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SHELVYANNE ROSSI

GRAPHIC DESIGN PORTFOLIO


2. POSTER DESIGN 3. LAYOUT DESIGN 4. UI/UX DESIGN 5. PACKAGING DESIGN

T O CONTENT

O T CONTENT

1. GREETING


Greeting

SHELYANNE ROSSI

EDUCATION

My GPA

2002 - 2009 : SDK PENABUR GADING SERPONG 2009 - 2012 : SMPK PENABUR GADING SERPONG 2012 - 2015 : SMAK PENABUR GADING SERPONG 2015 - (Now) : UNIVERSITAS BINA NUSANTARA

WORKING EXPERIENCE

2.46

• January 2015 Invitation Card Design Sweet 17th

• May 2016 Documentation Sweet 17th

• Juni 2015 Brochure Design for “Bude Catering.”

• April 2017 Documentation Pre-wedding

• August 2015 Brochure Design for “Nicetime Café Purwokerto”

• Novermber 2017 Documentation for Wedding

• May 2015 Documentation of “Pengukuhan Paskibraka 2015” SMAK Penabur GS Documentation ‘Into the Woods’ Drama Musical SMAK Penabur GS


INTEREST IN

VIDEOGRAPHY

PHOTOGRAPHY

SOFTWARE SKILL

PACKAGING DESIGN

UI/UX DESIGN

30

40

50

60

70

80

90 100

LANGUAGE

ENGLISH (40%)

0

10

20

INDONESIA (100%) P.S : PERCENTAGE OF SKILL LANGUAGE

PERCENTAGE OF NO-SKILL LANGUAGE

HOBBY

PHOTOGRAPHY

LISTENING MUSIC

TRAVELLING

KNITTING

BROWSING AND EDITING


POS DES


STER SIGN


Phase : Personal project. tools: Adobe Illustrator


Phase : Personal project. tools: Adobe Illustrator


Phase : Personal project. tools: Adobe Illustrator


Phase : Personal project. tools: Manual Drawing Adobe Photoshop


LAYOUT DESIGN


This valentine greeting card I made to say valentine's day. this greeting card made with photoshop. I combine my photo capture with valentine greeting.


This New Year greeting card I made to say happy new year. this greeting card made with photoshop. I combine themy capture photo with new year greeting


001 / Rainy 2017 7th June 2017

BEYOND

inspirational and go one step

ERIK SPIKERMANN :

ALL ABOUT TYPOGRAPHY

Counter Intuition A short type design course will never turn you into a type designer. But it may make you a better typographer

Rythm and Space

F*ck Content

Type designer Cyrus Highsmith learnt the craft through both study and apprenticeship

Motivated a movement in design that values origination of content over manipulation of content.


Cyrus Highsmith

CONTENTS

Counter intuition

Michael Rock : Counter intuition pg. 5

Cyrus Highsmith : Counter intuition pg. 4

Cyrus Highsmith : Counter intuition pg. 2

BEYOND

has established himself as one of the truly original new voices in American type design.

In recent years, a dichotomy between type designing strategies in (northern) Europe and North America has become apparent. The best of European type design shows a critical awareness of traditional principles, while being radically functionalist at the same time. Innovation is a must. In Holland or Germany, designing a new text typeface conceived from scratch is on every young type designer’s list. In the us or Canada, this is an anomaly. Quite a few independent North American type designers have built a career out of whipping up one charming but ultimately meaningless style exercise after another. Those who create ambitious text type families often seem to be taking clues from past masters in a very direct way – quite different from their European peers, who have a more independent relationship to tradition. Most recent American text faces are based on (and justified by) letterforms from the past – the results ranging from faithful revivals and smart reinterpretations to postmodern pastiches, parodies and lame nostalgia.

The thinking hand Highsmith, 32, is also one of the few young type designers who learnt the craft in the way it used to be taught for centuries: through apprenticeship. Highsmith trained with some of the best in the business – Matthew Carter, David Berlow and Tobias FrereJones. He acknowledges that he has been ‘very lucky’ in the way he received his education, first as a graphic design student at the Rhode Island School of Design (risd), where he now teaches part-time, then as an apprentice at Font Bureau. ‘I went to risd for their strong typography programme. As I studied typography, I kept getting into the details of type more and more. That led to drawing type. Fortunately, I was given the freedom and support to do a lot of experimental work and independent research. This allowed me to try out a lot of weird stuff, and focus on my own approach without worrying whether I was doing it right or how it fit into the tradition. All this happened in the context of a programme that was strongly influenced by the Basel school of typography. So at the same time I was surrounded by that kind of Modernist tradition.

In this context, the work of Cyrus Highsmith, staff designer at Boston’s Font Bureau, is a welcome exception. Highsmith has done his share of revivals and historical studies – he digitised some of the twentieth century’s most fragile display faces, worked on a redesign of News Gothic and drew a contemporary version of Scotch Roman for The Wall Street Journal. Yet his greatest strength lies in his newly designed text faces. With families such as Stainless / Dispatch, Prensa and Amira, Cyrus Highsmith

Jan Middendorp & Cyrus Highsmith : ÒRythm and spaceÓ pg. 6

Erik Spikermann : All About Typography pg. 3

Pelindung :

Redaktur Pelaksana :

Desain :

Sirkulasi :

Diterbitkan Oleh :

Bina Nusantara

Marcello Suryadi

SOD Bina Nusantara

binanusantara.ac.id

beyondmag.com

Penanggung jawab :

Dewan direksi :

Photography :

Kontak :

Supported by :

Shelvyanne Rossi

Annatya Shabrina Renaldo Nathanael Marcella Raisa

Stefanno Suryadi Fahmi Adi Ekalaksono Imbang Rahmat

Telp. (021)-5463777 Web : www.beyondmag.com FB : Beyond Magazine Twitter: @beyondmag

Bina Nusantara University

Ò A short type design course will never turn you into a type designer. But it may make you a better typographer Ó 01

beyond magazine is the task given by the lecturer to create a magazine layou, learn about the grid and make an advertising.

ERIK SPIKERMANN :

ALL ABOUT TYPOGRAPHY Spiekermann studied art history at Berlin's Free University, funding himself by running a letterpress printing press in the basement of his house.[1] Between 1972 and 1979, he worked as a freelance graphic designer in London before returning to Berlin and founding MetaDesign with two partners. In 1989, he and his then-wife, Joan Spiekermann started FontShop, the first mail-order distributor for digital fonts. FontShop International followed and now publishes the FontFont

range of typefaces. MetaDesign combined clean, teutonic-looking information design and complex corporate design systems for clients like BVG (Berlin Transit), Düsseldorf Airport, Audi, Volkswagen and Heidelberg Printing, amongst others. In 2001, Spiekermann left MetaDesign over policy disagreements and started UDN | United Designers Networks with offices in Berlin, London, and San Francisco. In April 2006, the Art Center College of Design in Pasadena

awarded Spiekermann an Honorary Doctorship for his contribution to design. His family of typefaces for Deutsche Bahn (German Railways), designed with Christian Schwartz, received a Gold Medal at the German Federal Design Prize in 2006, the highest such award in Germany.[2] In May 2007 he was the first designer to be elected into the European Design Awards Hall of Fame.

Scan Me : Follow Us at :

03

Beyond Magazine@

beyondmagazine

Beyond Magazine adalah majalah yang dibuat khusus untuk refrensi para desainer. Artikel yag dibuat berdasarkan dari sumber - sumber desainer yag terpecaya. Beryond Magazine selalu memberikan refrensi terbaik bagi para pembaca setianya dan selalu memberikan kualitas terbaik.


The Paragon Land brochure is the task of the DKV 2 course. In this task, we are taught how to layout with grids and how to attract visitors to our brochures.


ABOUT US

ARTI NAMA Bethsaida berasal dari kata ÒBethesdaÓ yaitu bait (seperti Bait Allah) atau rumah anugrah. Betesda adalah sebuah kolam air yang sekarang berada di "Muslim Quarter" di Yerusalem. Pada Pasal kelima Injil Yohanes, kolam ini berada dekat Pintu Gerbang Domba (Sheep Gate), dan dikelilingi oleh lima serambi(covered colonnade). Dikaitkan dengan mujizat penyembuhan.

BRAND TOUCHPOINT -

Name Tag Baju dokter dan pegawai Lembar pendaftaran Website Ambulance Brosur Kop surat Lift kaca

Sehingga, Rumah sakit Bethsaida yang berdiri sejak Desember 2012 dapat diartikan sebagai sungai surga yang membawa kesembuhan.

ARTI LOGO Burung :perdamaian dan cinta Palang Merah : institusi kesehatan (RS) Garis biru : sungai surga

LAYANAN UNGGULAN Cardiac Center

VISI DAN MISI

Membantu menunjang kerja jantung dan pembuluh darah bagi pasien. Alat-alat penunjang: - MSCT Angiografi - Kateterisasi Jantung atau Angiografi Koroner - Angioplasti Koroner (PCI) dengan Pemasangan Stent (Ring) - Pemasangan Pacemaker / Alat Picu Jantung Sementara & Pacu Jantung Tetap

Jalan Boulevard Raya Gading Serpong Kav. 29, Curug Sangereng, Kelapa Dua, Curug Sangereng, Klp. Dua, Tangerang, Banten 15810 (021) 29309999 https://www.bethsaidahospitals.com

RATING RS !"#$"%&'('#)*)+$,%(Berdasarkan riview pelanggan.)

4.30

MISI Memberikan pelayanan kesehatan yang terbaik sesuai dengan kebutuhan setiap pelanggan.

RS Omni memiliki pelayanan yg cepat dan servis yang baik. Dan pelayanan 24 jam untuk IGD. RS Omni ini juga bisa melakukan pembayaran asuransi dan memiliki paket promosi untuk pemerikasaan dan rawat inap. Biaya untuk rawat inap, RS Omni terbilang cukup murah jika dibandingkan dengan Eka Hospital dan RS Bethsaida.

RATING RS !"#$"%&'('#)*)+$,%-

INTEGRIUS .!/0123/.!1

RELIGIUS 204.1.56

RS Bethsaida menyatukkan hal yang religius dengan science.

RS Bethsaida adalah rumah sakit yang berada dibawah naungan agama katolik.

COLOR LOGO 78482%4818

MISI - Mengutamakan keselamatan dan kenyamanan pasien. - Menerapkan standar layanan medis yang terbaik. - Menyediakan layanan kesehatan terpadu. - Melayani dengan tulus dan sepenuh hati. - Aktif mempromosikan hidup sehat.

ARTI LOGO - Burung di dalam hati : melambangkan suatu penyebaran kedamaian dengan rasa cinta - Lambang air (warna biru) : Sungai surga

3.90 Eka Hospital memiliki pelayanan dan servis yang baik. Dan pelayanan 24 jam untuk IGD. Di Eka Hospital ini juga bisa melakukan pembayaran asuransi dan memiliki paket promosi untuk pemerikasaan dan rawat inap. Biaya untuk rawat inap, Eka Hospital terbilang cukup mahal dibandingkan dengan RS Omni dan RS Bethsaida.

67.0!70 MODERN SCIENCE RS Bethsaida menghadirkan teknologi science medis terbaru dan tercanggih saat ini.

LOGO FINAL

(Berdasarkan riview pelanggan.)

VISI Menjadi Jaringan Penyedia Layanan Kesehatan Terdepan di Asia Pasifik.

MISI Menyediakan layanan kesehatan yang benar dan terbaik bagi masyarakat, dengan komitmen dan ketulusan, berdasarkan nilai kasih serta integritas.

BRAND ESSENCE

KOMPETITOR

VISI Menjadi pilihan utama dalam pemberian layanan kesehatan yang terbaik.

VISI Menjadi Rumah unggulan, terpercaya dan bertanggung jawab, sebagai saluran berkat dan kasih Tuhan kepada sesama dan lingkungan.

BLACK AND WHITE LOGO 9437:%;%<=./0%4818

- Warna merah : warna merah mewakili palang merah (palang RS)

KESIMPULAN : through modern facilityÓ Pasien akan merasakan pertolongan Tuhan melalui fasilitas modern RS ini karena suasana tenang dan religius di dalamnya.

Infographic Bethsaida hospital is an infographic task of DKV 3 courses. In this task, we are taught to research something so that in the end we can make an infographic and re-branding logo.


UI / UX DESIGN


MY ACCOUNT

HOME HOTELS TICKET DESTINATION INFO MAP & NAVIGATION RECOMMENDATION PROMO NEWSPAPER MESSAGE

SETTING SIGN OUT

INDONESIA

DESTINATION INFO GET INFO TO EXPLORE YOUR DESTINATION

WATERFALL

BEACH

LOKAIND is an application design that provides information about destination in Indonesia. This app is created using photoshop.


Aqua re-make website is the task of DKV 3 courses. This website only contains landing page only. this website is made using adobe dreamweaver.


The Body Shop re-make website is the third task in the course of DKV 3. In this website, there is campaign, customer log in and product. this website is made using adobe dreamweaver.


PACKAGING DESIGN


THANK YOU

(+62)82225040999

shelvyannerossi@gmail.com

@roossooong

@shelvy.einn

SHELVYANNE'S PORTFOLIO GRAPHIC DESIGN  
SHELVYANNE'S PORTFOLIO GRAPHIC DESIGN  
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