlle

th.n go

s)f,th.oft .dmposar €ry then p@sGmmins and

this. cap tntetutianal, 9at Aileq st, c46a8 e. h.t /- f i shto n k /. a p /eo p. htn t get

ooklond.

p.rcGsion to the poht whem you tan hoLare the veEes hom the .horus6. On aorsetrtiro 6r,,s, P,?, mC takes the straightalread pomdiig beat

w 3. a n

unl

ke

LA

Foners beer snoa ls Aust6lian tor 5'm

th.ore,ThGdm has.ulti€tedquitearolLowing

COLLECT ALL THREE RELEASES AND

EI

nowAa/OCand

AC/DC lans wilLb€ happy to

sodiLth.hath.Thetab,h@s,arcntllmtedlo

mentaL,exlremelyrcperltive,aidoft.nappearto

<

them in6lvad h thetranrArLanrttaff.king of n.w m(sk. nltialLy .onr€ived as a method or ganeratif ggrcale,lt€nsing €v.nue tor Dul.h

of the tade by pumping out a pLatter full or guitarmeer5-eLedroii.imeets larcd\ nlgh! na5almon dai...pit.ft ief dLy t!ne5, and mLike

tharct only a flne I ne thar dMdes te.hno and in d ustdal but the indundal ki& Drcfer to slay on lhe oppositesideoftheb.anies,Eviarwateiha .

EEI

been

tftks

ba*d, rGiotthesmeaste.hnomtrst.cftnted,

I+l

To

aGojoiithanaybytuming Ne€d To Destoy" into atEnceddEisoasns.ontheotharhand,thercl no question to wh .h side of the tuice Ch.mlrb

exeepc.6n/decibel-ht I 15 lerhno.

G

!/d, and

ds

r61ngs, Refre.tiors

ALthoush alL iidugtdal-daf .e musk

pa.k,andwh nLes. Te.hm"

r

.

albelwthabundledlpbg6mmingdreppediito rhemx.Dle( pps,GodfrBl,sHlrr\l*hlneGun, 6vot a^d Th AcdrlcHdhE Ctub aLlshout at the dwil npaLatabtefashion5.onrhe gloom ersdeor

mental/noie endof the.ybsspedrum,thk.oL umn.0@6 a wid. vaiety oflhe dan.e" rom.

tenins exper en.e e6kes vls ons of D sneyland!

54307, Philodetphio. PA 19105

slackinswlthtlbtrt6to BauhaE, gd.EdMeEy,

en.ompass Depe.ha l\ilode inspircd a.t5 who run th€n 6.allstt 6i.e th ough a CB radlo{o u ndii g prd.e$or Although ldon'tdealwith the axper

Asegmentof indunialthar! b*n around ro,a while n Eutupa, but s dowLy.akhinson in the srat.s, is DARKWAVE As the name impLies, dark wiw has a naw waw roundation. buttakenlna murh darke, dlrcdidn. nl knd orlke oosshg chddan o€dr with soi celL On Fd,a6,6/4bort /l/res, Onelrcld Psy.hosG'sercnd cD, da&waw

q:""""""

WN A SPECIAL PRIZE!

IU ,ll

T

It t

I

Cart

ld

Wffl#,!trffi bdd

(

coMntlon, the Ahsl€dam Dan a Erenrisooisedtobe.om.theef try levelplave, ntheboozlngand shmoozing €naoldan.e musir. Registmuon wa5 .heap . U.S.$to fora Dance

pass to alLsemina6 and.Lub n ghts. Compaed to the f ien.h MlDEM.onferen(e, wherc padi.ipant5will bestung a hefty LJ.S.$roo in January

,9, n

rheAm+.d,mD:n.eEventwiLlberomethedu

ma.lhs

riaL

media.af d

for smaLl indy labeLs, undelground Looklngto Link up wilh p,omoteB

Dl5

sponsored by ConamB, the Dul.h equ va orAS{I, inAme,i.a, A0Eattra.ted overToo tklpa s frcm aLLovertlre sLobe- mortof

lent

p

0h. did

rt! forlrtl0 madion lhat th! p

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m

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ol mddy

bru

RE.CONSTRICTION b division of

Corso

Mu'k)

490t-906 MORENA BwD. saN DrEc,o, cA 92r r 7-3,132

zl53I.ifffi.

Continuing in the Re-Constriction tradition of delivering guitar-toting, sequencer-manipulating thu95, these new releases will not disappoint. DIATRIBE and TINFED dish out some mean male motherfucker synthcore, while WAITING FOR GOD offers a female'fronted angle.

lrttp://vrmr.fi u.edu:80f irlones0l/recon.html

.


ln the (dliicrhan BPMS. Mor.i @6rd (srreer. ro,rdlUS) art.mpts to .hamploi rh. stiLlun. de ryou nd.a nd.n o!as.y.t fully taint€d srar. d I drn(. ii Norlh Amerira, then atlemptslo.on que, the Duth languase whiLe fi ippidg rh6rgh

ThankGodforaqui.krcte.rlnror.l .tion. Amst€dam @uldn1 he a b.tl€. .itv lo hold a (@f.Fn.e for dan@ nusi. heads ldking to in. doEe lhpn hedonisri. plasur* Reo€ltionally, ir otr hal reu rc @bablv alEady awat. ol: ,uIfi n!A.cLarsrmoke from a'ound lh€wo,Ld, ing xciieken tuallrh. da n.e hall massiE,

j

6

n p.iiriile

iews werc thi5

.d ro,rh.r.would

dry rhink.€rym63

be lookln3 for

wo*. Oi

lh.

.senda, pdnl6 mb, medlarafi.t!1r.. ad6s rh. globe,SPi&,BP[lsandnoeBPMs,andLots ofndi*ns. abour BdrEh poutl6. Th. newe,,, cLlE itoBa lon6 (D//u0 thinks .aLlrns . Dl r.ve6 pag. "BPMs"silhout adualLy LlslnS

rh.h s O(

disLlkes

eprcssiw B lish p..lir.

i.nui,is rtituderNrdsd.i...uLlur...id

ra! Io ldoN at.niive.a!se shet 5illing ii lh. - dd L. rony FaElda (l,l,znlu 0 la llG .boul 'r. mm i.n(e of reb publishing bot (oed6 'c' r? substan(. of prinr, .le dislil6 c0..3. 5r Srrilh parliam.nrariansbot an a diff.(nl .ay d dil get, and lNks bared wh.n.ol l.lk. .g oqn Phllp6 (lri.rrd9lux) lhinks Eb pub. ,ing sLl do reLlbrrviy,"g, dd.e't s..n p.. '.Jrarly nreftsr.dinSPMS,a|d5it5a3llw.itii8 '0,. y sitto lhe p nripall ofii... lut.n l...r ifi (rtunlpd9./6ermany) tucls his h.8 hts

aEi

.nr .aLsuppon to th. G.man danc.

*ei.,

tlr6h

eMvthrcurh

dr ; *iy

&n Bdd Gdss,.6DorelNeth. rids)

apa.kof .lgo.tres, .-d.an bar€ly get a wod ined3ewlse,lll@ Dl C.aL lD,s.ordl taly) hadLy gels any (han.e lor -1-r aid .a& hiswaythrcueh a s.€earorrd.

s-

rippybeats.0n.oltheleadlnE tualsp..ialisrs orrh.modemran.eruLt. Ri.hiehad h 5 follow. srs tr.islir.d somewh€re herwa.i a mani.

Ri.htd5mmoi!so outandadru8.indu..d

t

': !

was pLayinsasmaller.hillout sized oom, p!F hrp3lrtiigfor h sol3ani. bL.nd ofmeLlowaid

haLf

p 5*d rhar h.! glv.n [nLe.h:n(.to ar a home based semin.r,!..rweb pub.

-gartBinieiitoryandi5morcintlGt.d

.nti.iryshoppingspre€srorthe Ladi€s, liEs.r shows sith rh. likes of M.s.linl. 3om€ of !h. wo d3,jiesinuseums,andenoughpomtokiLl John Holm.s all over again. MusiraLLy,amn.r dah is a sood saugr of hd prcgress ve lhe Eu. rop.an ma et s wilh duhrlor house, te.hno! junsl€, gabbar, R&8, hiphop, rcEsae,andewry.

Ih.

imp,.ssiw line. up ofmusi( to.hoose ftum for ic pa i.ipanls aid the Lool paty .rcwd. Ihu6day t was a *oir. ol re.hno at rhe lrellEl wirh ollv.r AoE people had builtan

a.idJoand unh ebieamsr.dam had(oc .rElop.wirhrhEllkesof Drkt !randtu6.

@ llh.e,

rn R&B niqtn d

d. a ma$iF rhMa*

ins,.ifrll

at

of

Shx*ln ll.+

dmns

w6L.xdbrLk

ftid.y ni3nr th.

hr.dle

of ols in.lud-

a.d

m,..

was honins

a

rn

fi09 pany wilh Rk,ih H di,[Lrn !t t o. rt, CEL w.Eh, and Dl E6. And rh. M.lkweg hada h phopand drun& bass panywth Lo.al d.ws, Dl Arhrcdlt , and 0l (:h 3. MoE a '.p produ(er lhan a Dl by hk own admission, ADhrcdile tore throughrwo houre ofmosllyhis own mare al.cutt nguphi5beatswlrh hlphop, dub, runk, and iazzvibes,Aphrcdite inrca5ed

rhelevelof frenzywitherydropandbBak,

Pmnota6wondwide getthtman!

tt.t.

ol s.ml .ons.iout sptit poss6sio n. Sarudaynight was spent rushinsb.rw&r rd!.rd Gm. oldti fiom Pa s. th. fi'.!trys, a.d morc al D. Bdl! CqIm t ba! pany and rhe orh.r Dinid with Dr SD* .r Esap.. r.ryonly Egr€l i5lhar,likr ery nighr, rh.d were 50 many 0,s pLayingthal il was imDo$ibLero.archne@ne. Missiigth.likesof ,an rU[s, Tony Hufiph 6, lft 8.td.loi 0z

S.und, and olheG wasa shame. Suralas,lh sklhecuE€olewrymusks.n h.( Some panl.lpanB.om. stft tly forthe day business: label rcp5 lookinStor li.ensing, n.w

D?oDlehoongloRlean.ssentialinformatioi fiom th. Dan.lists. Othe6ome rcallv to Dalty: d.dia rypEs wirh LirLe.Ls. to.onlr bule aier the rpan.l.dubbeEli5eroa.haap alla(.ss ri.ker ofte,andsrEiqht upmuskhiari.s.Ih. ddwba.k irrhat both endssuffer You €n nevs so ro erry pan.l rid go lo .E.y doh. I ra.t.d lo see mry Dl and rpent hal, hy rim. ru.ning aound thc.ily or watinl money on amsled.ms dp€niiv. rdis. This l.adt ro a mre *ious pDblem, pamlisrs aho

.es

tll,

ligurcdourh@a.onfercn.aproghm.anwork .ffi d.ntlyioralLsides, bultheAmft dam oai.a Eveir naiaS.dto.aterto alLtastesw(ha hrgh

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lungle ond the ruve scene...

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Bullen. iunsle@streetsound.com. www.streetsound.com/iuncle

rh.ots

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Io@ allof05N lhit

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son3.lnthe U( Dlsu*lhel€.hniqu.rod,ivea (iowdballist.,Usedimpdp. y, it!lh€ qu .kesi wry to killlhevihd ata pary An inexpe en..d MCorDl.allln8fortherew ndoutsideof the.oF t.rlof a uKordaicehaLl parya[too often nuk.s lhe.meGngvibeof anight.Ihedowd sanlm po rnl factorin the rerind prcbLen a5w€ll, Propi liwjungl. is an inleEctiE exp€ri.i.. rid our North ame .an uowds don ty.r havelhe

IUNGLETOP 5

lhitGnd.badthing.llhasme.nllh.t rh. rtue jotrgl. tuns haw Lft th. rave

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lol o,

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R.i.e toua4o)

Jungle Is llead by Rick

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loni8@bn(rLb]

s.s$.

and

llow otthe pady to r.playa hype5e.lioi

r {ldqrom d$ for lm6d I cor .d h Eurq. d pa.y.d by q! .turd tE qloa. n

rs, add 9'., do-tl c, a-

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3iq.dwilhun{all€dfor.tsrftir' slop5iilhe

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whlddo.snotf.alurc bisnamd

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tt lota Umnoto{ P rn

f.rr.In

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E !hd. u'(,.Eorrd du! tr by 6ld trs u,'d&o@M lodDd ,n iiie: Arrlr &lr. &!r.a 5.r* i., btt.

rutrky Gre.i

pl.y.rswthsomebusin.ssenseors desircto aquiE, missiigthisshamel6s Ltendigaid p6 notionlrti4sould mean you'rc ii a @m!.Ih. ADt is.nAhe,iran lndi€ lab.L! dr.am ofth? and lal€nled

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rh. lmly

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c|os.io

I ungl.l!d..dinlh.raves@ie.what h l.d I i -,.+,6, rh.."d ".d r!rh.<,m. I rr',i'* rr'"r," -a"qs.;"c rh. -,r" I *€ne,{d(uuDr.R.tn,rmowd5, '*d ypdltl Bur a lol orih. b{"..6 also ,

h,. t sar{'2

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bly.4€.redrogaininsightfromaone hourdis. .ue3io[ gelsoneuhal bumad ifih.ir iifon* rloi 50urcas ar. haLf baked. Nobody! qulr.

ao

aro alo

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un.8,.rl[yxen....

o,

cda tt lI IJ.rm '!rr. .b.G&6,Vtt ahr.n rtm.

llood

panrkeorrh€dub.ighaoftensuffshan3@6 or g..ja lu u. Pane I aud ien.es, ak.ady in p.ssi

Sp..ial lhanb

5.4.

by

pDdu.eElookingforexposurc,andavareiyof

sr.uggl€ for a glob.l dan.e <onomy

OEf YOUB zANfY rh. 5or l. clr!/lr.E. .L LLr'IAATED DLr.d h rl. h. ..r Gl{t. ..ound tli. eo.ld l. n.r.y.ll.ll. .E 3 cD'. uhlcn lrclud..rclo.l!. 9..cloe.l, u.El....d rlr... lr,loc aF.or2 i.reoc EE La. tr.d lry Vtr.. 3rBdl

f *rtend N.w! ktnMyGqudtu i.b @ ,o4 tql s o.tobt qdlwkg, @n. to.r: $dtu lin n4 Catel n Ngs AoE Postb$ 929, ,2@ A, Hil6m,lh. tt thalrot,o, e.tud

lhot@

ALI

AnerAphrddna! set, boun.ed to lhe Ptr adisiustasRich eHafrii andMirmasterMor is had gotten intolhetGspediws.rs. Motrit

I

BNilitformaklng my liElAmstedamldp por slblerid forhakiistheentneaffansotullolen eGyand so llghtLyoAaniFd,And!hankto alL ih. p.opl. who tu5h.d me with prcnoafter mod...t.d rh. &eaklnsrhe uibrcakable U.s.


Since lwas two yeors old and my mom bought my titst rccord, I have alwdw had o true love for music. lt was o woy of escoping form good and bad times and it still is - only now I get to tell my story to thousands of people ocross the globe! Throughout my musical joumey I hove been through, Rock & RoU, Disco, New Wove, Modern Rocli lndustriql, Hip Hop, Techno, and all forms of House music. lye been there, and l\e noticed o few GOOD things and some BAD things along the way. 5o, welcome to..,

Ilan'sWonld A

L"i.1li::,'i.".

:i["tr

#il:

rl*u":i*rs,lffi',';;x r.ve. I was completely blown away! lt truty w6 about Peace Lore And unity. lt was a celebralion of dle6lty, people of all walks of llfe dancingto wh.t*r the Dls threw at them, and the crowd loved .very mlnute of it. Tte fre.ked the beter! I then knew that this sas my true inner

calllng.

I

I met .iry

had to be a Dl.

ShortlylheHfter, D Cd!, we

p.rtner in crime, Ror

be6me the DXr techno duo, and togelhwery major eleil In LA ror the nerl three years. Shonv afier the big .limarof thescene. l.nshed hard. I had to iake lnventorvand figure out what I er we played

*ene. I neded

chitl out. so I mmd to san FBn, which I wheE wanted out of the

to

I

liE

7 I

pletely toined it

- member of the runly coltediE This is truly one

now: D, Dan

&6no Id!.

of rhe bestcities in the u5 and l'm settlcd. finally like to And as we enterr9rT, t.ke. took back and discuss the good .nd

l!

the bad thingsaboutnvlnglnAmerica...

the Goodl 1 Gettlry R.sp.ct House musicprcduce6and DJs are taken seriously bythe mass media and finally getling the respect they really deserye. I can remember back when you would brinS

up house music to the average Joe and theywould laugh it off as if it were a Pass ingfad likedisco inthe'7os, or hip hopin its early stag€s. Today itt very common ior the h.jor labels to sek oul hot house pro-

ducetsto remix commerciallop 40 tBcks. A perfecl example is our cover man, Armand, and his rcmix or Tod - he com-

olt

and

madethetacka

huse hit. Wele stillfar behind lhe U(, wheie I wasstunned to hearhouse and iungle on rotarion onthe 6dio in London, butthings are g€tting better

Ihank God for theml There seems to be onlyone in every city, but you knowwhen they throw a party that it! going to be slammin', andyou can always.ount on lhe following things: a killer sound system that is acousticallytuned tothesize of the room, geat lights and greatvisuals. He'U havebookedsmokin'ojsand putthemon at. propertime, dependingon thenstyle

(thisisreallyimpona fortheflowofthe night).And lastbutnotleast,anawesome space, that istully permitted,so lhe party won't get busted and will go to dawn, These arethe piomotersthat the DJ5 wani to play fo( and you can guarantee thai they willalways 8et top priority speak-

ingformyself,

I

knowthal lalwaystendlo

play better for them as well. Established DJs Becomln! ProduceE Th s has got to be one of the grealesl things happeninginthe rav€ scenetoday. .onsideinglhal Dlsaremuch more intune with the dancelLoor than producers who lockthemseLves in ihe studio aU day thinkevervone Likes to go and heartheir favoiteDJtakethem ona muslcatlournpv. and when they pLaytheir own track ln the mix, itt a wicked expeience lor both the .rowd and rhe Dl. tseemslo be getlins harderand harderfornewDlsto breakinto the scene, and mysuggestion is set nto

,.

thesluniol Bul I dohaveone.omplainton this point as well.Iherc are a Lot ofpro ducers outthere who put out slamming tracks bul.ant Dlto save then lives. Yel reason, promolers hirethem and pul them on al primetlmeand tu killsthe vibe orthe pary. I lhinkthey shouLd be n f orsome

i;\il \\;)'l -J-il E r!l;\J9;1 I ;\_U_E I J US-- -)Gr!l l-( SgLUIt0t{ SO\IL

ARMAilD

VA

HEIoE

LEtr

jl sat$

.t BEntotoo

,ukno^

-.."*

?,o

$v s\

[_ \) )-,1

borro4+oq

fl 9r I J ,r4 '!i+'t

s c t\A?.iL\ DAIICE

BEST OF CtUE

crAssrcs

4eu-74')-ri/1,

OUAO

(t t-:\1,

c/D'

^rll'

il;'- lrl;'_ ii!r.r. cl\'ljl-rt

o'rs

tonr

nMos

wHlrNEy H0us10$

.<u$-

. 11$' ^,(Lv

G\i\' BEEL

2stsL


.omgletely $paBte 16ltr.5. lust b6au* yout! a good Pmdu.ef do.s .ot alwaF mean thal you ee a g@d 0,.

.t

fhe Bodl

Dral

dle oithe dancen@rlo dolh.t lhlle shN. It makes mewanttotum theinusic off and

go out and ki.ksome ass! ll'r about as rude as a kid putting his p.t rat on the lableatdinnertime. lf you hawto do il, go off rotheside of the fl oorso you don't ruin It tor everyone else. Sinim and standins on lhe dancenoor is anothe. issu€, Don'l .lubs and parties haE plac.s to sociali2e

Forcodtsk,

people are trying to gd rhen Srode oo, .nd the ols arc feeding olllhit ener8y.lf

youdidn'tcometodance, then of

thedanceffoo

ha6h, but

",1,-,,

,+-,r"s""r-,*j,qli.dl4

lh

l

speakinr for all lhe ols as

wellas dan.e6 who paid good money to

.othaog else. Whe. yo! pay tood caslr to g€t into a party, you e{ECl . lot more than just a slale room with bad sound. As a 01, you can countonthefoll@in8rhin35Lom bad promoteE: ltyou!.travel€drtomout of town, you can erpect to stay in a roach

motel; you'llbedriven ro

hi" td*.

F,i"g

<CHtLLs*o,

m

dl"-*

-txt

se

9

)

J h"d"

:)

L I Ll

)))' L

lr

'l'lIillt,'iI' lL, h-'i"s

c,appy b.6use you w.r€ record.d on a ealknan, playirgon a bad nlx.r with no monirorl And somelim.s, as a. added bonus. vou'll frnd thetap. beins sold at stoEs aU der the cily. Aid fin.lly, why is

www.excile.com jusl lLrmed up 26.513 Web d@um€nls containing rhe keyryord 'reggae'. ,ve know you do1 have lo wade Ihrough them all lo s66 whats going wilh reggae on lho Nel. l.,acr, for your sp€sd-surllng pleasure, we ollortusl oNE Ecommended rcgga€ link as a

o

Ut -,k ir U" L*|0*l- h{.*,J

gatsway lo alllh€ resli

t I

Mrn-

J.mmln Fegg.e Archlv€s

ill mmm

lh-tJ-l-'[E.r.h

<httpr/orpheu6,ucad..du,[am-

L- l'-E fl.

llL"b b!,tH 57 E-t J-t Wlt IaoeEstur nel&seg

ir that som€ promoters assume lhat

mlrv>

Thls well-oslab ished. personally-mainlain€d reggEe

rNUrce coniains a

solrd and enensive colleclLon ol both links roother siles and o ginalmalenal arch ved rghl hor€, ncluding a,ine Jamaican patois d clionary Fve or 10 minutss spenl simp y skimming lh6link iilles on

N taot

the,irsl couple ol l€wls is

aLl

jusl

bMU*yo!leLiendswith th€m,th€y can pay you a lot less rhan your.urcnt iate5 even though lhey made a killing?

-

3.

P.'Ml|g Fo.Tlp Wong

r.reB

When I frst ianed olingpeopl.c.me to dan(e and b. ,ith then friends as w€ll a5 make n.w fie.ds, That! whal b@ugti rh€ good vibe. I have noticed that in sone citi€s, g€ttht olt thei heads has become nore inpo{ant thei dancing and sociaL. izing. Don't s.t nesrong, people have been g.tting off their heads at panies sincethe dawn oftime, but itt r€ally sad when this becomes more imporlantthai the danci.a. s6ial aspect oflhe pady.

istoingto bea greatyearfo.hou5e nusic and theAmedcan scene. I look ior ward to producjng mor€ lunes with my partn€r Jlm, and travelingto greal cilies 1997

and newcounliesaswell. Peace

oull Dl Dan

A

Dnn

.m b. fo@d

our

ptnlins

dr

tuv$

ttoss

tMw Md 6 rh. nirco, L@e Coboos., tui6L lbnvRG R.@td. te @ oho kwlv. tP

toua.f in th. @tinling ego oloon swottr, w lw e. lk b lt ON Ll N E, w it\ nult ip le. h otb N ds d ev ot ed b funh.nD 9.o.h a Jth e Da Pa k6 aatt e n q ht h e re : st@tso a d.. d n/dm sw a d...

w,

Stneetsound Weblfit Reggae 1.0

W*ov q

u@,lh,,nJhUh,J

th.aiDon by

some cracked'out Bver who has not slept in fv. yea6 and of.oots.cannotfindthe his/he, lile. and a b@tlea anport to copy ofyour s.t flyi.garou.d lhat sounds

k* h [" I*d ,

hell

thes. aE geneBlly the profiot.rs who ae .oncerned about then podelbook and

lL,'-e*s?.i"i,-, .tlrcllo',,{ '+.qr'{J.rr ",&t

t.tlhe

knowthlsso!ndsabil

[h.t ["h-

l,,s Bd'-.

J,]

w.ek long to go play a.d rhen have a bufth of *Ifish punks .lear out th. nid-

oth.,thanthedan.efl@r?

F,,Ii" [.,""0i,*' t ,'H

t

as we allknow a dancefloor is ror daic ing, I can't tellyou hownuch itpissesme offwhen rhe b@akdance circl.s ruin the dancefloor! As a Dl. I don't praciice all

you ne6d io gd dnecbd lo ih6 slale ol regga€, dancehall, dub and Jamaican/Caribbean{e ated

ttour

!xm:

gltrEETtouio

m-

webKrts are quick and easy launch lools lhal lel you zero in on the b6sl online resorrces lor specilic nusic styles and oiher pop cu tur€ lopics. They're equally us€lLrl,or locating hard-

roiind topics, and,or cuning through s€arch engine @enoad when lhs choices are jusr t@ many lo handle. Slreelsound WebKils a.s r€gula.ly updated in St€elsound Onlin€ - check

<$/W.slre€isound.com/webk ls/ > - and soleciively published


d,.9

hvls

5dd dhht Mrh b6r oc

rnd

,t

Best Hno-Elengy $ongs Fon 1998

oou olneGlendtumth6hh.r trdtislu!

I m" sdmr sM.

WhereDoYouGo? (BMG/Aftla/U$

nerra hB

goundbEakingnack which Ts oo% platinunTheexquisileu5eof mal.6.aLhrcth€sedays lor Eurc/ RG, isohenomenalThiswillbe u*d lor yeats ro .ome as a timel65 hlt fmm lhe midA

Do

v

'g6,and.lsuspd,willbe(@rcdbymanydif.

r: ICE

!,T

Lisht

(clubzone/G€many)

male hp - more of a nia Gp-roicdynahi. callvaloisuhh thesultry/dEamyfehalew.al, bnryhgtlstE.ktoa glo ous.resccndotime and tihe again. The simple yet lnf..tious meLodi*and ftylhn5 arcrolalLy Eurc. Amas

+ qTLTURE 3E T cryinsintheRain

(Sony/Gemany)

on shen

yo(

at home, the

ol'

ii

orarthe.lubandyou iusr loseyouGelf DoweL 5o, so cneB€tic and woid.dulLy .rangad.Thedynamic use ofsynths and per

il!

.ussion is flawl€ss, flawt.s, fla$,le$,

is

and

ght in your hcc,

Heart

(wamer/Gemany)

Eurc/NRG is tupposad td bnng about in you wh.n ,bu listen ro ir, This nack is 50 b.auitully anangedandsun&the [ri6arc wll-lhoughl. bnngs a smile to

llur

I'l6t

r

to u5e then.onputets and A

flasl.ss pi...

ofm*, it l.l lou

ght up thae and doesn't

ttszto rEAL lExxY Whateverlov€ (5"r,1,F,A.^4./ltalv) 8. tcta I

.ouLdn'l leaw this one out, flom Mark ranna! th 15 llalo-d an.e chsi..

o pable hands .omes

The lEck ullllzet avery good aspecl of (e.S mighty voic€, .e ainly on€ of the be5t li EUD/NRG sincelhesenre heean in th.'8os.

lennt'sw.aG aeiothlnrlodismisseithelEry po*rful y.t ang.li. at the same time, The sii. galong q ua Lily lhis tE.k €d lat 5 It lnesistibl..

9.CULIURE BEAT lnside

[Y

Bry

dirnrro

he

sererc.

(,uj36.6eod)

Hordiisoi(MrMdrhefawrefiomrh! tile tuua$h r€s'!,1€ Rg!,io,, Imhds B irn hd

am q.nd!dq!elrdysrce

mGL

i. back€dby

Mi.ky6aEb!iniM|wehdrcni.Foddo

oFn lrp Yer

[6

(Ddsy udy) suhrlo freE6/1P

whar pMrf!land.LasicEuD/NRG15allabout, andpahoulw digh wilh a passion.

sin.e19935"MLValn",CutuE&athasshwn inftdibLe stayingpoueranddomln.i.. inlh. Eurcdan.eield.Theyatsalsoshwinaewrwn. thal they @n .h.ng€ wilh the lim.s and lrcndt borh husicallv and visually ftaf musi. wiLl go down in Eurcdan.. history as beinranongth.

*en

*Eoflt .i.4rk

il!

sr6 ofhrddni

rn

(A

preduiiloi tP,

tuaoi)",rth aErypopo, by

h4darb.y

rEre-

6Gl4a

h lde

rrYouwerc,

rn)su4tfn.r3rilhlromhdEt. .lbum,r,,t dnady

k[

Eftdahmen0

(Robbins

ii. (a

tsr

r/MtMaO

G${3JA44/

c:n'r Gd oEYon (EnPl.s M6i./Md,@oli

6'ror,

r

ri.t

@mndion &re$

edry{hieftrai6}fr4ueq.friudly

tr'.

ler ofr

utoritu (Mdb@ribi)

all-h6.t

Ml.h.el

tuthey

rfhts 3 rM (AnBik/Mi.nen

rq!l!:: I-,c,.3:.qc&) Hun O.zrsos) Aidte,

fins.E chir..

gos6h rr! to.hdL.! "hiB -ro, a. a.eL", holdiBn4o .dro{lfEt*ithrn.nonblesh3abir.hM h tu wlBtLr6iDnt oi.I no h

My

r

Md

3e

@

Gre/MdreFr

Besiiniqofhehd(Ann

bi)

u

.Me)

l/q-.!7-tt9) wlllYou

Es 14 (stoie bhid/zY! ,m3 in lhdr d.d{hh zDr, hom

lrnd!rEtind.

ts.

or

isshsYor

rm

(srddry

oreM.m€d i rime

8yF)

(Mdrcporiran)

3.ROBERT ILES THE

HEIRT

Another crack Fou(een

4(D!E

ltaly)

Eurc/NRG norrtelLing at il3 besl! lfABBAuere 5rlLl togatha rh.y'd be quite iealour Thl5 i5 ln-

sranrly inf.dious and

su..ess storyot1996. Robed Miles (:ka in.

dusrrybyslom.wTlhrha rcL.aeof "childrcn" ea y this y.ar, he! gained instant lnt mational stadom and rc.ognition. FoLlow up hits "Fabl." and morc inportandy "one and one" show lhat het not going to lad€ away like nany shooting sta6 do. ftis guyS gol the lalcnt lo so e€n tuF lherand do noE amazingedd{lhatwhatre'E

tLUE SYSTE

What wouLd Eub/HiNRG be wiihoul Blue sys. tem? A lot l6s vibrant .id ad.di., thall whal. Dlei.r Bohlen is:true geniusinMry*ns.of the rcd with rhe rc1e6. of"t ila" hle Lastwar aid'OntyWithYou"lansumm.r, heconlinuaL ly shoss ihe industry that he can than3. and

adaptto anynuskal style Nis dassi.aLl6iniig ba.kNund wuLd llkely dplain that. His nfl CD "Body to Body" k no exeption, nuly a so& of artsirh nrny n* g.msro b.lound on. on a p.r

BYRON STINGII.Y

@"HIFU

byz.ckTorn. and Paul Slmp3on

sonal nole,ltn pissed ofial most No h Amei @n Eur/NR6 tabels for nol rccosnizlngthk guy whal! the prcblem? His work ln ToTAILY Gdio

and.lub fri.ndly.

tI

Wake up North

Am.ri.aand

ICY

i@i Bler o.nrsid. (li.y 13.i ds ncrt"r'4. t,d6 End Eer Glnyfr.fti.yBgllnod:d6ttrnl.ffo'lh. Erc/Hr FE..trd *ffi ($ ohb & dndr{ r.iql flrxB

.d*tno

RG

out (sonv Germanv)

shlnm.rin& tolally awesome prcductioi, uF fo4eitable ly G, lop of th. line vocal :nd amru€ment, ln{ant Eurc dasic.

ro,lX

lhet

+ (cLubzone/Gemany)

A totally un mistakable Eurcd anc€ gem!

b ngsyou

1996hasbeen nothinsshod of

phenomenal. Sesides wrlrlng and prcducins rheir own st.in8 ofhits, th€y'w also Sean r.' sDonsibleforhelpingsoups likelcE Mcaid Mr n.MuskaLly, Presld.ilprcdu.ehiisof ll6te6oy5h s thal they arc (apable to w ta hit afrer hil afrs hit, They hava a slrcng sen* of

face,

ASIETBd

ShowrvlecolouE 5equen.e6- REAtLx

plac€ wthour a doubt.

Robeno MllanD has takenthedan.emusl.

Uhh fun and ultE smoolh. Thals whal

knw hu

Thetwo li

6l

fluen.e futuE EUE/NRG bandsuhl.h don'l

A fR. PRESIDE]'T

boy rcally

(cr5si6.d/rine'rrommv Bry)

(NuMuzik/Canada)

Pore whar €lse (an I sav? Pu@, hard.hilting, floorshaking masT. MelodL for days, this one

7.

Lftr)Aisrndisa.

n.gstyhrcnpbtrdhanoselBeiosmw

ro oie cGrftiry) also fim c{if.mh ald ,cnr ng Brrlha'd tettc in'e6, s!67 torr.* h th. 16r.

besrto.omeoutolrhisde.ad.,andthus,willin

rEIUY rnYourAms

t

Pas6 By(reErw

ntlry

aCULTUNE BEAT

fr.a,

oul and 0La.ed,

k

rdart

ildbr( *rh r dc.p,,i.h t-dri., iad t ns ribiioef.ldrirrc.{n da3ks :3Hr@. ,hb! sb,r\ Ron t*o (2t997.9466)

Affi$ foF tg96 STERB{rY Manerhoy d.seres

Again,rhis sons (prcdu..d by liast€doy) d.fii.s wh.t Euro/NRG h allabout, Th€ diftaEm

lGive You Nly

me

(Afuf hdo or. ot B!d0r mdMnhmtr.DtioEruDl|tinglhmmo.

BGst Euno-Encngy

t

fui

Ersryk rde6. (rr6.4r.o3d

6iwrueYoorH.

(NuMu2ik/canada) Thislccki5defiiillw Euh/NRG. Ereryimpor taitel.m.ntin theBenrc is prcsent and the eng packs €nousn enety ro launch a Satuh rcckcll Eneryy Ir wh.t lt! al( aboul.

slams oul @o%

Mrs

R!@d,thi rhb-rlomny @a13q.9rf,

@

Ihis td.k con6

h

with r lr.5r' t€€|6' (:12.363,144)

tsdud.n,helpldbyam.B.lofclEified

Nerelcome

C Give Me the

nL

.edlfunt$undligfn6tyle,dii't99o

r. LO ITERCY

,. CIPI lL

Streetsound freestyle

bernard rosenburgis

ute yr.ll mad..v€ry

high qualilypoduclloi and 6.alarnngements

y..Bnb'6louEo,

uL" (Glt racl4 G.mriy) "D..p !l'x glqr

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Profile for Christopher Torella

Streetsound Magazine Issue #86  

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