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miclofile

Flashback! A[TERNAIIUE A lan's penspectiue... Whal makes "alternativo music" so diirerenl lrom the dreaded socialnorm? Whal'sthe aDpealan!le?-Ih€ term has become inl€Olaliargon when discussing most aspecls ofsociely, {rom nutrilion to politicsto sexualiiy to musicieven to call a whole lilestyle "a lte rnative ' is co rrect. The "altemative music" pienomenon is

rothino new. Hell,

blues and rcck'n?ollwere once tho alternaliveto Blng Grosby and Slnatl3. Then ll0nddr was lhe alternative toth€ Beatlcs, punk and disco the allemativeto [ed lapD6lill, and

Fra

fhis monlh in MicroFile, o distinct

and angry."-

generalized rcck category alone, there's a wlrole galaxyr punk,

anlrwhere thot

What conslilules difference? The instruments used? The soundand attilude?The musical stalement being mad€?ne use ol -allerlatve rre'erence to r.usic is a corpolate nvention designed to sweep m!sicthat isn't pafticularly understood into a ma*elable pigeonhole. The boundaries ar€ by no meansabsolule, but hey, callit 'allemalive" and ilcould

sell... This can wort bolh for and againstthe arlisl. Musical revolutions lsed lo be originated by artisls who cared more

abolloettinq emotiors heard than lusung forthe buck. Now, i1's jusl aboul every label-conorale or noti beleviro that they'.e jn itlor the musicor not-that's looking lo hypethe Nexl Big Altemative Thino, accordinqlo whatever relined scale

they\e chosen lo adopl.

wronq-llovethe music, lsupportthe talentand lhe scenes as afuch as lcan,, l]usi

Don't read me underdoq

rqect the term "allernative" as a speci{ication- one person's "allernative" will be anolher person's maanslay. The only good lhing aboullfu term is that ilwillhave inlerminable usage wilhin the induslry, because therewlllalways be a need iora changelrom whalever is popirlar. And thatditleronc0 conrecls peoplo by lheir sheer devolior rl lhe lace ol plabeian neglecl.Itlhe musics causinq jusl a bil ofa sonic Gvolution, unilinq lolks who venlure lor a ahange when eveMhing's

lalhlq apan, then its doino exactly whal 's supposed lo do.

Lonir Cdnanb SnePlsaund Aac^ td at Batinlad hm ssl52

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STREETSOUIII

usiq;;s.gyte

(10/12/92)v "Iry Imight, lcouldn't {ind a magazine

retro, thrash'iazz, expeimental, s eazerock psychobilly, slraiqhtedOe, chick rock, pop-rock, soft rock...you name it, and it probably oxists.

;n

Morkeling News

so on. Now il'slhe 90s "allemalive'can mean so manydirlerenllhinos musically, jusl by lhe qeneraldelinition. The label "alternal ve'ls practically idiols' terminoiogy-l ke, don'tyou knowthe Oonro/movemenl olyourchosen iixation?l? ln a

lunk, punulunk. orunqe rcck, scum rock,lechno. induslrial, lechno-induslial, metal, glam melal, speed metal,lhrash melal, speedcore, grindc0re, musique acluelle, psychedelic,

ALTERNATIVE +

MEDIA theme... "Record morketers ond some malnstream odvertisers ore ilmping on the altetnative music bondwogon to keep in tune with Americo's youth. Alternotive comes in o lot ol llavor3, including grunge, death metol, punk-funk, gothic, ond iongle pop, ond most of the bonds hove col. orlul names: The Pooh Sticks, Dinosour Jr., The Dead Milkmen. ln tune wiih its generotion, much o[ he music is raw

I

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os

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fully represented

[young people's] evolving ottitudes ond concerns in on intelligent, eniertoining ond meaninglul woy. l'm storting Roy Gun ["the bible of music + style"] to provide o highquolity, alternative forum thot speoks to on ofien under-represented group os individuols rother thon os o morkef."-Morvin Jorret!, former C reem edi tor,/publi sher, on ke lounch ol his new mog, described in ifs press releose os "mosf closely resembling the nood of o fosl<:ul music video" A

EDEN

"lt is evident some

!,

thot

ofthe freshest

ond coolest sounds in music exist outside the moinslreom. Sto/or &t


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miffofile

Irocks is our version of the

'edge ol the envelope'

over the world, oll for free or very inexpensively?"-From

musicolly speoking. Here you'll get o chonce to somple culting-

"Plugging lnto The Net" by Chris Beoumonl, on lhe use o{

edge sounds from rock, donce, rop,ond even country."From the finer nates to Stoldt Tracks Vol. l, o compilofion I 6ortist/16-track CD wik a Uncle Tupelo, Arrested a Development, EMF, .lesus And Mory Choin, Lush, Chorlofons UK ond others. Avoiloble for iust $2.95 in the U.S. to promote Stolichnaya brond vodko. Coll: L900.5TO1192 "Ihe omount o[ column inches devoted to house is minimol in the French press ond lomentob e in its obsence everywhere else. We feel thot il we don't spreod the word, no one else will." -From the press releose for issue #2 o[ 6DEIU, o snoppy little {4" x 6") mog from Poris. lt's iommed full of house inferviews, house reviews ond club listings. Brush up on your high school French ond diol Poris ot 1 .42 .09 .77 .05 to gel o copy. 22O Votts is o new altetnalive music review in newssheet form, published out of stockholm by Doniel Robledo, formerly the pub-

UN/X, USENEf ond /nfernef for i nlernofionol rove commu'

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STOLAR r

f

Iisher of on

alternative

music review in newssheet

form out of Florido. Coll Stockholm 8.33.7525.

v

"A lot of people in the rave

community

hove occess

to o computer but did you'

reolize thot Your computer could olso olfer you o woy to meet people, exchonge things like music somples ond ARTI, ond hear about raves oll

60

STnEETS0U 0

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o On o diffe.ent subiect, Skeetsound would like to thonk the lollowing for their help in toking the Big Bad & Groovy loui ocross Conodo. This four-bond alterna. tlve/iock mego-show sow o selecbd ieom of pro Streetsound DJs ploying between

BootBauce, Soas ol Fieedom, Pule, ond Art Bergman. A fun time wos hod by oll ond our ftonks goes o0l lo ilark, Bob. Neil ond Joan ot Terro Foolweor. Tiann Arnault ol Gonglond Artish- Steve Ship otJet Long. Fon lleteala oi Conceph. Geo.ge ot Sholedown Sound. Soul Control ond Ch?i6

Scotl

nob Gillard in lran Humphri6s in Colgory MC iaike in Soskobon. noberto and George in Regi.o. Joe ilyleo i. Winnipeg. John Ongarro in Thunder 3oy. DJ Anthony at

in Voncouver.

Edmonton.

Scory Club in london.

i,.

l[[x

nicotion. Published in US rove fonzine Under One Sky {#6; 9/921. call 7t 8.646.8077

SioYâ&#x201A;Ź Carhpbell ond Shawn Scallen in Ottowo. lrJ Cados in Sudbury. DJ Paul Q in Toronto. And of course, see yo ogoin lo the bonds

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fiEr full-lmgth lP, You Su.k C'op, Eoby'ond hov. .rt!r.d sngs whkn oe ".on.6ptuolt bo5ed on

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ionrat.e5, wher. $6y .onfronr oudilrxG. wi r ".xp.rimenrol deitruGrid". ltotol psrcu55iohist ond porcr lool5 exp6.t Smilh utilizst ma.hiErr "rwiir.d rhrough miru.e ond hutnon .rror", while el8rrcri.. wit ond vo.alisr Da. Gano "plai&r on i.ra.e .lority cnd oppo5ilion ro rh. rBohing .onfu.ioo and noir.".

BROTHERS & SYSTEI\IS LP: TRANSCONTINENIAL WEEKEND

Iobnro bond Tom Thnd, hi5

LABEL: NETTWERK

"vids

Brothels & Sysiems i5 octuolly

(ompurer ond

".n otoy

orGheotogii"

of v@olist3". Ihe c.r 5ch@l

grcduote worked on voriou. .oundrrd.kr, inrluding Meryn Cadel'5 Ihe Swaoa€. ond Phir ip Barker'3 Comp6 Mogneti.@, b€,or6 releosing hi5 own independenr cos5etr6i. Signing wirh NeFwerk in 1991, Third ho!

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ceor.d o "rhow(ose of rh. .ro.r-pollindtion betw€€n Soul, Funk, Boso Novo, Houe, Hip Hop ond Tdhnology". L€nding rheir vo<ol rolenls lo f.on..ontinenrol We€kend ore Sahnah, Alvin Wans, The Lasl ol An ond Zulema Class.

BADIJITEBS LP: DELUSIONS

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BANJER

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|ABEL: QUARTERSTICK/TOUCH & GO

Aurrin, Iexos kio rhe Aod Livers <16r punk wirh bluegro$ ro .reore "sriking nelodies os opprop.ior€ for.ornfi€ld. o. for bulrling <ity bor@os". Led by fo.me. Kilrbirry "ihrosh bonio vi.luoso" oanny Bames, who ie "rreq@rrly oni.ed in eirlEr o ,vtotorhcod oe Iexos Rong€rs F3hirr", rhe Bod Uv.r. hove o .epurdtion ior "rou3ing live

3howr'l Joining Bornet ore Balph whte, who ho. aon exrensiE Gol' lsrion of Ghoinsowr", ond Ma Rlbln, "who own. cnd weors o

l€orher iocker, even h€en on o

horor.y-

.le in hii life'1 lorrhed in 1990, the I

gotpeltune!, b.fore debu, LP, produ.ed by Butlhole Surrer Paul

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D-IIVTIITENCE

culrent clo! of bios, press rcleages lackages io seâ&#x201A;Źrch of lnJormationl

Ouislng and

LP: GOOD

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LABEI: EASIWEST tedding

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WII&ABI) LP: SIEEL MlU.

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LABEL: ROADRACER

Con(emed rhor rhe listening publi. ndy be 5ick of heoring obour Seonle music, Willord de.ided ro hdve "bond5 like peart rden ond Aice h Chains ror breokfoiF.rfien vonir the unkr oll over Nitoana's ni(e new houiel" Tdking rheir movie rhriller in which "! young boy roiser _ bloodrhirsty rorsl97l ro neo y dispole of his enemier", will.rd Gon be rro(ed bo.k ro on olte.nolive-punk prcie.r in SeEle.ollcd Sunshine, feoturing Willord guirorisrs tulark Splde6 ond Olis P Olis, ond hossisr Darren Perers. Lore. ioined by vqolisr Joh rly c i dnd druhner Sreve Wed, Willord releored o rhree-.ons EP on Oeen Gel Records. Their goalwirh *eir debur LP,5reetili,r, wos to moke "lhe hevislr, uglie.r olbum to ever .ome our of seonle". They de..ribe the olbum os "rhe musi.dl equivolonr ofo hond grenode in o bu.ket of ro/'.

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STBEEISOUIIO

O9


HeatherHunter

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t:IEACHDIM

Sinsler "15 lT LOVE"

iL;E@re!F63-

Nyrmphomania

Jmoic.n-bod sins€r s(rewdriEr hos Eork num* ous sons. on nunercui lobels 5ifte he beso. ringing $otes5ion.lly in 1983, Whil6 porfofrins at vqriour .lub. ond hotEl. in ,{onr€so Bqy, he rc..rd5d 5lngle5 wirh rhc lop R.nkin, Ho.ry J, Soni. s6s.ds,

tr'EAT. Moniques Singler BODY"

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WANT YOUR

sMAaH-

tobeft

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while Modo.no s.orer moior publi. expo5ure poinrs in rhe pcges ot Vdniry Foir,

Powe. tl@5e, Denni! Srior, Kdnsol ond Gcrnrin l.bek. Boh oauon

lkrowdrivor iao't€d iindrs dt..hool lnd perlorred or s.hool Lindo,

Nymphomanlac'r l'/onique S

<orduct their own Bottle of tfi. Breo5t5 right here on rhe Eiorile de5k!

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M5. Hrnter noy be only now "emborkins o. her noide. voyoge into the musi. indu3rry", but 5he's olrcody "rhe uhimote symbol of ser ro millionr"l Why?

pffis "f.r

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How? tn fo.r, Heother's "ro.e ond figure hdve odomed tfie .overs of (ounrless men's mogozines" while, in vid@ slores o.r6i rhe notion, "rhe 5tc.e5 our

t

tukhingly frcn rh. boxGover5 of

Holy childhood ond sr.

Andllw Is.hni<ol to nome o few", Ihe eErs.'li. pclforner hor opp€lEd oll over .lomdi(ottl inq "or rh. Areno, CinemqEe qna the Horbou. view Drive lnir

seniuolfilns". Ihe

NYC norive storr€d our

"don.i.g in o nighklub" or Ia, ond qui.kly moved into odulr films. Wilh "rhe fo@ of on onsel o.d rhe body of o tumn. forole", her.oreer

I

nqturolly exponded to in<lude

oppeordn..! in

everythingrromBgDaddy Kare ond Diana Boss musi< vids, ro wntF Pime fime cnd 5oul lrein. Her debur sirgle ond LP rcre prcdu.ed by l\,like Cameron, k.own for his

work with

Adeva.

"The Eore-Modonno" [loniques on o "high-le.h

.ommeniolt€.hro gem" .dlled "l wont Your Body". Mohique ir olreody "cou5ing

quire o .ommorion" in Esrcpe with her "slreer inreF viry5" on the Gelmon televi3ion .how, Ye.o,i<o ry. As

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Nymphomdnio'3 viruol omborsodor, she.omes well-equipped for rheir osiuh on Nonh Americo, wirh her own 9OO numbGr. o "rizrling pin-up 1992 rion of Prdyboy. rl'e.i.sle is roken from Nynphohdnio'. debut LP, Eig Hord Dirk 2 t 2.979,6506.

I

HORIZON LABEL: ROADRACIn Doom metol i5 on "underroted, yer vioble movement" ond leoding rhe woy k Solirlde

Aeturrus. "lr's d66m 6^d

heovy ond not metol rhot 'dl mosr p@ple think oI", 5oy5 guirorisr John Perez, lote of Folt ng Corpse. 7 by Perez, Solirude Lotin)

.old ond r6leo.ed o 5e.ni with ffng

their fi6t lP

colend.r" ond.n up.omins 3preod in *'e Novembe. edi-

Fdx rhe torel Fox

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AETI'BNIIS LP: BEYOND IHE CRIMSON

e.nwhile, Nymphomiilr reon! up UK's L.A. Slyre wirh

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COI}E INDUSTBY tP! YOUNG M LABEL! ANTIE

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COMING TO POWER UBWAY ele.lroni. Livins Color'i Code oll Af riton-Americon eleGtroni. 03 Code Assaull, the Detroil ned rheir homerown lound wirh 5 Front242, A Spll Second ond only U.5. bond signed to the lob6l, Code lndusrry derel-

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LA3Eb sUB POP "We only wdnted to

hove some fun", exploin

The Voseline5.bour their

intredudion inb rhe world of musi.. "Ihe h6red dnd very sick mind5" of Eoge.e Ke ly ond Fra.ces A,tcKee

ru

formed rhe group with the oid of Kelly's brorrler, Chanes,

ord

James Seenan.

Tokeh "under rhe wing,, of Slephen ;rom th€ Paslels, who produ.ed rheir finr

SEXGAIIG

rwo 5ingtes for 53RD & 3RD,Ihe Voselires rch&rs€d by "meeting in o pub qnd

CHIIJ'REN LP: BI.IND LABEL: CIEOPATRA

ltlking". "we

wers .omp ond prerended ro bG 5ledzy ond w€ were

E.y d.unk,"

There's oddi.rion

rhey ioy {nd,

in rhe "opulent

de3pire rhi5/ their olbum

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wor evenruolly releosed o. RouEh Irode drrEr rhe foll of 53RD & 3RD.

fr

cong (hildren, giving enduron.e rhot hos

ldsled lrom its begi.ning! in 1982. Ihei.

"the mosr fully reol-

777 LPt

di."

ized

work", brinsins

rhem up to lhe "9O5

777

c,

LABELT CAROLINE

Led by rhe

"ond6gy-

+{

de.odes in rte muri( i<ene, no.terminded o proie.r b.rwe€n some of houre ond re(hno'. p.emiere nix€rr, eEdu.er3 dnd muri<ions ro <reote 777. Known in rhe UK c! islem 7, rhe proie.t ir "o brilliont onolgom of

o E

"the rcw energy ond .ommitment of punk

rver ftDm rpo.iou! ombienr-houre sound!(ope3 ro loulful. doFhouse'. az,e B'sr@vet ond horder re.hno propuliloB./. Joininq Hilloie ore ale\ Paap.sol of the Orb, DJlmixei Pal]l Oakeniod, KllirgJoke's Youih, hou5e/re<hno pi.r.c. Derick May, keyboord wiz Miquelre Gnaudy ond "o .od oI lhousonds", .E

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STREEISOUIIO

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EtrIVEFl EOYS UNEOVEFIEE]!! hl ! ! I

ave 6

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ma qned by rls

delraclo^

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elen€nls tlJt mdke

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str0ng, '

ff tr;::1dtJ,"?ll,g,.:li:1ff ii,#;'"1[Tft-.,iifi ",ff ',,- .{

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ty Io ihe nve ;cene ihough gunis cirelulty coolked up $rrh uior manager Spawoed in 1990 lrom tl'er ortinal lBrdcore outlil. . Anern 8 have since unleashed a ba(age ol choice sinlles in lhe lJK. working 0n Rushton renowned llel*od label, lh€y w proven lheir abilily lo consisler8 deliver hardco.e music. Dressed ln yellow dusl rusl(! and chemical suia, Altem 8 sere recanlly Deen picked up by Viroin ior the U.S. release ol /rr,rr-8rnercr. an EP cho* Iull 0l succ€sslulUl( h h like E.Vapod and lnlilllale 202". While lieir music keels sllealy nveB wilh their hands in lhe air.lheir pra0ks keep lans

unpedrclab

lleru! a

X6il Bu.tton.

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amused and some ol lhe media g uessino. 0 n Acliv 8" they samphd Rushlon s live-year-old dauohler rscilino a s anq expression lor 0eliing hioh 0n E. 0n Eritain\ lop-Eled lop ol ke Pops.lney nanaged\o bBndish a bollk ol Vidc-lht equivahnl0l sho\,/ nq druq pampnemalra on US ry Amono other prolii8" raislng pranks,llley've called in a \xrtch doclor 1o exorcise r0ck music at a nue, and dabbled in lhe markel. lng ol disco biscurls and a r ruid homs. Sl ll. A Iern 8 make il clear witn n me ol Iheir Ame can EP lhal a]lthis h ju$ a la$e ol lh noslo come. Slreaisorrd rec?n y caughi 0p with AIern 8 s Clris Peat around d nnerlim"o in his home base n SIali0rd. and had a chal while helinished up his meal...

ft

ow th.t Altom a't mu.ic ii ayailable all across onh Amerlca, lhol€ 6 r whole n6w pot.nti.l .udisncs out there who've yet to h.ar you, lnusic! Ho!, would you daacdbG it to ther? imDuls ve dance

How do

music.lls lalher hard and eLeclronicl

.nd

arl

pul logether yosi rnusic?

We bashally work Iogelher inth€ studio and rdrely work apart. Mark does most ol the percussion and some odd keyboards, and I also haidh leyboards. Most ol $€ sampling is done by Mark since he s a DJ and he s gol loads and loads ol rccords. We pick bils and pieces oll dillercnt records. lhrow lhem

loqelherand make

lr€

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you a Or, a3

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Iial

ffosslader jusl conluses me -!ne side

rniohl as well bp the olher side 0l the world I iilrcan ld0 mixing atar. [!ar[ rs DJ- nq a Iot now and he likes ii.

ln ths UK, your lrtodia coverage i3 rs big as your nusia. The Attem 8 Ptog3 book is H-U-G.E!!! And they Lkecp compaiing you ro ths KLF Decau!6 ,ou,re both

E

ah/aF puttins

olf 3eams.l hat do yoo mato ot lrral?

Tle t0

ryeel alteru,e dld lhal video- the (LF wDnl

a stock car

€ce and loo*

a

i?rk They're pick-

ing up on exactly whal we're doinO.

Anhowh mosl Ns ogee

ripp€d

sonda,

13 tltere a hlgher puryo3e to .lt lrre3e tricks, tike whon yot took the botrl. o, Vicks onto lop ot rte Popr-wh.t's bshind all at thar? t5

tt

rll iu3t foryubtlclty?

Basically, !!e like t0 make peoole look u0 and see whar s go ng 0n. Peoph rn Eng and didnt know much about Ecsiagy or anylhrnq untit

E

USA,

lrouble, tbsn lookino aiihe ttoorand sayino,.0h rrygod...whalam igolng to do nexPt" We want t0 g0 0u1 tiere aid have a good time.

I

lol ot the rays scene is reaaty lac.l.s.--.1h6 music mlsha be lltcre with 3otre ot the groups, but Iax, never really lbd olrt that much .tout 0ro people maklng it.

s

Rumors

deod, ong ve rovngl oflhe imminent deolh of lhe

bulthe reo ly is much more complex, The orr vo of k ndergcrten rove records ltke 'Sesome's Treel" ond "A lripToTrumpton" hove inhoduced

j

lyprco leenogels heroes were Puhlic Emm, ond Soul ll Soul These dala t s more ikely lo be lltern 8 or lte ftodigy He l be weoring o

7

l{,

r

nisinq High 'Foceless T-^chno Boliocks" T shirt

ond hove o pirole copy of henry xen's lolesl m x lope in his wolkmon The rave scene hos become lhe

3cam.

Xow thet Altom 8,s mu3io has

laten ot and youte working on rcw mrlerial lor trloxur 2t , what a{.e lnle.€sts you? Cals. Th€y interest me quite a bit.

llou about polillci?

/augl,s) Woll there was ths time when I ran l0r orfice here...l came in third oul of iour cnndidales.

Lll

a mlnut6, another scam!

Ult. wlrere wo oame ln?

!$r,t

Ul(,

jusl os rop

Daren Ressler

young urbon sound oflhe

in the Stoies. However, commerciot versions of hordcore ore nol whot ol--'gn_.o!c. -.e too D. 's otoy -or g-. is

iI6y,o'eo,olo-

vou?e

oo!. eoq

'5o-dF-,ope.o.we o) t-e belF.Lt reteoses o_l we lcleor of the crop Breokbeots dominote lhe bl gevenfs,

'noorhio^l

l'e

sieer whi si smoller venues ore resoding to purer Europeon ond Ame conlechno lhe emergence ot lhe commercio sound _os

hoo on i^1po o^le-ecton t-e )cene Vony'ove",

rre oost?wveor. hove o.e-

no'u€ o'sore ot fa ( ho-

p-to-

tsirs

by ne o,erEourd

ord'he oooe-cent

direciion lhot roves ore toking They've deserted hordco e'n seo ch o'o retr n o e --darglouno i-sic lrese ore ltse oeope who oolory deco.e.-ol ove s dFod u^.. ^ toct b. 'ne t-o-rc.o( of younosi..\

'^oto

5 o,cove'

_q |'or_he'irs'' ne

i s,/eviuLh

olive. ln this environment, everyone hos the r own Mews

oboul

he

heoding

{kughs)Yepl

ih,A music loo whole new (much younger) genero

enough 10 octuolly go lo roves These kinds oi breokbeot bosed lrocks wilh speeded up vocols ore seilng lo lhe young record buying publc. A couple of yeorc ogo, the

hssl

frst

rove scene hove been

o-'ooor eve-_ breo,'o' o-enoonce ecotos.rorr theo.lJde I

]hals wly we came uD wiih Altem 8. idea /s lhe facelessness-we decided !o mltr our taces u0 t0 make it eren mrrc tace,

me rbout your

IJK

seems lhot lhe rove scene in the UK keep6 geit ng bigger ond bigger

Ile

Well, NeillFushionlcomes u0 wilh mosl ot the pross scams and he s a madman full ol iders We jusl carry ihem oul to the lelter. When we flst fucame Alt6m 8, we did this inlervhw on lelevision and l]\,e t0ld lhem lhai thsre was a Llniversily lhat w€ bolh mei at in Staliord. Now, in SHlord, therc is no univsrsily. Buitllere is one

o mdssive ddrce

circu oting for olmost os long os lhe scene lse f, No sooner does on odicle in one of the UK's mus c mogozines wile ls ob tlory lhon o whole new boich of hordcore iunes hllhe choirs ond onoiher huoe

Exacllyl

T.ll

os

even millions, Fot lhh etnion ol Sheehounc!,s lechno-pdve

Allern 8 camearcund. Now you woutdn't believ€ now hjq ils blown up. We're being accused of belng drug dealerc and there's all kiids oi shit going on. Reatty, we just tjke Dtaving 0am6s and havin! a good tine, genenlly makiig everybody happyand have a tau0h. IialS what lile h all about lor us: geting inh

twe

ddinfrely UK-bon. Onty in the hr{ yeot ot so

QtoiJedy, d quick Wdole hom tuve s home fionl,.. Rove

oil

lhe lechno l,ooh ol tove music ote

hds rcve begun ,o moke hojot inrcdds os d Noih Americon culludl movemenl, $hil,e in lhe UK (ohc! Ewope), pv6 ev$ls cdn geneple ollenclonce k lhe lens ol f.nousonds, oncl rcvente huldj.ects ol lhou-

lileas?

t

kd

hoce&le clircctly bock lo Defioil,

30 lheyrre .ipprnr olf Attem 8,3 Yeah, s0in0 oithem. Well, vJe havs any oftheirsl

IIPORI

Rauing in the UK! poiy phenonenon

Well,lreyseemlo be pickino up on or .scams... ln one ot our videos, we halr a lank. :

A STBEEI$OUNO UI(

S0nz

0l

A

c- 'e'

!'o_e ot

.F^e o^d

w eeirs

who runs Suturtan Ba6s-home o1 ond Smart E,s hos o posfiive out-

Daony Donnelly,

loop 0'L!00 Ela

l^- \

to-r


"ll s o nicescene,'he soys, "The music ihoi's coming out of lhe UK, the breokbeot, hoppy house sound,ls for heollhier thon lhe indu$riolGemon sound. Thol stuff is loo oggressve You con tell some recor(h ore mode io sell oLJt ond cross over, but it doesn'l reolly bother me, lf it helps the rove scene reoch o w der oudience ond breok down some of ihe doors ol Rodio

I ondth6

BBC,

thoit gotio beo goodlhng.'

Cedolnly ihe recent ollendonce of over 35,000 otVision, the U('s bllgesl or,tdoor eveni io dote. seens io contum lhot b,eokbeot. or 'jungle rechno'. is thriving And the premier exponenls of this genre, obels like SLJbuaoon Bose,leintorcEd, lll0ving Shrdow, Slriclry UndeEruund, l(ckln', Produclio[ llouse ond Rhing HlOh, ore ossured o heollhy future os rove moyhem tokes o liqhiet g p on lhe nollon's chorh. o lop nome on the UK rove cil cut ond the mon beh nd "Hordcore Heoven" ogrees " t's ge11ng more commerc o bul I trJ Saauclio.,

don'f think llwlleverdie.

.

t

This

llmo lost yeor

rove sluff would never get inio ihe chorh ond once in o blue moon o lrock would go in the Top 40 Now rtt quiie o fre quonl occufience. l lhink lhe mojo iy oI people hove gone wllh ihe breokbeot stuff ond Euro hos hod ils doy. A lot ot lhe big shops in London don'l even

iiock

it

now."

Other lll(locks, however, hove lurned ]t€ r bocks on the homegrown moleiol ond reckon the lnlelloent,

lGncier sounds prcciLrced obrcod ole the beslwoy loMord Dulch lobels Dlax, Slealtft, Seo Saw ond ESP ore now cropping up regulorly n U( p oyllsts, olong wilh I&S, 810 Tine. ond tronka Beals fiom Belgum,ACVond DfCfrom ltoly. ond Logic. Lowsphil. Space Teddy,lllFs ond llrsll irom Germony. Kss FM s g obejroll ng iechno experl, hlh DalE, one of lhe eorly ploneers of the music, ogrees lhot lhe divide belween the focirors is widenino but soys, "A lot of people hove been ,ow lo reolze. The sod ihlng s lhot the [-lK soL]nd hos gone too com merciol, but ln Europe ilt stillreoly good ond ihey ole reolly lnto sensible lechno mus c. I prefer lhe troncier side of lhin€6. Hoving soid ihot, sorne of the Germon sluff is now reoching 170 BPM ond lhot's loo fost for mel' llave Uets{[, who runs London's loom recod siore, wel comesihe disl nclon belween hordcore ond "reol" lechno produced Ln th€ U( on lobels ike ldhl, tatul0u6. lldm, Blacl _Techno hos nothing to do wilh beok 0og, Saacl ond S.e Sar. -ll is jusl fufurisic, pure eiecbeots whotsoever," orgues Dove. tronic mlslc ond lhere s nolhing ehetoll, f onyone ever comes nto the shop ond osks for'junole techno" iellihem

'

wheretogo.' Debole will conlinue ond lhe plologonbh ol eoch

tonch of hordcore

music wlllfiercely orgue lhelr points unlil

ihe cows come home, The music medio wi continue to proclolm lhe deoih of rove ol requlor inletuolsr newcomers io lhe scene will conlinue io pock out lorge evenh. Rove ls hele lo stoy in sorne fcvm o, onother for lhe fo€seeoble fulu@ ond irs crics willcontnue to bosh it. Bul os Sububon Bose's Donnelly poinh out "Whensomeihng geh populor, why do people woni 1o knock il? When people posslLJdgemeni on ihings lhey

don't reolly know obori,

ld

ll pisses me off. Recenlly,

ttadft 8an...

ond iheir ilk hove ollbeen slog€ing off breokbeoi. If theydon'i likeii, they should iusi shui up in$eod of go ng on ond on oboui l Thisiso L.JKihng ond lshould be nlrrtured.' H.-.re. here Lveond lei ivel X

Ri.hle Ebckmo@

14 O

STRTEISOUIID

A FFTANKIE EItr'NES FlEPtr'FIT...

Iechno-Raue USA Slrcet'sound lechna-Qove edilat Frcnkb Bones expon* his lot colfih fot lhis Auoieu Repol--4 bne{-eye-viev/ ol toving in lhe USA, plus o bund-up of recenl ootoble l@cks -. Techno. Now it con be told. . As of loie. I hoven'l received ony good hole moll lhol usuol y comes olong wiih wril ng fol SlreelJound, bui losl week lhdr6 ol Unda onr $q ln Brooklyn ond

$tr

l... netonls outside of LoMon. ll wele o liltle uIEet thol \ve knocked lheir curenl lrock, "Sesomet Treel", n o mosl unproiesslonol woy, lh s etier hod on '1" word lhot, even if they sow the episode ol s€some Sreelsponsored by ihe lelrer "F-, they cerlo nly dldn'i leon on lhe show. Ihey wenl c tor to soy lhot New Yod( ond Delroit ore deod ond the lechno we llke is choinsow muslc They olso soid l mode enouoh money on lhek scene in Englond, Hmmm, , I hote getring po ltlcol, or reglonol, brJt hn'i Sesome Sireet on Americon progom? And p!.ttlng o breokbeol behind i does nol reolv toke too much. lt's beefl hord enough €etiing o sc€ne going hele ond ll's records ljke ihol lhot ruin v,hoi we fiy to build. Here is ihe scenoro:whot do lte llhe porenh of the l0yeo6 olds iholshow up oi ST0BlSlavo, Enb in bockpock, rovereody? fure. this record could become ihe noveliy lechno trock of the yeor, bul if )ou've seen lhe reviews by olher people, they ollfeelthe some woy I wonder if Subudron Bose took lhe llme out 10 wriio olllhose @viewers 'potheflc" letlels? I

gol o reol 'gem" irom

seerns like lhey

_ho Bu' 'h s shcry ge's berte wilh Joe, &lllafi Ane gelkom pcasiw do for 'Setome's remixes. Wrot could

co_

Treet'? You would think he woJld hove leomed ofter lhe Americon releose of The Prodigy on Elekfo the mlxes were reol y good, tho group itself hod some success wiih live shows here in the US, ond ihe jockels looked greoi-finol ono ysisr it bombed llke o plone wilhort loMing geor. Ten poinls to Elekto for lrying, bul ony DJ thol liked the rccord ployed it losi ygor, ond ihere wos no reoson lo lry ond resurecl o deod trock, Enter Albm I w lh the US mixes of " Evopor 8" on lhe infllfu.8 Ameilco EP on Virgin. Agoin, hots otl lo Virgin tor pulling il oui here. Ihis time oround, ltlough, the Bellrom mixes of "lnfllr{" don'l cut it. lwould hove colled il "lnnfi'8{ 8 Stote" for the blolont .ip-off of " Poc fic". but then ogoin, who om I to crilicize sompling? Anyhow, ihol wosn'tJoeyt lou i ihe orginolsounded ihe some. ln focl, hls mix of Move Your Body" wos mole o, lhe sorne, clo6er to one ot my Eonesoreoks lrocks thon o fivedjgit molor lobel rcmix. Al leost, Vlrgin gives yo! 'Evopor-8' in lh o gnolfo.m, plus three oihers lo booi But whol hoppened lo the doys of 'Energy Flosh' or Bellrom's collobo.olions with trogr 2 or tl6ld! LtBl$n? li's o shome, becoGe you con,eolly heor the difference between moking music ftom lhe heod ond moking music for the pocket-we hope thol the corporote wodd doesn t cofiupl Be irom Speoklng of lvlundo, h-. do€s gel o second chonce wih lhe new R&S releose of 'Andromedo'. wirich o,lginolly oppeorod over lwo yeols ooo on the Saookl),n Seol compilolion on Eosy Street ll slill solrnds up-iodole oflel olllhot iime, which s reolly unusuol nlechno. Thenew ouis nclude 'Absence Of Molice' ond "Alb do", wh ch showcose Mundos' reolly g.eoi keyboord lolenl. R&S hos obo releosed the new EP by Lcir0 0!G. Ihb is Lenny's most outstonding wok y6t,lhe best cu'f be ng

'Hommerheod" choinsow' iochno ot iis be$. tsounds how ll mLght leel io pr,.t your heod

Ln

o vise ond squeeze il

lke lilL

ii


n

t

N\

\A(

v

THE BEST OF

BELGIAN T-E!C;Hh;r(O

Z Z

z

FEATURING

A

E lUANCER

L]

!il tu

LX

ENE

Tll CHANI{EL X -itrlE 12trlCDs FEA?URING

MTO

V

@uounE

nEMtxEs

or

TA MILLION

colouRs"

7 \

n

PL'Tr,lP TF{E

Ft

TT

r

NCEFL 'U- }-J E [vd UNLD DEEP

STEVE ]r!

v

Y

CAROLINE

Bl-


umed.ed '8ug Sproy" sjusios hord, chugg ng oong ol150+ BPM Other irocks ore'Boby ond 'lvl crodot". Detroii/Gemony hybrdsThoT mighT one day emerge os lhe new sound ol Brooklyn-DJs prelere.ce k Towords ihis sound here This is

werese ng for over

I

becouse

lndigo's cover vers on

of

"Preose

fl hil

s

LellT8e". which sounds close io ihe orlginol bui copieslhe shTle ihol mode (\rS'

Don'tGo'o

oIfile

more disco/house thon lechno

but

lsi

r.!F

uplliis ihe crowd. On ihe cover vers on of "Wroppeo

303+616=909 by X.Clnsh on D reci Adam

100

On Ploy I Ago n Som (Hollond)

opporeni on ihe

Dve h NewYork

S

ihe qLrolity pressing

ond Jimnry

Around Yolr

E

nger' (WEA/Germony)

Ct.sh deflne the NewSound oi Brcok !n wilt chrrggin' drums ( 150+

by Vemon, ihe voco s ore very c os-. tolheorgino by Sling. but i reolly

h

seis

o mLrsi) ond some of ihe deepe$ ocid llnes heord in o while.lheb*t lh ns obouT T is ThoiThe lroch ore reo y row ond m n mol, wh ch usu' o y works o crowd beter thon on

thR:tirlk car6 (uow&tll d,li k ?a6d $'. 0anm \{ild. ft!ilie 106,,lo4 3â&#x201A;Ź lram, Ra pltie 0m, uido rqno HNlH0v&Lnbl These

0ardr Wild oso deines ihs New

iroclc hove been known To mell odiu$ihe vo Lrme o. you m ght

speokers. so

yf SoLrnd on his co oboroiof wth Iin co ecl 'Nilrous Oxde" by N20 Ths h deiinilely one of those mess your heod up' trocksr collitihe mlsco equivo ent of whot Brcok

gel hurt

hoppenswhen yoLr suck down one of lhose bo oons ot o rove The oiher cui oi nlelest s ''Loser Worsh ppea', soufd ng keo+8 â&#x201A;Źleose overo Find olths on EX Recods o subsdory of Aimosphere, Aso, Tm Toylor's tgydian EmFire. whch is "lhe Hom Trock". hos golten picked up be ffrr n London. 1? ghi now, Domon ond Tm ore doing some new TrocK here in Ne\,! Yok which ore supposed

lt

Aho

Taylfi

geis no roughe:

Zodiok with

hro

EPs.

new lob.,Al one bv outanonaond

lhe olher, Todiok ftox I Those oi \rou pot enlly woit ng for new Wonko moler ol shou d bLJy boih oi these, now Troncey but hardcore. lhis swhoi nue underground muslc is real y obouT To be honesi, ony DJ con moke o crowdjump up ond down whch s o ol more lhon lhey colrld do beiore ihe scene h i lost yeor-bd how mony con pui lhem no hypnoicstole? Irese Zod ok records w help you och eve

thol. from the Brooklyn Boys is na[ffr lhe ond itlrnrstar wiflr "Open your Mind

Ako fiom Ho ond

LosT

(Rodkol/Us) This sok er nonce Trock Thoi needs o Elro reeose. becouse 'm ofroid t cou d gei losi w ih o ihe records Aodiko puTsouT

nAmerco.

mode oncl

s

T's

nihoiJom

N Spoon

o musl lyou re poyns

irofce

Ro phie DeejLrst got bcrck tom Germony o ong wiih Lenny Dee who wos on iour Wotts Mus c in NewYorkhospui togeiher o sx-cLri EP of the mxes of

o

n0fledam Teminalion Sourcet'Po ng'.'Po ng" hosspowned o host of mtoions ike "Drp" ond'Bng Bong"rlhe besi wos co ed 'O nk", wTh p s sompes. People willdo ony th ng lhese doys won'lthey nonycose, the ch? of Roterdom hos redefned the

word hordcore wlih records ke 'Amen Amen" by Pilqrm ond ' No Women Allowed" bySpeminahr. boih on Rotierdom Records

rs tDC

wlth'Posmo"

(Sony), oso verytroncey ond k ndo like Jom N-Spoon's "Sie o" t hos od bocklemole locoh over ihose woshing iype sound ng

t/C lome io mAm ond [uman

Besource, There s

6

STBEEISOUTID

co ed

s Rove-O LLrllon" by I-lumon Resource, wh cir wouldskp becouse it reo y doesn't hove ihe punch ofony of lhe r previous wod( [.4osi oi ihe olher siutr on llv]C is reol y belrer lhon overoge you con buy ihe r siLrfi withoul heorlnq it i rsT From lto y comes ihe leknoises (Fly ng). o 6 cut EP prod'rced byVisnadi. see Vsnod's nome on o oi of iolion l2's. This new EP s woirh checkng oui. but wotch lo. thot "p oyed" " Dom noioa somole (o eose).

grooves to breolhe new llfe nTo o sTop e

o.d s I

Some goes for ihe new Ptenomania, noi "Who s Evs Porf 2" bui o remix of De icl Maf's clossic Bhytl m ls f,tyttim "Sir ngs Of Life" They coll I "Str ngs Of Love" ond ii s so somm n'. Somples of ihe BeatleC 'A You Need h Love' over lop rnokes I one k er trock. Ih s on ETC Recor.ls. on R&S offthoot Beolles somp es seem reo b g these dot,s. w ih "Jude" being one of the b goesi boonegs n receni memory. Someone took 'Hey Jude'ond put it over S{.2's "On A Roqgo Tip'-very clever. O. qlno cop es

t

scotl lladkiss lvlyse f. l've been

do ng o once-o-monlh c ub co ed De veronce, p oying ioto 'trbo lrom 2 6 o m l(raze's new "VoodooSLrn" (Prolect X/NYC) s the +l cub record lhere ond even

overio bolh houseondiechno

n o o "Jombo" soundo ke bui dese^,es ih own ofient on os we need more musc lke ihs lo be p oyed

crossed

receni

ssue of Streeisound.

The perfecT situoTlon

llt

s To

p oy rea

hordcore eory n the n ght oncl brng The crowd down with irbol. noi io c eorihe Uoor bui lo gel ihem io ihoT hypnol c stoie wos

knoboss Hot. cuts inctude' "Hgpnotized Boss" "Boss*roft' "How Do You 5og...Boss"

,*iilTff;

Produced bU George AtYqrodo #PD-8825 16

EPoUT

lhe Jan.ll.SEo0n remixes oi MoDr's "Go" ore sturn ns, usino Tronce eemenls ond

1

l.,li!lhtbeot Records

c greol

Hoiogophic Ine ouTsiond ng fllle.cul hos reolly coolsting llnes, close lo'Go" bLt not exocly. ond ihis spefeciio$oirb nglng ihe crowd down from o meniolsel. Aso oui

Ls of ote loly,hosbeen reollypump outihe new underground "tibol'soLrnd. ofd its siorting io become b g with the vet eron rove DJs ike LA s [m ltladin, Moonrup

Music"

o!:l

cover The plodLrc'

on gove me goose baJmps when f rsi o oyed l, 'couso you fee it when yoLr ploy i -oio y sk p ihedeep house mix os fs o bLr.c..ri ergoiboge

ng

i6 tri:c*s iiituoing: "Corir! on" ''" ' "' "chonges Port l"

Tech Mon

mt

very rore lorTechno, espe-

c orly on o rock

The BestOfTech Mon I

NITEEEffT

is

1

On

odoi Holo.cl.omei

hordcore onihe H Tek

which

BU

Beot Dominotor

#PD-8824 on Pondisc Records

kplnoiscl lRECOBOS


tolking obolrt eody See. in the beginn ng oi oll this wos hoppy wiih the crowd jumping up ond down becoLrse i wos ollnewrnow I know you hove to br ng the crowd down os wel,ldon'l meon the po nilo where lhey siop, br,l where lhe.oom geis into o frenzy. lf you're not irLre io ihe scene, you'llstop doncing, so tt eosytote who's reolly sien

Bones East Coast Baue Update I looks like thin0sare now back on tlack. SToRMrave on Sep 19 became rhe la$est mos! hardcoB event ever on lho Easl Coast. 5 000 ravors turned up al a wareiouse in Maspoth, Oueens, which is one oi the mosi induslial areas in NYC. When larnved al

Oiher releosesihoi demonstroielhs hypnolic sound lncllde ihe Aquosier EP, o doube 12" seionlhe nfomousWonko Beol obe (lvonko iscurrenlyihe choice ofDJs wor dw de). Anolher tibo irock dolng domoge in Europe slhe 0J EFX Son Froncisco product on oi X6ludi0t 'Join The Ttue", on N+usion/XTC Records from Co i, oi o

m dnighl,lhere was a line 0l people OoinO b^ro blocks, and cars

deleclor so il look aboul lwa hours t0 gel everyone in bul onc€ they were in, I was incredihlel

GermadDslroillechno all nighr. rxe va decided to

On Robbii C ]y. +m6 h ihe /nducron ucer iDiaelllelh hos reo y been g some oss (ihoit orce 10 my UK co!n,

Underground Res sionc-6 hove been reo blsywlh o tiple l2 seriescolled Wold Power A//lonce They figure, why pui iour culs on one l2', when we could pLri out three singe+ided onetrock records? Ol(. OK. you qot my moneybecouse The Seowof' s one my iovoite ocid lroch s

oiihe

ore Be gium Reslsionce'ond 'Komokoze" Buy these only if you reo dehord UR fon. ond ook . presto, you te

seporoTely.

kke SToRMrave

nal nusl

lo loo and myse1...and I say, lhis was one oi ilre besl

Mosl ol our cmwd s l.om oul oi town. Some ol lhe neiqh boring cilies' b Ogesl .ave orlanizallons brought buslmds ol mveis. These quys lncludel Amoebahead ,rom Pmvidgnce, Rl, who've been doinq mves uo there

NewYork Howhordcore

go b

ng nto on SL2iyeiom

onkeled ihe whoe

UK

This sl.yle

knda

s;

No. r.5

', 8/Y

GEI 2U" ETII 116 "G|YE ilE

EX|T

115

rEcHt{o!

2 tc[r

DSE 05

zONE

RSfiliE',*'*l

sif:R.

1

,'s

!iyj

ll

cilsrcs D.J. PIERRE

P.F.A.

F.€l lho HIt'Elvisls Jlst

1

&

a

a

TO THE

ITS

B,P. J0Hllls0lr

,TRUST CITY" Available On WAAP

Ul( Produc.d by A, H.rn.nds.

send you our Iotesi rove t psheei ofd llyers for our upcom ng evenh (corJiresy of Denris the llenace ond STORMrove) f.idg ng Ame cowlh hordcore

*

iltss0il c0tJTx0l DSR 02

noscene here n lhe llSA t'sgolngtobreok even biqqer nlo I 993 ond hooe lo coniin Lre to develop ihe underground scene os techno gets more commerc o.llyou cou d send lyerc ond promos lo Joni Veniures, 2920 Avenue R, Brooklyn, NY l1229,we'

ST R

DEEP SOUTH RECOBDS UNDERGROUND HOUSE

in Warp UK

Trockwilldowe evenso. "Yesss. ." oho ncudes o Euro style'D do" h?pe mx. Before go,liusl wonT lo soylhonx to ollihe p-6ople who he ped breok ihe iech-

IeegPrl

sll{ BoYs nstNFULE)(rr 424 / TECHNTOI

FOX"BOING" GHERRY LIME BE 0t{ IilE t00t(0u fon ila y t{Ew RELEASES moil Ex[

,DEEP TRANCE"

tusl seeing tho sl<y ine is ama2inO Anyway itlooks like 1993

ffiffi[ffi

on Euro Chrrrs

JAZZ'

ll won l be lonq beiore we do some rcrl/yseious nunrbers on lhe East CMsl. beeuse ue have s0 rnany qloups suppor.ino aaclr otlreL Aod fo. sToRi,l lwnls, we have the advantago ol it beino trulv a rriD ro come to New York iiyou don't ive herc

IO COME OUT OF ROTTERDAM OFTEI{ SIiIUI.ATED BUI NEVER DUPLICAIED

nfllE

.TRICKY

2,000atlhelr besliand Spuh k, lrom upslaie NY, drawinq 800 to

IHE BEST OF

,ITSMYPLEASUf,I"

DEEP €i HEX 'We'r6 Going Do.p' Avail.ble

lhat dmw up lo 1,000 kids; Cshtophic oi DC, runninq lor over a yearand now pu lnq up io

IIIE iIOSI CREATIVE LABEL

OESCURE F

flttouo]llfl

s

scene, bul i hos Vei

to breok ouhde ot Englond moybeihls

25 East gth Ct.. Miami, Florida 33010. u.s.A Office: (3O5 883-L102 3O5) 8a3 7Aa3 TECHNO / FREE5IYLE

0R0r[ iloYt

lot& Th. G0n.

GonorGs.

$

Limeliqht n

D

cuJB Siraslr

Chd.tiin, tlrih, Ilan nC, itarto

On Bounce (Belg um). we iound ihe LA Slth remixesof 'Jomes ." oiewmonths bock Ths newTrock. "Yesss. W Be lhe ivo$er' by Wax.Attack. s ihe lirsi Euro-pro duced roggo/lechno record ihot l've heard

ngles. oll releosed

u-s;-4.-

morc aqg$ss 1,11-it's a BrcokDn

lhino. DJs incl'rded Adam X. JIMy tr6n, Lenry D.e, Janlc

weoring Their slr rt rghl now, oren i you? ihose LIR sh rts ore everywhere these doys {r'd SVe UR o peiJeci l0 for beins lhe besT underground force n iechno. butlhey only gei on I for Jofl llills poying'DomnoToi

lhe Alher

The olher hvo

line. bLt we want SToFru to be

ever/where. 0ur biggesi prob em was thal we only had one mera

lhe U( hos been puit ng oui some reo

recenty

in th s dkeclion bacause everyone is lnthe UK rave mode, which is

'l

l!li!{

h

li!

Poro 0l

h{'

ost 0r

lS0Ptu.ltrq

0l PHoltE l3o5l8&n102 FAX (305t 333.7U3

ut

F TllE, FUTU

RE wd6

D

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Y ) . 1516)

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0 17


t[xll:r|Ir UK CLUB PLAY

\/Vhi St irsl

keep

Iishi

setlins biqqer and b qqer. The r0.0nl

ev€nl in Hampsh r€ ?nnclsd over35

15 000 m0re ihan the

doorwnue As 10

a resu

slop lunher enlry,

000-

supp6edcapacry0itheout I, the polce put!p roadblocks

ar

in so doing p.evented

hali

the DJs du€ Io p ay irom qen nq ary1vh e near the

eventas w€

.l

Meanwi

h

the

Podomii! fiirhL

$0Dioly has laoeled aves Th€y ve set a tadl1 ol 4% 0l lhe admiss 0n pric€ and they hav,q lhe po\yrr t0 prcveot evenls lronr qoing ahead il the licrnce iee hrs nol bern paid [adi0l sdance 0J Pde Toit

l

rccenlly discovered thal there flm a 0J imoersonat inq h m alvadous clubs aiomd the

iiediterniean

hoidayrssons. Ainrannouni nq this Ja.l0n h6 ft day n ghlpeaklime show helr'/as m!ndaied ldn

n0Sirl llS0rl AdansklandTEDhnolErh am0n0si oh ers ll The Stansi are cn€nt y.asisq mucir fudher reporls 0i olhn hk,qs 0i

-

tour

ncruC

commolioi wilhlhsrsinqr.'Eb0nortrG00de' Wth n ils dodgy lyr cs slhe ne.'Esarrsocd as arc good'. Video game manuhciurercScga rre

l

tryiig

10

l

o I E

!

!!!4srr mfluftrftmru

$! r:lri

dlirElfu

A&M

stenl a rnarch on their rivals by spodsorinq

cub€venlsaround lhe counlry in h0pes 0tcaplur ing lhe maqinaion ol lhe club 0oing Flth S€ga planslo nslal huqevideo{a sand hotd n club compel lons. Jrric FunkiDrc!bbe rh clr has yel l0 c0me up wilh anylhing halld€cenls nce ls nceplion tro years a00, is sel t0 s€s links v lh Ir0lom and qo ndepend€nl.l Manchesters liaclcida ois ol the most inlluenri, d ts i, rhp U(overtl]epaslysar,N€kbEres rslothbnhday !!lhlhereease0f a.ornp alionalbunoihouse cl6sics ard lhe pub calion ol a book Le ,acienda l,,rsr Re Bu,it chroiiciinq i[e clob\ hislory lhroush qood unrssand bad. sniEr T !e lth0worga^ nied lne c0nloversial'lrce,eslivas' lhroughotrt th€ summer havesqnedadoatlilh8iqLite. Aooloq es to lilxlD* lacods: a co!, 0 0l issDs back, ws sa d that ZYI had eon a h !lr mud ban 0n IUS'version 0l Phase Dm r G0'. rls in lact l]vm

(-,

UK STREET SALES i imrr-I{oi-rftssi -

l\

UK FUTUBE GBOOVES i iEiir0i miEiEG;E;i

lare2

,

ll's becom€ acommon occurreirce lor successiulUK independentr€cordcompaniestostarlup newsub-labels. ll'snol

allvays a projitable manoeuvr€, but for Faze 2 and its paront, Pul.e8.lhe resulls have been lremsndous. Puhe 8 had scoled severalclub and chad hiis wiih Soralla, Sie Chaloner, Debbir lll.l0ne and the like, establishing itsell with J a rcsier ol quallry artists. However, label boss rranl Sans0m felt they needed morc llexibility. "You can qet 1oo precious ab0utyour label's imaqe," says Frank "so thal when thlngs come alonq lhat don t quite lil, you miss out on

E

d.

Slreelsound UK is wrilen and compied rn Eng and lor Slreetsou,id l\4agazine. For ed torial, advedising, d siribulion and subscription inlo wlihin lhe UK .onla.l:

Editora: lh

Jeltery

Adverlising: BlllMurray, J,C. Reid

BN] 4BA, lel (0273) 713592

lax {0273)208766

The perfecl examph ls U$.n llyp.'s'A Trip ToTrumpton". Scorned byihe critics,lhe track became a huqe slccess and vindicaled Frank's decision: "Pulse 8 has become ouraibum label, wherelhe lr eavy in ve stmenl goes, whlstwllh Faze 2 rve can be more experirnenlal. We can put

oul lowcosisiaoles, one-oifs andlhe like." Frank's businesslike anitude to his trade may nol be quiteas romanlrcas some olher independenl labels more musicallv purist ideaJs, butwilh the power ol tne majors re-asserling ilsell, it's essentiallo puteconomics hiqh 0n lhe lisl ol priorities. Faz€ 2 iusl mighi be the modelfor other independenrs to,ollow in lhecurrent


Y0lJ

lllttD "APPBICIATI0II|" The New Allrum Frorrl

Sue Chal oner 7'

L

h I

I

13

I

rl I

I

Ir \

\\

Y3)

A Pure Revalation

Of SoLrI Dance fvlusic

m

lt

t.

\l

I

A]'ISTi'EB MY PRAYEB, ITI'AI'INA IHAI'II(,

I lI'S (lU

F'ELEASED SEPT 28TH

ON PIJLSE A F'EICOF'DS

I'l0W


n

I

n

reuews n

streetsound 0

U[

nEVIEWS

InlP lt IHt

lcEl{

TIAM Il{lS ISSUE: BICHIE ltA0l(Mont

lvtoo

}

PH|L CIIEISEMAI

:

i i

i

i breakdown i

frori

a

ss-FIlI n London, ihis lLrne is

I

abso utely massive and a

albudding mve

BoDY

i i i i

must buy ior i

DJs.oooooJ

[Rxlx] II

C

i

!

fx-6ar4 Cllolr-inlroed llr s p0rcus-

i

sion driven wailer s a real iavorite al : the moment, rrcm bmnd new labe i Gale Put logether by Zoonr Records i sparse, almosl Be tmm-sty e tmck ihal Dave Wesson and B y Nasty, a : builds and bulds, Very uselu to mx l oorrikrirorn the ofl and even breaks i wilh or just on its own. Essential. down to a tasty piano n lhe midd e i

X

l\

Top marks.

OOoOe

J

oooo

C

i

vocals make

this nstanly

appealing,

wllh ots oi bubbling synths

a0d

sreep no chords undernealh the uDliiling lyrcs. On lhe flip is a veiy

: :

i

D.

o l ls$ot{ IIIE AI.OOF ]EAI.

I SIIAII. BE REI.EAIED i AI.ABAf,IA ] /wrlae /rrd, The wondedu wa inq i DO

3

J$FEfiy : :

rs den.P^hitu

oooa

klnd.

ooJ

t{ttolta

RTCAR.

fCowroy) Anoiher popuLar proqressive house throbber from this consis' tent oew labe is s mple, yel efieclve.

i The fact that l\,!r Nicoliasvocals seem

i

/.4/rr,.)

:

olC.J. Mackintosh

a,

D0 ilA silELt

]

WILIC

L0

rave comblninq to make a new,orm ot

lrance dance lust as good as ii was louryears ago The other ivo cutsars b

reakbeat wo rko uts as qood as

anyoihersaroundloday OOOW

. :

nq

coilaqe oi Ac d Sounds, Shouts Grunts. Nasty Noises and Synth Strinqs. Nothins overly orhinal. but

0(1or h

i

r

i lantic

UP c.

i

ol{ a itAturAt

th

cH

i (Prlse 8.) Eand 0f Gyps es are the proi duction team behnd lhe phenomenal

success of Sozala. This is up to tho r usualstandard n lerms ol producllon, i ed by a d.eamy tith{epeailng vocal ;

"Iubuhr 8elh" ish ooo-

i

urith a

:

ooot/2J.c.

j nonvithslanding ii could

A I lastes are catered to w

l

BAiID Oi GYPSIE'

be a pop lril

i sven mtes olihstrack bythear-snr i i qroup who ilopped u, tlr thelr rast sin- i DO YOU WAl{iIA i q e. Escaping". Garage jocks wourd I PARTY : do well l0 avoid the jack swins mixes : BA53 VA]UE i and head stra qlrl 1or the Roqer 5- : (3 Eert) A Northern raver with the i slyh lvlack and FxTc dubs, c0urtesy i usual wailing remale vocals and ltaioooo

B.B.

IIPI

s!/le piano. Aimed ai ihe pop chads, the song's nol strong enough to carry : t-nor is much else in tlre lrack Ihe I

: PLal{Et 303 i AUDIO AStAULl : f8's,rs H,gn) Purling rhe acid back ]i

dubs are noi parliculary lnspiring ether. O T.J.

I into house seems to be Aud o i i Assaulls mssion and ho does so very i OOIIiIA GEI YOU i successlu ly Firsl lrack on each side I BIZARIE Ir{C i are good examples oi acid house and i (Vinyl Sotution ) W h?t else can \o! say

T

.

$so

TtM

dum does nolhrnq lo

dee dum

1{0'u,

\

.]

jCOl{tlEGI i astA BtuE

:

ACORI{ ARIS

[AM|A

i BUNII O :ArrrNCSlA | (f inaMnyl) Iypica Euro-sound

;

beals, most speeded-up vocas and

K

]

to conslst oi nothing moretlran 'ba da

i,t

1

most pompous orctustra yet. GelUnq massive support

J.C.

! derrac|ron

(Ptoduchan House) Arc al thase aue lunes thatcalches on and spreads lke i

a rash everywhere. The iastesl ol

]

n

Fec€lve

td4

BeEdSe r* rlle d S

smqRleS -'tp,sarpS teepT-'

\t\LtudNk

q

{twst

4

wdpAt ?*$$tt) dA

@eRd, a t\\e o(Fe8lpAce

'@dce

ttqplr llt'

& t&plE/f\'

&

wn-lc* arT <oa +re d/,B FsaN

sase c04p[6]oN Lp r€a]lp1Nq

wtlP tpt+s tpo,'A payl zus s<qldw p<l'lrv,ed a all+e_d&/ rRsf / d,lgrpso{^t 2OO

SINEETSOUXD

geZ, -

rur.+

!


'l

DJ CHARTS

's

\,-

Fabio Paras 1 lrrn$ClvtnD c 6iby

,

L*,,.

bul iuck ng brillianl? Btare nc. have bided lhen tnre and the payback s go nq to be enormous wlth excelenl heavy mixs rromTodd sounds good l'l haw thal Terry and qood ones irom Sure s

JrBrJr rr }mbz xnba

Pure and tha boys thomse ves, this real y

llllestbam

s lhe shil Due lo some exceptlona y cheeky samp nq lrom Todd however,

llhe mxes wilbe on the commerreease, s0 you l have lo lnd a way tothe promolriple pack ooooo P.C. nol

a

ca

If,OO]I BOOI BtEW Ol{tol{ Nouse record Shn

otiuth

an

osclal-

inq synlh lne, add a hihat, some bon'

qosand a kwvrel ltorn sarnphs chuck in a drvinq rh,,1hm track and bassline breakdown occasonalLy t0 some moody chords, then sleam in aga n wlllr oi lhe above You have now gotyourselian eflectve club record that wil be remem bered Ior about a week. Th s so.t oi musc can no onger be cakd progres

a

sive-howaboul iormularzed? OO

Golin llale

B]U]{T InAX VOl in

fcoMoy)

t

Head Space", while lhe

$ower 'Carried Away is lusl lhe th

Deep and dubby wilh lhe old 2

ln A Room sampe bunqed in for good measure Tlre HyperDub isiheoneto q0

lor

There a.e a ol of records 0e nq abehd "proqressive" al lhe momsni.

This is one oi ihe beiterones.

ooo

D.

BTACI( IEITT ctr{toR,/r{ost3

bbe, Dramatc jntro, rlalo

piano,

strings, whoops and Pamela Beckiord s nqng, 0h Black Belry" every oov, and again. Donl woffy, this sn'ta nafl cover verson ol lhe Bam Jam classic, lust a competent ii sliOhlly cllched dance tmck lhat w U qei any danceloorqoinq. ooo D

lCHAPiIR al{orHEn woRlD E flII VEf,SI /Ier)

Goins l0r a more lonky jazz edse

rhan tlrar of their excelent

debut'Back

over 12 months aqo, Chapler

nq

lorDeoDe who likelhose odd ciqarenes

ouiaw and Dodqe Cily Pr0ductions at ihe very lor0 oi jazz inspired Brilish cp. The rap on lh s lune is delivered n a lhou9htlul poignanl iash on, apsing inio a laidback chai style n ils chorus and backod up sLrperbly with lenrale voca

Wildchild

.a ta

Eric Powell

*

Str Allan

lPr'ro YEi xml llr/4Yrlall , rur0l, [ai.o 10 otnrrErYEldllrcllrrtr

a

&

The Verce esrablshed rhemselves alonq with orherUK notables lke Brothers Lke

/Iomrar) More cheekv sanrples and a rouqh rhylhm track Irom lhe Knew Fanriy leanr

BOOITSHAiIKA

Wrip

D

WAI{IIA

DO

fwr,ite

/x'6are) To make your "Proqressive

Lrke Slater

DO IYHAI YOU

smtary rdmlr

rlit{*

STREETS(IUIIO

O

2I


ski ls lo boot. stortes' matches Iunkslers like the Younq Disc phs blow ,or blow by dally no wittr

jaz,

''Seduction track by Clivites and

i

Cole. The Heard mix is in his usuat

l

minirnalisi siyh, makinq this more i lislenin! lian dance, but as i classy as we would expect tmm ona : easy

of lhe maslers o, de€p hous€

ooo60w

iYOUn 10Vl

5

,ri

I

I

[taKEs

HloH:n

I IttE I colrGRlSS

;

Etr. CNI{ or{

i 1

|

: folrur, Thrs Sourh LoDdon duos tal- l : esl is nol quite as excitrng tor club i : Olay as lhetr orevious hit '40ililes'or i i thff sought alrer u/hite tabet 'Nush , l

i bul l\ harm ess enouqh pop/rav" I !'/ th z voca bv C nnamon oor/2

iffi

I

D

t _r

\

L i oossa. arse amonsst the Bassa-Run-conr0

PAUL ltEDDy

HAU] &

. DADDY

t )

oroduced by ihe Siols cord

tunk sensibiritis in a tnendty tleeslyte

anoul{D fllE wonlD i tMust 01 L e wh e Laber Daddv i !orers ra'('a' skalPnasler Tate & i Freddv comes corr€d w h a;E dt. : tire.ds). a tune ry any other name J DA YEEIII : /aa7€ 210uire why ths Swedish duo : {o*out In "Haul& Paur" rake; r;m ooooD's'

fashion, An exce Ient examp e ot Ertsh jaalunldrap fusion oooo

i

i

D,S

IltHASSEt clu8 tc: (qhcl

Matket lnteraationat)

the

launch ol Elack t\rark€t tnt0rnationatis

a classy one with this stylish vocal garaqe lrack fealuring mxes coutusy ol Larry Heard and Frankg Fonc6tt. Eor llrB danceitoor, the Foncott veF

sions work best wiih pumptn0 bassllne not disslmiiar !o Iha ctassic

i

havenl had [alr a domn wondwide

lrits is beyond me Virruaity everythinO lhey release simpy oozes cass and sryle, has melody 0o0d pr0ducton and all the qualites that make a big club and cha.l hit Theyaltlet criticil aelaim and do well on ihe daruettoor, yel lhey iusl haren't qui& brok€n into

lhe biq time. Maybe "Around Ths

wi tinatly do ir Stoneb.idge and the Bapina Brcttrers do good by Word"

lhe song, qiving it a ively upbeal

heFthis

oooo

should lit inlo any DJs set.

T J

0, rve," i yAD AI{OUGA i r,s soor Lome Lo ^/ow oLt wirt : eJr' & PaL shoLis : D VID D'OR : u-40!y s 0 rq 1a rap/.agqd srv e , (Frslxes, Sea.ct n. ,0r wte,e d[ , Dacleo u0 arory 0y brg. bad re9oae i rne rype on rrrs ore s cone trom. i Das9nes and sol'd oeats lvlreo here i Ine o:'oov prod:cr.on,s oood and so : Dy none^olhe, lhan Marsive Sounds : ar€ a toi;i the sounds (though rt s i Marslo.Bobbv Konde,s askanker m : not as rt fte g€B Fnp Fagla'r,llr Soldrr

rl

onginatmcat

over and

i ery

' lor

n a hr more upkmpo vern Noi rhe larnt-h€arted but dennrt€iy

i :

\-

2 Bad Mlce Blame I(aotic Chemistry Cosmo & Dibc Hyper On Experience Tone Def Mix Race Destruction Production

The frrture is before yorr eyes Enqulrl6s

t

tolephone Movtng Shadow on o'l 1 44 438 7499 30

22O

STBEEISOUID

much

' ota took int bdl there,s pn no teshq oet.vers a rpfl: ,r rr Ano : anvwav, Ty hvofite bit is a0pr0ach. ' te s1a.e rot t,0T ChiF CLsvas,,,H.p .lL1de'irq : u0"1 1g 01 *rtl FugB i roo. a1o I vp eaoy 0ot tlro ot i beals drd F,eddis gJrl,,e lre oeriv i hose. gorp p.C"


Forala s "Everybody's Free'. This one lras been lcked n1o slrape by Gal

soul{Ds OF DEIPI{E3s IEP]

E

hl big n the LIK recenlY with 'Passion" and haven'1 ooked

t't

Decors, who

DEEP:T /rY Ferr,.ds) Percussve rrouse. loo ca cu ated for my ik ns, althouqh

i i

tr,s itY lllE

bursl ng v,ilh samds and rh)7tlrmic i hooks n iis Sounds 0l Deepness F l DR. AIBAT{ U Bed E mix "Femernber'' pcks up ftogic) The Niqerian'bom Swedish lhe pace sornewhai wllh a crunching has already eslab ished "qrdenlisl hisslinp atul ess srble use ollhe 4/4 himset as a malor pop dance slar n beat with the percussion lre p nq I parts oi Europe and th s is h s i rsl lle more Not essenlialin success in the llK. Essenlla y a poP aong lerms ol oriqinaliry bui probably uorlh song wilh Aban mpp ng n hisAlrican a faw qood spins oo Ds. slye,lhs s disappoinlng in lhai lhe

l

{

a

w-HArRaREYou

.il*ifr?:t1l"li;iffr*

DEllMrlo Ol SOUI{D i i,.i a ie* o'uo,, o,,er,or. o.r ir rckr, D,.apooir',1q erl n o, l1i' : ooesrl" /otre I, ts rt a s,SrUy dLo r1a' p or sFd so nrch dller a year s excel enl releases. The]] ve c early dec ded lo go slraightlor rad o ralher lhan lhe dancetloor. Ath0[gh they've presenled us wilh lour mxes tn choose irom, none ol them vary much apan irom the under yinq rhylhm, which angos lrom a son oj oloddinq

(o DJI{

,

(wicked & Wild)lat

In

:A

fo{rt) Superb ltalBn lmnce music n a drslnctly Eropean slyle. A very sim0le hiqh-pitched melody rebounds o1l

y

unoriq nalLkLo house tune lrom lhe man who brouqht

us probably one oi the bed lracks ol llris qenre. ''Th nk". Lots of p ano.

SPACE

ru

sou nd

nq very

K/sar].

II{G OI{ THE NHYIHIII D.U.B, tED;tA.

stngs and scream ng, al dated

llrough sl

rlo

!1, elieclive. The Dreanr Vers on is sliqhlly

Jeremy Hea ey and Irends n1o anolh'

! : : :

Slo

t

m

er !rban Soul. The more uPlifiing

:

Bruce Forest oriqinal mix s nclud"Ad here, thouqh and makes this a useju

arP

hooks 'lLlove Your Bodv slands oui i /,4MIPM.) [40s] eclectic s nsle oi the rno,e wilh ils clreesy. almost h-NBG : nronth has to b". lhls iour lracker or0 like synth lnes blend nq nicely v,ith i dLrced by iormer Sex Pislols nranaqer, some qood samples and a lasty bll ol i tulalco m llcohren t's actually a tte lute i theme frorn lhe atest n tho "Carry SURRET'IDER i 0n ." stres ol Brithlr comedy fims. bulyoud be Iorgiven f0r not guessing EsI(I''IOES A]{D I LttE lndEn) one Lllc lndian I the rad. The iurlous Androd mix is a

ooo0 i j 9IAIE Or ,

, tane

EGYPI

: hil il i roll ,l thc momPnl pounding Eeltram' sty e ind!straL buoyed up by the Phenomena suc- : techno tlrrasher and the acldic, lrancey cess ollhe Shamen. E & E [ave had a . Ne,, Love m xes-with occas ona (oLrp e ol lop . ub cLrls so la \rhale sonq are lust as iast Worth soarching out, thouqh OOOO R.B WElcome To The tulu,e znd Don'l ll no lhPre ire lo[r m ies 10 rhoose irofl alu,lh a touch ot Hervy : TRUE IOVE

! :rp on

i ;

il

ght and S[mrne

:

i oood slandard me od c oaraoe ' CANRY 01{ GOTUIITBUS i qrooves vlith Hurley-slyle i tAt{tAgflc Pral{ll

i

hss poppy and commer' cial allhough nolhing lo u,,rte home lo l\4ama abo sul.Ihe queston is when s the Latry Levan mix

:

: r : : [,lela about lhom over louoh beals : IAYIEII{E BTOWI{ produced : and clro ce basslms ooooJ.c : lEreerrw, /r,a) wrlen,

IAIG YOU

10vE RIIiX5I

:LovE oit iISATHA

IHIM

D'tuStot{

arranged by

br"%kbeal based proqre$ sive house bouncer wh ch

SLrblnre.oooooD

tile lne itunr

.' Ea

keyboards laL to lcnslorm

re.re eased

tlacl by

lher

London DJ

and

Roberlowens,lhs s the

i

timate in alterhours deop house. A sou sound and catchy bass ine il s never going lo seLl a m lion bLrl will be treasured by lho tallrlu ior years to come.

:

J,C,

! :

i E-ZEE PIOSSE i : /Mor". Pro1e,r, Sasha s lypica ly eihe- i

(Fare 2) Anat\et e1lec1i\e

samples ils

2C'

1rn]

lrack EP lrom London : soundrno d rlinctv Amer.an " I

D.U.B.

XI '

mooo :orv | : rHrnlA hEe

colounc :

u

d

mdio edil Theres also no instrumen iallor those olus v,ho are jfsl a lne irrtated by lhe rapp ng style Dubs

lunklo lrnP reqoae OTJ

E Ol'r BOY IEAI. STIFY

",d

remued versron or tne comme c

u

sweet

oooo

WE Dolld'T G'VE A FU*'< Fo.R. G"ARJS WE ARE NOT A POP RECORD LABEL

WE ARE STRICT1Y UNDEROROUND! _

OUT IYOl4l PROTIEN REMIXES SONIC EXPERIENCE OUI rlrot{ SIRESSED MULTI CORE OUT NOW CAUGHT WITH A SPLIFF HACKNEY HARDCORE NOW YOUR FEET OUT MDEMM MOVE

-

_

!Y t,

-

_ -

-

-

o

i

*

\rvatch out for the Sonic Experience LP "DEF TILL DAWN" Dist Thru SRD UK. (S.U-R for the True Raver!) STBEEISOUXO

O 23


Euro son ol way.

DOUBTEVIEW rooK ro tHl }UTURE/8A55 DEGREE

?ORINA

ZIIO

fMll4 Tl's reiabe

UK aci haw

en isl€d LarryGraham to

vocal honors

tulure'

on

peform

Look To The

wlrich has lha lypical

bump.and-lruslle tradernarks oi a

remn by Joey Negro Tucked away on lhe 8.side is te complelely o ler€nl bul uselul, mes

me c lechn0 0roove "Bass Degre€ Zero" bein€ championed

by oJs like Colin oal€. RB

oooo

Joey Negros back on the rnix ilanslorming wlral n ils oriqinal lorm is a letlrargic Loitie d.styh track nlo tie sorlol pump ng qaraqe ior which ha s so lve -

known Th€

dLrb m

x. wilh

a

slighl D-Train hel to l. \i,orks besl as an a,lefhoors slylo disco

E

cltmE

: : i

i i i : i

mix.

ooool/2

i :

t

lReacl) Si0nircanlly smoother rhan tlreir pmvlous stufl Ihis hasalmostas many mD(es as tlrere are woeks in the Vear includinq al6w handvones from I\4oby. ils succsss is a mosl c"orla ny down to the "You gor to belkve n sornellring, wlry nol bs ieve in me hrok.lhoug[ tlre musc an'l bad in a

i EtatrD ofloll i fsais-ed., fid release on ihe new

/Blrrs,!riqr) Sla ing o,l wilh what sounds lik€ an arcade game theme,

E

BPM. Slowed down, it's a rumbling hip hop sroove nicking E.ic I and oli. ers cranked uD it becomes a relenl. less hardco.e monster which leav€s

: : :

olher ettods smoking. ll5 also coupled wilh rhe much-bootlegqed When Beady".OOOOI/2 R B

fte

i SU I$ET BNEEZE i GEO;IREY wl|.llA 3

i I

i : :

ll

a illk

odd wrling fEMl.) aboul lhis record when London s enduring some ol its worsl slorms lor h{o yea6 butwharihe heck. Geoflrsy can belioulan old sley Brolhors cassk wlren he lres, even il he does seems

i i somelimes sound like George Michasl i w".a nq his pants roo rghr. A srnky i soullol produclon by the DNA crew i andalkelypop hit oool/2 8.8.

,'iffi

0.

:Hlclfit

I

London DJ Danny Gee s expertise wit[ breaksand samples has crealed probably lhe nlsl tmcksince Depth char9e lo play equally well at either 33 or 45

(Grcove KissinAtsetgi un) Billed addi

evan0slst Tho rnaln mix is a compelent Euro lechno luns ihai wllreceive lhe mosl danc6iloor aitention, wh 1e the Thraslr mix ls a much mor€ nler eslnO 0rh-ish dubby number There's also a seclion ol spescI tlrat some people m qhl rind Lrs6lul Simnqe

i i ooo

olorunv p:oru

G DOUBI.E

,l!.alt llc, towlK:3

YOU OOTTA BtlEYl ;IERCE TUIII{G DIVI

i i i i i

i

i ihis soon lurns inlo a very weird tech; no rave tGck. All the ehmeils are I.EI IHI TIUSIC IAIG j thse l0 crcale a classic piece lor $s co tRoL : rave scene, bui sornehow it doasn'l oooD ttllAs i quG sesnr lo work,lhouoh it s nica (Rufi Aurt y) M nima ist nue at ns i to hear someone lryinq io hke mve in bssl The beal s simpe and elfeclive as s llre basslne and lhechords used I a diitereni d rection. oooW a Oeacelu rnood nor oiien asYluil 9EE!Gn/FIRE creale heard on rave lracks Koep up the WHEII READY

HCflOlt V3 tDDt:

'rq

;

B.B.

: lnlEllDt ]Ovllxl : Flmll.Y

lit

tonally as Amnerdam vs Detroit. this draws loOelher Fictions ?xftllenl hppy keyboa.d work with fow&Es old scnool Delroil percussion on "f.f ' and a whoe load o, horns on "Tha Fee . 0ua iry sruil all round

i lcrannredlThsw6lrd 12 uti llzes speeches by an Amorhan TV

(4th & Sroadway) Ihis slpetb y iayous garage groov-o lrom G aolranco Borlololtimme as a peasant surprlse after his ltakn ouifils chaosey eady hits. t wllslot in aongsde the inest ,ronr the Big App e pa icu arly lhe Todd I".rry-ish srornp ng Ersrnal Joy

(hatdcote Utban Nlusic) Sottl\

rHE FEEultO/;.i.

I

:r flG uoHr i Gtutsoill two30 t gglgian

mlssaot

i 49ErS

i

oooow.

groove.

a

oooPC

i i

sron over a h0use 0eal and an onrsrney dangerous sub bass. Th"Ay l ove n so.ne ol l[e c]ubs lrere. bul s hard lo sm any US DJs ooinq lor

I

il oool/2 Pc

oi[Y

rSad 8ols/ A irte loo easy, pshaps THis limp UK attempt ai a KeIl Chandlernreets-(ym Syms garaqe

IIEARIBEAT GntD

groove sounds lke douens ol other second-mle tunes which have dooe lit e or nottrin0 over lhe past iew

/yrqlr) 0ut on tireirown this lime io lowino lhe Iodd Terry m xes oi "Figure 0r 8 .lhe London duo makea brceze o! proving ihey dont aclually need any.emixrn9lo produce a good

flE llurnEt [I XI llln! r. lltfuiox

llack wilh this sparse, rumolinq mon, sler The Back To The Futu.e dub is lhe mosl pro,icienl mix,thouqh notlo b€ ig.ored is lhe remix ot lasr year's Boom posslbly lhe besl cDt her€

(zoan) Oetving de€per inlo lhe

lGncey Iibalrhylhm wilh remrxes bv Acorn Ans lhs cutt lract eoitomi?es llre underqround sound now developinq in UX cubs and enjoyod by rhose who nnd gara0e l0o soil bul are tlred oi the breakbeal mayhsm oi aroe

ooooP.c

MEN

OI DUB [EPI

GtooYE cotPoRAflol{ Cornpetenl

i

YouR LovE

HIAYY OI{ EASY

flft

'U / elwort)

Vinyl Soluiion otlshoot G a lypicarry Brilisi groov€ lhat slin0s hip hop snares and a lunch ol 0ther percus-

scale hardcore raves.

nol widrv

excilng dub I'ouse sort 0i stufl lrom, ll mycalcuations are correct, the oroducl on elernenl o, Electribe 101. Psyco do ic'h the besl cut, thouqh I you iks a splash oireqgaein yourset clreck 'Dub Call And flap se . ooo

ooooo

R B.

WATCH iIIY OARDE]I

onow

fltE HUMBI! 50Ut5 lAcid Jazz) Anolhet lonky attet ng builds around pure lunk bassllnes lemale hackng vocals and soid beals

P.C.

i

supported by raoper Simon Anniky 8.ookff Flh il ove.

and bassisl Hugh

ffii:]$i:.,illl I !

240

ST[EErS0Um

I


and "Hilch-Hike" warms you to a sower, ye1 no less junky excurson, brirglnq the rap we I upiront wllh a

i !

menming dub basslineand hom sam ples. This s ngle iollows up supeibly

I

i i

rhe r debul of 0arly 92, 'Beads, : rrps Nean To Head mix compels lhe Ihin0s & Flowerc", wh ch atained cut ! lisbnerlowards a irue lve exoerience slatus amon0st nol only Br tish i w th a herty nod nto Brand N"qw danceiloors bul such bastions 0l funk . Hsves ter. tory. wlhoul com n9 on

canr Stoos.

Stareside rike NYcS

l2

000 mies away.

oooo

Ei|ERGY

! tov: rs |JOE IOBERIS : /rr,The DOP nr,os q undoubtedy

D.S

:

.t-

i

lct

:

l]{E 92

.: i

fs,irlrg fligr) The fypnotisi s back wlh an oldie bul soody remixed lor 92 The mxes mngelrom heavl ELrro to jung e lechno lo ambienl house, mak ng this a m[st no rnatter what Your taste ln &chno. Ihe orginal is aso nc uded lor those who misscd 0ut iirst t me around, so there s no excuse tor n0l makino th s ourchase.

:

i i

i

rece vp

lhe most altenr on u,hich rs noi sLrrpr sinq as l ls an excetent

:

: I

i :

iliIi'iirrv_jJl;;,

0ositon wllh n ihe rank and iile oi British runk, jaz and rap-(-Creal ve

rowed voca, aga n irom you knou, ,,here. Al in all. a good buy, they re nol qo ng lo knock The Prod gy oll his

are al the r best wilh instrumental workouls ol the jazllunk nature

perch jLrsl

i Laced

wilh vocoder sounds through in nicety I oul, (rem n scenl in slye 10 Zapp old

lLrne Irom beinq

lust

slRoltc

/S.r,

Piano donked this is an upbeat Fee This Naooy House' reDealed voca. fs not

launurlthluneli,th drcarny

anolher

goinq to setyour damellooratqht but isn't oiiensivs OOO J C

sol{o wlI{K

"qither.

FEEI TIIE RUgH

M.A.N.t.(.

lucB) When \r I peopk slop makns records \rth the same ullra dul vocat ne2 Perhaps there slrou d bo

From two [4anconiaa com0uler

:

tile

'""

**

and has

I

boflns, ths s lusl tine apatr lrom the vocal rne Good sinqer shame about the song oooJ c.

nois,ptat\ptvsowb/todo,\s.dr-

sTp'e,10er{h/F. Vrr.

speeds thinqs up witir a

rary routine

:

. iliT,'11'.',flJ,?;ll11fl.lllji',3Xi i ili13.:lll'fu" " g944n Br:EzE #1';;.: ;::lil.,'l; . lll,ll:ilri;;": ;",.,,,, psot,",/ron. -tooe,roeor. e.s i PRO O r.1s oop"ror.FodA,"pd"aror com,lr"orcia than its predecessors i K.(*AIME i crasiic nipeauo a. tr,e ne_ Dra^sp snr "ocai 0or-. "al,Lp o'lp oo-ori.,Ar., rdrr.sr[D" rg,o,rF i0d,teo.p4ir1..,c/edr3000

HAP\e ni/ ir a o.orp. q, d rhd llpically man c lvlayday mix is inler esling. As 1or the Future Sound 0l London m xes, iine, bui what have

12

. :

fid

oool/2

TEI

A

TRA

Causinq a big si r amono UK hardcore fans s th s richy kxtmd and lasl-paced acidcexcurcon with sp ey sodnd efiects and a waitnq temaie vocal Powedul s1ull wh ch sounds grealpunrped loud OOOO H B

/zIL)

P.c.

co E o t

lirrEt{3tFY

tll P

lhey qot to do w th tnner CIy?

A

Ot{Al

(Produce)Ihstftck s

rem n scent or

o

rJt

a stad um rock band s dancolloor ercurs on. Squarey pop-aimed itt a weiproduced eifon but possiblya bit p0pulisl Jor todays ececlc puniers.

DISGooRAPHY VOt I JD's JAM ffar 0r, Excellent iunky disco iiveiracker, Dnr packed

fu

of bouncy

basslines crisp percusslon

and drearny synths. Sounds as qood at home as I does on lhe danceioor A rnusl buy 66000 J.c

lauY t(l{ocKr{c

,HEltSA

a

rnonlh's ban on 'Fush" and 'Highei so lhey can go consu l a thesaLrrus

o.do_. bL 1'o.rLnai.l ,0rto: troatrco,,,.q.r_slabF -. te p'obrbl 10 o" 'o,rd \.n t, o.r 0, i .oc. .^ a I ooor slop sta,. - rnoer t'v"e"reard,rnrato?s

yd. ooeoJ.C.

HIDPY IIOUSE lOND'g GARDEI{

school Boger Trcutman) the rap stk ls un cha eng ng and amost unconvncing Luckrly for th"Am t's the bed 0l music undernealh that saves llris

mediocre, poor relat on lo the râ&#x201A;Źal thinq. Summer Breeze" captures a , good sense oi atrangements and JUsT KITIG Al{D ; lemale chorus vocals that put at the ly,rl,/ Soiuiror) Forrnertv E CutuE ot i 01hsr nto a package ot ,or ".lernents Slrcllv Bhvlhm lame Josh Wnk and , givable iunk ol sorne meri1. 0ne ior KinS Brtt lo n lorces once aqan ro i the Funky Jazzrap posse OOOD.S. brnq us a very cass! brtoiLdrin lazz , llavored hod(c Ih r rq rha (nrr nr : HOUTD tg UQUID lrack lhat could do wel n the under- i lIQUID ground c ubs or Ne\i, York and /xL) Exce|ont va ue iour track Ep

0/ No..llfte.\ tlis \oro, . t i.,'r be,'e,oyol" '0 i

PIAISE

I :

a

u!f, l5

:

; bongo driven buider that lts i wilh currenl danceitoor lrends : HowNer pea5e don lrqnorerhe sub ' i lrme sonq on lhe oths srde 0[ it i i mighr nor be bansn". but 1 s beaLr i . llul NoLr aboul an a cape a? :

Q

HOUS! HYP OIISI

i

unodqinal0r(ontrved.oooDs

No

meanieatlora band based more than

7

Brtish club matei a wirh considerab 0 i success to date. 'saly's Knockno" n i ts Bq Druin mix deuvers voca skiis i apenty, wrapped up naheavylunk I bass ne and slrinq arransemeits The ;

DJAX RECORDS PO BOX 2{OA 5500 CK

EINDHOVEN TITE NETHERLANDS PHONET 31(0)40-45()713/r

FAX:31(O)40-44aiO57

f0oradr) More lunky stu,l lrom U( Domdo labe, who have tirmiy landed with n the jazJunk lusion side oi STNEETSOUIID

O 25


PI,ACE XIARXIALADE I

(r6ronagic)

tiiged wfth

nglemae

i has tseyesiirmly 0nthe charts and a ;

Bouncy Euro lrack

a bir ol techno and a panr Nsver ialls. OOO

0.

i

-

i I

DAIICIiIG II{ IHE CITY

xrARSHAll

HAt

i

i

lseder Orys) A doubh pack oiler ng i lrom Steve Proctor on his own Belier : Days kbel. 0rgnal, created ror EMI i alter SIeve dld his own mix lhs got i wayald for a coupro oi ye s but is i now inally avalabk. The maiorily oi : 0Js wll head siraiglrtlor the Strpped ; Voca mlx wh ch should work on : nrost ioors This is the way updaled i remixmshoud bedone i

l]"i

tffi::#j,l..ix1;:il]::i^'";,

ncuded on lhe lhp to Mlrsn,lhe rcar ravers.

ooo

T

urr roR

ftfltaD CO

J.

siye

ooT.J

pwchase

:

i{/A

0060

T.J

orp:mru

i

EyEr ftot

fRunor, Fairly imp attemptaltrance house. rhis inc udes all the ieatures you'd Iind on a Guer lla relea$ bul not execuled u, th lhe sarne orq narty and

i

luyrire

/rre|

nr

rp

Disptayinq rhe Disco pui

i iia#iJ'#J;fl'{ixflf*Jl i tne same t,act wfth ors ot recoqniz, : :

able samples and hook ines, this heavynew beavacid/hi-NBG style tune

i wi I cerlain y work on the dancefloor. I i realycanlmake upmymiBdwhelher i rhs isiusl a pie orcriched old losh or

lrl4lurcEDrRE. ijj"ilJ,J1,1i":HIj,;;;Ji OUEIICY IEPI I io, ooiro rrrlq D_E rBoll{

i urrnrlox ooooJ.c l;i';'i:lii;ii";'i;ri"'t ;'1t:.:: ;,{/a tnh.tc LDa) \- ato-r1a . p,ad! nnna , ,n, , i i ,nor"i;, .*n,. r0'rhdr!o-"0.r0teqee\oo, e ,ir i or.r*,n ,i,o o, ,rino u""i;er- Js sore ilo ton ra / b rl . rl td! ' p c f/nadrorse) Nol my Javorile irorn the i ,,,. ,i. ,,i.", ,i.." ooo 1e ?o I ofLodor, rla no r,I t, & Madl,rrs", LP. bul wilh a new mx like l i chips this is a superb pme or viny the knock Vou sdewavsand{tomD- : cnY FnEEDOf,I

OHOUI tRtx

i i i

r

\,t ro bF,ror d,ovp..ra orae I OX|EASSA ro BrTo's l'"1BL^l.lq.dt ,UnonC. Rcc.ttnnstfhpt tlnnt iirqprLd _ 1-o cone Lpl'lr'q 0reaclPl ' ior. ,,-,1r, .n'. ,' nrr rnr" rh,\ i : saro".o,er'le op rh, la.drpad\ naoDr norse stomner a.,n",h i bd^o-lF.ord1,10o.rcrrture. rL ,orj or re"v, us, nr| n , inr oooor/2 P.c i o l5e ldLr r1r' ds anorotfl,noo.;no.Amlsrooooo.0.rlrd.. rpo .:blq Io oc loo o. B/ he' re EDGE OF t{O COl{lROl i F B ,: ,0r 'eod l' r ' uill o r ollri,yor :

oFyour-head Mad [,lix rightherc,that :

hardy malters. Kerri Chandkr provides the periecl anlidote to bland malor labe qarage Go on son.

EAT BEAI

: : :

i

iIAiIIFESIO : MORCAIIISIIC tn OIGA lsfrc

r'. .{ a.0 0- ,rs dy rre [EPl i:\\i : charls opportunistc but brlllani

(Ptay lt Again San) Sonewnete sure there afe cubs lhal playlhis knd i 0r metal-bashinq ndLrstra musc but i f/rdia, Alan Sage and Luke Slater are 've )]el l0 l nd ono. Th s is typ cal i back on lhe techno trai wtlr this new L r e r,. r a(. s ar , ro o.ir i,lBlvl stuil, bui unfodunately, there I 1

are no dubbed oLrt mixes lbal mighr nhrestthe DJ. Di,ficull

I

ooT.J.

:

FEELll{G MEttocotE (,lack Dianond)Banow GOOD

v

:

i j

travels over srniar qround, bul mks the mood and emolon olthe iormer

silhin the malerial This is a mosl. -There s Nothing L ke Th s Pl ll". s sUle, which kaves tle scope lor exporimenht on. Ava abh here in its orgina arbum vssion, 7 edil and lnstrumenrat its a mosl iormular sing h

llipped

by

Don't

SeIYomell

Shoi1"

I which unlorlunate y ror 0mar, : couldn'1 have been more appropriaie ioD.s i I.EGEIID i ot{E to oraE

| (Reint'arced) Ane Io One arc 6ack but i uniortunaley, ihis doesn'l quit"a ve i : up l0 the r past eflorls. The beats are r,". . SOHO IIARDCORE tEpl i a bit old hat, as are the noises used. be,w - p,1o i-sardanoso -c:[22lKAlltDE i lhe only redeem ng reature s the .,.,1.,r o'ds hor .rea e a roa d'tr to t,Sono prodfl .a4q e,au.. ac. r" i Dsrick IMay sampe, whrch manages l.pl The .pLo rd ta.\ 01 .,r" o lp. i s10 k,rq lne,,vol oilwo rew a., ; to bring this lrack back on par wth i

European dance

m

usic.

ooooo

T J.

hafd, is very Tmnsmat mechanicar i on lhe Eb; that spawned So Oamn /e ou ng -\d o.l r0 ( lea ' Trtr rnos ,oned lo L.jweir Tnrpp te o re , ,,rtre.rit iarao ro o,otrptd.;ces..noa0idreoreat e Di ds rai e,Ll Wrt e o"at ra.o.ore rd e .d, brl \Fot or L [" StdF,8 Co a.o dpln?h d ros : \22 lp.p.rproges, e.oi.e

i the currenthardcore hirs. OooW. i ait tHtlaron ng a uacal I lne lrom Sa y BodqeB lh"a voca sl i I POLARls I lundergraund Level Recordings) Not lrom A Man Caled Adam lhs s mpe i 4 but eliectivs track probaby to0kabout : c-orblp orrer.'1"'e.1"o red :enrhlsaers.An n.smrntr d4o od* i quiteas hardcor".as mosl o,the olhs reeasss on th s label, ths w I be ol live minules to make, but then sonre , \ tr dpped ^ rf a +r e orpe .r ..,e :i nrors inlerest lo undergr0und DJs. times lhe besl lmcks are $e most :' ruc'.1-'rr arP ib,er.u'ar i TheA-side mixes are midiemoo hou$ basic The voca ho ds the Ira.k l DEEP BEAIS VOL. 2 i wlth a rcl n9 break givinq tholrack toqelhtr whch otherwis"a consish 0f i I p enly of rhylhm, though h"ares too a breakbeal rhythm, a ie\,,, pano stabs i j much pano lormylaste. Turn ii over and a bubb ing bass. oooT J / ?,trrp /rDE, Eicer enl s ^-rrucr breal. : Ortt R i beats a bum that's been a slrono se L j f lrfijr' lord) This Suy ser a huse I however, and discover a much more i er arnonosl DJs throuohoutlhe LIK A i Drecedent Ior himsell and aflsr : trancey versi0n lhal fo lows ln ilre fttEtfDEtSDtscovEnrEs i couple ol lhe tracks stand oul n lheir : re eases aftertho nrega sucess oi his : palhs o, D 0.P. ooo LJ. lPasitive Vlnt,t)Ihe arcss tetease I own right, but lh s s essenra a vsry : excelenl debul Thom's Noth ng Like claims lhal the A sds lakes you on a I uselul mixing tool and an essental : Ths' lwelve months back. Music" : RloT oI EItlOflO]t tanialz no iourney ol aunisound'a i IEPI scapes . wel,Ican't roaly arque wth : i Rrot oi Extofloll 1

1

," d ls ord

['i]

:ffi.

tat{Dg6PE3

that The B side s muclr meal

n

and

cal il ntellgent techno; rockon you sh0uld lust qo and buy it and lnd out ior yoursef. You v,on I be dsapponl as dubby as you lke. Sonro rniqht

ed

ooooD.

!

i i i

;

/I4/rrpl The Sheliie d boys have sensibly hin low i0r a year 0r so while wait, inq lor lhe excesses ollhe rave sc0nelhey helped creale with "Dextrous" to blowover.ln comm0n wilh a lol ofcurrenl Brt sh stun. "Set iVe Free" râ&#x201A;Źlies on percusson overload to gelthe qroove qo ng, bul lhis Iot haveiunk roots

i

and t shows

i

10VE ,rtESSlAH

i

arekir, There s a Donna Summer revival go ng on apparenlly, and thh s the nrosl lkely lo succeed oul ol a ,islfu o, looso covor versions ol lhe Dva's bq disco hl. Nolvervtasleiu lv

:

I tEEt

i

; : i

updated to embrace tho biq rave

i

sound. this is conrmerclal nve lhat

i

260

STBEEISOUIIO

DOUB1EVIEW $t m: rn:E lcHl rrEs o1{ wax

OeOl/2

P.C.

i

llonaro) Sometiftres

a

io0r

;

makes the iour tmcks here stand out lrom a 01 ol other stull bul thre's

:

morc lhan onouqh go nq on to hold your inreresr. ooo P.C.

a

t takes is

a

i oood kick drum and a selectron oj i good sounds and you ve gol sornei lh 0g lhat sounds great on the dance: I

ulrimaiely rhere's nolhing thar

chanqe ol slye ior lhe ex-techno bleepheads and a welconre one. A -A i l{O DEIPER 1OVE piano drven garage number is whai is ofrered, and l\ being very well i Rtsri{G HtoH collEcflvl received in U( cuband.0ithe Ior mixes on tap,lhe piano dub works bost

u,ilh il's Deqrees 0l lr,lolion style ananqemenl and keys Andwththis release. UK gamqe is linally beconrinq a iorce to be reckoned with.

ooooe w

i

fB,sirg Hlqr) The calmer side oi

j

alke. Very atmosphtrc and very pro

I Risinq Hiqh Fecords are back wth a i lrack lo please rave and house ians


3]t0

LovE t lll ilE-mb-ntnt6? --

: pi,n0-rnd-hreakbcl ro,n ria re"n i darPd olr? No repi a d"vr bP rh6

/4M PM) llerestrnS debLt p.0m sing Ur singer in the scaL

i i

uflu. You

r

ul GIII$n

TURT{II{G P1OI]{T IEPI TEIRACE

iiili'ii6iluiibli" ! ili'j"',hl,'ffj:l'"iT"l'Jil"1: 10r , 00...

aoain. m.rld AwPl qrnn qnld midlcmno: -

s,oove wh(lrd; pren! or radio

a

*ir,o

ow

(Djax/Nethe ands) h wnicn fie hoy from lhe flalands swilches emphasis ircrn the cran um-cruncbinq beals of

ds.,lq rou.,e Torpj

recenl releases, to a smoolher, rnore Chicaso-based qroovewlh a bunch ol nice slr ngs, lois of piano and er a

oc(ns,p i IHE lOllOW UP [EPI ooooB.B. I Soui{DClASll REPuBllc

been

pray

707 drum machine which, thoush il might have been great on Marshal

rnE HAPPY rEEUI{et

e

3FaDES

qressve iis quiie like then i

d

hil,

''tuver Ca ed Love'. Th s should we l indeed in the more lrmdy shops and ciubs and quaranlee BilC their llr rd successive club hr1. OOOO

W.

JUIIP! ROrAIlot{ Geman

der var ve ravor lRcM) soundlng ike i/rc Hammer and the boys laklng llre piss. Tted old oops

(zr)

i :

i i

Ot

Peterbomugh's purveyoB

B.B

'ap OOOO

i

EBtt{EEZEn

i

0l

i

.lefierson's old s10tl. now sounds like a cardboard box getling a thomping. Nonelheless, llrreo classy tracks and nol a samp e ln earshot ooooP.C.

records or Mbat qenre and, as irs tiue

'op qJarIy ldr0co e re L'r srll : srooe,ls. h s rerord to ov,s in t5 aro$e' i,1e .eleLror based arornd : to;rsreos. Baiit rg percr5s or and three mixes 0r the title track, wlh ils : Easiern ostrurnen6 resound, combin q k.lv-spoter alio5r'olk s0.q-lke : inq w lh chantrlq r0 p.od r.e n?p

i

i i

RHYlltXl ,i fltifi',lJ?#'t#%flJft1f"ii rerease was one ol rhe seminar

tt staafiEit

GOODE

lnAI{CE

rlK

(Bough

i tr.-ts ot ajlernal ve dance mrs c i IML r ro rte rrde,q,or10 oooo

tane Littte tndian) A selecrao or ; mixes by Eddie F chards, Bichie :

i Hd,^l i Val

nond.ari Daroprs oi lvtedtBe"t 'pcro la/F v, yi'g dhc s on ,rtar is b"sLa ly .r dLid ! b trbj, rc

Ero

lo

ha

I

:

DlSCOt{ ECfED SIEREO C,S

o0 but nol

DAiICE

ior a whoDp nq orce, Pulse 8 qumklv bring out this msqanr x 01 Rozalla! four hits to sqLreezo any reman n0 pounds they can our of rheir mosr success,u anst to dare. Uselul lor pop locks

d

panies, but nolh ng ese

OT,J.

PAnADrSr [RrrlXI Wirh Bon n on lhe cotu trols you know you re n very very good company wllh evEMh ng they ve touched 1o dale shining like sheer god. This is a 90s remake of Sade's cassic oi many moons ago. What is excepiional aboul lh s rem x is the updarinq atr rude employed which br ngs wel uplront Sades sgnature vocas souped up n lhe chorus by a

qvns

t

& Sade workoul-w th min ma arrangemenls and unc uliored grooves. Percussion and heavy kick drum sounds accompany lhe vocas, wh ch wll eave vou soarinq rusl that lilte bil nearer 10 heaven. A bonal de

co SAitROl{ /zfi)

i

/rrlle

fl fi :1T*,, : L{f};tHilJr', ffiHiiifr maqic wand over whal would olher-

DIEP AI{XIEIY

sti{E

fr,"rlrk) Iv,o iracks wlh lhree mixes each. Like I Deep" and "Bass Anxiev" ee Nvo ol the bes! examples ol lhe new wave ol British house lhat s sweepino ihe U(. CharaclerDed by deep acidic bass ines and excelhnt percussion patl".rns botlr lracks are

PUI YOUR IIAiIDS IOGEIIIET

#i::Il:rf

(Chanpian) Benixed in

I

:

i

i

o!

The lormer N-Joi slngsrb sec-

ond solo rekase s beller than her first, buisll unlik".lyl0 provoke much osing oi control on lhe danceiLoor. oesple mixes by [4 cL], F nn and Band oi Gypsies t's stlla basrc breakbeai rave lune wllh natflyrics OO F.B

fSrure) Anoiher record uliluns lhat Landlord sample. Uniorlunaiely, it has been better used However, ilip ih s over lor Drive My Body' wih a iuicy bassline, tinkling panos and a young ady asUng you lo drive her body ike allaseratr. Nothing new butiorsome

reasoo madam keys.

il lust

I ljusi

oooo

works. Hold on. go and gel my car

D.

h s drum paliern and slaps over sald samples and bingo, a coup e ol remixes lor us

lhal il slil wo,ks lreal-hours wofth 01 mixlng fun

limeys Ha! ng said a

!

aod 10 times harder lhan any poxy

i i

breakbeat rave

?

:

ir

Good on

tat{rAglgt c ot

HAL.

him.ooooD.

i i

tuclitaflitc

IRAi{CESEflER5

i

( Fn st I n p tession/N et he t la nds ) One

AI{D TOVHS SOI{5 Ol A ]OOP DA ]OOP

ERA

fsurrrDa, Sasel ls it nre or does

this

and the hardor edqod 'Entmnce" are rhe cuis io headlor. oool/2 P.c

i !

i

truE ot t ovE

I

mA Ston

;

i i

REHABIItraTtoit YAI{ lllEs

SVEi{

:

fBdS, Four tracks ol Jam & Spoon

i t'/pe smoolh merodic leclrno,

wonder

iully prod0ced, ullerly hypnolc and

2

i mellow lechno teel and

equaly qood

lhal i nooklnes, though lhe breakbeats i crop up irom lime to Ume don't sil P.C. i easily on thetrack

ooo

;

superb on a qood sound syslem Ihe i i Eurcpeans have catoed lhemselves a i i niche making this type ol music i i i

ooooT.J

lr

lProl/4 Worrhy successor ro Paciric Symphony" wiih lhe same son ol

E OflOitAl

i

:

o,lhe drearny, trppy house lhe

Dulc[ love so rnuch and one side ol experlmenla sounds.'Fantasising"

\\

i

i

lune Toddt got a,or-

mula and he's stickinq to

i

I

PEACE

I

yoar lays down

slde

/ DnNE mY BODY SIACKJ^W

London.

imagine lh€ scene to be something llke this Todd lurns up wilh a box ol sampes thal he 's used over tlre pasl

:

superb y hypnotic. Essential purchase. i

CO I AI{D GET ITEE

/arel) wiih snlppers lrom ihismysleri

IODD IERNY Pf,O.,ECI

!

[EPI

ME

Rhythm siye. Choose between lhe more nslani orig nal m x or lhe moodier dubi both willwork equally w€ll, Woirh hunllno down.OOOO D.

i

v,se rcmain another Ilaccd pop sonq bv the Paul Youno soundalika. Ne has ceated a bumpins 4 AIV qarage imck

wlfl{

oooT.J.

ous 12" is verv much io a Str ctlv

iaqra(idja?7'Ln,'pL/'islardsidedoy

ll:

blyexcitiDg

DJamin and Pholon nc.

mme

dialelv new deDth and claritv. FliD il over and dive slraight inlo lhe Drum

togll{G

B.B

:

mx.ooooR.B.

tare,

deep male voca echo

i

which sounds besl wth the iumbinq i strinqs and lush keys 0l lhe Deeper I

SADE /rYn re

:

te

Ili{ fli{ our

urER

lP,/se d) Well you have to adm re thet cheek Havinq sod her to Sony

and neladic

nr xes lhai emphasize dliierent aspecls ol the inslrumenlallon. Lush sirinqs organ makesihis very appeal

t Fth E Bwd/)B:g h.pIopoparsa1o .ed1'toop rr.oLgloLt i d.ory'ye.r, : qob dnd NrI a.ka Tto Stereo I\IL s ! a ihrowbackto SS.Fichiesarethebest i ae back wiih anorher iunk.iueted more like beinq plugqed nlo the i and save you havnq lo listen to the I monster bu i tor the dancei oor. mans. smailchildren may ike 1. oo i adlrt .olrv e0qe'Vocdl wirh rs : Backeo 0y.fever... tedvy. sow toop JC. I eroaaasr rg r'0' rs B ilsl Coc.nev i ,no tr 1li basstfe pjcteo up flirt rdop49 lr rdl nol be as sFr oJs as : adnmoro-tk str ng( aro big 0a irq tlt 4 cHool{g : Lare. our r's aooL'a. lLnl. ooo i non oraas tasiv soneo nio amosl ROZAIIA 11 breaks down speed, at which you could mostjumplAl l3S BPM twou d be

sounding betler when

Indq Sinlle

house track in ihree,airly simihr

IEEI lltc JUXlPll{O IUTI TEIhPO (Stip N Slide) A goo ine happy luoe

a pop/raqga cover o, one o, reg

qae

s c assics. Could calch on I sTnEETSoUilo

0 27


played in hoiday rssorl

lhe beach.

oooJ

cubs and on

C.

and present, trorn lho anthemic Feel Rea Good by ft,lanix to tho lrack lhal

srafted ir

BAIGR SINEll Ui{DETCOYER (qtack 0ianand) Ine UK seens obsessed by destrcyinq chssc pop songs wth lasleless dance updales. ll you haied KWs, you l hare rlris.

o

T.J

al

4 Nero\ "[Ir. Krk,s

Th s s a pe ecl r"apreUK hardcore and a good v,ay lo see how the scene has evoved

Niohhare" senlation ol

over the last couple ol yearc.

oooo

UT{DERGIOU]{D XIA3S More of ihal smooth, US nttu encsdstuflAzuido so welwth a fow discreel samples 10 helpt[in9s along.

Azrl,

Aqain, dancelloor slape stufl bul il does0'l exacily reach ior the sla.s.

DER KTAIIG DEN

TA .

va$ou5

(l/ovrMure.) A compilat]on irom

Berlins Tresor

C ub, Germaoys lop lechno v0nu0. Heleas0d as two DJlriend y 12 3. tlris is a very qood inlrc duclion lo r€alEuropean techno. Very very heavy w thoul a spesded up

breakbeat in

GAu,tl{G FOn nEl . FONCE EI{II IPI

VARIOUS

(Reintotced) Fat anyorc o natdcate sound ol the llK, this has qot lo be a flrLrst. Beiniorcod has been makinq some 0i ihe bestjunqh cchno aroLrnd

ior the pasi two and a

ha

i

yearsl

included here are hils lrom both pasl

tEct{ito (tAgslcg YOt.2 YIRIOUS

(frising High) A ca eclion ol Fisins

High's alesl hits, .anqinq irom

IUE

DtDt{t I

will keep the ravers on lheir loes and that's whal counts. OOO W.

siqlrt.oooo

D

[.rEoAr. ravE [.PI vARtous lstictly Hatdcarc) Matk Rydet gets toqdher al h s varous guises l0r lhis

comp alon LP. A lhe tlacks are as expected hard, lasl and wlh very low basslnes-but al sound suiorisinqly s mllar, which hardy makos lor an lnleresting album. Ihen aga I

n

CAICH IHE VIBE IN

lgsuE #63

Prolect

ones

i

Come [,ly Selector 1o

:

sfs 'Day 0i The Tripheadt'and all those cassics n i berween ooeow. i rhe

Hypnor

:

WRAPPED YOUR

AROUIID

]IllGEN vERl{ol{ ola

I

i

dam,q lrack that could laks oii n a bls way but is Derlain lo become a trondy' trne n lhe coming monlhs

due to rts

abie

but efmtrve g

oow

gressve, alongsde Acorn Arts, NeOal

lnlus on Gal Docors el

al OooA

R,B. :

ovE o1{ EPI

Rlllllo

HYPO VERIIOO

l i

i

HYFO

(viciaus Vinyt) Atsrn an natdcate wlh a m€ssaqe aboul lhe ki ng ol endanqered species Hurles al0ng at br".akneck spmd with ots ol weird noisos and heavy riils. lf on y hardcore lrad qone mm rn ths dnection

YOU G

DtSCtpr.ES

(Ialkin' Laud)

Ca( een Andetsor nrostoul

i would have to be one oi lhe I

slandinq voca sts to emerge oul ol lale'80s dancelloor specttum, rhis

i lhe I

d0uble pack promo oflers tho delishls

I

ol some ol Y.D s most excelent i adventures. Movo 0n comes in n0 j less lhan ilve diiierent mlxes nc Lrd nstead of getling sly, Eve wouldn't i nq ils or s nal album version. Also be dy ng a slow dealh now The Triba i ncluded n sland-out prop0rUons is Noctumal Ralnioftst mix misht appea i lhe conlribulon by rapper Mashr Ace i you preler your tunes ss bznq nq ; who\ "Talk What Ne tuels is orsi nally insp red by the Young Dscpos debul album "Foad T0 Freedom Al LOVE HAS i I Have In Me n a I 1s Iu enqth i qlory. slands up as a lunky c ub

Y

CHAI{GED

MIND

SHEPHEID

VICKI 13 Eer IIon

exciting

.

I

1

n ts

anthem of qenerous proportions,

12" dub i nrerginq Careen s prst ne, emotive like a vocal i vocals with lunky wah-wah gu lar,

comlng off at lhe inko remako oi Daryl Pandy's c ASh "Love : bass and solid beals. Sexy n the Can t Turn Arouird , t swill y bu lds I extrernes hang on lo your hor into an ahospheric use of samdes i mones. oooeo D S and vocal stabs as dLrbs these days ! almostalv,ays do. n ilsvoca 12" mx : and Allernalive mx, Ms Sheplrord\ : big voic"a s brouqhttolhe fore with a : chalted chorus break. Although noi :

outsland nq it cerlainy right side ol the hnce

sls

OOo

D

on the

S.

: :

II

BE NEAL/KAI.EIDO. SCOPE GIiI. ZOiI: RAIIGER fofler) Veleran rcmixer Paul Dakeyne achieves maximum thrll power (and hit polentia ) wilh this doube-sder.

lechno I Be Hea " sampes the old Freez hit "l0.U.' and : s c ear y a med at the UK's teen /Sarrrua,, Whether this is supposed ! ravers Kaleidoscope Girl h0wever to be based on Lonnie Lslon Smth\ i s on llre pmgressivs house up and cASic laz iunk ol Glmost)the same : disiinctly more innovalw. A:oo AA name, Irn nol suE, bul for some rea- i son he soems to bo crsdilsd ln th s i slange bul curiously eltective broak i beat based rrack. A samp ed voca i ''eeeee v,eaves its way around the i ZOO EXPENE CE iniro belorea bass Oreaks naod qives ; (C1otten1o) S$e nvenlre hous€

XPAIIDYAXIIND WAO YA IAI]

ndtith.fiided

I

i

verson Stinq sons i done wih qreat stye in a sod olSea I lhe well eslab shed uK remix crew iashion. lhis s a very appealinq pop I j rreaded by Pau Gotel. File under prc (14/E4l Cover

Tlre breakboat

1

tovE,g Gor a HolD ot{ IIE

Slreelsound's Hip-Hop Quo erly

3rd edition.

basic pano melody keeps the qroove qo

COIT|NG IN DEGETIBER. INTERYIEWS, REVIEWS...AI 2AO

STREEISOUXO

the t.ack a kick start Aiter thal a

rHAr!

ns

ooooTJ

cl BE PAnUA.

wE WE]] llul{G

IrlEiIl

,

:

pLrmped up by serious prcdmton and : a more than soarng male vocalreach' inq into ts chorus wth serious back i i

ing courtssy oi

sw

lghi panos

percus

breaks and,emale vocalslabs in

i its samp es Th s is a lune for any l dancelloor invqorating, lull oi ener

lCr roy) Congas ap only and a lovey ! qy,sb,h and apper. mddle breakdown in this sinqle fronr .

ooooe

D

s


J "".tq

......

CTNJ

MUSIG MARATHON

C O 'N31, 1992'ths V E visla N T . IO-N october 28

holel

new york ciiy

ge, inspiration & a whole lotta rock'n roll kn owled

a confâ&#x201A;¬.ancs on "new artist discovsry & developmenr" includes ovsr50 pan6ls, workshops, exhibits and over 250 music marathon livetshowcases at the coolssl New York City ctubs... plus, ths 1992 new music awardsl

You shourd, ve been there. . . the y werel brs

billy

just come srR

REGrsrRAroN

FoRM

nfitfi2,

oiio'mNoda48*nemd.bedgsdryoid6l

Amer eBls 1

)


..t.

_1

streetsorrnd teviews

i

loXlrY BII,E

I

(uq oaEtire Whatia we 0oiia do I ddm tEckere'come! wasft€ preachsrs tiie lhs movie. Bery'CoolCrood4 white olanced back bio yelow and.ioalod, Pruacher lusl sii0 the bldes Mikh 'Tashan an Btues' Moses has rururnsd wth bottr hoots k.k n tThis Ep s iot a ioveltyi t3 rea YaooSa$i,{€lt coseto

:lctDttllt'loIctII?l

like you.

Ped Uttch iia*s: tadinc!

: 1970.

i :

i i

! : il

sli.lt

ldr mres

e "Mama ge Orodu.lion, Lil!ttLO6nt

ii

sweel-streor and ca.etu r Borstructed lo sleer c,sa, ol ow.kirl The A-sido 6 outsEndinq! Classic mix mptoys @t lrfM

I : : '6n ard .6pme' : sron0

driun il

home. @ the

side ol lhe road: tte that! 8ass, syirh aid prano soos hold lhe show, workin oll eaDh olh{ as .omp edenk to. el,ecls rhal marihDe inslrumeit!t liter q.oove.ve jays,Yot![,tTv€ee eedaEya

i I : I

llm,

llutl llllloro B. k*anota;viryin (!S).Iwo lltE

P

tur l

: lho

i :

lirsl

,

: : :

o0l'webs&r' deri6

ove.whelm n0

obsessloi as.ai y€p, llre sound oat

Amy delre6: phoh6lnouglr codlictidl Mo.d: rnsl@mtic phno soto.ed qrandeu.

. d.lirrely

; : :

irali

wnh

llows hed'nc. @wtoD frood ol reqlK$.( r!<k e h 'no m or.onlliction ,rcn.d aid strenglh*d as subvtrsive solD ed syilhs orcai dEcon, Pkasant seedistr Bet ot s J3

vdl

le

seprembe.surprse

ooo2H

oli

tur

8di[ndP..b]'s!sde'€E

e,

':

:

to

:

Pto.! ,/2: qiq qfur

rul.'to!

tdo

ul

e,fu.

3(, O

vMoA*;d Pi;fu

SIBEEISOIJXD

;eih|

lo exolore Uis mer sound $nahnum. 'twrytody do the tnerle4! '. says fie

'@n". _Jei6 lo Ui&n- p.'tomed hy popuhlioi r.k6/oi-so$ed aid Dro.

, :

rhe riiancrar

bas ot h; doos

l.il

sub0crlo vaiabks unquc h appr@.lr 0r nye remain as equa s ExDeimenkl lras evo ved asan obsess on evotved to u timar' ty trcm sound. Th s was possibe ony b hoss

seqleskrlhe

iti6

as thnes, rno 01 tuN;i3s6 bEss lor yo!, camp€rr Fetlos '.imO' .hap, rh s soBo, s oDed rrrrcuoh a soto

I

rouidlhe

;

wllnqlo veilurc nlo thal-ba.k ioe {hse dwe ls abstm.ts0und onhe unslporesed whnesouidersts

i

erlrme availabelo bing !limaro a!dro

s

d6 desiomdt0 olideyourhead

olrnel sqrao. ths you qetnq tito your 'oo.lhar booli. or a ssioo cat soodii' borler har? Eilher way. qive us conhcli

t

;

i

oleaure or utimar cpursEn Mosr 0tay rr srL. rcluse lo qo b€yond the &.!pl.d

.

lecled thal reccf6 piorsuE pr@tdsd lhrouoh des[uclroi ot aiy onr ty. !iap. oroved bvlher ord rrE man' Phv sarernd sun ve B re mossaoe d;n I 00 beyond oryo! w rbe&5h6d"l Pockeh ol pride el st al that0to6r, m€ !l top stot Baby Ford htes h s tu.n ilt h r rimer PresnM!. I ford 9: b!by 'lal6 i lo rhe bndoc' etr.an.ntrt slyle! biby has @eived tho "T T T

i

sl

crM.lor

novr SrbtE dyDm'cs ot suts

lim'D, natue rdy6e , dosion to, "hojd. pnone houids' beau$ &b, hls sd

you to.

aid rpDle pe ouseyou p&n and you ror l lot how 10 prooram yor TV Thei pdch : your

Y.Y"B-i,

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r d6rroyed

5rd0!

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delodi.lomula pop? Youte 0 tuct rs ; lh4e ae liw ro choo* tmm rhh "bid" on a risr based ii Srilah ooes sinq-sono. I sam&soutrd oi Crelto Cowbov' who

e'!

--

sem

his,

release No lrcott s Erporimen&l abet isa beal kictii0techio track with a ro.k edoe Hyp*t DstibuGd by NcP conta.t (212)472./975. OOOO

flt D Y tgpr c cl P rltxl lLx colllrEo

s a riie efiml-ld jusr hope t0 them add iewanrsE to the I a readv e le calalog roslerlOoOl4 Af hrls This

Dolll

an iitens'ty lhal

iPc rir

h4t

on lhE dmns.rh rrn(: r is a bmnch rcrerrcd to as -e&e A torm of bchno irE.prerat@ns blouOhl

roanerrrcfre fircuoi

1 Ptod. Atex Atot: Expennenkt (US).

a

i en qetc, well prod!ced'io!roi.da.

16drs

c

] JIOOB YOUI COD : tor

{

ow.

ha$ sprouled vth the r roots der led via"GGllots" sound.0ie br.n.lr s lhe ove' soundeh'(h ndeoreeot iEi6rry

Ptod Psychatoptc Fourth Floot (US). U0bear, old scnoor fourlh Ftoor housr

ooo

Bld

'r asrso 6'krhno used tor'buz'l As lrchno evolved, dtltecit brun.tEs

lousrwrll( rmolll 133 SPt r

310

Ismooed promo lo do 'The nestlcture' eleule BPrlts ro houstye'and d! ive.

,'

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i

uer Oyte & Lrs

ot

Ptud Baby Ford:98lus) lladinana llchno ls lhal souidiroD rG b nhl 'g ob. Dexo'l one qos 'buz' word

qrcoves, slow jms rid IdA,lun r.om two toblly diti€ru amd!. ooool/2

:

I

op out ot 00"h

Brof,Dr lttr folDlrrl

P0ntudul collr.tions o, soutrrt dsico

i

tumm4

DOUB1EVIEli'

Ptod 0A B.P. tnc: Vwin .USJ

lEllu twlq

CamD

: a ul?lt toyE AWISO t 3 Ptod. Awesane 3:cityRsat lltt) KDks i lurr : Ptod stete v/Nhingbr a $bva "sllk Lite A Mue remixes thh h6h eis0y uo ,l ,u/rer,;sa/Srul lua) Sarso! has re ino nvey breatbeat soiq Fut ol stoos : openrd ils dooc and scured steve sitt backs0iis sampes aid Oiano DroOres ! Hrkylo rc-produce aid refr x oie ot thor,i lons to hype !0 any ffored and 0J And

ll tlra

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i

2 -lN- I

Ptod.

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Thre oul of

i Ellchin

r

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-Tracks l.a.hand

more tEcks So maiy. n lact [rat rt meded Mo piocos ol waxlo be prope y.ontained Ti6 linted vinyl orsshq lra5 evff!thino lromJ mr Nendrrsound n0 h ppy tuir

20

Prlorv€ loi kin(nrr

'Blow 8ack .t0 a post.a.d lhshba.k, Move 0n mo@. cab rwhie you

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u

i naPPlD [{to DAt[xrss i IOO'ATA/ITI I ltolllttl IJXI outlw , YOU?,/AIEXIi{DET V. I Pnd feki Fen: 6ee sl (lj9 w tn Fen I HUI$tOr.Df

b

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Add'l Ptod. ltarc NtuhEn Reonse tust Mh do€s some m ed'bre remu sn;r on

wnsl

lhis p.oiecl So much so rhar ir r

I0rlhe oc.asonal limislakabe rocats

you would rever qless lhai il las a 52 slam. Deep.123 8pM 006 pC

:

l

fi

P@d Keni Chardtu 3 qee D* Srav-o 0m or he prem,erc s0i0s Jfon lhe *eotioiat 8as Ndn LPsees he Iqr ofdaysaj2 The

.rrenlly rvoque Kerr

Chaidter

IRIPLEVTEvl'

lhese days Ihevar ols mresare noth nq srrod ot excele re ot-4dmr

It|A

n

6i!o

nrrsono Imr HumDh 0rtur.rub mi! u'1h d&z

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he help nom NYCs DJ tToby

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laslc I I rmoresshi and dru em vih thr eqhl m iule 0 !s Up 8iy m, Who neDdsa paddtelorth s t p-tr the

Notrrccord on Allant c. "shoo.s Doo.. Thssou lul0roduclion isdone r.hr od rom rie boo[ or Lhe underoi;md

roomwih(hole

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:

Pod snqt Pentborq. Palyao tun) i0e s n0rhiiq rea !s0ea abo!l Ih s turc. carhy oeins s a oood voca sl Slreo Pell boie do€s some PrellyslralohlloM d.amosllre d.labrc mnes tue keyboaid

wil

ike 'Frachl zoom"

usE s0uid a

b

lines he

.

oll+py Thenrdnqe

rh,iq srhenmetlray

lle

many olher l000s ot DJs,insOtat on the y&6? Ihe safie one who helOed LTadonna work it tolheto0

ov* oan

Mobv.

with Voqus ?SheD 0o riohitolhe.omfl olshamet Oh surs. cu minalinq

oool/2

rh€5ongwr doranrig. carhe rem pd bv rlre Basemtrt Sovs ind

Joey

o,a pra..,nprotr-.r.

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pr

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yout

you sel lhe Dace,or us a t. vo!

w

lrnoura he qah Yourirhesryk une lime is loroNiblp out rliad bdhr nolhappen iqain 0h yeah hesonois

oreal

d so &e rhe

JS.

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Ptod c&c:colunbb lus) c&c akdack i housv (on on€ sdE and uiry lon rrrE orhea er lr s 5 nol is :

6

6 as sI ical.hyas0su.oooJ.s

0t rovt

0edecl ior more mainslream and s

DOUBLE\,IEW

is rhts rhe same sheo -L*e PeniOofe who has been oma:nd

GN{DY

p!

i

I(EEP n Goxurc :1" pp. GtC [UllC rACtOly

mhp.

.

m4

i

[,]ake il three with this s nq e t.om h s upDomino LP /Vel@ rver lroby does a rca number onlhlsw th his housedlo mires rem ndmq one ot Jam 3 Soood,s

JUsT THE WAY I IJXT

Pod B Paot gMA pS)

Humboldr' s 0/ungy and hard On0 nat rorrodayk hadsrrono ooooo f r

w

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vI b..

[rPl

;;:

Norlh

ol

'

wtEErS StariElt

',

-Somebody.hect Eio\ lime mach ne Heeaslh€ mai,paslhts Boiy [,]us c !e s. who staned theimhi enl so!nd whef I usedtocahd tnui roimental'. H€ rrsototdlheword rhat danft mlsc rvouid ru e Two lor two

you

Bnoflttl ! 5YllE ! Ptod ^" lheseLr . { -., d be : rr. rP, "\^"^tt, 1.rd pot"dd .,i ,rdo.o. ",.0, o q oo ,.. Dr" LFo'' oq',0 o Dan onor.ouno.0r . erp A r,.hd Dqeo0men i\reii rne

HEeLs or LOre .:'# "; :

Ooool/2

-filobyremnes enqelic house trcnzy. ,you ite

ihenrob€

III SCO]{flm IAl

oooo

'n sc rn LP was p cked up by Pand

th s

tr($ratose@e

rhnqnsqh toot n'rorthesouft

0n r0 Lhe mood loJ lhe qroove. Thevoca s on th s omare exceol onrrlyclean and smooth Nlany mxesrochods irom. See toryomel, T.G

lidlig

)

oelsa

drpe Wh ethec

this shil

tx mix*lD

3ol

oroov!?Toaisw

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i[

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e

d splay n0

rcn

pacD tor tris

Ptud B Ena Rn\ Fni rv No m€in

d:,

mp es w Tfl., Humde s lavon € mh thouqh

do you My

3131tx1oo

WooooooY/!!!

IIACTAI ZOO

aom re razavly h0!1ro.iru he.harmo lhe or0l

s deln relv

:

:

p@ves trlry he /3so much n demaid

8trtus

Ihel ateal i on Pouoh Trades Rouoh [r r;hd i ouraw Posse and.hekrher.onl bdiof lrels ''Toc.ata'shns ofi tjk! a syniDhony, then \a lhe Pebnh at coal. vol 2 LP t\l lurches lotu d i^to a ravs skdoetramme ' oulae 3! d6prh th€ cse ol so ^\ rr ;er ' wrli wild nosr arl i the wth rhc svm. : sonrrry lhes€ bros qe rt rqlrt Ftp and phon ( nrro lhytims 'are yo,r' r iusr I busr rh€ (.c!t side lor a hard& edoe lle To.cara wrthout llre s!mDh0nm oool/2RG ctroo arruooemenrs .r *;nier v

r !rAq(

ft/,,r. lusl

I om lhe a

al rhe board how l t caf you qo w.orq? Th s twosome lrom : Ptud n/a, Roush M^ tUK) Enqand lsed to ride underlhe name !

i BUaY 8t! i IIP OI IIIE ICEBIIG Prcd RNtr Budna A Jb Jat pznna UHUTU Wfli t$.? (rSr. The old.s.hoo eooer d ri thE : Ptod. M. Saulsb ry & D. I,towen: MBa : unmGtakabte irom the movie I ltr.9/. Good and very comm*ctal Sod I Wildstyte s und*bile hzLl. rrth a ueiopin.p i sollmeets cqoae wifi hs.T eta de iver Blcord€d ind orodu.ed NE. y; h. : ino th e posiuve messoes ooooJ.s

s[oo.B.Doo BA5 tlott

u

4r

B

DOUBIE\,IEW

notnermt

clllt

: lrom Yolno Dsciohs

t4s

ll uKl t l"l2,t

IEu.

'

i

lI

tarsx

' Ptud nb Wap ban Wn ft|trs ile Homr \ou an lGorA oun.P nlM, i You, one lras reaizelhallhs h.m is m i LP nr.ly lor the !dE Thouqhaoladtr oilh s re.ord E m,de up orr:0 row6S0S Sand hP SjrDh Smoers don rlerrhatds vou trom candvs rhyme ab,rrr or'i.t Pvlir hpr arekr h

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foV

EPMD

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e

GolddE0er'.

ooo

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Pod.

s Ro4eli

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m€els Rrck As ey.

oooJ.S.

lrEBEAT RECORD

It ta GToaao* (rod Ttto Bort) l(r'anLmastcr** (lrat nlxr houre) (TIe tFarlcc TFI!) All_tlacks produced by George Alyarado, ExcEpt 'produced by Mato Grosso *,produced by Ray podriglaz 2 l|o|IaGmcll otouaa Yoor Bo[y) TGGh i,illr I (Ud t-4)

116(l(, S.W. 191 Street, Mia ma, Florida, 33157, 305_23b_43-59 sr[EETS0Uilo

0 3t


Brofl{trs a ftff toGErl

: whhh

D stgERs

CeCe Rasets, Attar c (US) A tev shal s aqo a sono produoed by Jefie6od aod lralurnq an unknown s nqer look lhe underqrcund by$orm ound lhe word. 'som€day beame ai nstanl clas s c on th€ bas6 ol ils rch orcheslmlion heanie I voca s andlhesmpela.tlhal I ws a helluva song Srolh*s and Sistec G nolh ng lke that The on y reason we menloi someday' is bemuse Brolheis ,id s slere menlons so ra fs hir righr? ln facl Brolh*s aod Ssl s' s supposed lo be som. kind ol lolov{o10 'Someday', like a Someday or some th nq. nslead t is a weak sonq wth 0o nsptalon wh ch coud nol be save'1evln Chandei (allholgh h€ bylh€ hand d0es a qood lob on lhe liv€ minute crb

Prcd

I GOttA GE rilt{E YO [,Pl aEUrB toax

[r

ye

0o

l'

lnorecedefled yrcal skils

/&rLtrdfuEjo/

//

I

i

th s LP work

fuq

The

hl

sofg or

q naLy recorded

bY

l.te Sam Cook has been redone in a slyh dlbbed by oJl as aoqae pop by a lrr€

orcup ol JamacaftAmtrDai ansls known as Chan GanO The 12'conla ns I ve m res ran! ng lrom pop radio lo dee0 house The CD and dsselle have an add tonaLrwovrsDns 3125591345

DOUBLEV!EW s!ARCH|IG,/OIOW O] 10vE/t ovEhs t{ouDAY aflni|Ga Ptud J Peleus AddlPrcd 6nene Pa*: FFcttt/amt (US) t the lit

e

,rrstsouid lafr iar ls beause are This crass vocals oi

c

Lulh

antl

lreY

lhe I

ullimearound iows

Your

A malorlash ol pslecl oo lrcm the Dast Soth orginarveuions ol Glow 0l Lov€ and the oio ia mnsol

searh nq'and 'Lovss Nolday

tosr

t]{

tE

llotil

CHUBI TO{l( Phd chtbb Ruk & hakndstfr: select /rs. chubb nock rakes the qeishl oi appealnq {or peace wlh hh latesl sinqle. Fresh oll his asl abum / 6rdr 6el

vol

a

:

: I

i :

i

,.$''..

Losl ln The slom"cah lorpeace ^4ren word i kd wilh coilus on a.d sense ess

!oknce TheTnkmasletr mi

r

coo

Slv.

inolhe R&S lavored lam a morc sl.eel l€el Marey ollea tY/o rem res: i 6l \raney s R8B mx destined lor olack rban

M

mdm and crossovei success The secoid Nladey H p Nop mx is the shilra lhump n' beat aid some hard bass, gu anteed to pease allllre llip hop hadheads 'Losl n Tlre Storm s lar lrom bsfq a d6pay ol chubb\ vffbal prowess, as he l€ids lo eave h s verbaLerercrses al home A

:snoeis0onq1obe

:a

the orhu shr

$nftr t!$a llt

HFIH

,

i

at

slorm oi

aus

(us) srads

rtl

rea iu.kin'we(d Bur when it kcks n. walch olr lnlercsrlns new house deas

Classic Mai. A verY hYPiolic

Prod Ma S4ct@ry (UKl Suda,inqiuslal

ol uobeal hmale vocah to typ caly dul)by house The orq na New Yo

Jffsy{lyk

a oiq nlcely in a Tony Numphres slyle oenecl lor thal insp red sweat.bor set. The vocas e sliqhty too commercalin lee, and a ifle outol Dlace arlms wth the inslrumenlal bul g€n{al

mlr grooves

Diri vl}lr,s ,82 arutaDlrt tot rtat

tuad nk: qance St@t (Aemny) wow a hardcoru delanalnq h d house recor'l or ltu nqga tp cominq lrcm we I'rnown abel Dance street "Back & Pioud s a iast paced, lrard. pavemeit poundinq house lracr wlh nilga vocas done in a

vffy ur(ue slyle exlremely last wilrr

EOUrIOX (oDt Tta

l

Ptud Dannf renaglia: Sttc Rhlthn /rsl Jaz holse orcov! bY one ol lhe ho remie61o em ge nlhe asl lew ys s srinqs and ba$ries b!rdno lo sevem Dlhax* ii a mul lude ol orga' fr. ak n ghr qrooves Three veisois

,

a +10 d 1{ork

hkel

120 8PM Conla.r

B

G al212246.

co

inues to

reggae vocals willr lrard beals ProducEd by T0ny D the lracks go lrom lh€ iun lrm sp led Buqqi',0n old TV' to the more

stull Po .e Bruklly Thafs How t h' lealures rhe voice or Mrk lrom AudoTwo on the chorus, afd som! lunky so!nding homs. Don Nols and Mr. Law serious

irymes

e so so, bll lhey maiaoe to oel lo lhe poht. h.hq humor nlo llieir linqusBea Bhym s' leal!res dn apoea. ance by (inq sun, whie Hiqhea ra ks

Peler

his osdsalln3am

[r.Pl

it

a

rcs

ab0ut lhe crusade6 hv0rile 0aslime ''tlariuana, yes waona/Smoke me a sp ifl wh m do n Madoina . Farrzll Powers rcggae DJ oO is qhal calY adds d mens on to lhe ctusad!re however. backed by som€ coo prodldion. A n a .

le

alterhours mood 1!ne Take a lrip lllough Dannys m nd aid lind oul P hc

in

Nhen h p hop *emslo lre rellinifo 10 (s fooh wilh qroups such as Gaiq Slar. Pele Fock & CL smoolh and EPMD a enioyin0 enormous popularty. Ddl? s Yu /t! ?2 olrers many lavo6 lor lene6 comlr.ln0 shaa rhymes, smooth

Pehr Dao! sprink Es his I n0ere across lhe vory keys lhro!0ho!11hs

uh

c@

HtP HoD

Prcd n/a: 0A0A (US) 1992

m nute

[y

ZYX

beaye

louch ol techdo.ish keyboards added lor

nclud nq

cttatot

r

D DTOUD

Heveny mix Keybo

ir,,i -r ,r i:h-r rh" homie Pars,lhs Black Panlh* ol eP S.ary shil Alkr lisleiino, you waitlo say 'S1op lhe world lwa0na get 0n . athouoh

Geimaiy Hsan shaflerng pmuss 0n aid anaoq nabs lhal punclure you e drums whea theY hil aie comblned lo male a lleme Eve lrack lhal lacks the danceloor every lmFa mlst lor llre cver wth an appelle lor speed and powei Also wonh menlionioq is the v son thal a0pea6 0f lhe ns! Aoadkil/ pul out by Hot Tracks. The intro i5 moc !rtended and eastr lo m nto aid lhe breaks e. ean A sh0ul o!t1o th s rem r ssvc lorlharre alvily Th s s a mlst l0r llre mve 0J.

tie erd oi summtr is a qan!+nllueiced recmd thal hasbeen lof0 nlhe makiiq 'l Waona Be. is iowava ab e n Jor m xN

!rovded

os{cho.roL(lunl bands Ie 24.7 !ov?

soeakfrrppn jam lrom the

b6slne tmmy b@ts, string stabs, aod some soice Co ous ol [rusc.an be u*d .oo laz plano make ths l6ck st?e The ii a va ely ot iomals Th s re.ord wn kck : l iDside Orcsenls WheresTheSahpe'.a: , a mve ihere are three mixes 1o choose ! laay ho6e tEDk wilh ad loriohl bassine : trom wirh lhe Get Ttrn@ mtx tor the :aidsampledOkio F4 reall0060W I lrmcetai Each mx ls dstndy dillercnl,

DOUB1EVIEW

h!

Ptad nk: zYX lcetfranr) A sEiatrs\t qfnd'nq nvelractthat s 150% pur eier qy. The Crealm s anoth* hqh-poused

I WAtlrlA BE softlEollE

A

ranrd

rohG

flrE

CTUI Z

BIACK

t\

lhrce rs hs urrloo clBay Arcr 0ew re eases lheir ialest And aqa n coisoLdared lake the massive lopcs 0i abonon womens riqhls, black rShls, ai ma lusr abour everylh io yotr wool on rhe nexi Hamner LP Ths tme around thouqh the cons qel harder as fte abrm shows a side more akii lo

IHE CREAIOT

ffi

corouG 0t fustc

oRcHrSrR .

Pnd w cantnet:tte

: : from

! :

losr in the

oll r olrl fow

bo lhe lasl

consoidaled wouLd prele. tlhe resl0llhe

6

ecton of

: decmli6lsn0le,bulunl chubbskpsup : !llr lh! yrca acrobaiics fiat he s mpabE : oI and we a mosl er0ect by noYr lhh

f

biiq l up lo dale Nlceiob Theoriqna vssrof s also mcluded as wellas A Lovers Hollday and The Glow ol Love on ttre I p ll you d dnl qel these soios

s

I

! :

'lhe rem r con

l6cks r{hile

a oood

'

:

harunng the suptrb Vand ross. has bee

revamped lor the 90s lainsa tot olthe oao na add oo a lss ekmentslo

(lh

:

rLx

A r{ de v lelv or rh'/tllms: uotmoo dan.e lracks like Nly Brolher' and' GonaGel MiieYo lo Lostln The

Jaek Letauheau: DJ tntenttianal

i i

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sllt{tflf,, rHt} (l]{o

Ptod. A ltibe calbd qEst:Jive (Ug : HA'PT IOTDAYS lr lrard lor my hsre aid nol as Erchy as l Ptad ia:thktrr (us) lne t)K s aa\ s 'La Schmoove' Cenaoly a surptue Imm 0tr0 Produclon k tnrx yel anolh€r

rothers ond S yst ems the debut crlb i'1.|'r.J(,s "1/2

80 aaz

SIREETSOUTO

um.se pt.22

M€,. 1/2 4

U" & "C)no Voi.e"

TRANSCONTINENTAL

WE EK E N D x2/t - 13148

360

4

orErrwEnr\ dr


, . Blbby house kact in liiE lashioi : li6l siroh, "l Lik! lr. aid ti! veryiuDky : i, rere r or nor,lhercs a slammli house : 'Lovho Tight . and, ol cour*, Leer or : r:ii on a ncw HarDy Mondays soio. as | lgaliy cary orl lhe slow ballads atrd th6 i rre shon listen kllldelin tely cotrliml i upbeal iuy numbere, loo. More than a l :qrrr mindes oi

loliepofi

'o6e w r orcat D.odlcloi *mpl6

ro lecp you busy

I I

iisrrum€nu

0..!/

and

or

lrPl

oreces lhal se hale, l0r rl lesl lhose 0l us eilh mor. mzlu,e hstos and derp pockets) qroyn lo lsl Whal s ncdaswElr'slhal the quar.l o[he pcssh0 makes lhis svei eas fr lo enloya loht botloB aod heiveniy hQhs. ao n lus( lrke lhose oveBers platleB (Jud in case. rhe phone vinyla is 2129710339) OOOO S

3r'ftf

i

Chasldan & M. kandelt Exist i Drr.d (US/. Ya tnow. rheytr.i0hl: "Io I maher how much lhl[0s .llaige lh6y sri] sliy tie$me I conL$, rm (sliD a sur* :

lor rala

atlra.toi yocah-Bspecatly

I

lono*t! fihis wiy, snce I dont mdeGrand whal shes sayho Ican mke il up b ft my hirrsf. (oot il6 eh?) aid lhis lime m[ viny ooddess ts po]sed al0p a h.avy. kippy drippy. tab licl{y ones spolen in

: I

i i I

Dedena. Man olr m3n lm of my knees l iod.ryin 'Momma". baby! !n @se youte l

iio

\!ond

it's the Thai

srld @ a lM,

m

!

thafs iusl

iow-

:

dri

oooos

spedl

m

:

koh.x d

on r.n0u For th6€ who rrrE rhtur.or; rhse3lhe Mandalry mir. $att r,iut,

i

tor

)

I IGD lllcIl ID ltlcr Glr

TTT'' t@

male

vmah

I

fo!6ttt

ptud A. Austin: LtFace (US).

PoD

) 'l

6a wnn

OO1/2JS

i

llotocll,lflc

i

Ioloclrflfla2lD

l

Prod D. Hasselaat, E Eaut: 00 Auh

I

l3rl94u1. solh 4leaset x l@mery bonom

!

i*rry, the

:

second moru so lhan lhe

tiBt

slrono k0yhoard tracks-sounds like

:

ai atomic

i

someone is shoolinq you wdh

{! sli

vicious.ooooll2

to tt llouat

ot

Y

\,lld

wtft Fay Ch r!s m!!ts phrtio

cold Fm ro

@mp,ofrisl FoMd in liF oision to iberat Ihe mnd. And b ig it oi "piat, BcLdi iusl slep nsde and nde mq ide m6 baby slam my ra6r wlh bass do it now, betoy lhs

hsr euliur

trouseis cause you'l be kss n0 your e lor willetle) oood bye Four

w

fr!lhaiuclii

rabs ('und nr waler ccremoiy rn-worLd advenruE' -AnodyrE and Att* The Storm)

.

lhalr evei Ilppe,

hav€ (lulure 2nd tady?)

lrppin loops. dd I *y

Gore

Bhythm

you'ru

:

lh/lled aboul Jusl An llusion' or

l

'hslncoal',lhen loua.ants youl lile lhis d6. Th€ unloEonlhle Lec. John h in

l

wl IA ar rttE Cr(lll'

:

aDpr.clale new aoe

lr.nc. al ns fin.51!

tttltatD laDE Dll.x,ruscHEi trpr iil ::"1:T::i ::*::,?'!.tu"s.1 noe Ae ;rme oam;: ,;;rie! 'r;;: ' JI lrEm x Il _ ".od B.ltataLt.AsM lca"dd4 t,.e\enl : r.eus (h rornl .,,.deo,ouno on! md malA ftri $und wro,rE&;. xire Burh qPts sF6d o.Con,o ado o,oo,*, r rreurr n.tr;s sror\ oooooJ\. j::l: ,iH,fi1.e?';l;L';,;:Hn';l: rrArs r croovls vol. r rrrem rvnq som ,ieem en "umha,i ,Jl lloPllxs

I

My Hearr and 00r ths roci orrrz nu hous, D'tch!_ Tmety rcko nral bnnos voir way back wlrlr a iee inq now tost-@led run Frcsh..wesl'rrpstooot2

2H

ooBlllc:l{llcY Eow I J Y rr{!I tI lll Dll!

: !

i I

Jtn Hapkins: Zoe Madk (uS)

P@d.

Esdlv whal lhe howtanlastc

name rmples, eicepl lor

lheya.eloo6ooJ

S

fff: fOV:

lunllroltrrt : P.od Daocir' arnny o: wahet (us). C49'So,'iu rcsLaw'n aio_t gi. r

oooo s

II

a4 0 (.-ryprca Neftenards hchno Bul ydu tuve lo h6 r ' cosmic Eneoy Fl@"

Doll,l Gm UP itOW Il t, tlr lDUllDt Pnd Caln8n f lon1ue 3 6tua@lUK) lthde was slrhan aw d. thN soiOwoltd

i

lo :

vii th. lnsrtriti@t

Tuoe 0r The Deands" ooes

a.orslrl gu'ld bur

souts,

be s@thed

1

i

'slor*

'ier

rlrd woiky mechanca s6, xrclr Tiit oo.oed

trd s mreer?

,.brio,dri, ooooF6

Posse

shourddowe

oo,,o

P0

Ptad

I

"Hausedastet', Aabwh)Greet K@r, tarn, ard oi so.deepty ko l.cled llAnd il yom buigie kord wonl Ll you t.t! 6nou0h lo rca.h rs tock, eyed lroonmq (na 4 vox lhen sti.k to rhe on!.way slcels {is., th! insuumrnrat)

lu4

l

uth oifter

.r'"nL'd4noemeqo l/0, pdh r.mpe \or.n , vo(c ol san td\ads you,

0o.r ,r'droo o,err'?, \P,".d!o r.oin, _ ,.

o!

,sser

both ty'rh rh. 'dre t'me decdmq bul plese uid*sland the$ souid5are essei[altor your we].bedq

-Rem€mber Wer. lorqa

lrip+olse lhal bord s or the edqe ot bei.g r sono E&ellonl slon by x-YlE and

toHtDItvE I: xtotlc

It'lf

:

supri @cal torh rhrcuglloul the rri cuts, : while Pole Boyer and nlw member ilat ! Au06lin provide sroio ba*iiq !'sa j whole bunch oi d.ice cuh. inct(dinq lhe :

Ii

I

J

DOUBI.E\,iEl,v :

[

8io tme

E

0rmoeollh!m. ooo12 0&T

I

.

psl

ore'oNrd?-hrso_g he{,r'lompos6o' b/hevinSaido6oi,vneooc!ry,osd viwi e[{rd ato'Ilnamf6.r. rnts 6dno, .id voulo hNndlooc hookd hv oro

i i/arsr

lllrll

ddrm16!

:

ty lSlltt(us)

YOUI

(lrY

sanOs ya qota olvr thls OOOOO. S

Ke,in Sauode@n, vine DeAwOb, Vrl Whitchut Vntk Fa|]]aiiq \t$ Dom mao hl su.ess ol 'Poi ni0s lrcn H6avBn", .Folow You I Hsan, shows that ln@. Cily .ru nol .oitenl to sn on ln.k hrr.ts but pr6i6lo drtvc into tre ors slylos o "@6 hoa, As d,th P6Bs irh'ch E o,t ow,, ,orow You Hdn' @m6 in. {anlty ot mis ltEt dO. tom hr Ed,o.hlndty to a mots rancoe 6d0e. wleru 3'3e d0 you lino mrres lrcm s(n d,ve,s p.odu(B4 as vx Ktri Saund6ron An00 L Andre tum,E [&r archer &d ch$ pei (r!04s 21) oi

orouid Aid dd lheyoverdrlve thal stake dear lhrs ume lrt anolher Dan [rorqai 3 Damon Wid mastn.btasr don I sD lt lh s lrancrac'drc codcoclron oi your

{on[y

fr.d

al

lurilable lhei

odier

the

.llatvo

l\ lr!e-Almosphere ,rs -Yes sluck a shke m lhe ol lands

llt

(ltaty). \ au tead i\ ': a nN LP (and Im : th. t6t peoote Ln i

oflenno)

ml

s

yo l-n.olnd DEde! ll iro asr ons mstTed n your ego. as wellas oi your

tro

lolrow

sound w8qly keys nlro rhal 'St/aw Peo! e ts@ed tafibo Fckin lhar snao.bart kll]rn' rhose siakes sfe slrakii llie ls 303 xm

inlem,ional lanolaoe).

qround. Clrect every numbel cos Jambo s d6lind oi is nuoba 34! Ooooo 2H

PHYSIC,AI

upl Wilh

fiar prom6ed hid.

mooy swed brurlhh oeac€

i{

Ptod J Donqs A 4. Bo\uqp ttd qoa r lranLe, e toe ,0, 5tv,e, de.r\ BubbLino hass .Bailrrr -p.baclo.ourd\0,(s.O.ratp,od'..o-,etc Np"d\ to Os , Ith I*, D ,DO IrmXSl ' , rs doulo t32 8PM, olr lnB ra, rhp c@d *ortroool/2 P.c txttttcnvE Prad J Ltssn d R Zenk{ flr00, l| & Etecnota (Cedany). Iwznty lovt nate iJtD"'ii, srour rr our flTl::l:;1lJ,il;,fl# los t nst ,nd osc'raho sornds Ouk . l(.YZl Ilrrobbnq nchrs lor your w'Ohdts pra (e' lF orhs rhm! kdBs on rne racoi I P@d Hutd E tngdE- wrhet tus) c@t sure (lt tlsl qoes lo show ya. sr,s ai

d0

fl{E fascttlAflot{ ot

teds so hr Mfi so Ifts efion? as t r as t,m doncomdd. Tlam has plshed back Oe envelope ot vo€lhctlio,so that t*o bstEl b6 q@d ftends'Eue roy E Oonna be sp6nd ng , /ot ot ltm. loo0lh6r, ft!.e ain t Oon0a he n0 ons slse on that plmo lor soms IioFtt w6i You miCht b€ cilin! me c.auy but rhei aqain you probably lrivs0t hsard rhe P6rs LP 6ilh0l so uitit lr6i, shutda,ucklC.

0lassl A.ase qule nce'Aiodyne' bu ds &icl aliqned skaoirl srammed oum0rn lhem kevs lowards lhelr 0lrce Spae Irmres ol lutl t!nOed chom prope led rhi! bealrn qone

li lr

r>

abls l0 mo@ so many

I

'Posildely xino srel'. Thal's rlohtl Powor percussioi retenrlsss:

P@d Vaiausi Musidjy nohl-+heyrc balk wilh p viieoed lo be one ol rh0 us lo oel lhls mw

lresh

5

FBe Be.Spirnlal mn. ollha!Iho"or0inal' s bad-iar l.om t-hut ya ool ro

soulskwed souids lrat detry Tasly leaserr lo sample includq Uidrne breakbealii down lhe door sappin

Prcd

runpin il

l ACflfiOi

mrder why.s did-r,usldo (rl'lswaytFo tBtt.trs I i_n hop! hat rhi 6 h.\ gsl. I'rg h's props'lnal M!. Pai\ cBy6olhing he6, rco tLsr limte vote mr b4n

ial{tAtY

ot?ltll

de.F{nder lhar lloort

so.d'up stmple sound bl!ds l.anslord lhro!9h nleli 0e stucr urc iiro somelhiig I hal may Gssmbre Damoi & Dan wl[ reys oy

lllatc8t tE

Pt.d rh: whte lu9) yet a\o$et ''ntt6e wh le crcpsupvta YC's'Suo-Ceua/ oi sevedh

$mply sound slmp sl c! ghided

soaccd ln'Wond_. 0td hms stoied i

*

Loidon, Can Craig aid od(ick May. Alt b.sldly *ell donc. lllgivo it r @ll!.live OOOI/2. Bll lll Edltlon 2 (limo deove) thal'.0o1 me ln a tiz?y. 'Masi0a Baose does his o(i iono6 tis tima witi the

palj.nrly. parence is

flt rrcffis ru6r roxEoxt tdtxD e

Joutf,tY

What s it qood tor2As the keyltA.o. lecl'on or souids lakei ridrvdurry

at

I

KMS Focords wlll 9el back on lrack soon??? Y@h, i apprechb {r0 sruJl but Its been tufi lo wo* wllh lhs last lsw, ah?) Edilron I (oftnge/yenow slMs) lEs a Esl oi llrousands doing remlx6. well, a.tuart, jusl t!rcs The Futue 6ouid o,

Prod ,afron Wld & Dar ltiatoan: AtnosdwetRod .Beto'un) Paten e

liose,in0r liadn

I

b

tx uotlD JoulItY

hiohly deraired unde.q.ound rnsllumenlar aid rould Dass lor oir ol

Ptad.

wo[J

lf,

roiderlrl,

tot

saud&6on ,h1 tho mogl brillhtrl son ol a uirh rn 'pop Nst" roday {rlmiri,lo n "dance flusic" rryould b! an insult ln my b@t) then r doi t klos ato is. (Hop€lully

i

:

DOUBr.E\,!EW

2@d Nryan vintth, (!S) Cnane$ E ,ou ve nrve. he d of lhh lahelherore rghr?w3l lhals becausa rhs s rhar l6r 0, rhat &e .edritr lo he ruay @ ees a

G

magnaton

ooool/2

]JG

OOO1/2037

: llw tltI SUPtt oLrouS ltuxt

wam

decade andr lhet lirs! rbum, srill have that specnt rouch

llrEt lrf,Il rPhn.no K. S.uttde6on: frn (W). | $t.

nI :ll , f,ll I $t!ol I

Prad

f1y

: Anorh

I

Chattes F0 at: Epn tUS) nice nooff s. Droducron iD three

STREEISOUIIO

O 37


lerc€ mnes. Uplifl ig oub Hardhearl nix l rnd Nrdcrrh mi!-lh s onr shoud be iun : to wo (

loooB.dc flI$E AVEI]lr [rPl tcflll utl (

: ]

CIE.

DEVASTAIIIG BIAI

: !

i

DJ Wlh

x-(s

wicked I you suqqest

: I

have

yo! 0!l

rt

L

Lours helped Anolhei neqa hltlor o ooD labe akeady. : 0r slhe back labe an ind.ator ol notrl. : Deriheila stlll?Whalevs 2) Irlaybe it\ : sheves? Makes domeslic ook ike aiuckin becaGe orw !p klennqlo hphop(aid i wasls ol tme lwe . adualy most ol lhem sl ldo)bul wllsom{ne pleas r pan : are) I knor?, why ask wlry . Aoyway lhe aDoear ol bieakbEG 1o me? m not aboul the rccord En gelic lresh. with ludqing 11 ljusl cram to undereland! : some locks approachmq hddlrance No1 Whalevtr . 3) Beoaid ess ol how y3 iee l forlhe hard.orc lreads. OOOOI/2 Y

wdo rourd sDin.otl

a

abour this qenre DJ

Nipp (a.la

Kid

Unknown)crlany has a relish ior ltlre fow nolonous co9 k rer) ce T lwho bY the way s florknq on an HBo serestcE TV. Gel l? Ha Ua Ha-800!) Whalevoi 4) suppose thk ainl bad il this s uhatl psyorskrr . So lorthose who shake to rhal Bruakbeal

blar

rli

gtcK

ol

I

;

DO IHAI IO Ot{E moftfl E'iIE t i[(s rlttt Prod M El si4l00 Wesl (US) A p@'

Good, bul you can expecl alot belkr lrom

drlabe ruolae cove oi ca0lah & T€nn e. Nobqwhoop

ooJs.

ulrFor.D

KU

[rP]

1tt

i : :

ousy l avored

i sad dile oooos GIVI YOU itY I,T

l4icidc

HEATT

I BAEYFACI

Ptad. Babyldce & rarY

/rs)

Bdian: Atista

Tolary sah Bab!1a.e

ooor2J.s

fltE rwE rY.HFlll

ot

trr{xl

I

i i : !

ftar tlar llta?flll ro i

har, cause orymorcns arc lor rockel sc €ntsrs rot 0J, when I shouldv€ been doie lh s way lh6 ftst1me. oooo s.

I

Ptud lleat Rdt Mannestu: mx 9tbilal & conillidated: Ptay h aqair san (u4 hE Meales

os noiony.onlrol bulsome

facttlltY

s

the c

qranl

ly'

: : : : !

ng

laknh ol llre

Ed0e

.

issland d

DtG[At EXCllAflOI ullfl t wlrrAlltY

Ptud Ftunk De Wull; HPF lqel|iun) Wny is il lhal llre impod records consslently have beller a.rwork on lhe r rucord

STnEETS0UilD

iilo

conso daled re.pthe ndusl a.hop lavm. bll ita nl wonh lhe rsk O B.G

c A.mat

we des*ved

oooo

2N

BRAII{ I}I G:AR

: EEX/YES

I

rD COBIA I Ptud c Diltar;

o1

ike

The

On

O

tE\

s cotunbia tus) and Yes 0r No" s a dancehal expermenl ol sods Co 10tr!. ike a reoqae s owjam

; YOU'RE JPECIAI

: I

i

llt

( DAYta

Ptoll. 6eaqe Marel: Sttictlt Bhythfr IUS) Sl.cly sp€.al house son0 by lhe leam 0l

I

IOYE

rlstaN 'EEI Ptud. l,lessQh & 3.P Auppe : Kirkin (U(l For many monlhs 've had wel dreahs ol someoie kklnq lhs Morodersumm{ belore 1s I m€ efs

drop a lewand move cassr and do n01h-

.7

Ptod lilodel Ane & Jezz wiqht xL lull). Tnshlar beals, hypnolic slrn0s,liiny piaio slabs, subson c basslnes aod sampes qa ore

cii

be

lo!nd

lh6lorrra.l l!lur

hrouqhoul

s c Chrczqo house EP * lh'Liqlid G Liquid beinq my hvorite culal140 BPM.lhe iulure s alhand!2124727975 OOOOO P C.

rhe

lrous ohl

\cud

dowislale ol mnry orlhal beasl htrd

rn

thet lqhls chanl iq

s us hype me h qheras

rt

re

have

cri

A Press n sole koo0ed flede oroove 35 m nu16 as iary af E 0a d

r akd the

r

Brolhere Nartio l [,18M lare lumed

t ully leNhno by orb ta wilh some oll I ler piano aid lhe usua 1€.hno 1r Dks

sound immaculale Labe conla.r 415.457.9030. 2N

del

A welcome breakbEt away lrom lhat formuated lor lhe iumbl Two hot ones w1h lwo essss lhal suii{ irom sample this, sampe me, Im qonna scream' syndrome! Trance mar es brcakbsal adjusls'Ljquid s Liquid-s

iI

reo

i as wer 0n thk one An uinlreslifo busy i seedoi lhal.odldn'l be sawd bythe mr

lloutD

slap plral lo

ol

o coillno]

t1{: turutE ,ilustc [EPl

I ori

Ptud. Lenin & Mctanhy: atisk (us) lne delinitve merqerolh d rock h0 hop aid cp. Maqn lkent. OOOOO J S

3AO

R

J BIIA CNA CHATIT 8A lllt : ,i 3f,D ?OWll I Ptud DJ 84:fcx l!S) lnect\'zrncn

[1P]

&

r rDoE

DOUBIE\,IE\i,

|

Iave

lttlllt

&

t.?,,

t lirY

Haynes

a

:tc

lts rroa c Aseep at lhe rheel Navaia lras 1o 0ve us th€ Proqressve Nolse mix (Ah shit I UeIe we luckin' go anolhei cak0ory 0K Fine!l whaleverll But lets dro! the 'House

desion

:

l,rarquisi L{r./o.k IUS) S0 so hdus tum icensed lrom Sela0hor F!cords in

Germafy lhal sounds

Qius

P

s

:

labs lo, : yom tr oJr peasrc Bul rememberrYhal: Don t xumu us and I ftum arways Six

G IIIE BASI Dlt Ptad. A Cta atd, B

: vlh chrbb Bock. and ooi'l Hav€ To B€ : The prcdudioi ov{all is frediocie ooo

:

UIUS Prcd Kurulust Electrie Soul (Bel|tun)

v

BA

yica skils lhs solo effon dhaoPomkd m€ The besl l.dcts are Sack To'Ihe Gr n

n

Dulc[lechio.q aqe evo d on rrne h rhe ftsl0lthe Germai slock

I

)

:

Ptud. r/a: undenaw lus) srb)eds sptn. oll band Drodu.es btoakDeal mve wlh

rhe wake 0l the

:

s-'

:

fla(ll.5

Prcd Westban: Loespnil lqetnary)

J

[ir

: He sounds more like a polilciai ovinq ai : e &llon sp@ch ror someore w1h srh

i

ftrr

rhe* maq.ais. ooo1z

lound

: S clr giveslhis're e al brolhas mes :sg!,hedo$ilcomeoflhard k€ (RS l

haOhls d qg cross bay hammer lhal aqa n beq is at m $ on aoolher rcund thal

You

ucltr llllltrAt ot(!+fltr

lw

in

lhs. hands Aso loral youh0hop lais .heck o!l Shylhm! H p !op lhs one.

G

0-

add {hs MmleG Alworkdub ruiiii0 on lhe second lab e L l' Lou s & Tlre Word sh0uld have anolrr. huqe.r!b hir oi

not head

rI

male.ardared lyp cal S.0.S.. et war a m iute doil bame me blame my x.pe.lal ons They fiouqhl ne was an nnovato, not a Aclually, doil fiink ther opinon has chanqed.lheyte irsl lhank,u some of,a hrd rrrc smans 1o ca n Havaia hs in 'Schloom ) to handle the chaolP (rs

lrom rhe Kei o! mr being my choce

Advenlure m

rem

Up til lh6 Ponl

1r4

s a musl lor rhe *rour lrols s r smoolh n xes (o choose

MyLre

il

Louh ier/

Lous Aqroovyl]o!* 0ece thal pa|k a v y powedll islru mEnlarr{ h oulslaidno vo6ls. saved

arcund wilh a drum machiie Leblanc has rounded up his usual bunch ol Tackherd : crones bul sso gets some scratch helo i irom BombThe Sass'Tim S menof and h s : laitlrlu s dektk, mda -monster gu larsl I

liom I

r

record &avolooOOO Bd

Lauts: Epic IUS) ance xgan

K$erIm$l Li

lndiai aid Aii6n allrouoh some tmes t does sound ile someone iiddlinq

t lls

lh

Nlany orcat drllerenl

rea y lke lhal have iui a DJ and crovd o easer

mixes 10 choose m

,h stin0 0 l:

an ex*rerl0roducl€n lrom the Frei.h

East

Atot (rDu rolowtl Pnd K Krawr: V/ lUk) 1) wisn

Lt

[ianere Al Work

bv

SAVEo ,riY tlIE ur. Loutt & flft wottD Ptod

Ptud Keith Lebhnc, Ahnc (UK) Ine pet cussionisl ol lhe 0n u solnd slaB drcos his alesl wilh much elhiic tlavor, qonq

Ke0.OOOB.G

TRIPIEVTE\,V

€nd

e$

n 0 L wkked skipped

n bud"beowlhose bloody red srr.s so lanlaslic s LA. BolocGr!!!T0lhEDityrThunderii onbar he€d kankesioped

ba chailii downwth|rat 'bhaiqra'so!fi bknded norm rave chord

Nadem 1r

c lmpedi used n u

R {orfr to provde

i!ncliona remlom'

as s!PPot mu lF es ol rhylho c kibalpei.ussve chantd send.

i0

smoked beals curv

.ram!

i

n up

cab es. carlivat

0mbar'l

no Naslro.

4

M r Dav s llyou ike to $lcal 0n the dai.€llon Yonre Soecial' Georqe More

aid

s Joryou Be on he r/ahh,or lhD mil€d edir oi ocef v ny press nq 124 8PM 2r22460026 00001/2 PC

ItI's

ltatl

GEI HAPPY otDEt

tuad Basenent

TS0P is lrack

lom

oJ Mass

RTURI []Pl (t

I

Soys: calutnbia

aid so!ndinO qood

order

ooooJ s

lus)

i

the

OF IHE PRODUCT

crl

Ray, lloll a fu|e Skefi ADseh, t/lc Serch. 9el Jan IUS) ll1 SeINn tn ny o0ii on the beltDr ha{ or 3rd Bass has now qone so o ThN lrrene ol lh s LP is humanslic wh ch snl rnonq, bul \{hen

tuod

ing moe lhan add a 90s Belqai botom. could you maqne??? whie rdo oereve ral drcams can comexue.lh s isn'l whar I wanted/nmded. B!r lhals my 0roblem n0t yom... sl L lhs wi have 1o be the sluf, lhat orqasms are made ol lor lhe 90s' Bave Geieralloo seino lhallhe Bg A is slLl in lulr io iuckin wthoul a ioh0ny

oi lhenoowllrlrreTZ-sh Vorh$ vsson lLlslLl\@ll lor my dream 10 come rne bul y0! che.klhs oul inlh€ donl lum vou

damif

meantime. Jusl remember. ourd your bedoom in yonrkncke6 is koo, bul iryoure n pubic iusl make sure yodve

chmqed be,ore

tm (a$umn0y0!w 0ol em0i)

yo, drop

your

trousfls

whar the


fl TII IITO

CITY

: lrut rEorao IE I

[IPI

D

Dnd 1ctave oho:4a wesl lus) l an

Ptod. Juan Atkins: Netuotk (uK).1ne 0raidlalhr ol lechio. Juan aliis, qels mellow in hh qoldetr ya,s vilh a rlasy

::i bdweei teo culs lrom lhh Jlvrcur :i lry li6l ch@.{asa [o!nq I horo r€ck crled

"Iofrorow'

s6oolh

d ce ol lhe oetrcit

and

qrooviio but oi lhe llprde a rr ds' tack @llcd -All The L@e' {fda ?m rrsd

souid and iorhng

ambr.nl 'R€olse 'tutelhod oto

G

, and a

oooo

drum

A.

r6c] Gt?o

19

lusl.

rl

aianhanco

rru

bri,ou

trcr Mr6 29

musl have the second

!hise

lu6

lnlm

ii a lE.d6c

Esr!*

also, which live i lhel comnet al ieel. Siould be a lruoe.ecord lor flerr Plal4u A mlst lor the DJ pho likescom-

@.lr

Nt{,t o gtoPP {, u3 rlow fit DtYtt (us). Ptod. Finse6: Huta

I

K

Jive

n

ii

le N.e

n InYEODY'S DO|IC ll : fU{D OYtt lml Pnd OJ emzi. X.ts 4 DJ Lenny. I ra@fla urdeqtuund tcanadd) Ihr sec I ond rosa$ on I.! whch s much kss i 1

rave hchno bur

I

Jtl

V.

oooo

NNEBH

IIEADBAI{GI C

xoi

v

tc

Ptud Matab Logic luK). ts I or kkio? Nerther rs healy

(

i{

BI SOTRY oYlao t]t

llox

f{

I )

foll []Pl Mobr:kstinr (uq nBtty a@1n If,OBY

Ptod.

Soot

Jaa tuK) Solt

P&S

Jtz

is e

'

I

thsir

DOUBI-E\7IE\,v

o ilt not t Wroditi,ofrato hul 0t tun* abad funl sessio[ ooor2 P E L

Pftd

L. H,ad: MCA

ls toYE?

ltts)

Petsanrty,

urould'vr liked lo se ou herc ol yesleday .rmNd by lomotra! dynamic duo, Jrm & spoon. msread ol roday's rad 0lrieidy

-Helpless- hil lhal rhe leao becadr an

underoround'household name Ihe

wAtl 0r toul{D [:P] oot I tu|ltG

eolons dl holse DJs look nq l0r lhe h d. esr hiflinq house tnck ol lhe frome wirl

Ptud Jahn Calane A Len Spnnqsteen

wilh opei arms

Eoh,

Arl IUS) Eght3a scoresa delnile

oi@. vith rh'sEP ol

produced Dyr[e Eam aroie/Spr ngsl€en Allrrougrr lhese have otudLced thcts und* llr s nafre

C

1w0

belore

I

s ony

s th the Llrbaffed

ambmo

l

l{ed You Luv tFioht Now[

leo y nlrced llrei lo lowed wlth monslrous ba$ aid pscus sEn, lh. lvo mir6 ol lhis l6cl a( phF nomenal. Also lool Ifi camso vocals ,rom Mr Heoless Lee Smilh Jr. . OOOOT2 D&I. ExcB

Danon wild:

tor

yot

releasc tor

oll.shool

aber

v'ln

d€' s lasr-paced 909 Douidnq oal.

r.rns and wr0oed-oul 0.rcussioi L {Worehrppds ,as my hastla$ '& a R6r i! iol lechno bul delii lely

rhe besl lhing

oi

Woidedu. lEnquil

me

this

record

od. iiltu wtn

ruhal souids ke ai animaL o1 som6 sod va'r'nq: lhen ,owry but surery otr comes a ulat not roo hard mmd yDU sver so I ow ng,lo.ery rhe lhrouoh on a nice lGicev Pa.e OOO Sde A ooooo lor '0n A aiso' f F pllatioi ol mode

lshifi

! I

-Anunnatudlm. leclifo oqy 1o!r l mes ov, Calreioated 212 472 7!75 Oooo

toY scoft aid Shank Thomosoi lwhoe wod( | (US). Secan wr arways r@k loMd ro) IypiBlJe,sey : Ptod. Miita Joh@n: Bhck qroovo lhaiyou should nol miss Make i mo a$on er!€nded lo 14 culs and pacl qol orcal lckasn strre ro ch..k oul 'Fiv€ firlLnures 0 Andre' i aogd (iollheon. we oot sloped A and 312 lwico missinq podued by co!P. ooot 2

D&T

i

!

'

:

e

lo0 paltems ouik ncelA 0ood seledton ch00s€ lmm. oooo

10

w DClGtout{D lo}T.

Ptutl. h/a:

ltfil

'Pacli.

Fot ne$ b

sid. to il (808 stale

souflds) Th€ rourrh ls a

rhree-lm.k EPI The hiqh chr: 1

n ce

Neod

Yo!r L!v (Fi0hl I'l0w)" Ihu. 'Penoratun" Jich Eayr i0 knock doon ratt Bll dl,

iavorite kack E the Ealo\ Beni dub-oer rv/o copi6s and work lhls one lo dsalh. I .ssutu you. pdpre virl i.m so hatd that lhrytt ctinb .nd dar@ on that wa

lolsolnds 6ooOO

8.d.G

!

Delorc

Ptud. N 0.w.: waO (Lq.lnts Nottd ge OOO. Cooslda. i0 il s N.0 W : OO S

E

lltm wlttll{

pick rrcm all lasl breakbeat lechno English sMe. Twoaf in a raqqa lashion.Thethnd is pleasiflg li lial ll3 lasl aid i!rd, yel il

has a nice mrtrov

i

tEt I trtE glr xrorfr^Ill ox n^r. louot

IEPI Beitocei

2-lit- |

I

orenv oood. Tlrry are all lor : the mosl pad lrancey. hypiolrc percBso0 i hcrs wit[ add.d synlh riier and 6w .na :

zL0lrhem

aid D-heck tis ar Durchase, yall) you never eioeri.nced lhe Pandis

E Eorl 30 Aum j

}!U E loo*ino ior .tr anaing house -ll EP lh6 s one you should delinilely oel!

a

!

i

(Brlqium) Ihis is a lourrraDt rcord and

:u , i t : : :

I

Prod D Hr$.har

ft :w N/^

l

uHltltou ft tfitottt

I

Erpsmflh. Leijoyd Nilrols 0r

I

iHotocrallflc !n/A

n[sic

.

It20 Ptud lint taltot

i "o d rhe a km.rNc h6dr' our line l'm : : w lmo ro b€lvoulhBbtrios on llashba(ls i i ol hle Joy D'vE'oi/4rly Nrwoder (wnh i l cHrl toYE i out rhe {o, Moody mclror re{ur0drnd: ! ietroli.ily thouohl oul lils a wel.{riflen : IIIED Bao|ie sact (uK) tl ya|det i novd rwd !o mpruredlial lmdlyhrd i Fod n/a;'UIIT lnough lo com! a.ross Bar : Bas broorno lor oermis5iotr to rdd a : lonunale 'Poshiro alainsl Ttu flor',Ih. ; (kmirr)4cr 0i@u6e rw@dbem nrv : Slvlus' you tnow abod lhe c00 sunmsr solnd i Thalshourd qivsyou api.rle orvharihis I lhal brouoht this whlle labelpasslntoyd.man l( : 6 alrauour OOOOS i underqrcu.d drans. ll il did i6l il is avairrbre on hori th. lrrvr,r'0 Nafrp la\a l : add Land1n Undeqtaund I tlE {A] 50U1[!Pl The reison I m qolno on aboul rhls l , t/^ i Naked funt lealures Marcell I hod vahaus Are seat (US) we Etrcnl I bacause and Jules ol iaw Slylus ay ng oL i rhe ony on6 ro be ore&d w rr borh rrre i French iasly slow, drum n'bass fuit : soEdv re(ov v ol ALe ftiunoin and rhe : sl0w, love' rs almosl ganqrla limpir i alsase ol his larost mleise "Elemil LM . : "H4her be.aus ol a kinda sird wild @sl s!fts : : a.e Bear ias ben a Je'sey srap e,or llut a productrlrke Lee Perry woud reac i yu6 edlhE e.ord s prool posrlG rhar i lhey are sl lki*irc "ElerirlL@e" is wil i ten by lhe Ery blenkd Tyrcne Paylon.nd i r reatrss hres rrom veleois $.h as Paul i tu]] Dtsco Yor.

High

iirs

DOUBLEVIEl,v lmout oxtD: EPI armosphere

on a

iIXDIOIUDI uloul :| tuduxoo ,t rhaku.. lwm)

i :

"orop A 8eal , !hls. lhB 'Nexr ls The E , and oI comse Go My hvonres "uelp Me To Belhve aid rhe indusriarallemarive sounds 0i'Yseh' p dslherark "Evrr),lhino'rltoady rcleased oo Mobys UrrDrci&l Ma nlv av! wilh a touch 0l lechio, psople acrually buy raw alhums? olhd than DJs, lr yo(h a ave

check em our

expet ental (us) lhtrd

lh

': !ood. Wrlh a bll ol uerbh NaicocI s ''Crameleon and loo0 slo sar md llulo Ptod : m res, ev0rythii0 s a ri0hr wilh me, buynC collecloi ol Ev6/k.hio mahral bea0selhevocals e nol very lntereslino. by tho khg himssl, Moby Ten tr.cks ol eleclro-dai4 fiusak. The 8.sid. wins aqaln wllh 'flve inul0s

slamoiio

i

Te.ry aid A on ol taa hous6l0ve. {ilh ore ve6iM lo.usinq 0r lemde hek vocak {hire rh. orhtr tealurus . male hooi vocal Ascal nslrumenla sahos€Nrd up by Waym WiLiams alonO wilh a vlb. mix. lealure Mr Le's Ep The o.ry v!6rns a.e lh0 cdo v6rsons. and lieyre bolh undr lour min!les. A 0rcal 12 lor Ihe

whatsounds oood "Be sorry'sounds i and

kne

s.

I

u30 k4p tlre orcove

:

lhry obviously

lor lhe kidr.

instrum0nlalvssions.

i i

shop 0l rhesarne iafre rh.h seems lo be Dopularwilh spe. cial0 snors nosadiys This is 0uile mlual UecausE

oooo

lracl

lllttt

rxt llg[t DntG

^h:out ola a.ord ab6liln

: :

Huta a Ftncets; )ive (us) A tonq wav lrom 'Gel Busy a iEw yea6 back, lhis 12' E k(hr'due b lhe excellsnl dub and

hne

dor 0r lhe kchno hous i rio (could almost be bleal[!31, bur no0 i Everybodys doino l-mylavorle i Rd.G

s.i

Prad

rhar moves your body. l\itore ll.avy soul $leeps you otr your leel to lhe heavens above n rln a man$ ol sEconds. Tlrs! holll lracks lo a.0 tNt enolqh vocals sa16tu vour soul to t€eo you ooinq on. Slrour odr ro GEinial lma America to b iq rhis oi. DomestLc Forssc an exc6l oioceol vork OOOOoT G

slyre some nrce

!

Majss" dusl..OO tor lhe

00 atto I. llt

rhylhmic h0use rracks lo q.oove your mfd body and so!I. wlh ex.ellenl koyboards llral rehr you mnd rid a groove

Trr s ox€

rak€s lhs same synlh sounds and

ous

beaulilu

as

Banalati ilen natea!

ra@d rhe

bites "The

n music inc udes sucll qualil es deeo, masledu produclion ldrlrulmelodDs and f,te sm0olh sDolh. ng house groows, you musl lislen lo lhis new rckase The kma necods grcupl.om laly s bact w(h yel mo.e soDhisucaled

yom

P

sone

tiirg lo oray aiolher "dnvel.pe-pusi0T

ti?i

2' lDltrr tE@xD l

ftc

Pnd

gy".

(

waoiabe undm0round lo.ks have

bol

totD t,l tortt Dr[(. ltlsslttlotc lolllclll oero 0h well,lheyle bolh ooo, irairs IOII tit vY 50u1 Also latu,rd is. cut @lldd 'f*l h 3.r li Ptod ttoc Haq soi: catypso lkty). me ol some oi lhe woI* Ihal Marr

Mastec Al Work. Dool0.t he wroig,I : breakheat.c d apptucido uhal M@w do, but Id ralhe, i see I app ied lo pop an sls so all llie i

oDlr loo

P@d. vaidus: Atnos4ma IUS/haty)

Finet rlnod produclloi. a.ololly.on 5lruc1sd. as exp3cl6d, inro a oroovc dlredlod wilh a mainfi throuoh pLrrposr o, le.drnO a 6uidaice harhonrcall smoolh iI llow, yel dislinclly chfi6 vilh illal ln&gnly inown as ahos .ool. Female voc.ld, l!ll-bodled pi. duclion.

epiinicalcd

ii

a@us on s1.u(

lu.e, llos6ly pa6l ols a tBilio Xnuckli lee ony li an up.lempoed lorfi. A mlxs d splay deplh ln prodmlloi an

w[

&nrud dnedioi

Gonn hav! som

laves so {0?e Oon0 DeP wlllr M.F. Erclon aid inslonenlal dlsp ay an inir €cy skillhlly $yled as a concsrod, yE pdmeditard maiipllaton ol mood wil a qorl sol ,or p dsaol surpriss NoM lo mpY l[ lhis ]eaod! 6OOOO 2H

IsrREETsouraD

o 3!


BPt

DOUBLE\,IEW I

ot{ Y:AH! Ptud N Va^aplch: tnstnct (us) ate ol my most larorles rqhl no\( a

iebllrehase oi isli.l lrom N k0 ie:tued a thr4 !n,q!e nies iiclud.

rnq rhe 0ark lrealmenl m x lalllnq uni{ the lranDev acid calelory y en gexc thaiks lo lhe h qhly 13 mru ei.ed percuss on The vidv re ease has a bonus me ow l6nce lmDk fted Aiam and ai addf ona bonus lncr oi lhe c0 rekNe ca ed No conlfol

v

bm iwave overloadll Th s is a healt 0ound no lrack not inlended l0r the [mid Nko has come back 10lr€ abe isln ove scene on a

-A

kle

had.orc reverue and he's do i0 0h YeahL is a a laflaslic iob with kn€th taedoscope oi mind befldiq souid wilh eiough energy t0 ovs oad a iucear reaclor. The kick nthistmck droDs lke a l00lon lL,hck lruck and a

rl

rlre basslrne s like a

w

miid cancfr lhal

vo!r body lik€ w dlre Ll!amenraland physica sDread throroh

wodoul lorlhe te.hio man ac A hard core DJs musl.oll record oooor2 TG

xrAn[ lwAIlZ lllAl oYrl

OYta

Prcd Nays: Logic (6snanY).l1e@s are dealive and inhleclla (ve track Slanig oll wlh lhe lheme rrom The Nulmcker Suile' Noys has creled a classica iave lhaue yo! watnq tlllhe sof lrack lhal .omes u0. Ercelenl lranstion Ii0m lht lheoe to the mrn Dan ollhe lnck (h[h is serousy smokinq H d aid oainill I lhink lh s one Dou d be lhe nexl 0 Forluna olrhe summtr This0ie'sa musl lor the s{ious nvD DJ see lor yotr*ll

!

GITI YOU HIAR IIIE

llV,

nY ut{Dttctou

: with 6s

i i

sahp*

producllon by Tony Too

G ca tor

Fu

lracks

i s'mlatEd mdLudron

Ja.

the onrylhinq th s sonq ieeds is a hoale voice to spjft up the backoround vocas bul, q ven lhe.horus, lguess I eouldnl work so @r Maybe nexl lme r2A BPM As an added lreal e s a rem r ol 'Crmis ol Love" on side B 124

lh

DOUBTCVIEW |GEP

t

ilY S!EP/ YOU mOV '/ll',t

sPRtllG

stRAt{GElAl] U. AflC Prad lV Edwads.

oVlI

ISE

BadOe the Dodge

M.C l,l.C.: XL lll<) Wel. atal,net bteak' beal record thal wi! simply osl losl in lhe

ever so q ownq wafnabe l€chno pile. Th*e have nol been thal many breal(beat h ls oths Ihan lra.ks lke sesam€ s

4OO

STREETSOUIID

b.{.,."

: prllllr w€l s€ll expLaialorv: nexl vou a-aro''' h. p r"d"aPn' ',ld e fro',Phill) silr mmd!;mLm lrcu e ems\r0lou olr-l A'Fpbv'rDapood.' l'd wirh I ror0! or w''oom lo'bPo'-e' ano 'ek' 0o' en. q4lh1\ow ooooo lc

and n lac1, when the soiqgelsqoinq. lhey

d

rndo"bedv rojooP

atl tHAt rrtl EAt. tr

i i

!

fElYtt Pnd Gur Pkasanl PlPzuft tU,) l A

P

DCDUBLE\/IEvV

I I

i hose lh;

lwsh orytuB

have snrlched lhis uD immediatey,lhen

slan

10 prinl

ifauoual nvitalons Yorn0

G0P caf',t you see. this is you pece ol heaven Ambass 10 Chie or cuba can'l you see Eal your smad E and lsten Ied Bobby Mac, he s mi ions haoPy sorery on royalties kom 36. Ths s thal campaign sonq lhal s la lored lo .onvince lhe masses thal 0ne more t me 6line

(l

! :

,2O Lelt

F

qhtooooo

2u

il icHARlY ifltt DtoDtGY 't

i c Ei viy himrr. 21?4727q75 ooor/2

li I amc[Dowr{ tR :

tSYC[a

iooooj2s -

OI

I{AJII

CII

dGreed. i1992bYno.om.da( n : rhe nrp o ndEnd. sood l sd olm^€ ! Mie l6on w6 hdioed lhE eme lood : wiy 56me lh,nos rufr.hznqP Fr* Mle : Tyson md G! onimo PEi ind alrlrP hm

,

11,$;i[1.-

t.

PElGTI Pod. Mac De Heil; Ratletuan lBelliuk) Yeee€s! Anolh*tsce 12 lrom lhe.orn' lry lhal sems ro be fie liom! ol lhe had core Eve sound-Begium Thh s a had_

Truel, rm Favno.lm Ravinq aid 0n a naooa Tip' blr *e al lidershnd now

vhy these racis did so big. hnl hnl.. orio nalily xL is tlst qornq ov*bo d wih lh s samp iig bn and uilorlunaley Nu'ftralic d dn l frale a o@al comebacl wasle ol vinv ii my oDinion No rooslos in the uK?wake uE xllllside.A ol/2, mean

!l)bm'

po!) lracks with beals 0a ore tast

enough

to

: I

a

:

,

ril.els o

llta

Pub rc

r

!o(i

oi

E'emy e2

@

t lUSt

make you ne.vous.

aidlor

e

i I

D&T

remembn the od antheo -but doil the new on€ s a ska/hardhouse

wt

a Todd rsrry lee and a kil Tlre a r Ed s rens aid oo0ifg organ palch qNe lhe lu.e a n ce lavor

lract

si

I

e

bul lhe i i i

slchy fuiky Budda sahpe

s as iolect ous as

lh€.hickei por

knderqartEd class afd

in a

wil

calch on beware. Yo! havE been

quick-so {arned 126 BPt! 212.246 0026.

!

i . :

flG

i

rxr

:

COTOUR OF r.OYl

ftttt

PtoJtcI

Pto.t Kran Reese SaundeBan: 6ianl

lhe

Nell B

fliutl

Ptod Sdh n Ateus/ Maaot

nol ced

not keep nO lrack, lh s s S312104 alreadyl 0ver one hunddd striclly releases?lz [,]aks us lee old.OOoo

Mae

rusl. one

al

slen h

bkes lo oet hooked dr ldvc l(d n Sandsson : hN a monsls on hs handsEllhlh s in. ud, rc glesl vomkl Ba.haelKapp Sh€ mriies lh€ lune lith lhe oGce ol a balleriia The i 12'has sn mr4 by everyone whos anyI oie: Undsqrornd Fes sta.ce. Jun A1l ns

nn

'l

ThP ilo

M.

nr

l(in.hrn ,nd

or

.ome

Be€se h

ms

t

nflYflt

t

OEI BOUI{CYlArriEl{

(and do

'l

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'Pro Black has qot : bear wilh m eirra : dose olOruiqe.Avod sreamns,you may : I.OVE ORE oel a moulh,u ol soheth nq youd ralh : fol swa ow Baw Basct row we re i Prcd sunseften: Sany (US) A nartaq lall n' Y*h, bov wo.klhal mulheriuct : ol 0adqe, techno and ambi€nl spr@d or oit bact ilo lime BrDk ro the daze : over iioe mixes. check I oullooooJ s whei Ddrcr!6lhelfiqot hPH rGdd' a v thev lee lhe one ind lsuDlosP : otsE sone volld saythey sl ). Ths shir i t{lG is alldal So whal I housey , ils also : Prod lV noom:A&M (LrS) calchy an phal n'mw Gel ovtr l.lhs shil lmove : uiusualbut nol lotally !neroeckd lro. dapan wanl lnEd love il and : more

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J M. Ledettuh: Mutdttekta lus) edronlc haninq loward alleinalve, vocar ly soskino. Mlle s a saie.hoce aqain. E

iooooJs I EIECIRO

i't ulDPt ltEr Pnd Wildphnet: Warp lU9 w h hE d s tola y the sound! 0600 B.d i appearance o,0uter Rhythm, the WarO RED flOI + DAICE IIPI i sound is always diiierenl rqht now An VARIOUI IREOUE CY sEX [EPI : hdlslria alDrialive sound plays lhe man Pnd. vanaur: cattnbia (us) Bty ths ! iE ba.ko/ouid slrnos and homrmade IRIIICI EDIA a bum only becauM rs fora qood.ausF i peicussion make up the prelty mpr4slve Ptud r lnove, M hnanuQ & DJ Den d: thar s Alos rcse ch. lsicnqoflhecake : EleDtron' whal's more impressive is a 6r,roscrp,c /rS, Ihe 116l rekase on thk thal some oood musc pops out ol l i mix done by soeedy J sr vny momal NewYo based labe. Th@lrtK n a . I is lorm Soul!lSolltr Nel* ollstandinq i vssioN, incrud n0 a oauq.le.hno mixal vou rc lnlo iardcore anaro0lechno (no Hoop s remir ol llre Yolfg 0sclpes i 123 BPti, Domoarcdlo 137 BPM, which s breakb4h!), check th s oul lm0onqua ly 'Appaienlly Nolrr ng A heady chunk ol ! lhe soeed ol lhe main Eurosync mix. Also, musD at the good ol domeslic pre N0 Brixlon bass gtuove A so rev€l rn a i crrsr @rih! compute, Edl ooooH moe need be sa d..lErce0l alrl6cks 'Ladadee' ess vrson ol crysla walere' soundeven benerpilclred !p!) G0 buylhs 'Gy0sy Woman', cou esy oi lhal man i ITiOYE Oi{ about loNn Jo€y NeOro. Good ei0uqh lo i wlrrow rr r. [(l rltHorY I Pnd DJ Wlaw; Ht Rtas lcanada).Ine IOXY IADY : sDacey llule mlx is a hous€ oeasm wilh I .tacH fltE 30uLD or r.sa : very pleasinq male vo.ah by [i ke Ptad a. Lalhna: Gtuare Karltal llJS) va oul ! anlhoiy simxEPlooooBdG SideA sablloo Ptud. vatious, E-SA IUS) an dsfilacl] (Edu.ahd 0uD M x): noror ous hrt in Monlrcal und ground circuils Totally.

leninq pleasm

oooooY.

G

nal w th the commoi ra!e so!nds.. bmino sidsB is mlch bener mixed wilh a common N Jo €ictrpl Bul v llhisone hillhe chads? ldoubl il Glve 1i liskn sde A: oo side B: oooo H unoriq

TRIBAI, [EPI

I

BAT V[tAOt Ptod. Eaatda Mitani: Hifech (ltaly) Eine 'l!ngeleDhio lEcks lrom Mlaii's lk ai abel one ol the lturs conlains sam0les irom Deee-Lre Lots ol percusson. b0i gos, congas Imbaes. heavy Latii sluil, incrcd bry chan

oooor2

F F

compikl on by an ndk oul ol M aml Florida. a abel realy doil kfoN mlch aboul 3ul il so!nds pretly qood 1o me

Mxture ol house, qamqD l€Dhno dve mp and who lnows vhal ehe. Tre ho!se lr.cks overlake the lechno/rave lracks

Hl0rrlqhts '0ne Day Al A T me'. 'Sunshne" and Do I Biqhl' Too much siilched maleriaroi the ur lncls N Jo, LFo T99 Due lo the house lracks the

tEcHltor&[[vrDl YATIOUS

l{

Ptod llla\ Leineand: RaekAneica IUS) oky, a you rawhmds, hse t is ! Fim LY a

Prod. ulttaha ne: Bauah ltade lUk) Lalesl rehase ,rom these iorm€r abel males ol rrip hop manlacs Meal Beal

le.hio ra!e video complalon thal realy k[ks some seiols 4s Ro.kAmtrka has pul roqerher the v de0s 0l s0fre ol lhe bqgesl names i ihe mve scsr! bollr n Euope and Am{ica loqether on lwo samming vdeos Some ol the many qrou0s

WEnY ,riAll Al{D WOIrl

E A $AT [IPI utTla lrlltl

Manilesto. Nolhmq seems l0 have rubbed oll lhouoh Th s is Dorclr music lo st and you happen 1o bE ovtrooi nq clri

0z 636 Brcadway, Suile 804, N€w Yo*. NY10012.

Nole

IUK).N1A1, nal

Blue

Donard syrd

nb

U/ANTED!

IIIE

JOY

wlvE tE t.

n.lve lse ol hp hop beats over spaisrl quilar 0r G Scoll uerof poetry slaids oul. in lh s nrd anrrlay oool/28.G

Pop dance

elsyof!s sluls w€|, al

easl Ya Kd K wasntlyhq around or Cocecola 6ps ile c&c w*e rh e Fr4dom W lams sanq

E

runs1h€ qamlllrcn the Hohes Brcth s qosPe 10 Eanem EuroPeai frouik n mrs. thD lnd lor !s dai.eheads aa the

YA t(D l(

NoT!) re eas nq the soiq d0meslca y ony after Bevoi s prlm*lrme Amencan & !vsion and Gd o commdcals had dr kd thrs

@d!.

Prud variorsi n/a fUS) A comp lat on wilh a slory lrom PBl Gabri€ s worldbeal abe Th€ b€sl ollh€ many world ol Musrc and Dmft tustiva s (w0MA0)sol roqelhtr for af mprompl! weet onq lafr sessioi and ths was the esul whie lhe mrsr

BTUE TREAK BTATS valtout lloE a

lus) wn rcslf.E r? Technolroiic

The

sl

out

tuo lracls lrom rhe Gr d. Dav€ Bal s imaq

D Auslit LaFae (US).

'Fevlon makeup m reaches an allllme lor( (bg s!rprk€2

UD

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oreak album ar

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k!ou. ffld

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tlllS

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anmyiiq PlmP

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WIAI ABOUI YOUI

lam liar Fiflh symphoiyaid addsalechi0 ish t(ck compele wilh rave crowd ye s. ar an FP en reehrn 2a0a the alhet llrrue cuh make lse ol a lew 303 a. d r ns, but norh nq excepliona. ool/2 A.P

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ambiance Swaying dlb aad house beals math wllh

vocas

Shhh, do ya

orlrr! cr ckels

on lhe yDl ow

whispeG and brealhy hear the soufd

nclded e L.A Style iroby, Lords otAcid 2 !nimled 0uadrophoiia and T99, plus mlch more oJ the b€$ n hard.ore ll You kerhetr c os you mustclrekoullhe rive

ydeo cips lrom Allem 3,lhe Prodigy, and NJo laoed on lomlion The ultmal! €ve xp€red.e.100% prc iardcoiFthse lwo

: GTOOYE ON ! YO YO HOt{tY

i Ptad Michaet Peden: live (us) snnatn i prcdmlon qelsa eg ovdsad genre : Soul Sou toies. 3l ol lhe rcm x Orovid. i ed by oake|,o d afd osbor0e entred as i Pedecb dnech a lormal al is a lhickset I yet dush "m€adow' ol stiqs vhi.h dned i th6 metody\ tocus lowards srccessve i solos 0l piano (R&B slyed)t0 revea a soft : drll rhrouoh llrtes whi.h ruse a lrafslor i mallon ol mood shifled lolhe .hunkDd : lunked'sound ol Shaii'0u lar cks i Aways r coiror s the w m slrensth ol LJK

th

I

the bas sm0olhly ryeav nq this quiet slorfr on qroove oooo2u.

YOUI{G AIITERICA PNI,lll. NYE [EPI YOUI{O Ptod.

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AT

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A Seanavino: zae Masik scorchinq rrioqy 0J lekn0 wilh ambience puchased lhatshould be immedalery. san traicis.o! back on the map bq lime wlh


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$tneet! DMR is your

"t'. carlos modile

#l source

for fast and accurate slreet-level muslc lnfo, Irom the boardrooms to the lredroom studlos, record revlews to business news, across the country and around the world, reach for DMR ftrst!

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TI I I

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1 y8ar' (Usl $50 2 yeans (US) $85

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71

Jaclr's ; House

I

o 4

Yoltl Ll.lul[' I surc (dB4arus)

I xEElt MooD

6

and rev ews ofAmerican ard Euro 0roduct. Pais has quite lhe developing house scene according lo a recenl y relumed Eeynald

far the best thing they've released so lar. From lie same abfied team that brouqht you, "Helphst' by U.banized.John Cialone,and Lem Spiigsleen. ftls garale smoker has several good mixes io choos€Irom.

3

Avery B00lV track. N.o.W' delve intothe undtrqround mixi,rg lhet bass heavy u( sound wiih a more NY undsrqtuund leel.lt's not whaiyou wouLd exp8ct, and it qers poinrs l0r being Jresh

2id oiq nal.

4

SAVED MY LIFE LtL' LttJts (EPtc/us)

Frorn one ol lhe slrongostclub/houso albums 0i the vear. "Saved IvlV Llle', shov/5 ihe orovrlh (as daes tna entne, J1urney Wik fhe Lonely albun) ol Louis irom one ol Chicagob old school DJs, lo

TNUE IOUE t(M SEACIAM

07l E4SrlUS) uDlo 'Trouble" is onm aqaln

7

ts#H,?F,tgflt5,9,E

rou nd label d islrib uled by PWL

O O

SAMBA

I

sH00.8.000

UK

rousE oF GYPsr[s lFBEEzars)

This monlh'sTodd lerry'strack ol choice Todd g0es libaloi this one. Simplo but oflective as

The

lnevltabh big nameAmerican DJtalentstarl ng to makelhe club rounds. Wrle:eDEN.171 rue Lalayette,75010, Pars. Te 42.09.7705. And to gei an dea olllre state o, French house musrc pck up the compllatron CD, Bespecl for Frar6e. Th s 14-tacksamper, dislrbuled by Inac, has some realgems on tand cou d do we were llo be picked up over here hint, lr nl Fof censinq info 1a,':33.4-924.9147 From Parh wetrave lo Ljtrechi (Amsterdam)

u

Viclor Simenolli mixesa NewYork undergrcund leel wlth s0m0 naai Euro keyboard liaeslo son0stress clubz. sanctuary is a new under g

SET ME FBEE ITGHTMAXES oil WAX rW4RP,Ar)

Deschamps (aka the Grazy frcnchman). C ubs, radio and reiail(a lotol suppor(comesfrom l[ac. France's largestmusic retailer)are aL hepng the scene establhh tself, wih lhe

inskntly likeaOle. The distinciivo Bmtt0n soundis ihere, with theillp side, "Beason" being equa ly

8 Ball is already making warcs wilh this one- By

n France, vou rea y shou d be n \'r th the peop e al eoEf a very Lool

B

,.

Kkn's iollow

qota house record and you wanl

houselanz ne Every couple ol months, the mini mag comes outjammed fu ofinteruiews

t

AdM/us)

9N

omme Drome is a house music colleclive. oroduc no musc, TVand v deo, a radio show, and olcourse, a maqaz ne The rlirsl release a m led edition 250 copy casselle, conlains 13 very progresslve housetracks, some danceabe, soane not. A non proiit abe,0romesaim sto ororoote art sts so that lhey may eventual v oaln reease of eslab shed abesVery coo slutl indeed Wrte:Drome, P0 Box 1224,3500 and

BE

Iaani ar wilh

l;[,lTE9#F,r,ff'0'

Morgan lfing Irom

Adeva al horiierc0 besi, great megamix on the b-

one 0l today's more ecleclic artisls.

5 lhis

CABBY OII MIITHA I{ASX (fiCAlUS.)

could be lhe one lhal finally sets tlre spotlighi lkmly back on il,ls. Wash again You know wl'ai t0 expect, and it's all ituro wnere il should be. Check lha Vocal Bass mix by Maslels At

Clutland, and as

{{

II

IIEART

SLEDGE rEPiclus, BogerS. giv".s house lans avery choim mix to

12 13

The ta ented

YOU

King has iormed a new abel in Lor'rdon

CAII'I IOUCH ME

x anEli

Pouacr

( EM 0 Tt vE/u s

)

TUMBLIII'DOW]I aEA$ tN

(E-LECAUUS)

This l,ack been lhe hard lo get nurnber ever since last yea.s Winter I\,!usic C0niercnce. Wel ifs finally sorlaced on e-legaland il's worlh the waii.

{,l.+

greal B-TEch abel.

s

I GAX FEEL IT pfiBo /srfl/clt

[B00rE

GLadys Pizaffo a qood all be

t

lo run Sweden's

xafltY

Emorive

/a

lltrecht, The

Nelherands.le 31.10.442.0511v

NOIB (ATLANT|C/US)

siis nailanolherone.llr. Clrandler0n ihe

10

I|fit$

E

l$$IlE

Yes ii'sthe record you'voal been wailioq ior. Yes she's the nexl ce ce Pensron.Yes ls golnqro be huge.

I

lexposure

\

JAGK'S H(,I'SE {I SO MUGH I.OVE MALNa

U

llyouve liouch

g

HllItSTilr$

I I

v RHviHrr,{4]sJ

srikes back, and Groove Pallol is

itlypicalSn $ack.

sfllllfil' Tlll ([' {l!,tr HAIPY m0I0AYS fErEffiPAllS) WowlEoy's own ihe prclilic !K rcmirinqleam do a major numb€r onthis altemalivo lrack. sounds a lol like a Kenloudub.

IL,lr

called 0M wth lheir first release coming frorn Ahannla. Te|71.229.4139Y Rumor has itlhat0.n tlartmar is in lhe stud oworkinq on

"Be oht

L,lv F re

Parl2' lorCo umba.v

Bockpoolpool k n0 pin and all{ound

n ce Ouy

Jonathan Xadish (aka lllr. Clean) has starled up his own trance/ambient/techno labe calkd Irance llledia First re ease is the freqrercy Sex Ee available lrom allyour lavorile vlny oulets Mr. Cean also nformsoisput k2,a massve upstate New York rave leatu ng llre kes of Adam X BeIete, Lerry[, and the aloremenlioned Mr Clean You can calllhe

Spuh k line al2l2 465.3299

v

llld'oclober

seesthe re ease ofa Nervous Records compila-

440

STSEErSoU[0


i

(d

b

i i i

*e )

ttl[ to in demand asa rem xerlo be reckoned wlthi

exposurc. Te|212.545.0489 V Eversince (alias lllarc Xlnchen) moved from Detrolt New York ab0ui a year ago he's been

i flalutlad, 8.52's, lhe REESE Pr0iect,Iom i Ton Clob and now, 0efiniti0n 0l S0und w th a

i

nice laid back

mixt0lhe new 'WhalArc

You

: :

llnder", have allreceved the [/]Ktreatment.

i

Detrol, and why New York lras been so

t

:

i : )

:

i :

i

n! outlor that

raw Jersey

sound;the r lalesl platters 'He Touches lVe' bySh'Sir (iun old schoo gospelhouse), and the dubs ol Gador 0I Edsr's seltiitled lrack, both have poleit a Te 201.673 3103 V ltus[i is a new labelout ofLA dedicaled to pop, houseand techno. Tlre r ouloflhe box roster indudes Xarel with 'Get 0 n U p", Adawna w th a lrrn e.vcrol "Bnrn 2 B Alive"and Scho-[ar featuring R&B dlvavesta with Fee The Rave'. Tel 213.296.0265.

n good : lorhim. "When lwas nDetrcitldida my l! i slutl at Xeuin S{undeBon's stud o There werc i aways people comin! through whie was | \,rork no, mak nq comments ke, Chanqes I th s D0lhall'and Trythis'. Whatwou d end RECIIMTNOTI NTW : happening sthal what lflfhhed making HOU$E RnilSrS ; wasn t what I really liked. Nothing was very ! so d in Detroii lor me. 'Somebody New'was : 0K, but I could have been a lot belter. "lllol. 0r" Wiltow leat. i,like anthony fri SiaslCarudrl. Several styles ol mk lo choose i Burning'was good but I did lhal allat my lrom on thistyplcalHg lnck, wlth the driving i place.once lcame lo NewYork,lhad no bias Tellu an mix standing oul. i towards anylhing and no one bothering me Acid Blues PmFcl i And so far, eveMhinothat 've cranked out i "tomt 81u66'Smash Hunter does qood job f/rsrrcr,tr,t/. ; here lras been preliy good!" llo that, and j on thjs acid laztousey : lllarc says maybe we see a'92 rem x of : "l&e Iiit,, Boorn Ta0q Bovs ieal. Chin lnieli makes one wonder what was go ng

on

: :

i

I

aiways wodh check

i

: !

i

a lnench nhythm selEction ,idkdlrb,'4&lsIlN![li'

B

Ion Inance. tion abnn eniitled. The NeNous BreakdawnThe paslyearoi Nervous s chronicled on this 14-tracker. New malera from ln Syrc (Victor and oanny Vaqas) w also be teatured. The

wtlr React [/]uscs UK Neryous compilation, ruervous /Veff vork Nervous album coincides

Walch for Nerr/ous releases lrorn &l Maci osh and Jotr Rohinson inihe near

lulure as we . V Look outfora new l\4uft assoc aled labelca ed Vites. Salpi Falcon and osc GaEtan will concenlraletheireliorls on lllurk, while,Lrnnel nO new underground talent into Vbes Network UKaso has a remix vers on 0ftheir great Murk Srmpler EP oul

now.v Those olyou n the Jerseyarea be sure Crurlrarg, a sassy little show on

to check out

the cablevision networklolally devoted io the

h0use scene. ltleatures live perforrnances and nterviewst past gueslir'rclude Ceytil Jeltr rs, Bobert 0w€m, Lolcatta llolloway and prelty mLrclr everyone else in the NY/NJ c ub scene.

producer/hostSicI "Skills" is always looking for house videosto a r, and he's a good hook-up tor new arthts look n0 for The show's

Lrp

i i i

I

i i

I

a

D

i i i

i i : : : : : :

i i i

i

i i

1rack.

"somebody New", atracklhal delinitelyshou

havebeef

d

:

massive.vWiththeunioflrnate i

demiseoiilllcru0ye,JdyBussellhasgone i

clli alre. Judy : and Rich should make Citialorceto be : oned with, and lheirlirsttracks looklike lheyte i on the rghltrack (excusethe pun).'0n i overto ilch Henander's new

Move ' by Xheii

rcck The

Bfircll and Winners & Loses

by A+ Eaclor are both typicalNYC

underground

lor Strctly Rhy'thm wilh tracks aboulio drop: lf,( culs Tel 212.757.4851

V

n lhe studio

Tery, Xenny Dope and Louie VGga. Aho, word has tlhata new S R.lap abelwillbe the slreets soon v Ma6hall Jelle60n\ 0lher Slde Records (Umosia being lis moslioiabe rehasO has primarily been operating oLrl ollhe Todd

on

lsnow of : back in the US, with l4arsha]comino : semi-retiremert"ForThe Love" byssld Ms i Slorwil be thefirst new t-ls release availabk i donrestically bythe limeyou rcad this. t's i good to see I!4J back in action and hopefuly i 0therSde willmake a bi! deni in'93. Tel i 708.868.4060 v NewJersey's FineTune is LJK

forthe lasl couph ol yea6, but

oL.rt

i i I

i i ;

i i I

i I

i i

(I o anta n qll K). An excall ert saul y aow ilipped wiih qood underoround mixes lrom ihe emoQing Boom rang produ.tion team. "[m Ya [ads Ud'ihe lncrcdible NlD (a.//Ztl. Really a rap rocord wilh a cule iouso mix by JoeSmoothi kinda' 01 like Cryslal

"k8ing gilh A Str.Uf

Tyrcll Corp.

(CorlenpolU$- This el€l'consistent UK €ns€mbl€ $ls a cool B0ger S/Sholter ml(.

"Br.tkr

Gonm Uofi n ouf' Bialc Eaxter flogla4./(.). Bagifl! up in the UK. C[eck tho Pump Da Bass fiix, nw and hard hming. The stron0esl thing Blalc's done ln a while. et,d' Anando (lntenananal Bad ,r)zl./S). Check ihe nice deep i0use mix ofl lhls lechno-ilipped NYC lnckTlere arc cool white laiel remixes aound il you car lind hem. Vrdo$ fte Srntonio Projed fryrerrryS). Cvren Jollows lio 'Kisses" wlti a solid live-lrack l€chno/0.derg rou n d lP, which lncludos a m mlx of 'Kisses" and a tun updatod mix 0t ihe Tne Sound'.

"lW

bFrrtor"

i

"Sod

I

Grcat UK house thanls lD

;

BogorS.

Sinon Clhie fEle4(./-

a

cked remix by

i

WHO BRTNGS YOU THE BEST TN HOUSE MUSIG? -G<><2rgte A..7<) re, -DJ Pierre ,Ai l/l/<> rl< -lvlasters r<> l<i.", <-,', e,', -^,/ra r <2f Pea<>e E, r.:rtr-, e S-Fl<)gter - Vlla t ne Gardirler 'dta)/-^wrliJllJt g) ::;.a). !2)l-,..]J tJ

THAT'S I/VHO!

STREETSOUIIO

O 45


3

7I GOOII IIIAilG ]EPI GLEI roffs tATtAvtlc/us) oul fs

$_

holl The A{ide consisls of three vlbs and sninq-orcheshted house mt\es by Toiy Numptues {The Mek),0rlhe Deep Funk H p Hop mix(4:32). Serious. Club remix (5:38).0n rhe llip, DJ crark Ksnt0ivss it io !sst€iqhtup wlhlhnEslammi0 hiphopmixos TheHiphopremx(5:31)ls da rea dopetmck inl.oed lvilh a repeated reqqaesample,to one hip hop O.oove. to anolherthru soullulvocals rhen dnps into lhat hea!, bassllne. Ihe Cla kmlSuosrmn{5:33)ksimiiar, wilh le$ stnnqs aad synlh lracls. Full rolalion rcquirsd. Walch

Soul Funlr R&B

o

i

o It AI{T T0 ouE You Dowil O xEtrl lEla(rBAlus) t

swEAr

(elh is $'e don o, slow jammie oriid€E and he dops yel aoolher one on us Five mixes lo mako lovs lo. 0 says lo rolare Tiny's mix(520) 0rlhe 0uieter v6rslon (5:O.

llfil5llil$l$$llr SOUL.FUNK.R&B {I

neir

.r I'UE BEEI{ WATCITIXE II.PI A t@.Pt tc (coLUMBtA/usl '

W6ll, lhayle come a Iong l/vay lom a small load band lo inler nalional sialus. w6 ve all been uatchino, out some may tun lheir heads at lhls one. Nol as club-o enled as the lint. B&B ,usion laced with hip hop ls al p ay hero. East SidE 12" rcmix

IIEART xarflY srEoGE iEplc)

xed by lhe S-mao h

msll, Rooersends

{N

us on a

jouney ol house boats ending on a dosirempoed UK souler. The RogerJ"a"Ao mn isfte ore to lam (6:33)rairy vlbes sldnos and 0uil&rlluprhislnck. Tweak itai

lU

ear. 0 says rolals lhe Bevi6 m ix (81 2) for you ho6e iftals Gospel chot mlro, a cap8lla drcppinq into da

{{

bea$. Thumpin' bassiordis 0roovnik race.

A JUSI GAIJ- ME IRMN Z cootct s (MofolaM ' T'Du'eoal\dno.rtnlt nlt Led

a

rio

hoo

II

bpd.

/qornd srale sorp boov! .oh1\ Ear.door Booqt lh owdow r 0, da' rp. ioLy Tiyes o? Darny errq'

E t,

r,

6

pcls, lq Fr

is

oerilte

!T'.15 2216 re o.e

d rle

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vpr ons.o (rose

MAGIC TOUCH t00sE Ex0s lIE i/uA)

&\

h sioD,'v,e00aesp-pdourwio0dooq$Omoro.GanqSkatsori^esa cbssn. Lillespi.e" Nu(p'oos0oa orroo, C'ru n D. Prrlq lo\c.rL1. es up dis hio hop.ilavored oroove oiv n us dadubvocatvibetoda end pu Ioulan eye'n'watclr lora lil1ritcd edition LP. Psacs

REVtVAt

i,ANI

E

GIEAUIT (OPAZTFRP,/UK)

reaLsoulshitls al piay lrere. Botled al I 10% prooi md tak ng a sip ror each ve6ion, onewlrlrlnd lrim/heGeli n a dmp body swayin'vbe q.oove. Iaste the origlnalFuokyvibe m andlhe can t srop the Music mix, which has a rap in1rc 0n dallp, "Nothinq's GonnaChanqe" an uDbeat U( sou n, a must ror qrooveniks. Da

E

I,

YOU AID ME MEI AI IINGE {E'SII4IESIIUS) ,o lh{ c\or 0 12" MelaLd.qs d,turnn hedo,aTsha..n ooolpt-

Feleae lhey have t goln on. Lve slammin'jam s!ppiied bylhedope bearman. Four hits t0 choose lrom and gel oli on. Enended remix (5:33)

G (,

MY I(IIIOA GIBI. ]EPI

rrlus)

i,4 rtAli DJ Clark Ke.t is dslinireli one busy dude,iunkn upanotheriam.Armedwithsix deadly veBions, rock lhe Supe. fiadio mix (4:31). Stamm n'.

I

[uoE 80Ys

JIII

I

RI

I

I

ET

By laulE. Lopes

a doubl. London is the MmHror apprec alon oi qual ly and 'tea " mus c,

ilhoul

new and

old

I fina Iy made the p lsrimage

and within iive hours o, arriving, I t0ok in more

musicalvib6 than lcoud anyplaceese nan entireyoar. Londonlown is lunlry and Londods

460

SIBEEISoUX0

BNOTIEES

'

srF

AXI SISIEBS IEPI

'

out an 8&B LP, C0 Cs has rclrmad, tnis Ime with a 12' house reloa$ with a bcak irno a P-Funkish oroove. always sar [19 d e wo4o lo uFie peacelu ry Tre Undynr t5 20) is uobeat lp

T0 D0 12 w0R( vaxEssa wllLlar$s rM /G/us, b backwilh anoherhit,

nljinq a onq Dres trom BtackSheep. but lhe sono ilsell is lko a'7os-ish Diana Ross vocatqroove. Ihe SuOer DoOa umix (1:52) mNisls ol rrip beats and 'Nufi

v

t

{

IO

sions io

rp

HEAVEiltY FATIEB Fu-scHilrcxErs

/ryEl

hrul

' '

R".mixed byT8mpled 2 Touch, this vercion shrts olr with U( soutish chorus drop, pinq iiroahip lrop yaGion ol the "Muder5hewrote'oroovs. RoJI 2 Futii A T bs Crlled ouest do the Mah ,nix (4:40) backed by a hea!,y break.

{I rl,

BE SORRY/flVE MIIIUTES OF FUIIK Motflxc lla tE nml{T DmEcnox

0h ysah!Jivslo me aqainandaoain,lhis stow head boppin', bass massaqh,,sax sern orcover is wodh da money ior rhose who have 10 pay io. ii. Four veuions io play wllh, D says lho Flula and lhe Dub mlxes dslinirely llayo itgoin'on. Checklh! dub ior ihe taci $al it usas a diflarenl d,um kit, no bassline, ioo-deep bassnrnes and mw schoed sd. 0n ihe 1lip, "l ve lMlnutos 0t Funk' , a roiatLy tripped out Jour, isy ol lrypnotic grooves mixed wirh $r€id riih and hearl-movinq drums, topped olr 0Llh da sax. Tak6 da

.l E

t!

t'M

lnpl

sl[.t [IA|

]{G

t0tEct (uPr0wN/us)

6ir,

where do you lhink you re 9oin0? 'm stillwaiti.q ror my birlhday pre$nt. Uh huh. il's anothersli0 o1i da leddv nite wlhlhis one amedwitithreeversionslo selrhe rn00d ngft Jam rhe mix (4:58)iorb6st resltts.

Ju

!

I

'

cE cE noGEns dzlt/Trc/us) Ater ftertino out ihe house freaks ksl yea, by putiino

Yes, the qoddess is

Bedone and rem xed, rhe imck nox, runs on m opbeat hip iop brsaklopped ou with yibes n' arl dat sweer sruil. Also backed by da oiqlnat !o you deiinitety can,l gowrcnq.0n da llh is tho remix oj "choose lve", caled th! sty Eastem Prornise

4

lT DOESI{'T MATTER IEPI

TYT.EB Gou.rls {P6A,usl sweetness has etumsd wilh a new ons-o. .adio, Ior butil's, .sweol. A midiempo waist-mov$ rhar makesyourbody

0ne record that sumnrarzes lhe sni re expedi tionwouid be"London Kits [4e by aic Toro

(NutiTufl). A adbackqrcoveoia ivebandand Toro lakinq lhe spnil or jaz soul, hp h0pand req qm ntolheirown cutureand experiences l1/lany

i i

i

backlo this side otlhe pond fs consid-orod sDecialor rekeshing. Lookal ihe Beattes Two Tone or even Soul ll Soul ior prooi Two aftisls who are r".ally making itwork are Mr. Mcxoy

Noel Mcxoyand E.y Hayden lstha

Snowboy's rernakes of Give ne (Bq Lile) and 'Lucrq Felrow

vo ce behind

peop e I mei said lhal Sialeside is where t s al.

rre lhe Sunsh

Wlhoutcomplelely realz nq

(AcidJaz). and hasqone 0n wilh h s lamiiy. as ilcKoy, lo s&n hsown Rghtracktabet. The new s nqle is lhe brilliant "Flighf and an atbum

l

they have taken in some 0f ihe bestculluralaspecls oi Arnerca and the Wesl ndies and crealed a cullure so unique and stl qu te diverse thal when it is exported'

(which includesthe nov, rare 0lder materal


Fay Hayden

is man b".hind

Oraz

(Produclons,labelandarri$'WhenWers

n

Makng Love b/w Donl Say Nulh s the sec ond best skeel soul ,0rcole ior su.nmer'92 and tlre 0paz produced Rev val' (ii() by Matine Giraurt slheilst Also checkoutlhe B-slde rem x or Galliano s 'Prince 0f P".ace" (Talk n

e,lts Mcrcyand Nayden h be lhe iuture, and lhey're detinlelylo be

I predict borh ra

massive in walched and heard n thetim"a be nq The Englsh c ub crowds slll laketime oul to

checkoullve bands . Dnnfluoncos"Good For We'(Easlwesl) is a wicked blend o,'90s dlsco ,unk and ius 0n and inc udestheAcid Jazz classic "l'm The one". UTE s FreeToBeFreeIoBrealhe'(33) is nice,with m d '80s produclonslyle. Finalyavall abk are lhe muclr av,aited uptemp0fusi0n sinqles

ons

Promis"." on Honest .rames new [Id Wm abe and,ramircqua w ih 'When You Gonna Learn' (Ac d Jaz). Bel ,ve me,lheyte muslacqunes, AS A P Olli€ "Superiuice" Buckwell's Dorado Records lras sslab ished a superb calaloq or music wilh n a shorr per od ol t me and ote s housey Ropercuss

Lavelleb

Dt

Hllil5ilil$ F:.4\P {I CIIEGK IT! Lm0s 0t fltE

t$$llE

llyou heard Psycho', coo Availabie on the commeF cla re aase is "Check t', ako produced by Marley [hn.Ihe bassline in 'Check lt plus'Psycho", one

tune Saly's

onski's

I

Rap

singlewilrmake L0rds lhe hdlest new qr0up nsn t0

a '

HEAIBAIGEN

E?ill (cHAos)

Hr sqlad posses !p fora trcacheious sinqls rhar should've b6e0 sved ior a aler dak .llke Armaoeddon. one lufl lune The

2 r,

S0Ut G0]{IR0UER

GNATO PUEA IE.ETIR,4,) shamelhelhiiOslhey did b n0dney KnO,ooes t0 show ya, qho controls ya'-lhe lyrical yme maslermind spons a klck ng solo LP, frel Io Beel

'll'ra

4

{[tY#E]illl|lqcEovEn PETE d0cr I C.t.'$rt0ofl trifioM)

Tne reason why Pele Rock is on evory rsmix? Causs lre s got 1lr0 louch thal ke6ps recods allve (especlally g e

E

I i'[Ti

uxoEncnourD /pa,/rulurrl

his own). The Vibe mix istheseri0us l0int.

I

10 Bt0lttt YouR Mt1t0 FEoMAX rCHl4oS/

the lun]q rcnaissance is |rerc as Bedmai, produced by Eack Semon (EPi,lD), unloads rhri? //bum "BlowYour Mlnd'is a mere d.op in the buck-

Ir4

{{

I!

JI]TITIY JAMES BElsIlE BoYs /c/P/ror)

t

Some psycho,unk to p aid waQ any iilusion you have tl'at hip h0p or rap wm iust J.B. loops and hAe

{ A BACK III THE(cAPtroL) IIAYZ I

Z

m/I,GE.r0,Esli

Llva Ircm lhs Apollo, lhis lrack saJs it d . fr0eslyllng over a c0llecllon ol classics, lhhos oet out ol hand when Chill Wlll drcps Farkie Bweny! '8eiorc I Lel Go".

{

t

IO

BAC|( T0

fiE Enrll-

rilc sERGfl tDEFlM)

Featuing Chubb Ro*, Nasty Ness and a host oi olhels. Serch's Posse lnck. available 6 the B-s dr to i!!]erc ll come", is whal your cew wan1s.

Disciples uere on the

EP (Ta k

n

Loud),

a bum but are

Jaz l{ol Jez

is

wlh lhree s0n0s thal

nowlu ly developed and

lhe atestlrendy name iunkl

(taken irom on-o or Smash s pseudonyms) lor and jazzy thanqs. h thalvein ook outlor

Hustlors ol cultu.€ s "Taste of Bass (while rrJ Food s doubh vinyla bnn laz, Bnkes J (N nja Tunes), sprrl r, MorkeyEP (luousetnp), rabel),

PD3wilh'Now lvlusic PadI {Pavdav). nlher usua we rd and wicked way, lzit comes bmk aqa n I0 'BreakThe Equaion (T0ngue & Gr0ove). iealur

inqlhe

E r,

PEOPI.E EVERYDAY AnRESIEI [EvEL0P[ExT lEMi]

This was my brcakour pickwhen T fiBrtuned into this LP. Lyncalr, you Gn'l 6k ior more l.om a group and

G g

izilla

I[

THERE IRMXI BooGrE ootn PndDucntils u/vEl by Tnbes [4. lvuhammad. Ti]s sinoh. w rh ils WE

Rsmix oew bassline and oiano loop, adds more

lhal brnq Enqlandand

mesrne

10

JUMP AROUI{II ]RMXI

?Nt tTofrMv B1v) ', o caxc B.Y.S. sTAnn t/.ottgE ot

.T

l+'

I GET WBECKEII HE tr'EnB EDUTATNER)

Pmducsd by l(snny Parkor Hsalher B hates lhose damn cos. ]no inteqnl! ol hio iooculiure lssaved

{E -{ SOUT FI.OWER NMN a

?i

RcroE tDELtctbus

vl

vL)

Pere Bock add0d more botlom. thus enandin0lhe lile ot an akeadypopular record,

Souhity fung fanily l5ot cil/) and lhe Landan Urdergrourd (Boombast c). ln the tan'l-lind llre original-but-at-least-il\{eis ed' caleqory is Mawa whitney\ it3 My Irlrg LP (Shad".y Becords).

Don Blackmanb

album (Ar sr4 and

oniy and sell-tithd

Eoot,racksons

Unlinished

Thanks lo all the orig na London sou groovers mel thai ke".p il v bes in and especia lylhe mosl

sweetand beaullu hoslandguids,

O

tcHBlsnt is.) rne s,sidero'Er,GirlTo NerrGir'.'B!srYo!rshir" s a bi liart olibeat pian0 000 lnar calchos you look-

n nEBE 0r suct( lc0llu.tlE llan i, [rca8lE PrrxETs ly'rrvDUruM,

ll's bulltlikedate, slacked like dal i ows ike dat, d$p ikedal,cause l'salldai HD hoD rcach6theSoHo

+D Dania. a STREEISOUII

E 47

E


Bums, [+99 and C@ledash al] pay hona$ 10 om ol rhe ben6r Nonhwesle.n bands, cove,in! bolh W!e6 and saoes soto mtedal. Phk clts inctude Potson tdea taktiq on 'Up rronl' the Whidoes Land0IhELosl, dHoles sialino Gnd ioo ol over Tho Edgd This is limlled bll

EP d 5 TIIE 0vErl([.rrr0ucH UBGE

bute lo H.P

oi

Lovedafr

unbeam"? G0 lroure lhls

d

Jesus Wanls IJle For A

!o wec

d

y dennoe d

oJinile

{ F0ITAilEU.E ! rmts tr roruro oelli i@ a bufr

the se6

6

iio iitoducls nN ba$hl lhebaclboneqlhlabulous

Ktt

anos

1

on

iraureen Heman who handhs $e. Ihesligle, "Bruiss

i

Violet', lsp!rcvenomand &l qiv6 iewiisOm othe word 'lrzl JuDg e TE i'ieatues the sm/inos oi bofi Kal and Shw Spasm (Lubncaled coat) "Mas ck nuh is luscious Lo ri's pree oJ evage ry ed loru ing olhfr slelar

"

BoCt( STABS

lunesiiclude BOlrl,'low' lheBalhalsacoustcsol The 0u el Boom "Blmbell and Nandsome & Grctef. Tolped on wftr pholoEapher Diva Cindy Sheman s er e coyer shol, he . lrre pho e conepl brows (a host) arr the oltuc

aboulanyoillreq.oups whow€rollreE thlsalbumi lslhe void. Bikini Kil, KBi$, M&ca omd Nalotrolllysses, Klckino ohit BGlmobih,WrchvPoo Sleve Fisk. Jad tar and some velvel sidemll+omelhino lor everyoie slddouk inc ude Nlrana s "8eesw", lhe Molvins inLi se nan oscond ol "Ed Sime My A@ided' and 7 Yar Biich s louoh sn l '8'Ball oelure'

B1ACKBOX SET u

a

0ts (B uc KB 0x/cA R 6 0)

So many baids,

$

liflle hme. Frcm Gemany s Ahckbox b6auli,ul $t, They sue Nlw how lo hake cov€ts In 45s ov6r lherc. 0n io lhe baids speedf gqs a0d AE Sirleleld Poss doino cove6 by Becords

.om* thk

Oomagi

Poison ldea,

i01a ly Punk Bock),

I.IAR ttE JEStBUt,;,t

(ToUCH & c0) Lels makelhisi!mberomanda lEli.. ilslrslawee sho d ! Ten adioft 0&lcd ilens L?ck irom tbeso mosl lrisled so0s. No !rodrclion hJo, bll lrlsl me. lh!y\,e come

6

close

d

po$lb

llve sh@. All lhe

e lo aou.inq lhe pslrhos cds $nd you shmmino into

s ot a brtdk

wal wilh your eyes wlde opei, pani. u & y Soilermakel "Ghdialor"'whd Trchariah'and specialtylhe wilhiio "Puss' A! df t e$ lracks wll bo includd m the Liald s locomln! solil7'vilh NiNana.lls hard lo oi.kolllhe hiolrs vs lho lows. il alltlsl, ts toqeths, tiik after p mat

3 REACH

only,uellielrc. Gu*swe'wqolCavii

Johison lo lhaik lor hh qood $nse. llyoudoilkiow, Snufihal0dousl o lrcm Enq and, evollig ti iqs like a melod c lrlinor Th16l, or af u lalhBh No[rsnsNo. The moksl cll is th8 instrumenlal Hetlbolid", donotere wilh meralllcized chops aid samplA ttom clive Barke/s /]e//delll cks. other dual.contol ioDter shidouts include I Know Whal Yo! Wanl',' ll I lrled "Teabao" and 'lclrdla 30ddlra". Ttusl me on th s orFl lnow whal s

I tu HIT

Th

I(,

I|EAITI !T THE FIITURE HEAO

(wAB NE B 8R0 S. ) s s a qood hdy, pEdhedeli, lred album 10 hal lcinare

l0a15a.m Bltcom nq irom oUahoma! Flamitrg Lips lhls eilly lsn tallI.xoeqted, nof doesillale 0E Llosaiviu! lher nlo the vmt rcah oi. ? tuer lor lhoir sonic propulslons ol demeilia, llre lalesl lu I lmolh seems peocc!phd

no nomenlarv tunes thal sai ftemselvss aoan irom the backommd arc "Deathpom mfroda ly s us' lhino?

(lhos

iolo

Ghodale Aflerioon'(duz ii rocks) 'Tho Maolcian 6 Ihe N6dacho' dd "Fioot' Maybe lhis isn I so bad ans aI lkiow Wavne aod lrrichae awavsrcderm thomseLves

I

7"

h

lhe slraryest vays, cool loilet seals amono

THE WAY OF

48O

STNEETSOUIID

IIIE

vasEut{Es rsuE PoP,

VASETII{ES

Aiollwband b.0u0ht10thE spollqhlbyfi€ novbrced lhe Scottshd!0otEuqenea|d F6icis is mmona &dii thhcomp ele h noryolllren records.llre vase i8 have

f

solo

oollY Put[T lfsrRUJ)

kinda [iedilerunean some lasty hids ol Shadotr1, Men s

{ .t atTERl{oo[ oEt rcHr mvE

I

I

SOI{GS FROM SUB POP

vmr0us rsu, PoP)

,ochrs in I qht. 0o6s it suror se you? Hec( sub Pop Iak n0 oi x-Te en1 h ud. The $!al smltedrgs o, in housebands(Codein€ Se&eed ComB)aodsomocehbily oudsr sla6lsebadoh Vaeilies,Smash nO Pumptuis, Beat llapprnim) alr lake Ihe r owi slabs at lhat etustw ehmeit ol i,e. Geen B vs',s BabyTakes',sachssicErcle6e wlr ik th6 lwo new culs by Fev. lono i Neal aid B ly Childish I KyG, aru lhe coolAl momenls ol al Sky

EGYPTIAI{ 12 MR. waYlc (flsr J0Ht

PUPPET.)

A[hou0h the tiue lrack sq!*tonab]yr@isi,1tures

deiyhg$atlhisduddlslola

iucled

no

d.uilcst and mod bnare Gd n{ck counl ry lBa[0 you'] evff eicolaler The0 sideisan lMi Thomas Rouse coyer,lhe h lbitty 0mi9e Bldsom Special Pur poliri@l corecia6ss aslde, slapdo{nthe prpleviryl, ard qacka bot! tllbeasin-

{ r'

IO

So me

y

The

avatailGlrE sour vnvr soewur

Velvel

Sid&a

k

crank oul langly ctu

1x.1

i.h,ork that

uid6rqrduid I dunio, alotollhe songssduid lke difirenttakeso0omsinole tme... From "Loch Nosl aid oiwards, sombodywaoia has stfrud the sccalled wesl coast

14l,r,flf,*,,- *,

A @ol ca ilomia combo wirh an akioht rccod: ysl aiollrfr larlor h rh8 sai Di6go sceoe. whal's novel about lhem is

thal boih Joel and Julie handh ou kE ad vo.ah Whal2 She d@si t play bass? 0l all llie qu y powr pop hem, my p cl 6 Pinball , a I ne iDbo klida rhang latch I

BECAUSE TIIEY CAII 15 fiE rc Nt Lot

(S HAKE/CA R G 0) U 'inrce.ho.dstuleLrrhisNevYo quanetYouknow,that posi Dubeeenl Bamoms slvre slul1 ihev ca I a'dealive oulbt'? Klw tryinq guys, and yo, r,!. ctccoie? Yo!

Madoiia\.ousin orsomelhi0?

RocK

a Oreat baid out of Pon and,oegon but '39 alter an oJamo$ e8er LBd Wiper Greg

bums.Yellhe W pe6 remain trtOh up oi !ta-h p nt! sice ish, proved in 6mesl by som€ hol covers i thls lovely box sel. Folks I ke N Mnr. Naoalm Bech, Dh ma

ilEx

Morc biaro $d mus c ircm rorcnto s fab tdo. La$ winter iliey holed rp ii a chi.aqo slsdio w th any knob hxtler sevd albin , and lh6 lwo cLrls 01160d herc are 0an ol ihe Guts. "Spy School GBdualion Themd is sld Etro styliigs dosed wirh rher !nique I air, whik "Me.6' gets

BOXI

Saoe s now in Phoenlx. aid has sin.e rcleased a

SOUEEGIE

OOG

w

lh lhe lyr cs as opposed lo llre lava lamp moDd mank you gopped doi00drugs orsom+

TheWp*s eere

a

Bob (who a@

ne Llps

Vaio,{6 lTlM hERRf li

Mdihuh

w

EIGHT SOIIGS FOR GREG SAEE

bmke !p

Sand

lo€$em lor Waym

EvedlhouqhSnu,Jappacntybroke!paye aqo,tunou abo!ndolarclo.nalion.aodlhB rck6e olhs bril anr

& THE WPERS ]4 X

oltch

the Dulrh hadco@ ol lh6 NoBmq a

splll 45 wilh Gddan bands EA 30 and Th6 BoxhamsleB Ako wonh iol i0, lhe sl.1lesid, cofltribut on ot NoE [iob (rhey do ai o sina , prus Bob Dyrai s "Masle6 0r '), Glifm a3 samiam and Blq chleJ iclude their'Be in 90' ,15 ilo h s packaqe (wlth love, 'm suE). thls sel r lo be oved s moly oz it! all rer i aid on the ov*bearei oarh

w

siluFF rKl

album will

r4

YAnr0us

Nol10 b!.ontusDdwlh1h! ofiical nlenalional pop !ndei' qrcund doub e album (i// Aoc* 5116 is anolh* compilaI on haluino some ol lhe baids kho played Ih. Fesliva olympia, washliobn lasl sudnd. ll you\e beefl cunous

7

10 $u0 Al{D0I sl Y

ii

lnnnisalv,lrurn

I Prcdu@d by lGl Slelhrd and Sonic Yoult s Ls Banaldo. F0 anelh h.dens hacr lo fieiuryleltonlhB Bab6s'dobul, Spa i kin' Machine, yet ihey've o ol lt moc to! etho r this time. Their najor abe out oJ

i,a

oiamonds tou'll Be A Womai soor' bur 10 eaclr rie r own dok,rioht? Slull{Paltl)" slanqurdandsow while 'Goodbye l0 GuWr le winds ddwn wifi a hipshake. The hish qhls ae lhe pBiolsly rel06€d (Now Ihalt) rhe Barc'iods' aidIhesllngino wiatsThisGenealo0 comiqTo?" w llhesultansolslylebeabhlop! onan ablmt wonn 0lcooll0suroasfteir n?Waitafl dsee..

R('GK

2

601

These quys arc cedah y Ooninq tun shlck down pal Srri/fP kick on w[h lhe crreBiesi oi cove6. Neil

I

Hllt t5 ilil$ t$ljt

, .+

S

STUTJ.

t

lhet

t

[0rEs

How many rock collmnisrs do you

lii€suh

I

kfowwho m*l

dead

eonva@1ior??? Greetigs lrom the Pacitic... Manyapologes lor ny idrcllouslalx pas steplrai s, qul' lrtisl 0l T Y%r 3 th slhem€mbtrwhosomsedon,0ol selana lhe voB sr. PkaM exDuse my m siilormat on.


l[]t

lo me'carse ii's more induslriallhan sorne olher mixes (ldon'tknow how many mixes,70n thc CD

lSrllrs ls$llt ALTERNATI\,E G TIMEBOMB IEPI . THEY'BE HERE SIATE /ZTT' I' i}e I zne ptanpuouawt) ldonl ter.

plus difforeni!€rsions on ihe 2 vinyls, so...)

808

Fon mix is quite heavy,lheir

Hea!ry suys. oulu l! Theyle back on ihe Comp eteLy dlfle€nt lrom their previous stuf,lhls is iust "unbeiievable". T[e beat may rcmind som€ ol lVinislry othe$ of Bevollins Cocks. The guitff 1s rockh'rcI|. Tho keyboard is almosi techno-nve. A curious blend. But itworks.

a llW0 Z i xBTnY

r,

1s/BE)

T00t AitD otE CollS0IloATE[lrlEm4lEBi]

0ne 0i rheir best cuis. Tlre r

, I

rLe

track is

Altennatiue

A SMAII. YIGTORY cnr:i. to norr $usutonoon)

RemixEd by Youth. And il3 a rcal

The 10'Ext€nded Dance mlx is in lhe same vein asthealbum ve6ion. wlth a coupk oi samples added in ihe m ddh and a long inlro (45 seconds) lacked 0n lhar you can uselor number 0l tlrinqs. A surclire hit ior alternalive, industrialand

.I

bestcutsincs

"Cubik", but really rik€ the Iest ol t'e EP. Too melLow ror me. bul techno house lans willlove ii. you like techno wlth an edqe,lry it.

rsrnix-you can

&&

don t know

I

I

12 I.OUOSPEAIGR /,4tirn /flvE

smrEircs rE /r,ActEs/ li s not ska, il's not black, even il it's a bii tunlry...Bed Hot ChiliPeppe6 med Daad Kennedys.

4

ot{E DB.

I

AlaAil

ilan"and"HelloAirik' Pedectwhenit'shotand hlmid. Even ifsummer s owr Butyou know. ll's always summertirne on lhe dancelloor.

t,

E0GE

T$flitls

MEAT

E EEYPT IDEF OIIE LITTLE INDIAII) ffisr lne lzbulous 'Welcome to lhe Fljfurc". anolher Oood record by E&E. Feaiuinq DeniseJonnson (l haie hervoice, but, il'salmost0Khem), the'oub lUelal" verslon is lhe most inlerestinq mix accordino

:r-'!, rii

T

l{tftt

norolvs tr,qcronv,

0r ilo co[TR0t

{, la

tEtT

1{ATIOT OF PIilHEAIIS

mlrrunw yvaaoaru ouxruu1

A stranoe band. A slranoe s0n0. A dance beat, last lempo, wltn ebclronic sampias and guilalsia bitln lhe [4y Liie Wilh The Tl'rill Ki I KuLt slyh.. 0r lhe

lndusirai. The album Sarrlco4 willbe outsoon; best tncks are "Mlndstmam", Cnc es', "0r qinal Conlr0lVersion 2'and 'Phcebo".lis in tl'€ lvlBlvl sly s: always lhe samer wod"s on the fiythms.

15 PTTASURE 0R G0[s souP

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mromnr rcRlqrior)

I rn

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fiM p fi

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qle:it'sintheir"AmericanSth'.TheRolinoSlones

Foetus sono and lin ishos llke a really s 00d Lu sh sono (iho sono Lush nev€r wlote and never willD.

THE

aBi

Not my hvorile song n om lheir ast album, bd I understand why they released it as the second sin-

Ihe f,rsl sonq oil this EP disiulbed me ihe lrsl iime Ilistened lo it.ll's called "tuuca', shds llke an old

I II ,$

mppY

besi are !he ones wilh th". rem xes by orbitaland Consoiidaled. Both are renllygo0d The Take C0nlrol/0rb hl Bedy 1s rnorc'lechno', while the Salyrico n solidaled/Co m o I d aled Rody s m0re

-r@i l'1

sTtxt(il

The Boy3 own mix by Teny Fadey ls lnlercstinq. Not the best ihing they've don, but it s still Happy M0ndals. Also, lor ihe lirsl time, I gol the chanco to listen h ltu cover of "Slayin' Alivo' (tie Beo G€os ctassic) on lire CD single, Jrdge Frdre.. .and ils quil€ lunny. Even bcterihan lhe leal lhinq...

{ n ME0EC|]{E lEpl

STAIE OF SUBREI{DER

$

IO

PWEI

MTXTFEST0 rPl/S;4l,rUE 0nca again, be sure you gettha riqhr m8. Here,the

t0vE

18,116) Yealr,lkn0w, il's dancehall. But nol really. lt's worldbeal music. Bul nol really. is kind oltechno' alro{aoga-danc0,s0...l suppose l5 alternalive. Chock ior "tlata 0h A Eh'. RoIDownDJBuuber

E

{ ,'

wlu

Meei 0,N Sound versionsi I prcl€rtheAd.an Sherwood enended mix lntheirold siyh (ol "This h Tho Day.. "), ils a happysonq-smile when you

excerpis on culs trom bands who have nothingl0

rmrsei oar)

onlysong lrcally lke here is "The Flaming Church o, BabyJesus". And lfs ih€ CD ve6ion, 'cause ihe vinyl version's dittercnt. Knd ol wetd techno,lmm weid guys wilh a \i,€ird name.. for

lheoriginaLsong

EAr rrSEE rBM6,) 8e careiu I find lho good mix.ldidn'l like lhe

doasn't like instru-

r

stillunderlhe

The

BUUETPROOF PoP

a h t. bul l'm

{{ TV USA I I g:rp or onum

tution23(Fuli

lono hairlll) wllllike it, but lthink lhey'lliind some

'lotomodities 92"

ifii'llbe

ol tha'90s are back wiih anolher hil. The Fevisiled mix could workamost every',vhere. Sounds like fien bsl one, 'Divine Thing". The perlecl t0llow-up.

I

N E\ / SINGLE 12"

IA n d Die .

V-|3867

/

CD's

.

X2.13867

REMIXED BY JACK DANGERS FROM THE TORTHCOMING ALBUM:

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HIITTSIllI$ I$$Ilt REGGAE { GA G WAB I cocol t:l a cum mltxs (MUgIC WOFKS/JAMAICA) The usua top-nolch Llusic works produclion com-

'f

BUDE

BOrI

GULruRE SHOCITA\IADA)

one ot Toodo's hott€sl tiv€ acts lrits Mrd l€aturing fi€ sing€r0J combinalion ol Frontmen whtey Don and Fftndlyman, ihis tune is originalwiih a Jamaican mix done al Mlrsic Works. So0ndinq to!

timely and conscious

A 4

n

q l]var noi €ven tl]e

sl.on0

{{ II

]EGiI ITIIEF smcta a currv rrns (xTER M I Ar0 B/JA MA I CA )

Bob Dylan's "l Slull Ee Released" returnsioregoae wili lhe same bassline chosen by the Heploneslor iheirversion. Sanchez us$ the Dylan lyrics rvhile Culty adds ln hls DJ-inq abourt leqal thieves (we

klow who li'ey aro). This one kicks.

e g

f,HY D0 ErRrE S, f,iAIX.IERMINAIOR/JAMAICA)

sanciez sin0s oul over Cuss-Cuss

a very

percussion-onenled

fiythm. His many hns will appreciale

inis.

4

low

aEsEL (PE N TH 0 US E/JA MA t CA )

iavc trith.

GOME AII TATJ( TO TIE

FiIXIII

PAUI.

lJo Hl,l JoHl,l/JAMAt CA)

Jammy's son Droduced lhis cover of lhe ooo sono on a redone classh Jammys rn*hm. Nicelo see Frankle Oenlno back to

e g

lom

Yolmt af,

ruE8s

Man0o

ha ucled

Baroa?ro rfivlhm, ahnoLoh oasc-soundrr

I

MAIIiIA

lleir

oioi.allv c2ltd "Fallin0ln Love &ain" wiih Bercs so'o 04 hB hsl Penhouse LP Theaddilionor

Ede,-

:

candidate lor iho mosi redone and overkilled rh,1hm in recenl mernorv with manv inilely

IPENTH1USuJAMAICA)

h{*hos€

up rhis smash

Buiu's 0J

prc

chsck od

II

I'AMA

1

oro

1r.4

SWEET arlruEBsAnY r0 4 tN , tHlt MA

rec6nt 100th hirlhdayolempercr Haile selassie. Conscious lyrics, c.tchy harmonias and a good rhythm make this one shine.

PPA/JAMA:IA)

onrhis

{ E llof, GAil I fomET a-{ lua ilM (RooF/JAMAtca) , corpP ptni

n IFE sone was

Junior scores aoain uilh anoher inlelliqenl release on a calchy lh)lhm, askiag My 0'€ youlhman dem brm murdere.. A5 usual, Junior kEeps snong.

rckass,as pid or.y€3rri

Hcr

uEr'

r

d

eT

an LP or lne sime a ,nucI crEper, cEan€, 's

nc mu

sounds a toi lre Ha[ ano ttn.trnior h edo ot tte ooce oletu[ed Tri ono

IHE NEW

$ttill JtAlhl

oc€t.

souds nohi.

FAOAMUMN.

SLAMiIING LABEL HAS

qJFNENILY RELEASEO TH€ FATTEST HiP HOP BEGGAE

GDTTN

TBAC( BE@FD ENMLEO

I

on an

li|]dm. Tn6

HIP HOP BEGGAE

DANCE HALL.

RECOIDS ssrrrcE

Jtultcl)

(JAH /JAMAICA) VeleGn oots singer Jahman Levi celobnles lhe

{ lt PUII G UP BESISTA]ICE

[a

tunNeot

6nct.

Tle

what you gonna do a lile senl6nce."

sEsEs

up eny

Tnis sono and the bogh dance craze is currentlylhe honesl thin0 in the dancehalls. lhm is very basic tui makes p€ople move.

SCfiEU0UUEI fGolVG SrUrVrS/US) Wortinq otl an interosuno lick ol ihe Cierry 0h Baty rhylhm a.d usino lhe melody lrom Pelei Tosi s -WIat You Gonni Do". Sclewdnver up{hl€s il to '92 wih 'Mama mama dem hold your son say dem charqe him lor coke and 0un. 0h rude boy,

ll

lyirs lvill $al(e tllis ticl $s IMhm.

{ 4' BOGTE gwtrgutol

own ver-

Be,et supe,b sonqwir,T shinesrr',oJeh

tlltwgrlto (,tuntwce)

Kl

o IruBDERsrEwnorE 12lr]$llr$l*r.*r*rro o durr mrlE t rltc,vo0zst

I

release-wise.

ITIIT IIGilII mYr: rorme

(s H 0 c G vI RES/JA MA I CA ) Wayne covers That Nighl" 0n a heavy well-produced rhythm wilh a kinerbassline and decent samdes. iis vocah are also above his usualsiandard. Thls should be a crowd pleaser.

ducersand artslsjumping in willr

OIIE OAY

ine boorns on lhis one as Tony Bebel comes up intslliqent win [rics iiikino aboui peopls ho0ing lor betu and encou.dgiflg he sufrnn0 lo

5

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andfullottiingslo lhink

"Ga

Reggae

class and conscious, wilh inlolligsni anli-badrcss lyrics. 41 6.977.1 874

!lem€nisihis slnosr-oJ combinaiion. Tne trics are aioul ror tre 90s:

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The Brq ' highllghi lhis hsue: Kris koss I4eqamix. Near8i00 otcalchyhp lrop impressve mxinq bylhe while guys" prodLrcinqand arran!_ lssue3 hadacoupe ofveryexciting mixeswith i nq. Chunlry beats Mapped around the orass "Jump ,totlre nextbq hil Warrn li Up' a hngthy DGE Forllied mix ol'Jump i appealhil (ross-amaznq +3.rn nute raqqa dub nlr0wilh : t0 the lun and1uischoolkid tae Il'llissed The ' suble dubs droos, perlectly i'ri,ed nlo'Liue and BrK"r. "A Rea 8ad Dream'and morc wihsamples and scralches. area padymxwiihstomp_ Learn"/Joe Plhlic,then slapped backt0 rea : wilha criss cross voca workoverwth i Facror3can be reached at (206)860-7324 ask more (al linres conlus ng) no se drops. Overa i oads i 1or Bon Slewan lor subscrhl on n,oafld check greal l-sh rls! Twowhteguys doan Avenue nr .0t'LIo , oullhe r sound prornisng Tlre iwowhile quys'do most 0f the leal" remixes and they do haveexperience

:{:$

/Xris

ity many l, oilunl ra = JanesCa /oetniiion olSound superb intro, ori!inal, energy pLrm ped wllh samples and al, plus i some neal "Eleclrh Alenue'trddy Glanl voice rt'scome loascreamino hall and nranv 0l us i drops lhat work extremely wel I Iruoancrners nooe nevei toencounhrin0ther 0uestDJ Loqosgoesal trekls/ on tuelThe mer. i/ly I nre was Idteamy lrne lke rst Passion"/Bluc Pea , rearranqed with help lrom i sDenlread no newgpapsrs lroma lcorners olthis Eizane lnc., thuslhe namerPlayn! Wth Knives :

B-Side the

Megamix

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:

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mix.

red outoilhe magazinelrahamma, i A/ewsand .4,.err lo Metropols : lssue4 kicks ofl with somsdance pop ltletrapalilan Hone.fton Paper and Pulseto i 'The BestThinqs ln Lile Are and Siry...l've had enouah Besidesmyen!ron : Vandross and JanelJacfison. Another i menta, ernbarrassed conscience, l'rn sick oi remir by nvo wh te !uys"-it works well but the maler al sl c lanlasies, lhe qreed syrdromeand l gelouttherc on the the lake hype behind everyth nq lrcrn hardwaret0 : Flaslrback!vith EleclricAvenue"/EddyGnnl;an lash0n.l'l catch up to everl,th ng I

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and

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FACIOR

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lhru and cause turbulence in the easl coasl. Factor3arc iourissues old and m surelhelilh is beng pressed. ve receved issues 3 aBd 4 and lhey

mix can

10 be a lot rnore

rnobllelock.

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DJ Logosoets h qh 0n manqoesand wth some suoerb work on lhe lechno

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a lets t rip

importantto

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Chfis Cox and Ron Hassler g ve

"Jam /ltlichaâ&#x201A;¬t Jackon a nearlackswng feeLwith hip hop I a r, greatlouches on lhs break. svJe nstrumental fivlhm and qu rky voice drops aid al oler lhe song. Good stuiil

An!,1lrne 1 nd Erasurc on the ftmix serv ces I know l'rn n iora treal HottracksandTruySands' I mixlngtechniques makel0ra lovely mx0t Brealh i oi Liie". Trcy redei nes lheJocy Belllam version,

a

i i i i

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somedeeosounds overavs,olinolhslabsonq some rea atmosphere. Terrillc J. lrlarkAndrus revanrps P ease Don t Go"/ooubleYou in his slyhe:aknqthy nlrowilh repetillve dub ike voice and soiidihump_in_your

blttbeat. but watch itturn mean ailer the break when some techno sirens swe lthe beatto a chunkyl25 BPM.orilina andiunllrcatolihe

i

qh

ly m x Chris Coxand Ron Hessler d Clockedal5140lrom : .Rhihm HolTracks Dancef'Anap, adelinile lsA introioexlro lhisl30BPlvlszhrgoesal outlike i al00 rnelresprint. DJ Logosiranticaly nailsany i class c. Based on lhe Todd Terry vers 0n, these

''W0rkaholic"/2Unlimiied

rnporl mix to lhe wall-imprcssive

I

''hot guys" cast a spe

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overays,lon!

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REMIXES REMIXES REjI.4I)(E,S REMD{ES

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i lee Justintmeiorthat"PlanelBock reviva ths suruey oi i prove

The quysfrom Sealtle Waslringlon come onthe rpr0miselo shake lhe wesl coasl

REMIXES

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xofi€hol c nrrc, powerlul diqi-edils; terriiic huild_ lo a 1 6/16/1 6/16 breakbeat ..pheewl ,4rd sorne creal lunky samp es irom days pasl-bravo I Glcnn Callanach works t caretuly on sullry Ullia Nates nsp rinq "Fejocing ('lNever tor0et) , reslruclurlnq the lrack lrom headloloe. P ano breaks, superb engthy exiroi cue this s0ng io any lnner Cittack and 0ive yourseli Prase" Sold Jim B0binson and P€le Wernels vers on oi tnytechno bal grnder "Jump'/Th€ ltlovement.15 a 7:00 soinnerwilh a e d lsmpo rrom l3a io i00

:

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NoTE: Bonus lracks 0n CD ar. Bhylhrir"/8.G. The P nce olBap

Again'/X€nyafla

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lssuc,3. Afler numer0ls m".nlons we I naly had 1 mean haro baby) ookat

qer t0 take a

: :

lvlaster Beal doube !n),i am packed withlechn0, hardbeal and some j erce underqroLrnd Ace mixerPau BuFamn aliacksthe senses

wlh

the

:

:

superb En".rgy lxpress /Hysleda:aluff

shakedown, monstrous sornd. chugg ng tra n whistes reminiscent 0l Moscow D scov/ /Tel€x Oir waling and SoLrllvlakossa /Nlanu 0ibanqo chants, al slrapped around a r27 BPU beal. Leave the prayer book at home. and watchthe clockspin as Steve Bourassa ririxes'Ave Maria /Noyse. DrivnO 135 BP[,l, dgila warlare n0ise and inntic synlh. Lislen torlhe terrilic witTlte.hnoedl can ths hc SIaE on45 with

dub breaks mixed wilhsoo pano breaksalldone underlhe watclriuleye 0l Steve Bourassa. [1arioS. David ooes man]k on "Temple0l Dreams"/Messiah. a kickn tunewilh some oithe strongest techno thuflderthis side of heaven. At limesyou?ethere when the g rlchorus 0d I drcam you dreamed aboul me mxeswilh"Al [4y

Lije"/TteBeall€ssamples.lhenlrantic,intense shouts oi Wro lovesyou?Who do you ove?" Eh? C0nfUs nS? NahhlJusladanrn greal mirl lheard lols ol positivevbes aboul"Stela /Jam & Spoon lnaly g0lto hearitand Steve

Bourassasdqta mxmakesabe everolme lt's lechno bul a wh0 e new ref.eshing approach is raken: swirinq ambienlatmosphere. washed oul Iutternq noses, Spanhlr gutalSand anqelc dreamychorus, "Hod m".. . ove nre wlrisper aroundlhisneu,aSepulsnsheadbeat(129 BPlrl). Honourable menlons steve

Armaqeddon'lSIades olRht'lhm. ['lar 0 S. David'strp on Close yourEyes /Acen and oan Edwads' disco excurs on nt0lhetechnolungle wilh How Does I tuel?" A very so id issue. Good uckand yes, we are wailinsl

plusMichelle LeBass'nlty keyboard atia r, dodgy samples so d breaKand workableexlro makefor Very originalwork on lhe pounder "Are You Gonna Be Therc"/ShayJones lrom PaulG0odyear and Aslop-Irvo guyslolookoutforin the

ll'la

Iulure W d producllon w th some terriic sampled vocalsfrom EvclynThomas Euphoria, C&C, Lha Lha, even some neal y h dden oneslrom Ire tnpte Strikes Back, ard skt Irck stens, a I tucked ln wilh asmootlr congaextrol PaulGoodyearreiurnssolotoremixanolher hard tolind impon, Fee li/F.P.l.Pmjccl Euro house Irom the linest ralan stable. Pamd se Prolect Becords. Paul works lhe jntro w th some

: :

gallopn! beals, wel execuled sampes (samanlha Gillcs Junqle Brclhcls) lerril c calchy vocals

: !

:

hsue 3-8. The enerudic Come 0n Boy /oJtl Stely gds Paul BuiFman! product on w th lvliDhcll€ Lcbass at tlre choppn0 bock.Astronq nlro makesthls h0usey lechno-edged dance hit

somethng tosp nalewhundrcd morelmes srnadsamdes,sold grywaiino arealatlrac-

: lve

: :

Anolherw d whacked-oul brain number s ''Bapl zed By Dub"/Crin inal Minds, qu ck bongo/drum shufl e (141 BPlvl). frantic verboloqy snappy rap wilh wlcked scratchinqand wid regoae

Michael. Coolsublle changes onlhe nlro slick breakand some odvlnhoe movie daloguesam phs makethis mixnandlal onthe saddle Mixed by nsarly everyone, PaulBuijsman s remixol Please Don'l Go"/00ubh You.isthe verslon to tuck under your piL ow: Bri iant oriqina intro, brand newdrum patlern and percussions

:NHYIHftI STICK i

ba s?l

lerrilcworkon

Whie a ldance music lovers shou d g0 and buy rhe Red, Hrt & oarr€ comp lation (benei t for A DS research and re el),turn the olhercheekand listen to Mario'sv0rs0n 0l To0 Funky'lceorge

: :

soundl

Superiorwork on the beauliuls o\', smoker Why"/Anfli€ LEnnox. M& o keeps lhal dar !nq, hean wrsnchinq Ieelinq nlact smootlr "Freedorn' beat structure w th some S0ul

ll Soul ish eifecls.

I At92 BPll, the vocahswr and swishamund ! whlethe pano andlunky bassine putlhs nr x into

t s time lo splt, but b0fore lg0, did you calch the recent Bono cover oi re,alls maqa?lne? Looks like he's been aroundthe zo0alitiletoo lono, he looK b essed by lhe Jack e 60 cr0wd lhenagan, there was lce-T-tight buttLookin a p0Lce (C0P) suil-on fiolrrg Slore Well, does lhe man make the unilorm or does the unilornr make the man? Bye, and be

ovngl

THE REMIXWAREHOUSE

ffi Farit

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THE GREATEST REMIXES AT WAREHOUSE PRICES ME0Arittxx .D

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STBEETSoUII

O 53


I

I I

! eboui ihe fui@. I]ey, if aI fails, I conld i tre open by the tjne ycu read ihis. Ii's ! ardars staft produclag md rcDjxing rke I : locaied rn Iliarean,jEi.wo Esltes norLh

.E DJ Olrccroly @8Dqd o.Epr.tarY rh.L M. fi.r6Et lt rc.L.6d{.€ *@.1. . t .l !d b:l.ft.d t r.r@li6-fi you h.v. pclrlE d &!rtlv6 com.nt dord tL E$ort .ffir..1.,ryp.Ilicul rrft.ro: }|*rr.tu3xtu atld.olrld obrEl l}, o..t all sn drm aG! srdr. !roG, l.mlo, O.t ti., iasr 2az nl.

:

Th€ sma,Ier cities like Da],-6na ae star't : ing io ma,r.e [tLle "BuzB fo. ihem6elves r dd I c@\ beteve how this is spreanjnc i Chica€o had m ulfoltuat€ situaiion and

NEW YORK fhe Bones Reporl BY TBAIXIE BOIIES

By the time you iead ihts I sm know whaL hh€ fui@ of rave wjl] hold here 4 the Big Apple. our flst "$umer ol Lovei' or "Season ol Co usion" hs b.ok€ the cnlt@ ieal b1g wiLh m@y jmping on ihe tecbno bmdwag oD, w. hav€ rca,lly good Dr'6, promterc & lroducere thai have a,[ teeD busy c@aiing scen$ and 6ty1€E thai have never ben seen in New York. nave fdhion is eveiX/_ where, tehcno j3 on TV, ihe media G tui ou6 and the kids are mv,lle. me bggest turc6 have been Fulur. (.Iue e?) siih

5,5oo peolle 5,000 peolle

od sromv. (Jde e0) with dd the latest new ent y

bejng Sputnik (Ang ee) wfih 1 ,O0o bul a,11 ihe enersr of a brg iave. As you read Lhi,s wonld be able to tall you what the sept lgLh slomEeE did bui iis iwo reeks befo.e

I

lhe event. I Eua,lly m good with predict ug rhe tutule bui slme the polce shui Siom doM on .tury r 8th, I ea]ly am si @lft what wjD haPpon. I do do edoY the excellent ruh I feel aboui tne whole situ tion a my court 6e for ihe lash event i6 two days before the next rave. I have to app€ar for "breaLing every city @d€ in the book" amoding to Brr[d_)(. iloreYPe ry did hale a gleat ume the 48 minutes lt lsted ihough my watch couied e hours. PenrJ f we e down @ih each other mut w6 be 60 cjmlcal? We do welcome 0End_X bacl ud €njoy her true ieeirn€€ thoDgh it is kind ol hard to swalow when ih s about u6

astorm). there

lr

been a certa,ln

leEon

sbut dom l6t time, but I do!'t wmi to sbjne any 'Light' t€J.,ing about who got on lhe suEjeci

s

ai iNs time.

fu Lo jok6 about th but ihis real]j/ i6 the time thai I lut my next deam md go3l to wolk. I wdl to oake ihe It is kind of

@vem here see ,i the wal'. I saw iL al

Eneigry

btuk in '49. To 6ee e5,oo0 psple ravin€ 16 how6 stral8hh is the mosi hddcore ihing I h&ve done everl I mlsl say hats olf ro

Ghris shEpDad

od s,@rsrrd fo!

puuing

off theb AdEMlire'92 (m relaiion to New Y."lG' ldrenalin) dent in Toronto. ctose to 2.o0o raver6 in carudal r fel eal Aood

54 O

SIREETSOUIIO

di directory

a

i Ike Stom elt shut doM soon ajier ii siari' i ed. The Dolice rca,llv do!'t w@t G to have : a good hime Iechnopolis wotlld hav€ been : otre of the Mid-West's besi evenls yei buL : thrngs harpen ya Lno . To ihe chica€o : losse llese, hog in thde be€Ge if ii j1@ntforouf house lfoefe[heE" iheE : migbi not be any lave scde al a.ll. as for :ihef ]re r]1 be checkin€ tut DaJ4, : Mi@i (on@ ihe stom dis*ter cleam. Io I pu rnioded) dd iilen bek to London, to do some tl&ks. AiJMay wiih au the

wlr iake the be6t of ng it lo our scene in New York And li they iqa to shul dom ihe next sc€4e6 I learnt aboul. I iL

i :

all @d

evenL I

b

juL

Dr€hh gei arrestedl

:

: of MEmi. we n be sp@ia,ljzin€ Lt rmpods, : dom€stics dd irod€pendeni rcle4€s in 12"

dd @6seii€ fodais jI every ihina from tecxno, Bve, houe, gdage, to cl66tcs, some rap and re€€#. We ll also 6ingl6, cD

i cal!, eEir semices ed a11 D, eces' i sodes. Drrs interest€d h man order ce : cdl 5o5.e53.4359. Iabe)s please setrd :

ytr

lromos to me c/o Nitebeah Record6,

!1re6L eoih Ave., Elalean,I] 55016. : The lillhqt Label Group win alo be 1o€ted at r ils addftss. spea,lrnu of whlch ihenr have I Jusi relesed Lhei! mw, fou mir singr. Eusl Ihis llors. dd the Tranc. Trip by (larkm6{er, produced by Bey BodrlOueu. lad oisk luclldovr ; also have ntr lloduct in the lorm of a sir : gle @1led "Psyohosis", lrodu@d by xarl : [eiltmi and Ang.l st. Jarus (fedDo Groove : Recod! (305.353 4563). 0n Lhe sme : rater tbe tust 12' entiued Tnnc.T..hno i ErcrN lNm xYz Prcjecl (iake! from the j hdfomarlon !,P), is trow on the @ket. : P@duchlon cledlis ilclude albcrtD md Fellr r Safla. Torry Tores of the Florlda i.cod Pool he , stariod bjs oM pool ol 36 membeB caJed I itiani oa nce Be cord Pool alier tne former w4

: 5954

Aitentiona,lltedmojocks..I @lookin€ I tor tectuo &ls * ects tor upconing eveni6. ! $om hs just rcnovated a club E New York ! wnich win b6 called ltuidtqrouid. \rYe wiu i do at 1e6i 6 club events 6 month pls the .losed dom dd 6o1d to lt ohmmed MoEtla. : Buar bjg ravo on@ a modh. me : Thmde4lomdwlu be hosting d @ay of I ralets *.amg prcmortn uY "o.tat : ourside bre.i. I\rs uEt I wjll be hacklng i Tony at 305.55a.4563. IlEt's it for nos. i serrt @metts tud/ar m,sic ta Gedge dom in the ne*t lew months, hoPotully i Alv*ada, 11600 S.W. 191 gt@t, Mjmi r etll b6 ooc M.ntu q,A), Sc.t l.dki$ Gr),

:

i i

i : : :

: I

i FLA 33157, svoi vath (Germsi{v), scot ficiry @c), tlilss taeda (chi€€o), the lrusc iiak r (shefield, uI9 and a li€t so long lm @rn!iout ol spee. The llrEderglfud wiu be the first ]BYJOHTGBIFFIS club th&l will set the muical Etardards Iiisi off, tIke necords is no longer di6'rib' wthoui lretag locaied in M&rlutt@. uted by Auertic, m*ning they lEve Anmqv to au the techo jocl<s send aJ,er6 resued thef verv independent wslvs. md a 90 oinute demo io oe at Gmove : check oui iheir new ompuahon caseLte, Remlds, 64 Ave U, Brcok\d, NY 11823 t ke ,lltmei f@ tke '9o 8, containing tues

:SOUIHEASI USA r

! frcm

It,llAIUil BY GEOXGE ALVABADO

Over tlre 6@mer, Smth F]o.trla had sev €ra,l raves ljke lsvlalhan {2 with !er{o} m@ces by Alolheosis and DIs H {rarc @d Slammin'Samny. Wars.w also lud thailaris, brought to us by ltadwaE Wodd tnduclions @d ooug Sroll had Planel lltaF. mts monih, a new club j,e due to oPen on lhe beach

call€d ralcoN t!t. The 6!@e is apprcxi dately 1o,0oo squafe f€6i with aboui 10000 waits or eDer€y, ready ho move you olrd, body ad soul. IL wi11 feat@ live D.I 5 sLy rughts a week lrDluding Tomhy MooE, Danry Eanch.r md an array of specia,l guesr IrJ 6 (to b€ amoucdl). chb anatchy is openjn€ up h a st cLly iecluo lormt with D, P.ul Famander. Eooisi hs been sotd io laloosi Dr6 have noh yeL been aDoured My hmd new I2' mord stole should

!

LEjuan Lore, .llssl€ Ge.,

2a{t, fte

Irlc md 2 Live Crc*. Also i fi@ Luke come6 the tusi solo LP frcm for Prec.i,..e.

lto,

Two

i mer 2 Live crew meEber FGh lfi lce iitled r Tie cnDdd, oith it'E frst single, "f,reaL 'EE Dom'. A .ew 6inAle ftud Gane, "HeE Ii Comes' is a,l6o availabte in shols i now. Ldc, (sos) ?57.r96s.

i

vision r3o5.a95.9191) has t1fte new 1o-@t cD from [i0n 0iluuccl entitled "Drem On !ire". a le-@t rapre!'6 deMhL, In@e My Money", lrcm trince Rahoem, @d for uusual versioG of

i rele4es includin€ a

'Plese Band

DoD',t Go ',g2',

reatu.i.e

Another

frod

lG &rhe sunshine

Cks.

other llorida &ts in hhe @rk€tpla@

lnclude: oSX (Active) wiih "I1l xeep Holdin' On"i a slecial leojx @d re releee of "secufity", the cl65ic Flodda megahit fron lhe 3al Club (ElecLfobeat/605.652.6491)i "I@p That Body" from Sl€vie I on hls new Label, Eplc; Eugsm slld. witi "specia,l


@qd""trrillt! fou hixes dd finally

Esiado wiih "Me AbddoDst€ (wlly Did You Quit On Me?)", a 14" wiih Bsd ver sroE boih spanjsh dd En€rish (spinnin ltdd/505.952.6504). Not to be teft @t are The oogs with 'It s ltime To Groove" dd llJ fury with "I\fy rroD! Pr.nr That" (Joey Boy/On Top/305.63s.ssaA). Up€tate, Magic ilike h6 drcpled ihe singte

'Eoue of Maglc' wjth th.ee vely

specia,l

prelaftd

we'Ie openjne a hadcore/@cnno/ildce recold stoB in ihe heaft ol Pnisbu€hls

tlui ls) 6n be b*rd l! tbe Dix ti!, lrcd treconk hd iituJJr rele4ed lts tbird 6hcle Be on the lookout

@llege di6i!1ct. we hope not only io be a scete focat point dd o.€imizer bui also a

lor 0rgiliar 0 0'6 StorEr:e'rxe Urder$a@d EP. The ea.ly pre654€6 of thls record are

(MCA)| Fais lr lir wlth

:

=5€sai "I'd seritu (Pdtera);

Tlris time we me a bjt morc

sLrn6 e@pre of ihe posslbntti6s loientlal6 ol thts moveDent.

4d

inhe€i5,1 sene iropier jn Pittsbugh md Ntr orieaN. Dt Deadv Buda, rubo.zen E@"ds, 124

f,.idnes,

Oaklaad Ave. F]x, 3, Pttisbu?eb PA 15213-

Schrin tuht

5543.412.621.7759

"rmdoh

rereaed "x"9."

ltrk"

b/r

(Cheetah/4o7 649.9775).

PETSBURGH Belide ii or not...it s L4er

BY JEFF X

Piitsbu€h ig

slowly but snrery develoling a scenel Two events he!e, Th. rigtdro md GatoEye. d$w impEsstve crowds, le&virI everyoE ihirsi wtLile cal,fomie md In€lmd have

f@

io ta,ke a breaihe.. hddmre inrouEihoDi ih6 smaller us cities lEve been s1owed

working hard to re,ke thr6 miion to a high.

me fbsh evont in Pittsbug, ihe Pslchotm cslaclhre,

b&k tn Deedber

r991, ma€ed to dr4w 800+ people. Soart diirks, movi6€, artwork, kickin

iune6 tagicaar, whaiever we co!1d get ou harts on ras oD offerl We hied but failed Lo avoid what I'm tue is a famUiar sce nuio to ihe oore auihentic Eve!6 ouL there: eve4/ two bit bu md prcmote. in Pittsbuch lui8 the word .mve" oD a nighL wherc som€ o1d u, BliN t-52!s Ecords, toha. y co lsLag siy lotential cal mvers. People as6oclated the wod rave slth everyhiiM li ws nohi mairnv ihe New

Yo*/k0iecl l/6uesh list/ priva[6 falre birih

da, larty/dess u! md be siuck-u! queen s@ne. od rea.tion w4 to thlow the hosi hddcoe Eves possible. We sueived this !6flod dm$in€i 600 5O0 leople ave.a€e ai o old oovie theatre, The Beehlro (now d upsca,l€ coifee

hoae).

These ev6nE wo!1d

impEss dv ttue iaver or myon€ remotety inta!6sied I]1]ife with orj€ina,lity and 6!jrit. Deslite v,rtualy ro aiIpray (q@!i @nege radio), no re6rd stoft flppor'q d4ce clubs or @yihhg else,the vibe sbjl] cauehi onl Now ihat the scene ls geftine rmldl up a8ai!, we're breEg otue mo6 for a rm@ed co,mercia] oclaught of suckes and vibe teminatois inteni on fiulne ihe ciw a€Eln wtih hot air, bad int€nrion6, dd Disguided directlons (do4 alyone rem€mber what hapleD€d io hi, hop in ,85?).

The shos of all shows this srllrmer 1ud io be the S\Ddrn, nighh whetr iloby

p*

fomed

the Llad toulge. IIe @lved saiuday ni€lrt j! oder to ha4g oui on my mix 6how ed do ihe whole Latervis/g\resL mix ihing (qulte weu, I6i€ht add: Moby is a eood Drr). Then, the fonowing n€ht, he gave us one he]l of Ehow. Tbree t]roued hddcore ki.ts showed up ready ,r go @n. ial. ...only one lroblem.. .6p@ity ai the Lizard LuUe i6 €,000. By midnlght the cluh w6 at @!&tW yel ihe@ @e over 600 peoli€ 6ttu in Ine waiting to get in. No prcblem. Moby a4reed Lo do two shows, one at midnight ed one at e:15 am. Tatk about enerEs,i I'v€ !6ver 6een 5o duch eners/ cr@ed into a club that size. Ih w4 cI@Y, PeoPle tere jmping up ed

dom.

di!r€, ar4mg

people abov6

theE head6...even ihe m hlDse]f goL jn on tbe &t when he lept frco atop h,s key board into the @wd unitke oibe! t€chno .xhists j Moby mdes & @.tain chmisma on sk€ie that sets hto alait from the Esi. That sde weekmd Ntr York Dr l(30ki dd nis club kid losse hit Clu! oie to lro mote the o!6ning of ihetl new club in NYc. (.otl's tr@@y mix wd the lelfect soud ir&k to ihe fierce elics of hls entouag€. The next tu€ht they suprised a @uPecime Moby wha they a,ll siaved s er-ha n*Ft to @tch bls show. Anoth@ well loom $€w York nI came to Da,1la6. The Ltoelight's hard@re God D, trcpet0 @nducted some tehm b@in rugely to e !*ked clut Deloui. IIj! releniless mix of GeiM, BeUi@ od Rotieldm haid

core w4 jnded a wake u! cal] for ihose expecLing iisesde s Treeu" Maically, breakbeat 16 st,I the gtuove of choice for

mosi howeve., soDe have discoveftd ihe relr€snin€ somds of rdba,l (won]{a Beat6, ei al) dd tr[lfu. Ir fei. moE house

t

o

ah

sta€e

a[ for now..!eeoy'all .Ieif K's Eix show "Edep Club 94' ails Satuday €hts from 10 pD -e m on 94.s KDGI The Ed€e md i6 100% live djx. conbrt lreft at tSeo Grcenway Dt , suite ?00. rrv,IA T* 75056.

EDINBURGH,

DATIAS

More in depih n€m nexL issue.

0D ihe loca,l

Thar'6

P.S. Mighiy respecb to DJ Gonl,olled

mixes wbile Ollando a.]t€r@i:ve €loup

h6

(hadcoE.

scorrAND BY ATISTAIfi YOUI{G

calit l of scotland, cily of sev4 xills and the uK's most @soopolitm crlJ,, Edl,rbu€h he a di8tinci E6!ed alavor whlch accouis for il aiheLjng leolle frcm ar over who @nhibute io its uique clliulal atmosrhele.

The CiW

hs

el@ys

had e vlblani ctub scene wbjch mosuy revolved mud f6hion md lose mthd

thd

Alter

r€,

ed enjoyin€i ihe muic. in let€ 49, things shaJi Lo cha4i€.

letting go

FlmW, a

UFo

few hrtrfuus of sonething br6weDerged. Two &rs, ls[ch od

&ainslom. had rever met befor. Lhe ftr6t nj€ht, yet iogetirer lore€d a mile but influ enhla,l bluepdnt of wiat w6 to cooe. a blend of indie dan@, etd, I@ hardbeat, hoEe, dub ard edly rave, ,t Dea{led to laBi six heady mo n! before etupting in vlote]G when local lootba]l c6ualg (s@lirjsh colloquialism lor 1o€1 gdn€s) hook 1990 od a.fter & short blea,rr, is rebom a Pule, a membea o.Ir club on two floo.s (dowtofs chill ouhi ulshairs

Augat

UFo

thEe sto€ts: P@ Tratue, Pue Adlena]jq Pure EeadJ\rck. Again, frea,lr oui) with

h conttul, sceres of Dsdness beyond aryone's ima€iMtion becme the norm @d 6oon thts 5OO c&paci wiih T{tch @d lrahslonn

iy club ws btroninA a leAend on the Ddergloud glarEvhe. me mu6ic

a

hard md fast bui iheE w6 a,1wan6 rooE for slow beats. me[ow hou5e, up1jfting stomlers @d, of couNe. llm@. Aswod spread flrther that thts ws ihe DGt iG@e club in exi6len@, where dqtlring weDt (@d ft€quenily dld)i tuore md more gloups of a]jeEied, biafre !ep1e st€r'hed io find a spiritEl home dd the member shlp of 5,000 dlEcov€red ihey conld rem whai ttEt wmted, @i how they wdted

dd

had made im@6rable

frt6d6.

Two

I

I IilTInVIIWS . Pltl0itlttt(IS CHTRIS . YIDI0S.l2'.lltWt EROAD(ASTII{G IO NORIH ATJITRI(A'S 4TH I.ARGEST IV TIIARI(TT sEil! us Y0uR vlDI0,t2",0I llt0utII at0uI y0uR aRTtsT appEARlltc

GllADI5 DA

ft

STREEISOUIIO

/\lllstC

O 55


didiErlory

ye

s

onj som€ of

.'!Q

u

h€ld on lo

od smity,

Inn€ ]jve the n@ fleshl

MINNEAPOIIS.

SI. PAUI.

od eone. guest p€rlormn@6, gloup rhe sthnge xrds (feaiu

tup! sl€ady @mpetition has come

Il f€i@d nrmercu

hcludin€ ns h€ Eiara BEtayiouD md a bDgeoning 6upe! star, lhe 15 ye*old lorer tDu6, LU (that's rydcal ,lack Jwenil.l. Irl the @mleti tors category I'd love to say the o1d school w4 in the houe. \,Yith the ntu gloup from Trurh Ma& (forEefly t.t,tu,), souih side smation lB Ffiky (!rcduced by A-Dooble J), md the loDe over due reiwn of the negal 0m l(inq I.l-C. Now the new 6choo1 hs it's shm of starsi @ost notobly l(Aos f.om the Smoolh Comporlllon siabt€ of !ta.6. But, the

wimer w4 a 6ur!.ise shatrSt

from the b6emeni. [e.fl.slr, who €ained bis fme by sq@ning lulrxs on the mic

every chance he €otj won har1d6 dom ln ihe end. Shiltin' €leds, we are sad to 6aJ ihat the 1oca,1 sltemhlve 6l@r oA the I'M dlal KrJO 1O4 wjl] be closing it's doo"s dd r€-olenlng wiih a Dew fomt (comtry, I'm told?) There e ]fuous of a ntr sra. tior hiliDA all old Der60mel. buh for now let'6 l€ave :t at thai. On a bdghrer noL, Xdln Coles'

&rlh

Prcbe

exhavagMs are

enjoyrne enormous 6u!po.t both ah Fiur Aeerue md @ud tom. Perhaps anofier be&on of ho!€ is the recent advent of imlmmptu rav66 beLng scheduted Ltrron€h ouL Lhe region. Yeahlll wel] ibai6 enon€ah for now. rcmember to check out yous trxly md ten "Thal Olher Gur" Sloru on X ltl gS,9 Fil lhdays I0 ps a ao, ThE Ttrin Cili6 Spolllohr (with th€ Cltles only Loca.1 Top 1o). As always aqy questtons, coments, or more bomb ihreats cM be directed to

Benion Allen Pulcel] ai hner slud atoductlonsr (612) 558 40e9.

DETROE BY ART PAYIIE Ileric* Ma, js barkl

6

Unfoft@ai61y

loi 4 a

a promoier. He .e@ntly ho6t" ed one of the hottesi partr6s Detloit has seen in a while. Alpropdately cal]ed Wate l/ Delrolt, it co@isied of nothine more th@ a vatut wmh(Ne spee, a lew starks of spea,herc, md a few scattered 1j€tsts for alLlst but

gU.

Th6

[I

l,ne up lncluded o-Urrn, lcvln Sauidcrsol, Ga,y JonEs aDd of colfte j ilayday. De'Ioles ne@t rave/paJiy promot€re Panic e 61ow\, opding up the rave 6cene

linsJy,

0VEn[0n0,8X Flr6t, some o1d news. The end amual

8Y IHE

oveFa,ll

hou6 glooveE fo! one veriT dique

d€ep

ambience but for one nighi he hou€iht toElether theteclro/mve crowd md ihe

ho close

thls 4!nl mve

elort,

the ,ermrl lv6w, dld a mini Dention on thia 'ew" form ol ddce mGic. Yes. @ve has mad6 it to Ameri@ md mosr people h tni6 toM sijll don t lmow rhar it,s o!t€]r1 v@

D@e paJil€s ed fshion have

a,lwanrs

hod in hed md a new com! 1y ca,ned lo$e hl 16 mrkeun€ "proglessive f4hioN for you mugicsl mjolDent" 4 ih61! 6b€An goes. Ttey ve 60r a I@ of sweais md t€e s dtering to ine ioue and €dage dowd They've t€,ken rheir dedica gone

tion to hheir poL€nila,l aldience a sie! ther bv BovidinA a flee Lofo Ine for

fu

New Releases.., (316)

596 t74t has what caljng thet besi releae sjnce 'l lelieE". The new 5 mt e! is caued hThe City" by il.trc 0. with choice cuto beD€ "Tomor0*r' @d "All The l,ur". Ii's hore oD the de€p house/ga.age lip md may be ihe one to €et iheo ihe real reco€nuon Lhar ihey have eaoed here in ihe states. Also look tui for 5 new relese bv INer 0n Suday caled "lhy By Dar", a srx cuL minr aJrm prc du@d by oclaee 0ie.r.XMS neconh (S13) 259 1553 ha two n6w releses oui now on th€i! €uv€! rabel (for ha.dcore/reve). The hr6t by L€eaidrc' i6 ca,11ed "Don't flold Bac* Ihe 'B0Wed

6ooe

necods

@

Fe0lin!" b/w "l Can ilake Yor" md seems io be a inftwback to some ol the TedDo of the Juatr Alkins eG with a bii of rave to keep in ihe 90 s. The second rcle6e is by a group caled Flr tlm Houand €Ied "tlash" b/w "!opo C0fiDulei'. By the ijEe you read this you should be able ho pick u! the new fol low up single to "Can You f.elft" ca,I€d "ilere. lh.u toE" by Cher [anler wiih mixes by Cart ChlO and Mt. kok oui io! new T,orik [ouse cs,I€d 'SlralOhl outa Hell" due De'1 month A new 3 ot e! €ued 'Setious Goove" i6 out, .ow on vicious Music, dd it ioo is on the

hNe md

ln.ogrilo necords ha a includin€ a Dew ep by ]]mir of "Foct You Up", a new rade ll llack, ed a new e!ou, ca[ed il. Lic. 0i Erpress Eccords rs a Dew e! by D,

f

n

6a€ge

releses Bl.k. laner with a neckless xon

tjp.

dt

tlBt 60uds llre

a

ilfowb&k io

ihe early Teclrno of the 8o's conhct ErlB dd licoqniio is availabb hntuugh Music lrlaster (5to a64 2054

A.ltho!€h out for a white on

'Under@nh (5tO e55 6a60,

vmyl on ihe other. me ihree re1e&d 12" 's

@

"s6awolf',

CLUB. C0NCEBTS. MULTI-ME0lA

56e

SIREETS0UI|0

t[0tirBtat,0c,

H?x

'Belgm Resisiar@" ard

linally, Tratumat Recor& b bekt

Two

new releder (rrJ]lMuy oui rowi 4Der I!46 Der Isnnie by Phde3md 'WiuDui a soud" by l(emr Lalkln. ,A]so look out fo! a Dew rerese by sraccr lullen @ued "rlL@ry 0f Sileni Ph46i, jEi out. Contaci I{erdesi c\l]mings ai (5r3) 56? 0042. Plaaet E hd releded Irt'€.gala.ri. ,e's (fomaly onry ava,ilable or CD) on !inJ.l, a,IoDg wlth a nM EP €]led E4olul. by Slephan nobbEE. couple of quick motioN on 6ome tues dt of chi@€o. Frcm Nj€htclub Reconlsj ouh of ihe

Mfage Fntertal@ent @! (31e) ee6 aO92 com$ a new dee! hou6e cui by 'l Vision ca,lled "My Undergrcdd" Anew

label caXed On The Move RecoftLs Gla) 764.8?35 he a coulle or new reledes. On6's a rave cover of Ee.rhoren's srh Synptoiy called "sth of Techtovinij a,long wtth a hou6e cut by Joey lat. En.S.H ca,!€d

tog

ANOEIES

BY B(INB GNAXEH

AJtel 14 lrforgeiiable yem of operaiion, the o@ei of Mlrilyn's Club in Pa6adena, which I opened md work€d ai for over

yeas, rcluctedy ca,lled ji quiis. Mmv Sene@tioN ol dacers. &rtists (The ei€iht

nle

Fllns, Falco, fto@sonTwiN) cabiar Vangeli, sichrrd Gonsalv6), nmeros pmmoL

eN, radio stoiions. label re egentaiives. r€cod sioEs, lroooiioG. dd events for ev@ lelt thel! mark in bj6io4, of tnjs sle clal pl&e...yet moiher loss is ihe lema neni end of Mr6ltrrdion. AnS-FM, ihe techno rcck 6t&iion, dtupped ihe for:mt, ircni @1ly at the time Lhe sbyle is gaining jnte} nationa,l medla md public

atteftlon...Imther

bomb

w4 d&lped by

when they decided to fir€ I@ iiicha0l Manln, abmdon laluday tlldt Mir Sh0r, and Ao Eoi Aduu conie@po@.!'. .co frErIe PoMr XllS-FM

ELECTR OUES 87 BUE sT-ctTHEntNE EsT,

sue ro

is eadJ, t do 6ooe daDage on rhi6 6ide of the wat€r. undergbEd Re6t6td@ (615) 963-r0e5) ha a new fou.alt EP ca,Ied ll0 d 2 wond. Tota.ry diffeMr from some of iheir pevlou stdf, 1ti6 alhost ebjeni with a t€!h@ g oove. nl3o, ihele s a thlee'r€cod selies ca,Ued ,forld Powet l]li@@. Ihe dl56 have 6 hek on one slde with a Eessage geibed in the

FOUFOUIUES DANCE

be

checik @r rhe EP by &Ei*t[u. The rhree tut BP is gen€r&tlrg a bvz in th€ IrK and

EVENTS

1Ki. (i14]t4rr48{tax (s14)848r045


didiEctory 106

flEure6 lo 6coB bie with hheir meatjon bigc€st @ve ever on seltember le

ri ihe

:L sti]l udGclosed loation. 5,OOO luchr .4vers will be smothered by ei@De visu rls, galexy shahiedrg somd, and Uve per aolMces by TechnoLoric, Martha Salsh, [US, ABLogiD,

md

lh. d

dd

ori,

rerentress

aea& tuom the world'6 most fEou Dder+!ud Dr'6...On the club sceE mous and ]rmbungs

domtom

thar lhe

is aboui to

@

Stork Erchan$

H?e!.

Venigo

dc:r.

od

about to go dd hoce lreestyle are on a reboEa u, luad(

Shr* clu!

md

m

cheee !raJir<. !. hE word6, sery glooves for smeller aldiences ol fou to live hmtued..Dom at Sieve Tserdls' Recod BdDllor in In.€ B€Mh, just talked to texls enjoys a

ihet! Dew mea€er sl.Fhai Sougadouh. The sLo.e E riehi smack on Brcadwar, sher€

d

occ4rou] "E€y sanor"

@ sill

be

head in between pmdlng b6at6 of t€chno, slternalive, md houe dmG music spllling onto the

6heei. Stephe.'s rec€ni

lavourt€s are "let lhe Bas Be Louder' by 0.s Boy on Midto@, "Devastathe tuythm"

p6r. (416) 74S-4443. Vlith two smgles mder their be1i, BIS put oDt the LP, For ftrse About 7o Rave...we gdDte YaD. (EFe/QuatiW).

with a nix€d ba€ of

hecbno

trrentJy ben+i@jxed foi ihe upmnin€i ?@Ino hip m (416) 2s1 5590

'sex I€Ls Do It" by ltuaiB iB the latest pop/ddce effort by Ildilton bsed wei Re@ids. (416) sYO OI18. Tlle Drcduciion Leam ol Evory and Pelolg|n @mpue som6 oi thelr ldi od p@sor offeruuE oD

acme Mlsic Faclo4is

594.6640. ReeeBe 6oneBire6s Tatrya Mullirss t6 b&k in a,fi@ @k!rg a coman lable a!pea.-

r e,oOO

featuine five 6lreles are

huge flccess smce it weD! off wtihoui an hctdent. Until next time. &

IORONTO ToNnto Undele!.oud h4 releued thejr seond la" by Mird &ei llafler, a iour L!&k EP hl€tblighhed by "Everybody,s Doin€ ft'. H1-81s', Vilal TriF will appear on rhe ?€chno ft1p E @mpjlatjon a the label is D€ebilal jne a majo. dishrlbution dea,l. (416) 614-

154t.

Fitlm elehated thejr flrct mivorsary

d

imlressive Ine up

4

or loca,l

perfomeG 6ucb

Johnson,

Lletorgh.ed,olar Enoti@ JaiEtta, ilew

Love A

Sa, D.bhi.

md much more, A lre6h move at the starion h4 broughr scolt Tuher in for the position of Assistoi Mu6ic/Progrm Dtector 6 Enera/.l o8 prcmts$ to broaden iheir somd. New live Yo*'s DeoG* oi Mollor

w€ekend brcsdcat8 hosted by ch s sheppad @ schedulod lor Fii&J and setuday ni€Ets frcm Facl0rt and The Mir Club respec X, Ponpey, a regllar d@c@ on ihe TV/oGic shN E e.rric rir.rs lar year,

E@nt,y venLured oui for and hooked

mco

aL Reoqae

Sli$larh in

Jdaj@.

An EP

due shortly,

including T@ya's @[abo@tjon wlih thla $ on a dm@ha[ version of "Get llerc". (416)

l I be ta]rlne a brea,l< frcm thls colmn bri€ you a specia] Tomnto issue Dexl donth. Till ihen PeM€.

to

PHOENIX

BY BEII SILEI.I

at ludrnorl6t'92 wiLh

(Lei's

Houe" (NBE). (4re) e88.9766. Newly lauch6d SiePa Re@ds ha a f@lliar rcster @d two rccent rcleaes. Frst ih6 do$le sided srngle 'Been so In.g" b/w 'wa,lk Away" by Xrislin. Morcll md secotrd. a la trmk LP for Deeh. rhe ritle hlek, 'sd on The Be&h" md for Lhe aoet pdh the bnlk of rhe a,tbd, lavods a oerger of R&B and PeislqT Park. (416) T.0

a

mErc care6r

u! wiih PelEr lllillis,

producer of

@d oeltie Cor, vo€lisb on Dl's Bules,GeL Inro The Mustc'(Ht Bi6). The

Spunk dellc

esnlt w6 4sl]lmeitime smmemiac" (Ilip/Ista) which appeded on ,q& Fo6e D Coftprarrbr. A vidm is now oui to lay erodds for Lhe upmmDB long llay rn ocL/Nov. (416) 602 2009. 0n a Eip Ilop note, "tivlnq ln SanqEfro! Gun" (D6f Beai Recoifu) reEesenk the she€L soud of sububd Toronto rappers The Mlc llGICr.*. The ftve member gloup lEs cor labomted wnh the rtkes of ti6t oliErse pro ductjon md Bmt Faclory P6duclion in ihe

BY JUSTIII III'FF

The la6t few moDth6 have been ve.y import@i for Phoenlx. lloiz naE dd EriE were huge blocks on the road to rea.l 5ave". flr,rrlrh €tue wiih Drs lua* E. Qua,k from 6o Di6eo ud X.J, iloo L.A. Despiie the low trDout, tt w6 a loi of fu. lve gob

io Aive aI mv thanks to &ndra ColliN. Thar*s to h6r, we had Bmoklmrs oM f6nti. 1016 play at l.o.Iec for a t ,500+ show, which w6 the most fu I'v€ had in a long tide. The sme creatDrs ol llypertrip gave Phoenix lLs ftst e,ftela,fterhous,

P!rc-X Ii went from 2 a.m. mtil I a.m. md Prcved we are nol s fm behind a re ibinrr. Also lall Pall gave E Llquld Eve thi6 monLh dd ihe I,OOO+ oowd wa no dlsap

me iutu@ ie lookr+igood lor Phoenix. Marcus Schullz and Sddm Co]LiE ue bring nA D!, 00c l[artitr. llJ Destruclo fron L.A. Cha le Caenova, MC flomeo noneo

LI

u

dd III

Jlnmy cEsh froD N.Y , and luarcus spoon oi Jam & Spoor a[ in one ni€ht at X.o-Tec. Txe @xt nighL, at rhe U,orks, a hoN€ show io ma,Le you dIoolLLl Playeloud Prcductlons

is liesening the best put.toeether rav€ Phoenix ha seen so rar, odyssey-I @'t wait. Don't forget about Power geis ftcbro ehow. Prrrr lrolFwith a litila more sNatlon support this show conld roa,Iy go oiY Phoenix ls on the rlse @d we arc only

Cfrtact J\stin et (602) 460 o72

L

HOttAND BY GIJS VNOOI{

md hoae,

"Welcome" is

by PoDhEy on WipeouL, md "Th8 !rcg" by Tncic Erot o. sabm...SummerJan at the

6p&iw smia Am sradim, fea. iurjn€, motg other steet level, non cro$over ru! ,erfomer6, ,lack she.pj Cypr6 Blll md rd Frosl, wd a scorcher dd

ha

t!!1

Not tuny releases ih6e dairs QL tuopped from 4oo to :oo a week) md rccord sales are starting to dNp. Mo6i rccord @mtmies now sel1 mmd 2,OOO a tttle, ,rEi6ad of 6,000 o. nole duing the winrrer so itis obvtors mosL of th6D wair

dtil

the 8rl]Mer !a3e5 (that will g:ve a boom of rele4es end of September). The clubs are not so bay either. Eve4/body has gone 6outh to th€ lrench tuviem,

Isreds or th6 f@ous spoish Islmd, Ibiz&. usully new trends siari ihere md @nLinue Dortn in ihe winte.. Greek

Although I'm miting this on ihe bearh of ihe IY€nch Riviera, t haven i s€en @y @w irends yei. Eolland and BeE)um are lnio kib&lat the oomeDL. Be&ts shaiglrL ouit€ Aftlca wihh elechonic somds on top. vlonlra Beats, a label from AntwerD, B€l€i@, is l€ading rhe pek they've ju6t relesed a double 12" with at 1e4i e $e&b tfacks (included ae hwo ]]dixes. which tohals 4 €ood EasoB to buy LhiE remrd). More Euoiriba,l i6 available on Besi Recolds, distltbuied by Boudisque, Ilolmd. oimit i, a fdoa dutch 'in.rowd' D, @d Eric llouh.[, the musiciu, @ r€spotrtble for mosi of ihe hack6 on BEd nEcotds. oflando V00n 6oe5 hls oM wanr with lris new '!omai" on ESP, &tso dishibut€d by BoudiBque, Ilollmd. He @mbines Elda,€Jo, tehcDo, md disco, in a very ple6ai walr. LisLen to the repeatine vocoder Ine on hack slde A. Ii 32l/s tuw lormat, md that's what iL Di -up sLlcks to indNLfi. allieclrno t}?e records wtLjle 2.ro oie is a new projech by s.nda Frledman. Ft i€dlr@ rs also a member of the oulch 0elaiitcit ul

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really, why botherwhen good quality CD players are so atfordable. Since most prerecorded sample libraries are now reeased on CD, lel's use them as an example (though lhe procedures prelty much the same no matter what formal you indulge in). Belore getting started, consider that your CD player is now going to be an integral part of your studio system: evaluale your deck and possibly consider an upgrade. Look lor a CD player thal has lois of track manipulalion ,eatures-you'll have 10 be able to access up to 100 tracks, as many oflhe discs are crammed with short snappy samples. hdcxing is good to have, as il lets you mark certain tracks so you can n$ff1 lr $ll easily come back to them. Repeal is also useful as it lets you automatically replay a certain parl over and over, D D FRA which can really help as you set up your samplerlo receive lhe incoming inforrnalion. Once youte set with your CD deck, using your sample library is simply a matter of popping in a drsk, choosing a sound, setling up your sampler, and hitting recordl C0-B0M d ves are great because they can slore a ton of information and pro. Thank,ully, the recording quality they can be used by both your sampler and other details (such as ihe uniiolm and your computer, Also, mosl i CD-ROlvl decks can play regular CDs i level of all the sampies) are of the highest calibre, a testamenl lo the seri' as well. The djtlerence lies in : reproduction. Even in audio mode, CD- i ous business that they've become. Atter allthe CDs that we listened to. BO[,4 decks may sound colder i players dedicated audio CD that incor, i and atter a gaz llion loops, we were porale lealures lo produce a warmer i very impressed by th s series as a whoe. Even the sounds thal we persound. Choosing belween lhe two i sonally didn1like cou d easily be used best left to | by someone else, so allthe CDs really j deserve serious consrderation. As the man wilh the thick Brilish accent sugSampling i gesls on Nowi That's What I Call : Samplng "Happy samplingl" Underground DJs, home studio producers- StreeEound reviewers and rcsolule Tech Testers Dino&Teny sub- , Nonman Goo['s To jected several disks from lhe i MY Eastwest/Sou nd Wa rehouse sample Pubtished by AMG (UK) catalog to a igaurcus work-ouL Here Price: $99 Contentsi 687 samples Sample CDs are becoming _'1305 drum & percussion loops indispensable for today's rnusic proD 158 vocal samples ducers, whether novice or seasoned

Ilow!

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Pno Samples 5 Published by Eastwest

Price: $99 CD/ $399 CD-ROM Contentsr 745 samples


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Prico! $99 (2 CO set) Contents: 3023 samples lolal

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Samding

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Untortunately, this means lhe variely of the loops is a little limiled. On a posi' tive nole, lhe CO is very well indexed Ior quick and easy use, and opiional Mac lrlDl, Ala and IBM disks are available which allow you to recreato lhe loops and lhen alterlhem.

Thc X-stactic Goldminc Published by Polestar f/lagnetics (Sweden)

Published by AMG/EastWest

CommenB: This CD (which comes

BATtl{GS(r.sl Ouallty Of Recording: Uselulness oI 3amples!DO(f cO Varioty ol Samples: ODi) ) Ov€rall Salistaction: .)J:)r), Comm6nts: As the x in tho lille indicates, this is a iechno-orienled collection. ALong wilh many essenlialtechno samples. il has a huge amounl ol sounds lhat any dance music producer can use. One of out favorite leatures were the drum sounds which are sam pled direclly of, the record and sounded surprisingly clean. This is a double CD with minimalsilence belween sounds, allowing ior the greal number

WHAT IS MOBILE BEAT? . . A 8tu4! n4g@ine! InJodatie.! Edacarional! Ent rlainina! A ... Bruc€ rolm$.. Th. Plny Factory, Mrietra, OH MoUh B.at .rult otuans th. ndl d.ctk, pm fut aad .on

lree with your purchase ol any ol the CDs in the collection) is an introduction lo lhe Hil Sound Ptoclucersample CD series. lt contains 11 demo tracks (one for each producer), lollowed by bonus samples (over 400) not actually contained on the sample CDs lhemselv€s. An excellenl spectrum of sound reflecls lhe diversity of the producers in th6 series, people like Pascal Gabriel, JJ Jeczalik, Coldcut and Noman Cook.

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Bor 515791, Dallas TX 7s251.5791 (214) 699.7269 or 304 32.12 (/63) EDM0NT0N, 43. Sro.drzst Produclon House requ res prcmo cD seryce. Arslyhs ncludiiq open efds. Fetfim provided Diqilal Musc comm!niGl ons, Box 66040,

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ca

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JOBS AVAILABIE CIUB E MoBILE DJ S WANTED Experlence requned. own equipment and music an asset. Garelh (416)951 0101(163)

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i : :

Italy (*63) SAll DIEGo: Club DJ would lke to erpose your 12 pro. mos ii Soulherf Ca loma. Bap/hous€/lechn0 only Send lo DJ N l0 Cily,30387 Seneh P. Temecua CA92592 l SAN FRANCISCo: Moble DJ seeks 1@hnorave/ho6€/h p : house/underqrcund/ c ub/daice/d sco/h trq/hlp hoprap :

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Profile for Christopher Torella

Streetsound Magazine issue #61  

Streetsound Magazine issue #61..more at www.streetsoundmagaizne.com

Streetsound Magazine issue #61  

Streetsound Magazine issue #61..more at www.streetsoundmagaizne.com

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