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J enni ferAnn C.Li m

Po r t f o l i o mas terofarchi tectureI


Po r t f o l i o mas terofarchi tectureI


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2 0 s omni um

3 1


Sj æ l u

c o ut ur e Ont hi sque s tt oc e l e br a t e l oc a lyounga r t i s t sa ndf ur t he r pr omot ea ppr e c i a t i onf or Phi l i ppi nea r t , t he‘ Sj æl u’ c ol l e c t i ondr a wsi ns pi r a t i on f r om t hedi s t i nc t i vea nd r e ma r ka bl ewor ksofa r t i s t Fa r l e yde lRos a r i o 

06/J enni ferLi m/Sj ælu


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“ Amorsolo’ sSong”-FarleydelRosari o 08/j enni ferli m/sj ælu


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c o r a l b l u s h

g o l d p e a r l s n o w

a l i c e j a d e b l u e e t o n b l u e c o l o u rp a l e t t e Ei g h to f t h emo s tu s e dc o l o u r si nF a r l e y ’ sAmo r s o l o ’ ss o n g a r es e l e c t e da st h ema i nc o l o u r sf o rt h ec o l l e c t i o n . 10/j enni ferli m/sj ælu


“ Amorsolo’ sHorse”-FarleydelRosari o

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t e c h n i c a l g r a p h Ab r i e f e x p l a n a t i o no f a l l t h et e c h n i c a l d e t a i l si nt h ec o l l e c t i o n .

14/j enni ferli m/sj ĂŚlu


16/j enni ferli m/sj ĂŚlu


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18/j enni ferli m/sj ĂŚlu


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Op u s 9 v i s ua ls t ud i e s

As e r i e sofwor ksont he va r i ouss t udi e soft hedi ffe r e nt e l e me nt si nc ompos t i onsofdr a wi ng, pa i nt i ng, c ol our i nga ndt ypogr a phy. Avi s ua lj our na l , i tde pi c t s e xpl or a t i onsoft hemi nd a nde xpe r i me nt sont hee ffe c t s oft wi s t i ngba s i ct e c hni que s t oa c hi e veuni quer e s ul t s . I ti s , l i kea nywor k, al e a r ni ngpr oc e s s . 

20/J enni ferLi m/Opus9


Nour No u r: A r a b i cf o r‘ l i g h t ’ Ac o l l e c t i o nd e p i c t i n gGe r h a r dRi c h t e r ’ s “ C a n d l e s ” p h o t op a i n t i n g s . As t u d yo nh o wt oe x p r e s s l i g h t wi t ht h eu s eo f wh i t e , s o f t wa r ml i g h t a n dp e r s p e c t i v ea s we l l a s l i g h t s a n ds h a d o ws c a s t o ni t ss u r r o u n d i n g s r e l a t i v et ot h ec a n d e l ao f t h es o u r c eo f l i g h t i t s e l f , i nt h i s s t u d y , t wos o f t c a n d l ef l a me s .

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Fourty-Fi ve Degrees V i s u a l s t u d yf o ro f f c e n t e rc o mp o s i t i o n s . As o f t p a s t e l r e n d e r o f ab a l l f o u r t yf i v ed e g r e e s o f f c e n t e r , c a s t i n gas ma l l s h a d o wc a u s e db ys t e e pl i g h t i n g 22/J enni ferLi m/Opus9


morTi s

Tc o mp o s i t i o ns t u d yu s i n gs o f t p a s t e l s , d e p i c t i n gd e a t hb yt h e s e l e c t i o no f ma i ns u b j e c t a n dc o l o u rs c h e met os e t t h ec o l d s o mb e rmo o d . S o f t s h a d o ws h e l pd e p i c t d i me n s i o n wi t hn oo b v i o u s s o u r c eo f l i g h t .

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ArtDeco

Af r e e h a n dg r a p h i t ep e n c i l f a s h i o ni l l u s t r a t i o ni na r t d e c os t y l e s t u d y i n gh u ma np r o p o r t i o n , l i n e s , c u r v e s , s h a d o ws a n dt h et e x t u r e s a n dt h es p a t i a l n o t i o n s t h e yc r e a t ewi t h i naf l a t d r a wi n g . 24/J enni ferLi m/Opus9


Sti llLi fe Ag r a p h i t ep e n c i l s t i l l l i f es t u d yo f av a s ea n dt wob o x e s e x a mi n i n gt h er e l a t i o n s h i p s b e t we e nt o n a l d e p t h , s p a c ea n dl i n e s . Ama s ko f i r r e g u l a rp o l y g o n s a n dt h eo b j e c t s a r es h a d e db yd i f f e r e n t g r a p h i t ep e n c i l s r a n g i n gf r o m6 H, Ft o7 B t op l a ywi t ha n di l l u s t r a t et h ed i f f e r e n c e s i nt o n a l d e p t h wh i c hi s o f t e nu s e dt od e n o t ed i me n s i o n s i nd r a wi n g s . T h ed a r k e s t t o n ei s u s e dt of l a t -t i n t t h e i r r e g u l a rc h e c k e r s l a y e rc r e a t i n ga ni l l u s i o no f s p a t i a l d i f f r a c t i o na n das e e mi n gd i s t o r t i o nb y t h ec o n t r a s t c a u s e di ng r a d i e n t a n dn o ng r a d i e n t a p p l i c a t i o n s .

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Lettersto No One E x p e r i me n t i n gwi t ht y p o g r a p h yb yc r e a t i n ga ni r r e g u l a rt y p e f a c e . B e i n gh a n d wr i t t e n , mo s t l e t t e r s f o l l o was p e c i f i cp a t t e r n b u t a r en o t e x a c t l ya l i k ea s t h e ywo u l db eo nat y p e wr i t e ro r c o mp u t e rp r o g r a m. Ha n d wr i t t e nl e t t e r s a r el e s s p r e c i s e h o we v e rmo r ee x p r e s s i v eo f t h ewr i t e r ’ s mo o d , p e r s o n aa n ds o u l , s i mi l a r t of i n ea r t a s c o mp a r e dt ov e c t o ra r t . S e t i nami x e dme d i ap o s t c a r d a d d r e s s e dt on oo n ei np a r t i c u l a r , s i n g i n gas o n ga n dt e l l i n gas t o r y .

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Si enna A nu n f i n i s h e dmo n o c h r o ma t i cs t u d y u s i n gas i n g l es i e n n ac o l o u r e dp e n c i l t od e p i c t al a d yb e t we e nt woe l e p h a n t s a n dt h ed i f f e r e n t t e x t u r e s wi t h i nt h ep i c t u r e . T h es i e n n ac o l o u rc r e a t e s amo r ed a t e db u t s o f t e rl o o k a s c o mp a r e dt ot h et y p i c a l c o n t r a s t a n dd e p t h t h a t b l a c ka n dwh i t ea l l o ws .

28/J enni ferLi m/Opus9


Kabuki

E x p e r i me n t a l a c r y l i cp a i n t i n go f aj a p a n e s ema ni nt r a d i t i o n a l k a b u k i ma k eu p b e f o r eap e r f o r ma n c e . T h ei ma g eu s e s mo s t l yr e d s , o r a n g e s a n dy e l l o ws a n db l a c ka n dwh i t et op a i n t a ne n t i r ei ma g ea n de x p r e s s t oi t s o r i e n t a l t h e me .

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ProseI

F i g u r es t u d i e s -d r a wi n gf r o ml i v emo d e l s . Ama n s i t t i n gwi t hh i s b a c kt u r n e da wa y . P l a y i n gwi t hh a r mo n i o u s c o l o u r s . 30/J enni ferLi m/Opus9


ProseI I

F i g u r es t u d i e s -d r a wi n gf r o ml i v emo d e l s . Ama n s i t t i n gwi t hh i s b a c kt u r n e da wa y . P l a y i n gwi t hc o mp l i me n t a r yc o l o u r s .

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