Fine Prints & Photography | Skinner Auction 2635B

Page 1

American & European Works of Art Fine Prints and Photography

Sale 2635B

February 1, 2013

Boston


American & European Works of Art Fine Prints and Photography


Specialists

Robin S.R. Starr

Kathy Wong

Elizabeth C. Haff

Annie Claflin

Department Director 508.970.3259

508.970.3297

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2635B

Preview

Absentee Bidding

Friday, February 1 12PM followed by Fine Paintings & Sculpture at 4PM

Wednesday, January 30 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Thursday, January 31 12 to 8PM Friday, January 1 9 to 10AM

General Inquiries: 617.350.5400 SkinnerLive!: skinnerinc.com

View all lots online at www.skinnerinc.com cover : 79 ; frontispiece : 73 ; back cover : 248


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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

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Lots 1-261

160

Artist Index

162

Conditions of Sale

163

Absentee Bid Form

164

Company Directors & Specialty Departments

165

Administrative Staff & Client Services

166

Map & Driving Directions

167

Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 162 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013 All rights reserved MA/Lic. #2304


Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

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Fine Prints & Multiples Lots 1–220


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1 George Manuel Aarons (American, 18961980) Ruth + Naomi, unknown edition size. Titled and signed “...George Aarons� on upper edge. Plaster relief, 3 3/4 x 7 1/4 in. (9.4 x 18.4 cm), mounted onto panel. Condition: Minor soiling and rubs. $400-600

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2 Yaacov Agam (Israeli, b. 1928) Untitled, edition of 99. Signed “Agam” in felttip pen or similar l.r., numbered “33/99” in felttip pen or similar l.l. Agamograph, image size 14 7/8 x 10 1/2 in. (37.7 x 26.5 cm), framed. Condition: Not examined out of frame. $250-350

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3 Josef Albers (German/American, 18881976) Four Images: I-S Va 1, I-S Va 2, I-S Va 4, and I-S Va 5 from the I-S/SIX VARIANTS Portfolio, 1969, edition of 150, published by Ives-Sillman, Inc., New Haven (Danilowitz, 192.1, 2, 4 & 5). Each signed and dated “Albers’69” in pencil l.r., and titled and numbered “...141/150” in pencil l.r., two with the publisher’s dry stamp l.r., two identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Color screenprints on paper, image sizes approximately 21 1/4 x 27 in. (53.9 x 70.1 cm), three framed, one shrink-wrapped. Condition: Va 4 with unpressed crease to image, not examined out of frames or wrap. $2,000-3,000

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4 Josef Albers (German/American, 18881976) Plates K and L from GRAY INSTRUMENTATION II, 1975, edition of 36, published by Tyler Graphics, Bedford Village, New York (Danilowitz, 228.11-12). Both signed “Albers’” in pencil l.r., titled and numbered in pencil l.l., and with artist’s and publisher’s dry stamps l.r., the latter identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Screenprints in various grays on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed. Condition: Both with toning to edges, L floated within frame but not examined out of frame. $1,500-2,000

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5 Pierre Alechinsky (Belgian, b. 1927)

6 Vera Andrus (American, 1896-1979)

7 Richard Anuszkiewicz (American, b. 1930)

KRACH/A Portfolio of Five Works, 1973, edition of 99 plus proofs. Each signed “Alechinsky” in pencil l.r. and numbered “1/99” in pencil l.l., also signed and numbered in red pencil on the inside back cover of the portfolio. Color aquatints with collage on Japan paper, sheet sizes 30 1/4 x 22 1/8 in. (76.8 x 56.0 cm), unmatted, presented in the original portfolio cover. Condition: Deckled edges, minor creasing/ wear to deckles. $1,000-1,500

Les Trois Soeurs, 1936, edition of 25. Signed and dated “Vera Andrus ‘36” in pencil l.r., titled and numbered “...6/25” in pencil l.l. Lithograph on paper, image size 10 x 13 5/8 in. (25.4 x 34.5 cm), framed. Condition: Gentle cockling, not examined out of frame. $400-600

Plate V from SEQUENTIAL, 1972, edition of 200, published by Sanmore Editions, New York. Signed, numbered, and dated “ANUSZKIEWICZ 179/200 1972” in pencil l.r., inscribed “V” in pencil l.l. Color screenprint on paper, image size 26 x 19 1/8 in. (66.0 x 48.5 cm), framed. Condition: Not examined out of frame. $700-900

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8 Karel Appel (Dutch, 1921-2006)

9 Karel Appel (Dutch, 1921-2006)

Untitled, 1973. Signed and dated “appel 73” in pencil l.r., inscribed “ea” in pencil l.l. Color screenprint on paper, image size 26 1/4 x 21 in. (66.5 x 53.3 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $400-600

Untitled, 1974. Signed and dated “appel 74” in pencil l.r., inscribed “ea” in pencil l.l. Color lithograph on paper, image size 28 1/4 x 21 in. (71.7 x 53.2 cm), framed. Condition: Margins 3/4 inches or more, gentle rippling, not examined out of frame. $500-700

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10 Avigdor Arikha (French/Israeli, 1929-2010) Mirror with Self-Portrait and Press, 1971, edition of 30. Signed and dated “Arikha ‘71...” in pencil l.r., numbered “29/30” in pencil l.l. Etching on laid J. Whatman paper with watermarks, plate size 11 1/4 x 9 1/4 in. (28.5 x 23.3 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, gentle cockling and soiling, glue residue to right edge on verso. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $1,500-2,000

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11 Avigdor Arikha (French/Israeli, 1929-2010) R.B. Kitaj, 1982, published in 1983, edition of 50. Signed and dated “Arikha ‘83...” in pencil l.r., numbered “38/50” in pencil l.l. Soft ground etching in red and black on wove paper, plate size 10 1/8 x 13 1/4 in. (25.5 x 33.5 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, two registration pinholes just within the plate mark, two thinned spots to upper edge on verso. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $800-1,200

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12 Mario Avati (French, 1921-2009)

13 John Baeder (American, b. 1938)

Les noix de Riverdale, 1976, final state of four, proof edition outside of the edition of 100 (Passeron, 561). Signed “AVATI” in pencil l.c., numbered and titled “EPREUVE D’ARTISTE XVI/XVI...” in pencil l.l., inscribed “t8” in pencil l.r. Color mezzotint on paper, plate size 11 1/4 x 13 7/8 in. (28.5 x 35.2 cm), framed. Condition: Margins over 1/2 inch, cockling, not examined out of frame. $300-500

Empire Diner, 1976, edition of 100. Signed and dated “Baeder76” in pencil l.r., numbered “70/100” in pencil l.l., identified on a label affixed to the backing. Mezzotint on paper, plate size 8 3/4 x 13 3/4 in. (22.1 x 34.8 cm), framed. Condition: Margins over 4 inches with deckled edges, toning to edges, not examined out of frame. $500-700

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14 Ernst Barlach (German, 1870-1938) Two Images from WALPURGISNACHT, 1923: Die Trödelhexe, plate fourteen (Schult, 217); and Mephistopheles tanzend mit der Alten, plate sixteen (Schult, 219). Both signed “EBarlach” in pencil l.r. Woodcuts on paper, image sizes to 5 1/8 x 5 1/2 in. (12.8 x 13.9 cm), framed. Condition: Pale mat burn, not examined out of frames. $600-800 15 Georg Baselitz (German, b. 1938) Der Neue Typ, 1966, edition of 30. Signed and dated “Baselitz 66” in pencil l.r., numbered “24/30” in pencil l.l., identified on a label from The Alpha Gallery, Boston, affixed to the backing. Woodcut printed in brown on paper, image size 16 1/2 x 13 1/4 in. (41.8 x 33.5 cm), framed. Condition: Possible areas of bloom or similar, gentle rippling, not examined out of frame. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $1,000-1,500

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16 Leonard Baskin (American, 1922-2000)

17 Leonard Baskin (American, 1922-2000)

Anatomist, 1952, proof outside of the edition of 15 (Fern & O’Sullivan, 143). Titled, inscribed, and signed “...Artist’s proof Baskin” in pencil along the lower margin, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Woodcut printed in red and black on paper, image size 18 3/4 x 11 in. (47.5 x 28.1 cm), framed. Condition: Cockling, not examined out of frame. $300-500

Birdman in Profile, c. 1961, edition of 50. Numbered and signed “44/50 Baskin” in pencil l.r., identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Etching on paper, plate size 17 3/4 x 14 5/8 in. (45.0 x 37.0 cm), framed. Condition: Margins over 3 1/2 inches, not examined out of frame. $200-300

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18 Leonard Baskin (American, 1922-2000) Cerberus, 1969, edition of 250. Titled within the composition, numbered, titled, identified, and dated “68/250...” in a stamped inscription on the reverse. Bronze relief plaque with brown patina, diameter 6 3/4 in. (17.1 cm). Condition: Minor wear to surface l.c. $300-500 19 Leonard Baskin (American, 1922-2000) Rachel, 1976, edition of 100 (Fern & O’Sullivan, 666). Signed “Baskin” in pencil l.r., numbered “79/100” in pencil l.l., signed and dated within the matrix, printer’s or publisher’s dry stamp l.l. Color lithograph on paper, image size 38 x 26 3/8 in. (96.1 x 66.8 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $300-500

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20 Frank Weston Benson (American, 18621951) Pair of Yellowlegs, 1916, second published state of two, edition of 80 (Paff, 101). Signed “FrankWBenson.” in pencil l.l., numbered “11” in pencil l.r. Drypoint on paper, plate size 3 x 3 7/8 in. (7.5 x 10.0 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500 21 Frank Weston Benson (American, 18621951)

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Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (15.0 x 19.8 cm), matted, unframed. Condition: Margins 2 inches or more with all but the left edge deckled, subtly light-struck, minor handling creases. $400-600 22 Frank Weston Benson (American, 18621951) Cloudy Dawn, 1922, published state, edition of 150 (Paff, 215). Signed and dedicated “FrankW.Benson. To Charles H Taylor 1923.” in pencil l.l. Etching on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.0 cm), framed. Condition: Mat burn, not examined out of frame. $300-500

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23 Frank Weston Benson (American, 18621951) Yellowlegs in Sunlight, 1928, published state, edition of 150 (Paff, 285). Signed “FrankW.Benson.” in pencil l.l., initialed and dated within the plate, identified on a label from the Leamon Gallery, Cleveland, affixed to the backing. Drypoint on paper, plate size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed. Condition: Prevalent toning to upper half of image, not examined out of frame. $500-700

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24 Thomas Hart Benton (American, 18891975) I Got a Gal on Sourwood Mountain, 1938, edition of 250, published by Associated American Artists (Fath, 19). Signed “Benton� in pencil l.r., signed within the matrix, identified on a label from E. Weyhe, New York, affixed to the backing. Lithograph on paper, image size 12 1/2 x 9 1/8 in. (31.5 x 23.3 cm), framed. Condition: Mat burn, not examined out of frame. $1,500-2,000

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25 Thomas Hart Benton (American, 18891975)

26 Thomas Hart Benton (American, 18891975)

Rainy Day, 1938, edition of 250, published by Associated American Artists, New York (Fath, 23). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 8 3/4 x 13 3/8 in. (22.2 x 33.8 cm), unmatted, unframed. Condition: Margins over 1 inch with deckled edges, white paper hinges near upper corners. $1,000-1,500

Wreck of the Ol’ 97, 1944, edition of 250, published by Associated American Artists (Fath, 63). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, 10 1/4 x 15 in. (25.9 x 38.0 cm), framed. Condition: Toning, mat burn, not examined out of frame. $1,000-1,500

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27 Thomas Hart Benton (American, 18891975) Running Horses, 1955, edition of 100, circulated by Associated American Artists, New York (Fath, 78). Signed “Thomas H. Benton” in pencil l.r., signed and dated within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 12 1/2 x 16 1/2 in. (31.6 x 41.8 cm), framed. Condition: Mat burn, not examined out of frame. $1,000-1,500 28 Thomas Hart Benton (American, 18891975) 28

Sorghum Mill, 1969, edition of 250, published by Associated American Artists (Fath, 81). Signed “Benton” in pencil l.r. and within the matrix. Lithograph on paper, 9 5/8 x 13 3/4 in. (24.3 x 35.0 cm), framed. Condition: Rippling, not examined out of frame. N.B. The work is accompanied by a letter from the artist to a Dr. Barlow, November 10, 1971. $1,200-1,800

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29 William Blake (British, 1757-1827) There Were not Found Women Fair as the Daughters of Job‌, plate XX from THE BOOK OF JOB, 1825, final state of four (Binyon, 125). Identified within the plate and on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, sight size 8 1/4 x 6 1/8 in. (20.8 x 15.5 cm), framed. Condition: Not examined out of frame. Provenance: A Massachusetts collecting institution. $1,200-1,800

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30 Pierre Bonnard (French, 1867-1947) La toilette assise from MAÎTRES ET PETITS MAÎTRES D’AUJORD’HUI, 1925, first state of three, edition of 25 (Bouvet, 96). Signed “PBonnard” in pencil l.r. Lithograph on paper, image size 13 1/8 x 8 5/8 in. (33.3 x 21.8 cm), framed. Condition: Margins 1 1/2 inches or more, several fox marks, not examined out of frame. $1,000-1,500 31 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963) Port de pêche, c. 1944, from BONNARDVILLON LITHOGRAPHIES, edition of 80 (Bouvet, 117). Initialed “PB” in pencil l.r., signed within the matrix, numbered “24/80” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 19 3/4 in. (32.3 x 50.0 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $1,200-1,800

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32 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963) La baignoire, c. 1944, from BONNARDVILLON LITHOGRAPHIES, edition of 80 (Bouvet, 120). Initialed “PB” in pencil l.r., signed within the matrix, numbered “37/80” in pencil l.l. Color lithograph on paper, image size 20 x 25 1/2 in. (50.7 x 69.8 cm), framed. Condition: Rippling, not examined out of frame. Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner. $800-1,200 33 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963) Jardin au Cannet, c. 1944, from BONNARDVILLON LITHOGRAPHIES, edition of 80 (Bouvet, 126). Initialed “PB” in pencil l.r., signed within the matrix, numbered “12/17” in pencil l.l. Color lithograph on paper, image size 25 1/2 x 17 1/2 in. (64.6 x 44.4 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner. $800-1,200

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34 Georges Braque (French, 1882-1963) Untitled (Profile), page 37 from LE TIR À L’ARC, 1960, printed by Desjobert, Paris, published by Louis Broder, Paris (Vallier, 153). Signed “G Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Lithograph in brown/black on paper, image size 8 1/4 x 5 3/4 in. (20.8 x 14.5 cm), framed. Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame. $2,500-3,000

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35 Georges Braque (French, 1882-1963) L’Essor I, 1961, edition of 100, published and printed by Maeght, Paris (Vallier, 161). Signed “G. Braque” in pencil l.r., numbered “71/100” in pencil l.l., initialed within the matrix. Color lithograph on paper, image size 10 1/8 x 13 1/2 in. (25.6 x 34.2 cm), framed. Condition: Margins over 2 1/2 inches, not examined out of frame. $1,500-2,000 36 After Georges Braque (French, 1882-1963) La Chaise, edition of 300 (Vallier, p. 296; Maeght, no. 1046). Signed “G. Braque” in pencil on mount l.r., numbered “291/300” in pencil on mount l.l. Color lithograph mounted to a supporting sheet, image size 14 5/8 x 11 1/8 in. (37.0 x 28.2 cm), framed. Condition: Not examined out of frame. $1,000-1,500 36

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37 Norbertine Bresslern-Roth (Austrian, 18911978) Panther and Antelope. Signed “BresslernRoth.” in pencil l.r., inscribed “Handdruck” in pencil l.l. Color linocut on paper, image size 8 5/8 x 8 3/4 in. (21.8 x 22.2 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500 38 Gerald Leslie Brockhurst (British, 18901978) Two Portraits: La Tresse, 1926; and The Black Cloak (Mrs. Paul Mellon), 1943. Both signed “...Brockhurst...” in pencil l.r. and signed within the plate, the former identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etchings on paper, plate sizes to 9 7/8 x 8 in. (25.0 x 20.3 cm), framed. Condition: Not examined out of frames. $700-900

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39 Gerald Leslie Brockhurst (British, 18901978)

40 Gerald Leslie Brockhurst (British, 18901978)

41 Gerald Leslie Brockhurst (British, 18901978)

Two Portraits: The Basque Boy, 1927; and Head of a Girl (Anais, Mélisande), 1944. The former signed “G.L. Brockhurst” in pencil l.r., both signed within the matrix, the former identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Lithographs on paper, image sizes to 13 1/8 x 10 1/8 in. (33.2 x 25.6 cm), framed. Condition: Boy with gentle rippling and mat burn, not examined out of frames. $700-900

Dorette, 1932, edition of 111. Signed “GL Brockhurst” in pencil l.r., signed and dated within the plate, identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 9 1/4 x 7 3/4 in. (23.4 x 19.6 cm), framed. Condition: Gentle toning and rippling, not examined out of frame. $800-1,200

Jeunesse Dorée (Ophelia), 1942, edition of 100. Signed and dated “G.L. Brockhurst. 1942” in pencil l.r., signed within the plate, identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 10 7/8 x 8 7/8 in. (27.5 x 22.4 cm), framed. Condition: Gentle rippling, unobtrusive mat burn, not examined out of frame. $800-1,200

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42 Bernard Buffet (French, 1928-1999)

43 Bernard Buffet (French, 1928-1999)

Le clown sur fond vert, 1960, edition of 175 (Mourlot, 24). Signed “Bernard Buffet” in pencil l.r., numbered “64/175” in pencil l.l. Color lithograph on paper, image size 26 1/2 x 20 3/4 in. (67.3 x 52.5 cm), unmatted, unframed. Condition: Deckled right edge, mat burn, tear into image along right edge, several cuts/abrasions to image in left background, masking tape to upper edge on verso. $800-1,200

New York V, 1965, edition of 150 (Mourlot, 57). Signed “Bernard Buffet” in pencil l.r., numbered “29/150” in pencil l.l. Color lithograph on Arches paper with watermark, image size 24 1/2 x 19 1/4 in. (62.2 x 48.8 cm), framed. Condition: Margins 1 inch or more with deckled right and lower edges, water and other staining (primarily to lower margin), gentle toning, not examined out of frame. $800-1,200

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44 Bernard Buffet (French, 1928-1999)

45 Bernard Buffet (French, 1928-1999)

Saint-German-des-Prés, 1965, edition of 150 (Mourlot, 65). Signed “Bernard Buffet” in pencil l.r., inscribed “EA” in pencil l.l. Color lithograph on paper, image size 23 x 17 7/8 in. (58.3 x 45.3 cm), unmatted, unframed. Condition: Deckled right edge, subtle toning. $800-1,200

Le Moulin de la Galette, 1965, edition of 300 published by Mourlot, Paris (Sorlier, 308). Signed “Bernard Buffet” in pencil l.r., numbered “206/300” in pencil l.l., signed and dated within the matrix. Color lithograph on paper, image size 25 3/4 x 19 5/8 in. (65.3 x 49.8 cm), framed. Condition: Toning, staining to lower margin, not examined out of frame. $800-1,200

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46 Félix Hilaire Buhot (French, 1847-1898) Les Grandes Chaumières, 1881 (Bourcard/ Goodfriend, 150). Artist’s red stamp l.c. Etching and drypoint on paper, plate size 5 1/2 x 10 3/4 in. (13.9 x 27.3 cm), framed. Condition: Toning, subtle rippling, not examined out of frame. $300-500 47 Harrison Cady (American, 1877-1970) The Bishop’s Dilemma, edition of 100. Signed “Harrison Cady” in pencil l.r., numbered “Imp/100” in pencil l.l. Etching on paper, plate size 10 1/2 x 7 7/8 in. (26.5 x 19.8 cm), matted, unframed. Condition: Margins over 1 1/4 inches, unobtrusive toning. $200-250

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48 Alexander Calder (American, 1898-1976) Untitled, edition of 100. Signed “Calder” in pencil l.r., numbered “52/100” in pencil l.l. Color lithograph on paper, sight size 21 1/8 x 27 7/8 in. (53.5 x 70.6 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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49 Alexander Calder (American, 1898-1976) McGovern, 1972, edition of 200, published by Styria Studio Ltd., New York. Signed “Calder” in pencil l.r., numbered “125/200” in pencil l.l., publisher’s dry stamp l.r. Color lithograph on Rives paper with watermark, image size 28 1/4 x 22 in. (71.1 x 55.8 cm), unmatted, unframed. Condition: Deckled upper and right edges. $800-1,200 50 Alexander Calder (American, 1898-1976) Untitled, edition of 75. Signed “Calder” in pencil (within the image) l.r., numbered “57/75” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 5/8 x 29 1/2 in. (54.8 x 74.8 cm), framed. Condition: Minor creases/rubs to edges of sheet/image, not examined out of frame. $700-900

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51 Mary Cassatt (American, 1843-1926) Margot wearing a Bonnet (No. 3), c. 1902, possibly a later impression (Breeskin, 181). Unsigned. Drypoint on laid paper with partial figural watermark, plate size 9 x 6 1/4 in. (22.8 x 15.8 cm), matted, unframed. Condition: Pale foxing, gently light-struck, pencil annotations to verso. $400-600 52 Mary Cassatt (American, 1844-1926) The Party Dress, c. 1904, the second state of two, probably from the 1923 printing (Breeskin, 191). Unsigned. Drypoint on paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed. Condition: Toning, sheet sandwiched between facing and back mats (though sheet is not totally laid down). $1,000-1,500 52

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53 Mary Cassatt (American, 1844-1926) The Manicure, c. 1908, second state of two, printed by Del창tre c. 1926 (Breeskin, 199). Unsigned. Drypoint on blue paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), framed. Condition: Scattered pinpoint fox marks, not examined out of frame. Provenance: Purchased from Merrill Chase, Chicago, 1972. $1,200-1,800

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54 Paul CĂŠzanne (French, 1839-1906) Portrait du peintre Armand Guillaumin au pendu, 1873, a posthumous impression (Cherpin, 2). Unsigned. Etching on paper, plate size 6 1/8 x 4 3/4 in. (15.5 x 12.0 cm), framed. Condition: Gentle rippling and toning, not examined out of frame. $500-700

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55 Marc Chagall (French/Russian, 1887-1985) Autoportrait blanc, 1957, edition of 30 (Mourlot, 181). Signed “Marc Chagall” in pencil l.r., numbered “30/30” l.l. Lithograph on paper, image size 25 1/4 x 19 1/2 in. (64.1 x 49.3 cm), framed. Condition: Ripple or unpressed crease to image l.r., not examined out of frame.

N.B. The original invoice from Parke-Bernet Galleries, and a note card from Vera Chagall accompany the lot. $1,500-2,000

Provenance: Sotheby Parke-Bernet Galleries, Inc., New York, Nineteenth & Twentieth Century Prints, February 3, 1972, Sale 3310, Lot 196.

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56 Marc Chagall (Russian/French, 1887-1985) Le couple devant l’arbre, 1960, edition of 40 (Mourlot, 292). Signed “Marc Chagall” in pencil l.r., numbered “23/40” in pencil l.l. Lithograph on paper, image size 12 1/4 x 9 1/2 in. (31.0 x 24.0 cm), framed. Condition: Not examined out of frame. $4,000-6,000

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57 Marc Chagall (Russian/French, 1887-1985) Le bouquet de l’artiste, 1964, edition of 75 (Mourlot, 410). Signed “Marc Chagall” in pencil l.r., numbered “20/75” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 10 3/4 in. (36.7 x 27.2 cm), framed. Condition: Margins over 2 inches, not examined out of frame. $7,000-9,000

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58 Marc Chagall (Russian/French, 1887-1985) La féerie, 1969, edition of 50 (Mourlot, 576). Signed “Marc Chagall” in pencil l.r., numbered “45/50” in pencil l.l. Color lithograph on paper, image size 13 1/4 x 16 in. (33.5 x 40.5 cm), framed. Condition: Not examined out of frame. $3,000-5,000 59 Marc Chagall (Russian/French, 1887-1985) Autoportrait, 1973, edition of 50 (Mourlot, 697). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on cream paper, image size 22 3/4 x 15 5/8 in. (57.5 x 39.5 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $3,000-5,000

59

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60

60 After Marc Chagall (Russian/French, 18871985) Die Zauberflรถte, printed by Mourlot, Paris, published by Charles Sorlier, Paris. Identified within the matrix. Color lithographic poster, sight size 39 x 25 3/4 in. (99.0 x 65.3 cm), framed. Condition: Not examined out of frame. $500-700

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62

61 Brian Chippendale (American, b. 1973)

62 Corneille (Dutch, 1922-2010)

Untitled, 2006, edition of 20. Signed, numbered, and dated “Brian Chippendale 8/20 2006” on the reverse. Color screenprint on paper, image/sheet size 20 x 13 in. (50.6 x 33.0 cm), framed. Condition: Deckled upper and right edges, sheet floated in frame, soiling near edges, not examined out of frame. $300-500

Jeux d’été, 1960, edition of 210 (DonkerslootVan den Berghe, 87). Signed and dated “Corneille ‘60” in pencil l.r., numbered and titled “200/210...” in pencil l.l. Color lithograph on paper, image size 25 x 19 1/2 in. (63.4 x 49.4 cm), framed. Condition: Pale mat burn, toning, not examined out of frame. $500-700

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63 Enrique Climent (Spanish, d. 1980) Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed “Climent” in pencil l.r., identified and numbered “107” on the colophon page, dedicated “Al amigo Stanton Forbes...” in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover. Condition: Subtle toning, creasing to left edge of some sheets. Provenance: Ex-collection of artist W. Stanton Forbes (1912-1989). From 1950 to 1953 Forbes studied History of Art and Applied Arts at Mexico City College under Justino Fernandez, Lola and German Cueto, and Enrique Climent. $800-1,200

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64 Jean-Baptiste-Camille Corot (French, 17961875) Souvenir d’Italie, 1866, final state of four (Delteil, 5). Unsigned. Etching and drypoint on fine laid paper, plate size 12 5/8 x 9 1/2 in. (34.2 x 26.5 cm), framed. Condition: Margins over 1/2 inch, pale toning, pencil annotations to lower edge. $700-900 65 Jean-Baptiste-Camille Corot (French, 17961875) Le petit berger (2è planche), 1855, second state of two, probably published in 1921 (Delteil, 50). Signed within the matrix and identified on labels affixed to the backing. Cliché-verre on paper, sight size 13 1/2 x 10 1/2 in. (34.2 x 26.5 cm), framed. Condition: Minor rippling, not examined out of frame. $500-700

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66

66 José Luis Cuevas (Mexican/American, b. 1933) Seven Prints: Title Page and La Mascara from the HOMAGE TO QUEVEDO Portfolio, 1969; El Desfile, 1969, bon à tirer; Poet in the Dining Room from the MEXICAN MASTERS Suite, 1972, edition of 100; Untitled, 1972; La Maga, 1972; and Los Papeles de Salazar, 1983, edition of 100. Each signed and some dated in pencil within the images. Color lithographs on various papers and supports, image/sheet sizes to 24 1/2 x 34 1/4 in. (62.2 x 86.8 cm), unmatted, unframed. Condition: Very minor handling creases. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $3,000-5,000 67 Salvador Dalí (Spanish, 1904-1989)

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Manhattan, 1964, from the edition of 125 (Michler & Löpsinger, 112). Signed “Dali” in pencil l.r., numbered “116/125” in pencil l.l. Etching in sienna and black on paper, plate size 16 3/4 x 24 1/4 in. (42.4 x 61.5 cm), framed. Condition: Margins 1 1/4 inch or more, gentle rippling, not examined out of frame. $400-600

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68 Dorothy Dehner (American, 1901-1994) The Barn in Bolton, 1953, a proof outside of the edition of 45. Signed and dated “Dorothy Dehner ‘53” in pencil l.r., titled and annotated “...A.P.” in pencil l.l. Etching with aquatint in red and black on paper, plate size 13 3/4 x 9 7/8 in. (34.8 x 25.0 cm), framed. Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame. $800-1,200 69 James DeWoody (American, b. 1945) Follow Me, 1987, edition of 20. Monogrammed and dated “...’87” in pencil l.r., titled in pencil l.c., numbered “17/20” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color lithograph on paper, image size 11 3/4 x 19 1/2 in. (29.8 x 49.4 cm), framed. Condition: Not examined out of frame. $250-300

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70

70 Jim Dine (American, b. 1935) Black and White Cubist Venus, 1985, edition of 30, published by Pace Editions, Inc., New York (D’Oench & Feinberg, 195). Numbered, signed, and dated “30/30 J Dine 1985” in pencil beneath the image. Etching and aquatint on paper, plate size 33 3/4 x 25 7/8 in. (85.5 x 65.5 cm), framed. Condition: Margins 2 1/2 inches or more with deckled upper and lower edges, sheet floated within frame, not examined out of frame. Provenance: Pace Gallery, New York. $1,500-2,000 71 Jim Dine (American, b. 1935) The New Year’s Tree from THE ASTRA SET, 1985, edition of 300. Numbered, signed, and dated “57/300 J Dine 1985” in pencil l.l. Color lithograph and offset on paper, image size 24 1/4 x 20 in. (61.5 x 50.8 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled upper edge. $500-700

71

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72 Jim Dine (American, b. 1935) The Garrity Necklace, 1986, edition of 30, published by Pace Editions, New York (Carpenter, 5). Numbered, signed, and dated “7/30 Jim Dine 1986” in pencil l.l. Direct gravure, aquatint, and power-tool drypoint in colors on paper, plate size 47 3/4 x 35 5/8 in. (121.3 x 90.4 cm), framed. Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame. Provenance: Purchased from the Pace Gallery, New York, by the present owner. $1,800-2,200 73 Jim Dine (American, b. 1935) Jumps Out at You, No?, 1993, edition of 75, printed and published by Bill Hall and Julia D’Amario, Spring Street Workshop, New York (Carpenter, 73). Numbered, signed, and dated “67/75 Jim Dine 1993” in pencil l.l. Etching and aquatint with hand-coloring on cream paper, plate size 12 1/2 x 21 1/8 in. (31.7 x 53.5 cm), framed. Condition: Margins over 3 inches with deckled edges, sheet floated in frame, not examined out of frame. $3,500-5,500

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73

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74

74 Albrecht Dürer (German, 1471-1528) The Virgin Surrounded by Many Angels, 1518 (Boon & Scheller/Hollstein, 211). Monogrammed and dated within the block. Woodcut on laid paper, image size 11 3/4 x 8 7/16 in. (29.8 x 21.3 cm), framed. Condition: Trimmed to border of image, horizontal crease to image, affixed to mat along upper edge with several spots of glue or similar, thin spots to sheet on verso near the lower edge, pencil annotation to verso. $1,500-2,000 75 Hans Erni (Swiss, b. 1909) Der Techniker und seine Umwelt, edition of 150. Signed “Erni” in pencil l.r., numbered “53/150” in pencil l.l. Color lithograph on paper, image size 21 x 16 3/4 in. (53.3 x 42.4 cm), framed. Condition: Margins over 1 inch with deckled right and lower edges, not examined out of frame. $400-600

75

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78

76 Romain de Tirtoff, called Erté (French, 1892-1990) Automne, 1979, edition of 300 (Lee, 144). Signed “Erté” in pencil l.r., inscribed “EA” in pencil l.l. Color screenprint on paper, image size 24 x 17 1/2 in. (60.8 x 44.4 cm), framed. Condition: Not examined out of frame. $600-800 77 Richard Estes (American, b. 1932) Pressing Machinery from URBAN LANDSCAPES II, 1979, edition of 100 plus proofs (Arthur, p. 118). Signed “RICHARD ESTES” in pencil l.r., inscribed “A.P.” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 13 in. (49.7 x 32.9 cm), framed. Condition: Not examined out of frame. $1,000-1,500 78 Lyonel Feininger (German/American, 18711956) Gelmeroda, 1920, from the 1958 edition of 300, published by The Print Club of Cleveland (Prasse, W237). Unsigned, publisher’s stamp on verso, label from The Print Club of Cleveland affixed to the backing. Woodcut on Japan paper, image size 13 1/8 x 9 1/2 in. (33.2 x 24.1 cm), framed. Condition: Not examined out of frame. $400-600 77

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79 Helen Frankenthaler (American, 1928-2011) Drawing on Woodblock Proof I, 1977. Signed and inscribed “Frankenthaler (Woodcut, mulberry juice, and crayon)” in pencil l.l., identified on labels from The Morris Museum, Morristown, New Jersey, and the André Emmerich Gallery, New York, on the backing. Woodcut with mulberry juice and crayon on paper, image size 25 x 19 5/8 in. (63.4 x 49.8 cm), framed. Condition: Gentle cockling, narrow areas of pale staining near the side edges on the reverse. Provenance: Collection of the Stedawill Art Foundation, Long Island, New York. Literature: Pegram Harrison, Frankenthaler: A Catalogue Raisonné, Prints 1961-1994 (New York: Harry N. Abrams, Inc., 1996), p. 242. [See Harrison 57, Related Works, no. 2.]; Helen Frankenthaler: Monotypes & Drawings on Proofs, catalog for the exhibition (New York: André Emmerich Gallery, 1981), illustrated.

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N.B. The work presented here used one of the blocks from Frankenthaler’s four-block print Essence Mulberry. Frankenthaler worked closely with publisher Kenneth Tyler. Outside of his studio stood a mulberry tree, a very appropriate symbol for a printmaker, as the bark of the mulberry tree has been used in the making of paper for over 2,000 years. Not long after viewing an exhibition of 15th century woodcuts at the Metropolitan Museum of Art, Frankenthaler found herself in front of Tyler’s tree. It was covered with berries, and their juice put her in mind of the faded reds ubiquitous in that show, thus inspiring Essence Mulberry, and a large number of related works. This is one of the related works, where she used one of the blocks as a backdrop for her drawing. Sold to benefit Community Servings, a nonprofit food and nutrition program feeding 1300 critically ill neighbors and their families each year in eighteen communities across Massachusetts. $50,000-60,000

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79

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80

80 Paul Gauguin (French, 1848-1903) La femme aux figues, 1894, third state of three (Kornfeld, 25iii/iii). Inscribed within the plate. Etching and aquatint on laid Arches paper with watermark, plate size 10 1/2 x 16 3/8 in. (26.6 x 41.5 cm), unmatted, unframed. Condition: Mat burn margins folded under 1 3/4 inches or more outside of the plate mark, small puncture and tape/residue to upper margin. $1,000-1,500 81 Michiel Gloeckner (American, 1915-1989) Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed. Condition: Margins 1/2 inch or more. $400-600

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82 Douglas Warner Gorsline (American, 19131985) Express Stop, 1948, edition of approximately 100, published by the Society of American Etchers, New York. Signed “Douglas W Gorsline” in pencil l.r., identified on a label from The Print Cabinet, Ridgefield, Connecticut, affixed to the backing. Etching on paper, plate size 6 1/2 x 6 in. (16.4 x 15.2 cm), framed. Condition: Not examined out of frame. $600-800 83 Susan Hall (American, b. 1943) Midnight Swimmer, 1990. Signed and dated “Susan Hall 1990” in pencil l.r., titled in pencil l.l., identified on a label affixed to the backing. Color monotype on paper, image size 12 x 23 in. (30.4 x 58.3 cm), framed. Condition: Not examined out of frame. $500-700

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83A Albert William Heckman (American, 18931971) Cross-Roads, 1939, published by Associated American Artists, edition of 250 (AAA/Czestochowski, 1939.032). Signed “AlbertHeckman” in pencil l.r., titled in pencil l.l. Etching with aquatint on paper, plate size 8 7/8 x 13 3/4 in. (22.5 x 34.8 cm), framed. Condition: Mat burn, not examined out of frame. $200-250

83

83A

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84

84 Al Held (American, 1928-2005) Kyoto-Wa, 1985, edition of 100, published by Crown Point Press, San Francisco. Signed and dated “Al Held © 85” in pencil on verso, numbered “72/100” in pencil on verso. Color woodcut on paper, image size 24 5/8 x 32 3/8 in. (62.4 x 82.1 cm), framed. Condition: Not examined out of frame. $700-900 85 Damien Hirst (British, b. 1965)

85

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Windmills of My Mind from IN A SPIN/THE ACTION OF THE WORLD ON THINGS II, 2002, printer’s proof outside of the edition of 68. Signed “Damien Hirst” in pencil l.r. and within the plate, inscribed “PP” in pencil l.l., titled and dated within the plate. Color etching and engraving on paper, plate size 39 3/4 x 29 3/4 in. (100.8 x 75.5 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, minute handling creases. $4,000-6,000


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87

86 Ryan Humphrey (American, b. 1971) AK-47 from the GUNS Series, c. 2006, edition of 100. Unsigned. Silkscreen ink, gesso, and clear coat on medium-density fiberboard, 10 1/2 x 34 1/2 in. (26.7 x 87.6 cm). Condition: Subtle bubble-wrap imprint on surface. Provenance: RxArt Ball, New York, 2007. N.B. We wish to thank the artist and RxArt for their assistance cataloging the lot. $300-500

87 Friedensreich Hundertwasser (Austrian, 1928-2000) It Hurts to Wait with Love if Love is Somewhere Else, 1966, plate 3 from LOOK AT IT ON A RAINY DAY, 1971-1972, edition of 3000 (Koschatzky, 46). Signed and dated within the matrix, stamped number “02045� l.r., identified on a label from Pucker-Safrai, Boston, affixed to the reverse. Color screenprint with metal foils on paper, image size 14 1/4 x 23 3/4 in. (36.2 x 60.2 cm), framed. Condition: Rippling, sheet floated in mat, not examined out of frame. $700-900

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88

88 Alfred Heber Hutty (American, 1877-1954) Gossips, Ile de Noirmoutier, c. 1927. Signed “Alfred Hutty” in pencil l.r. Etching on paper, plate size 10 1/8 x 8 1/4 in. (25.5 x 20.8 cm), framed. Condition: Gentle toning, subtle stain to image u.r., not examined out of frame. $400-600 89 Alfred Heber Hutty (American, 1877-1954) Old St. Michael’s, Charleston. Signed “Alfred Hutty” in pencil l.r., identified on a label from Doll & Richards, Inc., Boston, affixed to the backing. Drypoint on paper, plate size 10 3/8 x 8 5/8 in. (26.2 x 21.8 cm), framed. Condition: Not examined out of frame. $700-900

89

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91

90

92

90 Helen Hyde (American, 1868-1919)

91 Helen Hyde (American, 1868-1919)

92 Helen Hyde (American, 1868-1919)

Two Images of Children: The Red Curtain, 1907 (Mason, 74); and Miss Apricot-Cloud, 1908 (Mason, 78). Both signed “Helen Hyde” in pencil within the image, with date and copyright text within the block and with clover chop to image. Color woodcuts on paper, image sizes to 7 3/8 x 5 1/8 in. (18.6 x 13.0 cm), framed. Condition: Subtle mat burn to Apricot, gentle rippling to both (more prevalent to Curtain), not examined out of frames. $250-300

Three Images of Children: The Daruma Branch, 1910 (Mason, 84); The Go-Cart, 1913 (Mason, 107); and A Windy Ride, 1913 (Mason, 113). The last two signed “Helen Hyde” in pencil within the image, each with date, monogram, clover chop, and copyright text within the block. Color woodcuts on paper, image sizes to 4 1/4 x 5 3/8 in. (10.8 x 13.5 cm), framed. Condition: Minor rippling, pale staining to Branch, not examined out of frames. $300-350

The Sacred Calf in the Bazaar at Agra, 1910 (Mason, 89). Signed “Helen Hyde” in pencil within the image l.l., numbered “12” in pencil within the image l.r., monogram, date, and copyright text within the block, clover chop to image. Color woodcut on paper, image size 9 x 9 7/8 in. (22.8 x 25.0 cm), framed. Condition: Very minor rippling, not examined out of frame. $200-250

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93 Helen Hyde (American, 1868-1919)

95 Louis Icart (French, 1888-1950)

Going to Market (Viga Canal, Mexico), 1912 (Mason, 93). Signed “Helen Hyde” in pencil within the image l.l., numbered “43” in pencil within the image l.r., monogram, date, and copyright text within the block, clover chop to image. Color woodcut on paper, image size 11 3/8 x 4 1/4 in. (28.8 x 10.7 cm), framed. Condition: Very minor rippling, not examined out of frame. $200-250

Il m’aime, 1926 (Holland et al., 263). Signed “Icart” in pencil l.r., numbered “290” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, plate size 17 1/4 x 12 5/8 in. (43.7 x 31.9 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $500-700

94 Louis Icart (French, 1888-1950) Coup de vent, 1925 (Holland et al., 235). Signed “Icart” in pencil l.r., inscribed “ep art” in pencil l.l., identified within the plate. Etching with aquatint and stencil coloring on paper, plate size 22 1/8 x 18 3/4 in. (56.2 x 47.4 cm), framed. Condition: Toning, not examined out of frame. $1,000-1,500

93

95

94

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96 Louis Icart (French, 1888-1950) 96

La cachette, 1927 (Holland et al., 308). Signed “Icart” in pencil l.r., numbered “341” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 19 x 15 1/2 in. (48.2 x 39.3 cm), framed. Condition: Toning, foxing, not examined out of frame. $500-700 97 Louis Icart (French, 1888-1950) Don Juan, 1928 (Holland et al., 330). Signed “Icart” in pencil l.r., numbered “489” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed beneath the main image. Color etching with aquatint and stencil coloring on paper, plate size 21 1/8 x 14 1/4 in. (53.3 x 36.2 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $700-900 98 After Wassily Kandinsky (Russian, 18661944) Tache rouge II, c. 1960, edition of 300. Monogrammed within the matrix, numbered “90/300” in pencil l.l. Color lithograph on paper, image size 15 1/8 x 19 7/8 in. (38.3 x 50.4 cm), framed. Condition: Mat burn, not examined out of frame. $300-500

97

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99

99 Alex Katz (American, b. 1927) Brisk Day, 1990, edition of 150 plus proofs, published by Gjon, Inc., Kyoto (Blum, 38). Signed and numbered “Alex Katz 20/150� in pencil (within the image) l.l. Color woodcut on paper, image/sheet size 36 x 29 in. (91.4 x 73.5 cm), framed. Condition: Not examined out of frame. $5,000-7,000

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100 Ellsworth Kelly (American, b. 1923) Corneilla from the THIRD CURVE SERIES, 1973-1976, edition of 16, published by Gemini G.E.L., Los Angeles (Axsom, 119). Numbered and signed “15/16 Kelly” in pencil l.r., copyright and publisher’s dry stamps l.r. Lithograph with embossing on paper, image size 21 7/8 x 29 in. (55.4 x 73.5 cm), framed. Condition: Minor rippling, sheet floated in frame, not examined out of frame. $4,000-6,000 101 Ellsworth Kelly (American, b. 1923) Colored Paper Images XVI (Yellow Curve) from COLORED PAPER IMAGES, 19761977, edition of 24, published by Tyler Graphics Ltd., Mount Kisco, New York (Axsom, 154). Signed “Kelly” in pencil l.r., numbered “22/24” in pencil l.l., publisher’s dry stamp l.r., identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Colored pressed paper pulp, image size 30 1/4 x 29 1/4 in. (76.7 x 74.2 cm), framed. Condition: Deckled edges with minor cockling to same, sheet floated in frame, not examined out of frame. $5,000-7,000

101

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102 Rockwell Kent (American, 1882-1971) Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed. Condition: Foxing, not examined out of frame. $600-800 103 Rockwell Kent (American, 1882-1971) Communing with Nature, 1934, edition of 125 (Jones, 106). Signed “Rockwell Kent” in pencil l.r., titled in pencil l.l., identified on a label from Associated American Artists affixed to the reverse. Lithograph on paper, image size 8 1/2 x 13 1/2 in. (21.5 x 34.3 cm), framed. Condition: Subtle rippling, not examined out of frame. $500-700

102

103

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104

105

104 Marguerite Kirmse (American, 1885-1954) Three of a Kind. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 6 x 9 1/2 in. (15.2 x 24.0 cm), framed. Condition: Several pale fox marks, not examined out of frame. $300-500

105 Gene (Alice Geneva Glasier) Kloss (American, 1903-1996) Desert Drama, 1977, edition of 35 (Kloss, 575). Signed “Gene Kloss -- NA.” in pencil l.r., numbered and titled “8/35...” in pencil l.l. Drypoint and aquatint on paper, plate size 11 x 17 3/4 in. (27.8 x 45.0 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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106

106 Käthe Kollwitz (German, 1867-1945) Die Witwe II from KRIEG, 1921-1922, final (published) state of seven, B edition of 100 (Klipstein, 181viib). Signed “Käthe Kollwitz” in pencil l.r., numbered “B 13/100” in pencil l.l. Woodcut on paper, image size 11 7/8 x 20 5/8 in. (30.0 x 52.2 cm), framed. Condition: Gently light-struck, not examined out of frame. $1,500-2,000

107

107 Lawrence Kupferman (American, 19091982) Two Impressions of Fantasia Americana-1880: first proof of the first state, 1942, with additional elements drawn in pencil; and the published state, 1943. Both signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l., and annotated with edition in pencil l.c. Etchings with drypoint on paper, plate sizes 11 7/8 x 14 7/8 in. (30.0 x 37.8 cm), the published state framed. Condition: Unobtrusive toning, latter not examined out of frame. $400-600

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108

109

109 Lois Lane (American, b. 1948) Untitled (Girl with Stars), 1990, edition of 15. Signed and dated “Lois Lane ‘90” in pencil l.r., numbered “9/15” in pencil l.l., identified on labels from Pace Prints, New York, and Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color woodcut and screenprint on paper, image size 35 x 27 in. (88.8 x 68.5 cm), framed. Condition: Deckled edges, sheet floated in frame, not examined out of frame. $800-1,200 110

110 William Lee-Hankey (British, 1869-1952) 108 Armin Landeck (American, 1905-1984) Shaker Stove, 1938, edition of 100 (Kraeft, 72). Signed “Landeck imp” in pencil l.r., monogrammed within the plate. Drypoint on paper, plate size 8 x 6 in. (20.3 x 15.0 cm), framed. Condition: Gentle rippling, not examined out of frame. $350-450

Two Scenes: Secrets, 1905-1906, from the monochrome edition (Hardie, x); and A Spanish Boy, 1909, proof impression (Hardie, 62). Both signed “W Lee Hankey inv. del. et imp.” in pencil and with artist’s dry stamp beneath the image, both monogrammed within the plate. Etchings with aquatint on paper, plate sizes to 8 3/8 x 6 1/2 in. (21.0 x 16.4 cm), unmatted, unframed. Condition: Margins over 3/4 inches with unobtrusive soiling. $600-800

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111

112

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113

114

111 Sol LeWitt (American, 1928-2007)

112 Roy Lichtenstein (American, 1923-1997)

113 Tod Lindenmuth (American, 1885-1976)

A Circle Divided into Eight Equal Parts, with Colours Superimposed in Each Part, 1989, edition of 40, published by Achenbach Art Edition, Düsseldorf, and Edition Schellmann, Munich. Signed and numbered “LeWitt 18/40” in pencil (within the image) l.r. Color screenprint on paper, image/sheet size 29 3/4 x 29 3/4 in. (75.4 x 75.4 cm), framed. Condition: Not examined out of frame.

As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. (64.5 x 52.7 cm), unmatted, unframed. Condition: Very minor handling marks and creases. $500-700

Along Side. Signed “Tod Lindenmuth” in pencil l.r., titled in pencil l.l. Color linocut on paper, image size 9 x 7 1/8 in. (22.7 x 18.0 cm), framed. Condition: Several pinpoint fox marks, not examined out of frame. $250-300

Provenance: Purchased from Editions Schellmann, Inc., New York, May 1990. $1,000-1,500

114 Jacques Lipchitz (French, 1891-1973) Zion, edition of 200. Signed “Lipchitz” in pencil l.r., numbered “141/200” in pencil l.l. Color lithograph on paper, image size 23 7/8 x 18 1/2 in. (60.5 x 47.0 cm), framed. Condition: Not examined out of frame. $500-700

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115

116 117

115 Sydney Mackenzie Litten (British, 18871949)

116 Louis Lozowick (Russian/American, 18921973)

117 Louis Lozowick (Russian/American, 18921973)

Salute Steps, Venice, edition of 80. Signed “SMLitten” in pencil l.r., numbered “72/80” in pencil l.l., identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etching on paper, plate size 9 7/8 x 13 7/8 in. (25.0 x 35.0 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500

Hanover Square, 1929, edition of 25 (Flint, 28). Signed and dated “LOUIS LOZOWICK ‘29” in pencil l.r., monogrammed within the matrix, identified on a label from E. Weyhe, New York, affixed to the backing. Lithograph on paper, image size 14 5/8 x 8 7/8 in. (37.0 x 22.5 cm), framed. Condition: Pinpoint foxing, mat burn, toning, not examined out of frame. $2,500-3,000

City on a Rock - Cohoes, 1931, edition of 242 plus proofs, published by The Print Club of Cleveland (Flint, 79). Signed and dated “LOUIS LOZOWICK ‘31” in pencil l.r., label from The Print Club of Cleveland affixed to the backing. Lithograph on paper, image size 8 1/8 x 12 7/8 in. (20.4 x 32.5 cm), framed. Condition: Not examined out of frame. $300-500

72

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118

118 Haku Maki (Japanese, 1924-2000) Poem 72-39, edition of 153. Signed “HAKU MAKI” in pencil l.r., chop to image l.l., titled (in both English and Japanese) in pencil l.c., numbered “47/153” in pencil l.l. Woodcut in ochre and black with embossing on paper, image size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed. Condition: Margins approximately 3/4 inches, not examined out of frame. $250-300 119 Marino Marini (Italian, 1901-1980) Il sogno del cavaliere, 1960, edition of 50 (Guastalla & Schulz-Hoffman, A61). Signed “MARINO” in pencil l.r., numbered “40/50” in pencil l.l. Etching on paper, plate size 13 7/8 x 11 3/4 in. (35.2 x 30.0 cm), framed. Condition: Margins 3/4 inches or more, not examined out of frame. $500-700 119

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120

120 Marino Marini (Italian, 1901-1980) Untitled (Plate 1) from FROM COLOR TO FORM, 1969, edition of 50 (Guastalla & Schulz-Hoffman, L92). Signed “MARINO” in pencil l.r., numbered “21/50” in pencil l.l. Color lithograph on paper, image size 15 1/2 x 20 1/2 in. (39.4 x 52.0 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. Provenance: Purchased from La Bibliofila (Carla C. Marzoli), Milan, in 1968 by the Lawrence Gallery, Kansas City, Missouri; purchased there by the present owner in 1981. $500-700 121 Marino Marini (Italian, 1901-1980) Le sacre du printemps, 1973, edition of 50 (Guastalla & Schulz-Hoffman, LR). Signed “MARINO” in pencil l.r., numbered “47/50” in pencil l.l. Color lithograph on paper, image size 12 5/8 x 9 7/8 in. (32.0 x 25.0 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $500-700 121

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122

122 Reginald Marsh (American, 1898-1954) Wrestlers, 1931, edition of 13 (Sasowsky, 113). Signed “Reginald Marsh” in pencil l.r., inscribed “#8” in pencil l.l., titled (faintly) l.l. Etching on laid paper with partial watermark, plate size 7 x 5 in. (17.7 x 12.5 cm), framed. Condition: Toning and some mat burn near edges, title probably erased, brown paper tape to edges on the reverse. $1,200-1,500

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123

123 Alessandro Mastro-Valerio (American, 1887-1953) Four Nudes: Longing; End of Day; Arising, 1942; and Bathing Nudes. Each inscribed “A. Mastro-Valerio” in pencil by members of the artist’s family l.r. Mezzotints on paper, plate sizes approximately 9 x 7 in. (22.8 x 17.5 cm), three matted, all unframed. Condition: Margins approximately 1 inch, unobtrusive toning. $500-700 124 Henri Matisse (French, 1869-1954) Circé from ULYSSES, 1935, published by the Limited Editions Club, New York (Duthuit, 237). Signed “Henri Matisse” in pencil l.r., numbered “75/150” and inscribed “The Circe Episode” in pencil l.l. Medium soft ground etching on wove paper, plate size 11 x 8 3/4 in. (27.8 x 22.2 cm), framed. Condition: Not examined out of frame. $500-700 124

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125

126

125 Jean François Millet (French, 1814-1875) Le paysan rentrant du fumier, 1855, final state of four (Delteil, 11). Signed within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing. Etching on paper, plate size 6 1/2 x 5 1/4 in. (16.4 x 13.3 cm), framed. Condition: Not examined out of frame. $400-600 126 Jean François Millet (French, 1814-1875) Le départ pour le travail, 1863, fourth state or later of seven (Delteil, 19). Signed within the plate. Etching on chine collé, plate size 15 1/4 x 12 1/4 in. (38.6 x 31.0 cm), framed. Condition: Unobtrusive foxing, staining and toning, not examined out of frame. $700-900 127 Jean-François Millet (French, 1814-1875) La fileuse auvergnate, 1886, final state of five (Delteil, 20). Signed within the plate. Etching on paper, plate size 7 3/4 x 5 1/8 in. (19.6 x 13.0 cm), framed. Condition: Rippling, not examined out of frame. $350-550

127

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128 Jean-François Millet (French, 1814-1875) La précaution maternelle, 1862, probably from the 1921 printing, edition of 150 (Delteil, 27). Signed within the matrix. Cliché-verre on paper, sight size 11 1/2 x 9 1/4 in. (29.2 x 23.4 cm), framed. Condition: Rippling, not examined out of frame. $500-700 129 Jean-François Millet (French, 1814-1875) Femme vidant un seau, 1862, probably a proof from the 1921 printing (Delteil, 28). Signed within the matrix. Cliché-verre on paper, sight size 11 3/8 x 8 7/8 in. (28.8 x 22.5 cm), framed. Condition: Rippling, fading, not examined out of frame. $300-500

128

129

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130

131

130 Joan Miró (Spanish, 1893-1983)

131 Joan Miró (Spanish, 1893-1983)

Plate from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin, 383). Initialed “M” in pencil l.r., numbered “55/75” in pencil l.l. Drypoint and aquatint in colors on paper, sheet size 19 x 23 in. (48.3 x 58.3 cm), framed. Condition: Deckling to all but upper edge, sheet floated within mat, gentle rippling, not examined out of frame. $700-900

Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 416). Initialed “M.” in pencil l.r., numbered “46/75” in pencil l.l. Lithograph on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed. Condition: Not examined out of frame. $1,500-2,000

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132

133

80

132 Joan Miró (Spanish, 1893-1983)

133 Joan Miró (Spanish, 1893-1983)

Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 417). Unsigned, numbered “46/75” in pencil l.l. Color lithograph (without the black stone) on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed. Condition: Not examined out of frame. $2,500-3,500

Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 418). Signed “Miró” in pencil l.r., numbered “46/75” in pencil l.l. Color lithograph on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed. Condition: Not examined out of frame. $5,000-7,000

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134

134 Henry Moore (British, 1898-1986) Two Women Bathing a Child II, 1973, edition of 175 (Cramer, 310). Signed “Moore” in pencil l.r., numbered “65/175” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 16 5/8 in. (36.8 x 42.2 cm), framed. Condition: Not examined out of frame. $2,000-3,000

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135 Henry Moore (British, 1898-1986) Girl Seated at Desk III, 1974, edition of 50 plus proofs (Cramer 339). Signed “Moore” in pencil l.r., dedicated “For/Mary” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 6 7/8 in. (22.5 x 17.4 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $700-900 136 Henry Moore (British, 1898-1986) Sculptural Ideas 3, 1980, edition of 50 (Cramer, 582). Signed “Moore” in pencil l.r., numbered “48/50” in pencil l.l., identified on a label from the Peter Bartlow Gallery, Chicago, affixed to the backing. Color etching with aquatint on paper, plate size 8 5/8 x 9 1/2 in. (21.8 x 24.0 cm), framed. Condition: Margins over 1 3/4 inches, not examined out of frame. $1,000-1,500

135

136

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137

137 Henry Moore (British, 1898-1986) The Three Marys, 1981, edition of 50 (Cramer, 627). Signed “Moore” in pencil l.r., numbered “22/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 9 7/8 in. (22.5 x 25.0 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $600-800 138 Henry Moore (British, 1898-1986) Kneeling Woman, 1982, edition of 50 plus proofs (Cramer, 650). Signed “Moore” in pencil l.r., numbered “44/50” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 9 7/8 in. (32.4 x 25.0 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. $1,000-1,500

138

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139

139 Henry Moore (British, 1898-1986) Mother and Child III from MOTHER AND CHILD, 1983, edition of 65 plus proofs (Cramer, 673). Signed “Moore” in pencil l.r., inscribed and numbered “PL III 53/65” in pencil l.l., signed within the plate. Color etching and aquatint on paper, plate size 8 7/8 x 7 in. (22.4 x 17.6 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. $1,000-1,500

84

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140

140 Robert Motherwell (American, 1915-1991)

141 No lot.

Untitled (Cultural Foundation of New York City) from the NEW YORK PORTFOLIO, 1982, edition of 250 plus proofs, printed by Tyler Graphics, Ltd., Bedford Village, New York, published by the New York Graphics Society, Greenwich, Connecticut (Engberg & Banach, 293). Signed and numbered “RMotherwell 201/250” in pencil l.r., printer’s dry stamp l.r. Color lithograph on paper, image size 29 1/4 x 22 5/8 in. (74.2 x 57.4 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases. $300-500

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85


143

142

142 Shiko Munakata (Japanese, 1903-1975)

143 Alice Neel (American, 1900-1984)

Bitan no Saku (April) from MUNAKATA NO SAKU, 1956, printed in 1985. Signed with chop and with facsimile signature. Woodcut on paper, image size 13 1/4 x 11 in. (33.5 x 27.8 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $500-700

Victoria and Cat, 1981. Signed and dated “Neel ‘81” in pencil l.r., numbered “HC 1/3” in pencil l.l., two dry stamps l.l., identified on labels from Graham Modern, New York, and Kristina Wasserman Gallery, Providence, Rhode Island, on the backing. Color lithograph on paper, image size 40 1/8 x 26 in. (101.7 x 66.0 cm), framed. Condition: Margins over 2 inches, with deckled left and lower edges, sheet floated in frame, gentle rippling, not examined out of frame. $800-1,200

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144

144 Bruce Onobrakpeya (Nigerian, b. 1932) Urholo (Red Base), 1973, edition of 20. Signed and dated “Bruce Onobrakpeya, Lagos Aug 1973” in pencil l.r., numbered, titled, and inscribed “5/20...-Deep Etching” in pencil l.l. Color etching and aquatint on paper, plate size 23 5/8 x 18 in. (59.8 x 45.6 cm), framed. Condition: Not examined out of frame. $400-600 145 Jules Pascin (French, 1885-1930) Cendrillon accroupie from CENDRILLON, 1929. Initialed within the plate, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Soft ground etching with aquatint on paper, plate size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700 145

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146

147

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148

146 Pablo Picasso (Spanish, 1881-1973)

147 Pablo Picasso (Spanish, 1881-1973)

148 Pablo Picasso (Spanish, 1881-1973)

Salomé from LA SUITE DES SALTIMBANQUES, 1905, from the 1913 edition of 250, published by Ambrose Vollard, Paris (Bloch, 14). Signed and dated within the plate. Etching and drypoint on paper, plate size 15 3/4 x 13 5/8 in. (40.0 x 34.5 cm), framed. Condition: Toning, staining, foxing, not examined out of frame. $1,500-2,000

Nu assis entouré d’equisses de bêtes et d’hommes from LE CHEF D’OEUVRE INCONNU, 1927, edition of 99 (Bloch, 91). Signed “Picasso” in brown ink l.r., numbered “11/99” in brown ink l.l. Etching on paper, plate size 7 5/8 x 10 7/8 in. (19.3 x 27.5 cm), framed. Condition: Toning, not examined out of frame. $3,000-5,000

Couple et Enfant from LYSISTRATA, 1934, edition of 150 (Bloch, 268). Signed “Picasso” in pencil l.l., numbered “150/141” in pencil l.r. Etching on wove paper, plate size 8 1/8 x 5 3/8 in. (20.5 x 13.5 cm), unmatted, unframed. Condition: Margins 2 3/4 inches or more, several pinpoint fox marks, subtle handling marks and creases. $2,500-3,500

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149

149 Pablo Picasso (Spanish, 1881-1973) Portrait of Max Jacob from CHRONIQUE DES TEMPS HÉROÏQUES, 1956, edition of 60 (Bloch, 804). Signed “Picasso” in red pencil l.c., numbered “26/60” in pencil l.l., dated within the plate. Drypoint on paper, plate size 7 3/4 x 5 3/4 in. (19.5 x 14.5 cm), framed. Condition: Mat burn, not examined out of frame. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $4,000-6,000

90

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150 Pablo Picasso (Spanish, 1881-1973) La vieux roi, 1959, edition of 1,000 (Bloch, 869). Signed in the stone (in red) l.r. Lithograph on paper, image size 25 3/4 x 19 3/4 in. (65.3 x 50.2 cm), unmatted, unframed. Condition: Small tear to left edge, subtle toning. $800-1,200 150A Pablo Picasso (Spanish, 1881-1973) Dans l’Atelier: Modèle et Deux Amateurs, 1966, printed in 1981, published by Galerie Louise Leiris, Paris (Bloch, 1438). Stamped signature l.r., numbered “E.A. V/XV” in pencil l.l. Etching and aquatint on paper, plate size 8 3/4 x 12 1/2 in. (22.2 x 31.6 cm), framed. Condition: Margins 2 1/2 inches or more with deckled edges, sheet floated within mat, not examined out of frame. $3,000-5,000

150

150A

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151

151 After Pablo Picasso (Spanish, 1881-1973) Tête de Faune, c. 1958, edition of 300, published by Crommelynck, Paris. Signed “Picasso” in pencil l.r., numbered “163/300” in pencil l.l. Color soft ground etching with aquatint on paper, plate size 11 7/8 x 10 in. (30.0 x 25.5 cm), framed. Condition: Laid down, pale mat burn, margins 1 inch or more, rub to lower margin near right corner. $4,000-6,000

92

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152

152 After Pablo Picasso (Spanish, 1881-1973) Picasso Arts, Inc., New York, 1965, edition without banners, published by Les Editions Cercle d’Art, Paris (Czwiklitzer, 218). Signed, dated, and dedicated within the matrix, publication text to lower corners. Color lithograph on paper, image size 14 1/2 x 21 in. (36.8 x 53.3 cm), framed. Condition: Margins 3 inches or more, not examined out of frame. $800-1,200

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153

154

153 Pablo Picasso (Spanish, 1881-1973)

154 Pablo Picasso (Spanish, 1881-1973)

Bird with Worm, 1952, edition of 500 (Ramie, 172). Inscribed “EDITION PICASSO” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned white earthenware clay with white enamel and black glaze, diameter 5 3/4 in. (14.5 cm). Condition: Minor soiling. $1,500-2,000

Bird on a Branch, 1952, edition of 500 (Ramie, 175). Inscribed “EDITION PICASSO” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned white earthenware clay with white enamel and black glaze, diameter 5 3/4 in. (14.5 cm). Condition: Minor soiling. $1,200-1,800

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155

155 Lucien Pissarro (French, 1863-1944), After Camille Pissarro (French, 1831-1903) Les guardeuses des vaches, c. 1893. Signed and identified within the block. Woodcut on paper, image size 4 3/4 x 6 3/4 in. (12.2 x 17.0 cm), framed. Condition: Not examined out of frame. $300-500 156 Serge Poliakoff (Russian, 1906-1969) Composition Rouge, Jaune et Bleue, 1957, edition of 200 (Poliakoff/Schneider, 13). Signed “Serge Poliakoff” in pencil l.r., numbered “14/200” in pencil l.l. Color lithograph on paper, image size 22 5/8 x 17 3/8 in. (57.3 x 44.0 cm), framed. Condition: Pale mat burn, toning, not examined out of frame. $4,000-5,000 156

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157

157 Fairfield Porter (American, 1907-1975) Street Scene, 1969, edition of 100, printed by Mourlot, New York, published by Brooke Alexander, Inc., New York (Ludman, 18). Signed “Fairfield Porter” in pencil l.r., numbered “35/100” in pencil l.l. Color lithograph on paper, image/sheet size 22 1/4 x 30 in. (56.4 x 76.0 cm), framed. Condition: Deckled right and lower edges, gentle toning, sheet floated in frame, not examined out of frame. $1,000-1,500 158 Jean François Raffaëlli (French, 1850-1924) Le bon homme venant de peindre sa barrière, 1904 (Delteil, 55). Numbered and signed “no 48 J.F. Raffaëlli” in pencil l.r. Color etching and drypoint on paper, plate size 10 3/4 x 7 5/8 in. (27.2 x 19.3 cm), framed. Condition: Minute abrasions to right edge of image, pale mat burn, not examined out of frame. $500-700 158

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159

159 Robert Rauschenberg (American, 19252008) Sink, 1964, artist’s proof outside of the edition of 43, published by Universal Limited Art Editions, Bay Shore, New York. Titled, signed, dated, and inscribed “...RAUSCHENBERG 1964 A.P. 1/2” in pencil l.r., publisher’s dry stamp u.r. (inverted). Offset lithograph on paper, image size 14 1/4 x 16 1/2 in. (36.2 x 42.0 cm), framed. Condition: Margins over 3 1/2 inches with deckled edges, not examined out of frame. $4,000-6,000

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160 Man Ray (American, 1890-1976) Sheila from LA BALLADE DES DAMES HORS DU TEMPS, 1970, edition of 75 (Anselmino, 60). Signed “Man Ray” in pencil l.r., numbered “30/75” in pencil l.l. Etching and color aquatint on Arches paper with watermark, plate size 19 5/8 x 14 1/4 in. (49.7 x 36.1 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges. $700-900 161 Odilon Redon (French, 1840-1916) Il tombe à l’abîme, la tête en bas, plate 17 from TENTATION DE SAINT-ANTOINE (troisième série), 1896 (Mellerio, 150). Unsigned. Lithograph on chine collé, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed. Condition: Sheet disadhering from support, pencil annotations beneath image, not examined out of frame. $500-700 160

161

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162

162 Rembrandt van Rijn (Dutch, 1606-1669) The White Negress, c. 1630, a lifetime impression (Bartsch/Hollstein, 357ii/ii). Unsigned, various collectors’ stamps (see below) on the reverse. Etching on laid paper, plate size 3 7/8 x 3 in. (9.7 x 7.5 cm), framed. Condition: Margins 1/8 inch or more with nicks and loss to left margin (all outside of the plate mark) and repairs to upper margin (going just into the plate mark), dry impression, gentle toning, hinge and glue residue to upper and right edges on verso.

Provenance: Kupferstichkabinett der Staatlichen Museen, Berlin, collector’s stamp (Lugt, 1606 and duplicate stamp Lugt, 234); Karl Ferdinand Friedrich von Nagler (17701846) stamped twice (Lugt, 2529). $1,000-1,500

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163 Pierre-Auguste Renoir (French, 1841-1919) Etude pour une baigneuse, c. 1906, second state (Stella, 16). Stamped signature l.r. Etching on paper, plate size 8 3/4 x 6 5/8 in. (22.2 x 16.8 cm), framed. Condition: Toning, not examined out of frame. $1,800-2,200 164 Pierre-Auguste Renoir (French, 1841-1919) Baigneuse debout, Ă mi-jambes, c. 1910 (Stella, 23). Unsigned. Etching on laid paper, 6 9/16 x 4 7/16 in. (16.6 x 11.3 cm), matted, unframed. Condition: Margins over 2 3/4 inches with deckling to all but the upper edge, pale staining to right margin, light-struck within mat opening. $400-600 163

164

100

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165

167

166

165 Robert Riggs (American, 1896-1970)

166 Larry Rivers (American, 1923-2002)

Casualty Award, 1942-1945 (Bassham, 83). Signed within the matrix. Lithograph on paper, image size 15 1/2 x 12 3/8 in. (39.3 x 31.5 cm), unmatted, unframed. Condition: Margins over 1 1/2 inches with deckled edges to two sides, gently lightstruck, old hinges to verso along upper edge. $250-300

Bronx Zoo, 1983, edition of 250, published by the New York Graphic Society, Greenwich, Connecticut, printed by Styria Studio, New York. Numbered, signed, and dated “93/250 Larry Rivers ‘83” in pencil l.r., printer’s dry stamp l.l. Color lithograph on paper, image/ sheet size 26 x 34 in. (66.0 x 86.3 cm), unmatted, unframed. Condition: Minor handling creases. $500-700

167 Cristoforo di Michele Robetta (Italian, 1462-c. 1535) Allegory of the Power of Love, a modern impression (Bartsch, 18; Print Collector’s Quarterly, 36; Hind, D.II.29). Signed within the plate, identified on a label from E. Weyhe, New York, affixed to the backing. Engraving on paper, sight size 11 3/4 x 10 5/8 in. (29.8 x 26.8 cm), framed. Condition: Gentle toning, not examined out of frame. $500-700

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101


168 Georges Rouault (French, 1871-1958) La Parade from CIRQUE, c. 1930, edition of 270 (Wofsy, 211). Unsigned. Color etching with aquatint on paper, plate size 12 x 10 1/2 in. (30.4 x 26.5 cm), framed. Condition: Not examined out of frame. $3,500-5,500 169 Georges Rouault (French, 1871-1958) Les disciples, 1936, from PASSION, 1939, total edition of 270, published by Ambrose Vollard, Paris (Wofsy, 352). Initialed and dated within the plate. Color etching and aquatint on paper, plate size 12 x 8 5/8 in. (30.6 x 21.6 cm), framed. Condition: Margins 2 inches or more with deckled edges, several fox marks, brown paper tape to upper edge on the reverse, white cloth tape to lower edge on the reverse, corrugation staining (more prevalent to verso). $1,000-1,500

168

169

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170

170 Ed Ruscha (American, b. 1937) Every Building on the Sunset Strip/A Book, 1966, edition of 1,000. Identified on the title page. Offset lithographs on attached and accordioned sheets, book size 7 1/8 x 5 5/8 in. (17.9 x 14.3 cm), presented in the original Mylar-covered slipcase. Condition: Minor wear (primarily to case). $2,500-3,500 171 Kiyoshi Saito (Japanese, 1907-1997) Maiko. Signed “Kiyoshi Saito� in pencil (within the image) l.l. Color woodcut on paper, image size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed. Condition: Faint annotations to lower margin, not examined out of frame. $250-300

171

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103


172 Mike Schacht (American, 1936-2001) Joe DiMaggio, 1992, edition of 50. Signed and dated “M. Schacht 92” in pencil l.r., numbered “14/50” in pencil l.l. Aquatint on paper, plate size 14 3/4 x 9 7/8 in. (37.4 x 25.0 cm), framed. Condition: Not examined out of frame. $200-300 173 Mike Schacht (American, 1936-2001) Ted William’s Last Home Run, 1993, proof edition of 9. Signed and dated “M. Schacht 93” in pencil l.r., signed within the matrix, numbered “AP 2/9” in pencil l.l. Screenprint in black and grays on paper, image size 17 3/4 x 24 in. (45.0 x 60.8 cm), framed. Condition: Not examined out of frame. $300-500

172

173

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174

174 Louis Schanker (American, 1903-1981) Circle Image No. 25, 1954-1955, edition of 10. Signed “Schanker” in pencil l.r., numbered “4/10” in pencil l.l. Color woodcut on paper, image size 14 x 17 7/8 in. (35.5 x 45.3 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500 175 Sean Scully (Irish/American, b. 1945) Standing I, 1986, edition of 35. Signed and dated “Sean Scully 86” in pencil l.l., titled in pencil l.c., numbered “34/35” in pencil l.r. Color woodcut on Japan paper, image size 39 7/8 x 30 in. (101.1 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases near edges. $3,500-4,500

175

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176

176 Ben Shahn (American, 1898-1969), Stefan Martin, engraver (American, b. 1936) Martin Luther King, 1966, edition of 300, published by International Graphic Arts Society, Inc., New York (Prescott, 72). Signed “Ben Shahn” in brown ink and with chop l.r., signed “Stefan Martin Sc.” in pencil l.l., numbered “77/300” in pencil l.l. Wood engraving on Japan paper, image size 18 3/4 x 15 1/4 in. (47.5 x 38.6 cm), framed. Condition: Gentle toning, water or similar staining to lower edge. $700-900

106

177

177 William Sharp (American, 1900-1961) Lincoln Park Marabous, c. 1940. Signed “Wm Sharp” in pencil l.r. Etching and aquatint on paper, plate size 11 x 8 3/4 in. (27.6 x 22.3 cm), matted, unframed. Condition: Margins over 3/4 inches. $300-500

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178

179

178 Harry Shokler (American, 1896-1978)

179 Alexis Smith (American, b. 1949)

Coney Island, 1942, edition of 100. Signed within the matrix. Color screenprint on paper, image size 12 5/8 x 16 in. (32.0 x 40.5 cm), framed. Condition: Not examined out of frame. $300-500

Boy’s Life, 1989, edition of 50. Numbered, titled, signed, and dated “39/50...Alexis Smith 1989” in pencil l.r., dry stamp l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color lithograph with collage on paper, image size 24 3/4 x 35 in. (62.8 x 88.8 cm), framed. Condition: Not examined out of frame. $600-800

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107


180

180 Raphael Soyer (American, 1899-1987) Casting Office, 1945, edition of 250, published by Associated American Artists (Cole, 65; AAA/Czestochowski, 1945.078). Signed “Raphael Soyer� in pencil l.r., signed within the matrix, titled in pencil l.l. Lithograph on paper, image size 9 3/4 x 12 7/8 in. (24.6 x 32.5 cm), framed. Condition: Not examined out of frame. $400-600

108

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181

181 Andrew Spence (American, b. 1947) Untitled (Window), 1990, edition of 50. Signed and dated “ASpence90” in pencil l.r., numbered “26/50” in pencil l.l., identified on a label (see below) affixed to the backing. Color linocut on paper, image size 20 x 9 in. (50.7 x 22.7 cm), framed. Condition: Margins 3 inches or more, sheet floated in frame, not examined out of frame. Provenance: Ex-collection of the Maccabees Mutual Life Insurance Company, Southfield, Michigan, according to label. $500-700

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109


181A

181A Donald Sultan (American, b. 1951) Five Lemons, a Pear, and an Egg, 1994, from the proof edition of 25. Titled, dated, and initialed “...March 1994 DS” in pencil in the left margin, numbered “AP 18/25” in pencil l.r. Color screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm), framed. Condition: Not examined out of frame. $1,000-1,500 181B Antoni Tàpies (Spanish, 1923-2012) Empreintes de pas, 1972, edition of 75 (Galfetti, 341). Signed “tàpies” in chalk or similar l.r., numbered “63/75” in chalk or similar l.l. Color offset lithograph with applied gravel on paper, image/sheet size 36 x 24 3/4 in. (91.4 x 62.8 cm), framed. Condition: Hinged at edges to backing mat, crease to corner l.l. Exhibitions: Tàpies, Nielsen Gallery, Boston, September 1976. $1,500-2,000 182 Prentiss Taylor (American, 1907-1991) Experience Meeting, Massydony, 1934, edition of 25 (Rose, 39). Signed and dated “Prentiss Taylor May 1934” in pencil l.r., titled and annotated “...25 prints” in pencil l.l., initialed and dated within the matrix. Lithograph on paper, image size 9 1/4 x 13 3/8 in. (23.4 x 33.9 cm), framed. Condition: Not examined out of frame. $200-250

181B

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182

183 Mark Tobey (American, 1890-1976) Pensées germinales, 1972, published in 1973 by The Print Club of Cleveland (Heidenheim, 35). Signed “Tobey” in pencil l.r., identified in text affixed to the backing. Drypoint in blue and brown on paper, plate size 9 3/8 x 5 3/4 in. (23.7 x 14.5 cm), framed. Condition: Rippling, not examined out of frame. $400-600

183

184 Mark Tobey (American, 1890-1976) Companionship from SALUTE TO TOBEY, 1974, edition of 100, published by Edition de Beauclair, Frankfurt am Main (Heidenheim, 46). Signed “Tobey” in pencil l.r., numbered “3/100” in pencil l.l., signed within the plate, publisher’s dry stamp l.l. Color soft ground etching with aquatint on buff paper, plate size 13 5/8 x 9 3/4 in. (34.5 x 24.6 cm), unmatted, unframed. Condition: Margins over 4 1/2 inches with deckled edges. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $800-1,200

184

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185

185 Henri de Toulouse-Lautrec (French, 18641901) Yvette Guilbert dans Colombine Ă Pierrot, 1894, probably from the 1950 edition (Adriani, 90). Monogrammed within the matrix. Lithograph printed in olive on paper, image size 8 5/8 x 4 3/8 in. (21.8 x 11.0 cm), framed. Condition: Not examined out of frame. $500-700

112

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186

186 Victor Vasarely (Hungarian/French, 19081997) Pamir, 1950-1951, edition of 100. Signed “Vasarely-” in pencil l.r., numbered “54/100” in pencil l.l. Color screenprint on paper, image size 16 1/2 x 13 1/2 in. (41.8 x 34.2 cm), unmatted, unframed. Condition: Margins over 3 inches, subtle toning, annotations to lower margin. $300-500 187 Victor Vasarely (French/Hungarian, 19061997) Untitled (Black and White). Signed “Vasarely-” in pencil l.r. Screenprint with embossing on paper, image size 10 1/4 x 9 3/4 in. (25.9 x 24.6 cm), framed. Condition: Not examined out of frame. $300-350 187

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188

188 Victor Vasarely (Hungarian/French, 19081997) Four Plates from CTA 102/A Portfolio of Eight Works, 1966, edition of 150, published by Edition Denise René, Paris. Each signed “Vasarely-” in pencil (within the image) l.c., numbered “114” and identified on the colophon. Color screenprints on paperboard, sheet/image sizes 27 3/4 x 27 3/4 in. (70.4 x 70.4 cm), unmatted, presented in the original clamshell box. Condition: Extremely subtle rubs to surfaces. $1,200-1,800

114

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189

189 Victor Vasarely (French/Hungarian, 19061997) Cosca II, edition of 325. Signed “Vasarely-” in pencil l.r., numbered “217/325” in pencil l.l., identified in information encapsulated on the backing. Color screenprint on paper, image size 18 3/4 x 18 3/4 in. (47.5 x 47.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $300-500 190 Victor Vasarely (Hungarian/French, 19061997) Torony II, 1988, edition of 175, published by Circle Gallery, New York. Signed “Vasarely-” in ink l.l. and numbered “17/175” in ink l.r. Hand-painted acrylic on wood, 24 3/8 x 18 x 2 7/8 in. (61.9 x 45.7 x 7.3 cm). Condition: Minor abrasions to edges, fading to signature, small repair to one corner of base. Provenance: Acquired from Circle Gallery, New York, c. May 11, 1987; private collection. $5,000-7,000

190

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115


191

191 Victor Vasarely (French/Hungarian, 19061997) Torony III, 1989, edition of 200. Signed “Vasarely-” in pencil l.r., numbered “132/200” in pencil l.l. Color screenprint on paper, image size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), framed. Condition: Not examined out of frame. Provenance: Purchased from the Circle Gallery - Soho, New York, 1989. $300-500 192 Victor Vasarely (French/Hungarian, 19061997) Untitled (Red and Blue), edition of 80. Signed “Vasarely-” in pencil l.r., numbered “37/80” in pencil l.l. Color screenprint on paper, image size 14 1/8 x 13 3/8 in. (35.8 x 33.9 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700 192

116

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193 Jacques Villon (French, 1875-1963)

193

Le petit manège rue Caulaincourt, 1905, edition of 50 (Ginestet & Pouillon, E135). Signed “Jacques Villon” in pencil l.r., signed and dated within the plate. Color etching with aquatint on paper, plate size 15 3/4 x 19 1/2 in. (40.0 x 49.5 cm), framed. Condition: Margins over 3/4 inches, images gently light-struck, soiling and annotations to margins. Provenance: Ex-collection of Louis Carré, Paris. $1,800-2,200 194 Jacques Villon (French, 1875-1963) René a bicyclette, alternatively titled Un début, 1906, edition of 50 (Ginestet & Pouillon, E152). Signed “Jacques Villon” in pencil l.r., numbered “9/50” in pencil l.l., signed and dated within the plate. Drypoint and aquatint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed. Condition: Not examined out of frame. Provenance: Ex-collection of Louis Carré, Paris. Literature: Daniel Robbins, Jacques Villon (Cambridge, Massachusetts: Fogg Art Museum, Harvard University, 1976), illustration no. 16. $800-1,200

194

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195

196

195 Jacques Villon (French, 1875-1963) Jeune serveuse from IMPRESSIONS, c. 1906, edition of 50, published by Sagot (Ginestet & Pouillon, E216). Signed “Jacques Villon” in pencil l.l. Color lithograph on fine China paper, image size 5 3/4 x 2 3/4 in. (14.5 x 6.8 cm), framed. Condition: Several pale fox marks, subtly light-struck. $500-700

196 Jacques Villon (French, 1875-1963), After Marcel Duchamp (French, 1887-1968) La Mariée, 1934, edition of 200 plus proofs, published by Galerie-Bernheim Jeune, Paris (Ginestet & Pouillon, E672). Signed Jacques Villon” in pencil l.l. and “Marcel Duchamp” in pencil l.r., numbered “39/200” in pencil l.c. Color aquatint on cream Arches paper with watermark, plate size 19 5/8 x 12 3/8 in. (49.7 x 31.3 cm), matted, unframed. Condition: Margins 2 3/4 inches or more with deckled upper edge, even toning, indentation to margin surface u.r., two registration pinholes within image. N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,500-2,000

118

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197 Jacques Villon (French, 1875-1963) Maternité, c. 1952, final state of four, edition of 75 (Ginestet & Pouillon, E534). Signed “Jacques Villon” in pencil l.r., numbered “15/75” in pencil l.l., signed within the plate. Etching on paper, plate size 11 x 7 3/8 in. (27.8 x 18.6 cm), framed. Condition: Gentle rippling, not examined out of frame. $400-600


197

198

198 Jacques Villon (French, 1875-1963) Portrait de P. de Massot, 1959, edition of 8 (Ginestet & Pouillon, E588). Signed “Jacques Villon” in pencil l.r., numbered “6/8” in pencil l.l., signed, inscribed, and dated within the plate. Etching printed in green on paper, plate size 6 x 4 5/8 in. (15.2 x 11.5 cm), framed. Condition: Not examined out of frame. $400-600 199 Jacques Villon (French, 1875-1963) Hommage à Rimbaud, 1962, edition of 92. Signed “Jacques Villon” in pencil l.r. and within the plate, numbered “26/92” in pencil l.l., identified on a label from Kennedy Galleries, Inc., New York, affixed to the backing. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700

199

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119


200

200 Maurice de Vlaminck (French, 1876-1958) Le toit rouge from EN NOIR ET EN COULEUR, 1962, from the edition of 100. Signed “Vlaminck” in pencil l.r., titled in pencil l.c., numbered “82/100” in pencil l.l., signed within the matrix. Color lithograph on paper, image size 13 3/8 x 18 1/2 in. (34.0 x 46.9 cm), framed. Condition: Not examined out of frame. $600-800

120

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201

201 Andy Warhol (American, 1928-1987) Liz, 1964, edition c. 300, published by Leo Castelli Gallery, New York (Feldman & Schellmann, II.7). Signed and dated “Andy Warhol 65� in blue ballpoint pen l.r. Color offset lithograph on paper, image size 22 x 21 15/16 in. (55.7 x 55.5 cm), framed. Condition: Laid down to cardboard, very subtle fading, staining to image l.l. and to all edges of sheet.

Provenance: From the artist to Mr. and Mrs. James Henry Simpson and Nancy Simpson, Circular Cellar Shop, Provincetown, Massachusetts, then by descent to the present owner. $7,000-9,000

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121


202

202 Andy Warhol (American, 1928-1987) Campbell’s Soup Can on Shopping Bag (Tomato soup), 1966, printed by the Institute of Contemporary Art, Boston, October 1966 (Feldman & Schellmann, II.4A). Unsigned, identified within the matrix l.c. Color silkscreen on a shopping bag, 19 1/2 x 16 15/16 in. (49.5 x 42.9 cm), unframed, shrink-wrapped. Condition: Minor handling creases, folded as issued. $3,000-4,000 203 Andy Warhol (American, 1928-1987) Untitled from FLOWERS (HANDCOLORED), 1974, edition of 250 plus proofs (Feldman & Schellmann, II.116). Initialed “AW” in pencil l.r. Screenprint with hand-coloring on paper, image size 24 1/2 x 26 5/8 in. (62.0 x 67.5 cm), framed. Condition: Deckled edges, not examined out of frame. $1,500-2,000 203

122

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204

204 Andy Warhol (American, 1928-1987) Northwest Coast Mask from COWBOYS AND INDIANS, 1986, edition of 250, published by Gaultney, Klineman Art, Inc., New York (Feldman & Schellmann, II.380). Numbered and signed “147/250 Andy Warhol” in pencil l.r., dry stamp l.l. Color screenprint on Lenox Museum Board paper, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Sheet floated in Plexiglas frame, minute wear to corners, not examined out of frame. $10,000-15,000

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123


205 Carrie Mae Weems (American, b. 1953) 205

124

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Not Manet’s Type, 2001, edition of 40, published by Segura Publishing Company, Tempe, Arizona. Signed and dated “Carrie M. Weems. 2001” in pencil l.r., numbered “13/40” in pencil l.l., publisher’s dry stamp l.r. Photolithograph on paper, image size 27 1/8 x 17 in. (69.0 x 43.1 cm), framed. Condition: Minor handling creases near corners, not examined out of frame. $2,000-2,500


206

206 Neil Welliver (American, 1929-2005) Night Scene, 1981-1982, edition of 90 (Welliver, pp. 62-63). Stamped signature “Welliver” l.r. Color relief print on paper, image size 10 1/2 x 14 in. (26.5 x 35.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $1,200-1,500 207 Neil Welliver (American, 1929-2005) Birches, 1982-1983, edition of 100 plus proofs (Welliver, p. 64). Signed “Welliver” in ink l.r. Color aquatint on paper, plate size 18 x 17 3/4 in. (45.7 x 45.0 cm), framed. Condition: Margins 2 inches or more, gentle rippling to sheet, not examined out of frame. $700-900

207

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208

208 Neil Welliver (American, 1929-2005) Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed. Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame. $800-1,200

126

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209

209 Stow Wengenroth (American, 1906-1978) Two Allegorical Scenes: Composition (New York, New York), 1933, edition of 20 (Stuckey, 39); and Exodus (New York, New York), 1933, edition of approximately 20 (Stuckey, 40). Both signed “Stow Wengenroth” in pencil l.r. Lithographs on paper, image sizes to 10 x 17 5/8 in. (25.4 x 44.7 cm), framed. Condition: Not examined out of frames. $400-600

210

210 Stow Wengenroth (American, 1906-1978) Abandoned Light (Dark Harbor, Maine), 1940, edition of 132 (Stuckey, 102). Signed “Stow Wengenroth” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 3/8 x 12 3/4 in. (21.3 x 32.3 cm), framed. Condition: Not examined out of frame. $300-500 211 Stow Wengenroth (American, 1906-1978) The Captain’s House (Monhegan, Maine), 1945, edition of 60 (Stuckey, 151). Signed “Stow Wengenroth” in pencil l.r., inscribed “Proof” in pencil l.l. Lithograph on paper, image size 7 5/8 x 13 1/2 in. (19.3 x 34.2 cm), matted, unframed. Condition: Margins over 1 inch with deckled left and lower edges, subtle toning. $300-500

211

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212

212 Tom Wesselmann (American, 1931-2004) Helen Nude, 1981, edition of 150. Signed, dated, and numbered “Wesselmann 81 119/150� in pencil l.r. Color screenprint on paper, image size 31 x 32 in. (78.7 x 81.0 cm), framed. Condition: Not examined out of frame. $5,000-7,000

128

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213

213 Tom Wesselmann (American, 1931-2004) Seascape Dropout, 1982, from the proof edition of 9. Signed, dated, and numbered “Wesselmann 82 AP3/9� in pencil (within the image) l.c. Color woodcut on paper, image/ sheet size 21 3/4 x 25 in. (55.2 x 63.4 cm), framed. Condition: Deckled upper and right edges, not examined out of frame. $4,000-6,000

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129


214

214 James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, sixth or later state of eight (Kennedy, 47). Signed and dated within the plate. Etching on laid paper, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted, unframed. Condition: Margins over 1 inch, mat burn (some into image), gentle toning. $1,000-1,500

130

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215 James Abbott McNeill Whistler (American, 1834-1903) Becquet, final state of four (Kennedy, 52iv). Unsigned, identified on labels from H. Wunderlich & Co., New York, affixed to the backing. Etching with drypoint on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed. Condition: Not examined out of frame. $800-1,200 216 James Abbott McNeill Whistler (American, 1834-1903) The Forge, 1861, final state of four (Kennedy, 68). Signed and dated in the plate. Etching and drypoint on paper, plate size 7 1/2 x 12 3/8 in. (19.1 x 31.3 cm), framed. Condition: Pale mat burn, not examined out of frame. $1,000-1,500

215

216

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217

217 Charles Banks Wilson (American, b. 1918) The Race, 1976. Signed and dated “Charles Banks Wilson 76” in pencil l.r., titled and inscribed “...200” in pencil l.l. Lithograph on paper, image size 10 3/4 x 14 1/2 in. (27.2 x 36.7 cm), framed. Condition: Not examined out of frame. $300-500 218 Jack Youngerman (American, b. 1926) Rouge et Noir, 1966, edition of 90. Initialed and dated “JY/66” in pencil (within the image) l.r., numbered “50/90” in pencil (within the image) l.l. Color lithograph on paper, image/ sheet size 32 x 24 1/4 in. (81.2 x 61.5 cm), shrink-wrapped. Condition: Deckled edges, minor crease at very corner l.l., not examined out of wrap. Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $250-300

218

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219

219 Zao Wou-Ki (Chinese, b. 1921) Les cerfs, 1952, from the proof edition of 25 (Ågerup, 76). Signed (in Chinese characters) in pencil l.l., inscribed and numbered “Epreuve d’artiste vii/xxv.” in pencil l.r. Color lithograph on paper, image size 13 x 19 1/8 in. (33.0 x 48.5 cm), framed. Condition: Toning, gentle rippling, not examined out of frame. Provenance: From a private New England collection, sold to benefit a philanthropic organization. $2,000-3,000

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220

220 Zao Wou-Ki (Chinese, b. 1921) Untitled, 1968, edition of 99 (Ågerup, 190). Signed and dated “...68” in pencil (in Chinese characters) l.r., numbered “11/95” in pencil l.l., identified on a label from The Bonfoey Company, Cleveland, affixed to the backing. Color etching with aquatint on paper, plate size 21 1/2 x 17 1/4 in. (54.5 x 43.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,000-2,500

134

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Fine Photography Lots 221–261


221

221 Berenice Abbott (American, 1898-1991) James Joyce, 1929. Artist’s stamp and reproduction rights stamp on the reverse. Gelatin silver print, image/sheet size 9 1/2 x 7 3/4 in. (24.0 x 19.5 cm), matted, unframed. Condition: Unmounted, silvering-out along edges, areas of touch-up or similar to background, minute wear to corners, brown paper tape to upper edge on the reverse. $1,000-1,500

136

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222

222 Ansel Adams (American, 1902-1984) Moon over Half Dome, Yosemite National Park, 1960, a later printing. Signed “Ansel Adams” in ink on the mount l.r.; stamped “Special Edition of Fine Prints/Photographs of Yosemite/by Ansel Adams,” numbered “1017 of S.E.Y. no 12,” and titled on verso. Gelatin silver print on paper, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), framed. Condition: Not examined out of frame. $4,000-6,000

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223

223 Ansel Adams (American, 1902-1984) Rocks and Swirling Water. Stamped “Polaroid Land/Photograph/by/Ansel Adams” and “PROOF/not to be used for/reproduction or display” on verso, inscribed with various Zone System and development markings on the mat at left and lower edges. Gelatin silver print mounted to paperboard, board size 11 x 14 in. (27.9 x 35.6 cm), unmatted, unframed. Condition: Unmounted, pen mark u.r., scattered slight surface abrasions. $700-900

224

224 Andrew Bush (American, b. 1956) 1 Dollar Bill, 1996 from the SHORT SNORTER Series, 1993-1998. Signed, numbered, and dated “Bush 4/20 1996” in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), matted, framed. Condition: Taped to backing mat at u.l. and u.r. corners. $400-600

138

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225

225 Todd Eberle (American, b. 1963) Rek-O-Kut “Rondine” Turntable (circa 1958), San Francisco, California. Signed “Todd Eberle” on an artist’s label affixed to the reverse. Archival pigment print, image size 10 x 12 in. (25.4 x 30.5 cm), unmatted, framed. Condition: Mounted, not examined out of frame. $400-600

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139


226

226 Harold Eugene Edgerton (American, 19031990) Milk Drop Coronet, 1936, probably a later printing. Signed and inscribed “H. Edgerton/ M.I.T/4-405/cambridge/mass/02139” on verso. Gelatin silver print, image size 9 1/2 x 7 1/2 in., unmounted, unframed. Condition: Handling creases u.l. and u.r., minor scattered surface abrasions, minor accretions left edge, printing flaws. $1,000-1,500 227 Harold Eugene Edgerton (American, 19031990) Fighting Finches, 1936, probably a later printing. Signed and numbered “3601.2031 HAROLD EDGERTON” in pencil on verso. Gelatin silver print, image size 18 x 14 1/2 in. (45.7 x 36.8 cm), unmatted, unframed. Condition: Unmounted. Provenance: From the darkroom printer of Palm Press. $800-1,200

227

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228

228 Harold Eugene Edgerton (American, 19031990) Two Acrobatic Photographs: Shot from a Cannon, 1940; and Dive, artist’s proof. Cannon signed and numbered “HAROLD EDGERTON/86.0068” on verso; Dive signed, numbered, and inscribed “HAROLD EDGERTON/88.0319 5402.AP” on verso. Dye-transfer prints, image sizes to 11 3/8 x 8 3/8 in. (28.8 x 21.3 cm), unmounted, unframed. Condition: Minor handling creases (Cannon l.l. quadrant, Dive u.r. quadrant), Dive with printing flaw on right edge of paper. $1,000-1,500 229 Harold Eugene Edgerton (American, 19031990) Tumblers, 1942, artist’s proof. Signed “HAROLD EDGERTON” and numbered “81.0140 4201 A/P” in pencil on verso. Gelatin silver print, 17 1/2 x 13 7/8 in. (44.5 x 35.2 cm), unmatted, unframed. Condition: Minor printing flaws. $800-1,200 229

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231

230

230 Harold Eugene Edgerton (American, 19031990) Diver, 1955. Signed “HAROLD EDGERTON” and numbered “85.0432” in pencil on verso. Dye-transfer print, 18 3/8 x 13 5/8 in. (46.7 x 34.6 cm), unmatted, unframed. Condition: Negligible surface abrasions. N.B. The diver is Charles Batterman, a diving coach at M.I.T. $1,500-2,000

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231 Harold Eugene Edgerton (American, 19031990) Two M.I.T. Night Views: M.I.T. WINTER, c. 1970, and Building 10 from Boston. M.I.T. signed and titled “HAROLD EDGERTON/M.I.T. WINTER” in pencil on the reverse; Building 10 unsigned. Gelatin silver prints, image/ paper sizes to 9 9/16 x 17 5/8 in., unmatted, unframed. Condition: Unmounted, M.I.T. with scattered slight handling creases, minor surface abrasions; Building 10 with slight handling creases l.r. quadrant, slight rippling to right and left edges, minor printing flaws, minor emulsion loss at upper edge of paper. $800-1,200

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232

232 Chris Enos (American, b. 1944) Jack in The Pulpit, c. 1980. Unsigned. Polaroid 20 x 24 print, sight size 23 3/4 x 19 3/4 in. (60.3 x 50.2 cm), matted, framed. Condition: Unmounted, fading, slight rippling, not examined out of frame.

N.B. In 1976, Chris Enos founded the Photographic Resource Center (PRC) in Boston to provide a venue for fine art and documentary photographers to meet, promote, and display their work, filling a critical gap in the Boston arts scene. She served as director of the PRC from 1976 to 1981. $250-300

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233

233 Walker Evans (American, 1903-1975) Four Photographs of Buildings: Birmingham, Ala. Boarding House, 1936, Kentucky, 1961, Two Outhouses, and Old Church. Birmingham identified with an artist’s stamp, Lyme, Connecticut, and titled, dated, and inscribed “J.D.” in pencil on verso; Kentucky identified with an artist’s stamp, titled and dated in pencil on verso; Old Church and Two Outhouses unsigned. Gelatin silver prints, image sizes to 11 1/2 x 10 1/4 in. (29.2 x 26 cm), unmatted, unframed.

144

Condition: All but Church mounted to matboard, Birmingham with scattered slight indentations to surface, Kentucky with slight rippling, Church with printing flaws u.r. Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $4,000-6,000

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234

235

235 David L. De Harport (American, 1920-2001) Four Southwestern Views: Timberline Wood - Colorado, 1951, Ranch - Colorado, 1945, Corrizo Mts - Arizona, 1949, and Dunes - Arizona. Titled, signed, and dated “David L. De Harport” in pencil on the left edge of the mat, Dunes inscribed in pencil with artist’s address and printing notes. Gelatin silver prints on matboard, image/sheet sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed. Condition: Slight losses to edges of images. N.B. De Harport was an anthropologist from the Peabody Museum at Harvard University. His was among many surveys that systematically inventoried the archeological resources of a large portion of the Canyon de Chelly monument between 1946 and 1951. He received his PhD in anthropology from Harvard in 1960. $300-500 236 Lewis Wickes Hine (American, 1874-1940)

236

234 John Gruen (American, b. 1926) Untitled, 1980, edition of 75. Signed “John Gruen” in ink in the margin l.l., numbered “28/75” in ink in the margin l.r. Gelatin silver print, image size 15 1/4 x 11 3/4 in. (38.7 x 29.8 cm), matted, unframed. Condition: Unmounted. $300-500

Little Orphan Annie in a Pittsburgh Institution, 1909, a later printing. Inscribed “Lewis Hines” [sic] on paper backing and back of mat backing, inscribed “property of...” on front of mat backing. Gelatin silver print mounted to matboard, image/sheet size 6 1/4 x 4 1/4 in. (15.9 x 10.8 cm), matted, framed. Condition: Good. $1,500-2,500

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237

237 Paul Ickovic (Czech, b. 1944) Prague Czechoslovakia, 1981. Signed and inscribed “IC...A/P” in felt-tip pen in the margin l.r. Gelatin silver print, 14 x 22 in. (35.6 x 55.9 cm), unmatted, unframed. Condition: Unmounted, slight printing flaws. $800-1,200

238

238 William Henry Jackson (American, 18431942) Cathedral Spires...Garden of The Gods, 1873. Numbered, titled, and inscribed “19.../W.H.JACKSON & Co. PHOT. DENVER.” in the image l.l., identified in graphite on verso. Albumen print with hand-coloring mounted to paperboard, image size 11 x 13 3/4 in. (27.9 x 34.9 cm), matted, framed. Condition: Slight emulsion cracking, scattered minor foxing, crease u.r. quadrant, not examined out of frame. $300-500

146

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239 Rodger Paul Kingston (American, b. 1941) Portfolio of Ten Color Photographs: AMERICAN ICONS, 1986, edition of 25. Unsigned, identified on a Palm Press, Littleton, Massachusetts, label affixed to portfolio box, inscribed “3� on the colophon page. Cibachrome prints, image sizes 20 x 16 in. (50.8 x 40.6 cm), matted, unframed. Condition: Unmounted. N.B. This portfolio is housed in a blue and red clamshell box. Identifying text accompanies the lot. $3,000-5,000 240 Heather Lin (American, 20th Century) Two Black and White Photographs: Self Portrait #58, 2005, and Self Portrait #32, 2005. Unsigned. Pigment prints on watercolor paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames. $300-500

239

240

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241

242

241 Peter Miller (American, b. 1945)

242 Tod Papageorge (American, b. 1940)

Bamboo Story, 1996, edition of 40. Numbered, titled, signed, dated, and inscribed “6/40...Peter Miller.../For my teacher and friend Dan Bell” in the margin. Photogravure, image size 10 1/2 x 13 1/2 in. (26.7 x 34.2 cm), unmatted, framed. Condition: Slight rippling, minor creases u.c., deckled edges, creases to lower edge, not examined out of frame. $300-500

Hollywood Hills, 1975. Titled and signed “... Tod Papageorge” in pencil on verso. Gelatin silver print, image size 10 7/8 x 15 7/8 in. (27.5 x 40.3 cm), matted, unframed. Condition: Wear to lower edge, subtle surface abrasion to image l.r., printing flaw l.c. $1,000-1,500

148

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243

243 Eliot Porter (American, 1901-1990) Foxtail Grass, Lake City, Colorado, August, 1957. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 3/4 x 29 1/2 in. (93.3 x 74.9 cm), unmatted, unframed. Condition: Scattered slight printing flaws. Provenance: From the artist’s family. $1,200-1,800 244 Eliot Porter (American, 1901-1990) Redbud Tree in Bottom Land, Red River Gorge, Kentucky, April 17, 1968. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 1/2 x 29 3/4 in. (92.7 x 75.5 cm), unmatted, unframed. Condition: Good. Provenance: From the artist’s family. $1,200-1,800 244

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245

245 Paul Strand (American, 1890-1976) Near Saltillo, 1932, probably a later printing. Unsigned, numbered “89.0294” in pencil on verso. Photogravure on BFK Rives paper, image size 4 7/8 x 6 1/4 in. (12.4 x 15.9 cm), unmatted, unframed. Condition: Unmounted, slight foxing to u.l. quadrant, minor crease to u.r. corner. $400-600 246 Aaron Siskind (American, 1903-1991) Four Interior Views from HARLEM DOCUMENT, c. 1939/1940, including: Bedroom through Doorway, c. 1939; Man in Chair, 1940, Man in Mirror and Man with Crutch from the (Most Crowded Block in the World) Series, c. 1940. Three inscribed, dated, and signed “Harlem...Aaron Siskind” in pencil on verso, Mirror signed “Aaron Siskind” in felt-tip pen in the margin l.r. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500

246

150

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247

247 Aaron Siskind (American, 1903-1991) New York, 1950. Titled, dated, and signed “...Aaron Siskind” in pencil on verso. Gelatin silver print, image size 18 1/4 x 14 1/4 in. (46.3 x 36.2 cm), unmatted, unframed. Condition: Unmounted, slight printing flaws. Provenance: From the artist to the darkroom printer of Palm Press. $2,000-3,000 248 Aaron Siskind (American, 1903-1991) Suite of 10 Photographs from the Series PLEASURES AND TERRORS OF LEVITATION: #37, 1953, #474, 1954, #477, 1954, #482, 1954, #484, 1954, #491, 1954, #58, 1956, #63, 1956, #99, 1961, #121, 1961, and P. and T. of L., 1961. Nine titled, dated, and signed “...Aaron Siskind” in pencil on verso; P. and T. of L. titled in pencil on verso. Gelatin silver prints, 17 3/4 x 17 1/2 in. (45.1 x 44.5 cm), matted, unframed. Condition: Unmounted. $10,000-15,000

248

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249

249 Aaron Siskind (American, 1903-1991) Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #APII, 1982. Each titled, dated, inscribed and signed “A/P II...Aaron Siskind� in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, slight soiling to edges of title page. N.B. Original text accompanies lot. $2,500-3,500

152

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250

250 Aaron Siskind (American, 1903-1991) Olive Tree, Corfu 514, 1970. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “OTC 514 /70/ B5/84.0009” in pencil on verso, annotations and possible printing diagrams in pencil on verso. Gelatin silver print, image size 12 1/2 x 9 1/4 in. (31.8 x 23.5 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500 251 Aaron Siskind (American, 1903-1991) Utah 84, 1976. Titled, dated, and signed “... Aaron Siskind” in pen in the margin, inscribed “U84 3/76/5 4/85.0020” in pencil on verso. Gelatin silver print, image size 9 1/2 x 9 1/2 in. (24.1 x 24.1 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

251

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252

252 Alfred Stieglitz (American, 1864-1946) The Aeroplane, 1910. Unsigned. Photogravure on Japan tissue, 5 5/8 x 7 in. (14.3 x 17.8 cm), matted, framed. Condition: Mat burn u.r., l.r., and l.l. corners. Provenance: Gift from Gerald Sykes to the current owner. N.B. Alfred Stieglitz mentored American writer and critic Gerald Sykes. $1,500-2,000

253

253 George A. Tice (American, b. 1938) Shaker Interior, Sabbath Day Lake, 1971. Signed “GEO A. TICE� in ink on the mat l.r. Gelatin silver print mounted to card stock, 13 x 19 in. (33.0 x 48.3 cm), matted, framed. Condition: Good. $800-1,200

154

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254

254 Jerry Uelsmann (American, b. 1934) Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 12 1/4 in. (24.5 x 31.1 cm), unframed. Condition: Loss to l.c. and u.c. edges, slight crease in l.r. and u.r. corners. $1,000-1,500 255 Jerry Uelsmann (American, b. 1934) Rock-Tree, 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., titled in pencil on the mount l.l., titled, dated, and signed “Jerry N. Uelsmann” on the reverse, identified on an artist’s label affixed to the reverse. Gelatin silver print on paper, image/ sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed. Condition: Very minor accretions on upper half, minor edge abrasions u.c. $1,000-1,500

255

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256

256 Bradford Washburn (American, 1910-2007) Two Alaskan Landscapes: Mineral Spring NE of Copper Center, Alaska, 1938; and Mt McKinley Looking up Ruth Glacier, 1937. Both signed “Bradford Washburn” in pencil on verso; the latter dated “1937” on verso; the former numbered “1785.2009” on verso. Gelatin silver prints, image sizes to 14 1/2 x 18 1/2 in. (36.8 x 47.0 cm), unmatted, unframed. Condition: Unmounted, printing flaws. $1,000-1,500 257 Bradford Washburn (American, 1910-2007) Mount McKinley at 35000 ft Altitude, 1978. Signed “Bradford Washburn” and numbered “79753045” in pencil on verso. Gelatin silver print, image size 17 3/8 x 22 3/8 in. (44.1 x 56.8 cm), unmatted, unframed. Condition: Unmounted, two embossed marks and slight tearing at l.c. edge.

257

Provenance: From the darkroom printer of Palm Press. $3,000-5,000

156

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258

258 Bradford Washburn (American, 1910-2007) Snout of Chitina Glacier (St Elias Range), 1938. Signed “Bradford Washburn” and numbered “1410.3005” on verso. Gelatin silver print, 17 x 21 3/4 in. (43.2 x 55.2 cm), unmatted, unframed. Condition: Unmounted, slight edge damage in l.r. quadrant. Provenance: From the darkroom printer of Palm Press. $3,000-5,000 259 Bradford Washburn (American, 1910-2007)

259

Two Mount McKinley Views: Tremendous Southerly Windstorm Sweeps Mt. McKinley’s Twin Peaks, June 6, 1942, and Mount McKinley at Twilight. Both signed “Bradford Washburn” and numbered “2471.207” and “5099 2007,” respectively, in pencil on verso. Gelatin silver prints, image sizes to 14 3/4 x 18 3/4 in., unmatted, unframed. Condition: Unmounted, printing flaws, Twin Peaks with slight crease u.c. $1,000-1,500

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157


260 Edward Weston (American, 1886-1958) Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated “E W 1944� in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed. Condition: Subtle toning, minor staining to mounts, not examined out of frames. N.B. The lot is accompanied by an undated letter from Weston to Frances (Forbes) Ison, in an envelope postmarked 1949. $1,200-1,500

260

158

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261

261 Garry Winogrand (American, 1928-1984) Six Photographic Works: Central Park Zoo, New York, 1967, Coney Island, New York, 1952, American Legion Convention, Dallas, 1964, Texas State Fair, Dallas, 1964, Metropolitan Museum of Art Centennial Ball, New York, 1969, and Staten Island Ferry, New York, 1971. Five unsigned, Ferry signed “Garry Winogrand� in ink in the margin. Gelatin silver prints, sheet sizes 11 x 14 in. (27.9 x 35.6 cm), two matted, all unframed. Condition: Unmounted. $3,000-5,000

End of Fine Prints and Photography

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159


Artist Index Aarons, George Manuel................................. 1 Abbott, Berenice....................................... 221 Adams, Ansel.................................... 222, 223 Agam, Yaacov............................................... 2 Albers, Josef............................................. 3, 4 Alechinsky, Pierre.......................................... 5 Andrus, Vera................................................. 6 Anuszkiewicz, Richard................................... 7 Appel, Karel............................................... 8, 9 Arikha, Avigdor...................................... 10, 11 Avati, Mario................................................. 12 Baeder, John............................................... 13 Barlach, Ernst.............................................. 14 Baselitz, Georg............................................ 15 Baskin, Leonard.....................................16-19 Benson, Frank Weston...........................20-23 Benton, Thomas Hart.............................24-28 Blake, William.............................................. 29 Bonnard, Pierre........................................... 30 Bonnard, Pierre (After)............................31-33 Braque, Georges................................... 34, 35 Braque, Georges (After)............................... 36 Bresslern-Roth, Norbertine.......................... 37 Brockhurst, Gerald Leslie.......................38-41 Buffet, Bernard.......................................42-45 Buhot, Félix Hilaire....................................... 46 Bush, Andrew........................................... 224 Cady, Harrison............................................ 47 Calder, Alexander...................................48-50 Cassatt, Mary.........................................51-53 Cézanne, Paul............................................. 54 Chagall, Marc.........................................55-59 Chagall, Marc (After).................................... 60 Chippendale, Brian...................................... 61 Climent, Enrique.......................................... 63 Corneille...................................................... 62 Corot, Jean-Baptiste-Camille................. 64, 65 Cuevas, José Luis....................................... 66 Dalí, Salvador.............................................. 67 De Harport, David L.................................. 235 de Tirtoff, Romain (called Erté)..................... 76 Dehner, Dorothy.......................................... 68 DeWoody, James........................................ 69 Dine, Jim................................................70-73 Duchamp, Marcel (After)............................ 196 Dürer, Albrecht............................................ 74 Eberle, Todd.............................................. 225 Edgerton, Harold Eugene...................226-231 Enos, Chris................................................ 232 Erni, Hans................................................... 75 Erté............................................................. 76 Estes, Richard............................................. 77 Evans, Walker........................................... 233 Feininger, Lyonel......................................... 78 Frankenthaler, Helen.................................... 79 Gauguin, Paul.............................................. 80 Gloeckner, Michiel....................................... 81 Gorsline, Douglas Warner............................ 82 Gruen, John.............................................. 234

160

Hall, Susan.................................................. 83 Heckman, Albert William............................83A Held, Al....................................................... 84 Hine, Lewis Wickes................................... 236 Hirst, Damien.............................................. 85 Humphrey, Ryan......................................... 86 Hundertwasser, Friedensreich..................... 87 Hutty, Alfred Heber................................ 88, 89 Hyde, Helen...........................................90-93 Icart, Louis.............................................94-97 Ickovic, Paul.............................................. 237 Jackson, William Henry............................. 238 Kandinsky, Wassily (After)............................ 98 Katz, Alex.................................................... 99 Kelly, Ellsworth.................................. 100, 101 Kent, Rockwell.................................. 102, 103 Kingston, Rodger Paul.............................. 239 Kirmse, Marguerite.................................... 104 Kloss, Gene (Alice Geneva Glasier)............ 105 Kollwitz, Käthe........................................... 106 Kupferman, Lawrence............................... 107 Landeck, Armin......................................... 108 Lane, Lois................................................. 109 Lee-Hankey, William.................................. 110 LeWitt, Sol................................................. 111 Lichtenstein, Roy....................................... 112 Lin, Heather............................................... 240 Lindenmuth, Tod....................................... 113 Lipchitz, Jacques...................................... 114 Litten, Sydney Mackenzie.......................... 115 Lozowick, Louis................................. 116, 117

Redon, Odilon........................................... 161 Rembrandt van Rijn................................... 162 Renoir, Pierre-Auguste...................... 163, 164 Riggs, Robert............................................ 165 Rivers, Larry.............................................. 166 Robetta, Cristoforo di Michele................... 167 Rouault, Georges.............................. 168, 169 Ruscha, Ed............................................... 170 Saito, Kiyoshi............................................. 171 Schacht, Mike................................... 172, 173 Schanker, Louis........................................ 174 Scully, Sean.............................................. 175 Shahn, Ben............................................... 176 Sharp, William........................................... 177 Shokler, Harry........................................... 178 Siskind, Aaron....................................246-251 Smith, Alexis.............................................. 179 Soyer, Raphael.......................................... 180 Spence, Andrew........................................ 181 Stieglitz, Alfred........................................... 252 Strand, Paul.............................................. 245 Sultan, Donald.........................................181A Tàpies, Antoni.........................................181B Taylor, Prentiss.......................................... 182 Tice, George A.......................................... 253 Tobey, Mark...................................... 183, 184 de Toulouse-Lautrec, Henri....................... 185 Uelsmann, Jerry................................ 254, 255 Vasarely, Victor...................................186-192 Villon, Jacques....................... 31-33, 193-199 de Vlaminck, Maurice................................ 200

Maki, Haku................................................ 118 Man Ray.................................................... 160 Marini, Marino.....................................119-121 Marsh, Reginald........................................ 122 Mastro-Valerio, Alessandro........................ 123 Matisse, Henri........................................... 124 Miller, Peter............................................... 241 Millet, Jean Franìois............................125-129 Miró, Joan..........................................130-133 Moore, Henry.....................................134-139 Motherwell, Robert.................................... 140 Munakata, Shiko....................................... 142

Warhol, Andy......................................201-204 Washburn, Bradford...........................256-259 Weems, Carrie Mae................................... 205 Welliver, Neil.......................................206-208 Wengenroth, Stow.............................209-211 Wesselmann, Tom............................. 212, 213 Weston, Edward........................................ 260 Whistler, James Abbott McNeill..........214-216 Wilson, Charles Banks............................... 217 Winogrand, Garry...................................... 261

Neel, Alice................................................. 143

Zao Wou-Ki ...................................... 219, 220

Onobrakpeya, Bruce................................. 144 Papageorge, Tod...................................... 242 Pascin, Jules............................................. 145 Picasso, Pablo................ 146-150A, 153, 154 Picasso, Pablo (After)........................ 151, 152 Pissarro, Camille (After).............................. 155 Pissarro, Lucien......................................... 155 Poliakoff, Serge......................................... 156 Porter, Eliot....................................... 243, 244 Porter, Fairfield.......................................... 157 Raffaëlli, Jean François.............................. 158 Rauschenberg, Robert.............................. 159

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Youngerman, Jack.................................... 218


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161


Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

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Revised December 17, 2012


Absentee Bid Form Sale Title

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First Time Bidder?

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Customer #

Name (Please Print)

Business Name

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Alternate #

check if change in address

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required)

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FOR OFFICE USE Marlborough

Boston

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Phone

Fax

Mail

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Person

www.skinnerinc.com

Employee:


Board of Directors

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne

Administration

President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert Departments

20th Century Design - Jane D. Prentiss Assistant: Shannon M. Ames American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Karen Mak, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historical Militaria - Joel Bohy Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Deputy Director: Jill Arbetter Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com 164


Exhibitions & Property Distribution

Finance Department

Subscriptions

Service Departments

Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261

Boston:

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Hadley Bridgman, Rachel Kingsley Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalog Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Kealyn Garner Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

165


Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617-350-5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

166


SKINNER

catalog subscription form

Prices effective JULy 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

please check the appropriate boxes:

U.S./Canada

Quarterly Brochure

No charge

Foreign (payable in U.S. dollars only) No charge

Included with catalog subscription American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints

$120

$143

Fine Jewelry

$120

$143

20th Century Furniture & Decorative Arts

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Fine Ceramics

$60

$73

Fine Musical Instruments

$60

$73

Science, Technology & Clocks

$60

$73

Fine Wines

$60

$73

All Above Departments

$750

$915

subtotal ma residents

6.25%

sales tax

total

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Please enclose payment with subscription form and mail or fa x to:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100



Upcoming Auction American & European Works of Art

Howard Hodgkins (British, b. 1932) Red Palm, 1986-1987

May 17, 2013, Boston, MA

Consignment Deadline: March 1st, 2013 For more information, please contact the American & European Works of Art department at 508.970.3206, or email paintings@skinnerinc.com or prints@skinnerinc.com