Fine Prints & Photography | Skinner Auctions 2703B and 2702T

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Fine Prints & Photography and Prints & Photography —Online

Sale 2703B

February 7, 2014

Boston

Sale 2702T

February 3– February 11, 2014

www.skinnerinc.com


Fine Prints & Photography


Specialists

Robin S.R. Starr

Kathy Wong

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3297

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2703B

Preview

Absentee Bidding

Friday, February 7 12PM followed by 2704B Fine Paintings & Sculpture at 4PM

Wednesday, February 5 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, February 6 12 to 8PM Friday, February 7 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

Auction 2702T Monday, February 3– Tuesday, February 11 www.skinnerinc.com

View all lots online at www.skinnerinc.com cover : 137 ; frontispiece : 96 ; back cover : 72


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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

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Sale 2703B: Lots 1–163

107

Absentee Bid Form

108

Online Sale 2702T: Lots 170–297

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Online Sale 2702T: How to Bid

122

Artist Index

123

Conditions of Sale

124

Company Directors & Specialty Departments

125

Administrative Staff & Client Services

126

Map & Driving Directions

127

Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 123 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2014 All rights reserved MA/Lic. #2304

Proudly printed by DS Graphics, Inc. 120 Stedman Street, Lowell, MA 01851 800-536-8283 • dsgraphics.com


Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Fine Prints & Multiples Lots 1–127


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1 Josef Albers (German/American, 18881976) Twenty-five Folders from the Double Portfolio FORMULATION: ARTICULATION, 1972, edition of 1,000. Identified on two pamphlets/colophons, each folder with artist’s dry stamp. Color screenprints on paper, folder size 15 x 20 in. (38.2 x 50.7 cm), presented in an original folio box for Portfolio II. Condition: Some annotated in pencil on the exterior, extremely minor wear to some at the very tips of the corners. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $2,000-3,000

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2 Ivan Le Lorraine Albright (American, 18971983) Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 1980” in pencil l.c., signed within the matrix. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed. Condition: Deckled edges, subtle toning, very minor handling creases. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $200-300 3 Carla Accardi (Italian, b. 1924) Two Works: Blu and Rosso, 2000. Both signed “Accardi” in pencil within the image l.r. and numbered “15/99” and “15/60,” respectively, in pencil within the image l.l., dry stamp l.l. Color lithographs on paper, image/ sheet sizes 27 1/2 x 19 3/4 in. (69.8 x 50.0 cm), unmatted, unframed, presented in the original folders. Condition: The former with deckled edges. $800-1,200 2

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4 Gregory Amenoff (American, b. 1948) Veil, 1990/91, edition of 40, published by Tandem Press, Madison. Signed and dated “Amenoff 90” in pencil l.r., numbered “3/40” in pencil l.l. Color woodcut on Japan paper, image size 31 7/8 x 31 3/4 in. (80.8 x 80.5 cm), framed. Condition: Deckled edges, floated within the frame but with two hinges broken, minor creases and rippling, not examined out of frame. $400-600 5 Pitseolak Ashoona (Canadian, 1904-1983) Summer Wanderers Watch Woman Scraping Hide, 1961, edition of 50. Signed, titled, dated, and numbered “44/50” in pencil along the bottom edge. Stonecut print on paper, sight size 17 x 23 3/8 in. (43.2 x 59.4 cm), framed. Condition: Not examined out of frame. $500-700

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6 Jane AtchĂŠ (French, 1872-1937) Papier Ă Cigarettes Job, 1889, printed by Cassan Fils, Toulouse and Paris. Signed and identified within the matrix. Color lithographic poster, 53 1/4 x 38 3/8 in. (135.0 x 97.2 cm), framed. Condition: Folds and creases, subtle toning, rippling, not examined out of frame. $5,000-7,000

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7 Ernst Barlach (German, 1870-1938) Barmherzinger Samariter (The Good Samaritan), 1919 (Schult, 163). Monogrammed “EB” in the block l.l. Woodcut on paper, image size approx. 7 x 5 in. (17.8 x 12.7 cm), matted, framed. Condition: Rippling at top edge. $500-700 8 Max Beckmann (German, 1884-1950) Abendgesellschaft, 1912 (Hofmaier, 54IIIB). Signed “Beckmann” in pencil l.r., dry stamp l.l. Drypoint on heavy wove paper, plate size 5 5/8 x 7 5/8 in. (14.2 x 19.3 cm), framed. Condition: Margins 1 3/4 inches or more with deckled edges, unobtrusive soiling to margins, pale staining to lower margin. $1,800-2,200

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9 Max Beckmann (German, 1884-1950) Die Ringer, 1921, plate 1 from BAUHAUS DRUCKE. NEUE EUROPÄISCHE GRAPHIK. FÜNFTE MAPPE. DEUTSCHE KÜNSTLER, 1922 (Hofmaier 201Bb). Signed “Beckmann” in pencil l.r., dry stamp l.l. Drypoint on heavy wove paper, plate size 8 x 5 5/8 in. (20.3 x 14.3 cm), framed. Condition: Margins over 1 inch with two deckled edges, minor staining (primarily to the upper margin), white cloth tape along upper edge to verso, glue/thin spots to upper corners verso, pencil annotations to verso. $2,000-3,000

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10 Max Beckmann (German, 1884-1950) Kriechende Frau (Crawling Woman), from the DAY AND DREAM Portfolio, 1946, edition of 90 plus proofs, published by Curt Valentin, New York (Hofmaier, 361). Signed “Beckmann” in pencil l.r., numbered “78/90” in pencil l.l., inscribed “V” in pencil l.c. Lithograph on paper, image size 14 1/4 x 11 1/2 in. (36.0 x 29.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $600-800 11 Hans Sebald Beham (German, 1500-1550) Two Works: Christ at Table of Simon the Pharisee (Bartsch, 25; Pauli, 27; Hollstein, 27), and Triumph of the Glorious Women, 1549 (Bartsch, 143; Pauli, 244). Both monogrammed within the plate and with collectors’ stamps (see below) to verso. Engravings on laid paper, plate sizes to 15/16 x 5 5/8 in. (2.3 x 13.3 cm), together in a single frame. Condition: Margins approximately 1/8 inch, gentle toning to former. Provenance: A private Massachusetts collection; Christ; Ex-collection of Heinrich Stiebel (b. 1851), Frankfurt (Lugt, 1367), Davidson Galleries, Seattle Washington, November 1, 2003; Triumph; Ex-collection of Bernhard Keller (1789-1870), Schaffhouse (Lugt, 384). $400-600

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12 Frank Weston Benson (American, 18621951) Bound Home, 1918, published state of 150 (Paff, 134). Signed “FrankW.Benson” in pencil l.l., inscribed “93” in pencil l.r. Etching on paper, plate size 9 x 10 7/8 in. (22.8 x 27.5 cm), matted, framed. Condition: Toning, not examined out of frame. $800-1,200 13 Frank Weston Benson (American, 18621951) Supper, 1920, published state of 150 (Paff, 182). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), unmatted, unframed. Condition: Margins over 2 1/4 inches with two deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist to the estate of his granddaughter. $1,000-1,500

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14 Frank Weston Benson (American, 18621951) Two Impressions of Shoveler Drake, 1920, proof impression A4 with landscape and sky details drawn in with pencil and one from the published edition of 150 (Paff, 183). Both signed “FrankWBenson.� in pencil l.l. Etchings (the proof with pencil) on paper, plate size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. Condition: Margins 3/4 inches or more with deckled edges, pencil annotations l.l., subtle toning, soiling to margins of the proof. Provenance: Descended within the family of the artist to the estate of his granddaughter. $1,500-2,500

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15 Frank Weston Benson (American, 18621951)

16 Frank Weston Benson (American, 18621951)

Ducks at Play, 1923, from the published edition of 150 (Paff, 217). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on paper, plate size 10 3/4 x 13 3/4 in. (27.3 x 34.8 cm), unmatted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges, pencil annotations l.l., subtle toning, unpressed creases to margins, old hinges near upper corners on recto.

Two Impressions of On the Kedgwick, 1923, trial proof D2 (not referenced in Paff) and an impression of the published edition of 150 (Paff, 222). Both signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, the proof with a “JWHATMAN” watermark, plate size 7 13/16 x 11 13/16 in. (19.7 x 29.9 cm), unmatted, unframed. Condition: Margins over 1 1/4 inches with all edges deckled, pencil annotations l.l., the proof with soiling to margins.

Provenance: Descended within the family of the artist to the estate of his granddaughter. $800-1,200

Provenance: Descended within the family of the artist to the estate of his granddaughter. $1,800-2,200

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17 Frank Weston Benson (American, 18621951) Soaring Fish Hawk, 1923, published state of 150 (Paff, 225). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), unmatted, unframed. Condition: Margins over 1 3/4 inches with three deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist to the estate of his granddaughter. $700-900 18 Frank Weston Benson (American, 18621951) Winter Wildfowling, 1927, published state of 150 (Paff, 265). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 11 7/8 x 9 3/4 in. (30.2 x 24.5 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. Provenance: Descended within the family of the artist to the estate of his granddaughter. $4,000-6,000

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19 Ferdinand Bol (Dutch, 1616-1680) A Bearded Old Man in Profile Facing Right (Hollstein, 17 I/III). Etching and drypoint on paper, oval plate 2 7/8 x 2 1/8 in. (7.2 x 5.3 cm), framed. Condition: Trimmed nearly to plate mark, subtle toning, backed with tissue, not examined out of frame. Provenance: Purchased from The Nasrudin Gallery, Boston, January 15, 1976; to a private Massachusetts collection. $400-600 20 Ilya Bolotowsky (Russian/American, 19071981) Series 7, c. 1970, edition of 125. Signed “Ilya Bolotowsky” l.r., numbered “121/125” l.l. Silkscreen on paper, 40 x 30 in. (101.6 x 76.2 cm), framed, unglazed. Condition: Minor soiling, sheet laid down on paperboard. $600-800 19

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21 Jacques Boullaire (French, 1893-1972) Three Tahitian Scenes: Pahi Nuku Hiva Tahiti, edition of 60; Te Fare a Tai - Tahiti, edition of 80; and Retour du Tiurei, edition of 90. Each signed “J. Boullaire” in pencil l.r., titled and numbered in pencil l.l., and initialed within the plate. Etchings on paper, plate sizes to 7 1/2 x 13 1/4 in. (19.0 x 33.5 cm), framed. Condition: Toning, pale mat burn, not examined out of frames. $800-1,200 22 Cecily Brown (British, b. 1969) Paranoia Man in Cheap Shit Room, 2005, edition of 120. Signed and dated “Cecily Brown ‘05” in pencil l.r., numbered “23/120” in pencil l.l. Aquatint with spitbright on yellow chine collé, sheet size 16 x 13 in. (40.7 x 33.0 cm), unmatted, framed. Condition: Crease in l.l. corner. $600-800 22

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23 Yvonne Brudo (French, 19th/20th Century) Pneus Gallus. Signed and identified within the matrix. Color lithographic poster, sight size 30 3/4 x 22 in. (78.0 x 55.8 cm), framed. Condition: Unobtrusive toning, repairs to u.r. and l.r. corners, not examined out of frame. $1,000-1,500

24 Hans Burgkmair, the Elder (German, 14731531) The Holy Family with St. Anne and Joachim, 1512 (Bartsch, 20). Monogrammed within the block. Woodcut on laid paper, image size 8 7/8 x 6 in. (22.4 x 15.2 cm), matted, with accompanying frame. Condition: Trimmed to or just into the borderline, foxing, unobtrusive toning, hinged with brown paper tape to upper edge on the verso, old hinges to left edge on the verso, pencil annotations to verso. $600-800

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25 Alexander Calder (American, 1898-1976) Loops, 1969, from an edition of 90. Signed “Calder” in pencil within the image l.r., numbered “84/90” in pencil l.l. Color lithograph on paper, image/sheet size 32 x 22 3/4 in. (81.3 x 57.8 cm), framed. Condition: Pale toning, floated within the mat, not examined out of frame. $1,000-1,500

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26 Alexander Calder (American, 1898-1976) Environment and Evolution, 1973/74, edition of 125. Signed “Calder” in pencil l.r., numbered “63/125” in pencil l.l., identified in information affixed to the backing. Color lithograph on cream paper, image/sheet size 26 3/8 x 38 1/2 in. (66.8 x 97.5 cm), framed. Condition: Deckled edges, unobtrusive toning, floated within the mat, not examined out of frame. $1,500-2,000

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27 Leonetto Cappiello (French, 1875-1942)

28 Louis Charbonnier (French, 1874-1935)

Mossant, 1938, published by Les Éditions Nouvelles Cappiello, Paris. Signed and identified within the matrix. Color lithographic poster, sight size 61 3/4 x 47 in. (156.8 x 119.4 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500

La Muse de Montmartre, printed by Caby & Chardin, Paris. Signed and identified within the matrix. Color lithographic poster, sheet size 53 x 31 1/2 in. (134.5 x 80.0 cm), unmatted, unframed. Condition: Backed with linen, toning, unobtrusive creases. $600-800

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29 Lovis Corinth (German, 1858-1925) Des Künstlers Schwiegermutter (The Artist’s Mother-in-law), 1920 (Schwarz, 411). Signed “Lovis Corinth” in pencil l.r. Drypoint on paper, plate size 5 3/8 x 4 1/4 in. (13.7 x 10.8 cm), matted, framed. Condition: Mat burn, mild toning. $700-900 30 José Luis Cuevas (Mexican/American, b. 1933) La Máscara, from HOMAGE TO QUEVEDO, 1969, edition of 100. Signed “Cuevas” in pencil within the image l.r., numbered “97/100” in pencil within the image l.l. Color lithograph with intaglio and collage on paper, image/sheet size 30 x 22 3/8 in. (76.2 x 56.7 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $800-1,200

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31 Salvador Dalí (Spanish, 1904-1989) Tienta, 1967, from the edition of 170 (Michler & Löpsinger, 207). Signed “Dalí” in pencil l.r., numbered “101/170” in pencil l.l. Color etching reworked with drypoint on paper, image size 16 x 21 1/4 in. (40.6 x 54.0 cm), matted, framed, unglazed. Condition: Minor toning, mat burn, not examined out of frame. $600-800 32 Salvador Dalí (Spanish, 1904-1989) VISIONS OF CHICAGO/A Suite of Four Works, 1972, edition of 100, published by Merrill Chase, Chicago (Michler & Löpsinger, 529-532). Each signed “Dalí” in pencil l.r. and numbered “26/100” in pencil l.l. Color drypoints with stencil on paper, plate sizes 19 1/4 x 12 1/2 in. (48.8 x 31.7 cm), framed. Condition: Pale mat burn, not examined out of frames. Provenance: Purchased by the family of the present owner from Merrill Chase Galleries, Chicago, 1972. $2,000-3,000 32

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33 Henry-Julien Detouche (French, 1854-1913)

34 Jim Dine (American, b. 1935)

Poster Proof for the 22nd Exhibition of the Salon des Cent, 1896. Inscribed “Henry Detouche” within the matrix l.r., inscribed “IMPRIMERIE CHAIX (Ateliers Chéret) 20, Rue Bergère, Paris...” l.r. Color lithograph on paper, 24 3/4 x 16 1/4 in. (61.7 x 41.3 cm), framed. Condition: Not examined out of frame. $500-700

Great Horned Owl, 2000, edition of 17 (Carpenter, 142). Numbered, signed, and dated “17/17 Jim Dine 2000” in pencil l.l. Color etching with photogravure, drypoint and power-tool abrading on paper, plate size 29 5/8 x 21 7/8 in. (75.1 x 55.5 cm), framed. Condition: Not examined out of frame. Provenance: Collection of Robert Bradford Newman (1917-1983), professor of architectural acoustics at Massachusetts Institute of Technology School of Architecture and the Harvard Graduate School of Design, and co-founder of Bolt, Beranek and Newman Inc., Cambridge, Massachusetts. $1,500-2,000

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35 Albrecht Dürer (German, 1471-1528) Five Soldiers and a Turk on Horseback, c. 1495-96 (Bartsch, 88; Hollstein, 81; Meder, 81a/e). Monogrammed within the plate, collector’s stamp (see below) to verso. Engraving on laid paper, image size 5 1/4 x 5 11/16 in. (13.3 x 14.4 cm), framed. Condition: Trimmed into edges and remargined, subtle toning and staining, hinges near each corner. Provenance: Ex-collection of Le Comte Giuseppe Archinto (1783-1861), Milan (Lugt, 546); Sotheby’s New York, Sale 7835, Lot 32, November 7, 2002, to a private Massachusetts collection. $2,000-3,000 36 Albrecht Dürer (German, 1471-1528) Pilate Washing his Hands, from THE SMALL ENGRAVED PASSION, 1507-1512 (Bartsch, 11; Hollstein, 11; Meder, 11b/c). Monogrammed and dated within the plate, collector’s annotations to verso. Engraving on laid paper, plate size 4 5/8 x 2 15/16 in. (11.6 x 7.3 cm), framed. Condition: Thread margins, subtle toning and staining, hinges near each corner. Provenance: Sotheby’s New York, Sale 7835, Lot 28, November 7, 2002, to a private Massachusetts collection. $3,000-5,000

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37 Albrecht Dürer (German, 1471-1528) 37

The Virgin and Child Seated by a Tree, 1513 (Bartsch, 35; Hollstein, 34 only state; Meder, 34d/e). Monogrammed within the plate, collector’s marks (see below) and annotations to verso, identified in text affixed to the backing. Engraving on laid paper, image size 5 1/4 x 5 11/16 in. (13.3 x 14.4 cm), framed. Condition: Trimmed to plate mark, subtle staining, glue residue to left edge on the verso. Provenance: Ex-collection of Bernhard Keller (1789-1870), Schaffhouse (Lugt, 384); Sotheby’s New York, Sale 8344, Lot 4A, September 26, 2007, to a private Massachusetts collection. $2,500-3,500

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38 Max Ernst (German, 1891-1976) Et, comme dit l’état-major, 1972, edition of 79. Signed “Max Ernst” in pencil l.r., numbered “34/79” in pencil l.l. Color lithograph on wove paper, image size 11 x 7 1/2 in. (27.9 x 19.1 cm), framed. Condition: Margins over 1 3/4 inches, deckled edges, not examined out of frame. $700-900

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39 Richard Estes (American, b. 1932)

40 Richard Estes (American, b. 1932)

Subway, from URBAN LANDSCAPES III, 1981, edition of 250 (Arthur, p. 121). Signed “Richard Estes” in pencil l.r., numbered “223/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,200-1,800

Manhattan, from URBAN LANDSCAPES III, 1981, edition of 250 (Arthur, p. 121). Signed “Richard Estes” in pencil l.r., numbered “246/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,200-1,800

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41 Lyonel Feininger (German/American, 18711956) Rue St. Jacques, Paris, 1919, from the trade edition (Prasse, W46II). Unsigned, inscribed “XI. Lyonel Feininger, Holzschnitt” in text printed on the verso. Woodcut on wove paper, image size 5 1/4 x 4 1/2 in. (13.3 x 11.4 cm), framed. Condition: Gently light-struck. $500-700 42 Lyonel Feininger (German/American, 18711956) Buttelstedt, 1920, from the trade edition in Jahrbuch der jungen Kunst (Prasse, W208). Unsigned, identified “LYONEL FEININGER: Buttelstedt. Holzschnitt” in text printed on the verso. Woodcut on paper, image size 8 x 6 1/8 in. (20.3 x 15.3 cm), framed. Condition: Pale staining and several pale fox marks, pencil annotation to verso. $500-700 42

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43 Louise Fishman (American, b. 1939) Diptych, 1995, printed by Nancy Bressler at the Yale University Press. Unsigned on recto. Color monoprints on black paper, sheet sizes 12 7/8 x 8 1/8 in. (32.5 x 20.5 cm), presented on a common mount, unmatted, unframed. Condition: Most edges deckled. Provenance: Purchased at the artist’s studio in Chelsea on February 22, 1995, by the present collector. N.B. The image was created by inking wood veneers and arranging them on the bed of the press, then making a print. A photocopy referencing the work, from Target Editions, New York, accompanies the lot. $2,000-3,000

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44 Louis Galice (French, 1864-1935)

45 Adolph Gottlieb (American, 1903-1974)

Majesti. Signed and identified within the matrix. Color lithographic poster printed on two sheets, sight size 68 x 23 1/2 in. (172.7 x 59.5 cm), framed. Condition: Horizontal folds, toning, staining, rippling, not examined out of frame. $2,500-3,500

Beacon, 1969, edition of 100. Signed and dated “Adolph Gottlieb 1969� in pencil within the image l.l. Color lithograph on cream Arches paper with watermark, image/sheet size 29 3/8 x 20 5/8 in. (74.5 x 52.3 cm), unmatted, unframed. Condition: Deckled edges (with minor wear to deckles), small abrasion to image c.l., small crease to corner l.l., extremely subtle rubs to ink surface. $1,000-1,500

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46 Adolph Gottlieb (American, 1903-1974)

47 Peter Halley (American, b. 1953)

Blue Night, 1970, edition of 200. Signed and dated “Adolph Gottlieb 1970” in pencil l.l., numbered “9/200” in pencil l.r. Color screenprint on paper, image size 23 7/8 x 17 7/8 in. (60.5 x 45.3 cm), framed. Condition: Margins 3 inches or more, handling creases to lower margin, floated within the mat, not examined out of frame. $1,200-1,800

Suite of Two Works: Contamination I and Contamination II, 2002, edition of 100. Signed and dated “Peter Halley 2002” in pencil l.r., and numbered “96/100” and “88/100,” respectively, in pencil l.l. Color mixed media with lithography on paper, image sizes 27 1/2 x 28 in. (69.7 x 71.0 cm), unmatted, unframed. Condition: Handling creases (primarily to the former). $800-1,200

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48 Yozo Hamaguchi (Japanese, 1909-2000) Sole, 1956, edition of 50 (M. Gallery, 48). Signed “hamaguchi” in pencil l.r., numbered “50/50” in pencil l.l. Mezzotint on paper, plate size 11 3/4 x 13 5/8 in. (29.8 x 34.4 cm), framed. Condition: Not examined out of frame. $400-600 49 Frederick Childe Hassam (American, 18591935) Old Lace, 1915 (Cortissoz & Clayton, 56). Monogrammed and inscribed “...imp” in pencil l.r., monogrammed, dated, and identified within the plate. Drypoint on paper, plate size 7 x 7 in. (17.7 x 17.7 cm), framed. Condition: Not examined out of frame. $700-900

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50 Erich Heckel (German, 1883-1970)

51 Barbara Hepworth (British, 1903-1975)

Männer am Strand, 1919, final state of two, from the publication Das Kerstnerbuch, 1919 (Dube, H319IIB). Unsigned, identified “I./Erich Heckel, Holzschnitt” in publication text to verso. Woodcut on paper, image size 6 7/8 x 5 1/4 in. (17.3 x 13.2 cm), framed. Condition: Margins over 1 inch or more, gentle toning. $800-1,200

Green Man, 1972, edition of 200, published by Cercle Graphique Européen. Signed “Barbara Hepworth” in pencil l.r., numbered “11/200” in pencil l.l. Color lithograph on paper, image size 28 x 19 5/8 in. (71.1 x 49.9 cm), framed. Condition: Not examined out of frame. $1,200-1,800

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52 Ludwig Hohlwein (German, 1874-1949) Direct China Cotton Importers Wonalancet Company Nashua NH, 1909. Identified in the matrix. Color lithographic poster, sheet size 32 1/2 x 23 1/4 in. (82.4 x 59.0 cm), shrinkwrapped. Condition: Subtle toning, minor handling creases, creases and minute nicks to corners, water staining u.l., not examined out of wrap. $1,500-2,000 53 Ellison Hoover (American, 1888-1955) Fair and Colder, 1949, edition of 250, published by American Associated Artists (AAA/Czestochowski, 1949.034). Signed “Ellison Hoover� in pencil l.r. Lithograph on wove paper, image size 8 5/8 x 12 3/8 in. (21.8 x 31.4 cm), matted, unframed. Condition: Margins over 1 1/4 inches, several pinpoint fox marks. $400-600

52

53

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54 Alex Katz (American, b. 1927) Susan, 1976, total edition of 175 (Maravell, 90). Signed and numbered “Alex Katz VII/L” in pencil within the image l.l., identified in text attached to backing. Color screenprint on paper, image/sheet size 26 x 19 1/2 in. (65.8 x 49.4 cm), framed. Condition: Deckled edges, subtle rubs near corners, floated within the frame, not examined out of frame. $800-1,200 55 Alex Katz (American, b. 1927) Unfamiliar Image, 2001, edition of 100, published by Alberico Cetti Serbelloni Editions, Mailand (Katz, 346). Signed and numbered “Alex Katz 9/100” in pencil within the image l.l. Screenprint in grays on paper, sheet/image size 30 x 44 in. (76.2 x 111.5 cm), unmatted, unframed. Condition: Deckled edges (with wear to some deckles), handling creases to image. $1,200-1,800

54

55

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56

56 Ellsworth Kelly (American, b. 1923) Locust (Acacia), 1965-66, edition of 75 plus proofs, published by Maeght Éditeur, Paris (Axsom, 52). Signed “Kelly” in pencil l.r., numbered “34/75” in pencil l.l. Transfer lithograph on paper, image size 13 3/4 x 27 1/8 in. (34.8 x 68.7 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $1,500-2,000

38

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57

58

57 Rockwell Kent (American, 1882-1971) Girl on Cliff, alternatively titled The Abyss, 1930, edition of 1,750, published by the Literary Guild of America (Burne Jones, 57). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 6 1/2 x 4 3/4 in. (16.4 x 12.0 cm), matted, unframed. Condition: Margins over 1 inch, cockling (almost exclusively to margins), glue residue to verso. $250-350

58 Ernst Ludwig Kirchner (German, 18801938) Five Images from DAS STIFTSFRÄULEIN UND DER TOD, 1912, written by Alfred Döblin, published 1913 (Dube, H199-203). Two identified within the block. Woodcuts on paper, image sizes 4 5/8 x 3 1/4 in. (11.5 x 8.2 cm), presented in a common frame. Condition: Text on the verso just visible on recto, not examined out of frame. $2,500-3,500

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60

59

59 Käthe Kollwitz (German, 1867-1945)

60 Käthe Kollwitz (German, 1867-1945)

Selbstbildnis am Tisch, c. 1893, printed by Otto Felsing before 1918 (Knesebeck, 21IIIc). Signed “Käthe Kollwitz” in pencil l.r., signed or inscribed “O Felsing...” in pencil l.l. Etching with aquatint printed in brown-black on paper, plate size 7 1/8 x 5 in. (18.0 x 12.5 cm), matted, unframed. Condition: Margins over 3 1/2 inches, subtle toning, pencil annotation to lower edge and verso.

Brustbild einer Arbeiterfrau mit blauem Tuch, 1903, published 1906 (Knesebeck, 75AIIIb). Signed “Käthe Kollwitz” in pencil l.r. Lithograph in blue and ochre on paper, image size 14 x 9 3/4 in. (35.5 x 24.6 cm), framed. Condition: Margins 1 inch or more, toning, mat burn, slightly light-struck, hinged along upper edge.

Provenance: Ackermann and Sauerwein, Munich; collection of Ingeborg Tremmel, southern Germany (according to information accompanying the lot); a private Massachusetts collection. $1,000-1,500

40

Provenance: Sotheby’s New York, Sale 8123, Lot 201, October 28, 2005; a private Massachusetts collection. $5,000-7,000

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61

61 Käthe Kollwitz (German, 1867-1945) Deutschen Heimarbeit-Ausstellung Berlin 1906, 1905-1906 (Knesebeck, 95II). Signed “Käthe Kollwitz” in pencil l.r., signed and identified within the matrix. Lithographic poster, image size 27 7/8 x 19 in. (70.7 x 48.2 cm), framed. Condition: Tears to edges (including several just into image), unobtrusive toning, not examined out of frame. Provenance: A private Massachusetts collection. $5,000-7,000

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62

62 Käthe Kollwitz (German, 1867-1945) Two Portraits: Selbstbildnis, 1919, possibly from the edition of 175 (Knesebeck, 143Ib); and Nachdenkende Frau, 1920, possibly from the edition printed by Richter (Knesebeck, 161c). Both signed “Käthe Kollwitz” in pencil l.r. (Selbstbildnis very faintly or possibly erased). Lithographs on paper, image sizes to 13 1/2 x 11 1/2 in. (34.2 x 29.2 cm), framed. Condition: Toning near edges, minor handling creases.

42

Provenance: Frau Sotheby’s New York, Sale 7888, Lot 192, May 3, 2003; Selbstbildnis Sotheby’s New York, Sale 7787, Lot 128, May 4, 2002, then both to a private Massachusetts collection. $2,000-3,000

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63

64

63 Ludwig Krug (German, 1489-1532) Madonna and Child by a Large Tree. Monogrammed within the plate, collectors’ marks (see below) to verso. Engraving on laid paper, image size 5 x 4 3/16 in. (12.6 x 10.5 cm), framed. Condition: Trimmed to or just within the plate mark, thin spot to sky u.c. Provenance: Ex-collections of W. Bell Scott (1811-1890), London (Lugt, 2607); P. von Baldinger-Seidenberg (d. 1911), Stuttgart (Lugt, 212); and George M. La Monte (18731927), New Jersey (Lugt, 1181c). Purchased from C. & J. Goodfriend, New York, November 10, 2001; to a private Massachusetts collection. $400-600

64 Edward August Landon (American, 19111984) Two Works: Dark Vessel, 1952, edition of 50 (Ryan, 51); and Exhortation (Priest), 1957, edition of 28 (Ryan, 72). Both signed “E. Landon...” in pencil l.r. and titled and numbered in pencil l.l. Color screenprints on paper, image sizes to 17 3/4 x 9 1/8 in. (45.0 x 23.2 cm), one matted, both unframed. Condition: Margins over 1 1/4 inches, minor soiling to margins of latter. $300-500

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65

66

65 Edward August Landon (American, 19111984)

66 Edward August Landon (American, 19111984)

Two Works: Encore, 1955, edition of 35 (Ryan, 66); and Winter II, 1975, edition of 25 (Ryan, 227). Both signed “E. Landon” in pencil l.r., titled and inscribed in pencil l.l. Color screenprints on paper, image sizes to 13 1/8 x 16 3/4 in. (33.1 x 42.5 cm), unmatted, unframed. Condition: Good. $300-500

Flyable Objects Identified, 1969, edition of 30 (Ryan, 83). Signed “E. Landon” in pencil l.r., titled and inscribed “...Edition 30” in pencil l.l. Color screenprint on paper, image size 12 x 18 in. (30.5 x 45.8 cm), matted, unframed. Condition: Margins over 1 1/4 inches. $300-400

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67

67 Robert Lazzarini (American, b. 1965) Norton Christmas Project/Teacup, Set of 2, 2003. Identified on the underside of the cup and saucer, and in the accompanying text. Porcelain cup and saucer with metal spoon, ht. 3 1/2 in. (8.8 cm). Condition: Good (the chip to the rim of the cup is an intentional part of the design). $500-700 68 Le Corbusier (French/Swiss, 1887-1965) Untitled, 1953, plate 9 from UNITÉ, published in 1965, edition of 130. Signed “Le Corbusier” in pencil l.r., numbered “113/130” in pencil l.l., identified within the plate, identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color etching and aquatint on paper, plate size 16 1/2 x 12 3/8 in. (41.8 x 31.3 cm), framed. Condition: Not examined out of frame. $600-800

68

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69

69 Le Corbusier (French/Swiss, 1887-1965) Untitled, 1953, plate 17 from UNITÉ, published in 1965, edition of 130. Numbered “113/130” in pencil l.l., initialed and identified within the plate, identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Etching and aquatint on paper, plate size 16 1/2 x 12 3/8 in. (41.8 x 31.3 cm), framed. Condition: Not examined out of frame. $400-600

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70

70 Martin Lewis (American, 1881-1962) R.F.D., 1933, edition of 145 plus proofs (McCarron, 106). Signed “Martin Lewis-� in pencil l.r., signed within the plate, identified on a label from Frederick Keppel & Co., Inc., New York, affixed to the backing. Drypoint and sand ground on wove paper, plate size 9 7/8 x 11 3/4 in. (25.0 x 29.6 cm), framed. Condition: Margins over 1 inch, gentle mat burn and light-striking, water and other staining to margin l.r. $3,000-4,000

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71

71 Sol LeWitt (American, 1928-2007) Plate Five from COMPLEX FORMS, 1990, edition of 15, published by Brooke Alexander, New York, and Annemarie Verna Galerie, Zürich (Krakow, 1990.03e). Signed and numbered “LeWitt 6/15” in pencil l.r. Color screenprint on paper, image size 13 x 55 in. (32.9 x 139.8 cm), framed. Condition: Not examined out of frame. $1,500-2,500

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72

72 Roy Lichtenstein (American, 1923-1997) Mao, 1971, edition of 150, published by Richard Kasak and Citadel Press, New York (Corlett, 104). Signed and dated “rf Lichtenstein ‘71” in pencil l.r., numbered “50/150” in pencil l.l., artist’s dry stamp l.r. Lithograph in red and black on Arches paper with watermark, image size 23 1/16 x 16 15/16 in. (58.5 x 40.3 cm), Plexiglas box frame (cracked) accompanies the lot. Condition: Deckled edges to three sides, subtle toning and pinpoint fox marks to the margins.

N.B. The lot is accompanied by the book The Adventures of Mao on The Long March by Frederic Tuten, as well as the three black and red text strips with which the print was originally packaged. In addition, a deluxe edition of Tuten’s book with an accordion binding, signed, numbered, and dedicated in ink by the author is included (Corlett, III.11). $12,000-18,000

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73 René Magritte (Belgian, 1898-1967) Les bijoux indiscrets, 1963, from the edition of 2,000 (Kaplan & Baum, 3). Signed and titled within the matrix. Color lithograph on paper, image size 9 1/4 x 12 in. (23.3 x 30.3 cm), framed. Condition: Not examined out of frame. $300-350 74 Robert Peter Mangold (American, b. 1937) Two Images: Distorted Square within a Circle 1, and 2, 1973, edition of 75, published by Max Protech, Inc., New York. Both signed and dated “R. Mangold 1973” in pencil l.r., titled in pencil l.c., numbered in pencil l.l., and with publisher’s dry stamp l.l. Color screenprints on paper, image sizes 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm), unmatted, unframed. Condition: Deckled edges to all but the left edge, subtle soiling near some edges. $500-700 73

74

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75 Marino Marini (Italian, 1901-1980) Trois chevaux, bordure jaune, 1954, outside of the edition of 50, published by Mourlot (Guastalla & Schulz-Hoffman, L47). Signed “MARINO� in pencil l.r., identified in a letter from the Galerie Mourlot accompanying the lot. Color lithograph on paper, image size 23 x 17 in. (58.2 x 43.0 cm), framed. Condition: Margins over 1/2 inch, not examined out of frame. $500-700 76 Attributed to Ludwig (Ludek) Marold (Czech, 1865-1898) La Meuse, printed by LeMercier, Paris. Titled within the matrix. Color lithographic poster, sheet size 58 x 42 3/4 in. (147.2 x 108.5 cm), unmatted, unframed. Condition: Laid down and backed with linen, crease with areas of minute scattered ink losses. $800-1,200

76

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77

77 Reginald Marsh (American, 1898-1954) Loco Waiting to be Junked, 1932, final state of 5 (Sasowsky, 130). Signed “Reginald Marsh” in pencil l.r. Etching with handcoloring on paper, plate size 5 7/8 x 11 3/4 in. (15.0 x 29.7 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. $800-1,200 78 Agnes Martin (American, 1912-2004) Praise, 1976, edition of 1000, published by Parasol Press, New York. Stamped “praise a. martin” l.r. Rubber stamp print on Dalton Natural Bond paper, 8 x 8 in. (20.3 x 20.3 cm), unmatted, unframed. Condition: Good, includes original housing envelope. $800-1,200

78

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79 Georges Meunier (French, 1869-1942) Crème Eclair, 1895. Signed and identified within the matrix. Color lithographic poster, sight size 45 x 32 1/4 in. (114.3 x 81.8 cm), framed. Condition: Horizontal creases (with possible breaks to paper), shallow surface cuts, not examined out of frame. $1,500-2,000 80 William Meyerowitz (American, 1887-1981) A Cape Ann Harbor. Signed “Wm Meyerowitz” in pencil l.r. Color etching and aquatint on paper, plate size 7 7/8 x 9 7/8 in. (20.0 x 25.0 cm), unmatted, unframed. Condition: Unobtrusive toning, minor wear at corners of the margins. $600-800

79

80

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81

81 Joan Miró (Spanish, 1893-1983) Le chevelure de Bérénice I, 1963, edition of 75, printed and published by Maeght, Paris (Dupin, 354). Signed “Miró” l.r., numbered “41/75” in pencil l.l. Etching with color aquatint on paper, plate size 18 1/2 x 26 7/8 in. (46.8 x 68.2 cm), framed. Condition: Margins 1 1/2 inches or more, gentle rippling, not examined out of frame. $2,000-2,500 81A Joan Miró (Spanish, 1893-1983) Escalade, 1969, edition of 75 (Dupin, 494). Signed “Miró” l.r., numbered “32/75” in pencil l.l. Color etching with aquatint and carborundum on paper, plate/sheet size 26 1/8 x 19 3/4 in. (66.3 x 50.2 cm), framed. Condition: Deckled edges, rippling, staining to edges, floated within the mat, not examined out of frame. $3,000-5,000

81A

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82

82 Joan Miró (Spanish, 1893-1983) Plate 10 from LITHOGRAPHS II, 1975, from the edition of 80, printed by Mourlot, Paris (Mourlot, 1045). Signed “Miró” in pencil l.r., numbered “LXIV/LXXX” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 18 1/4 in. (31.3 x 46.3 cm), framed. Condition: Unobtrusive fading, not examined out of frame. $1,000-1,500 83 Paul Morrison (British, b. 1966) Three Images from CALATHIDIUM, 2006, edition of 45 plus proofs, published by The Paragon Press. Each initialed “PM” in pencil on the reverse, identified and numbered “20” on the colophon. Screenprints on Coriander Somerset paper, image/sheet sizes 38 1/4 x 28 3/4 in. (97.0 x 72.8 cm), unmatted, unframed, presented in the original clamshell box. Condition: One shrink-wrapped. $1,000-1,500

83

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84

84 Robert Motherwell (American, 1915-1991) Spoleto Festival, 1968, edition of 150 (Belknap, App. 22). Signed and numbered “R. Motherwell 49/150� in pencil l.l., signed and identified within the matrix. Color screenprint on paper, sheet size 39 1/4 x 27 1/4 in. (99.5 x 69.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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85 Robert Motherwell (American, 1915-1991) Elegy (Study), 1979, edition of 98, published by Brooke Alexander, Inc, New York (Engberg & Banach, 240). Initialed and numbered “RM/68/98” in pencil u.l., artist’s dry stamp l.r. Lithograph on paper, image/sheet size 24 3/4 x 37 3/8 in. (62.8 x 94.8 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. Provenance: Acquired through Sotheby’s New York, c. 1987/1988. $4,000-6,000

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86

86 Shiko Munakata (Japanese, 1903-1975) The Fountain. Signed “...Munakata” in pencil l.l. and with chop l.c. Woodcut on Japan tissue, image size 3 1/2 x 5 1/4 in. (8.8 x 13.3 cm), framed. Condition: Gentle cockling, not examined out of frame. $2,200-2,800 87 Eugène Ogé (French, 1861-1936) Guignolet Angers Cointreau, c. 1900, published by Charles Verneau, Paris. Signed and identified within the matrix. Color lithographic poster, sheet size 54 1/4 x 38 3/4 in. (137.5 x 98.3 cm), unmatted, unframed. Condition: Laid down and backed with linen, subtle creases with some retouching. $1,000-1,500

87

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88 Adriaen Jansz van Ostade (Dutch, 16101685) The Hunchbacked Fiddler, 1654 (Godefroy, 44iii/vi). Signed within the plate. Etching on laid paper, plate size 6 1/4 x 4 7/16 in. (15.7 x 11.3 cm), framed. Condition: Narrow margins, not examined out of frame. Provenance: Sotheby’s London, Sale 3163, Lot 68, December 4, 2003; to a private Massachusetts collection. $1,000-1,500 89 Mimmo Paladino (Italian, b. 1948) Sguardo a destra, 2000, edition of 100. Signed and dated “M. Paladino 2000” in pencil l.r., numbered “72/100” in pencil l.l. Color etching and aquatint on wove paper, plate size 15 7/16 x 23 1/4 in. (39.0 x 59.0 cm), unmatted, unframed. Condition: Margins over 4 inches with deckled edges, minor soiling to left margin. $800-1,200

88

89

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90

90 Max Pechstein (German, 1881-1955) Maske, 1918, published in the Almanach auf das jahr 1920 Fritz Gurlitt (Kr端ger, H212). Monogrammed within the block u.l. Woodcut on gray-brown laid paper, plate size 3 1/8 x 3 15/16 in. (8.0 x 10.0 cm), framed. Condition: Deckled edges on three sides. $500-700

60

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91

91 Pablo Picasso (Spanish, 1881-1973) Nu assis entouré d’esquisses de bêtes et d’hommes, 1927, from LE CHEF D’OEUVRE INCONNU (Bloch, 91; Geiser, 132b). Signed “Picasso” in brown ink l.r., identified on a label from the Art Lending Service of the Museum of Modern Art, New York, affixed to the backing. Etching on Van Gelder Zonen cream wove paper with partial watermark, plate size 7 3/4 x 10 7/8 in. (19.5 x 27.5 cm), framed. Condition: Margins over 2 1/2 inches with deckled lower edge, toning, mat burn, corrugation staining to verso, bleached area to corner of margin u.r., pencil annotation to lower margin and verso. $5,000-7,000

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92

92 Pablo Picasso (Spanish, 1881-1973) La danse des faunes, 1957, edition of 1,000 (Bloch, 830). Stamped signature l.r., dated and signed within the matrix. Lithograph in black over cream tint stone on paper, image size 16 1/8 x 20 9/16 in. (40.8 x 52.2 cm), framed. Condition: Not examined out of frame. $700-900 93 Pablo Picasso (Spanish, 1881-1973)

93

L’Ecuyère, 1960, edition of 1,000 (Bloch, 999). Signed and dated within the matrix. Lithograph on paper, image size 20 1/4 x 25 1/8 in. (51.3 x 63.6 cm), framed. Condition: Not examined out of frame. $700-900

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94 John Piper (British, 1903-1992) Easton, Portland, Dorset: St. George Reforne, an 18th-Century Church Among the Quarries, 1964, edition of 70, published by Marlborough Fine Art, London (Levinson, 137). Signed “John Piper” in pencil l.r., numbered “32/70” in pencil l.l. Lithograph on paper, image size 19 3/4 x 25 1/4 in. (50.0 x 64.0 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $400-600 95 Michelangelo Pistoletto (Italian, b. 1933)

94

95

CARTELLA A/A Portfolio of Four Works, 1983, edition of 500, published by Fratelli Alinari Stamperia D’Arte, Florence. Signed “Mich Pistoletto” in felt-tip pen on the colophon, numbered “97” by stamp on the colophon. Color screenprints on reflective Mylar, sight sizes 16 1/2 x 13 in. (41.2 x 33.0 cm), in engaged mats within the original portfolio. Condition: Very minor handling ripples. $2,500-3,500

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96

96 Serge Poliakoff (Russian, 1906-1969) Composition in Yellow, Orange, and Green, 1957, edition of 150, published by l’Oeuvre Gravée, Zürich (Poliakoff/Schneider, 14). Signed “Serge Poliakoff” in pencil l.r., numbered “78/150” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on paper, image size 15 9/16 x 21 5/8 in. (39.4 x 54.8 cm), framed. Condition: Deckled edges, gentle rippling, floated within the frame, subtle toning, tears and soiling to upper margin (none affecting the image), not examined out of frame. $2,000-2,500

64

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97

97 Fairfield Porter (American, 1907-1975) Street Scene, 1969, edition of 100, printed by Mourlot, New York, published by Brooke Alexander, Inc., New York (Ludman, 18). Signed “Fairfield Porter” in pencil l.r., numbered “84/100” in pencil l.l. Color lithograph on paper, image/sheet size 22 1/4 x 29 3/4 in. (56.4 x 75.6 cm), framed. Condition: Deckled right and lower edges, gentle toning, sheet floated in frame, not examined out of frame. $1,000-1,500 98 Attributed to Paulus Potter (Dutch, c. 16251654)

98

The Plough Horses, 1652, possibly an 18th century impression. Signed and dated within the plate. Etching on laid paper with figural watermark, plate size 6 1/4 x 9 1/2 in. (13.8 x 24.1 cm), framed. Condition: Thread margins, very pale fox marks, subtle toning, pencil and ink annotations to verso, glue/residue to verso at upper corners. Provenance: Sotheby’s New York, Sale 7717, Lot 148, November 3, 2001; to a private Massachusetts collection. $800-1,200

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99

99 Andre Racz (American, 1916-1994) Dejanira and Nassus, 1944, edition of 50. Signed and dated “Andre Racz 44” in pencil l.r., titled in pencil l.c., numbered “4/30” in pencil l.l. Etching on paper, image size 9 7/8 x 14 in. (25.1 x 35.5 cm), unmatted, unframed. Condition: Minor foxing, toning, and soiling, brown tape at edges from previous matting, cellophane tape from previous hinging at top on the verso. Provenance: Nierendorf Gallery, New York. $300-350 100 Andre Racz (American, 1916-1994)

100

Slaying of the Centaur, 1944, edition of 50. Signed and dated “Andre Racz 44” in pencil l.r., titled in pencil l.c., numbered “5/30” in pencil l.l. Etching on paper, image size 9 3/4 x 13 15/16 in. (24.7 x 35.4 cm), unmatted, unframed. Condition: Minor foxing, toning, and soiling, brown tape at edges from previous matting, cellophane tape from previous hinging at top on the verso. Provenance: Nierendorf Gallery, New York. $300-350

66

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101

101 Charles Rambert (French, 1867-1932) Grande Semaine d’Aviation, 1910, printed by Grieud, Rouen. Signed and identified within the matrix. Color lithographic poster, image size 46 3/8 x 31 1/4 in. (117.7 x 79.3 cm), framed. Condition: Unobtrusive creases and wrinkles, not examined out of frame. $5,000-7,000

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102

102 Rembrandt van Rijn (Dutch, 1606-1669) Bust of an Old Man with a Fur Cap and Flowing Beard, Nearly Full Face, Eyes Direct, c. 1631, possibly a lifetime impression (Bartsch, 312; Hind, 49; Hollstein, 312 II/II). Etching on laid paper, plate size 2 7/16 x 2 3/16 in. (6.2 x 5.4 cm), matted, unframed. Condition: Margins approximately 1/8 inch, foxing. Provenance: Sotheby’s New York, Sale 8237, Lot 24, November 3, 2006; to a private Massachusetts collection. $1,500-2,000 103 Rembrandt van Rijn (Dutch, 1606-1669) Clement de Jonghe, Printseller, 1651 (Bartsch, 272; Hind, 251; Hollstein/White & Boon, 272vi/vi). Signed within the plate. Etching on laid paper, plate size 8 3/16 x 6 3/8 in. (20.5 x 16.0 cm), framed. Condition: Margins just over 1 inch, subtle toning, pale foxing. Provenance: A private Massachusetts collection. $1,500-2,500

103

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104

104 Attributed to Rembrandt van Rijn (Dutch, 1606-1669) Woman with a High Head—Dress Around Chin: Bust (Bartsch, 358; Hind, 83 as Rembrandt or Jan Lievens; Hollstein, 358ii/ ii plate cut down, attributed to Rembrandt). Etching on laid paper, plate size 2 1/2 x 2 3/16 in. (6.2 x 5.4 cm), framed. Condition: Thread margins, subtle toning, not examined out of frame. Provenance: A private Massachusetts collection. $800-1,200 105 Manuel Robbe (French, 1872-1936) Fleur d’Automne, 1903, published by Sagot, Paris (Merrill-Chase, 46). Signed “Manuel Robbe” in pencil l.r., signed within the plate, inscribed “No 96” in pencil l.l., publisher’s dry stamp l.r. Color etching and aquatint on paper, plate size 19 3/8 x 14 7/8 in. (49.1 x 37.6 cm), framed. Condition: Pale mat burn and toning, stray ink marks (or similar) to margins, not examined out of frame. $600-800

105

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106 Georges Rouault (French, 1871-1958) Femme Hideuse, 1916-1919, probably a trial state (Wofsy, 295). Unsigned. Etching with aquatint on paper, plate size 11 7/8 x 7 3/4 in. (30.2 x 19.7 cm), matted, unframed. Condition: Deckled edges on three sides, minor toning and wear to corners, detached hinge at u.r. $500-700 107 Carl Clemens Moritz Rungius (American, 1869-1959) An Old Fighter, 1925, edition of 100 (Crouch, 3). Signed “C. Rungius� in pencil l.r., identified on a label from Arthur H. Harlow & Co., New York, affixed to the backing. Drypoint on paper, plate size 6 1/4 x 8 5/16 in. (15.7 x 21.0 cm), framed. Condition: Pale foxing, not examined out of frame. $2,000-3,000

106

107

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108

108 Jan Pietersz Saenredam (Dutch, 15651607), After Abraham Bloemaert (Dutch, c. 1564-1651) The Prodigal Son as Swineherd, a later printing with the publication line of Gerard Valck. Signed and identified within the plate, collector’s stamp (see below) to verso, various collectors’ pencil and ink annotations to lower edge of image and verso. Engraving on laid paper with coat of arms and a second watermark, plate size 17 1/16 x 25 1/8 in. (43.2 x 63.6 cm), matted, unframed. Condition: Margins approximately 1/8 inch, margins and vertical crease reinforced on the verso. Provenance: Charles M. Lea (1853-1927), Philadelphia (Lugt, 1662a); Sotheby’s New York, Sale 8123, Lot 57, November, 14, 2005; to a private Massachusetts collection. $1,500-2,500 109 Nicola Simbari (Italian, 1927-2012) 109

CIRQUE/A Suite of Five Works, 1978, edition of 300, plus a proof edition of 50. Each signed “Simbari” in pencil l.r. and numbered “E.A. XIX/L” in pencil l.l. Color screenprints on paper, image sizes to approximately 29 x 31 in. (73.5 x 78.6 cm), framed. Condition: Not examined out of frames. $1,500-2,500

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110 Anselm Stalder (Swiss, b. 1956) DER UMFANG DES FASSUNGSVERMÖGENS (THE LIMITS OF PERCEPTION)/A Portfolio of Five Works Plus the Illustrated Book of Poems, which includes one original monotype, 1983/84, edition of 35 plus 10 proofs, published by Peter Blum Editions. Each signed and dated “Stalder 1984” in pencil l.r. and numbered “27/35” in pencil l.l. Color woodcuts on Rives paper with watermarks, sheet sizes 30 x 22 1/2 in. (76.2 x 57.0 cm), presented in the original clamshell box. Condition: Very minor wear to box. $700-900 111 Paul Signac (French, 1863-1935) Le Soir (Abend - La Jetée de Flessingue), 1898 (Kornfeld/Wick, 20IId). Unsigned, identified in text in the margin l.l., “AR” stamp to left margin. Color lithograph on chine, image size 8 x 10 1/4 in. (20.3 x 25.8 cm), with facing mat, unframed. Condition: Glue from binding along the upper edge, crease to edge of lower margin. $350-550

110

111

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112

112 Ettore Sottsass (Italian, 1917-2007) Two Works: Il Futuro and La Torre di Babele, 2001, both editions of 100. Both signed and numbered “.../100 Sottsass” in pencil l.r. Color lithographs on wove paper, sheet sizes 27 7/8 x 19 3/4 in. (70.7 x 50.0 cm), unmatted, unframed. Condition: Good. $700-900 113 Donald Sultan (American, b. 1951) Pink T’s, 1995, edition of 100, published by The Metropolitan Museum of Art, New York. Titled, dated, and initialed “...May 5 1995 DS” in pencil along the left margins, publisher’s dry stamp l.r., identified on a label from Gwenda Jay Gallery, Chicago, affixed to the backing. Color screenprint on paper, image size 11 1/2 x 8 1/8 in. (29.0 x 20.5 cm), framed. Condition: Deckled edges, floated within the frame, not examined out of frame. $600-800

113

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114

114 Rirkrit Tiravanija (Thai, b. 1961) Atlas I, 1995, edition of 30, published by Helga Maria Klosterfelde Edition, Hamburg. Stamped and numbered “I 15/30� in ink on the reverse. Fifteen photographs and works on paper mounted in a grid formation onto linen, total size 20 1/2 x 18 in. (52.0 x 45.7 cm), in the original paper slipcase, folded (as presented). Condition: Minor crease to one corner. $600-800

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115

115 Henri de Toulouse-Lautrec (French, 18641901) May Belfort, 1895 (Wittrock, P14Biii; Adriani, 126iv/v). Monogrammed, titled, and with publisher “Edw. Ancourt . Paris� within the matrix. Color lithograph on paper, sheet size 30 1/2 x 23 1/4 in. (77.3 x 59.0 cm), framed. Condition: Mounted on linen, two repairs near the upper edge, even toning, areas of lifting off of the linen support including some small breaks, loss l.r. $7,000-9,000

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116

116 Victor Vasarely (Hungarian/French, 19061997) Untitled (White with Colors), edition of 300. Signed in pencil l.r., numbered “216/300” in pencil l.l. Color screenprint on paper, image size 20 3/4 x 19 3/4 in. (52.8 x 50.2 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $500-700 117 Victor Vasarely (Hungarian/French, 19061997) Rhythm, c. 1970, edition of 250. Signed in pencil l.r., numbered “143/250” in pencil l.l. Color screenprint on paper, image size 24 1/4 x 24 1/4 in. (61.6 x 61.6 cm), framed. Condition: Not examined out of frame. $500-700

117

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118

119

118 Victor Vasarely (Hungarian/French, 19061997)

119 Jacques Villon (French, 1875-1963), After Marcel Duchamp (French, 1887-1968)

Untitled (Tuz in Blue and Silver), 1974, edition of 340. Signed in pencil l.r., numbered “44/340” l.l. Color screenprint on paper, 23 1/2 x 19 3/8 in. (59.8 x 49.4 cm), framed. Condition: Not examined out of frame. $400-600

Coffee Mill, from DU CUBISME, 1947, edition of 435, published by Compagnie Française des Arts Graphiques, Paris. Signed by Duchamp within the plate, “FR” dry stamp l.l. Etching and engraving on paper, plate size 7 1/16 x 3 1/4 in. (17.9 x 8.1 cm), matted, a frame accompanies the lot. Condition: Deckled edges, subtle toning, pale mat burn and foxing, corrugation staining to verso. $800-1,200

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120

120 William Thomas Williams (African American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered “...55/144” in pencil l.r., identified on the colophon. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed. Condition: Margins 3 inches or more.

78

N.B. Williams was encouraged to become an artist by Jacob Lawrence. In 1986 he became the first African American artist included in H.W. Janson’s History of Art. $3,000-5,000

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121

122

121 Sigurd Winge (Norwegian, 1909-1970) Eva..., 1948. Signed and dated “Sigurd Winge - 48” in pencil l.r., titled in pencil l.l., dedicated “Fra Unge Kunstneres...Edward Landon (1950)” in pencil l.c. Etching and aquatint on heavy cream wove paper, plate size 10 3/4 x 14 1/16 in. (27.2 x 35.5 cm), matted, unframed. Condition: Margins 1 1/2 inches or more, slightly light-struck, soiling to margins, pinpoint fox marks. $600-800

122 James Abbott McNeill Whistler (American, 1834-1903) Sketches on the Coast Survey Plate, 1854 (Kennedy, 1). Unsigned. Etching on laid tissue, plate size 5 7/8 x 10 5/16 in. (14.7 x 26.0 cm), matted, unframed. Condition: Minor handling creases, toning, loss to corner of margin l.r. N.B. This is the first etching ever made by Whistler. See also Lot 274 in sale 2702T. $1,500-2,000

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123 Zao Wou-Ki (Chinese/French, 1921-2013) Untitled, 1959, edition of 140, published by L’Oeuvre Gravé, Zürich (Agerup, 121). Signed and dated “ ...59” in pencil l.r., numbered “61/140” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on BFK Rives paper with watermark, image size 20 x 18 in. (50.7 x 45.5 cm), matted, unframed. Condition: Deckled edges to three sides, mat burn, toning, brown paper tape all along upper edge on the verso plus additional small pieces of tape to verso, gentle rippling, staining to the verso. Provenance: From the Collection of John Herman Groesbeck Pierson, Greenwich, Connecticut, and Honolulu, Hawaii. $800-1,200 124 George Hand Wright (American, 1872-1951) At the Back Porch. Signed “G. Wright- N.A. S.A.E.” in pencil l.r. Etching on paper, plate size 8 1/2 x 10 1/4 in. (21.4 x 25.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500 123

124

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125

125 Hodaka Yoshida (Japanese, 1926-1995) Tako, alternatively titled Kite, 1959. Signed and dated “Hodaka Yoshida 1959.� in pencil l.r. Color woodcut on paper, sight size 21 1/4 x 28 5/8 in. (54.0 x 72.8 cm), framed. Condition: Not examined out of frame. $300-500

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126 Anders Zorn (Swedish, 1860-1920) Precipice, 1909, second state of two (Asplund, 228). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on paper, plate size 9 1/2 x 6 5/16 in. (24.1 x 16.0 cm), framed. Condition: Margins 3/4 inch or more, not examined out of frame. $1,000-1,500 127 Anders Zorn (Swedish, 1860-1920) Vicke, 1918, probably the third state of four (Asplund, 281). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on paper, plate size 7 3/4 x 11 5/8 in. (19.5 x 29.4 cm), framed. Condition: Subtle toning, not examined out of frame. $600-800

126

127

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Fine Photography Lots 128–163


128

128 Ansel Adams (American, 1902-1984) Abandoned Hearse, Bodie, California, c. 1940, printed 1976. Signed “Ansel Adams” in pencil below the image l.r., titled and dated in “Photograph by Ansel Adams” stamp on the verso at the center. Gelatin silver print, 10 1/4 x 13 1/16 in. (26.0 x 33.2 cm), unmatted, unframed. Condition: Mounted to board, good. $700-900

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129

129 Gyula Halász, called Brassaï (Hungarian/ French, 1899-1984)

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $1,500-2,000

Picasso’s Studio, Boisgeloup, 1932, printed c. 1970. Signed “Brassaï” in ink below the image l.r., stamped “Tirage de l’Auteur” and “© COPYRIGHT BRASSAI” in black ink on the verso l.r., inscribed “No 79A Pic. 2” in pencil on the verso l.r. Gelatin silver print, image size 10 3/4 x 8 in. (27.4 x 20.4 cm), framed. Condition: Unmounted, minor rippling along the left and right edges of sheet, fading to signature.

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130

131

130 Manuel Alvarez Bravo (Mexican, 19022002)

131 Manuel Alvarez Bravo (Mexican, 19022002)

Tumba reciente (Recent Grave), 1933, printed later. Signed “M Alvarez Bravo” and titled in pencil on the verso l.r. Gelatin silver print, image size 6 3/4 x 9 3/4 in. (17.2 x 24.8 cm), matted, unframed. Condition: Unmounted, good. $1,500-2,000

La De Bellas Artes (She of the Fine Arts), 1933, printed later. Signed “M Alvarez Bravo” and titled in pencil on the verso l.c. Gelatin silver print, image size 7 3/8 x 9 5/8 in. (18.7 x 24.5 cm), matted, unframed. Condition: Unmounted, several 1/4-inch convex and concave dents across surface. $1,200-1,800

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132

132 Manuel Alvarez Bravo (Mexican, 19022002) De la caminata (Walk), c. 1940. Signed “M Alvarez Bravo” on the verso l.r., identified in pencil on the verso. Dye transfer print, 7 9/16 x 7 1/16 in. (19.3 x 18.0 cm), matted, unframed. Condition: Mounted, slight cracking of emulsion at l.r. corner and along right and top edges, hinges broken. $1,500-2,000 133 Manuel Alvarez Bravo (Mexican, 19022002) Luz restirada (Lengthened Light), 1944, printed later. Signed “M Alvarez Bravo” and titled and dated “1945” in pencil on the verso l.r. Gelatin silver print, image size 9 1/2 x 6 1/2 in. (24.2 x 16.5 cm), matted, unframed. Condition: Unmounted, minor soiling at l.l. of sheet, u.l. corner and small piece of u.r. corner of sheet missing. $1,200-1,800

133

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134

135

134 Manuel Alvarez Bravo (Mexican, 19022002)

135 Manuel Alvarez Bravo (Mexican, 19022002)

La Mama del Bolero y el Bolero (The Mother of the Shoeshine Boy and the Shoeshine Boy), 1950s, printed later. Signed “M Alvarez Bravo” in pencil on the verso l.r., titled in pencil on the verso at the bottom, inscribed “127” in blue ballpoint ink below the image l.l. Gelatin silver print, image size 6 3/4 x 9 5/8 in. (17.0 x 24.3 cm), matted, unframed. Condition: Unmounted, very minor surface crimps, crease in l.r. corner. $1,200-1,800

Maguey and Jagged Wall, 1976, probably a later print. Signed “M Alvarez Bravo” in pencil on the verso l.r. Gelatin silver print, image size 6 3/8 x 9 9/16 in. (16.2 x 24.4 cm), matted, unframed. Condition: Unmounted, remnants of linen tape hinges on the verso at upper corners. $1,200-1,800

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136

136 Paul Caponigro (American, b. 1932) Portfolio II, 1957-1970, printed 1973, edition of 100. Eight prints in original brown folding case with ties, numbered “thirty six” in graphite on the contents page. All signed “Paul Caponigro” in pencil below the image l.r. Gelatin silver prints, sizes to 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), unmatted, unframed. Condition: Mounted, minor silver mirroring around edges of most prints, the first print in the portfolio has extensive silver mirroring at the edges and vertically through the center.

N.B. Titles include Frosted Window, Massachusetts, 1957, Nahant Beach, Massachusetts, 1958, Pebble Beach, California, 1969, Stone & Tree, Avebury, England, 1967, Monument Valley, Utah, 1970, Redding Woods, Connecticut, 1969, Landscape, Kalamazoo, Michigan, 1970, and Monument Valley, Utah, 1970. $8,000-12,000

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137

137 Henri Cartier-Bresson (French, 1908-2004) Madrid, 1933, printed late 1990s/early 2000s. Signed “Henri Cartier-Bresson” in ink l.r., with copyright credit blindstamp l.l., inscribed “HCB - 19974” in pencil on the verso l.r. Gelatin silver print, image size 11 3/4 x 17 5/8 in. (30.0 x 44.8 cm), framed. Condition: Unmounted, good, minor spot toning at l.c. $8,000-12,000

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138

138 Chuck Close (American, b. 1940) Untitled Diptych, from the DOCTORS OF THE WORLD Portfolio, 2001, edition of 100. Signed, dated, and numbered “31/100” in pencil below the images at the bottom. Digital pigment prints from daguerreotypes, image sizes 14 3/4 x 10 7/8 in. (37.5 x 27.7 cm), unframed. Condition: Good, unmounted. $800-1,200 139 Lois Conner (American, b. 1951) NY89429 Municipal Building, New York, 1989, edition of 25. Numbered “2/25” and inscribed “NY89429 18 1/2 126dc 70u 11.3.9101” in pencil along the left edge of the print. Platinum print, image size 16 5/16 x 6 1/2 in. (41.5 x 16.5 cm), framed. Condition: Good, unmounted, not examined out of frame. $400-600

139

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140

140 Bruce Davidson (American, b. 1933) Spain, 1965. Signed “Bruce Davidson” and inscribed “65-42-3-30” in pencil on the verso at center with Davidson/Magnum Photos copyright credit and date stamp. Gelatin silver print on Agfa paper, image size 8 7/8 x 13 3/8 in. (20.0 x 34.0 cm), framed. Condition: Unmounted, minor crimp at c.l. $800-1,200 141 Bruce Davidson (American, b. 1933) Spain, 1965. Signed “Bruce Davidson” and inscribed “65-42-2-31A” and “4498” in pencil on the verso at center with Davidson/Magnum Photos copyright credit and date stamp. Gelatin silver print on Agfa paper, image size 13 3/8 x 8 7/8 in. (34.0 x 20.0 cm), framed. Condition: Unmounted, minor surface crimps. $800-1,200

141

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142

142 Harold E. “Doc” Edgerton (American, 19031990) Hammer Breaks Glass Plate, 1933, printed c. 1980. Signed “Harold Edgerton” in pencil on the verso l.c., inscribed “82.0528” and 3301.30A/P” in pencil on the verso l.r. Gelatin silver print, image size 21 1/2 x 17 1/2 in. (54.6 x 44.5 cm), unmatted, unframed. Condition: Unmounted, three crimps in l.r. quadrant. $700-900 143 Harold E. “Doc” Edgerton (American, 19031990) Fan and Smoke, 1934, printed c. 1980. Signed “Harold Edgerton” and inscribed “820433” in pencil on the verso l.r. Gelatin silver print, image size 22 1/4 x 17 1/2 in. (56.6 x 44.5 cm), unmatted, unframed. Condition: Unmounted, minor handling crimps at c.l. and u.r. $700-900

143

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144

144 Harold E. “Doc” Edgerton (American, 19031990) Foil Trick, 1938, printed c. 1980. Signed “Harold Edgerton” and inscribed “3836 A/P” in pencil on the verso, l.c. and l.r. corner, respectively. Gelatin silver print, image size 7 15/16 x 13 3/4 in. (20.2 x 35.0 cm), matted, unframed. Condition: Good, unmounted. $400-600 145 Harold E. “Doc” Edgerton (American, 19031990) Golf Swing, 1938, printed c. 1980. Signed “Harold Edgerton” and inscribed “88.0117” in pencil on the verso l.r. Gelatin silver print, image size 14 1/4 x 14 5/8 in. (39.3 x 37.2 cm), unmatted, unframed. Condition: Good, unmounted. $400-600

145

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146

146 Harold E. “Doc” Edgerton (American, 19031990) Two Photographs: Tennis-Forehand Drive, Jenny Tuckey and Crew, 1949 and 1969, respectively, both printed c. 1980. Both signed “Harold Edgerton” in pencil on the verso center, Tennis inscribed “85.0177” and Crew inscribed “88.0123” in pencil on the verso l.r. Gelatin silver prints, image sizes to 9 5/8 x 12 7/8 in. (24.5 x 32.1 cm), unmatted, unframed. Condition: Unmounted, minor wear to corners, paper curling. $500-700 147 Harold E. “Doc” Edgerton (American, 19031990) Two Photographs: Dancer and Drum Majorette, 1952 and 1953, respectively, both printed c. 1980. Signed “Harold Edgerton” in pencil on the verso at bottom; Dancer inscribed “82.0541” and “5203.30 AP” in pencil on the verso l.r.; Majorette inscribed “82.0530” and “5301.30 AP” in pencil on the verso l.r. Gelatin silver prints, Dancer image size 14 7/8 x 22 3/8 in. (37.8 x 56.8 cm) and Majorette image size 20 3/4 x 17 1/2 in. (52.7 x 44.5 cm), both unmatted, unframed. Condition: Unmounted, Dancer with several handling crimps along the right edge, Majorette has several handling crimps along the top. $1,000-1,500 147

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148

148 Walker Evans (American, 1903-1975) Subway Portrait, New York, c. 1938-1941. Inscribed “Subway series - unpublished” in pencil on the verso l.l. and with a Lunn Gallery, Washington, D.C., stamp inscribed “VI 183” in pencil on the verso u.r. Gelatin silver print, image size 5 3/8 x 8 1/8 in. (13.7 x 20.6 cm), matted, unframed. Condition: Unmounted, minor wear at corners, especially l.l., small black spot at bottom center, small area of brown discoloration at u.l. $3,000-5,000

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149

150

149 Louis Faurer (American, 1916-2001)

150 Robert Frank (Swiss, b. 1924)

New York, 1970. Titled, dated, and signed “Louis Faurer” in pencil on the verso along the bottom, inscribed “SG177” in pencil on the verso l.r. Gelatin silver print, 6 x 9 1/8 in. (15.3 x 23.2 cm), unmatted, unframed. Condition: Unmounted, surface crimps, several small losses of emulsion along edges of the sheet, minor soiling on the verso. $1,200-1,800

Switzerland, Appenzell, 1948, printed later. Signed “R. Frank” in ink below the image l.r., titled and dated in ink below the image l.l. Gelatin silver print, image size 8 1/2 x 13 3/16 in. (21.6 x 33.5 cm), unmatted, unframed. Condition: Unmounted, minor creases at u.r. and l.r. corners, slight rippling at the edges. $1,200-1,800

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151

151 Robert Frank (Swiss, b. 1924) New Jersey, 1954, printed later. Signed “Robert Frank” in black ink l.r., titled and dated in ink l.l. Gelatin silver print, image size 8 3/8 x 12 15/16 in. (21.3 x 32.9 cm), matted, unframed. Condition: Unmounted, slight rippling along the top edge. $2,000-3,000 151A Attributed to George Hurrell (American, 1904-1992) Merle Oberon, c. 1940. Unsigned, inscribed “Merle Oberon” in pencil on the verso at center, inscribed “Steichen 83.035” in pencil on the verso l.r. Gelatin silver print, 8 1/2 x 7 in. (21.6 x 17.8 cm), framed. Condition: Unmounted, minor silvering at edges. $1,000-1,500 151A

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152

152 Paul Ickovic (Czech, b. 1944) Couple with Dog in Doorway, c. 1980. Signed and numbered “Ick A/P� in black ink below the image l.r. Gelatin silver print, image size 14 5/8 x 21 13/16 in. (37.7 x 55.5 cm), unmatted, unframed. Condition: Good, unmounted. $700-900

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153

153 Lotte Jacobi (American, 1896-1990) Out for a Walk, c. 1930, probably a later print. Signed “Lotte Jacobi” in pencil l.l., titled on a label affixed to the backing. Gelatin silver print, 9 1/8 x 13 1/2 in. (23.2 x 34.3 cm), framed. Condition: Several specks of spot toning ink in l.l., yellow discoloration on the verso that may be adhesive residue. $1,000-1,500 154 Lotte Jacobi (American, 1896-1990) Photogenic, 1946-1955, printed c. 1976. Signed “Lotte Jacobi” in pencil below the image l.r. and within the image l.l., inscribed “Palladium print made by Carlos Richardson” in pencil l.l., identified on a label affixed to the backing. Palladium print, sheet size 13 1/2 x 11 in. (34.3 x 28.0 cm), unframed. Condition: Good, unmounted. $1,500-2,000 154

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155

155 George Platt Lynes (American, 1907-1955) Female Nude, 1930s-1940s. Unsigned. Gelatin silver print, 9 3/8 x 7 3/8 in. (23.8 x 18.7 cm), framed. Condition: Unmounted, slight rippling, two 1/2-inch handling creases at u.r. edge. $1,200-1,800

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156 Aaron Siskind (American, 1903-1991) Rome: Arch of Constantine 10, 1963. Signed “Aaron Siskind” l.r. and titled and dated in pencil l.l. on the recto of the mat. Gelatin silver print, sight size 18 7/8 x 14 5/8 in. (48.0 x 37.2 cm), framed. Condition: Rippling, vertical crease along right edge, minor crimps and accretions. $4,000-6,000 157 Aaron Siskind (American, 1903-1991) Jalapa 7, 1973. Signed “Aaron Siskind” in ink below the image l.r., titled, dated, and inscribed “(Homage to F.K.)” in ink below the image l.l. Gelatin silver print, 14 1/2 x 14 1/2 in. (36.9 x 36.9 cm), unmatted, unframed. Condition: Good, unmounted. $1,200-1,800

156

157

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158

158 Aaron Siskind (American, 1903-1991) Peru 46, 1981. Signed “Aaron Siskind” in ink below the image l.r., titled and dated in ink below the image l.l. Gelatin silver print, 14 1/8 x 14 in. (36 x 35.6 cm), unmatted, unframed. Condition: Good, unmounted. $1,000-1,500 159 Aaron Siskind (American, 1903-1991) Mexico 28, 1982. Signed “Aaron Siskind” in ink below the image l.r., titled and dated in ink below the image l.l. Gelatin silver print, image size 9 7/8 x 9 3/4 in. (25 x 24.8 cm), unmatted, unframed. Condition: Good, unmounted. $800-1,200

159

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160 Jack Spencer (American, b. 1951) M.L. & Mr. Henry’s Buick, Batesville, MS, 1997, edition of 50. Signed in pencil below the image l.r., numbered “29/50” in pencil l.l., titled, numbered, and dated in pencil on the verso along the bottom. Toned gelatin silver print, image size 18 x 17 3/4 in. (45.7 x 45.1 cm), framed. Condition: Good, unmounted. $500-1,000 161 Jack Spencer (American, b. 1951) “An American House,” Northern Nebraska, 2003, edition of 10. Signed, titled, dated and numbered “1/10” on a Bonni Benrubi Gallery label affixed to the backing board. Gelatin silver print with mixed-media glaze, 30 x 38 in. (76.2 x 96.5 cm), framed. Condition: Unmounted, not examined out of frame. $2,000-3,000

160

161

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162

162 Charles Henry Traub (American, b. 1945) Chicago, 1976. Signed and inscribed “Charles Traub Chicago 76/For Gus� in pencil on the verso at the top. Gelatin silver print, 10 1/2 x 10 1/2 in. (26.8 x 26.8 cm), unmatted, unframed. Condition: Unmounted, 1 1/2 inch crimp/ crease at top center of image and another at top center of sheet, rippling at l.r. corner of sheet. $300-500

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163

163 Bradford Washburn (American, 1910-2007) Two Photographs: Summit of the Matterhorn and Snow Drifts, 1958 and undated, respectively, both printed later. Both signed “Bradford Washburn” in pencil on the verso l.r., numbered “40833014” and 78313014,” respectively, in pencil on the verso l.l. Gelatin silver prints, image sizes 17 5/8 x 22 1/4 in. (44.5 x 56.4 cm), unmatted, unframed. Condition: Unmounted, handling crimps. $800-1,200

End of Sale 2703B

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Prints & Photography – Online Sale 2702T February 3, 12PM–February 11, 6PM Lots 170–297


Prints & Photography – Online How to Bid In addition to live auctions, Skinner offers fixed-time, online auctions. These online-only auctions allow Skinner to bring more high-quality items to auction in an easy-to-use, web-based format. Skinner timed online auctions are available only through our website and are distinguished on the auction schedule by a red stopwatch symbol. A buyer’s premium of 23% applies to timed online auction purchases. Please read the Conditions of Sale for more information. To bid on the lots presented in a timed online auction, you will need to take the following steps:

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170 Heinrich Aldegrever (German, 1502c. 1561)

173 John Taylor Arms (American, 18871953)

177 Hans Sebald Beham (German, 15001550)

Eight Nude Children at a Well, 1539. Monogrammed and dated within the plate. Engraving on paper, plate size 1 1/2 x 3 11/16 in. (3.7 x 9.3 cm), framed. Condition: Narrow margins, not examined out of frame.

Reflections at Finchingfield, England, 1938, proof impression of the second (final) state (Fletcher, 311). Signed and dated “John Taylor Arms - 1938” in pencil l.r., signed and dated within the plate, inscribed and dedicated “Trial proof XII ii To my friend Stow Wengenroth - John Taylor Arms 1939” in pencil l.l. Etching on paper, plate size 7 1/8 x 17 1/4 in. (18.0 x 43.6 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $300-500

Peasant Bride and Bride Groom, c. 1537. Monogrammed within the plate. Engraving on paper, image/sheet size 1 7/8 x 1 3/8 in. (4.5 x 3.4 cm), framed. Condition: Trimmed to the borderline, not examined out of frame.

Provenance: Sotheby’s London, Sale 3162, Lot 1, October 6, 2003; to a private Massachusetts collection. $300-500

Prints & Photography– Online

171 Richard Anuszkiewicz (American, b. 1930)

110

Two Works: B and C, from the SPECTRAL 9 Portfolio, 1969, edition of 125, printed by Domberger, West Germany, published by Contemporary Collection, New York. Both signed, numbered, titled, and dated in ink on the publisher’s label affixed to the verso, identified on a label from Harcus-Krakow, Boston, affixed to the reverse. Color screenprints on plastic, sheet/image sizes 19 3/4 x 19 3/4 in. (50.0 x 50.0 cm), unframed. Condition: Subtle surface abrasions and grime. $800-1,200 172 John Taylor Arms (American, 18871953) Sunlight on Stone, Caudebec-enCaux, 1931, trial proof of the second (final) state (Fletcher, 241). Signed and dated “John Taylor Arms - 1931” in pencil l.r., inscribed “Trial proof XXVII ii/Trial proof in warm ink” in pencil l.l. Etching in brown/black ink on laid paper with elaborate fleur-de-lis and 1794 watermark, plate size 14 3/8 x 7 5/8 in. (36.4 x 19.3 cm), matted, unframed. Condition: Margins approximately 1/2 inch, gently light-struck. $300-500

174 Balthus (French, 1908-2001) Jeune Fille Dormant, 1994, edition of 150. Signed “Balthus” in pencil l.r., numbered “123/150” in pencil l.l. Offset lithograph on paper, image size 16 5/8 x 20 3/4 in. (42.0 x 52.0 cm), framed. Condition: Not examined out of frame. $400-600 175 Reynolds Beal (American, 18671951) New York Harbor View with the Statue of Liberty, 1931. Signed and dated “REYNOLDS BEAL - 1931” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 4 7/8 x 6 3/4 in. (12.4 x 17.0 cm), unmatted, unframed. Condition: Deckled edges to two sides, crease to upper margin, pale foxing. $300-500 176 Max Beckmann (German, 18841950) Bildnis Dostojewski (Portrait of Dostoyevsky), 1921 (Hofmaier, 187Bb). Unsigned. Drypoint on paper, 6 9/16 x 4 5/8 in. (16.7 x 11.8 cm), matted, framed. Condition: Foxing, mat burn. $300-500

Online bidding at www.skinnerinc.com/auctions/2702T

Provenance: Purchased from C. & J. Goodfriend, New York, October 25, 2002; to a private Massachusetts collection. $300-500 178 Frank Weston Benson (American, 1862-1951) Black Breast Plover, 1915, published state of 50 (Paff, 71). Signed “FrankWBenson.” in pencil l.l., numbered “17/50” in pencil l.r. Etching on Shogun paper with watermark, plate size 6 3/4 x 10 3/4 in. (17.0 x 27.2 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches with deckled edges, pencil annotations l.l., unpressed creases and soiling to margins, thinned spot to margin l.l., old hinges to upper edge on recto. Provenance: Descended within the family of the artist to the estate of his granddaughter. $600-800 179 Frank Weston Benson (American, 1862-1951) Canada Goose, 1917, published state of 150 (Paff, 115). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 4 x 5 in. (9.8 x 12.5 cm), unmatted, unframed. Condition: Margins over 2 1/4 inches with deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist to the estate of his granddaughter. $300-500


184 Frank Weston Benson (American, 1862-1951)

188 Kenneth Rodney Bunn (American, b. 1938)

The Rendezvous, 1920, published state of 150 (Paff, 171). Signed “FrankW.Benson” in pencil l.l., identified on labels from Doll & Richards, Boston, and Kennedy & Co., New York, affixed to the backing. Drypoint on paper, plate size 3 3/4 x 4 15/16 in. (9.4 x 12.4 cm), framed. Condition: Subtle toning, margins over 1/4 inch, not examined out of frame. $200-250

Waders, 1930, published state of 150 (Paff, 298). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 7 x 12 in. (17.6 x 30.4 cm), unmatted, unframed. Condition: Margins 1 3/4 inches or more with two deckled edges, pencil annotations l.l., pale staining visible to verso.

On the Hunt. Signed and dated “K. BUNN/© 1982” and numbered “37/150” in the bronze. Bronze with brown patina, 4 3/4 x 8 1/4 x 3 3/4 in. (12.0 x 21.0 x 9.5 cm), on an oval wooden plinth. Condition: Dust and dirt to interstices. $1,000-1,500

Provenance: Descended within the family of the artist to the estate of his granddaughter. $600-800

188A Kenneth Rodney Bunn (American, b. 1938)

181 Frank Weston Benson (American, 1862-1951) Cloudy Dawn, 1922, published state of 150 (Paff, 215). Signed “FrankWBenson.” in pencil l.l., identified on a label from Doll & Richards, Inc., Boston, affixed to the backing. Etching on paper, plate size 9 3/4 x 11 7/8 in. (24.5 x 30.0 cm), framed. Condition: Not examined out of frame. $300-500 182 Frank Weston Benson (American, 1862-1951) Two Impressions of Dr. Arthur T. Cabot, 1923, trial proof H and an impression of the published state (Paff, 221). Both signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 7 3/4 x 5 7/8 in. (19.6 x 14.8 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches with all deckled edges, pencil annotations l.l. (and to left margin of the proof). Provenance: Descended within the family of the artist to the estate of his granddaughter. $600-800 183 Frank Weston Benson (American, 1862-1951) Geese Drifting Down, 1929, published state of 150 (Paff, 287). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 8 7/8 x 13 7/8 in. (22.5 x 35.2 cm), unmatted, unframed. Condition: Margins over 1 1/4 inches with three deckled edges, pencil annotations l.l. Provenance: Descended within the family of the artist to the estate of his granddaughter. $700-900

185 Ferdinand Bol (Dutch, 1616-1680) Portrait of a Woman in an Oval, 1644. Signed and dated within the plate. Etching on paper, oval format, image size 4 x 3 in. (10.0 x 7.5 cm), framed. Condition: Re-margined, not examined out of frame. Provenance: A private Massachusetts collection. $300-500 186 After Georges Braque (French, 1882-1963) Still Life with Fish. Signed within the matrix, numbered “2/375” in pencil l.l. Color lithograph on paper, image size 10 1/8 x 14 in. (25.5 x 35.5 cm), framed. Condition: Deckled lower edge, pale mat burn and toning, not examined out of frame. $300-500 187 Fritzi Schermer Brod (American, 1900-1952) Seven Images of Women: Shalimara, edition of 8; Waiting, artist’s proof; Washday, edition of 12; Harvest, edition of 12; On the Seashore, edition of 12; Girl with Beret, 1940, edition of 25; and Response, edition of 10. Each signed “Fritzi Brod” in pencil l.r. and numbered or annotated l.l. Lithographs on various papers, image size to 9 1/4 x 10 7/8 in. (23.4 x 27.5 cm), unmatted, unframed. Condition: Some with toning and/or staining. $1,500-2,000

Cougar. Signed, dated, and numbered “©BUNN 82 37/250” and with a foundry stamp from Art Castings of Colorado in the bronze at the bottom edge of the reverse. Bronze with a brown patina, 4 1/8 x 4 3/4 x 3 5/8 in., mounted on a wooden plinth. Condition: Dust and dirt to interstices. $800-1,200 189 Jacques Callot (French, 1592-1635) Les martyrs du Japon, 1627. Signed and identified within the plate. Etching on paper, plate size 6 1/2 x 4 1/2 in. (16.4 x 11.4 cm), framed. Condition: Trimmed nearly to the plate mark, not examined out of frame. $200-250

Prints & Photography– Online

180 Frank Weston Benson (American, 1862-1951)

190 Group of Modern Art Books and Catalogs: Chagall: Monumental Works, special issue of the XXe Siècle Review (New York: Tudor Publishing Company, 1973), including a color lithograph, 12 1/4 x 19 in. (31.2 x 48.3 cm); Derrière le Miroir 235 (Paris: Maeght, 1979), including two lithographs by Marc Chagall, sheet sizes to 15 x 22 in. (38.0 x 56.0 cm); two Galerie Berggruen & Cie catalogs on Marc Chagall (1967) and Maitres-Graveurs Contemporains (1981); Homage to Wassily Kandinsky (New York: Leon Amiel Publishers, 1975), including four woodcuts, sheet sizes 12 1/4 x 9 1/2 in. (31.2 x 24.2 cm); Hommage à Pablo Picasso (Ebeling Verlag Wiesbaden, 1971), including a color lithograph, 12 1/4 x 9 1/2 in. (31.2 x 24.2 cm); Sculptures de Miro: Ceramiques de Miro et Llorens Artigas (Fondation Maeght, 1973). Condition: Varying amounts of wear (primarily to the covers). $200-250

Online bidding at www.skinnerinc.com/auctions/2702T

111


191 Samuel V. Chamberlain (American, 1895-1975)

193A Jean-Baptiste-Camille Corot (French, 1796-1875)

Five House Portraits: Saint George Tucker House, Williamsburg, 1940, edition of 100 plus proofs (Chamberlain & Kingsland, 140); The Semple House, Williamsburg, 1946, edition of 125 plus proofs (C&K, 141); The King Hooper Mansion, 1939, from the 1953 edition or later (C&K, 274); Summer Shadows (The King Hooper Mansion, Marblehead), 1940, edition of 300 plus proofs (C&K, 275); and Barnegat Cottage, Marblehead, 1949, edition of 300 plus proofs (C&K, 281). Each signed “Samuel Chamberlain...” (the later impressions inscribed) in pencil l.r., several numbered in pencil l.l. Etchings and drypoints on paper, plate sizes to 8 x 11 1/4 in. (20.3 x 28.5 cm), framed. Condition: Not examined out of frames. $700-900

La Ronde Gauloise, 1857 (Robaut, 146; Delteil, 66; Melot, 66). Signed in reverse in the matrix l.r. Cliché verre, 8 7/16 x 6 15/16 in. (21.5 x 17.6 cm, framed. Condition: Fading, hinged to a paper support at four corners.

Prints & Photography– Online 112

Duck Stamp Design, 1938. Signed “Roland Clark-” in pencil l.r., titled and dated “...-1938-” in pencil l.l. Etching on paper, plate size 7 x 10 7/8 in. (17.7 x 27.5 cm), framed. Condition: Toning, mat burn, not examined out of frame. N.B. Presented with the duck stamp that was based on this image, signed in ink by the artist. $200-300 193 Warrington Colescott (American, b. 1921) Aphrodite Disrobing, 1961, edition of 20. Signed and dated “Warrington Colescott 61” in pencil l.r., titled in pencil l.c., numbered “4/20” in pencil l.l., identified on labels affixed to the backing. Color etching and aquatint on paper, plate size 19 7/8 x 15 in. (50.4 x 38.0 cm), framed. Condition: Pinpoint foxing, not examined out of frame. $300-500

The Large Village Dance, 1685. Signed and dated within the plate. Etching on paper, image/sheet size 9 1/2 x 13 in. (24.0 x 33.0 cm), framed. Condition: Trimmed to borderline on three sides, trimmed into the image along the top, gentle rippling, not examined out of frame.

N.B. The original cliché verre (a method of creating an image onto a transparent surface such as glass that is then printed onto light sensitive paper in the manner of a photograph) was produced by Corot. This print is laterally reversed and may have been made from a duplicate negative by Charles Desavary (French, 1837-1885) of a print by Eugène Cuvelier (French, 1837-1900).1

Provenance: Ex-collection of Professor Charles Ryskamp (according to a label affixed to the backing); Sotheby’s New York, Sale 7760, Lot 224, January 25, 2002; to a private Massachusetts collection. $400-600

1. Melot, Michel, L’oeuvre gravé de Boudin, Corot, Daubigny, Dupré, Jongkind, Millet, Théodore Rousseau (Paris: Arts et Métiers Graphiques, 1978), p. 265.

Farmyard (Feeding the Geese), 1939, edition of 250, published by Associated American Artists in 1947 (AAA/Czestochowski, 1947.038). Signed “Mabel Dwight” in pencil l.r. Lithograph on wove paper, image size 10 x 10 3/4 in. (25.4 x 27.2 cm), matted, unframed. Condition: Deckled edges, fingerprints to verso. $250-300

$200-300 192 Roland Clark (American, 1874-1957)

197 Cornelis Dusart (Dutch, 1660-1704)

194 Allan D’Arcangelo (American, 19301998) 14th New York Film Festival, 1976, edition of 144 plus proofs. Signed, dated, and inscribed “A. D’Arcangelo 76/artists proof 11” in pencil l.l. Color screenprint on paper, image size 38 1/8 x 56 1/2 in. (96.6 x 143.4 cm), unmatted, unframed. Condition: Staining to lower margin. $300-500 195 Morgan Dennis (American, 18921960) Stick Together, Fellers!, 1930. Signed “MORGAN DENNIS” in pencil l.r., signed and dated within the plate, titled on the mat and on a label from William MacBeth, Inc., New York, affixed to the backing. Etching on paper, plate size 4 x 5 3/8 in. (10.0 x 13.5 cm), framed. Condition: Not examined out of frame. $200-300 196 Jim Dine (American, b. 1935) Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 58/144 1968” in pencil within the image u.l. Color offset lithograph on paper, image/sheet size 35 x 24 3/4 in. (88.8 x 62.8 cm), unmatted, unframed. Condition: Minor handling creases. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2702T

198 Mabel Dwight (American, 1876-1955)

199 Four Views of Baltimore: Hopper Emory (American, 18811939), Baltimore Harbor, 1925, edition of 25; and Anton Schutz (German/American, 1894-1977), The Post Office - Baltimore, edition of 100; Mount Vernon Place Baltimore, edition of 75; and The Spirit of Baltimore - Baltimore and Light Streets, 1930, trial proof of the second state. Each signed in pencil l.r., annotated in pencil l.l., and identified on a label from David Bendann’s Fine Art Rooms, Baltimore, affixed to the backing. Etchings on paper, plate sizes to 10 1/8 x 13 7/8 in. (25.5 x 35.3 cm), framed. Condition: Toning, rippling, water staining to Harbor, not examined out of frames. $1,000-1,500


Primitive Dance, c. 1928, from an edition of unknown size. Signed “Philip Evergood” in pencil l.r., signed within the matrix l.r., titled in pencil l.l. Etching on paper, plate size 9 1/2 x 16 1/4 in. (24.1 x 41.3 cm), framed. Condition: Deckled edges, floated in mat, not examined out of frame. $250-350 201 Lyonel Feininger (German/American, 1871-1956) Buttelstedt, 1920, from the trade edition Jahrbuch der jungen Kunst (Prasse, W208). Unsigned, identified “LYONEL FEININGER: Buttelstedt. Holzschnitt” in text printed on the verso. Woodcut on paper, image size 8 x 6 1/8 in. (20.3 x 15.3 cm), framed. Condition: Gentle toning, staining to edges of the sheet. $400-600 202 Hans Figura (Austrian, b. 1898) Skyline from Brooklyn. Signed “Hans Figura” in pencil l.r., identified on a label from J. Assenheim & Son, New York, affixed to the backing. Color etching with aquatint on paper, plate size 10 7/8 x 16 1/2 in. (27.5 x 41.8 cm), framed. Condition: Mat burn, pinpoint fox marks, not examined out of frame. $300-350 203 After William Russell Flint (Scottish, 1880-1969) Springboard. Signed “WRussellFlint/” in pencil l.r., signed within the matrix. Color collotype on paper, image size 10 1/8 x 17 in. (25.5 x 43.2 cm), framed. Condition: Subtle toning and mat burn, not examined out of frame. $400-600

204 French School, 19th/20th Century

209 Erich Heckel (German, 1883-1970)

Paris Chimères de Notre Dame. Indistinctly signed in pencil l.r., titled within the plate. Etching on Normandy vellum with partial watermark, plate size 4 3/4 x 6 3/8 in. (12.0 x 15.2 cm), framed. Condition: Deckled edges to three sides, gently light-struck. $150-200

Junges Mädchen, 1913, final state of three, from the publication Genius, 1920 (Dube, H264IIIB). Unsigned, identified in publication text to the verso. Woodcut on paper, image size 10 1/8 x 6 3/4 in. (25.5 x 17.0 cm), framed. Condition: Margins 1 1/4 inches or more, slightly light-struck, several pale fox marks, masking tape “hinges” near upper corners, staining along upper and lower edges of sheet. $600-800

205 French/German School, 20th Century Expressionist Nude. Unsigned, inscribed “pasdame klip” in pencil l.r. Soft-ground etching on paper, plate size 14 7/8 x 11 3/8 in. (37.7 x 28.7 cm), framed. Condition: Deckled edges, floating within the frame (one hinge loose). $200-250 206 Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Deux amies. Signed “Foujita” in pencil l.r. and within the matrix. Lithograph on Japan paper, image size 12 1/2 x 15 1/2 in. (31.5 x 39.3 cm), unmatted, unframed. Condition: Toning, handling creases, glue residue to verso. $250-300 207 Sears Gallagher (American, 18691955) Boston Harbor with Ferry. Signed “Sears Gallagher” in pencil l.l., monogrammed within the plate. Etching on paper, plate size 6 7/8 x 9 3/4 in. (17.3 x 24.8 cm), framed. Condition: Toning, scattered foxing, not examined out of frame. $300-500 208 Sidney T. Guberman (American, b. 1936)

210 Paul César Helleu (French, 18591927) Profile (Possibly Mademoiselle Lemaire). Signed “Helleu” in pencil l.r. Drypoint on paper, plate size 11 3/4 x 9 1/4 in. (29.5 x 23.2 cm), matted, unframed. Condition: Margins over 1 1/2 inches, pale mat burn, gently light struck. $500-700 211 Philip Burnham Hicken (American, 1910-1985) Kine #3. Signed “hicken” in pencil l.r., titled in pencil l.l. Screenprint on paper, sight size 12 1/4 x 24 1/8 in. (31.2 x 61.3 cm), framed. Condition: Mat burn, not examined out of frame. $250-350

Prints & Photography– Online

200 Philip Evergood (American, 19011973)

212 General Idea (Canadian, ac. 19671994) PLA©EBO (HELIUM), 1992/2001, from an edition of 250. Signed and numbered “General Idea 13/250” in pencil on accompanying sheet with title and date, “GENERAL IDEA PLA©EBO” printed on balloons. Three uninflated Mylar balloons, each approximately 15 x 34 in. (38.1 x 86.4 cm). Condition: Some creases and wear on printed sheet. $500-700

Raton Pass, 1971, edition of 99. Signed and dated “Sidney T. Guberman 12/71” in pencil l.r., titled in pencil l.c., numbered “17/99” in pencil l.l. Color screenprint on Superbus-Sihl with watermarks, image size 34 1/2 x 34 3/4 in. (87.5 x 88.2 cm), unmatted, unframed. Condition: Very subtle handling creases, minute nick to very corner l.r. $300-500

Online bidding at www.skinnerinc.com/auctions/2702T

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Prints & Photography– Online 114

213 Paul Jacoulet (French, 1902-1960)

218 Käthe Kollwitz (German, 1867-1945)

222 Jonathan Lasker (American, b. 1948)

Three Works: Trois Coréens, Seoul, Corée, 1935, with Mandarin Duck seal; Marchand de Sel, Corée, 1936, with Good Luck Hammer seal; and Le Repas des Mendiants, Seoul, Corée, 1938, with Tea Jar seal. Each signed “Paul Jacoulet” in pencil within the image and with seal as noted. Color woodcuts on paper, sight sizes approximately 11 3/8 x 14 7/8 in. (28.8 x 37.7 cm), framed. Condition: Possible subtle fading, not examined out of frames. $500-700

Vier Männer in Der Kneipe, 1892/97, a posthumous impression (Knesebeck, 15). Unsigned, numbered “22/100” in pencil l.l., dry stamp “VDBECKE... BERLIN-HALENSEE” l.r. Drypoint on paper, image size 4 3/4 x 5 3/4 in. (12.0 x 14.6 cm), framed. Condition: Mat burn, unobtrusive toning, water staining to lower edge, staining to verso. $300-500

Unconscious Construct, 2002, edition of 75. Numbered, signed, and dated “31/75 J. Lasker 2002” in pencil l.l. Color lithograph on paper, image size 29 7/8 x 21 in. (75.7 x 53.3 cm), unmatted, unframed. Condition: Deckled edges to three sides. $300-500

214 Paul Jenkins (American, 1923-2012)

Gesenkter Frauenkopf, 1905, printed in the 1960s (Klipstein, 77). Unsigned, dry stamp “VDBECKE/MUENCHEN” l.r. Etching with drypoint and soft-ground on paper, plate size 14 7/8 x 12 1/2 in. (37.5 x 31.5 cm), framed. Condition: Not examined out of frame. $300-500

Untitled. Signed and inscribed “Paul Jenkins Artist Proof” in pencil within the image l.l. Color lithograph on cream Arches with watermark, image/sheet size 24 x 17 7/8 in. (60.9 x 45.3 cm), unmatted, unframed. Condition: Deckled edges to two sides, pale foxing. $300-500 215 Wassily Kandinsky (Russian, 18661944) Untitled, from XXe SIÈCLE, 1939, edition of 1,200 (Roethel, 201). Monogrammed within the matrix. Woodcut in red and blue on paper, image size 8 3/4 x 11 in. (22.2 x 28.0 cm), framed. Condition: Subtle toning to sheet, floated within the mat, not examined out of frame. $500-700 216 Robert Kasimir (Austrian, 1914-2002) New York, Washington Arch (Kasimir, R79). Signed “Robert Kasimir” in pencil l.c. Color etching with aquatint on paper, plate size 15 3/4 x 11 3/4 in. (39.8 x 29.8 cm), framed. Condition: Pale mat burn, gentle rippling, not examined out of frame. $300-500

219 Käthe Kollwitz (German, 1867-1945)

220 Käthe Kollwitz (German, 1867-1945) Beim Dengeln, 1905, plate 3 from BAUERNKREIG, published by Alexander von der Becke, Munich, in 1931 or later (Klipstein, 90xii). Unsigned, publisher’s dry stamp l.r. Etching with aquatint on paper, plate size 11 1/2 x 11 1/2 in. (29.2 x 29.2 cm), framed. Condition: Deckled edges to two sides, floated within the frame, not examined out of frame. $200-300 221 Edward August Landon (American, 1911-1984) Three Works: Chinoiserie, 1947, edition of 50 (Ryan, 36); Mummers, 1948, edition of 50 (Ryan, 133); and Transmutation, 1949, edition of 25 (Ryan, 205). Each signed “E. Landon” in pencil or ink l.r. and titled and identified within the matrix. Color screenprints on paper, image sizes to 18 1/2 x 14 in. (47.0 x 35.5 cm), one matted, all unframed. Condition: Good. $400-600

217 Margarete Koehler-Bittkow (German/ American, 1898-1964) Head. Signed “Koehler-Bittkow.” in pencil l.r. Woodcut on paper, image size 6 x 7 7/8 in. (15.2 x 19.8 cm), framed. Condition: Not examined out of frame. $200-300

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223 William Lee-Hankey (British, 18691952) Two Images of Motherhood: L’enfant s’amuse, and Dawning Intelligence, both after 1920. Both signed “W. Lee Hankey...” in pencil l.c., with artist’s dry stamp, monogrammed within the plate and identified on a label from Frederick Keppel & Co., Inc., New York, affixed to the backing. Etchings with drypoint on paper, plate sizes to 10 7/8 x 9 1/8 in. (27.5 x 213.2 cm), framed. Condition: Unobtrusive toning, not examined out of frames. $400-600 224 William Lee-Hankey (British, 18691952) Jeanette of the Market, 1925. Signed “W. Lee-Hankey...” in pencil l.c., monogrammed within the plate, artist’s dry stamp l.l., identified on a label from Wunderly Brothers, Pittsburgh, affixed to the backing. Etching on paper, plate size 9 1/16 x 9 3/8 in. (22.9 x 23.6 cm), framed. Condition: Margins 1/4 inch or more, not examined out of frame. $100-125 225 Alphonse Legros (French, 18371911) Tête de jeune femme, c. 1887 (probably Legros et al., 269). Signed “A. Legros” in pencil l.r. Etching and drypoint on paper, plate size 8 x 6 in. (20.2 x 15.2 cm), framed. Condition: Gentle rippling, not examined out of frame. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut. $200-250


Ruhende, 1913. Signed “W. Lehmbruck” in pencil l.l., titled in pencil l.r. Drypoint on paper, plate size 3 7/8 x 7 13/16 in. (9.8 x 19.3 cm), framed. Condition: Margins 1 3/8 inches or more, foxing, not examined out of frame. $500-700 227 After Roy Lichtenstein (American, 1923-1997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse. Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed. Condition: Subtle toning, very minor handling marks and creases. $500-700 228 Huc-Mazelet Luquiens (American 1881-1961) Yale, Vanderbilt Gateway, 1914, edition of 160, including ten hors commerce. Titled, dated, and initialed “...1914 HML” within the matrix l.l. Etching on paper, 7 3/4 x 5 7/8 in. (19.7 x 14.9 cm), framed. Condition: Not examined out of frame. N.B. According to an ad published in The Yale Literary Magazine, Volume 81, Issue 7, Yale University Press commissioned Luquiens to create a portfolio of eight etchings depicting Yale campus landmarks, which were sold through YUP and the Brick Row Print and Book Shop near campus. The portfolio was published in an edition of 160, with 10 hors commerce. $100-150 229 Robert Peter Mangold (American, b. 1937) Distorted Square within a Circle 2, 1973, edition of 75, published by Max Protech, Inc., New York. Signed and dated “R. Mangold 1973” in pencil l.r., titled in pencil l.c., numbered “19/75” in pencil l.l., publisher’s dry stamp l.l. Color screenprints on paper, image size 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm), unmatted, unframed. Condition: Deckle to all but the left edge, subtle soiling near some edges. $300-500

230 André Masson (French, 1896-1987) Don Giovanni, 1978, edition of 250. Signed “André Masson” in pencil l.r., titled in pencil l.c., numbered “234/250” in pencil l.l., MET dry stamp l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color lithograph on paper, image size 28 3/4 x 21 3/4 in. (72.8 x 55.2 cm), framed. Condition: Deckled edges to two sides, floated within the frame, not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $300-500 231 André Masson (French, 1896-1987) Deux personnages, edition of 200. Signed “André Masson” in pencil l.r., numbered “196/200” in pencil l.l. Color lithograph on paper, image size 22 3/8 x 14 7/8 in. (56.8 x 37.6 cm), framed. Condition: Not examined out of frame. $300-500 232 Attributed to Roberto Matta (Chilean, 1911-2002) Plate 5 from FOG GOG MAGOG, 1971, edition of 99 plus proofs, published by London Arts, Inc., London (see Sabatier, 255). Signed “Matta” in pencil l.r., numbered “90/100” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on paper, image size 17 1/2 x 23 3/4 in. (44.4 x 60.2 cm), unmatted, unframed. Condition: Deckled edges with some soiling to deckles. $300-500 233 William Charles McNulty (American, 1884-1963) Bearskin Neck, Rockport, Mass., 1929. Signed “Wm C. McNulty. Imp.” in pencil l.r., titled, dated, and inscribed “...To Gifford Beal 4-24-29” in pencil l.l. Etching on paper, plate size 4 3/8 x 13 3/4 in. (11.1 x 35.0 cm), framed. Condition: Not examined out of frame. $250-350

234 William Meyerowitz (American, 1887-1981) Cape Ann Beach. Signed “Wm Meyerowitz” in pencil l.r. Color etching and aquatint on paper, plate size 8 x 10 in. (20.3 x 25.4 cm), unmatted, unframed. Condition: Minor staining (more prevalent on the verso) and toning. $500-700 235 William Meyerowitz (American, 1887-1981) Lounging on the Beach. Signed “Wm Meyerowitz” in pencil l.r. and within the plate. Etching on paper, plate size 6 3/8 x 8 1/2 in. (16.3 x 21.5 cm), unmatted, unframed. Condition: Several pale fox marks, subtle toning. $500-700 236 Peter Milton (American, b. 1930) Plate Four from THE JOLLY CORNER, 1971, from the deluxe edition of 90, published by Aquarius Press, Baltimore and New York. Signed and dated “PW Milton” in pencil l.r., numbered “37/90” in pencil l.l., titled in pencil l.c., dry stamps to lower corners. Resist-ground etching and engraving on Arches paper, plate size 10 x 14 3/4 in. (25.4 x 37.3 cm), unmatted, unframed. Condition: Deckled edges, foxing. $300-500

Prints & Photography– Online

226 Wilhelm Lehmbruck (German, 18811919)

237 John Moore (American, b. 1941) Still Life, 1976, proof edition of 19. Signed and dated “John Moore 1976” in pencil l.r., numbered “A/p XI/ XIX” in pencil l.l., dry stamp l.r. Color screenprint on cream paperboard, image size 39 x 28 1/2 in. (98.9 x 72.2 cm), unmatted, unframed. Condition: Subtle staining (most visible on the verso). $300-500 238 Francis Luis Mora (American, 18741940) The Auction. Signed within the matrix, titled in pencil l.l. Lithograph on paper, image size 9 7/8 x 12 7/8 in. (25.0 x 32.5 cm), framed. Condition: Unpressed creases (some affecting the image), not examined out of frame. $300-500

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239 Claes Oldenburg (American, b. 1929) Geometric Mouse, Scale D “Home Made,” 1971, unlimited edition, published by Gemini G.E.L. (Axsom & Platzker, 73). Identified in text on the base. Lithograph on paperboard with metal fasteners and elements, base size 19 1/2 x 16 5/8 in. (49.4 x 42.1 cm). Condition: Minor soiling, wear to edges of the base. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $300-500

Prints & Photography– Online

240 Max Pechstein (German, 1881-1955)

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Suez Canal, South Seas (Reisebilder 30), 1919, from an edition of 50 (Krüger, L336). Signed “Max Pechstein” in pencil l.l. Lithograph, sheet size 11 x 13 7/8 in. (28 x 35.7 cm), matted, unframed. Condition: Toning, crease in u.r. corner, backing burn on the verso. $300-500 241 Ellen Phelan (American, b. 1943) Untitled, from the WORKS BY COUPLES Portfolio, 1996, edition of 75, published by Parasol Press, LTD, Portland, Oregon. Signed “Ellen Phelan” in pencil l.r., numbered “5/75” in pencil l.l. Etching and aquatint on wove paper, plate size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed. Condition: Margins over 3 1/2 inches with deckled edges. N.B. The portfolio consists of twelve prints; one by each partner of six couples. Ellen Phelan’s partner is Joel Shapiro. $300-500 242 Pablo Picasso (Spanish, 1881-1973) L’age de soleil (pour Robie), 1950 (Bloch, 680). Signed and inscribed in the plate, identified on a Collector’s Guild, New York, label affixed to the backing. Etching on paper, plate size 9 1/8 x 7 in. (23.2 x 17.7 cm), framed. Condition: Not examined out of frame. $300-500

243 After Pablo Picasso (Spanish, 18811973) La ronde de la jeunesse, 1961. Signed and dated within the matrix. Color lithograph on cream Arches paper with watermark, image size 19 3/4 x 18 in. (50.0 x 45.7 cm), framed. Condition: Floated within the frame, soft handling creases, not examined out of frame. $800-1,200 244 After Pablo Picasso (Spanish, 18811973) Visage, 1967, edition of 100. Signed or inscribed “Picasso” in pencil l.r., numbered “66/100” in pencil l.l., dated within the matrix. Lithograph in black and tan on BFK Rives paper with watermark, image size 15 7/8 x 12 5/16 in. (40.3 x 31.1 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches or more with deckled edges to two sides, very gentle handling creases. $1,500-2,000 245 After Pablo Picasso (Spanish, 18811973) Plate from PORTRAITS IMAGINAIRES, 1969. Signed and dated within the matrix. Offset lithograph on paper, image size 21 3/4 x 15 1/4 in. (55.2 x 38.5 cm), framed. Condition: Prevalent but even toning, masking tape to verso at upper and lower edges. $1,500-2,000 246 Giovanni Battista Piranesi (Italian, 1720-1778) Veduta del Sotterraneo Fondamento del Mausoleo... Identified within the plate. Etching and engraving on paper, plate size 27 3/8 x 17 1/2 in. (69.4 x 44.4 cm), framed. Condition: Foxing, not examined out of frame. $500-700

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247 Antoine Poncet (Swiss, b. 1928) Ubatuba. Signed “Poncet” and numbered “38/100” on the top of the base. Polished bronze on a black marble base, ht. 7 in. (18.0 cm) including base. Condition: Scattered small surface imperfections, fine scratches, remnants of polish, mild tarnishing, dust and dirt to interstices. $300-500 248 Portfolio: THE BICENTENNIAL PAGEANT OF GEORGE WASHINGTON: Twenty Works by William AuerbachLevy (Russian/American, 18891964); Ralph L. Bow (American, 1879-1952); Samuel V. Chamberlain (American, 1895-1975); Kerr Eby (American, 1889-1946); Sears Gallagher (American, 1869-1955); Frederick Childe Hassam (American, 1859-1935); Arthur William Heintzelman (American, 1891-1965); Eugene Higgins (American, 18741958); Earl Horter (American, 18811940); Robert Lawson (American, 1892-1957); Allen Lewis (American, 1873-1957); Francis Luis Mora (American, 1874-1940); Robert Hogg Nisbet (American, 1879-1961); Louis Conrad Rosenberg (American, 18901983); Ernest David Roth (American, 1879-1964); Albert Edward Sterner (American, 1863-1946); Walter Ernest Tittle (American, 1883-1960); Levon West (American, 1900-1968); John W. Winkler (American, fl. 19181937); and George Hand Wright (American, 1872-1951). Each signed or monogrammed in pencil. Etchings on laid paper with shield and George Washington monogram watermarks, sheet sizes 14 3/4 x 19 1/2 in. (37.5 x 49.5 cm), unmatted, unframed. Condition: Deckled edges, subtle toning and/or soiling, several with a fox mark or two. $1,000-1,500 249 Gregorio Prestopino (American, 1907-1984) Fiesta Italiano, c. 1960, from an edition of 48. Signed and numbered “20/48 Prestopino” in pencil l.l. Woodblock on paper, sight size 21 7/8 x 29 7/8 in. (55.6 x 75.8 cm), framed. Condition: Not examined out of frame. $300-500


254 James Rosenquist (American, b. 1933)

257 Two Salmagundi Club Painted Porcelain Mugs:

Bottle Pumpkin from Perfect World, 2000, edition of 70. Identified and numbered “59” on labels affixed to pedestal. Lacquered gourd, backpack and snapshots in cardboard container/ pedestal, container ht. 15 in. (38.2 cm). Condition: Wear to container/pedestal, labels worn and torn. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $200-250

Terrarium, 1978, edition of 100 (Glenn, 154). Signed and dated “James Rosenquist 1978” in pencil l.r., numbered and titled “8/100...” in pencil l.l., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Color lithograph on cream paper, image size 22 x 40 in. (55.8 x 101.5 cm), framed. Condition: Deckled edges, floated in frame, extremely gentle rippling, not examined out of frame.

George Glenn Newell (American, 1870-1947), View through the Trees, dated and signed “1919, -G. Glenn Newell-” l.c. and inscribed “...MUG SALE, SALMAGUNDI...1918 G...n Newell pxt.” on the bottom; Walter Granville-Smith (American, 18701938), Lake View, signed “W. Granville Smith 1918” l.c. Painted porcelain mugs, ht. 6 in. (15.2 cm). Condition: Surface grime.

251 Judy Rifka (American, b. 1945)

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $800-1,200

A. Museum, 1982, edition of 36, published by the Tamarind Institute, Albuquerque (Tamarind, 82-306). Signed, dated, and numbered “Judy Rifka ‘82/ 7/36” in pencil within the image l.l., publisher’s dry stamp l.l. Color lithograph on paper, image/sheet size 22 3/8 x 30 1/4 in. (56.6 x 76.7 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $300-500 252 Thijs Rinsema (Dutch, 1877-1947) Two Riders, 1920. Monogrammed in the block, pencil annotations l.r. Linocut on tissue, image size 8 3/4 x 10 1/2 in. (22.1 x 26.5 cm), unmatted, unframed. Condition: Creases (mostly unpressed). $250-350 253 Larry Rivers (American, 1923-2002) Two Images from THE BOSTON MASSACRE: Victims and Black Review, 1970, edition of 150, published by Marlborough Graphics. Both numbered and signed “129/150 Rivers” in pencil l.r. Color screenprints on heavy wove paper, image/sheet sizes 19 1/8 x 27 1/2 in. (48.4 x 69.7 cm), unmatted, unframed. Condition: With central vertical crease (as published), very minor surface rubs. $600-800

255 Ernest David Roth (American, 18791964) Four Vistas: A Merry Christmas, 1922 (Cottage); A Merry Christmas, 1923 (Windmill); Via Ghibellins - Cortona, 1931; and A Merry Christmas, 1937 (Cityscape). The first three signed “Ernest D. Roth” in pencil l.r. and dedicated “To Anne Jordan...” in pencil l.l., all four signed within the plate. Etchings on paper, plate sizes to 10 7/8 x 9 7/8 in. (27.5 x 24.8 cm), framed (the first two sharing a common frame). Condition: Subtle mat burn (strongest on 1937), subtle toning (strongest on Cortona), not examined out of frames. $200-250 256 Ernest David Roth (American, 18791964) St. Martins Bridge, Toledo, 1931. Signed and dated “Ernest D. Roth/1931.” in pencil l.c., signed, dated, and titled within the plate, identified on labels including one from the New York Watercolor Club affixed to the backing. Etching on paper, plate size 11 7/8 x 12 5/8 in. (30.0 x 32.0 cm), framed. Condition: Unobtrusive toning, subtle rippling, not examined out of frame. $200-300

N.B. In order to raise funds for its library, the Salmagundi Club began auctioning mugs painted by its members. Members painted no more than 24 mugs each year, which were then fired by the Volmar Pottery. This tradition continued until 1923.1 1. DePietro, Anne Cohen, “A Fertile Fellowship: The Rich History of the Salmagundi Club,” www. tfaoi.com

$500-700 258 Emilio Sanchez (Cuban/American, 1921-1999) La Casa Amarilla, 1970, working proof outside the edition of 100. Titled and inscribed “...First Working Proof” in pencil l.l., signed and inscribed “Happy Birthday, Sylvan 1/10/71 Emilio Sanchez” in pencil l.r. Color lithograph on paper, image/sheet size 22 x 29 3/4 in. (50.8 x 75.6 cm), framed. Condition: Floated within the frame, slight rippling at top edge, not examined out of frame. $300-500

Prints & Photography– Online

250 Jason Rhoades (American, 19652006)

259 Karl Schrag (American, 1912-1995) The Sound of the Sea, 1958, edition of 50. Signed and dated “Karl Schrag. 1958” in pencil l.r., titled in pencil l.l., inscribed “No 8, Ed 50” in pencil l.c. Aquatint and etching on paper, plate size 19 3/4 x 27 3/4 in. (50.2 x 70.5 cm), framed. Condition: Margins 1 inch or more, toning (more prevalent to verso), masking tape and white cloth tape along upper edge on the verso (hinges broken). $300-500

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260 Simkha Simkhovitch (Russian/ American, 1893-1949)

265 Walasse Ting (Chinese/American, 1929-2010)

268 Victor Vasarely (Hungarian/French, 1906-1997)

Late Afternoon, 1946, edition of 250, published by Associated American Artists (AAA/Czestochowski, 1946.092). Signed “S. Simkhovitch” in pencil l.r. Lithograph on paper, image size 13 3/4 x 8 3/8 in. (34.9 x 21.2 cm), framed. Condition: Subtle toning, not examined out of frame. $300-350

Reclining Nude, 1977, edition of 100. Signed and dated “Ting 77” in pencil l.r., numbered “54/100” in pencil l.l. Color lithograph on heavy wove paper, image size 24 x 35 3/4 in. (60.8 x 90.5 cm), unmatted, unframed. Condition: Toning, crease to margin at corner l.l., bleed-through to verso. $500-700

Untitled (Blue and Gold Hexagon with Gold Background). Numbered and signed “F.V. XXXI/XLV Vasarely” in pencil (within the image) l.c. Color screenprint on paper, sheet size 34 3/8 x 28 7/8 in. (88.6 x 73.4 cm), matted, unframed. Condition: Smudges along edges of gold background. $300-500

Prints & Photography– Online

261 Lawrence Beall Smith (American, 1909-1995)

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Solitude, 1940, edition of 250, published by Associated American Artists (AAA/Czestochowski, 1940.046). Signed and dated “Lawrence Beall Smith ‘40” in pencil l.r., titled in pencil l.l., identified by AAA label on backing. Lithograph on paper, image size 9 3/4 x 11 1/2 in. (24.7 x 29.2 cm), framed. Condition: Not examined out of frame. $200-300 262 Joan Snyder (American, b. 1940) Screams/Whispers, 1972, edition of 144 plus proofs. Signed “Joan Snyder” in pencil l.r., numbered “HC II/XVIII” in pencil l.l. Color screenprint on paper, image size 36 1/2 x 60 1/4 in. (92.7 x 153.0 cm), unmatted, unframed. Condition: Good. $300-500 263 Peter Soriano (American, b. 1959) Chess Set. Unsigned. Polyester resin in orange and dark blue on translucent resin board, board size 31 3/4 x 31 3/4 in. (80.5 x 80.5 cm). Condition: Board with minor scuffs, possibly slightly discolored. $300-500 264 Walasse Ting (Chinese/American, 1929-2010) Two Untitled Compositions, 1964, edition of 30. Both numbered, signed, and dated “30/30 Ting...64” in pencil within the image, both identified on a label from Harcus Krakow, Boston, affixed to the backing. Color lithographs on paper, image/sheet sizes 16 x 11 5/8 in. (40.5 x 29.3 cm), framed. Condition: Minor wear to corners, not examined out of frames. $300-500

266 Jack Tworkov (American, 1900-1982) The Dartmouth Print, 1973. Signed and dated “Tworkov/73” in pencil l.r., dedicated “For Bugsie/Hanover 3.12.73” in pencil l.l. Screenprint in grays on paper, image size 24 x 17 in. (60.8 x 43.0 cm), framed. Condition: Margins over 3 inches, not examined out of frame. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut. $400-600 266A Kent Ullberg (American, b. 1945) Ring of Bright Water. Signed, dated, and numbered “©Ullberg 18/20” and with a foundry stamp from Art Castings of Colorado in the metal at the bottom of the reverse. Stainless steel, approximately 19 x 11 1/2 x 7 in. (48.3 x 29.2 x 17.8 cm), on a marble plinth. Condition: Very fine surface scratches, dust to interstices. N.B. Ullberg grew up in a Swedish fishing village and loved to see the otters playing nearby. He was inspired to create this sculpture based upon the book of the same title by Gavin Maxwell, which he read in Swedish translation as a boy. $1,000-2,000 267 Victor Vasarely (Hungarian/French, 1906-1997) Zaphir, edition of 275. Signed “Vasarely” in pencil l.c., numbered “113/275” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 19 3/4 in. (49.8 x 50.2 cm), unmatted, framed. Condition: Possible water damage along top edge, not examined out of frame. $300-350

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269 Maria Helena Vieira da Silva (Portuguese/French, 1908-1992) Two Prints: Les Oliviers and Goldoni, the latter dated 1977. Unsigned. Color lithographs on paper, sheet sizes to 22 x 14 7/8 in. (55.9 x 37.8 cm), unmatted, unframed. Condition: Deckled edges at right and bottom. $200-250 270 Jacques Villon (French, 1875-1963) La table au tampon noir, 1931, artist proof outside edition of 50 (Ginestet & Pouillon, E348). Signed “Jacques Villon” in pencil l.r., inscribed “epreuve d’artiste” in pencil l.l., “Jacques Villon” inscribed in the matrix u.r. Etching on paper, plate size 5 1/2 x 4 1/4 in. (14.0 x 10.8 cm), framed. Condition: Not examined out of frame. $300-350 271 Jacques Villon (French, 1875-1963) Monsieur Patrelle, 1932, final state of three, edition of 50 (Ginestet & Pouillon, E356). Signed “Jacques Villon” in pencil l.r., numbered “8/50” in pencil l.l. within the plate, identified on a label from Retina, Boston, affixed to the backing. Etching on paper, plate size 7 1/8 x 5 3/4 in. (18.1 x 14.1 cm), framed. Condition: Mat burn, not examined out of frame. $400-600


Femme Cubiste, 1914, published 1962 by H. Deschamps, lithographers, Paris. Signed “Jacques Villon” in pencil l.r., signed and identified within the matrix. Color lithograph on Japan paper, image size 23 x 11 in. (58.3 x 237.9 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, minor crease near edges at corners, unobtrusive handling creases, scattered pale foxing. $400-600 272A After Jacques Villon (French, 18751963) Tea Table Still Life, edition of 260. Signed “Jacques Villon” in pencil l.r., numbered “133/260” in pencil l.l. Color lithograph on paper, image size, 16 1/2 x 16 5/8 in. (41.8 x 42.2 cm), framed. Condition: Deckled lower edge, mat burn, staining to verso, tape to upper edge on the verso, tape, residue, and thin spots along side edges on the verso. $400-600 273 Stow Wengenroth (American, 19061978) Serenity, 1951, edition of 100 (Stuckey, 199). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/100” in pencil l.l. Lithograph on paper, image size 11 5/8 x 17 3/4 in. (29.6 x 45.1 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $250-300 274 James Abbott McNeill Whistler (American, 1834-1903) Anacapa Island (Kennedy, app. I). Identified within the plate. Etching on paper, plate size 6 3/8 x 9 7/8 in. (16.2 x 25.0 cm), unmatted, unframed. Condition: Margins over 3 1/2 inches, handling and like creases throughout, pencil annotations to margins. $250-350

275 Robin Winters (American, b. 1950) Two Figures, 1986. Signed and dated “Robin Winters...” in pencil l.r. Color monoprint on paper, 8 1/2 x 6 in. (21.6 x 15.3 cm), unmatted, unframed. Condition: Deckled edges, minor soiling along bottom. $300-350 276 Robin Winters (American, b. 1950) BOTTLE BRIGADE/A Suite of Three Prints, 1992, published by the Tamarind Institute, Albuquerque (Tamarind, 92-317, 92-318, and 92320). Each titled, dated, and signed in pencil on the verso, publisher’s and two other dry stamps l.r. Color lithographs on cream laid Bodelian paper with watermark, image sizes 18 1/8 x 24 3/8 in. (46.0 x 61.8 cm), unmatted, unframed. Condition: Deckled edges. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $300-350 277 Zao Wou-Ki (Chinese/French, 19212013) Untitled, 1957, edition of 100, published by L’Oeuvre Gravé, Zürich (Agerup, 112). Signed in pencil l.r., numbered “93/100” in pencil l.l. Color lithograph on paper, image size 6 3/8 x 5 3/8 in. (16.0 x 13.5 cm), framed, unglazed. Condition: Laid down (partially disadhered), staining, toning, rippling, small abrasion to image l.l., not examined out of frame. Provenance: From the Collection of John Herman Groesbeck Pierson, Greenwich, Connecticut, and Honolulu, Hawaii. $200-250

277A American School, 19th/20th Centuries Four Vernacular Photographs: Embalming School Group Portrait, Hazelton, Pennsylvania, 1887, albumen silver print; Butchers with Dressed Cows, Leominster, Massachusetts, 1911, gelatin silver print; Bar with Early Cash Register and Stoneware Beer Cooler, Possibly Upstate New York, c. 1920, gelatin silver print; and Mar-Main Pharmacy Storefront and Delivery Car, South Bend, Indiana, c. 1940, gelatin silver print. Sight sizes to 7 3/8 x 9 1/2 in. (18.7 x 24.1 cm), framed. Condition: Mounted, some fading, not examined out of frames. $200-300 278 Two Botanical Photographs: American School, 20th Century, Untitled Botanical Study, n.d., unsigned, gelatin silver print; and Karl Blossfeldt (German, 18651932), Picea excelsa. Silver Fir, or red variety. Young shoots, with the needles removed, enlarged 10 times, plate 21 from Urformen der Kunst/Art Forms in Nature, c. 1929, photogravure. Image sizes to 10 1/8 x 7 1/2 in. (25.8 x 19.0 cm), framed. Condition: Good. $200-300

Prints & Photography– Online

272 After Jacques Villon (French, 18751963)

279 Three Portrait Photographs: American School, 20th Century, Two Children Laying on Grass, 1970s; James Moore (American, 20th Century), The Boothbay Man, 1980s, labels identifying artist and sitter on the verso; and James Perry Walker (American, 20th Century), Mississippi River Bridge, Helena, AR, 1991, identified in an inscription affixed to the backing. All gelatin silver prints, sight sizes to 12 x 18 3/4 in. (30.5 x 47.7 cm), framed. Condition: Not examined out of frames except for Children, which is mounted, mount attached to backing board of mat with white tape at edges. $500-700

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280 Pavel Banka (Czech, b. 1941) Terezin # XXI, 2002. Signed and dated in pencil on the image l.r., titled in pencil on the image l.l. Gelatin silver print, sight size 30 1/2 x 39 5/16 in. (77.5 x 99.8 cm), framed, unglazed. Condition: Mounted, minor surface grime, horizontal scratches along left edge. $300-500 281 Christian Boltanski (French, b. 1944)

Prints & Photography– Online

Favorite Objects, 1998, from an edition of 264. Signed “C. Boltanski” in blue ink and numbered “108/264” in black ink on a label adhered to the underside of the portfolio cover. Photographic images in a brown board portfolio box, 11 1/2 x 9 x 3 in. (29.2 x 22.8 x 7.6 cm), unmatted. Condition: Prints are slightly rippled, the first in the series has a brown spot at the center.

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N.B. Favorite Objects was a collaboration between the artist and the 264 students of Lycée Français de Chicago and includes 264 reprinted photographs of each student’s favorite object. $700-900 281A Andrew Bush (American, b. 1956) Kilroy, 1996, from the SNORTER Series, 1993-1998, edition of 20. Signed, numbered, and dated “Bush 2/20 1996” in felt-tip pen on the reverse, identified in an inscription on the backing. Chromogenic print, image/sheet size 16 x 20 in. (40.5 x 50.6 cm), framed. Condition: Old hinges/residue near corners on the reverse, subtle handling creases, discoloration. $200-400

283 No lot. 284 Two Photographs: Frank DiMeo (American, 20th Century), The Podium, 1992, signed, titled, dated, and numbered “2/100” in ink on the verso at l.c., Cibachrome; and David Wolf (American, 20th Century), Untitled (Coca Cola), 1999, identified on a Shapiro Gallery label affixed to the backing board, toned gelatin silver print. Image sizes to 20 x 16 in. (50.8 x 40.7 cm), framed. Condition: Both unmounted, Wolf floated, hinges are slipping, not examined out of frame, DiMeo good. $300-500 285 George Richmond Hoxie (American, 1907-1984) Canandaigua Shores, c. 1945. Signed “George Richmond Hoxie/ APSA” in pencil l.r. Gelatin silver print, image/sheet size 9 7/16 x 13 1/2 in. (24.0 x 34.3 cm), framed. Condition: Mounted, not examined out of frame. $250-300

287 Laura Larson (American, b. 1965) Four Prints from the Series COMPLIMENTARY: Untitled; Untitled (New Orleans, Balloons); Untitled (New Orleans, Wine Bottle); and Untitled (New Orleans, Champagne and Bed), 2000-2001. All artist proofs, signed, titled, dated, and numbered on the verso at the bottom. Chromogenic prints on Fuji Crystal Archive Paper, image sizes 18 1/4 x 23 3/8 in. (46.4 x 59.5 cm), unmatted, unframed. Condition: Good. Provenance: From the Estate of Joan Sonnabend, Boston, Massachusetts. $300-500 288 Jan van Leeuwen (Dutch, b. 1932) Triptych #2, The Last Supper, c. 1995. Unsigned on the recto. Van Dyke Brown prints, sight sizes to 18 7/8 x 15 1/8 in. (48.0 x 38.5 cm), framed. Condition: Not examined out of frames. $300-500 289 Anne Lovett (American, b. 1953)

286 Paul Kozal (American, 20th Century) Four Photographs: Twin Streaks, 1995, “10/200,” Three, 1998, “9/100,” Taos Pueblo, 1997, “25/100,” and Palos Park, 1995, “58/200.” All signed in pencil l.l. and numbered in pencil l.r. Toned gelatin silver prints, image sizes to 7 x 7 in. (17.8 x 17.8 cm), framed. Condition: Not examined out of frames. $200-300

282 Yann Charbonnier (French, b. 1964) Open-Heart Spirit, Udaipur, India, 1992, edition of 8. Signed and numbered “Yann Charbonnier 1/8” in black ink at l.l. of the image at the top of the frame. Gelatin silver prints, image sizes to 18 1/8 x 18 1/8 in. (44.8 x 44.8 cm), framed. Condition: Not examined out of frame. $500-700

Online bidding at www.skinnerinc.com/auctions/2702T

Five Photographs: Untitled Studies of the Palm of a Hand, 1995. Unsigned on the recto. Gelatin silver prints, image sizes 4 1/4 x 3 1/4 in. (10.8 x 8.2 cm), framed. Condition: Unmounted, crimping and dents around edges of sheets, not examined out of frames. $200-300 290 Christopher Makos (American, b. 1948) Skull, 1996, artist proof. Signed in pencil on the verso l.r., stamped with artist’s name, address, and “©2000” on the verso at the bottom edge. Gelatin silver print, 19 7/8 x 16 1/16 in. (50.5 x 40.8 cm), unmatted, unframed. Condition: Unmounted, rippling, creases, especially along areas at top and left side, cracking emulsion at corners, adhesive residue from old hinges at top and bottom of verso. $300-500


Three Photographs: Path, Five-I, East, 1998, Path, Four-VII, 1998, Path, One-I, 1997. All signed, titled (in Japanese), dated, and numbered “3/20” in pencil on the verso l.r. Gelatin silver prints, image sizes to 12 3/8 x 8 1/8 in. (31.5 x 20.8 cm), framed. Condition: Unmounted, good. $700-900 292 John Pfahl (American, b. 1939) Bethlehem #73, Lackawanna, N.Y., from the SMOKE Series, 1988, printed c. 1992, edition 10/25. Signed “©John Pfahl” on the verso. Chromogenic print, image size 18 1/4 x 18 1/2 in. (46.4 x 47.0 cm), framed. Condition: Some fading, not examined out of frame. N.B. A certificate of authenticity from Deborah Ronnen Fine Arts, Rochester, New York, accompanies the lot. $200-300 293 Two Hunting-themed Photographs: Aubrey G. Raymond (British, 20th Century), A Relic of the Chase, c. 1980s, identified in an inscribed label affixed to the backing; and American School, 20th Century, Hare with Gun. Gelatin silver prints, sight sizes to 16 1/4 x 11 in. (41.4 x 28.0 cm), framed, the latter in wood frame with varnished mushrooms adhered to corners. Condition: Not examined out of frames. $200-300

296 Group of Nineteen Tattoo Photographs: Includes several examples of tribal tattoos from the early 20th century, a photograph of a man being tattooed before a stage curtain backdrop, a portrait of an unidentified woman and two portraits of Tom Stephen, both tattooed by Bert Grimm, St. Louis, 1950s, seven photographs of tattooed women, including one with tattoo in process, late 1950s/early 1960s, and six photographs of tattooed men, c. 1940s/1950s. Gelatin silver prints, image sizes to 6 1/4 x 4 1/2 in. (15.9 x 11.5 cm), in simple clip frames. Condition: Fading, discoloration, chips and losses, cellophane tape remnants and residue. $300-500 297 George Zimbel (American, b. 1929) Marilyn Monroe, NYC, 1964, printed 1999. Signed, titled, and dated on a Bonni Benrubi Gallery, New York, label affixed to the backing. Gelatin silver print, image size 5 3/4 x 4 in. (14.7 x 10.2 cm), framed. Condition: Not examined out of frame. $400-600

End of Online Sale 2702T

Prints & Photography– Online

291 Yukio Oyama (Japanese, b. 1963)

294 No lot. 295 Tomio Seike (Japanese, b. 1943) Two Photographs: Galerie Vivienne, 1992, edition “14/30,” and Quai Bourbon, 1990, edition “5/30.” Both signed, titled, dated, and numbered on the verso l.c. Toned gelatin silver prints, image sizes 7 5/8 x 5 1/8 in. (19.4 x 13.0 cm), framed. Condition: Unmounted, good. $500-700

Online bidding at www.skinnerinc.com/auctions/2702T

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Artist Index Accardi, Carla................................................................ 3 Albers, Josef................................................................. 1 Albright, Ivan Le Lorraine............................................... 2 Aldegrever, Heinrich.................................................. 170 Amenoff, Gregory.......................................................... 4 American School, 19th/20th Century.......................277A American School, 20th Century......................... 293, 296 Ansel, Adams............................................................ 128 Anuszkiewicz, Richard............................................... 171 Arms, John Taylor............................................. 172, 173 Ashoona, Pitseolak........................................................ 5 Atché, Jane................................................................... 6 Auerbach-Levy, William............................................. 248 Balthus...................................................................... 174 Banka, Pavel............................................................. 280 Barlach, Ernest.............................................................. 7 Beal, Reynolds.......................................................... 175 Beckmann, Max...............................................8-10, 176 Beham, Hans Sebald.......................................... 11, 177 Benson, Frank Weston........................... 12-18, 178-184 Blossfeldt, Karl.......................................................... 278 Bol, Ferdinand..................................................... 19, 185 Bolotowsky, Ilya.......................................................... 20 Boltanski, Christian.................................................... 281 Boullaire, Jacques....................................................... 21 Bow, Ralph L............................................................ 248 Braque, Georges (After)............................................. 186 Brassaï...................................................................... 129 Bravo, Manuel Alvarez........................................130-135 Brod, Fritzi Schermer................................................. 187 Brown, Cecily.............................................................. 22 Brudo, Yvonne............................................................ 23 Bunn, Kenneth Rodney...................................188, 188A Burgkmair the Elder, Hans.......................................... 24 Bush, Andrew.........................................................281A Calder, Alexander.................................................. 25, 26 Callot, Jacques......................................................... 189 Caponigro, Paul........................................................ 136 Cappiello, Leonetto..................................................... 27 Cartier-Bresson, Henri............................................... 137 Chagall, Marc............................................................ 190 Chamberlain, Samuel V..................................... 191, 248 Charbonnier, Louis...................................................... 28 Charbonnier, Yann.................................................... 282 Clark, Roland............................................................ 192 Close, Chuck............................................................. 138 Colescott, Warrington................................................ 193 Conner, Lois.............................................................. 139 Corinth, Lovis.............................................................. 29 Corot, Jean-Baptiste-Camille...................................193A Cuevas, José Luis....................................................... 30 D’Arcangelo, Allan..................................................... 194 Dalí, Salvador........................................................ 31, 32 Davidson, Bruce................................................ 140, 141 Dennis, Morgan......................................................... 195 Detouche, Henry-Julien............................................... 33 DiMeo, Frank............................................................. 284 Dine, Jim............................................................. 34, 196 Dürer, Albrecht.......................................................35-37 Dusart, Cornelis......................................................... 197 Dwight, Mabel........................................................... 198 Eby, Kerr................................................................... 248 Edgerton, Harold E. “Doc”..................................142-147 Emory, Hopper.......................................................... 199 Ernst, Max................................................................... 38 Estes, Richard....................................................... 39, 40 Evans, Walker........................................................... 148 Evergood, Philip........................................................ 200 Faurer, Louis............................................................. 149 Feininger, Lyonel...........................................41, 42, 201 Figura, Hans.............................................................. 202 Fishman, Louise.......................................................... 43 Flint, William Russell (After)........................................ 203 Foujita, Léonard Tsuguharu....................................... 206 Frank, Robert.................................................... 150, 151 French School, 19th/20th Century............................ 204 French/German School, 20th Century....................... 205 Galice, Louis................................................................ 44 Gallagher, Sears................................................ 207, 248

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General Idea.............................................................. 212 Gottlieb, Adolph.................................................... 45, 46 Granville-Smith, Walter.............................................. 257 Guberman, Sidney T................................................. 208 Halász, Gyula, called Brassaï..................................... 129 Halley, Peter................................................................ 47 Hamaguchi, Yozo........................................................ 48 Hassam, Frederick Childe.................................... 49, 248 Heckel, Erich....................................................... 50, 209 Heintzelman, Arthur William....................................... 248 Helleu, Paul César..................................................... 210 Hepworth, Barbara...................................................... 51 Hicken, Philip Burnham............................................. 211 Higgins, Eugene........................................................ 248 Hohlwein, Ludwig........................................................ 52 Hoover, Ellison............................................................ 53 Horter, Earl................................................................ 248 Hoxie, George Richmond.......................................... 285 Hurrell, George (Attributed to)..................................151A Ickovic, Paul.............................................................. 152 Jacobi, Lotte..................................................... 153, 154 Jacoulet, Paul............................................................ 213 Jenkins, Paul............................................................. 214 Kandinsky, Wassily.................................................... 215 Kasimir, Robert......................................................... 216 Katz, Alex.............................................................. 54, 55 Kelly, Ellsworth............................................................ 56 Kent, Rockwell............................................................ 57 Kirchner, Ernst Ludwig................................................ 58 Koehler-Bittkow, Margarete....................................... 217 Kollwitz, Käthe........................................ 59-62, 218-220 Kozal, Paul................................................................ 286 Krug, Ludwig............................................................... 63 Landon, Edward August.................................64-66, 221 Larson, Laura............................................................ 287 Lasker, Jonathan....................................................... 222 Lawson, Robert......................................................... 248 Lazzarini, Robert......................................................... 67 Le Corbusier.......................................................... 68, 69 Lee-Hankey, William.......................................... 223, 224 van Leeuwen, Jan..................................................... 288 Legros, Alphonse...................................................... 225 Lehmbruck, Wilhelm.................................................. 226 Lewis, Allen............................................................... 248 Lewis, Martin............................................................... 70 LeWitt, Sol................................................................... 71 Lichtenstein, Roy......................................................... 72 Lichtenstein, Roy (After)............................................. 227 Lovett, Anne.............................................................. 289 Luquiens, Huc-Mazelet.............................................. 228 Lynes, George Platt................................................... 155 Magritte, René............................................................. 73 Makos, Christopher................................................... 290 Mangold, Robert Peter........................................ 74, 229 Marini, Marino.............................................................. 75 Marold, Ludwig (Ludek) (Attributed to)......................... 76 Marsh, Reginald.......................................................... 77 Martin, Agnes.............................................................. 78 Masson, André.................................................. 230, 231 Matta, Roberto (Attributed to).................................... 232 McNulty, William Charles........................................... 233 Meunier, Georges........................................................ 79 Meyerowitz, William.....................................80, 234, 235 Milton, Peter.............................................................. 236 Miró, Joan......................................................81-82, 190 Modern Art Books and Catalogs............................... 190 Moore, James........................................................... 279 Moore, John.............................................................. 237 Mora, Francis Luis............................................. 238, 248 Morrison, Paul............................................................. 83 Motherwell, Robert................................................ 84, 85 Munakata, Shiko......................................................... 86 Newell, George Glenn............................................... 257 Nisbet, Robert Hogg................................................. 248 Ogé, Eugène............................................................... 87 Oldenburg, Claes...................................................... 239 van Ostade, Adriaen Jansz.......................................... 88

Oyama, Yukio............................................................ 291 Paladino, Mimmo........................................................ 89 Pechstein, Max.................................................... 90, 240 Pfahl, John................................................................ 292 Phelan, Ellen.............................................................. 241 Picasso, Pablo...............................................91-93, 242 Picasso, Pablo (After).........................................243-245 Piper, John.................................................................. 94 Piranesi, Giovanni Battista......................................... 246 Pistoletto, Michelangelo............................................... 95 Poliakoff, Serge........................................................... 96 Poncet, Antoine......................................................... 247 Porter, Fairfield............................................................ 97 Potter, Paulus (Attributed to)....................................... 98 Prestopino, Gregorio................................................. 249 Racz, Andre........................................................ 99, 100 Rambert, Charles...................................................... 101 Raymond, Aubrey G.................................................. 293 Rembrandt van Rijn........................................... 102, 103 Rembrandt van Rijn (Attributed to)............................. 104 Rhoades, Jason........................................................ 250 Rifka, Judy................................................................ 251 Rinsema, Thijs........................................................... 252 Rivers, Larry.............................................................. 253 Robbe, Manuel.......................................................... 105 Rosenberg, Louis Conrad.......................................... 248 Rosenquist, James.................................................... 254 Roth, Ernest David....................................248, 255, 256 Rouault, Georges...................................................... 106 Rungius, Carl Clemens Moritz................................... 107 Saenredam, Jan Pietersz........................................... 108 Sanchez, Emilio......................................................... 258 Schrag, Karl.............................................................. 259 Schutz, Anton........................................................... 199 Seike, Tomio............................................................. 295 Signac, Paul.............................................................. 111 da Silva, Maria Helena Vieira..................................... 269 Simbari, Nicola.......................................................... 109 Simkhovitch, Simkha................................................. 260 Siskind, Aaron....................................................156-159 Smith, Lawrence Beall............................................... 261 Snyder, Joan............................................................. 262 Soriano, Peter........................................................... 263 Sottsass, Ettore......................................................... 112 Spencer, Jack................................................... 160, 161 Stalder, Anselm......................................................... 110 Sterner, Albert Edward.............................................. 248 Sultan, Donald........................................................... 113 Ting, Walasse.................................................... 264, 265 Tiravanija, Rirkrit........................................................ 114 Tittle, Walter Ernest................................................... 248 Toulouse-Lautrec, Henri de....................................... 115 Traub, Charles Henry................................................ 162 Tworkov, Jack........................................................... 266 Ullberg, Kent...........................................................266A Vasarely, Victor...................................116-118, 267, 268 Villon, Jacques..........................................119, 270, 271 Villon, Jacques (After)......................................272, 272A Walker, James Perry................................................. 279 Washburn, Bradford.................................................. 163 Wengenroth, Stow.................................................... 273 West, Levon.............................................................. 248 Whistler, James Abbott McNeill......................... 122, 274 Williams, William Thomas.......................................... 120 Winge, Sigurd............................................................ 121 Winkler, John W........................................................ 248 Winters, Robin................................................... 275, 276 Wolf, David................................................................ 284 Wright, George Hand........................................ 124, 248 Yoshida, Hodaka....................................................... 125 Zimbel, George.......................................................... 297 Zao Wou-Ki....................................................... 123, 277 Zorn, Anders...................................................... 126,127


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Upcoming Auction Fine Prints & Photography

Andreas Feininger (American, 1906-1999), The Gyro, Coney Island, 1949, gelatin silver print

May 16, 2014, Boston, MA Consignment Deadline: February 21, 2014 For more information, please contact the American & European Works of Art department at 508.970.3206, or email prints@skinnerinc.com