American & European Prints & Photography | Skinner Auction 2749B

Page 1

Fine Prints & Photography

Sale 2749B

September 19, 2014

Boston


Specialists

Fine Prints & Photography

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2749B

Preview

Absentee Bidding

Friday, September 19 12PM followed by Fine Paintings & Sculpture at 4PM

Wednesday, September 17 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, September 18 12 to 8PM Friday, September 19 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 150 ; frontispiece : 45 ; back cover : 70


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1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

5

Lots 1–220

112

Artist Index

113

Conditions of Sale

114

Map & Driving Directions

115

Absentee Bid Form

116

Company Directors & Specialty Departments

117

Administrative Staff & Client Services

119

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Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 113 of this catalog for the full terms and conditions governing your purchase.

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Glossary of Terms All items in this catalog are described according to the following table of terminology. Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Fine Prints & Multiples Lots 1–151

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

1 Josef Albers (German/American, 18881976)

After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

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Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

WLS - IX, from WHITE LINE SQUARES (SERIES II), 1966, edition of 125, published by Gemini G.E.L., Los Angeles (Danilowitz, 172.1). Monogrammed and dated “A ‘66” in pencil l.r., titled and numbered “...26-125” in pencil l.l. Screenprint in grays on paper, image size 15 3/4 x 15 3/4 in. (39.8 x 39.8 cm), framed. Condition: Toning, pale mat burn, not examined out of frame. N.B. Although this is considered the first plate of the second White Line Squares series, Albers numbered it as IX, denoting it as a continuation of the first series into the second. $300-350

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

2 Josef Albers (German/American, 18881976) WLS X, from WHITE LINE SQUARES (SERIES II), 1966, edition of 125, published by Gemini G.E.L., Los Angeles (Danilowitz, 172.2). Monogrammed and dated “JA ‘66” in pencil l.r., titled and numbered “...34 - 125” in pencil l.l. Color screenprint on paper, image size 15 3/4 x 15 3/4 in. (39.9 x 39.9 cm), framed. Condition: Possible subtle toning to sheet, not examined out of frame. $800-1,200 2

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5 Richard Anuszkiewicz (American, b. 1930)

3 Josef Albers (German/American, 18881976) Gray Instrumentation IIe, from GRAY INSTRUMENTATION II, 1974-75, edition of 36, published by Tyler Graphics, Bedford Village, New York (Danilowitz, 228.5). Signed “JAlbers” in pencil l.r., titled and numbered “...20/36” in pencil l.l., artist’s and publisher’s dry stamps l.r., identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 11 x 11 in. (27.8 x 27.8 cm), framed. Condition: Subtle bleed-out at edge of image, not examined out of frame. $800-1,200

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6 John Taylor Arms (American, 1887-1953)

4 Vera Andrus (American, 1896-1979)

Battle Wagon - U.S.S. Alabama Outfitting at Norfolk Navy Yard, Crane Ship Kearsage Alongside, 1942-43, second state of 6 (Fletcher, 376). Signed and dated “John Taylor Arms 1943” in pencil l.r., inscribed “II” in pencil l.l. Etching with aquatint on paper, plate size 12 x 17 7/8 in. (30.4 x 45.3 cm), framed. Condition: Several minute fox marks, subtle rippling, not examined out of frame.

Two Quebec Shore Views: Les Trois Soeurs, 1936, edition of 25; and On the Road to Manche d’Epée, 1937, edition of 25. Both signed and dated “Vera Andrus...” in pencil l.r., both titled and numbered in pencil l.l. Lithographs on Rives paper with watermark, image sizes 10 x 13 5/8 in. (25.4 x 34.4 cm), unmatted, unframed. Condition: Margins approximately 3/4 inches with deckled edges, scattered fox marks. $300-500

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Plate V, from SEQUENTIAL, 1972, edition of 200, published by Sanmore Editions, New York. Signed, numbered, and dated “ANUSZKIEWICZ 167/200 1972” in pencil l.r., inscribed “V” in pencil l.l. Color screenprint on paper, image size 26 1/8 x 19 1/8 in. (66.3 x 48.5 cm), unmatted, unframed, shrinkwrapped. Condition: Minor crease and soiling to corner of margin u.r. and l.l., not examined out of wrap. $300-500

Provenance: Descended through the family of Clarence G. Michalis to the present owner (according to the inscription on the backing paper). $300-500 6

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7 Richard Avedon (American, 1923-2004) Psychedelic Beatles/Set of Four Posters, 1967, from a limited edition produced exclusively in the Netherlands for VARAGIDS, published by Cowles Education Corporation in co-operation with Richard Avedon Posters, Inc., printed by Waterlow & Sons LTD, England. Unsigned. Offset posters, image sizes 25 3/4 x 18 1/2 in. (65.4 x 47.0 cm), unmatted, unframed. Condition: Minor handling crimps. $600-800 8 John Rankine Barclay (British, 1884-1962) Paris Dance Hall. Signed “John R Barclay” in pencil l.l., inscribed “No 27” in pencil l.r. Drypoint on paper, plate size 8 x 10 in. (20.3 x 25.4 cm), framed. Condition: Not examined out of frame. $300-500

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9 Fred Becker (American, 1913-2004)

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Five John Henry Subjects: Birth of John Henry; John Henry Building a Railroad 1936; John Henry + the Witch Woman; John Henry’s Death; and John Henry’s Funeral. Each signed “...Becker” in pencil l.r., stamped “FEDERAL ART PROJECT NYC WPA” l.l., and titled in pencil l.c. Wood engravings on Basingwerk Parchment with watermarks, image sizes to 6 x 4 1/2 in. (15.2 x 11.4 cm), unmatted, unframed. Condition: Margins over 1/2 inch with some deckled edges, masking tape to upper edges on verso (with accompanying staining to recto). Provenance: From the collection of WPA artist Maxwell Mandell, by descent to the current owner. $600-800 10 Hans Sebald Beham (German, 1500-1550) The Seven Liberal Arts/A Collection of Seven Prints. Each identified within the plate. Engravings on paper, image/sheet sizes approximately 3 9/16 x 2 5/16 in. (9.0 x 5.8 cm), presented in a common frame. Condition: Trimmed to/within the borderlines, not examined out of frame. $1,200-1,800

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11 Frank Weston Benson (American, 18621951) The Lobsterman, 1915, edition of 50 (Paff, 64). Signed “FrankWBenson.” in pencil l.l., numbered “23/50” in pencil l.r., label from The Guild of Boston Artists affixed to the backing paper. Etching on paper, plate size 7 7/8 x 10 in. (19.8 x 25.4 cm), framed. Condition: Toning, not examined out of frame.

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N.B. The lot is accompanied by an aquatint signed by Herbert George. $700-900 12 Frank Weston Benson (American, 18621951)

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Provenance: Descended within the family of the artist. $1,000-1,500 13 Frank Weston Benson (American, 18621951)

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15 Frank Weston Benson (American, 18621951)

Two Impressions of Marshes at Long Point, 1916: trial proof a, and published state, edition of 45 (Paff, 107). Both signed “FrankWBenson.” in pencil l.l. and annotated in the lower margin. Etchings (trial on Shogun; published state on laid paper), plate sizes 8 15/16 x 13 15/16 in. (22.5 x 35.3 cm), unmatted, unframed. Condition: Margins over 1 inch with some deckled edges, subtle soiling, creases to margins.

Wild Geese, 1917, published state, edition of 152 (Paff, 112). Signed “FrankWBenson.” in pencil l.l., numbered “125” in pencil l.r. Etching on paper, plate size 6 3/4 x 10 7/8 in. (17.1 x 27.4 cm), framed. Condition: Not examined out of frame. $700-900

Supper, 1920, published state of 150 (Paff, 182). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), unmatted, unframed. Condition: Margins over 2 1/4 inches with two deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist. $1,000-1,500 16

14 Frank Weston Benson (American, 18621951) Snowy Herons, 1917, published state of 150 (Paff, 118). Signed “FrankWBenson.” in pencil l.l., numbered “28” in pencil l.r. Etching on laid paper, plate size 5 x 4 in. (12.5 x 10.1 cm), unmatted, unframed. Condition: Margins over 2 3/4 inches with deckled edges, pencil annotations to lower margin, subtle soiling marks. Provenance: Descended within the family of the artist. $500-700

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16 Frank Weston Benson (American, 18621951) Boats at Dawn, 1920, published state of 150 (Paff, 190). Signed “FrankWBenson.” in pencil l.l. Etching on vellum paper, plate size 7 3/4 x 10 7/8 in. (19.6 x 27.5 cm), unmatted, unframed. Condition: Margins approximately 1 1/4 inches with deckled edges, pencil annotations l.l., soiling and ink fingerprints. Provenance: Descended within the family of the artist. $800-1,200

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20 Thomas Hart Benton (American, 18891975)

18 Frank Weston Benson (American, 18621951)

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17 Frank Weston Benson (American, 18621951) Riverman, 1920, published state of 150 (Paff, 195). Signed “FrankWBenson.” in pencil l.l. Etching on vellum paper, plate size 6 1/8 x 4 in. (15.4 x 10.0 cm), unmatted, unframed. Condition: Margins 2 3/4 inches or more with deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist. $1,200-1,800

The Bridge, 1923, trial proof B-1 (Paff, 227). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 13 13/16 x 10 7/8 in. (35.0 x 27.5 cm), unmatted, unframed. Condition: Margins over 1/2 inch, pencil annotations to lower margin, subtle soiling marks, hinges/residue to edges.

Making Camp, 1972, edition of 250, published by Associated American Artists, New York (Fath, 86). Signed “Benton” in pencil l.r. Lithograph on paper, image size 11 7/8 x 14 3/8 in. (30.0 x 36.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $1,200-1,800

Provenance: Descended within the family of the artist. $1,200-1,800

21 Richard Bosman (American, b. 1944) Survivor, 1983, edition of 10, published by Brooke Alexander, Inc., New York. Signed “Bosman” in white pencil within the image l.l., numbered “7/10” in white pencil within the image l.r., identified on label from the publisher affixed to the backing. Woodcut in black and red on tan paper, image size 38 x 24 in. (96.5 x 61.0 cm), framed. Condition: Deckled edges, gentle handling creases to edges, not examined out of frame. $400-600

19 Frank Weston Benson (American, 18621951) Deer Hunter, 1924, published state of 150 (Paff, 229). Signed “FrankWBenson.” in pencil l.l. Etching on laid vellum paper with “F.G. Head & Co.” watermark, plate size 7 7/8 x 10 7/8 in. (19.8 x 27.4 cm), unmatted, unframed. Condition: Margins approximately 1 1/4 inches with deckled lower edge, pencil annotations l.r.

22 No lot.

Provenance: Descended within the family of the artist. $800-1,200 21

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23 Three Venetian Views: Giovanni Antonio Canale called Canaletto (Italian, 1697-1768), The Little Monument (De Vesme 30; Bromberg, 33), etching; Antonio Visentini (Italian, 1688-1782) After Canaletto, Two Platece D. Marci Prospectus..., engravings. Plate sizes to 16 3/4 x 23 in. (42.4 x 58.2 cm), unmatted, unframed. Condition: Each on laid paper with crescent moons watermark, repair to image of Canaletto; repairs to edges of Visentinis. Provenance: M. Roy Fisher, New York; by family descent to the present owner. $600-800 24 Giovanni Benedetto Castiglione (Italian, 1609-1664) 25

The Nativity with Angels and God the Father, c. 1647, only state (Bartsch 7; Bellini, 22). Signed within the plate. Etching on laid paper with textual watermark, plate size approximately 8 1/8 x 15 3/4 in. (20.5 x 39.9 cm), matted, unframed. Condition: Trimmed to or just within the plate mark, minor creases and repairs near edges (some into the image), pale foxing.

25 Giovanni Benedetto Castiglione (Italian, 1609-1664)

Provenance: M. Roy Fisher, New York; by family descent to the present owner. $600-800

The Entry of the Animals into the Ark, c. 1650, only state (Bartsch 1; Bellini, 61). Signed within the plate. Etching on laid paper with textual watermark, plate size approximately 8 1/4 x 15 3/4 in. (20.8 x 39.9 cm), matted, unframed. Condition: Trimmed to or just within the plate mark, repairs to edges (some into the image), foxing (visible primarily to verso).

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Provenance: M. Roy Fisher, New York; by family descent to the present owner. $600-800 26 Bernard Cathelin (French, 1919-2004) Grand Tokonoma aux roses blanche, 1990, edition of 30. Signed “Cathelin” in pencil l.r., numbered “30/30” in pencil l.l. Color lithograph on paper, image size 91 1/4 x 45 in. (231.8 x 114.2 cm), framed. Condition: Not examined out of frame. Provenance: A private New York and Massachusetts collection. $2,000-3,000

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27 Paul Cézanne (French, 1839-1906) Les Baigneurs (grande planche), 1896-97, first (black) state of three, published by Vollard, Paris (Cherpin, 7; Venturi, 1157). Signed within the matrix. Lithograph on Arches Ingres paper with watermarks, image size 16 1/4 x 20 in. (41.1 x 50.7 cm), framed. Condition: Margins over 1 1/4 inches with deckled edges, pale mat burn and toning, several soft fox marks.

N.B. This work was printed in both a black edition and in color, and was meant to be part of L’Album d’Estampes Originales de la Galerie Vollard. The album never came to fruition. Cézanne based the composition on his 1875-76 painting, Baigneurs au repos, which currently resides in the Barnes Foundation, Philadelphia. $10,000-15,000

Provenance: A private New York and Massachusetts collection.

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28 Marc Chagall (Russian/French, 1887-1985) L’Artiste à la chèvre, 1984, edition of 50 (Mourlot, 1026). Signed “Marc Chagall” in pencil l.r., numbered “8/50” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 9 5/8 in. (32.3 x 24.3 cm), framed. Condition: Margins over 3 1/2 inches with deckled edges to two sides, faintly lightstruck.

Provenance: Castle Fine Arts, San Ramon, California, to the current collection. $4,000-6,000

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31 Antoni Clavé Sanmartin (Spanish, 19132005)

29 Eduardo Chillida (Spanish, 1924-2002)

Untitled, edition of 90. Signed “Clavé” in pencil within the image l.r., numbered “71/90” in pencil l.l. Color etching with aquatint and carborundum on paper, image/plate size 30 x 22 3/8 in. (76.2 x 56.8 cm), framed. Condition: Deckled edges, floated within the mat (with broken hinge), not examined out of frame. $700-900

Barcelona I, Poster for Exhibition, Sala Gaspar, Barcelona, 1971, from the edition before letters of 75, published by Sala Gaspar, Barcelona (Koelen, 71018). Signed in pencil l.r., numbered “51/75” in pencil l.l. Lithograph on Guarro paper, image size 28 1/8 x 19 5/8 in. (71.5 x 49.8 cm), unmatted, unframed. Condition: Minor handling crimps. $1,500-2,000

32 Salvador Dalí (Spanish, 1904-1989)

30 Eduardo Chillida (Spanish, 1924-2002)

Flower Magician, from TWO EXQUISITE FLOWERS, 1972, total edition of 302 plus proofs (Field, 72-3; Michler & Löpsinger, 1385). Signed “Dalí” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 29 7/8 x 21 3/4 in. (75.8 x 55.2 cm), framed. Condition: Deckled edges to two sides, unhinged, not examined out of frame.

Untitled, edition of 1,000. Signed “Chillida” in pencil l.r., numbered “A901/1000” in pencil l.l. Lithograph in black and tan on shaped paper, image size 17 3/4 x 12 3/4 in. (45.0 x 32.4 cm), unmatted, unframed. Condition: Subtle soiling to verso. $300-500

N.B. The composition is derived from one of Dalí’s gouaches. $1,000-1,500

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33 André Daudé (French, 1897-1979) Pianos Daudé, 1926, printed by PAG, Paris. Identified within the matrix. Color lithographic poster, image size 59 x 43 1/4 in. (149.7 x 109.7 cm), framed. Condition: Creases (from folding), not examined out of frame. $800-1,200 34 Alan Davie (British, 1920-2014) Zurich Impression XIII, 1965, edition of 25, published by Editions Alecto, London. Signed and dated “Alan Davie 65” in pencil l.r., numbered and titled “9/25 XIII” in pencil l.l., publisher’s dry stamp l.r. Color lithograph on Rives paper with watermark, image size 21 5/8 x 30 5/8 in. (77.7 x 54.8 cm), framed. Condition: Deckled edges with subtle wear, gentle toning, floated within the frame, not examined out of frame. $500-700 35

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35 Stuart Davis (American, 1892-1964) Detail Study for Cliché, 1957, edition of 40 (Cole & Myers, 24). Signed “Stuart Davis” in pencil l.r., numbered “16/40” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 14 3/4 in. (32.2 x 37.5 cm), framed. Condition: Margins over 1 inch with deckled edges, mat burn, registration holes to side margins, minor soiling to lower margin, masking tape at corners on verso. Provenance: A private New York and Massachusetts collection. $4,000-6,000 36 After Stuart Davis (American, 1892-1964)

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Ivy League, 1953 (Cole & Myers, 79). Signed with stencil signature, identified on a label from Childs Gallery, Boston, affixed to the backing. Color screenprint on paper, image size 5 x 7 7/8 in. (12.6 x 20.0 cm), framed. Condition: Not examined out of frame. $300-500

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37 Maurice Denis (French, 1870-1943) Ce fut un religieux mystère, 1892-99, plate iv from AMOUR, published 1911 by Ambroise Vollard, Paris, edition of 100 (Cailler, 111). Signed “Maurice Denis” in pencil l.r., titled within the matrix. Color lithograph on paper, image size 16 3/4 x 11 5/8 in. (42.4 x 29.3 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame.

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Provenance: A private New York and Massachusetts collection. $700-900 38 Jim Dine (American, b. 1935)

40 Albrecht Dürer (German, 1471-1528)

Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 129/144 1968” in pencil within the image u.r., titled within the matrix. Offset color lithograph on paper, image/ sheet size 35 x 24 3/4 in. (88.7 x 62.8 cm), unmatted, unframed. Condition: Good. $300-500

The Turkish Family, c. 1496 (Bartsch, 85; Meder, 80 d/d; Hollstein, 79). Monogrammed within the plate. Engraving on heavy paper, sheet size 4 1/2 x 3 1/8 in. (11.3 x 7.9 cm), framed. Condition: Trimmed to or just within the outer borderline, diagonal crease to image, glue/ residue, pencil annotations and old hinges to verso. $800-1,200

39 Werner Drewes (German/American, 18991985)

41 Albrecht Dürer (German, 1471-1528)

Arizona Evening, 1956, edition of 30 (Rose, III.175). Signed and dated “Drewes-56-” in pencil l.r., numbered “11/XXX” in pencil l.l. Color woodcut on paper, image size 11 1/2 x 21 in. (29.2 x 53.3 cm), framed. Condition: Not examined out of frame. 38

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N.B. The view depicts Red Rock State Park in Arizona. $700-900

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St. John the Baptist and St. Onuphrius, c. 1504 (Bartsch, 112; Meder, 230e/f; Hollstein, 230). Monogrammed within the block. Woodcut on paper, image size 8 3/4 x 5 3/4 in. (22.2 x 14.5 cm), framed. Condition: Margins 1/8 inch or more, very pale staining, not examined out of frame. $700-900

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44A James Ensor (Belgian, 1860-1949) Coup de vent à la lisière, 1888, second state of two, possibly from a 1913 edition (Delteil, 47). Signed and dated within the plate. Etching on Van Gelder Zonen laid paper with watermark, plate size 6 5/8 x 9 1/2 in. (16.7 x 24.0 cm), framed. Condition: Toning, staining, margins 3 inches or more. $1,000-1,500 45 M.C. Escher (Dutch, 1898-1972)

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Encounter, 1944, edition of 50 (Bool et al., 331). Signed and numbered “MCEscher No 14/50 IV” in pencil l.l., initialed and dated within the matrix. Lithograph on paper with partial “Holland” and figural watermarks, image size 13 3/8 x 18 1/4 in. (33.8 x 46.3 cm), framed. Condition: Margins 1 3/4 inches or more, gently light-struck, minor creasing to margin near corner u.l., several bits of “Scotch” tape to edges, thinned area to edge of right margin and corner u.r. $7,000-9,000

42 Albrecht Dürer (German, 1471-1528)

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The Lamentation, 1507, from THE ENGRAVED PASSION (Bartsch, 14; Meder, 14c/c; Hollstein, 14). Monogrammed and dated within the plate. Engraving on fine laid paper, image/sheet size 4 9/16 x 2 13/16 in. (11.4 x 7.1 cm), framed. Condition: Trimmed to or just within the borderline, pale toning/staining, wear to edges. $800-1,200 43 Albrecht Dürer (German, 1471-1528) St. Jerome in a Cave, 1511 (Bartsch, 114; Meder, 229 I/II [still with date of 1512 but after the book edition b/c]). Dated within the block. Woodcut on paper, image size 8 3/4 x 5 3/4 in. (22.2 x 14.5 cm), framed. Condition: Margins 1/4 inch or more, not examined out of frame. $800-1,200 44 Albrecht Dürer (German, 1471-1528) Melancholia, 1514 (Bartsch, 74; Meder, II/ II; Hollstein, 75 IIa/IIb). Monogrammed and dated within the plate. Engraving on laid paper, image/sheet size 9 3/8 x 7 5 1/6 in. (23.6 x 18.4 cm), unmatted, unframed. Condition: Trimmed to or just within the image, prevalent insect damage, unobtrusive staining, ink annotations to verso. $1,000-1,500

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46 Richard Estes (American, b. 1932) Pressing Machinery, from URBAN LANDSCAPES II, 1979, edition of 100 plus proofs (Arthur, p. 118). Signed “RICHARD ESTES” in pencil l.r., inscribed “A.P.” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 13 in. (49.7 x 32.9 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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49 Shepard Fairey (American, b. 1970) Andre the Giant Triptych, 2013. Each initialed and dated “SF 13” in pencil l.r. Screenprints on paper, image sizes 28 3/8 x 24 in. (72.0 x 60.8 cm), unmatted, unframed. Condition: Good. $1,000-1,500

47 Shepard Fairey (American, b. 1970) OBEY/Can’t Stop the Bum Rush, 2001. Initialed and dated “SF 01” in pencil l.r. Offset lithograph in black and red on paper, image/ sheet size 36 1/2 x 24 1/2 in. (92.5 x 62.4 cm), unmatted, unframed. Condition: Soft crease to corner u.r. $300-350

50 Shepard Fairey (American, b. 1970) Imperial Glory, 2013. Initialed and dated “SF 13” in pencil l.r. Color screenprint on cream paper, image size 33 3/4 x 22 5/8 in. (85.5 x 57.4 cm), unmatted, unframed. Condition: Good. $700-900

48 Shepard Fairey (American, b. 1970) Evolve/Devolve, 2009. Initialed and dated “SF 09” in pencil l.r. Color screenprint on cream paper, image size 23 x 35 in. (58.2 x 88.8 cm), unmatted, unframed. Condition: Good. $400-600

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51 Henri Fantin-Latour (French, 1836-1904) Un morceau de Schumann, 1864, published by Cadart & Luquet, Paris. Signed, dated, and identified within the plate, publisher’s dry stamp l.c. Etching on heavy laid paper with “AQUA FORTISTES” watermark, plate size 7 3/8 x 11 in. (18.8 x 27.5 cm), unmatted, unframed. Condition: Margins over 3 inches with deckled edges to all but the top, toning, pale soiling, and foxing to margins.

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53 Antonio Frasconi (Argentinian, b. 1919) Self Portrait - New York, 1946, edition of 15. Signed and dated “Frasconi 46” in pencil l.r., titled in pencil l.l., inscribed “ed.15” in pencil l.c., monogrammed within the block. Woodcut on rice paper, image size 9 11/16 x 8 1/8 in. (24.5 x 20.5 cm), matted, unframed. Condition: Margins over 1 inch, pale fox marks. $500-700

Provenance: M. Roy Fisher, New York; by family descent to the present owner. N.B. The work depicts a duet between artist Edwin Edwards and his wife, Elizabeth Ruth Escombe Edwards. Fantin-Latour stayed with the couple at least twice while they lived in Sunbury-on-Thames. $200-300

54 Eliza Draper Gardiner (American, 18711955) Two Landscape Views: Passaconway, before 1920, edition of 40 (Cywin et al., 26); and The River. The former signed and numbered “E.D. Gardiner 31/40” in pencil within the image l.r.; the latter unsigned, titled in pencil l.c. Color woodcuts on paper, image sizes approximately 10 x 7 1/2 in. (25.4 x 19.0 cm), framed. Condition: Pale fox marks, River faded and with gentle toning, not examined out of frames.

52 Sam Francis (American, 1923-1994) Lyre Eight, 1972, edition of 50, published by Gemini G.E.L., Los Angeles (Lembark, S.5/ SFS-134; NGA/Gemini, 18.18). Numbered and signed “33/50 Sam Francis” in pencil within the image l.r., publisher’s and copyright dry stamps l.r. Color screenprint on paper, image size 42 1/4 x 54 in. (107.3 x 137.1 cm), framed. Condition: Pale mat burn, gentle rippling, not examined out of frame.

52

N.B. Passaconway is a mountain in New Hampshire named for a chieftain of the Pennacook tribe. $500-700

Provenance: A private New York and Massachusetts collection. $3,000-5,000 54

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55 David Gerstein (Israeli, b. 1944) Double-sided Floral Still Life, edition of 295. Signed and numbered “Gerstein 103/295” in felt-tip pen on the vase. Polychrome decorated plywood, height 17 1/4 in. (43.7 cm), with an engaged base. Condition: Good. $800-1,200 56 Red Grooms (American, b. 1937) Mid Rat, 1981, edition of 88, published by Vermillion Editions, Minneapolis (Alexander & Cowles, 54). Signed “Red Grooms ‘81” in purple pencil within the image l.r., numbered “22/88” in red pencil within the image l.r. Color lithograph on paper, image/sheet size 22 3/8 x 29 3/4 in. (56.7 x 75.4 cm), unmatted, unframed, shrink-wrapped. Condition: Deckled edges, not examined out of wrap. $300-500

55

57

57 Keith Haring (American, 1958-1990) The Kutztown Connection, 1984, published by The New Arts Program, Kutztown, Pennsylvania. Signed “K Haring” in red felttip pen l.c., inscribed “241” in pencil on the reverse, information from the publisher affixed to the backing mat. Offset lithographic poster on paper, sheet size 33 1/8 x 20 1/8 in. (84.0 x 51.0 cm), framed. Condition: Minor soiling to corner l.l. $1,200-1,800

56

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60 58

61

58 Childe Hassam (American, 1859-1935) The Chimneys, Portsmouth, 1915, probably an edition of 100 (Cortissoz, 16). Monogramed and inscribed “...imp.” in pencil l.r., monogrammed and dated within the plate, identified on a label from the Kennedy Galleries, Inc., New York, affixed to the backing paper. Etching with drypoint on paper, plate size 5 x 8 1/4 in. (12.5 x 20.6 cm), framed. Condition: Not examined out of frame. $1,500-2,000 59 Stanley William Hayter (British, 1901-1988) Gemini, 1970, outside of the edition of 100, published by A.B. Lublin, New York (Black & Moorhead, 343). Signed and dated “SWHayter 70” in pencil l.r., titled in pencil l.c., numbered “XII/XX” in pencil l.l. Color etching and aquatint on Rives paper with watermark, plate size 19 1/8 x 23 1/4 in. (48.4 x 59.0 cm), matted, unframed. Condition: Margins over 1 inch with deckled edges, gently light-struck, masking to edges on verso. $300-500

59

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62

60 Friedensreich Hundertwasser (Austrian, 1928-2000)

61 Friedensreich Hundertwasser (Austrian, 1928-2000)

Irinaland Over the Balkans, plate seven from the LOOK AT IT ON A RAINY DAY Portfolio, 1971, edition of 3,000 (Koschatzky, 50). Identified within the matrix and with various chops to the margins, stamped “02023” l.c. Color screenprint with metal imprints on paper, image size 16 1/4 x 23 in. (41.5 x 58.5 cm), framed. Condition: Pinpoint foxing, not examined out of frame. $400-600

10,002 nights homo humus come va how do you do, 1983, edition of 10,002 plus proofs (Koschatzky, 83). Identified within the matrix and with various chops to the margins. Color screenprint on paper, image size 25 1/4 x 18 3/4 in. (64.0 x 47.5 cm), framed. Condition: Deckled upper edge, floated within the mat, not examined out of frame. $400-600

62 Louis Icart (French, 1888-1950) Miss California, 1927 (Holland et al., 326). Signed “Louis Icart” in pencil l.r., artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 21 x 16 3/4 in. (53.0 x 42.4 cm), framed. Condition: Pale water staining to lower margin, not examined out of frame. $800-1,200

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65 Max Klinger (German, 1857-1920) INTERMEZZI (Radierung Opus IV)/Portfolio of Twelve Images, 1881 (Singer, 52-63). Each identified in the plate, set identified on the portfolio cover. Etchings with aquatint on chine collé, sheet sizes 24 3/4 x 17 5/8 in. (62.8 x 44.6 cm), presented in the original portfolio (wear, toning, cover of spine missing). Condition: Toning and wear to edges and corners, several with fox marks and minor tears. Provenance: From Paul Horst-Schulze (18761937), Klinger’s student, to his niece, then by descent to the present owner. $1,200-1,800 66 Max Klinger (German, 1857-1920) EVA UND DIE ZUKUNFT (Radierung Opus III)/Portfolio of Six Images and Title Page, 1898, printed by Friedrick Felsing, Munich. Set identified on the portfolio cover. Etchings with aquatint on chine collé, sheet sizes 24 7/8 x 16 3/4 in. (63.3 x 42.5 cm), presented in the original portfolio (wear, toning, breaks to interior flaps). Condition: Toning and minor wear to edges and corners.

63

63 Albert Irvin (British, b. 1922)

65

Provenance: From Paul Horst-Schulze (18761937), Klinger’s student, to his niece, then by descent to the present owner. $1,200-1,800

Octavia, 1992, edition of 225. Signed and dated “Irvin ‘92” in pencil l.l., titled in pencil l.c., numbered “26/225” in pencil l.r. Color screenprint with embossing on paper, image size 25 x 32 3/4 in. (63.4 x 83.1 cm), framed. Condition: Not examined out of frame. $700-900 64 Ellsworth Kelly (American, b. 1923) Dark Blue with Red, from SUITE OF TWENTY-SEVEN COLOR LITHOGRAPHS, 1964-65, edition of 75 plus proofs, published by Maeght Éditeur, Paris (Axsom, 10). Signed “Kelly” in pencil l.r., numbered “11/75” in pencil l.l., identified on a label from the Harcus Krakow Rosen Sonnabend Gallery, Boston, affixed to the backing. Color lithograph on paper, image size 19 3/8 x 15 1/4 in. (49.2 x 38.5 cm), framed. Condition: Not examined out of frame. $1,500-2,000

64 66

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67 Käthe Kollwitz (German, 1867-1945) Brustbild einer Arbeiterfrau mit blauem Tuch, 1903, final state of three (Knesebeck, 75IIIa; Klipstein, 68IIIa). Signed “Kathe Kollwitz” in pencil l.r. Lithograph in blue and tan on paper, image size 14 1/8 x 9 3/4 in. (35.7 x 24.6 cm), matted, unframed. Condition: Margins over 3 1/2 inches with deckled edges, nicks to sheet along edges, gentle toning, staining to verso. $800-1,200 68 John Lennon (British, 1940-1980) Untitled, from BAG ONE, 1970, edition of 300. Signed “John Lennon” in pencil within the image l.r., numbered “7/300” in pencil within the image l.l. Lithograph on paper, image size 22 x 27 in. (55.7 x 68.5 cm), framed. Condition: Not examined out of frame. $1,000-1,500

67

69

69 Sol LeWitt (American, 1928-2007) Plate 6, from SQUARES WITH COLORS SUPERIMPOSED WITHIN A BORDER WITH COLORS, 1991, edition of 25, published by Parasol Press Ltd., New York (Krakow, 1991.01). Signed and numbered “LeWitt 13/25” in pencil l.r. Color etching and aquatint on wove paper, plate size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches, unobtrusive surface rubs to blue ink, 1/2 inch repaired tear to edge of lower margin, old hinges and pencil annotation to verso. $800-1,200 68

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71

70

70 Roy Lichtenstein (American, 1923-1997)

71 Robert Peter Mangold (American, b. 1937)

Still Life with Windmill, from the SIX STILL LIFES Series, 1974, edition of 100, published by Multiples, Inc. and Castelli Graphics, New York, printed by Styria Studio, New York (Corlett, 132). Numbered, signed, and dated “96/100 Rf Lichtenstein ‘74” in pencil l.r., printer’s dry stamp l.r., stamped by the publishers on the reverse. Lithograph with screenprinting and debossing on wove paper, image size 29 1/2 x 38 1/4 in. (74.8 x 97.0 cm), unmatted, unframed. Condition: Surface rubs with several breaks to ink surface, pale staining to upper edge of margin. $15,000-20,000

Distorted Square within a Circle 2, 1973, edition of 75, published by Max Protech, Inc., New York. Signed and dated “R. Mangold 1973” in pencil l.r., titled in pencil l.c., numbered “48/75” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on paper, image size 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm), unmatted, unframed. Condition: Deckle to all but the left edge, subtle soiling near some edges.

38

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Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $250-350

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73

74

74 Roberto Matta (Chilean, 1911-2002) Il Explose, 1976-77, from HOM’MERE III L’ERGONAUTE, edition of 100 plus proofs, published by Georges Visat, Paris. Signed “Matta” in pencil l.r., numbered “27/100” in pencil l.l., identified on a label from Latin American Masters, Beverly Hills, affixed to the backing. Color etching and aquatint on Japan paper, plate size 19 1/2 x 14 3/4 in. (49.4 x 37.3 cm), framed. Condition: Deckled edges with gentle creases/wear, floated within the frame, not examined out of frame. $500-700

72

72 Henri Matisse (French, 1869-1954)

73 Henri Matisse (French, 1869-1954)

Danseuse assise en haut, plate 1 from DIX DANSEUSES, 1927, published by La Galerie d’Art Contemporain, Paris, total edition of 150 plus proofs (Duthuit, 480). Numbered and signed “33/130 Henri Matisse” in pencil l.r. Lithograph on paper, image size 17 1/8 x 10 7/8 in. (43.3 x 27.4 cm), framed. Condition: Margins 1 inch or more with deckled edges, laid down, mat burn, pale toning and staining to image, minute nicks and creases to edges.

La Cité - Notre-Dame, 1937, edition of 500 (Duthuit, 248). Signed within the plate. Etching on paper, plate size 13 3/8 x 10 3/16 in. (33.8 x 25.8 cm), framed. Condition: Not examined out of frame. $300-500

Provenance: A private New York and Massachusetts collection. $7,000-9,000

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75 Jean François Millet (French, 1814-1875)

75

La Bouillie, 1861, fourth state of five (Delteil, 17). Signed and dated within the plate. Etching on chine collé, plate size 7 7/8 x 6 3/8 in. (19.8 x 16.2 cm), framed. Condition: Subtle toning, not examined out of frame. $700-900

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76 Keiko Minami (Japanese, 1911-2004) Horned Owl. Signed “Keiko Minami” in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Color etching on paper, plate size 13 9/16 x 11 3/8 in. (34.4 x 28.8 cm), framed. Condition: Not examined out of frame. Provenance: A private New York and Massachusetts collection. N.B. Minami was named the official artist of the United Nations in 1959. She was married to fellow printmaker Yozo Hamaguchi. $500-700 77 Joan Miró (Spanish, 1893-1983) Danse Barbare, 1963, edition of 90, published by Maeght Éditeur, Paris (Mourlot, 282). Signed “Miró” in pencil l.r., numbered “75/90” in pencil l.l. Color lithograph on paper, image size 16 5/8 x 21 15/16 in. (42.1 x 55.6 cm), framed. Condition: Subtle toning, not examined out of frame. $3,000-5,000

78

76

78 Joan Miró (Spanish, 1893-1983) Le bijou, 1969, outside of the edition of 75, published by Maeght Éditeur, Paris (Dupin, 491). Signed “Miró.” in pencil l.r., inscribed “H.C.” in pencil l.l. Color aquatint with carborundum, etching, and embossing on paper, plate/sheet size 9 1/8 x 11 1/4 in. (23.0 x 28.5 cm), framed. Condition: Deckled edges to two sides, floated within the mat, not examined out of frame. $1,500-2,000 79 Joan Miró (Spanish, 1893-1983) Poster for the Exhibition Tres Libros, Osaka, 1970, from the edition before letters of 500 (Mourlot, 680). Signed “Miró” in the stone in black at center, monogrammed “M” in the stone in blue l.r., numbered “301/500” in pencil l.l. Color lithograph on Guarro paper with Sala Gaspar watermark, image/sheet size 29 7/8 x 22 1/4 in. (76.0 x 56.6 cm), unmatted, unframed. Condition: Unobtrusive toning especially at edges, minor crease u.c., light staining u.l. corner. $500-700

77

79

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82

80

80 Joan Miró (Spanish, 1893-1983) Poster for the Exhibition Miró, Sala Pelaires, Palma de Majorca, 1970, from the edition before letters of 75 (Mourlot, 684). Monogrammed “M.” and numbered “61/75” in pencil l.r. and l.l., respectively. Color lithograph on Guarro paper with Sala Gaspar watermark, sheet size 29 3/4 x 21 7/8 in. (75.6 x 55.6 cm), unmatted, unframed. Condition: Possible toning with subtle discoloration or staining at edges, especially the left and right sides, scattered minor handling crimps. $1,500-2,000

82 Joan Miró (Spanish, 1893-1983) Cover for Portfolio Mà de Proverbis, 1970, edition of 1,100, printed by Arte Adrien Maeght, Paris (Cramer, 139). Monogrammed “M” in blue ink l.r., inscribed “H.C.” (hors de commerce) in pencil l.l. Lithograph on synthetic canvas or similar, image/sheet size 33 1/8 x 26 7/8 in. (84.2 x 68.3 cm), unmatted, unframed. Condition: Good. $600-800

81 Joan Miró (Spanish, 1893-1983) Poster for the Exhibition Miró el Tapis de Tarragona, Sala Gaspar, Barcelona, 1970, from the edition before letters of 200 (Mourlot, 686). Signed “Miró” in the matrix in black l.c., monogrammed “M” in the matrix in blue l.r., numbered “167/200” in pencil l.l. Color lithograph on Guarro paper with Sala Gaspar watermark, image/sheet size 29 7/8 x 21 3/4 in. (76.0 x 55.3 cm), unmatted, unframed. Condition: Discoloration and possible foxing at edges, scattered minor handling crimps especially at u.l. corner. $800-1,200 81

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83 Joan Miró (Spanish, 1893-1983) 83

Sobreteixims I Escultures, 1972, edition of 150, printed and published by Sala Gaspar, Editor, Barcelona (Mourlot, 849). Signed “Miró” in pencil l.r., numbered “140/150” in pencil l.l. Color lithograph on paper, sheet size 14 7/8 x 22 3/8 in. (37.8 x 56.8 cm), unmatted, unframed. Condition: Two unobtrusive foxing marks at very edge of sheet u.c., three subtle horizontal indentations at l.l. $1,800-2,200

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86 Joan Miró (Spanish, 1893-1983) Poster for the Film Umbracle, 1973, edition of 50 before lettering, printed by Puresa, Barcelona, and published by Sala Gaspar, Barcelona (Mourlot, 922). Signed “Miró” in pencil l.r. and in the stone in black in the image l.l., inscribed “H.C.” in pencil l.l. Color lithograph on paper with Sala Gaspar watermark, image/sheet size 29 1/4 x 22 1/8 in. (74.3 x 56.3 cm), unmatted, unframed. Condition: Scattered minor handling crimps, subtle toning mostly at very edges. $800-1,200 87 Joan Miró (Spanish, 1893-1983) Plate from L’ENFANCE D’UBU, 1975, total edition of 140, published by Tériade Éditeur, Paris (Mourlot, 1010). Signed “Miró” in pencil l.c., numbered “76/120” in pencil l.l. Color lithograph on paper, image size 12 1/4 x 18 7/16 in. (31.0 x 46.5 cm), framed. Condition: Deckled edges to two sides, floated within the mat, gentle rippling, not examined out of frame.

84

Provenance: Purchased from Graphics 1 and Graphics 2, Boston, by the current owner. $2,000-3,000

84 Joan Miró (Spanish, 1893-1983)

86

Plate from EL TAPIS DE TARRAGONA, 1972, edition of 1,100, published by Sala Gaspar, Barcelona (Mourlot, 881). Monogrammed “M.” in white pencil or similar and with an embossed signature l.r. Color lithograph on paper, image/sheet size 11 5/8 x 17 1/4 in. (29.5 x 43.8 cm), unmatted, unframed. Condition: Possible unobtrusive toning, blue transfer on the left side of the verso, vertical central crease and text to verso (as published). $400-600 85

85 Joan Miró (Spanish, 1893-1983) Plate from SÉRIE MALLORCA XII, 1973, edition of 50, published by Sala Peliares, Palma de Mallorca (Dupin, 614). Signed “Miró” and numbered “31/50” in pencil l.r. and l.l., respectively. Etched engraving and aquatint on Guarro paper, plate size 21 1/2 x 27 1/2 in. (54.5 x 69.9 cm), unmatted, unframed. Condition: Scattered handling crimps especially at margins. $2,500-3,500 87

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88 Henry Moore (British, 1898-1986) Reclining Nude II, 1978, edition of 50 (Cramer, 483). Signed “Moore” in pencil l.r., numbered “22/50” in pencil l.l. Etching in brown on paper, plate size 5 7/8 x 8 in. (14.8 x 20.2 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. Provenance: A private New York and Massachusetts collection. $800-1,200 89 Henry Moore (British, 1898-1986) Reclining Woman I, 1981, edition of 50 (Cramer, 591). Signed “Moore” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on paper, image size 20 1/2 x 23 1/4 in. (52.0 x 59.0 cm), framed. Condition: Margins 1 1/2 inches or more, faint mat burn, not examined out of frame.

88

Provenance: A private New York and Massachusetts collection. $1,000-1,500

90

90 Henry Moore (British, 1898-1986) Woman’s Head, 1981, edition of 50 plus proofs, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, 1983 (Cramer, 630). Signed “Moore” in pencil l.r., numbered “9/50” in pencil l.l. Color lithograph on paper, image size 8 3/4 x 9 7/8 in. (22.2 x 25.0 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. Provenance: A private New York and Massachusetts collection. $1,000-1,500 91 Henry Moore (British, 1898-1986) Six Heads Olympians, 1982, outside of the edition of 50, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, 1983 (Cramer, 657). Signed “Moore” in pencil within the image l.r., numbered “XXV/XXXV” in pencil within the image l.l. Color lithograph on paper, sight size 32 3/8 x 22 1/4 in. (82.1 x 56.4 cm), framed. Condition: Not examined out of frame.

89

Provenance: A private New York and Massachusetts collection. $1,200-1,800 91

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94

92 Shiko Munakata (Japanese, 1903-1975) Head of a Woman, 1959, edition of 70. Signed and dated “Munakata...1959.” in pencil l.r., numbered “2/70” in pencil l.r. Color woodcut with additional applied color on fine laid paper, image size 12 1/8 x 8 7/8 in. (30.5 x 22.5 cm), framed. Condition: Margins over 1 inch, foxing, staining, toning, prevalent cockling. $1,000-1,500

92

95

95 Beverly Pepper (American, b. 1922)

93 Zoran Antonio Music (Italian, 1909-2005)

Abstract Composition: Plate #5, 1964-65, edition of 50. Signed and dated “Beverly Pepper ‘64” in pencil within the image l.r., numbered “40/50” in pencil within the image l.l., identified on a label from Marlborough Graphics Gallery, New York, affixed to the backing. Color etching with carborundum on paper, plate/sheet size 18 3/4 x 25 1/8 in. (47.5 x 63.7 cm), framed. Condition: Not examined out of frame. $500-700

Lieu ouvert, 1961, edition of 100, Atelier Lacourière, Paris (Schmücking, 80). Signed and dated “Music 61” in pencil l.r., numbered “54/100” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 18 13/16 x 25 9/16 in. (47.7 x 64.8 cm), framed. Condition: Margins over 1 1/2 inches with deckled edges, unobtrusive mat burn and light striking, corrugation staining to verso.

95A Pablo Picasso (Spanish, 1881-1973)

Provenance: A private New York and Massachusetts collection. $400-600 93

Birth of the Centaur, plate 1 from DOS CONTES, 1947, edition of 250 (Bloch, 468; Cramer, 44). Unsigned, dated within the plate, identified on a label from Associated American Artists, New York, affixed to the backing. Engraving on Lana wove paper with a ram’s head watermark, plate size 12 x 10 1/8 in. (30.4 x 25.5 cm), framed. Condition: Deckled edges to three sides, mat burn, toning, corrugation staining to verso. $300-500

94 Adriaen Jansz van Ostade (Dutch, 16101685) The Angler, c. 1653 (Hollstein, 32). Monogrammed within the plate. Etching on laid paper with partial watermark, plate size 4 1/2 x 6 1/2 in. (11.3 x 16.3 cm), matted, unframed. Condition: Margins 1/16 inch. Provenance: M. Roy Fisher, New York; by family descent to the present owner. $700-900

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95A

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96 Pablo Picasso (Spanish, 1881-1973) Tête de femme de trois quarts, 1953, edition of 50 (Bloch, 730). Signed “Picasso” in red pencil l.r., numbered “30/50” in pencil l.l., dated within the matrix. Lithograph on paper, image size 21 5/8 x 17 3/4 in. (54.8 x 45.0 cm), framed. Condition: Toning, not examined out of frame. Provenance: A private New York and Massachusetts collection. $3,500-5,500 97 Pablo Picasso (Spanish, 1881-1973) Fumeur. V, 1964, edition of 50, published by Galerie Louise Leiris, Paris, 1965 (Bloch 1176; Baer 1176Bb). Signed “Picasso” in pencil l.r., numbered “5/50” in pencil l.l., dated within the plate. Aquatint on laid Richard de Bas paper with watermarks, plate size 16 3/8 x 12 3/8 in. (41.5 x 31.3 cm), framed. Condition: Margins over 1 3/4 inches with deckled edges, toning, pencil annotations to verso. $7,000-9,000 96

98-101 No lots. 102

102 After Pablo Picasso (Spanish, 1881-1973) Faunes et Flore D’Antibes/Portfolio of Twelve Lithographs, 1960, number 52 from the American edition of 125, printed by Daniel Jacomet, Paris, published by New York Graphic Society, Greenwich, Connecticut, and Au Pont Des Arts, Paris. Portfolio includes title page, preface by Jaime Sabartès, and edition justification, missing one plate. Offset color lithographs, sheet sizes 25 1/2 x 19 3/4 in. (64.8 x 50.2 cm), presented in the original linen portfolio folder (minor soiling to cover, interior flap of folder torn). Condition: Minor wear, scattered unobtrusive pinpoints of foxing. N.B. The prints reproduce Picasso’s paintings known as La Joie de Vivre suite made at Antibes from August to September, 1946. $2,000-3,000 97

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103 After Pablo Picasso (Spanish, 1881-1973)

103

Harlequin, 1966, from the BARCELONA SUITE, from the edition before letters of 60, printed by Foto-Repro S.A., Barcelona, published by Museo Picasso, Barcelona (Czwiklitzer, 230). Signed “Picasso” in pencil below the plate l.r., numbered “22/60” in pencil below the plate l.l. Offset color lithograph on Arches paper, image size 22 5/8 x 17 1/4 in. (55.0 x 43.8 cm), unmatted, unframed. Condition: Margins to 2 1/4 inches, scattered areas of minor discoloration/foxing on the recto, especially at left, upper, and right margins, and on the verso, piece of white tape affixed to the verso l.r. N.B. The Barcelona Suite was produced in honor of Picasso’s eighty-fifth birthday. $3,000-5,000 104 After Pablo Picasso (Spanish, 1881-1973) Mother and Child with Shawl, 1966, from the BARCELONA SUITE, from the edition before letters of 60, printed by Foto-Repro S.A., Barcelona, published by Museo Picasso, Barcelona (Czwiklitzer, 231). Signed “Picasso” in pencil below the plate l.r., numbered “48/60” in pencil below the plate l.l. Offset color lithograph on Arches paper, image size 18 x 16 1/8 in. (45.7 x 41.0 cm), unmatted, unframed. Condition: Margins to 2 3/4 inches, possible subtle toning, light discoloration at edges, scattered minor foxing at margins. $3,000-5,000

105

105 After Pablo Picasso (Spanish, 1881-1973) L’Attente, 1966, from the BARCELONA SUITE, from the edition before letters of 60, printed by Foto-Repro S.A., Barcelona, published by Museo Picasso, Barcelona (Czwiklitzer, 233). Signed “Picasso” in pencil below the plate l.r., numbered “44/60” in pencil below the plate l.l. Offset color lithograph on Arches paper, image size 22 1/2 x 18 in. (57.2 x 45.7 cm), unmatted, unframed. Condition: Margins to 1 3/4 inches, scattered areas of minor discoloration/foxing on the recto (especially l.c.) and verso. $3,000-5,000

104

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107 After Pablo Picasso (Spanish, 1881-1973) Plate from PORTRAITS IMAGINAIRE, 1969, from the French edition of 250, printed by Marcel Salinas. Signed and dated within the matrix, numbered “F 10/250” in pencil within the image l.l., printer’s dry stamp to verso. Color lithograph on paper, image/sheet size 25 7/8 x 19 3/4 in. (65.6 x 50.1 cm), framed. Condition: Deckled edges to three sides. $1,500-2,000 108 Pablo Picasso (Spanish, 1881-1973) Toros, 1952, edition of 500 (Ramie, 161). Inscribed and stamped “EDITION PICASSO” and stamped “MADOURA” all on the underside. Turned white earthenware clay plate decorated with engobes, blue, green, white, and black glazes, diameter 7 3/4 in. (19.5 cm). Condition: Very minor soiling, masking tape adhered to underside. $1,500-2,000

107

106 After Pablo Picasso (Spanish, 1881-1973)

106

The Dwarf Dancer, 1966, from the BARCELONA SUITE, from the edition before letters of 60, printed by Foto-Repro S.A., Barcelona, published by Museo Picasso, Barcelona (Czwiklitzer, 234). Signed “Picasso” in pencil below the plate l.r., numbered “37/60” in pencil below the plate l.l. Offset color lithograph on Arches paper, image size 22 1/2 x 12 1/2 in. (57.2 x 31.8 cm), unmatted, unframed. Condition: Margins to 3 inches, minor handling crimps at top of sheet, slight, uneven discoloration on the verso. $3,000-5,000

108

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111

109 113

109 Pablo Picasso (Spanish, 1881-1973) Four Faces, 1959, edition of 300 (Ramie, 437). Inscribed “EDITION PICASSO 217/300 MADOURA” and stamped “EDITION PICASSO” and “MADOURA” all on the underside. Turned white earthenware clay pitcher decorated with engobes, brown, and black matte glazes, height 9 in. (22.7 cm). Condition: Minor soiling. $4,000-6,000 110 Pablo Picasso (Spanish, 1881-1973) Yan Black Headband, 1963, edition of 300 (Ramie, 514). Inscribed “EDITION PICASSO 108/300 MADOURA” and stamped “EDITION PICASSO” and “MADOURA” all on the underside. Turned red earthenware clay pitcher decorated with engobe, knife engraving, and black matte glaze, height 10 1/4 in. (26.0 cm). Condition: Minute surface loss to handle. $3,000-4,000

112

111 Giovanni Battista Piranesi (Italian, 17201778) Veduta del Mausoleo d’Elio Adraino (ora chiamato Castello S. Angelo), 1754 (Hind, I/IV). Identified within the plate. Engraving on paper, plate size 17 1/4 x 22 1/4 in. (43.7 x 56.3 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $400-600

112 Camille Pissarro (French, 1830-1903)

113 Mavis Pusey (American, b. 1928)

Soleil Couchant, 1879, final state of four (Delteil, 22). Signed “C. Pissarro” in pencil l.r., inscribed “no 1 ep d’art. Soleil couchant” in pencil l.l. Etching, aquatint, and drypoint on paper, plate size 4 5/8 x 6 3/8 in. (11.5 x 15.9 cm), framed. Condition: Unobtrusive mat burn and toning, not examined out of frame.

City View 7, edition of 35. Signed “M Pusey” in pencil l.r., numbered “4/35” in pencil l.l., titled in pencil l.c. Etching and aquatint in silver and black on paper, plate size 12 7/8 x 11 13/16 in. (32.6 x 30.0 cm), framed. Condition: Gentle rippling, not examined out of frame.

Provenance: A private New York and Massachusetts collection. $700-900 110

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N.B. A native of Jamaica, Pusey moved to New York and studied at the Art Student’s League. Her style was greatly influenced by her mentor, Robert Blackburn, and she is considered to be a highly influential African American painter and printmaker. $1,000-1,500

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114 Mavis Pusey (American, b. 1928) Demolishment, edition of 30. Signed “M Pusey” in pencil l.r., numbered “11/30” in pencil l.l., titled in pencil l.c. Color lithograph on paper, image size 28 1/8 x 22 1/8 in. (71.4 x 56.2 cm), framed. Condition: Subtle mat burn, not examined out of frame. $1,200-1,800 115 Mavis Pusey (American, b. 1928) Progression AC 7. Signed “M Pusey” in pencil l.r., inscribed “AP” in pencil l.l., titled in pencil l.c. Color aquatint on paper, plate size 5 x 7 7/8 in. (12.5 x 19.9 cm), framed. Condition: Gentle rippling, not examined out of frame. $700-900

116

116 Robert Rauschenberg (American, 19252008) Artists Rights Today, 1981, edition of 200, published by Styria Studios, New York. Signed, numbered, and dated “RAUSCHENBERG 185/200 81” in pencil within the image l.c., publisher’s dry stamp l.l. Color offset lithograph with collage on paper, image/sheet size 39 3/4 x 27 1/8 in. (100.8 x 68.7 cm), framed. Condition: Deckled edges with minor wear to corners, floated within the frame, not examined out of frame. $700-900

114

117 Robert Rauschenberg (American, 19252008) Winner Spinner, from the MARRAKITCH Series, 2000, edition of 50, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 41.245). Signed, numbered, and dated “RAUSCHENBERG 26/50 2K” in pencil (within the image) l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Meyerovich Gallery, San Francisco, affixed to the backing. Color screenprint on Fabriano paper with watermark, image/sheet size 27 3/4 x 19 5/8 in. (70.3 x 49.7 cm), framed. Condition: Deckled upper and lower edges, floated within the mat, not examined out of frame. $3,000-4,000

115

117

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119

119 Rembrandt van Rijn (Dutch, 1606-1669) The Baptism of the Eunuch, 1641, an 18th century impression (Hind, 182; Bartsch/ Hollstein, 98). Signed and dated within the plate. Etching on thin cream laid paper, plate size 7 3/8 x 8 1/2 in. (18.5 x 21.4 cm), framed. Condition: Margins 1/8 inch or more, foxing, pale staining, pencil annotations to lower margin and verso, several minute thin spots to sheet. $800-1,200 118

120 Rembrandt van Rijn (Dutch, 1606-1669) The Goldsmith, 1655 (Bartsch, 123; Hind, 285; Hollstein, 123 i/ii). Collector’s stamps to verso (see below). Etching on layered Japan paper, plate size 3 1/16 x 2 1/4 in. (7.7 x 5.4 cm), framed. Condition: Margins 1/8 inch or more, several minute pale stains (more visible to verso), gentle toning.

118 Robert Rauschenberg (American, 19252008) Appointment, from the MARRAKITCH Series, 2000, edition of 54 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 41.247). Signed, numbered, and dated “RAUSCHENBERG 25/54 2K” in pencil (within the image) l.r., publisher’s and copyright dry stamps l.l., identified on a label from the Meyerovich Gallery, San Francisco, affixed to the backing. Color screenprint on Fabriano paper with watermark, image/sheet size 30 x 22 1/8 in. (76.2 x 56.1 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $3,000-4,000

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Provenance: Johann Karl Brönner (German, 1738-1812) (Lugt, 307); probably bequested to the Museum of the City of Frankfurt through to the Städel c. 1870 [duplicate stamp from the Städelsches Kunstinstitut, Frankfurt-amMain (Lugt, 2396)]; through to J.E. de Wit (Portland, Maine, c. 1895) (Lugt, 1451). $6,000-8,000 120

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123 Pierre-Auguste Renoir (French, 1841-1919)

121 Rembrandt van Rijn (Dutch, 1606-1669)

La pierre aux trois croquis, c. 1904, second state of two, from DOUZE LITHOGRAPHIES ORIGINALES DE PIERRE-AUGUSTE RENOIR, published 1919, total edition of 1,000 (Stella, 41). Signed within the matrix. Lithograph on paper image size 9 1/8 x 11 3/8 in. (23.2 x 28.8 cm), framed. Condition: Not examined out of frame. $500-700

Christ and the Woman of Samaria, 1657, an 18th century impression (Hind, 294; Bartsch/ Hollstein, 70 iii/III). Signed and dated within the plate. Etching on laid paper, plate size 5 1/8 x 6 3/8 in. (12.9 x 16.0 cm), matted, unframed. Condition: Margins over 1/8 inch, repaired tear to left edge (just into image), several thinned spots, minor soiling.

124 Pierre-Auguste Renoir (French, 1841-1919)

Provenance: M. Roy Fisher, New York; by family descent to the present owner. $1,000-1,500 122 Rembrandt van Rijn (Dutch, 1606-1669)

121

123

Portrait of Lieven Willemsz. Van Coppenol, Writing Master (Larger Plate), 1658, a later impression (Hind, 300; Bartsch/Hollstein, 283 iv/IV [the head only]). Unsigned. Etching on paper, plate size 6 3/16 x 5 1/4 in. (15.5 x 13.2 cm), unmatted, unframed. Condition: Margins 1/8 inch or more, glue residue and staining to corners, thin spots to upper right corner, staining and foxing (visible primarily on verso).

Femme nue couchée (tournée à droite), 2e planche, c. 1906, probably from the 1909 edition (Stella, 14). Unsigned. Etching on laid paper, plate size 5 1/2 x 7 5/8 in. (13.9 x 19.2 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges to all but the upper edge, very pale mat burn and light-striking, hinges to upper edge verso. $800-1,200 125 Pierre-Auguste Renoir (French, 1841-1919) Claude Renoir, de trois-quarts à droite, c. 1908, second state of two (Stella, 18). Unsigned, numbered “26/50” in pencil l.l. Soft ground etching on gray/green laid paper, plate size 6 1/2 x 5 3/16 in. (16.4 x 13.0 cm), framed. Condition: Pale pinpoint fox marks, not examined out of frame.

Provenance: M. Roy Fisher, New York; by family descent to the present owner. $600-800

124

Provenance: A private New York and Massachusetts collection. $300-500

122

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125

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130

126

128 Georges Rouault (French, 1871-1958) 128

Son Avocat, en phrases creuses, clame sa totale inconscience, 1922-27, from MISERERE, published in 1948, edition of 425 plus proofs (Wofsy, 126). Initialed and dated within the plate. Etching with aquatint on paper, plate size 21 1/4 x 16 1/8 in. (53.9 x 40.8 cm), framed. Condition: Pale foxing, rippling, not examined out of frame. $400-600 129 George Segal (American, 1924-2000) Gazing Woman, from American Portrait, 1776-1976, published by Transworld Art, edition of 175. Signed, dated, and numbered “g. segal 75 135/175” in pen l.l. Whitepainted cast resin, 26 x 19 x 3 1/2 in. (66.1 x 48.3 x 8.9 cm), within a Plexiglas case. Condition: Not examined out of case. $1,000-1,500

127

126 David Roberts (Scottish, 1796-1864), Louis Haghe, lithographer (British, 1806-1885)

127 David Roberts (Scottish, 1796-1864), Louis Haghe, lithographer (British, 1806-1885)

Approach of the Simoon - Desert of Gizeh, 1849, published by F.G. Moon, London. Identified within the matrix. Color lithograph on paper, image size 13 1/8 x 19 1/8 in. (33.2 x 48.4 cm), framed. Condition: Not examined out of frame. $1,500-2,000

The Citadel of Cairo, Residence of Mehemet Ali, 1849, published by F.G. Moon, London. Identified within the matrix. Lithograph in black, buff, and tan on paper, image size 13 1/8 x 19 3/8 in. (33.2 x 49.1 cm), framed. Condition: Staining to lower margin, not examined out of frame. $800-1,200

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130 Paul Signac (French, 1863-1935)

129

Paris: Le Pont des Arts avec Remorqueurs, 1927, edition of 250, published by XXe Siècle, Paris (Kornfeld, 24). Signed within the plate. Etching and aquatint on paper, plate size 5 x 7 1/2 in. (12.5 x 19.0 cm), framed. Condition: Gentle rippling, extremely faint mat burn, not examined out of frame. Provenance: Skinner, Inc., March 3, 2006, Sale 2310, Lot 177. $400-600

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131

131 Cary Smith (American, b. 1955)

133

133 Rufino Tamayo (Mexican, 1899-1991) Hombre 1, 1981, proof edition outside of the edition of 250 (see Pereda, 293-295). Signed “R. Tamayo” in pencil within the image l.r., numbered “HC 19/25” in pencil within the image l.l., identified on a label from Galeria del Circulo, Mexico City, affixed to the backing. Color mixograph on paper, image/sheet size 9 1/2 x 6 3/4 in. (24.0 x 17.0 cm), framed. Condition: Deckled edges, possible fading, floated within the frame, not examined out of frame.

GREY PRINT SUITE/Three Works, 1998, edition of 27. Each signed, dated, titled, and numbered “CARY SMITH . 1998 . GREY PRINT SUITE #1, 18/25...” in pencil l.r. Aquatint in colors on paper, image sizes 12 x 12 in. (30.4 x 30.4 cm), framed. Condition: Deckled edges, floated within the frames, not examined out of frames. N.B. Smith was born in Puerto Rico, and currently lives in Hartford, Connecticut. $500-700

N.B. Pereda mentions that a fourth inking of this image exists but does not describe the coloration. $1,000-1,500

132 Rufino Tamayo (Mexican, 1899-1991) Dos Niñas Mexicanas, 1925 (Pereda, 1). Signed “Rufino Tamayo” in pencil l.r. Woodcut on paper, image size 3 5/16 x 3 1/2 in. (8.3 x 8.8 cm), framed. Condition: Staining u.c., not examined out of frame.

134 Rufino Tamayo (Mexican, 1899-1991) Mascara, 1984, outside of the edition of 99, Ediciones Polígrafa, Barcelona (Pereda, 318). Signed “R. Tamayo” in pencil within the image l.r., numbered “HC 2/15” in pencil l.l. Color etching on paper, image/sheet size 29 3/4 x 22 in. (75.4 x 55.8 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $2,000-3,000

Provenance: A private New York and Massachusetts collection. N.B. This is Tamayo’s earliest documented print. $1,500-2,000 132

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134

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135

135 Antoni Tàpies (Spanish, 1923-2012) Poster for the Exhibition Nocturn Matinal, Sala Gaspar, Barcelona, 1970, from the edition before letters of 100, published by Foto-Repro, Barcelona (Galfetti, 246). Signed “tapies” in pencil l.r. and in the matrix in black l.r., inscribed “P.A.” in pencil l.l. Color lithograph on Guarro paper, sheet size 29 3/4 x 21 7/8 in. (75.7 x 55.6 cm), unmatted, unframed. Condition: Minor handling crimps, subtle toning, one-inch piece of white tape affixed to the verso l.l., minor discolorations at top edge of sheet, pencil annotation to the verso. $500-700

138

138 Gustavo Torner (Spanish, b. 1925) EQUIVALENCIAS/Three of Six Serigraphs with Nine Informational and Divider Sheets, 1969, edition of 60, printed by Abel Martin. Signed “Gustavo Torner” and numbered “20” in red and dedicated in blue on the title page, the three serigraphs are numbered “20/60” and signed below the matrix l.l. and l.r., respectively. Screenprints on paper, image sizes to 18 3/4 x 13 3/8 in. (47.7 x 34.0 cm), presented in the original portfolio case. Condition: Margins to 3 inches, minor scuff marks to title page and portfolio case. $600-800

136 Antoni Tàpies (Spanish, 1923-2012) 136

Sense Títol, 1971, edition of 100, published by Foto-Repro, Barcelona (Galfetti, 285). Signed “tapies” in pencil l.r., numbered “81/100” in pencil l.l. Color lithograph on Guarro paper, image size 9 1/2 x 14 in. (24.2 x 35.6 cm), unmatted, unframed. Condition: Creases at u.l. of sheet, bend in l.l. corner, discoloration at edges. $400-600 137 Antoni Tàpies (Spanish, 1923-2012)

137

138A Henri de Toulouse-Lautrec (French, 18641901)

Pied et collage, 1976, edition of 50 plus proofs (Galfetti, 567). Signed and inscribed “...Tàpies” in pencil l.r., numbered “30/50” in pencil l.l., identified on a label from Galerie Adrien Maeght, Paris, on the backing. Etching with aquatint and collage on paper, image size 5 x 7 1/2 in. (12.5 x 19.0 cm), framed. Condition: Rippling, not examined out of frame. $800-1,200

Tristan Bernard, 1898, printed in 1920, probably from the third edition of 200 (Adriani, 249). Monogrammed within the plate. Drypoint on laid paper, plate size 6 3/4 x 4 1/8 in. (17.1 x 10.3 cm), framed. Condition: Margins over 2 1/2 inches with deckled lower edge, mat burn, staining. $400-600 138A

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139

141

143

142

143 After Andy Warhol (American, 1928-1987) 141 Victor Vasarely (Hungarian/French, 19061997)

140

139 John Henry Twachtman (American, 18531902)

140 Jean-Pierre Vasarely, called Yvaral (French, 1934-2002)

Mouth of the Seine, c. 1884-89, probably from the Keppel edition of 22, printed in 1921 (Baskett, 18). Initialed “J.H.T. per A.T.” in pencil l.r. Etching on paper, plate size 3 1/4 x 4 5/8 in. (8.1 x 11.6 cm), framed. Condition: Pale foxing, not examined out of frame.

Untitled, edition of 200, published by Denise René Éditeur, Paris. Signed “Yvaral” in pencil l.r., numbered “164/200” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on paper, image size 24 1/4 x 24 1/2 in. (61.4 x 62.2 cm), framed. Condition: Not examined out of frame.

N.B. The “A.T.” in the initials refers to Aiden Twachtman, who signed off on many of the posthumous editions of his father’s prints. $1,000-1,500

N.B. Yvaral was the son of artist Victor Vasarely. $300-500

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Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, length 32 in. (81.2 cm), in original shrink-wrap, containing original stickers. Condition: Not examined out of wrap. $600-800

Untitled, edition of 200. Signed “Vasarely-” in pencil l.c., numbered “120/200” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 12 in. (49.7 x 30.5 cm), framed. Condition: Not examined out of frame. $700-900

144 Stow Wengenroth (American, 1906-1978)

142 Victor Vasarely (Hungarian/French, 19061997) Gold and Black Mirror Image, 1979, edition of 150, published by Denise René Éditeur, Paris. Signed “Vasarely-” in pencil l.r., numbered 123/150” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on paper, image size 27 5/8 x 13 3/4 in. (70.0 x 34.8 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700

144

Lighthouse, Ten Pound Island, 1935, edition of 38 (Stuckey, 55). Signed “Stow Wengenroth” in pencil l.r., titled in the lower margin (partially erased), identified on a fragmentary label from The F.H. Bresler, Co., Milwaukee, affixed to the mat. Lithograph on paper, image size 9 1/4 x 12 3/4 in. (23.4 x 32.4 cm), matted, unframed. Condition: Margins over 3/4 inches with deckled lower edge, gently light-struck. N.B. Ten Pound Island is at the eastern end of Gloucester Harbor. $350-550

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145

148

145 Stow Wengenroth (American, 1906-1978) Old Harbor (Rockport, Massachusetts), 1964, edition of 35 (Stuckey, 292). Signed “Stow Wengenroth” in pencil l.r., numbered “Ed/35” in pencil l.l. Lithograph on paper, image size 9 1/4 x 15 3/4 in. (23.3 x 40.0 cm), framed. Condition: Subtle toning, rippling, not examined out of frame. $300-350

148 James Abbott McNeill Whistler (American, 1834-1903) Old Hungerford Bridge, final state of three (Kennedy, 76). Signed within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing board. Etching on laid paper, plate size 5 1/2 x 8 3/8 in. (13.9 x 21.2 cm), framed. Condition: Margins over 1 inch with deckled edges, laid down, gentle toning, not examined out of frame. $400-600

146 James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, sixth state of eight or later (Kennedy, 47). Signed and dated within the plate. Etching on laid paper, plate size 6 x 8 7/8 in. (15.0 x 22.4 cm), framed. Condition: Margins 2 1/2 inches or more with deckled edges to two sides, gentle toning, masking tape to center of upper edge (recto), staining near lower edge (recto). $800-1,200

146

149 William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered “...52/144” in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed. Condition: Good. $1,500-2,000

147 James Abbott McNeill Whistler (American, 1834-1903) Vauxhall Bridge, 1861, second state of two (Kennedy, 70). Signed and dated within the plate. Etching on laid paper, plate size 2 3/4 x 4 1/2 in. (6.8 x 11.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $600-800

147 149

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Fine Photography Lots 152–220

150

150 Zao Wou-Ki (Chinese/French, 1921-2013) Untitled, 1963, edition of 90 or 95, published by Atelier Lacourière et Frélaut, Paris (Ågerup, 152). Signed in pencil l.r., numbered “75/90” in pencil l.l., publisher’s dry stamp l.l. Color etching with aquatint on cream Arches paper with watermark, plate size 19 1/2 x 17 in. (49.4 x 43.2 cm), framed. Condition: Margins over 2 1/2 inches with deckled edges, pale mat burn, handling creases and minute nicks to edges of side margins, staining to verso. Provenance: A private New York and Massachusetts collection. $2,500-3,500 151 Anders Zorn (Swedish, 1860-1920)

151

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August Strindberg, 1910, second state of two (Asplund, 231). Signed and dated within the plate, stamped “HANFSTAENGL’S STUDENT PROOF” on verso. Etching on paper, plate size 11 15/16 x 7 7/8 in. (30.2 x 19.8 cm), unmatted, unframed. Condition: Toning, foxing, minor breaks to paper along plate mark. $700-900

152

152 Ansel Adams (American, 1902-1984) Fifty-Seven Photographs Documenting the Massachusetts Women’s Defense Corps, c. 1942. Numbered “M.W.D.C. #...” in ink and stamped “PHOTOGRAPH BY ANSEL ADAMS” on the reverse of each mount. Gelatin silver prints in original plywood box with leather bindings (purportedly made by Adams himself), image/sheet sizes to 10 1/4 x 13 1/8 in. (26.0 x 33.3 cm), unmatted, unframed. Condition: Mounted, most with unobtrusive silver mirroring at print edges and several with minor foxing on mounts.

N.B. Active between 1941 and 1946, the Massachusetts Women’s Defense Corps (MWDC) comprised a group of volunteer women dedicated to providing war-related and emergency services during World War II. In the spring of 1942, Ansel Adams was commissioned to document members of the MWDC training for assistance in five main areas: Medical, Transportation, Communications, Canteen, and Air Raid Protection/Warden Services. The fifty-seven photographs selected by Adams to represent this project capture corps members reviewing maps, preparing meals, practicing rescue missions, and standing in formation, among other subjects. A departure from his majestic landscape photographs made with natural light, Adams’s MWDC works reveal carefully composed

groupings and exhibit strong contrast with dark, rich blacks, especially the interior views, which were made with artificial lighting. According to his biographer Mary Street Alinder, “Adams had very recently codified his Zone System of exposure. He was able to expose each negative to the maximum effectiveness.” Indeed, these works were made at the peak of Adams’s career. The previous fall he had executed what is arguably his most famous photograph Moonrise, Hernandez, New Mexico. While the negatives for Adams’s MWDC project are housed at the Center for Creative Photography, University of Arizona, Tucson, prints of this series are rare, and in fact, Adams himself had none in his possession at the time of his death in 1984. $15,000-20,000

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154 153

156

156 Harry Callahan (American, 1912-1999) Providence (Unpublished #178), 1963, printed c. 1980. Signed “Harry Callahan” in graphite below the image l.r. Gelatin silver print, image size 9 3/8 x 9 1/4 in. (23.8 x 23.5 cm), unmatted, unframed. Condition: Unmounted, slight rippling to sheet at top.

155 Alice Boughton (American, 1865-1943) Three Photographs of the Fuller Sisters, c. 1914. All signed “Alice Boughton” in graphite l.l. or l.r. Gelatin silver prints, image/sheet sizes to 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm), unmatted, unframed. Condition: Two of three mounted, the unmounted print with adhesive residue in upper corners of the verso, lightly faded, minor accretions and pinpoint fox marks. 155

153 Ansel Adams (American, 1902-1984) Yosemite Falls, Spring, Yosemite National Park, California, 1983, printed later. Unsigned, The Friends of Photography (Carmel, California) Special Edition stamp on the verso. Gelatin silver print, image/sheet size 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm), framed. Condition: Mounted, slight lifting of u.l. corner. $1,000-1,500

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154 Virginia Beahan (American, b. 1946) and Laura McPhee (American, b. 1958) Sluices at a Reservoir near Badulla, Sri Lanka, 1993. Signed “Laura McPhee Virginia Beahan” in felt-tip pen below the image l.r., titled and dated in felt-tip pen below the image l.l. Chromogenic print on Kodak Professional paper, image size 15 7/8 x 20 1/8 in. (40.3 x 51.0 cm), framed. Condition: Unmounted, fading. $1,000-1,500

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Provenance: Estate of Tennyson Schad, New York. N.B. One of the most significant American photographers of the 20th century, Harry Callahan was chair of the photography department at the Rhode Island School of Design in Providence from 1961 until 1973. $2,000-3,000

Provenance: From the collection of Percy MacKaye, by descent to the current owner Marion MacKaye Ober, Massachusetts. N.B. Alice Boughton was associated with Alfred Stieglitz’s Photo-Secession, a group of photographers who sought to elevate the medium’s status to that of other fine arts like drawing and printmaking. The Fuller sisters hailed from Dorset, England, and were pioneers in the collection and performance of folk songs from England, Scotland, Ireland, and Wales. They frequently toured America, first visiting the town of Cornish, New Hampshire, at the invitation of Percy and Marion MacKaye. $300-500

157 Harry Callahan (American, 1912-1999) Providence, 1963, printed c. 1980. Signed “Harry Callahan” in graphite below the image l.r. Gelatin silver print, image size 9 1/4 x 9 1/8 in. (23.5 x 23.2 cm), unmatted, unframed. Condition: Unmounted, slight rippling at top of sheet. $2,000-3,000 157

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158 Harry Callahan (American, 1912-1999) Cape Cod, 1973, printed c. 1980. Signed “Harry Callahan” in graphite below the image l.r., titled and dated in graphite on the verso along the bottom. Gelatin silver print, image size 9 1/4 x 9 1/8 in. (23.5 x 23.3 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps at u.l. edge of image and l.l. corner, small indentation u.c. of sheet. Provenance: Estate of Tennyson Schad, New York. $2,500-3,000

158

159 Harry Callahan (American, 1912-1999) Cape Cod, 1972, printed c. 1981. Signed “Harry Callahan” in graphite below the image l.r. Gelatin silver print, image size 9 1/4 x 9 1/8 in. (23.5 x 23.3 cm), unmatted, unframed. Condition: Unmounted, two unobtrusive pinpoint areas of spot toning in u.c. of image, slight rippling to sheet at left. $3,000-5,000

161

160 Harry Callahan (American, 1912-1999)

161 David Douglas Duncan (American, b. 1916)

Cape Cod, 1972, printed 1970s. Signed “Harry Callahan” in graphite below the image l.r. and on the verso u.c. Gelatin silver print, image size 6 x 7 7/8 in. (15.3 x 20.0 cm), unmatted, unframed. Condition: Unmounted, 1/4 inch emulsion loss and repair l.l., slight crease at l.l. corner. $1,000-1,500

Portrait of Pablo Picasso with Snow Owl Mask, 1957. Inscribed and signed “Photo by/ David Douglas Duncan/prohibited to copy/ or reproduce” in ink on the backing. Gelatin silver print, image/sheet size 8 7/8 x 13 3/16 in. (22.6 x 33.5 cm), unmatted, framed. Condition: Mounted, small chemical stain u.r., not examined out of frame. N.B. Photojournalist and combat photographer David Douglas Duncan published seven books of photographs of Picasso between 1958 and 2006. Duncan’s archive is housed at the Harry Ransom Center, University of Texas at Austin. $2,000-3,000

159

162 David Douglas Duncan (American, b. 1916) Pablo Picasso Wearing a Bolo Tie. Signed “David Douglas Duncan” in felt-tip pen l.r. Chromogenic print, image/sheet size 13 3/8 x 9 1/8 in. (33.8 x 23.2 cm), framed. Condition: Mounted, faded, chemical (fingerprint) stains u.c., additional chemical stains at u.r. edge and area of subject’s mouth, chin, and neck, scattered minor surface abrasions. $1,000-1,500 160 162

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164

164 Harold E. “Doc” Edgerton (American, 19031990) Spouts (Cranberry Juice Dropping into Milk and Water Dropping Into Water), c. 1960 and 1978, respectively, printed c. 1985. Numbered and signed “5/25 HAROLD EDGERTON” in ink on the verso, titled, signed, and dated “Spouts...M.I.T. 1985” in graphite on the backing. Dye destruction print, image size 8 1/8 x 13 7/8 in. (21.2 x 35.3 cm), framed. Condition: Unmounted, unobtrusive fingerprints at edges, light surface scratches. $1,000-1,500 163

165 Alfred Eisenstaedt (American, 1898-1995) 163 Harold E. “Doc” Edgerton (American, 19031990) Seeing the Unseen: Twelve Photographs by Harold Edgerton, 1934-73, printed 1977, edition of 60. All numbered and signed “22/60 HAROLD EDGERTON” in graphite on the verso. Seven gelatin silver prints and five dye transfer prints with frontispiece in a black portfolio case, image sizes to 13 7/8 x 10 15/16 in. (35.3 x 27.8 cm), matted, unframed. Condition: Unmounted, prints hinged with archival Filmoplast P tape, several with very minor handling crimps.

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N.B. Described by National Geographic as “the man who made time stand still,” Harold “Doc” Edgerton was an engineer and scientist who developed a strobe flash that enabled him to photographically freeze the motion of a tennis player hitting a ball, a bullet piercing an apple, and other high speed actions such as those represented in this portfolio. The titles of the individual photographs are as follows: Shock Waves from Impact (c. 1965); A Girl and Her Horse (1941); Action at the Rodeo (1940); Tennis Serve (1952); Football Placement Kick (1934); Swirls and Eddies of a Tennis Stroke (1939); Golf Drive by Densmore

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Talmudic Scholar and His Pupils, Jerusalem, 1955, printed 1988. Signed “Eisenstaedt” in ink below the image l.r., identified in Time, Inc. inscription in graphite on the verso, including reproduction and copyright restrictions. Gelatin silver print, image size 12 x 8 11/16 in. (30.5 x 22.1 cm), matted, framed. Condition: Unmounted, minor crease u.l. corner, unobtrusive chemical stain to u.l. corner of sheet. $800-1,200

Shute (1938); Splash of a Milk Drop (1957); Vortex at a Fan Blade Tip (1973, with Kim Vandiver); Pole Vaulter, David Tork (1964); Cutting the Playing Card Quickly (c. 1964); and Bullet and Apple (c. 1964). $12,000-18,000

165

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168 Ernst Haas (Austrian/American, 1921-1986) Albert Einstein, Princeton, New Jersey, 1951, printed 1992. Titled, dated, and numbered “49/100” on the verso within the estate stamp. Gelatin silver print, image size 16 3/4 x 12 3/8 in. (42.6 x 31.5 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps, scattered areas of unobtrusive spot toning. Provenance: Ernst Haas Estate, New York. N.B. Although perhaps best known as one of the pioneers of color photography (his 1962 retrospective at New York’s Museum of Modern Art was that institution’s first color photography exhibition), Ernst Haas was a passionate photojournalist and onetime member of the photography collective Magnum. He was named one of the world’s ten greatest photographers in a 1958 issue of the magazine Popular Photography. $1,500-2,000

166 Alfred Eisenstaedt (American, 1898-1995)

166

Winston Churchill, Liverpool, 1951, printed 1979. Signed “Eisenstaedt” in ink below the image l.r., numbered “26/50” in ink below the image l.l., identified in a Time, Inc. stamp indicating reproduction and copyright restrictions on the verso l.r. Gelatin silver print, image size 12 1/4 x 9 1/2 in. (31.2 x 34.9 cm), matted, framed. Condition: Unmounted, minor handling crease u.r. $3,500-5,500

169 Ernst Haas (Austrian/American, 1921-1986) 168

On the Set of “The Misfits,” Nevada, 1960, printed 2013. Titled, dated, and numbered “44/50” in graphite with estate stamp and printer’s stamp on the verso. Gelatin silver print, image size 17 3/4 x 11 15/16 in. (45.6 x 30.3 cm), unmatted, unframed. Condition: Unmounted, slight rippling to paper. Provenance: Ernst Haas Estate, New York. $1,500-2,000

167 Arnold Genthe (German/American, 18691942) Five Photographs of the MacKaye Family, including Percy MacKaye, his brother Robert Keith MacKaye, his young daughters Arvia and Christy, and Percy and Robert with their mother, Mary. All signed “Arnold Genthe” in ink l.l. or l.r. Gelatin silver prints, image/sheet sizes to 9 1/2 x 7 3/16 in. (24.2 x 18.3 cm), unmatted, unframed. Condition: Four of five unmounted, scattered minor accretions and light silver mirroring. Provenance: From the collection of Percy MacKaye, by descent to the current owner Marion MacKaye Ober, Massachusetts. N.B. Although perhaps best known for his photographs of San Francisco’s Chinatown, Genthe was a skilled portraitist, as these works demonstrate. He ran successful studios first in San Francisco and then in New York where his clientele included politicians, socialites, and literary figures. $300-500 167

169

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170 Ernst Haas (Austrian/American, 1921-1986) Positano Priest, Italy, 1953, printed 1996. Titled, dated, and numbered “36/100” on the verso within the estate stamp. Gelatin silver print, image size 10 15/16 x 16 3/4 in. (27.8 x 42.6 cm), unmatted, unframed. Condition: Unmounted, slight rippling to paper.

170

Provenance: Ernst Haas Estate, New York. $1,500-2,000 171 Karel Hájek (Czech, 1900-1978) Untitled, 1926. Dated and inscribed “Photo Hajek” on the verso, stamped “PHOTO K. HÁJEK” and with a Paris studio stamp for the photographer Pawel Barchan on the verso. Gelatin silver print, image/sheet size 6 3/8 x 4 3/4 in. (16.2 x 12.1 cm), matted, unframed. Condition: Unmounted, unobtrusive surface scratches, breaks in emulsion c.l. and l.l., crease l.l. corner, minor soiling on verso.

173

N.B. The photograph was included in the exhibition 1900 To Now: Modern Art from RI Collections, at the Museum of Art, Rhode Island School of Design, January 22 to May 1, 1988. $500-700

173 Martha Holmes (American, 1923-2006) Jackson Pollock Working in His Barn Studio, Springs, New York, 1949, printed 1999. Signed “Martha Holmes” in ink below the image l.r., titled and inscribed with Time, Inc. copyright in graphite on the verso. Gelatin silver print, image size 14 3/4 x 14 1/8 in. (37.5 x 35.8 cm), framed. Condition: Good, rippling to sheet.

172 Masumi Hayashi (Japanese/American, 1945-2006)

171

Hebrew Cultural Garden (Cleveland, Ohio), 1988. Signed and dated “Masumi Hayashi...” in black ink l.r., titled and numbered “4/5” in black ink l.l. Photocollage with chromogenic prints, sight size 24 3/4 x 79 in. (63.0 x 200.6 cm), framed. Condition: Not examined out of frame. $800-1,200

N.B. Holmes’s photograph of Jackson Pollock demonstrating his famous “drip” technique was published in the August 8, 1949, issue of LIFE magazine. In 1999 the Postal Service drew on the portrait for a stamp, asking the artist who copied it to leave out the ubiquitous cigarette dangling from Pollock’s mouth. $1,000-1,500 174 Lotte Jacobi (German/American, 18961990) Kaiser Wilhelm Memorial Church, Berlin, 1932, printed later. Signed “Lotte Jacobi” in pencil l.r. Gelatin silver print, 12 7/8 x 10 in. (32.8 x 25.4 cm), framed. Condition: Good, unmounted, hinged with linen tape on the reverse u.r. and u.l. $2,000-3,000

172 174

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177 György Kepes (Hungarian/American, 19062001) Oval canvas, 1986. Signed and dated “Gyorgy Kepes...” below the image l.r. Polacolor print, sheet size 30 x 22 in. (76.3 x 55.9 cm), unmatted, unframed. Condition: Unmounted, minor cracks in emulsion at l.l. corner. $1,000-1,500 178 Denny Moers (American, b. 1953) Bannister 3, from ARCHITECTURE AS A STATE OF MIND, 1979. Signed and dated “Denny R. Moers ‘79” in ink below the image l.r., titled in ink below the image l.l. Photographic monoprint, sheet size 16 1/2 x 15 in. (41.9 x 38.2 cm), framed. Condition: Unmounted, minor lifting of emulsion layer at l.l. 175

Provenance: Purchased from the Jeb Gallery, Providence, Rhode Island, by the current owner. 175 Michael Kenna (British, b. 1953) Sunset, Middleton Cheney, Northamptonshire, England, 1974, printed 1980. Signed “Michael Kenna” in graphite below the image l.r., dated “1974” in graphite below the image l.l., titled and dated on the reverse of the mount. Gelatin silver print, image/sheet size 5 3/8 x 8 7/8 in. (13.7 x 22.6 cm), matted, framed. Condition: Mounted, good. $600-800

177

N.B. The artist describes his work as photographic monoprints because he starts with a traditional silver print that he then manipulates with light and chemistry. Although he is able to produce additional prints using the same negative, each has its own unique visual properties. $400-600

176 György Kepes (Hungarian/American, 19062001) leafs, port..., 1983. Signed and dated “Gyorgy Kepes...” below the image l.r. Polacolor print, sheet size 32 1/4 x 22 in. (82.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, cracks in emulsion at l.l. corner of sheet, minor creases and pinpricks in upper corners. N.B. In 1984 the Polaroid Foundation invited György Kepes, who experimented with photography throughout his career, to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form. $1,000-1,500

176

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180

180 Nicholas Nixon (American, b. 1947) View of Copley Square, Boston, 1974, printed c. 1980. Titled, dated, and signed “...Nicholas Nixon” in graphite on the verso along bottom. Gelatin silver print, image size 7 5/8 x 9 5/8 in. (19.4 x 24.5 cm), unmatted, unframed. Condition: Unmounted, unobtrusive spot toning u.l., minor emulsion losses at corners and edges. Provenance: Estate of Tennyson Schad, New York. $1,500-2,500

179

181 David Prifti (American, 1961-2011) 179 Nicholas Nixon (American, b. 1947)

Matriarch. Incised and branded “PRIFTI....” and titled in ink on the reverse. Liquid photographic emulsion on wooden fence fragment, 35 x 24 in. (88.9 x 61.0 cm), unframed. Condition: Surface grime, minor cracks in emulsion due to normal aging of the wood and the embedding of the emulsion into the grain.

View of Boston from M.I.T., 1976, printed c. 1980. Titled, dated, and signed “...Nicholas Nixon” in graphite on the verso along the bottom. Gelatin silver print, image size 7 5/8 x 9 5/8 in. (19.4 x 24.5 cm), unmatted, unframed. Condition: Unmounted, unobtrusive spot toning in u.l. corner, minor crease at l.r. corner.

N.B. David Prifti combines family photographs with found objects to create assemblages that reflect both his personal history and the passage of time. This work portrays the artist’s grandmother, Margaretha Prifti, who emigrated from Albania to America. $800-1,200

Provenance: Estate of Tennyson Schad, New York. $1,200-1,800

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181

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182

182 Aaron Siskind (American, 1903-1991) Arizpe, 1966, printed c. 1980. Signed “Aaron Siskind” in black ink below the image l.r., titled and dated in black ink below the image l.l. Gelatin silver print, image size 17 1/4 x 22 3/8 in. (43.8 x 56.8 cm), unmatted, unframed. Condition: Unmounted, several unobtrusive handling crimps. Provenance: Estate of Tennyson Schad, New York. $1,500-2,500 183 Aaron Siskind (American, 1903-1991) Chicago 42, 1952, printed later. Signed “Aaron Siskind” in ink below the image l.r., titled and dated in ink below the image l.l. Gelatin silver print, image size 13 3/4 x 17 1/2 in. (34.9 x 44.5 cm), matted, unframed. Condition: Unmounted, good. $2,000-3,000 183

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184

184 Aaron Siskind (American, 1903-1991) Morocco 93, 1982. Signed “Aaron Siskind” in ink below the image l.r., titled and dated in ink below the image l.l. Gelatin silver print, image size 14 1/2 x 14 3/8 in. (36.9 x 36.5 cm), matted, unframed. Condition: Mounted, crease in u.r. corner. $1,000-1,500

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186 Doris Ulmann (American, 1882-1934) Portrait of Marion Homer Morse MacKaye. Signed “Doris Ulmann” in graphite below the image l.r. Platinum print, image/sheet size 8 x 6 in. (20.3 x 15.3 cm), matted, unframed. Condition: Small inpainted indentation at l.c. Provenance: From the collection of Percy MacKaye, by descent to the current owner Marion MacKaye Ober, Massachusetts. N.B. Marion Homer Morse MacKaye (18721939) was the wife of the American poet and playwright Percy MacKaye (1875-1956) and was related to the artist Winslow Homer on her father’s side. $300-500 187 Bradford Washburn (American, 1910-2007) After The Storm, Climbers on the East Ridge of the Doldenhorn in the Swiss Alps, 1960, printed c. 1993. Signed and dated “Bradford Washburn/August 1993” in ballpoint pen at the center of the verso. Gelatin silver print, image size 17 5/16 x 21 15/16 in. (44.0 x 55.8 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps, gentle rippling to sheet. 186

N.B. Bradford Washburn masterfully combined his love of mountaineering and aerial photography, traveling the world for eight decades to document dramatic landscapes ranging from Arizona’s Grand Canyon to the Matterhorn in the Alps. He was one of America’s foremost mountaineers in the first half of the 20th century, leading several first ascents and establishing new routes on many major Alaskan peaks (often with his wife, Barbara Washburn, a pioneer among female mountaineers). Washburn was also one of the founders of Boston’s Museum of Science and served as director for over forty years. $1,000-1,500

185

185 Paul Strand (American, 1890-1976) Paris from Notre Dame, c. 1912. Titled and signed “...Paul Strand” in graphite below the image, blindstamped “©1912 BY P. STRAND” l.l. Hand-colored platinum print, image/sheet size 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm), unmatted, framed. Condition: Tipped to original mount along top edge, gently light-struck.

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N.B. With its unusual bird’s-eye view and emphasis on geometric patterns, this print from c. 1912 bridges Strand’s early adoption of a Pictorialist style and his embrace of the modernist, “straight” photography aesthetic championed by the influential photographer and modern art promoter Alfred Stieglitz. $2,000-3,000

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188 Bradford Washburn (American, 1910-2007) Mt. Huntington, North Face, Alaska. Signed “Bradford Washburn” in graphite on the verso l.r. Gelatin silver print, image size 17 3/8 x 22 5/8 in. (44.2 x 57.4 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps. $800-1,200 189 Bradford Washburn (American, 1910-2007)

188

Two Photographs: Mt. Huntington, Looking West at Twilight and Sunset at 41,000 ft, Mt. McKinley, 1964 and 1978, respectively, printed later. Both signed “Bradford Washburn” in graphite on the verso l.r. Gelatin silver prints, image sizes to 17 1/2 x 22 1/8 in. (44.5 x 56.3 cm), unmatted, unframed. Condition: Unmounted, both with minor handling crimps. $800-1,200 190 Bradford Washburn (American, 1910-2007) Two Photographs: Mt. McKinley and Shadow and View of Glacier, Alaska. Both signed “Bradford Washburn” in graphite on the verso l.r. Gelatin silver prints, image sizes 17 1/8 x 22 1/8 in. (43.5 x 56.3 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps on Shadow, minor crease at l.r. corner of Glacier. $800-1,200

191 189

191 Carrie Mae Weems (American, b. 1953) Two China Plates with Photographic Portraits (Front and Back) of a Young Woman, 1990. Both signed and dated “Carrie M. Weems...” in ink on the reverse. Photographic prints affixed to American Limoges china plates, diameter 10 in. (25.4 cm), unframed. Condition: Tacky surfaces from a transparent coating have attracted dust and hair, possible fading, Front print lifting from plate at l.c., discoloration from coating residue around image of Back, especially on the left side. $300-350

190

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192 J.H. White (American, fl. late 19th Century)

Since 1976, the Photographic Resource Center (PRC) at Boston University has served, as their mission states, as “a vital forum for the exploration, interpretation, and celebration of new work, ideas, and methods in photography.”

Five Photographs of Western Views, including El Capitan and Excelsior Geyser in Yellowstone Park, and Spanish missions in Monterey and San Juan Capistrano, California. Several with descriptive titles and “PHOTO. BY J.H. WHITE, Boston.” inscribed in the negative. Albumen silver prints, sight sizes to 7 1/4 x 9 1/4 in. (18.4 x 23.5 cm), unmatted, unframed. Condition: Mounted (some loosely) to two-ply mat board, faded, several with minor chemical inconsistencies, rippling to sheets. $600-800 193 Minor White (American, 1908-1976)

194

Tom Schuler, Lakeville, Connecticut, 1973. Titled, signed, and dated “...Minor White June...” in pencil on the verso at the bottom. Unique Polaroid print, image size 4 1/2 x 3 1/5 in. (11.4 x 8.9 cm), unmatted, unframed. Condition: Unmounted, minor surface accretions from processing, slight crease to l.l. corner, bottom edge at verso lightly discolored. $2,000-3,000

Lots 194-220 are being sold to benefit the PRC and its goal of furthering the advancement of photographic art.

194 Barbara Bosworth (American, b. 1953) Squam Lake, 2003, edition of 10 produced for the PRC Print Program. Titled and numbered “...1/10” and signed “Barbara Bosworth” in graphite on the verso l.l. and l.r., respectively. Gelatin silver print, image size 14 3/8 x 18 1/8 in. (36.5 x 46.0 cm), framed. Condition: Unmounted, slight rippling to sheet. $1,000-1,500

192

195

195 Barbara Bosworth (American, b. 1953) Carlisle, from the series Meadow, 2004, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “Barbara Bosworth” in graphite on the verso l.l. and numbered “16/35” l.r. Pigmented inkjet print on Harman matte paper, image size 13 7/8 x 17 3/4 in. (35.3 x 45.6 cm), matted, unframed. Condition: Unmounted, good. $800-1,200 196 Paul D’Amato (American, b. 1956) Isela, Chicago, 1993, edition of 10 produced for the PRC Print Program. Signed “P. D’Amato” and titled and dated in ink on the verso l.r. and l.l., respectively. Chromogenic print, 12 1/4 x 10 in. (31.2 x 25.4 cm), unmatted, unframed. Condition: Unmounted, good. $500-700

193

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196

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197 Frank Gohlke (American, b. 1942)

200 Henry Horenstein (American, b. 1947)

Playground of Crockett Elementary School, where I attended grades 1-7, from the series Texas Memories #2, 1984, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Numbered, titled, dated, and signed “PRC 16...Frank Gohlke...” in graphite on the verso along the bottom. Fiber-based gelatin silver print on Ilford paper, image size 14 7/8 x 18 1/2 in. (37.8 x 47.0 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

Asiatic Elephant, Elephas maximas, 1995, edition of 10 produced for the PRC Print Program. Signed “Henry Horenstein” in ink on the verso u.l. Ilfochrome (Cibachrome) print, image size 19 1/4 x 13 in. (48.9 x 33.0 cm), matted, unframed. Condition: Unmounted, good. $700-900 201 Henry Horenstein (American, b. 1947) Melody Sweets, New York, NY, 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “Henry Horenstein” and numbered “16/35” in graphite on the verso l.r. and l.l., respectively. Pigmented inkjet print on Harman matte paper, image size 14 7/8 x 14 7/8 in. (37.8 x 37.8 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

198 Frank Gohlke (American, b. 1942)

197

The Sudbury River, Ashland, Massachusetts, September 1989, 1989, printed 1990, edition of 30 produced for the PRC Print Program. Titled, numbered, signed, and dated “...16/30 Frank Gohlke...” in silver ink below the image along the bottom. Chromogenic print, image size 15 7/8 x 21 3/4 in. (40.3 x 55.3 cm), matted, unframed. Condition: Unmounted, good. $800-1,200 200

199 David Hilliard (American, b. 1964)

198

The Braves, from the series Catch and Release, 2002, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “David Hilliard” in graphite on the verso l.l. and numbered “16/35” l.r. Pigmented inkjet print on Harman glossy paper, image size 8 7/8 x 21 7/8 in. (22.6 x 25.6 cm), unmatted, unframed. Condition: Unmounted, good. $800-1,200

201 199

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204 Jim Marshall (American, 1936-2010) Hazard, Kentucky, 1963, probably printed c. 1990. Titled and dated in ink on the verso l.l., signed with copyright date “1990” in ink on the verso l.r., artist stamp with San Francisco address, copyright date, and inscription “2318-29” on the verso at center. Toned gelatin silver print, image size 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm), matted, unframed. Condition: Unmounted, scattered handling crimps, creases at u.r. corner and u.c. $500-700 205 Susan Meiselas (American, b. 1948)

204

Before the Show, Tunbridge, Vermont, from the series Carnival Strippers, 1974, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Titled, dated, signed, and numbered “...S Meiselas 16/35” in graphite on the verso along the bottom. Fiberbased gelatin silver print on Ilford glossy paper, image size 9 7/8 x 14 1/2 in. (25.1 x 36.8 cm), matted, unframed. Condition: Unmounted, good. N.B. Carnival Strippers, Susan Meiselas’s first major photography project, documents the public and private lives of striptease performers at fairs and carnivals in New England from 1972 to 1975. $800-1,200

202

202 György Kepes (Hungarian/American, 19062001) Solid Forms, 1939, printed c. 1988, edition of 10 produced for the PRC Print Program. Signed “Gyorgy Kepes” in ink below the image l.r. Gelatin silver print on Agfa paper, image size 7 3/8 x 6 1/8 in. (18.8 x 15.6 cm), unmatted, unframed. Condition: Unmounted, unobtrusive inconsistencies in surface sheen along edges of sheet. $1,000-1,500

206 Arno Rafael Minkkinen (Finnish/American, b. 1945)

205

Abbaye de Montmajour, Arles, 1983, printed 2007, edition of 10 produced for the PRC Print Program. Titled, dated, and signed “...Arno Minkkinen” in graphite on the verso along the bottom edge. Fiber-based gelatin silver print, image size 12 3/4 x 17 3/4 in. (32.4 x 45.6 cm), matted, framed. Condition: Unmounted, good. $1,000-1,500

203 David Levinthal (American, b. 1949) Untitled, from the series Wild West, 1994, edition of 10 produced for the PRC Print Program. Signed, dated, and numbered “David Levinthal...9/10” in ink below the image l.r. Polaroid print, image size 9 3/8 x 7 1/2 in. (23.8 x 19.0 cm), unmatted, unframed. Condition: Unmounted, unobtrusive processing marks at lower edge. $1,500-2,500

203 206

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209 207

207 Arno Rafael Minkkinen (Finnish/American, b. 1945)

209 John O’Reilly (American, b. 1930)

Waiting for the Snake, Jianfengling Nature Preserve, Hainan Island, China, 2007, printed 2008, number 16 from an edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Titled, signed, and dated “...Arno Minkkinen...” in graphite on the verso along the bottom. Fiber-based gelatin silver print on Ilford matte paper, image size 14 7/8 x 19 1/16 in. (37.8 x 48.5 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

Recliner and Spanish Dog, 1991-92, edition of 10 produced for the PRC Print Program. Titled, dated, numbered, and signed “...7/10 JOHN O’REILLY” in graphite on the verso along the bottom. Gelatin silver print on Agfa paper, image size 5 3/8 x 9 1/4 in. (13.8 x 23.5 cm), unmatted, unframed. Condition: Unmounted, slight rippling of sheet, minor wear at u.r. corner. N.B. This is an unusual editioned print by John O’Reilly, who is known for his intimate, complex, and unique photographic montages that reference history, autobiography, and fantasy. $1,000-1,500

208 Abelardo Morell (Cuban/American, b. 1948) Metropolitan Opera: Romeo and Juliet, 2005, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “Abelardo Morell” in graphite on the verso l.l., numbered “16/35” in graphite on the verso l.r. Pigmented inkjet print on Ilford glossy paper, image size 14 1/4 x 17 3/4 in. (36.3 x 45.1 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

208

210 Robert and Shana ParkeHarrison (American, ac. 1996-present)

210

104

Additional information and photos at www.skinnerinc.com

Dark Rain, 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “Robert ParkeHarrison Shana ParkeHarrison” and titled in graphite below the image l.r. and l.l., respectively, numbered “16/35” in graphite on the verso l.r. Pigmented inkjet print on Somerset Velvet paper, image size 11 1/8 x 11 1/16 in. (28.3 x 28.1 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

Online bidding at www.skinnerinc.com

105


211

213

213 Eugene Richards (American, b. 1944) Hospice, Harlem, New York, c. 1994, possibly a later print. Titled and signed “... Eugene Richards” in graphite on the verso l.r. Gelatin silver print on Agfa paper, 11 7/8 x 17 7/8 in. (30.2 x 45.4 cm), matted, unframed. Condition: Unmounted, good. $500-700

212

214 Victor Schrager (American, b. 1950) 211 Olivia Parker (American, b. 1941)

212 Eugene Richards (American, b. 1944)

Bleeding Heart, 2007, edition of 10 produced for the PRC Print Program. Numbered, titled, signed, and inscribed “1/10...Olivia Parker ©2005” in graphite below the image. Pigment print, image size 13 1/4 x 19 7/8 in. (33.7 x 48.0 cm), framed. Condition: Unmounted, minor crease in sheet l.c. $500-700

Grandy, Lima State Hospital for the Criminally Insane, 1981, from the portfolio NEW WORKS BY 10 MASSACHUSETTS PHOTOGRAPHERS, 1981-82. Titled, signed, and dated “...Eugene Richards...” in graphite on the verso l.r. Gelatin silver print, image size 8 x 12 in. (20.3 x 30.5 cm), unmatted, unframed. Condition: Minor wear to corners and a ding at sheet edge u.c. $700-900

Untitled (Works on Paper Assemblage), 1980. Signed and dated “Victor Schrager...” and numbered “3/7” in ink below the image l.r. and l.l., respectively. Polaroid print, sheet size 32 x 21 7/8 in. (81.3 x 55.6 cm), unmatted, unframed. Condition: Unmounted, loss at l.r. corner of sheet, cracks in the emulsion at l.l. and u.r. and along top edge of sheet including u.l. corner. $500-700

214

106

Additional information and photos at www.skinnerinc.com

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215 Patti Smith (American, b. 1946) The River Ouse, East Sussex, England, 2003, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Titled and signed “...Patti Smith” in graphite below the image l.l. and l.r., respectively, numbered “16/35” in graphite on the verso l.r. Pigmented inkjet print with graphite inscription on Harman matte paper, image size 9 x 6 15/16 in. (22.8 x 15.1 cm), matted, unframed. Condition: Unmounted, good. N.B. Around the image Smith has written the following: “On March 28, 1941 Virginia Woolf took her life by drowning in the River Ouse near her home Monk’s House in Sussex with heavy stones in the pockets of her long coat.” $700-900 216 Sage Sohier (American, b. 1954) British Redcoat Re-enactor, Battle of Concord and Lexington, Lexington, MA, from the series Perfectible Worlds, 2002, printed 2008, edition of 35, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed and dated “Sage Sohier...” in graphite on the verso l.l. and numbered “1/16” l.r. Pigmented inkjet print on Harman glossy paper, image size 13 7/8 x 17 1/4 in. (43.8 x 45.6 cm), matted, unframed. Condition: Unmounted, good. $800-1,200

215

217

217 Michael Stipe (American, b. 1960) Patti, 1995, edition of 10 produced for the PRC Print Program. Titled, dated, and signed “...michael stipe” in graphite on the verso l.r. Gelatin silver print, image size 5 1/8 x 7 5/8 in. (13.0 x 19.4 cm), unmatted, unframed. Condition: Unmounted, good. $500-700

216

108

Additional information and photos at www.skinnerinc.com

Online bidding at www.skinnerinc.com

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219

219 Ernest C. Withers (American, 1922-2007) “Don’t Buy Gas Where You Can’t Use the Restroom,” Bumper Sticker Campaign, 1952, printed later, edition of 35 produced for the PRC Print Program. Titled, dated, numbered, and signed “...1/35 ltd. Ed. Ernest Withers” in graphite on the verso along the bottom. Gelatin silver print, image size 8 5/8 x 10 7/8 in. (21.9 x 27.7 cm), matted, unframed. Condition: Unmounted, good. N.B. For over fifty years, the African American photographer Ernest Withers documented black social life and the music scene on Beale Street in his home town of Memphis, in addition to capturing key moments of the Civil Rights movement. $700-900

218

218 Joyce Tenneson (American, b. 1945)

220 Ernest C. Withers (American, 1922-2007)

Sleeping Beauty and Flowers, 1994. Signed and dated “Joyce Tenneson...” and numbered “1/5” in ink below the image l.r. and l.l., respectively. Polaroid print, sheet size 29 3/4 x 21 7/8 in. (75.6 x 55.6 cm), unmatted, unframed. Condition: Unmounted, red sticker fragment below image l.r., small tear in l.l. corner, crease in u.l. corner with crack in the support visible on the verso, rippling of sheet at top and bottom. $1,000-1,500

Elvis Presley, Backstage with Brook Benton, WDIA Goodwill Review, Memphis, 1957, printed 2004, edition of 35. Signed “Ernest C Withers” and numbered “AP1” in graphite on the verso l.r. and l.l., respectively. Gelatin silver print, image size 9 7/8 x 9 7/8 in. (25.6 x 25.6 cm), matted, framed. Condition: Unmounted, good. $800-1,200

220

110

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End of Sale 2749B

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Conditions of Sale

Artist Index Adams, Ansel.................................... 152, 153 Albers, Josef..............................................1-3 Andrus, Vera................................................. 4 Anuszkiewicz, Richard................................... 5 Arms, John Taylor......................................... 6 Avedon, Richard............................................ 7 Barclay, John Rankine................................... 8 Beahan, Virginia........................................ 154 Becker, Fred................................................. 9 Beham, Hans Sebald.................................. 10 Benson, Frank Weston............... 11-15, 17-19 Benton, Thomas Hart.................................. 20 Bosman, Richard......................................... 21 Bosworth, Barbara............................ 194, 195 Boughton, Alice......................................... 155 Callahan, Harry...................................156-160 Canale, Giovanni Antonio............................ 23 Canaletto..................................................... 23 Canaletto (After)........................................... 23 Castiglione, Giovanni Benedetto............ 24, 25 Cathelin, Bernard........................................ 26 Cézanne, Paul............................................. 27 Chagall, Marc.............................................. 28 Chillida, Eduardo................................... 29, 30 Clavé Sanmartin, Antoni.............................. 31 D’Amato, Paul........................................... 196 Dalí, Salvador.............................................. 32 Daudé, André.............................................. 33 Davie, Alan.................................................. 34 Davis, Stuart................................................ 35 Davis, Stuart (After)...................................... 36 Denis, Maurice............................................ 37 Dine, Jim..................................................... 38 Drewes, Werner.......................................... 39 Duncan, David Douglas..................... 161, 162 Dürer, Albrecht.......................................40-44 Edgerton, Harold E. Doc................... 163, 164 Eisenstaedt, Alfred............................ 165, 166 Ensor, James............................................44A Escher, M.C................................................ 45 Estes, Richard............................................. 46 Fairey, Shepard......................................47-50 Fantin-Latour, Henri..................................... 51 Francis, Sam............................................... 52 Frasconi, Antonio........................................ 53 Gardiner, Eliza Draper................................. 54 Genthe, Arnold.......................................... 167 Gerstein, David............................................ 55 Gohlke, Frank.................................... 197, 198 Grooms, Red............................................... 56 Haas, Ernst........................................168-170 Hájek, Karel............................................... 171 Haring, Keith............................................... 57 Hassam, Childe........................................... 58 Hayashi, Masumi....................................... 172 Hayter, Stanley William................................ 59 Hilliard, David............................................ 199 Holmes, Martha......................................... 173 Horenstein, Henry.............................. 200, 201

Hundertwasser, Friedensreich............... 60, 61 Icart, Louis.................................................. 62 Irwin, Albert................................................. 63 Jacobi, Lotte............................................. 174

Tàpies, Antoni....................................135-137 Tenneson, Joyce....................................... 218 Torner, Gustavo........................................ 138 Toulouse-Lautrec, Henri de.....................138A Twachtman, John Henry........................... 139

Kelly, Ellsworth............................................ 64 Kenna, Michael.......................................... 175 Kepes, György..........................176, 177, 202 Klinger, Max.......................................... 65, 66 Kollwitz, Käthe............................................. 67

Ulmann, Doris............................................ 186

Lennon, John.............................................. 68 Levinthal, David......................................... 203 LeWitt, Sol................................................... 69 Lichtenstein, Roy......................................... 70

Warhol, Andy (After)................................... 143 Washburn, Bradford...........................187-190 Weems, Carrie Mae................................... 191 Wengenroth, Stow............................ 144, 145 Whistler, James Abbott McNeill..........146-148 White, J.H................................................. 192 White, Minor.............................................. 193 Williams, William Thomas.......................... 149 Withers, Ernest C.............................. 219, 220

Mangold, Robert Peter................................ 71 Marshall, Jim............................................. 204 Matisse, Henri....................................... 72, 73 Matta, Roberto............................................ 74 McPhee, Laura.......................................... 154 Meiselas, Susan........................................ 205 Millet, Jean François.................................... 75 Minami, Keiko.............................................. 76 Minkkinen, Arno Rafael...................... 206, 207 Miró, Joan..............................................77-87 Moers, Denny............................................ 178 Moore, Henry.........................................88-91 Morell, Abelardo........................................ 208 Munakata, Shiko......................................... 92 Music, Zoran Antonio.................................. 93 Nixon, Nicholas................................. 179, 180 O’Reilly, John............................................ 209 van Ostade, Adriaen Jansz.......................... 94 ParkeHarrison, Robert and Shana............. 210 Parker, Olivia............................................. 211 Pepper, Beverly........................................... 95 Picasso, Pablo..................... 95A-97, 108-110 Picasso, Pablo (After).........................102-107 Piranesi, Giovanni Battista......................... 111 Pissarro, Camille........................................ 112 Prifti, David................................................ 181 Pusey, Mavis......................................113-115

Vasarely, Jean-Pierre................................. 140 Vasarely, Victor.................................. 141, 142 Visentini, Antonio......................................... 23

Yvaral........................................................ 140 Zao Wou-Ki............................................... 150 Zorn, Anders............................................. 151

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

Rauschenberg, Robert.......................116-118 Rembrandt van Rijn............................119-122 Renoir, Pierre-Auguste...................... 123, 124 Richards, Eugene.............................. 212, 213 Roberts, David.................................. 126, 127 Rouault, Georges...................................... 128

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

Schrager, Victor........................................ 214 Segal, George........................................... 129 Signac, Paul.............................................. 130 Siskind, Aaron....................................182-184 Smith, Cary............................................... 131 Smith, Patti................................................ 215 Sohier, Sage.............................................. 216 Stipe, Michael............................................ 217 Strand, Paul.............................................. 185

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Tamayo, Rufino..................................132-134 Revised January 8, 2014

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Absentee Bid Form Sale Title

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

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FOR OFFICE USE Marlborough

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From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

162

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

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Board of Directors

Chairman of the Board - Stephen L. Fletcher Richard Albright John Deighton Barnet Fain Karen M. Keane Andrew Payne

Exhibitions & Property Distribution

Marlborough:

Warehouse Manager - Fred Trottier, 508.970.3261

Auction Coordinator - Melanie Trottier-Mitcheson, 508.970.3103

Boston:

Auction Coordinators - Jessica R. Lincoln, 617.874.4308,

Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Credit Supervisor - William Madden, 508.970.3266

Marlborough:

508.970.3240

Chairman Emerita - Nancy R. Skinner

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

Finance Department

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber

Subscriptions

American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Helen Eagles, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 2332 Galiano Street Coral Gables, FL 33134 305.503.4423

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116

Advertising/Production Manager - Pamela Van de Houten Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani

Couture - Melissa Riebe, Kyle Johnson

Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Ryan O’Hara

Discovery Auctions - Melissa Riebe, Kyle Johnson

Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner

European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski

Customer Relations - Carol McCaffrey

Fine Wines - Marie Keep Assistant: Michael J. Moser

Image Editor - John Cornelius

Historic Arms & Militaria - Joel Bohy 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Service Departments

Jewelry - Victoria Bratberg, G.G. Assistants: John Colasacco, G.G., Katie Simonetti Judaica - Kerry Shrives Musical Instruments - Director Pro Tem: Jill Arbetter Oriental Rugs & Carpets - Lawrence Kearney Assistant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Melissa Riebe, Kyle Johnson

Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistant: Melissa Riebe Institutional Relations - L. Emerson Tuttle Lead Designer - Kristina Harrison Managing Director - Marie C. Keep Marketing & Public Relations - L. Emerson Tuttle, Kathryn Gargolinski Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Katie Fitzgerald Boston: Bridget Spears Regional Director—Florida - April L. Matteini, G.G. Staff Portraits - Cheryl Richards Photography

Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

Transportation - Eric Jones

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Catalog Subscription Form Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

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American Furniture & Decorative Arts

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European Furniture & Decorative Arts

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$143

American & European Paintings & Prints (two books)

$135

$158

American & European Fine Prints & Photogrpahy

$60

$73

American & European Fine Paintings & Sculpture

$110

$133

Fine Jewelry

$120

$143

20th Century Design

$60

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Asian Works of Art

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Fine Oriental Rugs & Carpets

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American Indian & Ethnographic Art

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$36

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Science, Technology & Clocks

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MA residents 6.25% sales tax

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Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100


Upcoming Auctions Fine Prints & Paintings

Mabel May Woodward (American, 1877-1945), A Colorful Group, oil on paperboard

January 23, 2015, Boston, MA Consignment Deadline: November 7, 2014 For more information, please contact the American & European Works of Art department at 508.970.3206, or email prints@skinnerinc.com/paintings@skinnerinc.com