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Fine Prints & Photography


Fine Prints & Photography


Specialists

Robin S.R. Starr

Kathy Wong

Elizabeth C. Haff

Annie Claflin

Department Director 508.970.3259

508.970.3297

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2655B

Preview

Absentee Bidding

Friday, May 17 12PM followed by Fine Paintings & Sculpture at 4PM

Wednesday, May 15 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, May 16 12 to 8PM Friday, May 17 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 164 ; frontispiece : 70 ; back cover : 149


Skinner is pleased to announce the new skinnerinc.com Skinner is proud to announce the roll-out of our new website www.skinnerinc.com. The newly redesigned Skinner website provides the robust set of interactive features you’re accustomed to…online auction previews, lot alert, live online bidding with SkinnerLive!, and more. You’ll experience • Richer imagery, from the homepage to lot details • A dedicated auction page for every sale • Broader coverage of our specialty areas, from clocks and marine art to diamond jewelry and violins • Faster and more accurate search for both upcoming and sold lots

www.skinnerinc.com

• A new and improved SkinnerLive! online bidding platform…with the option to watch auctions live in real-time without registration or log-in • A more powerful suite of online services to ensure your experience with Skinner, whether with a mouse, a phone, or a paddle, surpasses your expectations every time. The new skinnerinc.com is a key component in a thoroughly modern communications platform that will enhance your experience as a buyer, and will work to maximize the value of your fine objects in the auction marketplace. What isn’t changing? The personalized service, expertise, and integrity you’ve come to expect from Skinner. We’re excited about the new skinnerinc.com—and confident that it will add even more value to your experience with Skinner, now and into the future.


Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

5

Lots 1–207

133

Artist Index

135

Event Announcement

136

Conditions of Sale

137

Absentee Bid Form

138

Company Directors & Specialty Departments

139

Administrative Staff & Client Services

140

Map & Driving Directions

141

Parking & Accommodations

143

Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 136 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013 All rights reserved MA/Lic. #2304


Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Fine Prints & Multiples Lots 1–175


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1 Yaacov Agam (Israeli, b. 1928) END TO END Suite, 1991, from the proof edition of 18. Each signed “Agam” in whiting or similar (within the image) l.r., numbered “EA/14/18” in whiting or similar (within the image) l.l., and signed in marker or similar on the backings. Color screenprints on paper, sight sizes approximately 28 3/4 x 28 3/4 in. (72.9 x 72.9 cm), framed. Condition: Not examined out of frames. Provenance: Purchased from the Circle Gallery, San Diego, in 1996, through to the present owner. $2,000-3,000

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2 Ivan Le Lorraine Albright (American, 18971983)

3 Ivan Le Lorraine Albright (American, 18971983)

Show Case Doll, 1954, edition of 44 (Grayson, 15). Dedicated and signed “To Matt with Love Ivan/Ivan Albright” in pencil l.r., titled and inscribed “...Litho on Stone” in pencil l.l. Lithograph on paper, image size 17 1/4 x 25 3/8 in. (43.7 x 64.3 cm), framed. Condition: Rippling, not examined out of frame.

Hail to The Pure (Portrait of Maria Piedra), 1977, edition of 100 (Grayson, 22). Signed “Ivan Albright” in pencil l.r., titled in pencil l.l. Lithograph on cream wove paper, image size 18 1/8 x 13 1/4 in. (46.0 x 33.5 cm), unmatted, unframed. Condition: Deckled edges, very minor handling creases.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $400-600

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $300-350

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4 Ivan Le Lorraine Albright (American, 18971983)

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Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 1980” in pencil l.r., dedicated “To Matt my great friend/Ivan” in pencil l.r. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed. Condition: Deckled edges, staining to very edges, fox marks u.r., very minor handling creases Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $300-350

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5 Richard Anuszkiewicz (American, b. 1930) 6 SERITYPIEN/A Portfolio of Six Works, 1965, edition of 125. Each signed “ANUSZKIEWICZ” in pencil (within the image) l.r., numbered “91” and dedicated “To Matt Wysocki Richard/Anuszkiewicz 1968” on the colophon page. Color screenprints on paperboard, sheet sizes 24 3/8 x 24 1/4 in. (61.8 x 61.5 cm), presented in the original clamshell box. Condition: Good.

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Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $1,500-2,500

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6 Richard Anuszkiewicz (American, b. 1930) Untitled, 1968. Signed, inscribed, and dated “ANUSZKIEWICZ A.P. 1968” in pencil l.l. Color screenprint on paper, image size 33 x 23 in. (83.6 x 58.3 cm), framed. Condition: Not examined out of frame. $500-700 7 Karel Appel (Dutch, 1921-2006) Untitled, 1969, edition of 75. Signed and dated “Appel 69” in pencil l.r., numbered “37/75” in pencil l.l. Color lithograph on paper, image size 25 1/4 x 19 5/8 in. (64.0 x 49.8 cm), framed. Condition: Toning, water staining to lower edge, not examined out of frame. $400-600

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8 Avigdor Arikha (French/Israeli, 1929-2010)

9 Arman (French/American, 1928-2005)

10 John Taylor Arms (American, 1887-1953)

Samuel Beckett in Profile, 1970, printed in 1976, edition of 75 (Thomson & Coppel, 10). Signed “ARIKHA...” in pencil l.r., numbered “30/75” in pencil l.l., dated within the plate. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed. Condition: Not examined out of frame.

Chessboard in Hommage to Marcel Duchamp’s L.H.O.O.Q., 1973, edition of 100. Numbered and signed “89/100 Arman” in felt-tip pen (within the image) l.l. Screenprint on Skivertex leather chessboard, sight size 16 x 15 7/8 in. (40.5 x 40.1 cm), framed. Condition: Not examined out of frame. $500-700

U.S.S. Columbia under Construction at New York Shipbuilding Corporation, Camden, 1945, second state, edition of 766 (Fletcher, 390). Signed and dated “John Taylor Arms 1945” in pencil l.r., inscribed “II” in pencil l.l., identified on a label from Kennedy & Co., New York, affixed to the backing. Etching and drypoint on paper, plate size 12 3/8 x 17 1/4 in. (31.3 x 43.8 cm), framed. Condition: Mat burn, unobtrusive toning and rippling, not examined out of frame. $250-300

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $2,000-2,500

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11 Donald Baechler (American, b. 1956)

12 Donald Baechler (American, b. 1956)

13 Donald Baechler (American, b. 1956)

Untitled (Arithmetic Head), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed. Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame. $2,000-3,000

Untitled (Green Flower), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1cm), framed. Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame. $2,000-3,000

Untitled, 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed. Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame. $2,000-3,000

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14 Will Barnet (American, 1911-2012) Mary, alternatively titled Portrait of Mary, 1938, edition of 12 (Cole, 56). Signed “Will Barnet” in pencil l.r. Lithograph on paper, image size 13 5/16 x 10 3/4 in. (33.7 x 27.2 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frame. N.B. Mary was Barnet’s first wife. $250-300 15 Leonard Baskin (American, 1922-2000) The Poet Laureate, 1955 (Fern & O’Sullivan, 257). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on Japan paper, 23 1/8 x 48 1/4 in. (58.5 x 122.5 cm), unmatted, unframed. Condition: Toning to edges of sheet, old hinges to verso at edges. $600-800 16 Leonard Baskin (American, 1922-2000) Two Floral Works: Untitled (Sunflower) 1998, edition of 20; and Untitled (Mum), 1998. Both signed “Baskin” in pencil in the lower margin. Color woodcuts on paper, image sizes to 11 x 7 1/2 in. (27.7 x 19.0 cm), framed. Condition: Not examined out of frames. $250-300

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17 Jean-Michel Basquiat (American, 19601988) Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed. Condition: Minor wear to spine and corners of jacket, the record has not been played to confirm its condition. N.B. The lot is accompanied by a copy of the album Emotions in Motion by Billy Squier, cover by Andy Warhol; Emanon’s The Baby Beat Box, cover by Keith Haring, 1986; and David Bowie’s 45/single Without You/Criminal World, with cover sleeve by Keith Haring, 1983. $600-800

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18 Max Beckmann (German, 1884-1950) Der Morgen, 1923, plate 6 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924 (Hofmaier, 299). Signed “Beckmann� in pencil l.r. Etching and drypoint on paper, plate size 10 x 12 in. (25.4 x 30.4 cm), framed. Condition: Subtle toning and mat burn, not examined out of frame. $400-600 19 Hans Sebald Beham (German, 1500-1550) Adam and Eve Expelled from Paradise, 1543. Monogrammed and dated within the plate, identified on a label from E. Weyhe, New York, affixed to the backing. Engraving on paper, image/sheet size 3 1/4 x 2 1/4 in. (8.2 x 5.6 cm), framed. Condition: Trimmed on and/or just outside of the borderline, good impression, not examined out of frame. $300-500 19

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19A

19A Thomas Hart Benton (American, 18891975) Aaron, 1941, edition of 250, published by Associated American Artists, New York (Fath, 42). Signed “Benton� in pencil l.r. and within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 12 7/8 x 9 1/2 in. (32.6 x 24.0 cm), framed. Condition: Subtle toning, not examined out of frame. $800-1,200

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20 Albert Besnard (French, 1849-1934) La mère malade, 1889, final state of 6 (Delteil, 90). Signed “ABesnard” in pencil l.r. Etching and drypoint on wove paper, plate size 7 13/16 x 11 3/4 in. (19.8 x 29.8 cm), matted, unframed. Condition: Break along lower edge of plate mark, stabilized with a backing of fine Japan paper, pencil annotations to the lower edge. $300-350

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21 Isabel Bishop (American, 1902-1988) Two Girls Outdoors, alternatively titled Helping with the Veil, 1953, edition of 50 published in 1981 by Associated American Artists, New York, printed by Stephen Sholinsky (Teller & Hyman, 49; AAA/ Czestochowski, 1981.009.07). Signed “Isabel Bishop” in pencil l.r., numbered “24/50” in pencil l.l., printer’s dry stamp l.r., identified on a labels from the Midtown Galleries, Inc., New York, affixed to the back of the mat. Etching on wove paper, plate size 7 3/8 x 4 7/8 in. (18.6 x 12.5 cm), framed. Condition: Deckled edges. $300-500 22 Edmund Blampied (British, 1886-1966) Three Genre Scenes: Resting, 1923, second state of two, edition of 100 (Arnold & Appleby, 93) signed in pencil and within the plate; The Cider Barrell, 1928-1929, edition of 100 (A&A, 134), signed (multiple times) and dated within the plate; and Galloping, 19321933, edition of 100 (A&A, 165), signed in ink and within the plate. Drypoints on paper, plate sizes to 10 1/2 x 10 3/8 in. (26.6 x 26.3 cm), framed. Condition: Subtle toning, not examined out of frames. $800-1,200 21

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23 Maurice Bompard (French, 1857-1936) Quiet Canal. Unsigned. Color etching and aquatint on paper, plate size 13 3/8 x 18 1/8 in. (33.9 x 45.9 cm), framed Condition: Minor breaks to paper fibers along the platemark, not examined out of frame. $300-350 24 Pierre Bonnard (French, 1867-1947) La grand-mère, 1895, for L’ÉPREUVE, possibly a later printing (Roger-Marx, 30). Signed within the matrix. Lithograph on Japan laid paper, image size 8 1/8 x 9 1/8 in. (20.5 x 23.2 cm), framed. Condition: Margins 1 inch or more, subtle toning, pale foxing, masking tape to upper corners. $300-500 24

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25 Félix Bracquemond (French, 1833-1914)

26 William Bradford (American, 1823-1892)

La nuée d’orage, c. 1880 (Beraldi, 219). Signed “Bracquemond” in pencil l.r., signed and initialed within the plate. Etching and drypoint on fine laid paper with MBM watermark, plate size 10 x 13 3/4 in. (25.4 x 34.8 cm), matted, unframed. Condition: Deckled edges, pale staining and mat burn to margins. $500-700

Arctic Explorers Cutting a Channel, 1890. Signed “William Bradford” in pencil l.r., signed and dated within the plate. Etching on paper, sight size 16 5/8 x 26 3/4 in. (42.2 x 67.8 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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26A

26A Georges Braque (French, 1882-1963) Les trois oiseaux en vol, 1961, edition of 75 (Vallier, 168). Signed “G Braque” in pencil (within the image) l.r., numbered “32/75” in pencil l.l. Color etching with aquatint on Rives paper with watermark, plate/sheet size 29 x 22 1/2 in. (73.5 x 57.0 cm), framed. Condition: Deckled edges, pale staining l.r., pale fox marks, hinged near the upper corners. $4,000-6,000

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27 Georges Braque, illustrator (French, 18821963) Braque Lithographe, preface by Francis Ponge, catalogue and notes by Fernand Mourlot, edited and published by André Sauret, Monte Carlo, 1963 in an edition of 4,125, with three original lithographs by the artist (cover, frontispiece and title page). Identified and numbered “2,189” on the justification page. 12 1/2 x 9 3/4 in. (31.6 x 24.6 cm), paper covers with wax paper jacket cover (tears) and slipcase (wear). Condition: Extremely minor wear. $250-350

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28 George Elbert Burr (American, 1859-1939) Two Desert Views: Indian Home - Salt River Mountains Arizona (Seeber, 292) and (On) Road to Apache Reservation, Arizona (Seeber, 295). Both signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., and monogrammed within the plate. Etchings with drypoint on paper, plate sizes to 7 3/4 x 9 5/8 in. (19.5 x 24.3 cm), framed. Condition: Subtle mat burn, Road with minor pale stains, not examined out of frames. $600-800

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29 Paul Cadmus (American, 1904-1999) Two Boys on a Beach, No. 2, 1939, edition of 157, published by the Albany Print Club (Johnson, 86). Signed “Paul Cadmus� in pencil l.r., initialed within the plate. Etching on laid G. WILMOT paper with watermark, plate size 6 3/8 x 9 1/16 in. (16.1 x 22.9 cm), matted, unframed. Condition: Margins over 1 1/4 inches. N.B. The original publication text from the Albany Print Club accompanies the lot. $3,500-5,500

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30 Alexander Calder (American, 1898-1976) Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “48/125” in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed. Condition: Floating within the mat, not examined out of frame. $300-500

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31 Alexander Calder (American, 1898-1976) Circus. Signed “Calder” in pencil (within the image) l.r., inscribed “E.A.” in pencil (within the image) l.l. Color lithograph on paper, image/ sheet size 26 1/8 x 38 1/8 in. (66.3 x 96.7 cm), unmatted, unframed. Condition: Deckled edges, toning, staining u.c., rub to image l.r. Provenance: Purchased from the Brewster Gallery, New York, 1977. $1,500-2,000

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32 Alexander Calder (American, 1898-1976)

33 Alexander Calder (American, 1898-1976)

34 Alexander Calder (American, 1898-1976)

Two Different Versions of McGovern for McGovernment, 1972, editions of 200, both published by Styria Studios Ltd., New York. Both signed “Calder” in pencil l.r. and numbered “54/200” in pencil l.l. Lithographs (one in color) on BFK Rives paper with watermark, image sizes approximately 30 x 22 3/4 in. (76.2 x 57.7 cm), unmatted, unframed. Condition: Minor unpressed handling creases.

Beastie, 1974, from THE FLYING COLORS COLLECTION, published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on paper, image size 16 3/4 x 22 5/8 in. (43.4 x 57.3 cm), framed. Condition: Pale foxing, not examined out of frame.

Two Prints from THE FLYING COLORS COLLECTION: Sky Bird, 1974; and Sunburst, 1974, both published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithographs on paper, sheet sizes 20 1/8 x 26 in. (51.0 x 66.0 cm), unmatted, unframed. Condition: Toning, old hinges along upper edges.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $600-800

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Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600

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Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $300-500


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35 Alexander Calder (American, 1898-1976) Untitled, edition of 150. Signed “Calder” in pencil l.r., numbered “60/150” in pencil l.l. Color lithograph on paper, image/sheet size 21 1/4 x 17 in. (53.9 x 43.1 cm), framed. Condition: Rubs/abrasions to image, staining to image. Provenance: Purchased from the Brewster Gallery, New York, 1976. $800-1,200

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36 Mary Cassatt (American, 1843-1926) Margot Wearing a Large Bonnet, Seated in an Armchair, c. 1904, edition probably of 50 (Breeskin, 192). Signed and inscribed “Mary Cassatt no 9.” in pencil l.r. Drypoint on laid paper with VANDERLEY and crest-form watermarks, plate size 11 7/8 x 9 1/2 in. (30.2 x 24.0 cm), framed. Condition: Margins 1 1/2 inches or more with deckled edges, toning, mat burn, scattered fox marks, losses to edges near upper corners, repaired tears, printing flaws, pencil annotations along the lower edge. $1,000-1,500 37 Mary Cassatt (American, 1843-1926) The Manicure, c. 1908, second state of two, possibly printed by Delâtre c. 1926 (Breeskin, 199). Unsigned. Drypoint on white/blue laid paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), unmatted, unframed. Condition: Margins 1 1/4 inches or more, pale toning and pinpoint fox marks (primarily to verso). $1,200-1,800

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38 Marc Chagall (Russian/French, 1887-1985) Village à l’âne rouge, 1984, edition of 50 (Mourlot, 1025). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on paper, image size 10 7/8 x 13 1/2 in. (27.4 x 34.2 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $6,000-8,000

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39 John Chamberlain (American, 1927-2011) Flashback VII, 1981, edition of 175. Signed “Chamberlain” in pencil l.r., numbered “21/175” in pencil l.l., publisher’s and/or printer’s dry stamps l.l. Color lithograph on Arches paper with watermark, image size 19 3/4 x 15 1/2 in. (50.1 x 39.3 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches with deckled edges, toning. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600 40 Roland Clark (American, 1874-1957) Evening Flight. Signed “Roland Clark” in pencil l.r. Etching and drypoint on paper, plate size 12 x 14 7/8 in. (30.4 x 37.7 cm), framed. Condition: Not examined out of frame. $300-350

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41 Chuck Close (American, b. 1940) Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered “437” in pencil and identified in text on the reverse. Offset print on heavy paper, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), framed. Condition: Minute wear to corners of sheet. $700-900 42 Jean Cocteau (French, 1889-1963) Sur la plage, 1958, edition of 220. Signed and dated “Jean Cocteau * 58” in pencil l.r., numbered “212/220” in pencil l.l. Color lithograph on paper, image size 14 x 11 1/4 in. (35.5 x 28.5 cm), framed. Condition: Not examined out of frame. $400-600 42

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43 Lovis Corinth (German, 1858-1925) Selbstbildnis, 1922-1923, plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Lovis Corinth” in pencil l.r. Etching and drypoint on paper, plate size 6 1/2 x 4 1/4 in. (16.4 x 10.8 cm), framed. Condition: Subtle toning and mat burn, not examined out of frame. $300-350 44 Joseph Cornell (American, 1903-1972) Untitled (Landscape with Figure), 1972, edition of 125. Estate stamped l.r., numbered “30/125” in pencil l.l. Color heliogravure on paper, plate size 13 x 10 1/4 in. (33.0 x 26.0 cm), framed. Condition: Not examined out of frame. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-300

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45 Two Works from the Publication PAN, volume iv, number 1: Henri Edmond Cross (French, 1856-1910), Les Champs-Elysees, 1898; and Paul Signac (French, 1863-1935) Le soir (La jetée de Flessingue), 1898 (Kornfeld & Wick, 20). Both unsigned. Color lithographs on paper, image size approximately 8 x 10 1/4 in. (19.9 x 25.9 cm), framed. Condition: Not examined out of frames. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $1,000-1,500 46 José Luis Cuevas (Mexican/American, b. 1933) 46

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Three Prints from CRIME BY CUEVAS, 1968, edition of 100: Jack the Ripper, History of Crime, and From My Sketchbook. Each signed and dated within the plate and in pencil, each marked “artist proof” in pencil. Lithograph on paper, sheet sizes 21 3/4 x 29 3/4 in. (55.5 x 75.8 cm), unmatted, unframed. Condition: Very minor handling marks at edges. $700-900

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47 Salvador Dalí (Spanish, 1904-1989) The Agony of Love (Unicorn), from the DALÍ RETROSPECTIVE Portfolio, 1978-1979, from the edition of 350 (Michler & Löpsinger, 1556). Signed “Dalí” in pencil l.r., numbered “E 53/350” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 17 in. (57.6 x 43.0 cm), framed. Condition: Not examined out of frame. $400-600

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48 Alan Davie (British, b. 1920) Three Images from ZURICH IMPROVISATIONS: VI, XII, and XXVI, 1965, editions of 25, published by Edition Alecto, London. Each signed and dated “Alan Davie/65” in pencil l.r., each numbered and titled in pencil l.l., each with publisher’s dry stamp l.r. Color lithographs on BFK Rives paper with watermarks, image sizes approximately 21 1/4 x 30 1/2 in. (53.8 x 77.4 cm), unmatted, unframed. Condition: Deckled edges, unobtrusive soiling, and staining (primarily to margins), several minor nicks and creases to the edges of the margins. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600

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49

49 Edgar Degas (French, 1834-1917) Au Louvre, la peinture, Mary Cassatt, c. 1879-1880, impression from the cancelled plate (AdhĂŠmar & Cachine, 54). Unsigned. Etching with aquatint and drypoint on heavy laid paper, plate size 12 x 5 in. (30.4 x 12.6 cm), matted, unframed. Condition: Gently light-struck. $1,500-2,000

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50

50 Jim Dine (American, b. 1935) Allum, 1978. Inscribed, signed, dated, and dedicated “A/P Jim Dine 1978 For Matt with Thanx J.D.” in pencil beneath the image. Etching and drypoint on paper, plate size 8 1/4 x 6 3/4 in. (20.8 x 17.1 cm), framed. Condition: Margins 7 inches or more, not examined out of frame. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $1,000-1,500

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52

51

51 Otto Dix (German, 1891-1969) Mutzli (Bildnis von Frau Dix), alternatively titled Frauenbildnis, 1923, plate 8 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Dix...” in pencil l.r. Etching and drypoint on paper, plate size 9 1/2 x 7 1/2 in. (24.1 x 19.0 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600

53

52 César Domela (Dutch, 1900-1992)

53 Raoul Dufy (French, 1877-1953)

Untitled, edition of 175. Signed “Domela” in pencil (within the image) l.r., numbered “49/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image/sheet size 29 x 21 5/8 in. (73.5 x 54.8 cm), unmatted, unframed. Condition: Minor handling creases, minor indentation into image l.r., staining to verso. $300-500

Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed. Condition: Mat burn, not examined out of frame. $300-350

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54

54 Albrecht Dürer (German, 1471-1528)

55 Kerr Eby (American, 1889-1946)

56 Hans Erni (Swiss, b. 1909)

Ecce Homo, from THE LARGE PASSION, c. 1511 (Bartsch, 9; Meder, 188 a/c; Hollstein/Boon & Scheller, 118 before text). Monogrammed in the block. Woodcut on paper (no watermark), image size 15 5/16 x 10 7/8 in. (38.8 x 27.5 cm), framed. Condition: Trimmed to or just into the borderline, a good impression with staining to all four corners plus additional pale water staining, horizontal surface abrasion just below the center of the image, tear to corner u.r. $800-1,200

The Doryman, 1940, edition of 100 (Giardina, 200). Signed “Kerry Eby imp.” in pencil l.r., identified on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching and sandpaper ground on paper, plate size 9 7/8 x 14 7/8 in. (25.0 x 37.6 cm), framed. Condition: Not examined out of frame.

Figure and Pears, edition of 60. Signed “Erni” in pencil l.r., numbered “33/60” in pencil l.l., erased pencil inscription l.r. Lithograph on paper, image size 14 1/4 x 20 7/8 in. (36.0 x 52.8 cm), matted, unframed. Condition: Several fox marks, pale toning to edges, minor nicks top lower edge. $500-700

42

Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-250

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55

56

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57

57 Romain de Tirtoff, called Erté (French, 1892-1990) Fantaisie, 1976, edition of 300 (Lee, 73). Signed “Erté” in pencil l.r., numbered “230/300” l.l. Color screenprint on paper, image size 7 x 6 1/4 in. (17.5 x 15.6 cm), framed. Condition: Faint mat burn, not examined out of frame. $300-350

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58 Shepard Fairey (American, b. 1970) Four Prints: OBEY: Never Trust Your Own Eyes..., 2011; VOTE, 2008, edition of 5,000; Head, 2006, edition of 300; and Flag, 2011. All but VOTE signed and dated in pencil l.r. Offset lithographic posters on various papers, sheet sizes to 38 1/2 x 25 in. (97.6 x 63.4 cm), unmatted, unframed. Condition: Very minor handling creases. $1,500-2,000 59 Shepard Fairey (American, b. 1970) Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Extremely minute wear. $500-700

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59

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60 Aaron Fink (American, b. 1955) Poker Player, 1986, edition of 35. Signed and dated “Aaron Fink ‘86” in pencil l.r., numbered “19/35” in pencil l.l. Etching and aquatint in red and black on cream Arches paper with watermark, plate size 29 5/8 x 23 5/8 in. (75.2 x 59.9 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges, handling creases to margins. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $250-300 61 Aaron Fink (American, b. 1955)

60

Glass of Water, 1987, edition of 50. Signed and dated “Aaron Fink ‘87” in pencil l.r., numbered “20/50” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 23 7/8 x 17 5/8 in. (60.5 x 44.7 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, handling creases to right margin. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $200-250 62 Michiel Gloeckner (American, 1915-1989) Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed. Condition: Margins 1/2 inch or more, subtle toning to latter. $300-500

61

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62

64

63 Francisco José de Goya y Lucientes (Spanish, 1746-1828) Three Plates from LOS CAPRICHOS, 1799: Que sacrificio, plate 14, from the third edition, 1868 (Harris, 49); Dios la perdone: Y era su madre, plate 16, from the tenth edition 19181928 (Harris, 51); and Correccion, plate 46, from the tenth edition 1918-1928 (Harris, 81). Each identified within the plate. Etchings with aquatint on paper, plate sizes approximately 7 7/8 x 5 7/8 in. (19.8 x 14.8 cm), framed. Condition: Pale staining, small repair to lower margin of Dios, not examined out of frames. $1,000-1,500 64 Francisco José de Goya y Lucientes (Spanish, 1746-1828) Los Moros establecidos en España, plate 3 from LA TAUROMAQUIA, 1816, from the fourth edition, 1905 (Harris, 206). Unsigned, identified with plate number within the plate. Etching with aquatint on paper, plate size 9 5/8 x 13 5/8 in. (24.4 x 34.5 cm), framed. Condition: Margins 1 1/2 inches or more, not examined out of frame. $250-350 63

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65 Keith Haring (American, 1958-1990) Kutztown Connection, 1984. Signed “K.Haring� in red felt-tip pen l.r., signed and dated within the matrix. Offset lithographic poster on paper, image size 21 3/4 x 18 1/2 in. (55.2 x 46.8 cm), framed. Condition: Not examined out of frame. $1,500-2,000 66 After Keith Haring (American, 1958-1990) Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by Keith Haring Foundation and Artestar, New York. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers. Condition: Not examined out of wrap. $400-600

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66

48

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67 Frederick Childe Hassam (American, 18591935) Union Square, 1896 (Cortissoz & Clayton, 89). Monogrammed and inscribed “CH imp� in pencil l.r., monogrammed, inscribed, and dated within the plate, identified on a label from William Macbeth, Inc., New York, affixed to the backing. Etching and drypoint on paper, plate size 4 1/4 x 5 3/4 in. (10.5 x 14.5 cm), framed. Condition: Pale mat burn, image gently lightstruck, margins very uneven, but measuring 1/4 inch at the narrowest point and just over 1 inch at the broadest (including some creases and tears; none closer than 1/4 inch to the plate mark), masking tape to margin l.r. Provenance: Skinner, Inc., Boston, Sale 1832, Lot 48, March 13, 1998. $7,000-9,000

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68 Stanley William Hayter (British, 1901-1988) Scorpio, 1968, from the edition of 150 printed by Etablissements Guillard, Cachan, France, published by La Vision Nouvelle, Paris (Black & Moorhead, 321). Signed and dated “SWHayter 68” in pencil l.r., titled in pencil l.c., numbered “IL/CL” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 18 1/8 in. (57.7 x 46.0 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600 69 Stanley William Hayter (British, 1901-1988) Swimmers, 1970, edition of 100 published by A.B. Lublin, New York (Black & Moorhead, 344). Signed and dated “SWHayter 70” in pencil l.r., titled in pencil l.c., numbered “53/100” in pencil l.l. Color etching and aquatint on paper, plate 19 1/8 x 23 1/4 in. (48.4 x 59.1 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600

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69

50

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70 Howard Hodgkins (British, b. 1932) Red Palm, 1986-1987, edition of 85 plus proofs (Heenk, 75). Initialed and numbered “H.H. A P 15� in pencil (within the image) l.c. Color lithograph with pochoir on paper, image/ sheet size 42 1/4 x 53 1/4 in. (107.3 x 135.1 cm), framed. Condition: Deckled edges, sheet floated in frame, not examined out of frame. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $5,000-7,000

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71 Louis Icart (French, 1888-1950) Petite Prisonniere, 1924 (Holland et al., 205). Signed “Louis Icart” in pencil l.r., numbered “723” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 5/8 x 19 1/2 in. (39.3 x 49.1 cm), framed. Condition: Light toning, not examined out of frame. $400-600 72 Louis Icart (French, 1888-1950) Coup de Vent, 1925 (Holland et al., 235). Signed “Louis Icart” in pencil l.r., numbered “300” in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed. Condition: Toning, foxing. $800-1,200

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73 Louis Icart (French, 1888-1950) New Friends, 1925 (Holland et al., 238). Signed “Louis Icart” in pencil l.r., numbered “245” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 x 18 in. (38.0 x 45.5 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600 74 Louis Icart (French, 1888-1950) Fanny & Cat, 1926 (Holland et al., 260). Signed “Louis Icart” in pencil l.r., numbered “207” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, plate size 14 3/8 x 13 1/8 in. (36.7 x 33.3 cm), framed. Condition: Light toning, faint water stains in right margin, not examined out of frame. $400-600 75 Louis Icart (French, 1888-1950) Lettres D’Amour, 1926 (Holland et. al., 289). Signed “Louis Icart” in pencil l.r., inscribed “Ep d’artiste” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 14 x 18 3/8 in. (35.7 x 46.8 cm), framed. Condition: Toning, not examined out of frame. $400-600

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74

75

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76 Louis Icart (French, 1888-1950)

76

Two Images of Young Women with Pets: Les Chatons, 1926 (Holland et al., 299); and La Jalousie, 1927 (Holland et al., 301). Both signed “Louis Icart” in pencil l.r., numbered “277” and “228” in pencil l.l., respectively, both identified within the plates, both with artist’s dry stamp l.l. Color etchings with aquatint and stencil coloring on paper, plate sizes 10 x 10 1/2 in. (25.0 x 27.0 cm), framed. Condition: Small inclusion below image and slight mat burn on Les Chatons, neither examined out of frame. $500-700 77 Louis Icart (French, 1888-1950) La Belle Au Bois Dormant, 1927 (Holland et al., 323). Signed “Louis Icart” in pencil l.r., numbered “424” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed in the l.l. corner of the sheet. Color etching with aquatint and stencil coloring on paper, plate size 15 1/2 x 18 1/2 in. (39.7 x 47.0 cm), framed. Condition: Toning, small stains in l.r. corner of sheet, not examined out of frame. $400-600

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78

78 Johan Barthold Jongkind (Dutch, 18191891) Moulins en Hollande, 1867, final state of three (Delteil, 14). Inscribed, dated, and signed within the plate, identified in text within the plate. Etching on laid paper, plate size 5 3/4 x 7 5/8 in. (14.7 x 19.3 cm), matted, unframed. Condition: Margins 1 inch or more, pale staining, several small thinned spots within the margins. $300-350

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78A

78A Donald Judd (American, 1928-1994) Untitled, from TEN FROM LEO CASTELLI, 1967, edition of 200 published by Tanglewood Press Inc., New York (Schellmann, I). Signed and numbered “Judd 11/200� in ink on a sticker affixed to the underside. Folded stainless steel, 20 1/8 x 24 x 2 1/2 in. (51.0 x 60.9 x 6.3 cm). Condition: Minor rubs and soiling. Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. $6,000-8,000

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79 John Melville Kelly (American, 1879-1962) Moi Water, Hawaii, c. 1930. Signed “John Kelly” in pencil l.r. and within the plate, titled in pencil l.l. Etching on paper, plate size 9 7/8 x 7 7/8 in. (25.0 x 20.0 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frame. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-250 80 Rockwell Kent (American, 1882-1971) The Lovers, 1928, edition of 100 (Jones, 23). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 6 1/2 x 10 1/8 in. (16.4 x 25.5 cm), framed. Condition: Unobtrusive toning, gentle rippling, not examined out of frame. $1,200-1,800

79

80

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81 Rockwell Kent (American, 1882-1971) Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed. Condition: Foxing, not examined out of frame. $700-900 82 Rockwell Kent (American, 1882-1971) Adirondack Cabin, 1946, edition of 100 (Jones, 140). Signed “Rockwell Kent” in pencil l.r. Lithograph on paper, image size 9 1/2 x 12 1/2 in. (24.2 x 31.6 cm), matted, unframed. Condition: Margins approximately 3/8 inches, very subtle soiling to lower margin. $700-900

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82

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83 Marguerite Kirmse (American, 1885-1954) All to the Good. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., identified on a label from The Potter Studio, Cleveland, affixed to the backing. Etching on paper, plate size 6 3/8 x 10 5/8 in. (16.2 x 26.9 cm), framed. Condition: Not examined out of frame. $300-350 84 Marguerite Kirmse (American, 1885-1954)

83

Flushed. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., monogrammed within the plate. Etching on paper, plate size 7 1/4 x 11 1/8 in. (18.5 x 28.3 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frame. $200-300 85 Jeff Koons (American, b. 1955) WOW (Works on Whatever) Plate Edition, 2012, made by Bernardaud, France. Identified on the reverse. Transfer-decorated porcelain plate, diameter 9 3/4 in. (24.5 cm), presented in its original box. Condition: Good. $300-500

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85

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86

86 Armin Landeck (American, 1905-1984) Moonlight in the Country, 1951, proof outside of the edition of 250 (Kraeft, 108). Signed “Landeck” in pencil l.r., inscribed “Proof for printing” in pencil l.l. Engraving on paper, plate size 10 1/8 x 11 15/16 in. (25.6 x 30.2 cm), framed. Condition: Mat burn, gentle toning, not examined out of frame. $200-250 87 William Lee-Hankey (British, 1869-1952) Two Images of Mothers and Children: Lizette and Pierre, 1918, and A Distraction, 1920 or later. Both signed “W. Lee-Hankey imp...” in pencil l.c., with artist’s dry stamp, and with artist’s monogram within the plate. Etching with drypoint on paper, plate sizes to 10 7/8 x 9 1/16 in. (27.5 x 23.0 cm), framed. Condition: Toning (more prevalent to Distraction), mild mat burn, not examined out of frames. $300-500

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88

88 Rita Leff (American, 1907-1979) Two Works: Nexus and Citadel. Both signed “Rita Leff” in pencil l.r. and titled in pencil l.l. Color woodcuts on paper, image sizes to 22 3/4 x 9 1/2 in. (57.5 x 24.0 cm), matted, unframed. Condition: Pale mat burn and light-struck. $300-500 89 Martin Lewis (American, 1881-1962)

89

R.F.D., 1933, total edition of 148 (McCarron, 106). Signed “Martin Lewis-” in pencil l.r., signed within the plate, identified on a label from Kennedy & Co., New York, affixed to the backing. Etching on paper, plate size 9 7/8 x 11 3/4 in. (25.0 x 29.7 cm), framed. Condition: Margins 1 3/4 inches or more, with white cloth tape and/or residue to the edges of the sheet, foxing, faint mold or similar residue to image. N.B. The name on the mailbox refers to the artist’s friend Armin Landeck, with whom Lewis opened the School of Printmakers in the early 1930s in New York. The scene is in southern Connecticut. $800-1,200

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90

90 Sol LeWitt (American, 1928-2007) Arcs, Circles, and Grids, 1972, edition of 144 plus proofs published by Lincoln Center/ List Art Posters, New York (Tate, S16). Signed and numbered “LeWitt 115/144� in pencil l.r. Screenprint on heavy wove paper, image size 68 x 36 3/8 in. (172.7 x 92.3 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches, minor creases and soiling to very edges, crease to lower edge.

90

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $2,500-3,500

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91

91 Sol LeWitt (American, 1928-2007) All Double Combinations (Superimposed) of Geometric Figures (Circle, Square, Triangle, Rectangle, Trapezoid, Parallelogram), 1977, edition of 25 printed by Patrice Foy at Crown Point Press, Oakland, published by Parasol Press, New York (Krakow/LeWitt, 1977.08). Each indistinctly signed and numbered in pencil l.r., identified on colophon page. Sixteen aquatints (including the colophon page) on paper mounted onto paperboard, sheet sizes 6 x 6 in. (15.2 x 15.2 cm), fourteen framed. Condition: Subtle surface rubs to the two unframed images. $3,000-5,000

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92

92 Roy Lichtenstein (American, 1923-1997) Shipboard Girl, 1965, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed “roy Lichtenstein� in pencil l.r. Offset color lithograph on paper, image size 26 x 19 1/8 in. (66.0 x 48.4 cm), framed. Condition: Fading, water staining to lower edge (slightly into image), not examined out of frame. $5,000-7,000

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93

94

93 Roy Lichtenstein (American, 1923-1997)

94 Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed. Condition: Very minor toning and handling marks and creases. $500-700

Pyramids, 1969, edition of 101 plus proofs printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated “Roy Lichtenstein ‘69” in pencil l.r., numbered “7/101” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed. Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame. N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City. $7,000-9,000

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95 Kyra Markham (American, 1891-1967) The Silver Trumpets of the Rain, 1936, edition of 50. Signed and dated “Kyra Markham ‘36” in pencil l.r., titled and numbered “...11/50” in pencil l.l. Lithograph on paper, image size 13 7/8 x 10 3/8 in. (35.2 x 26.3 cm), framed. Condition: Gentle rippling, not examined out of frame. $800-1,200 96 André Masson (French, 1896-1987) Three Nudes, c. 1950, edition of 150. Signed “André Masson” in pencil l.r., numbered “3/150” in pencil l.l. Color lithograph on Japan paper, image size 16 3/4 x 22 1/8 in. (42.4 x 56.1 cm), framed. Condition: Not examined out of frame. $400-600

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96

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97

97 André Masson (French, 1896-1987) Formes féminines, edition of 50. Signed “André Masson” in pencil l.l., numbered “9/50” in pencil l.r. Lithograph in ocher and brown on paper, image size 15 1/4 x 20 1/4 in. (38.5 x 51.3 cm), framed. Condition: Toning, mat burn, not examined out of frame. $300-500 98 André Masson (French, 1896-1987) Les nymphes de Fontainebleau, 19731975, edition of 50. Signed “André Masson” in pencil l.r., numbered “33/50” in pencil l.l. Etching and aquatint in violet and black on paper, plate size 15 1/2 x 11 1/4 in. (39.3 x 28.5 cm), unmatted, unframed. Condition: Margins 3 inches or more with deckled edges, pencil annotations to verso. $250-350

98

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99

100

99 Joan Miró (Spanish, 1893-1983)

100 Joan Miró (Spanish, 1893-1983)

101 Joan Miró (Spanish, 1893-1983)

Hommage à Rimbaud, 1960, outside of the edition of 97 (Mourlot, 336). Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on fibrous gray paper, image size 11 1/8 x 8 5/8 in. (28.2 x 21.7 cm), framed. Condition: Margins 3 inches or more, pale mat burn. $1,000-1,500

Plate from the CATALOGUE DE L’EXPOSITION “CARTONES,” 1965, edition of 75 published by Pierre Matisse Galerie, New York (Mourlot, 383). Signed “Miró” in pencil l.r., numbered “XLVIII/LXXV” in pencil l.l. Color lithograph on paper, image size 11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed. Condition: Mat burn, not examined out of frame. $400-600

Tête de Flèche, 1968, published by Maeght, Paris (Dupin, 460). Signed “Miró” in pencil l.r., numbered “10/75” in pencil l.l. Color etching with aquatint and carborundum on cream Arches wove paper with watermark, plate size 15 1/2 x 11 11/16 in. (39.3 x 29.5 cm), framed. Condition: Margins over 4 inches with deckled edges, light-struck, pale mat burn and fox marks to margins, hinged along upper edge of sheet, pencil annotations to verso. $6,000-8,000

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101

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102

102 Joan Miró (Spanish, 1893-1983) Untitled (Soleil Rouge), from MIRÓ LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed “Miró” in pencil l.r., numbered “V/LXXX” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed. Condition: Deckled right and lower edges, floated within the mat, not examined out of frame. $600-800 103 Robert Motherwell (American, 1915-1991) Capriccio, 1961, edition of 200 plus proofs published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed “Robert Motherwell” in pencil l.r., numbered “33/200” in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed. Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet. $800-1,200 103

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104

104 Alphonse Mucha (Czech, 1860-1939) JOB, 1898, published by F. Champenois, Paris (Bridges et al., A36). Signed and identified within the matrix. Color lithographic poster on paper, image size 56 x 36 3/4 in. (142.2 x 93.3 cm), framed. Condition: Unobtrusive toning, handling creases, not examined out of frame. Provenance: Purchased from Merrill Chase Galleries, Ltd., Chicago, through to present owner. $7,000-9,000

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105

106

105 LeRoy Neiman (American, 1921-2012)

106 LeRoy Neiman (American, 1921-2012)

Stud Poker, 1980, edition of 300 published by Styria Studio, Ltd., New York. Signed “LeRoy Neiman” in pencil l.r., numbered “95/300” in pencil l.l., publisher’s dry stamp l.c. Color screenprint on paper, image size 31 1/2 x 38 in. (80.0 x 96.4 cm), framed. Condition: Toning, not examined out of frame. $1,500-2,500

Elephant Family, 1983, edition of 300. Signed “LeRoy Neiman” in pencil l.r., numbered “286/300” in pencil l.l. Color screenprint on paper, image size 29 1/2 x 37 3/4 in. (74.8 x 95.8 cm), framed. Condition: Not examined out of frame. $800-1,200

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107 Ray Parker (American, 1922-1990) Untitled, edition of 250. Signed “R. Parker” in pencil l.r., numbered “28/250” in pencil l.l., dry stamp l.l. Color screenprint on paper, image size 20 1/4 x 26 1/2 in. (51.4 x 67.3 cm), framed. Condition: Minor handling creases, not examined out of frame. $300-350

109 Margaret Jordan Patterson (American, 1867-1950) Main Street, alternatively titled Nantucket, c. 1918, edition of 100 (Bakker, 60). Signed “Margaret J. Patterson” in pencil (twice) l.r., titled in pencil l.c., numbered “no 33/100” in pencil l.l. Color woodcut on paper, image size 7 7/16 x 10 7/16 in. (18.8 x 26.3 cm), framed. Condition: All but the lower margin trimmed just to the image, faint water staining l.c. $800-1,200

108 Jules Pascin (French, 1885-1930) Charmante soirée, 1929, edition of 100. Signed “pascin” in pencil l.r. Etching, aquatint, and drypoint on paper, plate size 12 7/8 x 9 3/4 in. (32.6 x 24.6 cm), framed. Condition: Minor breaks to paper fibers along the plate mark, gentle toning, not examined out of frame. $400-600

107

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110

110 Philip Pearlstein (American, b. 1924) Nude in Rocker, from a proof edition of 10. Signed and numbered “Philip Pearlstein VII/X” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 23 1/4 x 33 3/4 in. (59.0 x 85.5 cm), framed. Condition: Deckled edges, floated (but partially loose) in the frame, not examined out of frame. $300-500 111 Gabor F. Peterdi (American, 1915-2001) Arctic Night II, 1964, edition of 25 (Johnson, 224). Signed and dated “Peterdi 64 Imp” in pencil l.r., titled in pencil l.c., numbered “8-25” in pencil l.l. Color etching with aquatint on paper, plate size 35 5/8 x 22 3/8 in. (90.3 x 56.6 cm), framed. Condition: Not examined out of frame. $300-350

111

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112 Pablo Picasso (Spanish, 1881-1973) Amnistia, 1959. Signed, dated, and identified within the matrix. Color lithographic poster on paper, sight size 28 3/4 x 19 3/4 in. (72.8 x 50.1 cm), framed. Condition: Not examined out of frame. $500-700 113 Pablo Picasso (Spanish, 1881-1973) Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, 1017). Unsigned, dated (twice) within the plate. Color lithograph on paper, image size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed. Condition: Toning, not examined out of frame. $500-700

112

113

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114

114 Pablo Picasso (Spanish, 1881-1973) Artiste et modèle, plate 2 from SABLE MOUVANT, 1964-1965, from the edition of 50 (Bloch, 1184; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “3/50” in pencil l.l., dated within the plate. Aquatint on wove paper with “PABLO PICASSO” watermark, plate size 15 1/8 x 10 7/8 in. (38.3 x 27.7 cm), framed. Condition: Margins 3 inches or more with deckled edges, light-struck, several pale fox marks, old hinge to left edge on verso. $4,000-6,000

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115

115 Pablo Picasso (Spanish, 1881-1973) Tête d’Homme Barbu, plate 7 from SABLE MOUVANT, 1964-1965 (Bloch, 1189; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “H.C. 4/7” in pencil l.l., dated within the plate. Aquatint with drypoint on fine laid Japan paper, plate size 14 7/8 x 10 3/4 in. (37.7 x 27.3 cm), framed. Condition: Margins 2 1/4 inches or more with deckled edges, very gently light-struck, several pale fox marks, old waxed paper hinges to upper corners, left edge formerly bound or reinforced. $5,000-7,000

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116

116 Pablo Picasso (Spanish, 1881-1973) Télévision - Course de chars à l’antique I, 1968, from SÉRIES 347, published in 1969 by Galerie L. Leiris, Paris, edition of 50 (Bloch, 1514; Baer, 1530Bb1). Signed “Picasso” in pencil l.r., numbered “21/50” in pencil l.l., dated within the plate. Etching with aquatint on BFK Rives paper with watermark, plate size 12 3/8 x 15 3/8 in. (31.3 x 38.9 cm), framed. Condition: Margins over 2 1/2 inches with deckled edges, pencil annotation to verso, old glue residue along upper edge to verso. $5,000-7,000 117 After Pablo Picasso (Spanish, 1881-1973) Visage, 1967, edition of 100. Signed “Picasso” in pencil l.r., numbered “66/100” in pencil l.l., dated within the matrix. Lithograph in black and tan on BFK Rives paper with watermark, image size 15 7/8 x 12 5/16 in. (40.3 x 31.1 cm), unmated, unframed. Condition: Margins over 2 1/2 inches or more with deckled edges to two sides, very gentle handling creases. $1,500-2,000 117

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118

118 Edouard Pignon (French, 1905-1993) Untitled, edition of 175. Signed “Pignon” in pencil (within the image) l.r., numbered “120/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image size 21 3/4 x 29 1/2 in. (55.2 x 74.8 cm), unmatted, unframed. Condition: Deckled edges to two sides, pale foxing. $300-500

119

119 Serge Poliakoff (Russian, 1906-1969) Composition in Blue, Green, and Red, 1968, edition of 75 (Schneider, XXXIV). Signed “Segre Poliakoff” in pencil l.r., titled in pencil l.c., numbered “46/75” in pencil l.l. Color aquatint on paper, plate size 16 3/4 x 25 1/2 in. (42.4 x 64.6 cm), framed. Condition: Margins over 2 inches with deckled edges, gentle toning and possible fading, not examined out of frame. $800-1,200 120 Chester B. Price (American, 1885-1962) Barge and Tug, c. 1934. Signed “Chester B. Price imp.” in pencil l.r., dedicated “To Jos. Gamble Rogers, with every good wish from -- Christmas 1934” in pencil l.l. Etching and drypoint on paper, plate size 5 7/8 x 8 3/8 in. (14.9 x 21.2 cm), framed. Condition: Gentle rippling, not examined out of frame. $200-250

120

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121 Mel Ramos (American, b. 1935) Miss Comfort Crème, from 11 POP ARTISTS, VOLUME III, 1965, edition of 200. Signed and dated “MelRamos 65” in pencil l.r., numbered “133/200” in pencil l.l. Color screenprint on paperboard sheet/image size unmatted, unframed. Condition: Unobtrusive surface rubs, nicks to edges. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $700-900 122 Robert Rauschenberg (American, 19252008) Cardbird III, from the CARDBIRD Series, 1970-71, edition of 75 plus proofs, published by Gemini G.E.L. (Gemini G.E.L., 41.54). Purportedly signed and numbered “...52/75...” on verso, identified on labels from the Fenway Gallery, Lakeside, Michigan, affixed to the frame. Offset lithograph and screenprint in colors with collage on cardboard, 33 1/2 x 44 in. (85.0 x 111.7 cm), presented in a shadow box. Condition: Good, not examined out of frame. $2,500-3,000 121

122

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123

123 Ad Reinhardt (American, 1913-1967) Untitled (Black Square), from the NEW YORK INTERNATIONAL PORTFOLIO, 1966, edition of 225, published by Tanglewood Press, New York. Initialed “AR” (engraved) l.r., numbered “169/225” (engraved) l.l. Silkscreen on abraded Plexiglas sheet, 12 x 12 in. (25.4 x 25.4 cm), matted, unframed. Condition: Possible additional subtle surface rubs/abrasions. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $2,000-2,500

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124

124 Rembrandt van Rijn (Dutch, 1606-1669) Saint Jerome Reading, 1634, only state, a late impression (Hind, 119; Hollstein/White & Boon, 100). Signed and dated within the plate. Etching on paper, image/sheet size 4 5/16 x 3 1/2 in. (10.8 x 8.9 cm), framed. Condition: Trimmed irregularly inside of the plate mark, slightly worn impression, pale foxing, not examined out of frame. $400-600 125 Rembrandt van Rijn (Dutch, 1606-1669) Nude Man Seated and Another Standing, with a Woman and Baby Lightly Etched in the Background, c. 1646, an 18th century impression (Bartsch & Hollstein, 194 iii/iii). Unsigned. Etching on cream laid paper, plate size 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), unmatted, unframed. Condition: Trimmed to plate mark along the upper edge, thread margins to other three sides, several fox marks and minor stains, subtle toning or soiling. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $300-500 125

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126 Rembrandt van Rijn (Dutch, 1606-1669) Self-Portrait Drawing at a Window, 1648, fifth state of five (Hind, 160; Hollstein/White & Boon, 22v). Signed and dated within the plate. Etching on fine laid Japan paper, plate size 6 1/4 x 5 1/8 in. (15.8 x 13.0 cm), matted, unframed. Condition: Margins 1/16 inch or more, pale toning, several pale fox marks, several pinprick holes to sheet, strong impression. $800-1,200

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127 Frederic Remington (American, 1861-1909) Five Images from A BUNCH OF BUCKSKINS, published 1901: Arizona Cowboy; A Trapper; A Breed; Army Packer; and A Sioux Chief. Each signed and identified within the matrix. Chromolithographs on paper, sheet sizes 20 x 15 in. (50.6 x 38.1 cm), framed. Condition: Toning, staining, not examined out of frames. $4,000-6,000

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128

128 Félicien Joseph Victor Rops (Belgian, 1833-1898) Le gandin ivre, 1910, edition of 150. Signed “Felicien Rops” in the plate, stamped indistinctly l.r. Color soft-ground etching on paper, image size 12 x 17 3/8 in. (30.5 x 44.0 cm), framed. Condition: Light-struck, toning, soiling to edges of sheet, sheet trimmed above plate mark at lower edge. $400-600 129 Georges Rouault (French, 1871-1958) Courtisane en profil à droite, 1927, from LES FLEURS DU MAL I, published in 1966, edition of 425 plus proofs (Wofsy, 227). Initialed and dated within the plate, numbered “422/425” in pencil l.r. Etching and aquatint on paper, plate size 13 3/8 x 9 3/8 in. (33.9 x 23.7 cm), framed. Condition: Not examined out of frame. $400-600

129

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130 Wilhelm Rudolph (German, 1889-1982) Arbeiterkopf (Porträt eines Schusters), plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, 1924. Signed “Wilhelm Rudolph” in pencil l.r., inscribed in pencil l.l. Woodcut on paper, image size 13 1/2 x 9 3/4 in. (34.2 x 24.6 cm), matted, unframed. Condition: Tear to corner l.l., unobtrusive toning and staining, Scotch tape to upper corners. $300-350 131 Niki de Saint Phalle (French, 1930-2002) Three Works: The Witch’s Tea Party, 1972, edition of 115, published by Editions Essellier Serigraphie Michel Caza; My Love What Shall I Do Next Year?, edition of 115; and My Love What Shall I Do if you Die?, edition of 115. Each signed “N. de St. Phalle” in pencil l.r. and numbered “17/115” in pencil l.l. Color screenprints on Arches paper with watermarks, sheet sizes 29 3/4 x 22 in. (75.4 x 55.8 cm), unmatted, unframed. Condition: Various amounts of toning and/or staining, old hinges to verso. 130

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600 132 Kiyoshi Saito (Japanese, 1907-1997) Maiko. Signed “Kiyoshi Saito” in pencil (within the image) l.l. Color woodcut on paper, sight size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed. Condition: Not examined out of frame. $250-300

131

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133

133 Emilio Sanchez (Cuban/American, 19211999) La Casa Nueva, edition of 100. Signed “Emilio Sanchez” in pencil l.r., titled in pencil l.c., numbered “17/100” in pencil l.l., identified on a label from Galeria San Diego, Bogota, affixed to the backing. Lithograph in black and yellow on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed. Condition: Not examined out of frame. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-250 134 Louis Schanker (American, 1903-1981) Circle Image, edition of 25. Numbered and signed “14/25 Schanker” in pencil l.r., monogrammed in the block. Color woodcut on paper, image size 14 1/2 x 18 5/8 in. (36.8 x 47.1 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700

134

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135

136

135 Fritz Scholder (Native American, 19372005)

136 Fritz Scholder (Native American, 19372005)

Night Pueblo, 1974, edition of 50 published by the Tamarind Institute, Albuquerque. Signed “Scholder” in pencil l.r., numbered “15.50” in pencil l.l., artist’s and publisher’s dry stamps to lower edge. Lithograph printed in brown on paper, image size 6 1/4 x 4 1/4 in. (15.5 x 10.5 cm), framed. Condition: Margins 2 3/4 inches or more with deckled edges, not examined out of frame. $500-700

Red Indian, edition of 100. Signed “Scholder” in pencil (within the image) l.r., numbered “84.100” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed. Condition: Minor nicks to edges, shrinkwrapped. $250-300

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137 Toko Shinoda (Japanese, b. 1913) Friendship, 2004, edition of 50. Numbered, dated, titled, and signed “42/50...Toko Shinoda” in pencil l.l. Lithograph with handcoloring on paper, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed. Condition: Not examined out of frame. Provenance: The Tolman Collection, Tokyo, 2006, to the estate of Elizabeth A. Straus, New York and Maine. $200-250 138 Paul Signac (French, 1863-1935) Paris: Le Pont des Arts avec Remorqueurs, from DIX PEINTRES AU XXè SIÈCLE, 1927 (Kornfeld & Wick, 24). Signed within the plate. Etching with aquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm), framed. Condition: Toning, not examined out of frame. $400-600

137

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139

139 Lorna Simpson (American, b. 1960) III, alternatively titled Wish #1 Wish #2 Wish #3, 1994, edition of 5,000 published and printed by The Peter Norton Family Christmas Project/21 Steps, Portland, Oregon. Identified on the inside of the lid. Molded felt printed with waterless lithography, a ceramic, a bronze, and a rubber wishbone contained in the original cedar wood box, 13 5/8 x 5 3/8 x 2 1/8 in. (34.5 x 13.5 x 5.3 cm). Condition: Extremely subtle wear. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $700-900

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140 David Alfaro Siqueiros (Mexican, 18961974) Meditation, from the MEXICAN Suite, 19681969, edition of 250. Signed “DASiqueiros” in pencil l.r. Color lithograph on paper, image size 21 x 16 1/2 in. (53.4 x 41.8 cm), unmatted, unframed. Condition: Deckled edges to two sides, tear to left margin. $500-700 141 David Alfaro Siqueiros (Mexican, 18961974) Fugo, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 21 1/8 x 15 5/8 in. (53.5 x 39.5 cm), framed. Condition: Toning, mat burn, not examined out of frame. $300-500

140

141

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142 David Alfaro Siqueiros (Mexican, 18961974) Mascara, from the MEXICAN Suite, 19681969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 22 3/8 x 18 3/4 in. (56.7 x 47.5 cm), framed. Condition: Toning, mat burn, not examined out of frame. $300-500

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143 Raphael Soyer (American, 1899-1987) In the Studio, 1935, edition of 100 (Gettings, 28). Signed “Raphael Soyer” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 13 1/2 x 9 3/8 in. (34.3 x 23.7 cm), framed. Condition: Not examined out of frame. $500-700 144 Pat Steir (American, b. 1938) Untitled (Waterfall), 1991, edition of 125 published by Crown Point Press, San Francisco. Numbered, initialed, and dated “58/125 PS 91” in pencil l.r., publisher’s dry stamp l.r. Drypoint on Somerset wove paper with watermark, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.2 cm), unmatted, unframed. Condition: Margins 3 inches or more with deckled edges, minor creases to corner l.r., annotations and soiling to verso. $400-600

143

144

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145 Frank Stella (American, b. 1936) Black Stack, from the STACKS Series, 1970, edition of 56 plus proofs, published by Gemini G.E.L. (Axsom, 47). Numbered and signed “25/56 F. Stella” in pencil (within the image) l.r., copyright and publisher’s dry stamps l.r. Lithograph on paper, sight size 40 1/4 x 28 3/4 in. (102.2 x 73.0 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the O.K. Harris Gallery, New York, in 1970, then through to the present owner. $700-900 146 Graham Sutherland (British, 1903-1980) The Meadow Chapel, 1928, probably from the 7th (published) state of 11, edition of 83 (Tassi, 26). Signed “GrahamSutherland-” in pencil l.r., identified on a label from The Closson Galleries, Cincinnati, affixed to the backing. Etching on paper, plate size 4 1/2 x 6 1/8 in. (11.4 x 15.2 cm), framed. Condition: Toning, gentle rippling, not examined out of frame. $1,500-2,000

145

146

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147 Rufino Tamayo (Mexican, 1899-1991) Retrato de Mujer, 1969, edition of 150 (Pereda, 105). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 27 1/4 x 21 in. (69.1 x 53.3 cm), framed. Condition: Not examined out of frame. $800-1,200 148 Rufino Tamayo (Mexican, 1899-1991) Medio Pescado, 1969, edition of 150 (Pereda, 117). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 20 7/8 x 27 3/8 in. (52.8 x 69.4 cm), framed. Condition: Not examined out of frame. $800-1,200

147

148

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149

149 Henri de Toulouse-Lautrec (French, 18641901) May Belfort, 1895 (Wittrock, P14Biii; Adriani, 126iv/v). Monogrammed, titled, and with publisher “Edw. Ancourt . Paris� within the matrix. Color lithograph on paper, sheet size 30 1/2 x 23 1/4 in. (77.3 x 59.0 cm), framed. Condition: Mounted on linen, two repairs near the upper edge, even toning, areas of lifting off of the linen support including some small breaks, loss l.r. $15,000-25,000

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150

151

151 Jacobus Gerardus Veldheer (Dutch, 18661954)

152

150 Mark Tobey (American, 1890-1976) Composition, 1961, edition of 100. Signed and dated “Tobey 61” in pencil l.r., numbered “100/100” in pencil l.l., identified on a labels from the Art Lending Service at the Museum of Modern Art, New York, affixed to the backing. Color lithograph on paper, image size 9 1/8 x 12 1/2 in. (22.8 x 31.6 cm), framed. Condition: Unobtrusive mat burn, not examined out of frame. Provenance: The estate of Elizabeth A. Straus, New York and Maine. $400-600

Modderman Volendam. Signed “J.G. Veldheer” in pencil l.r., inscribed “No XII” in pencil l.l., titled within the block. Color woodcut on paper, image size 12 1/8 x 10 in. (30.7 x 25.4 cm), framed. Condition: Not examined out of frame. $300-350 152 Esteban Vicente (American, 1903-2001) Untitled. Signed “Esteban Vicente” in pencil l.r., inscribed “Artist Proof III” in pencil l.l. Color screenprint on paper, image size 25 7/8 x 20 3/4 in. (65.5 x 52.6 cm), framed. Condition: Not examined out of frame. $500-700

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153 Jacques Villon (French, 1875-1963) Suzanne, c. 1904, edition of 25 (Ginestet & Pouillon E87). Signed “Jacques Villon” in pencil l.r., numbered “5/25” in pencil l.l., signed and dated “Jacques Villon...04” in the plate. Drypoint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed. Condition: Faint scattered foxing, not examined out of frame. $1,000-1,500 154 Jacques Villon (French, 1875-1963) Manège rue Caulaincourt ou Le petit manège aux chevaux de bois, 1904, edition of 50 (Ginestet & Pouillon, E111). Signed “Jacques Villon” in pencil l.r., numbered “46/50” in pencil l.r., signed and dated “Jacques Villon/04” in the plate. Etching and aquatint in sanguine on paper, plate size 15 1/4 x 19 1/2 in. (38.5 x 49.5 cm), framed. Condition: Subtle rippling, not examined out of frame. Provenance: Ex-collection of Louis Carré, Paris. $1,200-1,800

153

154

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155 Jacques Villon (French, 1875-1963) Minne appuyée au fauteuil, 1907 (Ginestet and Pouillon, E198). Signed “Jacques Villon” in pencil l.r., inscribed “...épreuves sur velum de Chine...” in pencil l.l. Etching and drypoint on chine, image size 9 5/8 x 6 5/8 in. (24.5 x 17.0 cm), unframed. Condition: Margins 3/4 in. or more, left edge of sheet lightly toned, small fold to l.r. corner, smudges and annotations to margins. $700-900 156 Jacques Villon (French, 1875-1963) Les Trois Parques, 1937, edition of 40 (Ginestet & Pouillon, E408). Signed “Jacques Villon” in pencil l.r., numbered “8/40” in pencil l.l., inscribed “Bon à tirer/Jacques Villon” in pencil l.r. Etching on paper, plate size 6 x 9 3/8 in. (15.1 x 23.8 cm), framed. Condition: Not examined out of frame. $400-600

155

156

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157 Jacques Villon (French, 1875-1963) Camille Renault, 1945, edition of 100 (Ginestet & Pouillon, 494). Signed “Jacques Villon” in pencil l.r. Etching with burin on paper, plate size 15 3/4 x 12 1/4 in. (40.0 x 31.2 cm), framed. Condition: Not examined out of frame. $400-600 158 Jacques Villon (French, 1875-1963) Untitled (Interior), from LES BUCOLIQUES, 1953 (Ginestet & Pouillon, E576). Signed “Jacques Villon” in pencil l.r., inscribed “E.A.” in pencil l.l. Lithograph printed in colors on paper, image size 8 1/2 x 19 1/8 in. (22.0 x 48.5 cm), framed. Condition: Subtle toning, faint foxing in margins, not examined out of frame. $500-700

157

158

100

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159

159 Jacques Villon (French, 1875-1963) Untitled (Nude), from LAUX VENERIS, 1956, from Chine-collé edition of 20 (Ginestet & Pouillon, app. 2). Signed “Jacques Villon” in pencil l.r., numbered “XVI/XX” in pencil l.l. Etching on chine-collé, chine size 8 x 5 1/8 in. (20.3 x 13.0 cm), framed. Condition: Faint spotting in margins, delamination in u.r. corner, not examined out of frame. $400-600 160 Jacques Villon (French, 1875-1963) La Tête, from POEMES DE CE TEMPS, 1958, edition of 70 (Ginestet & Pouillon app.105). Signed “Jacques Villon” in pencil l.r., numbered “32/70” in pencil l.l., Helmar Nielsen (Boston) label affixed to backing. Lithograph printed in color on paper, 4 1/4 x 4 in. (10.7 x 10.3 cm), framed. Condition: Not examined out of frame. $400-600 160

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162 Andy Warhol (American, 1928-1987) Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix. Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed. Condition: Minor handling mark and creases, minor soiling to upper and lower edges. $1,500-2,000

161

161 After Andy Warhol (American, 1928-1987) The Souper Dress, c. 1965. Identified on a label affixed at the neckline. Screenprinted cellulose and cotton dress, length approximately 37 in. (93.8 cm). Condition: Small hole and minute wear to right shoulder. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. N.B. The lot is accompanied by an original ordering form. $1,000-1,500

162

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163 Andy Warhol (American, 1928-1987)

163

Lincoln Center Ticket, 1967, edition of 500 (Feldman & Schellmann, II.19 & app.). Unsigned, identified within the matrix. Color screenprint on acrylic film, sheet/image size 44 x 23 3/8 in. (111.8 x 59.4 cm), unmatted, unframed. Condition: Minor unpressed crease to corner l.l., subtle surface rubs. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $1,000-1,500

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164

164 Andy Warhol (American, 1928-1987) Plate 1 from MUHAMMAD ALI, 1978, edition of 175 published by Andy Warhol Enterprises, Inc., New York (Feldman & Schellmann, II.179). Numbered and signed “147/150 Andy Warhol” in felt-tip pen or similar (within the image) l.l., publisher’s stamp on the reverse, Strathmore dry stamp l.r.

104

Color screenprint on Strathmore paper, image/ sheet size 40 x 29 7/8 in. (101.5 x 75.8 cm), framed. Condition: Line of flaking u.c., rubs and scuffs to surface (primarily near the edges), floated in frame. $15,000-20,000

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165

165 After Andy Warhol (American, 1928-1987) Marilyn Monroe, 1998, edition of 5,000. Identified and numbered “Block/China/Marilyn Monroe/©Copyright Licensed by AWF. TM 1998 The Estate of Marilyn Monroe by CMG Indpls., IN/All Rights Reserved. Made in China/ Limited Edition Plate No. 830/5000” on the reverse. Transfer-printed porcelain plate, diameter 10 5/8 in. (26.9 cm). Condition: Good. $500-700 166 After Andy Warhol (American, 1928-1987) Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers. Condition: Not examined out of wrap. $500-700

166

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167

167 Ferol Sibley Warthen (American, 18901986) Sailboat and Gull, 1974. Signed “Ferol Sibley Warthen-” in pencil l.r., titled, numbered, and dated “...-53-1974” in pencil l.l. Color woodcut on paper, image size 7 1/8 x 7 3/16 in. (18.0 x 18.2 cm), framed. Condition: Pale foxing, not examined out of frame. $400-600 168 Neil Welliver (American, 1929-2005) Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed. Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame. $800-1,200 168

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169

169 James Abbott McNeill Whistler (American, 1834-1903) La RĂŠtameuse, 1858, second state of two (Kennedy, 14). Signed and identified within the plate. Etching with drypoint on paper, plate size 4 1/4 x 3 3/8 in. (11.0 x 8.7 cm), framed. Condition: Not examined out of frame. $300-500 170 James Abbott McNeill Whistler (American, 1834-1903) Street at Saverne, 1858, third state of five, (Kennedy, 19). Signed (partially obscured) in the plate. Etching on paper, plate size 8 1/8 x 6 1/4 in. (25.5 x 15.7 cm), framed. Condition: Not examined out of frame. $600-800 170

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171

171 James Abbott McNeill Whistler (American, 1834-1903) Soupe Ă Trois Sous, 1859 (Kennedy 49). Signed in the plate. Etching and drypoint on paper, plate size 6 x 9 in. (15.7 x 22.6 cm), framed. Condition: Not examined out of frame. $700-900 172 James Abbott McNeill Whistler (American, 1834-1903) Becquet, 1859, final state of four (Kennedy, 52). Unsigned. Etching on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed. Condition: Subtle toning, not examined out of frame. $2,000-3,000

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173

174

173 Zao Wou-Ki (Chinese, 1921-2013)

174 Zao Wou-Ki (Chinese, 1921-2013)

La théière, 1952, from the edition of 60 (Ågerup, 75). Signed (in Chinese characters) in pencil l.l., numbered “II/LX” in pencil l.r. Color lithograph on paper, image size 13 1/8 x 19 3/4 in. (33.2 x 49.8 cm), framed. Condition: Prevalent staining and toning, not examined out of frame. $500-700

Untitled, 1968, printed by Imprimerie Arte, Paris, published by Al Lublin, New York (Ågerup, 192). Signed and dated “...68” in pencil l.r., numbered “36/95” in pencil l.l. Color etching and aquatint on paper, plate size 17 3/8 x 21 in. (44.0 x 53.0 cm), framed. Condition: Gentle rippling, not examined out of frame. $800-1,200

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175

175 William Lionel Wyllie (British, 1851-1931) Two Thames Views: Barges on the Thames and River Traffic at the Southwark Bridge. Both signed “W.L. Wyllie� in pencil l.l. Etchings with drypoint (the latter with aquatint) on J. Whatman papers with watermarks, plate sizes 6 3/8 x 14 7/8 in. (16.0 x 37.7 cm), unmatted, unframed. Condition: Margins 1 1/2 inches or more, pale light-striking to Barges, mat burn and toning to margins of Southwark. $300-500

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Fine Photography Lots 176–207


176

176 Ansel Adams (American, 1902-1984) Moon and Half Dome, Yosemite National Park, California, c. 1960, a later printing from a special edition of prints, Photographs of Yosemite. Signed “Ansel Adams” in ink on the mount l.r., identified with Yosemite special edition stamp, numbered “1016 of S.E.Y. No 12” in ink on the reverse. Gelatin silver print mounted to paperboard, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), unmatted, unframed. Condition: Good. $4,000-6,000

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177 Harold Eugene Edgerton (American, 19031990) Milk-Drop Coronet, 1936, probably a later printing. Signed “Harold Edgerton” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,200-1,800 178 Harold Eugene Edgerton (American, 19031990 Antique Gun Firing, 1936, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

177

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179 Harold Eugene Edgerton (American, 19031990) Two Athletic Studies: Moving Skip Rope, 1952, artist’s proof, and Densmore Shute Bends the Shaft, 1939. Both signed “Harold Edgerton” in pencil on verso, Skip inscribed “A/P” in pencil on verso. Gelatin silver prints, sheet sizes 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,200-1,800 180 Harold Eugene Edgerton (American, 19031990) Cutting the Card Quickly, 1964, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,200-1,800

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180

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181 Harold Eugene Edgerton (American, 19031990) Cranberry Juice Dropping into Milk, 1978. Signed, dated, and inscribed “Harold Edgerton/1983 M.I.T.” in pen on verso. Chromogenic print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed. Condition: Unmounted. $1,800-2,200 182 Harold Eugene Edgerton (American, 19031990) Bullet through Apple, 1978. Signed “Harold Edgerton” in felt-tip pen in the margin l.r. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,800-2,200

181

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183

183 Elliott Erwitt (American, b. 1928) The Alchan Edition/Portfolio of Fourteen out of Fifteen Photographs. Each signed “Elliot Erwitt” in pencil on verso, identified “...The Alchan Edition 1980” on the colophon page. Gelatin silver prints, sheet sizes to 16 x 20 in., unmatted, unframed. Condition: Water and/or chemical staining to left side of portfolio and corresponding print edges, one with abrasions to left side. $3,000-5,000

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184

184 Walker Evans (American, 1903-1975) New York City Tenement Kitchen, 1931. Signed and dated “Walker Evans...” in pencil on the mount l.r., inscribed, titled, and dated “P58...” in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver print mounted to matboard, 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm), unmatted, unframed. Condition: Good. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $1,000-1,500

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185 Walker Evans (American, 1903-1975)

185

Two Gelatin Silver Prints: Eagle’s Store, Selma, Alabama, 1935, and Window, Mystic, Connecticut, 1942 Both signed and dated “Walker Evans...” in pencil on the matboard l.r., both identified with an artist’s stamp, Lyme, Connecticut, on verso, Window inscribed “Mystic, Conn.” and dated in pencil on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed. Condition: Eagle’s with minor lifting from mount l.r. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $2,500-3,500 186 Walker Evans (American, 1903-1975) Two Photographs of Buildings: Cherry Valley Home, 1934, and Uncle Sam Plantation, Louisiana, 1935. Cherry Valley signed and dated “Walker Evans...” in pencil on the mount l.r., both titled in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm), unmatted, unframed. Condition: Good.

186

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $2,500-3,500

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187

187 Walker Evans (American, 1903-1975) Post Office, Sprott, Alabama, 1936. Signed “Walker Evans” on the mat l.r. Gelatin silver contact print, sheet size 8 x 9 3/4 in. (19.0 x 23.5 cm), matted, unframed.   Condition: Slight handling creases to u.l. quadrant. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $1,000-1,500

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188 Peter Hutchinson (British, b. 1930) Venice at High Tide, c. 2000. Signed, titled, and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on artist board, sight size 18 3/4 x 14 1/2 in. (47.7 x 46.8 cm), matted, framed. Condition: Floated in frame, not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $1,000-1,500 189 Peter Hutchinson (British, b. 1930) Sketch for Rye Bread. Signed and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on matboard, sight size 14 x 15 3/4 in. (35.6 x 40.0 cm), matted, framed. Condition: Not examined out of frame. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $1,000-1,500

188

189

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190

190 Paul Ickovic (Czech, b. 1944) PRAGUE/Portfolio of Nine Photographs, 1981, edition of 25. Each titled, dated, numbered, initialed, and embossed with a limited edition dry stamp “...16/25...,� identified on a colophon page. Gelatin silver prints, image sizes approximately 7 x 9 in. (17.8 x 22.9 cm), matted, unframed. Condition: Unmounted, housed in a linenlined gray clamshell box. N.B. Additional portfolio pages including an original wood engraving by Michael McCurdy and associated text accompany the lot. $2,500-3,000

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191

191 Klaus Knaup (German, 20th Century) Portfolio of Thirty Tree Photographs, 1977-1980. Each signed and dated “Klaus Knaup...� in pencil in the margin l.r. Gelatin silver prints mounted to Schoellershammer paper mat, sheet sizes 7 x 9 1/2 in. (17.8 x 24.1 cm), matted, unframed, in a gray linenlined clamshell box. Condition: Mounted. $800-1,200 192 Heather Lin (American, 20th/21st Century) Two Black and White Photographs: Arms and Legs, c. 2005. Unsigned. Inkjet prints on paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames. $300-500

192

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193

193 Aaron Siskind (American, 1903-1991) Four Photographs from HARLEM DOCUMENT, 1932-1940: Lafayette Theater, Church Singer, Cabaret Strip Dancer, and Cabaret Dancers. Each signed “Aaron Siskind,” Lafayette and Strip Dancer signed in felt-tip pen in the margin l.r., Strip Dancer titled and dated “Harlem 1937” in felt-tip pen in the margin l.l., Church and Cabaret Dancers titled and dated in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500

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194 Aaron Siskind (American, 1903-1991) Four Street Scenes from HARLEM DOCUMENT, 1932-1940, including Pawn Broker Sign over Market, Bootblacks, Boys Selling Bags, and Furnished Room to Let. Each signed “Aaron Siskind,” Room in felt-tip pen in the margin l.r., three signed, titled, and dated “Harlem...” in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500 195 Aaron Siskind (American, 1903-1991) Lima 89, 1975, from HOMAGE TO FRANZ KLINE, edition of 50. Signed “Aaron Siskind” in the margin l.r., titled and dated “LIMA 89 1975” and numbered “47/50” in the margin l.l., identified with a Powers Gallery, Acton, Massachusetts, label on verso. Photogravure, image size 15 x 14 3/4 in. (38.1 x 37.5 com), matted, framed. Condition: Slight rippling, not examined out of frame. $800-1,200

194

195

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196

196 Aaron Siskind (American, 1903-1991) Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #2, 1982. Each titled, dated, inscribed, and signed “2/50...Aaron Siskind” in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, deckled edges. N.B. Original text accompanies the lot. $2,000-3,000 197 Aaron Siskind (American, 1903-1991) Volcano 6, 1980. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “V6-80...” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed. Condition: Unmounted. $1,800-2,200

197

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198

198 Joel Sternfeld (American, b. 1944) After a Flash Flood, Rancho Mirage, California, July 1979, printed 1980, edition of 100. Titled, dated, numbered, and signed “...P - August 1980...print number ten... ektacolor RC 74...� in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

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199

199 Jock Sturges (American, b. 1947) Lidwine, Orleans, France, 1985, artist’s proof, edition of 4, printed 1985. Signed, dated, titled, and numbered “A084/Sturges ‘85/©/A.P. 1/4/...” in pencil on verso. Vintage gelatin silver print, 19 3/4 x 15 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, slight tear at c.r. edge. $600-800 200 Jock Sturges (American, b. 1947) Anike, Gaelle et Marine; Montalivet, France, 1989, edition of 40, printed 1989. Signed, monogrammed, titled, dated, numbered, and inscribed “A009/JSturges ‘89/©/6/40...” in pencil on the reverse. Vintage gelatin silver print, sheet size 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm), unmatted, unframed. Condition: Unmounted. Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner. N.B. A sale receipt from Paul Cava Fine Art dated August 10, 1989, accompanies the lot. $700-900 200

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201 Jock Sturges (American, b. 1947) Marie, Montalivet, France, 1990, printed 1990, edition of 10. Signed, dated, numbered, and titled “Sturges ‘90/ © 1/10...” in pencil on verso. Vintage gelatin silver contact print, image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. Condition: Unmounted. $600-800 202 Jock Sturges (American, b. 1947) Alice, Mylene et Coralie; Tuscany, Italy, 1998, edition of 40, printed 1998. Signed, monogrammed, dated, numbered, and titled “(B587) JSturges ‘98/©/6/40/...” in pencil on verso. Vintage gelatin silver print, 15 7/8 x 19 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, handling creases c.l. and u.l. Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner. N.B. A sale receipt from Paul Cava Fine Art dated August 17, 1989 accompanies this lot. $700-900

201

202

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203

204

203 Jock Sturges (American, b. 1947)

204 Jock Sturges (American, b. 1947)

Vanessa, Montalivet, France, 2001, edition of 40, printed 2001. Signed, monogrammed, dated, numbered, and titled “C098/JSturges ‘01©/4/40...” in pencil on verso. Vintage gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted. $800-1,200

Eva, La Jenny, France, 2004, edition of 40, printed 2004. Signed, monogrammed, dated, titled, and numbered “C877/ JSturges/’04/©/2/40...” in pencil on verso. Vintage gelatin silver print, sheet size 15 7/8 x 19 3/4 in. (40.3 x 50.2 cm), unframed. Condition: Unmounted. $800-1,200

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205

205 Jerry Uelsmann (American, b. 1934) Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount, and with artist’s mailing label. Gelatin silver print mounted to matboard, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed. Condition: Good. $1,000-1,500

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206 David Vestal (American, b. 1924) Broadway and 72nd Street, New York, 1961, printed 1971. Signed, titled, and dated in pencil on print verso, identified on a label from Robert Mann Gallery, New York, affixed to the reverse. Gelatin silver print, sight size 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), matted, framed. Condition: Mounted with photo corners to mat back. $400-600 207 Katherine White (American, 20th Century) Seven Works: Places, including Mulholland Drive. Each titled, numbered, and signed “.../5...Katherine White� in felt-tip pen on the mount. Chromogenic prints mounted to Crescent board, image/sheet sizes 12 x 12 in. (30.5 x 30.5 cm), unmatted, unframed. Condition: Slight fading. Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600

End of Fine Prints & Photography

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Artist Index Adams, Ansel............................................ 176 Agam, Yaacov............................................... 1 Albright, Ivan Le Lorraine............................2-4 Anuszkiewicz , Richard.............................. 5, 6 Appel, Karel................................................... 7 Arikha, Avigdor.............................................. 8 Arman........................................................... 9 Arms, John Taylor....................................... 10 Baechler, Donald....................................11-13 Barnet, Will.................................................. 14 Baskin, Leonard.................................... 15, 16 Basquiat, Jean-Michel................................. 17 Beckmann, Max.......................................... 18 Beham, Hans Sebald.................................. 19 Benton, Thomas Hart................................19A Besnard, Albert........................................... 20 Bishop, Isabel.............................................. 21 Blampied, Edmund...................................... 22 Bompard, Maurice....................................... 23 Bonnard, Pierre........................................... 24 Bracquemond, Félix ................................... 25 Bradford, William......................................... 26 Braque, Georges.................................26A, 27 Burr, George Elbert..................................... 28 Cadmus, Paul.............................................. 29 Calder, Alexander ..................................30-35 Cassatt, Mary....................................... 36, 37 Chagall, Marc.............................................. 38 Chamberlain, John...................................... 39 Clark, Roland.............................................. 40 Close, Chuck............................................... 41 Cocteau, Jean............................................. 42 Corinth, Lovis.............................................. 43 Cornell, Joseph........................................... 44 Cross, Henri Edmond.................................. 45 Cuevas, José Luis....................................... 46 Dalí, Salvador.............................................. 47 Davie, Alan.................................................. 48 Degas, Edgar.............................................. 49 Dine, Jim..................................................... 50 Dix, Otto...................................................... 51 Domela, César............................................ 52 Dufy, Raoul.................................................. 53 Dürer, Albrecht............................................ 54 Eby, Kerr..................................................... 55 Edgerton, Harold Eugene...................177-182 Erni, Hans................................................... 56 Erté, Romain de Tirtoff................................ 57 Erwitt, Elliot............................................... 183 Evans, Walker....................................184-187 Fairey, Shepard..................................... 58, 59 Fink, Aaron............................................ 60, 61 Gloeckner, Michiel....................................... 62 de Goya y Lucientes, Francisco José.... 63, 64 Haring, Keith............................................... 65 Haring, Keith (After)..................................... 66 Hassam, Frederick Childe............................ 67 Hayter, Stanley William.......................... 68, 69 Hodgkins, Howard...................................... 70

Hutchinson, Peter.............................. 188, 189 Icart, Louis.............................................71-77 Ickovic, Paul.............................................. 190

Tamayo, Rufino................................. 147, 148 Tobey, Mark ............................................. 150 Toulouse-Lautrec, Henri de....................... 149 Uelsmann, Jerry........................................ 205

Jongkind, Johan Barthold........................... 78 Judd, Donald.............................................78A Kelly, John Melville...................................... 79 Kent, Rockwell.......................................80-82 Kirmse, Marguerite................................ 83, 84 Knaup, Klaus............................................. 191 Koons, Jeff.................................................. 85 Landeck, Armin........................................... 86 Lee-Hankey, William.................................... 87 Leff, Rita...................................................... 88 Lewis, Martin............................................... 89 LeWitt, Sol............................................. 90, 91 Lichtenstein, Roy....................................92-94 Lin, Heather............................................... 192

Veldheer, Jacobus Gerardus..................... 151 Vestal, David............................................. 206 Vicente, Esteban....................................... 152 Villon, Jacques...................................153-160 Warhol, Andy......................................162-164 Warhol, Andy (After)...................161, 165, 166 Warthen, Ferol Sibley................................ 167 Welliver, Neil.............................................. 168 Whistler, James Abbott McNeill..........169-172 White, Katherine........................................ 207 Wou-Ki, Zao...................................... 173, 174 Wyllie, William Lionel ................................. 175

Markham, Kyra............................................ 95 Masson, André.......................................96-98 Miró, Joan............................................99-102 Motherwell, Robert.................................... 103 Mucha, Alphonse...................................... 104 Neiman, LeRoy ................................. 105, 106 Parker, Ray............................................... 107 Pascin, Jules............................................. 108 Patterson, Margaret Jordan....................... 109 Pearlstein, Philip........................................ 110 Peterdi, Gabor F........................................ 111 Picasso, Pablo (After)................................ 117 Picasso, Pablo...................................112-116 Pignon, Edouard....................................... 118 Poliakoff, Serge......................................... 119 Price, Chester B........................................ 120 Ramos, Mel............................................... 121 Rauschenberg, Robert.............................. 122 Reinhardt, Ad............................................ 123 Remington, Frederic.................................. 127 Rijn, Rembrandt van...........................124-126 Rops, Félicien Joseph Victor..................... 128 Rouault, Georges...................................... 129 Rudolph, Wilhelm...................................... 130 de Saint Phalle, Niki................................... 131 Saito, Kiyoshi............................................. 132 Sanchez, Emilio......................................... 133 Schanker, Louis........................................ 134 Scholder, Fritz................................... 135, 136 Shinoda, Toko........................................... 137 Signac, Paul.............................................. 138 Simpson, Lorna......................................... 139 Siqueiros, David Alfaro.......................140-142 Siskind, Aaron....................................193-197 Soyer, Raphael.......................................... 143 Steir, Pat................................................... 144 Stella, Frank.............................................. 145 Sternfeld, Joel........................................... 198 Sturges, Jock.....................................199-204 Sutherland, Graham.................................. 146

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Upcoming Auction American & European Works of Art

Sybil Andrews (Canadian/British, 1898-1992), Haulers, 1929, linocut

September 20, 2013, Boston, MA

Consignment Deadline: June 21st, 2013 For more information, please contact the American & European Works of Art department at 508.970.3206, or email paintings@skinnerinc.com or prints@skinnerinc.com


Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

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Revised December 17, 2012


Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

Bid Price

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

Mail

Person

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com


Board of Directors

Administration

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

20th Century Design - Jane D. Prentiss Assistant: Shannon M. Ames American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Karen Mak, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling Couture - Anne Fallon Discovery Auctions - Anne Fallon Assistant: Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historic Arms & Militaria - Joel Bohy Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

138

Musical Instruments - David Bonsey Deputy Director: Jill Arbetter Oriental Rugs & Carpets - Gary Richards Assissant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Anne Fallon Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney


Exhibitions & Property Distribution

Finance Department

Subscriptions

Service Departments

Marlborough:

Warehouse Manager - Fred Trottier, 508.970.3261

Boston:

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Marlborough:

Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalog Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Kealyn Garner Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

139


Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

140


Parking Indoor Parking

Outdoor Parking

City Place Parking Garage 8 Park Plaza (access on Charles Street) Mon.-Fri.: up to 1 hr.-$8, $4 each additional hr., to max $20 Evenings (5pm-2:30am): $20 flat rate Sat & Sun (6am-5pm): $5 per 1/2 hr. MCCA Boston Common Garage Zero Charles Street (between the Boston Common & Public Garden) Mon.-Fri.: up to 1 hr.-$10, $4 each additional hr., up to 10m hrs. $23, to max $28 Evenings & Weekends: $12 flat rate The Four Seaons Hotel Parking Garage 200 Boylston Street $26 up to 2 hrs., $30 up to 3 hrs., $35 up to 6 hrs., $49 all day

LAZ Parking Back Bay Garage 500 Boylston Street (222 Berkeley Street) 617.266.7006 Night & Day rates: 1/2 hr.- $8, 1 hr.- $10, 1 1/2 hr.- $18, 2 hrs.- $20, 2 1/2 hrs.- $26, 3-24 hrs.- $37 Weekend Rates: 1/2 hr.- $8, $2 each additional 1/2 hr., to max $22 Motor Mart Garage 201 Stuart Street Up to 1 hr.-$8, 1 to 2 hrs.-$12, 2-3 hrs-$16/3-12 hrs.-$20/12-24 hr.-$31 weekends up to 3 hrs/$8 200 Stuart Street Garage At Revere Hotel Boston Common 200 Stuart Street 3-12 hrs.-$22 12-24 hrs.-$40

(recommended for trucks) LAZ Parking 130 Arlington Street 617.426.0604 $7 per 1/2 hr. $20 all day (weekdays only) $15 nights (starting at 4pm) and weekends Billy’s Parking 222 Stuart Street 617.632.2881 Mon-Fri 7:30am-5pm-$6 each 1/2 hr., $20 max $30 vans or trucks $25 during events in area Sat., Sun. & evenings $20 flat fee

The Taj Hotel Parking Garage 15 Arlington Street Up to 24 hrs.-$44

Boston Hotels with Skinner Corporate Rates

Boston Hotels Boston Harbor Hotel 70 Rowe’s Wharf Boston, MA 02110 Tel: 1.800.654.2000 Fax: 617.345.6799

Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617.772.5800

Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 617.723.7575

Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617.267.5300 Fax: 617.375.9648

The Ritz-Carlton Boston Common 10 Avery Street Boston, MA 02111 Tel: 617.912.3315 Fax: 617.912.3375

The Colonnade 120 Huntington Avenue Boston, MA 02116 617.424.7000

Four Seasons 200 Boylston Street Boston, MA 02116 617.351.2036

Taj Boston 15 Arlington St. Boston, MA 02116 617.536.5700

Eliot Hotel 370 Commonwealth Ave. Boston, MA 02215 617.267.1607

The Liberty Hotel 215 Charles St. Boston, MA 02114 617.224.4000

Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 1.800.228.3000 Fax: 617.424.7483

Loews Boston Back Bay Hotel 350 Stuart Street Boston, MA 02116 1.855.495.6397

The Park Plaza 64 Arlington Street Boston, MA 02116 617.426.2000 The Revere Hotel Boston Common 200 Stuart Street Boston, MA 02116 Tel: 617.482.1800 Fax: 617.451.2750

Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 1.800.228.9290 Fax: 617.236.5885

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142


Catalog Subscription Form Prices effective July 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

U.S./Canada

Quarterly Brochure

No charge

Foreign (payable in U.S. dollars only)

No charge

(Included with catalog subscription) American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Works of Art

$120

$143

Fine Jewelry

$120

$143

20th Century Design

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Fine Ceramics

$60

Fine Musical Instruments

$60

$73

Science, Technology & Clocks

$60

$73

Fine Wines

$60

$73

All Above Departments

$750

$915

Subtotal

MA residents 6.25% sales tax

Total

MasterCard/VISA #

$73

Exp. Date

Signature

Check enclosed

Name

Business Name

Mailing Address City email address

State

Zip Tel: (

)

Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100


The Robert Bunting Collection of Dance-related Art September 20, 2013 in conjunction with the Fine Prints and Paintings auctions

Fine Works of Art 508.970.3206 paintings@skinnerinc.com Leon Bakst (Russian, 1866-1924) Costume for the Marchinesse (Hunting), 1921 for THE SLEEPING BEAUTY


Fine Prints & Photography | Skinner Auction 2655B  

The May 17, 2013 Skinner auction in Boston of prints and photography covers many styles and periods spanning from the time of Albrecht Dürer...

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