Page 1

               

  (    )                                  (        )


  

PRACTICE VISITS

 

CV AND MOCK INTERVIEW

  



                    ­ €                        

                            

       

         

VALUES AND PROFESSION                                                          

ETHICS AND PROFESSIONAL PRACTICE                                                           

  MANIFESTO FOR PRACTICE             

LETTER OF APPOINTMENT AND DOCUMENT



BUILDING REGULATIONS ‚      ‚                ‚        ƒ„     ‚        

  EQUALITY AND DIVERSITY …     

  ROOM DATA SHEETS            



CDM RISK ASSESSMENT

  ­         


                  

            

       š  ƒ‚        ˆ ‹ ‹ Œ Ž           

                   

ƒ                                                      ‘                           ’          ƒ“    ”         “    †       •     „     –     –     —         —   ‰ ƒ     ”                             ˜ ‹         Ž   ‰ ƒ™  ‰ˆ            š     “                ”(Š  ˆ ’ ƒŠ  ˆ › ) ƒ€  Š      Š ˆ              š             Ž     ­     Š  ˆ ›     “€  ˆ               ”     Ž               …    —    ƒ  œ ž    ”                                                              –                       

€††‡ ‡ € ‰  ˆˆ‰   ŠŠ‰‰

01


                  

      ƒ            Ž   ­      ƒ                 Ž   ­ Ž         ‰                ”            ƒ     ”                             ˜ ‹         Ž   ‰  ž            Ž       –                –Ž              –                  Ÿ   Ž                     “    ™  € “ œ ¡ €  … €  ”                     ƒ                           –                                      „       Ž                             ”            Ž                ‰

BEIJING

        SHANGHAI

GUANGZHOU SHENZHEN HONG KONG

LEUNG Chi Tien Steve, Founder Source: SLD Group

SLD Team Source: SLD Group


                  


                  

                  

                                                                                                                                   ‚      –                                 –Ž               Ž                                       ­                                      Ž              –               •                              ­                                 –               Ž           ‰        –    ­                                                                                       ‰               –                   Ž            –                                   –          ”                     ­              ‰€              “    ™  € “ œ ¡ €  … €  ”Ž   ž            Ž       –                  – Ž               –                    Ÿ    Ž       ‰–                            “  œ  œ  “ ¢                  ‰       –                      ­  Ž                        ‘                            –     “    ™   € “ œ ¡ €  … €  ”‰ ‚    –                                            –Ž                                      Ž                      š      Ž Ž         Ž          ­     Ž    š        Ž    Ž                                             – Ž             ƒ  ƒ —                                                               ž          –     ­           – Ž    Ž ­            ‰


         

    ˆ ‰        Š ‰  ˜ ‰       

02

SHAM YIU YEUNG ANDY

Rm 1410 14/F Lei Tim Hse, Ap Lei Chau Est, Ap Lei Chau, Hong Kong

(852) 69055-5545

andysham0423@gmail.com

February 10 ,2019

HASSELL 22F, 169 Electric Road North Point Hong Kong Dear Manager

Dear Sir/ Madam, I am wriďż˝ng to apply for the posiďż˝on of assistant interior designer, as adverďż˝sed on your website careers page. I am a fresh graduate in the University of Portsmouth majoring in the Bachelor of Interior Architecture (1st Hons). Last summer, I have interned in Btr company, one of the Big ďŹ rms in the public Interior design ďŹ eld. There I gained Material applicaďż˝on knowledge and CAD drawing skills of interior design. I had in touch with a dierent kind of project. I am interested in the F&B and Retail project in interior design because I am good at short-term projects and diverse designs. Being able to present the concept in space design is the way I want to express the design in the eyes of every customer.I am conďŹ dent that my pracďż˝cal work experience and my solid educaďż˝onal background have well prepared me for making an immediate contribuďż˝on to your company. I hope all these make me match your criteria. The resume enclosed gives further informaďż˝on concerning my qualiďŹ caďż˝ons and experiences. I would be grateful if you can extend an interview invitaďż˝on for me to further discuss my background in details. I can be reached at 69055545. Hope you can give me a chance. Thank you for your kind consideraďż˝on and I am looking forward to hearing from you soon. Yours faithfully,

Sham Yiu Yeung, Andy


     

              

SHAM YIU YEUNG ANDY INTERIOR DESIGNER & ARCHITECT

EDUCATION BACHELOR’S DEGREE



1/Idea Handsketch 2 /Model made in Top up degree at 1:100 Green Funeral Design 3/ Photoshop making photocollage in Top up degree Plastic Pollution Experience Centre 4 / Hand draw perspective in BTEC 2nd year F&B project 5 / 3D Rendering in BTEC 2nd year final project Soccer Entertainment Terminus



/ Sept 2018 - Jun 2019 (expected)

Caritas Institute of Higher Education in collaboration with The University of Portsmouth ,UK BA(Hons) Interior Design & Architecture

BTEC LEVEL 5 HND DIPLOMA PROFILE I am an interior designer. To me, Interior design and architecture must constantly imagine about the sense of space, from the beginning to the end of a project. An interior designer needs to have research behind every design and develop a story that enables the user to connect and admire. Then it will become a good design.

LINKS https://issuu.com/shamyiuyeung https://andysham.wordpress.com

DIPLOMA

/ Sept 2008 - Jun 2014

Yu Chun Keung Memorial College No. 2 - HKDSE - Hight school

SKILLS RHINO SKECH UP



EXPERIENCE UNITE UNIT LIMITED

/ Oct 2018 - Jan 2019

Internship • Drawing Plan, Cobstruction Drawing : CAD / RHINO • Model Building,3D Models

BTR WORKSHOP HK

/ Jun- Sep 2018

Internship • Cad drawing, PS rendering, Material sample board

ICHIRAN HONG KONG LIMITED

AUTOCAD

/ Jul 2015 - Aug 2016

Part time • Waiter • Duites involved;Cook noodles

SOAR DESIGN & DECORATION LTD



/ May -Aug 2014

Freelancer • Double Check Dimension (覆尺) on site individually • Follow up construction with designer

PS- PHOTOSHOP AI-ILLUSTRATOR 3DMAX MODEL BUILDING MICROSOFT POWERPOIN



Caritas Bianchi College of Careers in 3D Design (Interior design) Bronze Prize for Excellence award (Interior Architecture )-2018 Hong Kong Interior Design Association- Student Scholarship - 2018 IDL Innovation HK Student Scholarship - 2018 Academic Excellence Award - 2018

CONTACT INFO Tel: (+852) 69055545 Email: andysham0423@gmail.com Address: Rm 1410 14/F LEI TIM HSE, AP LEI CHAU EST, AP LEI CHAU, HONG KONG

/ Sept 2016 - Jun 2018

PROFESSIONAL QUALIFICATIONS HONG KONG INTERIOR DESIGN ASSOCIATION HKIDA Student Membership

WELKIN COMPUTER TRAINING

/ Sep 2017

Diploma In 3d Anmation Design Autodesk 3ds Max

ROCA

/ Nov 2017

Hong Kong 2017 3nd Edition One Day Design Challenge

/ Sep 2016


                           

                         

   

03

ˆ ‰              Š ‰            

˜ ‰                �

Autonomy/independence:

Intellectual Status:

Diversity of tasks:

the chance to work on projects

recognition as an authority on

to be involved in a variety of

alone and with my own iscretion

somethingv

different projects and task types

Challenge:

Flexibility:

Fringe benefits:

work that is not routine and

ability to shape my own

provides excellent health,

keeps me challenged and

schedule, no regular hours

holidays, perks, etc.

Creativity:

Geographic location:

Interdisciplinary:

work that allows

easy commute and enjoyable

to work with people from

the freedom to conceive and

city/area

different professional fields

Defined responsibilities:

Good supervision:

Decision-making authority:

expectations are clearly

a supervisor who is accessible,

the ability to make decisions

articulated and understood by me

clear, supportive, etc.

for my work and that of others

Advancement:

Intellectual stimulation:

Contribution to society:

ability to take on increasing

work that challenges my

feeling like you’re making a

responsibilities

intelligence

larger difference

Group work:

Moral fulfilment:

Income:

team-oriented and collaborative

work that aligns with my sense

high earnings, beyond basic

tasks and work environment

of purpose

needs

Job security:

Structure and

Equality:

not having to worry about the

predictability:

to work in an environment that

stability of my industry

regular hours and familiar tasks

learning

implement new ideas

and my supervisor

has equal opportunities and does not discriminate

Knowledgeable co-workers:

Diversity of community:

Working under pressure:

work with intelligent individuals

working with people from

working to tight deadlines;

who have relevant knowledge

different backgrounds

working at a fast pace

Tranquillity:

Adventure:

Physical Challenge:

unpredictable, perhaps involves

using physical dexterity,

risk

strength, agility.

Aesthetics:

Personal Safety:

Recognition:

to study / work with issues

to be safe and secure

to be recognised and respected

a relaxed, quiet atmosphere with limited pressure

of beauty

by peers / community

Tangible outcomes:

Fun and Humour:

Excitement:

results that you can see on a

prevails and is appropriate

a high degree of novelty and

regular basis

drama

Profit / Gain:

Honesty and integrity:

possibility of very big financial

morally correct

awards from investments, funds etc.

Influence: to be in a position to influence the life of others

Knowledge frontiers:

Artistic:

Developing expertise:

to work in research at the

work that involves art practice

the ability to become an

frontiers of knowledge

and endeavour

authority on a topic area within my work

 Â?  Â?       ÂĄ    Â?     


                  

                                                                                                         (                               )      Ž               Ž                                                                ƒ    ‰     Ž              –                                              ‰€                                      Ž         ­                                              –            ‰ …                                         Ž    ‰£      Ž                          ‰™        Ž   ­        ‰                                ƒ   š      –         '       Ž             ”             ­       ƒ     ‰  ­                   Ž          ‰      Ž                              (                  )‰                          ¤ “                                       ¤ “                        ¤                                  Ž                          '      ‰„                                             –                                                         ƒ    ‰€     –                                              –       Ž                         ‰  ­                       –                                           –      –       Ž                                           ­       ‰       –       ƒ           –                       Ž             ‰                         –    Ž         ƒ                                 Ž         ­ ‰Ž                     Ž              Ž  Ž                 ‰                                          Ž    –        ­                                         Ž    ‰€                                 ‰                          Ž  ‘          Ÿ           Ž  ‘          Ÿƒ                      ‰           š      ž                  š   Ž                      ¤         –        –        –          –        –         Ž                     ‰       Ž   –        –    Ž         –                                ‰€  Ž       ž                         ­       Ž   –    Ž                   Ž                                 Ž                    ­                   ‰€                     –Ž         Ÿ             ‰‚                  ‰              –                                ­                   š                                          (                   Ž                       ­   )‰                       Ž                                          –      Ž                     Ž      ­         ­ Ž             –       ‘             Ž  Ÿ‰                                     ƒ š             š            Ž               ‡‘…                        Ÿ‰             –                Ž                      ­ ‰             ­          ‰                                 –                                               ‰              ­                  ‚ ‘ „        –    Ž                                             Ž           Ž      –                             ‰€        ' Ž           Ž                               Ž    –                           ‰                          –                                     ‰€                        Ž                                         –                             ‰                                 –                                         ‰


                    

                           

   

04

ˆ ‰             Š ‰…          ˜ ‰   ˆ ƒ

1/‚    Ž     š              ‰      Ž          –      Ž       ­               ‰                                            ‰€                              ‰                              Ž                                                         ‰



2 - 3 /                                                ‰ “       ”                   Ž               ‰

           

  

 

       






                    

            

  ‚       ‡

             

       

“ €  €   ™  ‚    €  € œ ™     Ÿ          Ž             ¤

                      

        

       / €            

¡                    

     „    

                

                                               

œ 

™          

       /¡                                                  —          

   €                       Ž             Ž  —          Ž        ‰€  

        

      Ž                                      –                               ‰                        ­               –                                              Ž              ƒ                                              Ž     ƒ

   

  

„    ­         –       ­  “         ”(           )–                                   ‰„                          Ž      

 €          Ž                                                –     ­       Ž                  Ž                      ‰€  Ž        Ž     Ž      ­                   ‰

  œ   ‚ œ


         

   ˆ –€               Ÿ                    „    š  €                 Ž                                         "‚       "‰€                  ›        –                       –                                    ‰ „                 Ž              Ž       –                      ƒ                         –                   Ž     –                                                 –               Ž                Ž                 –                                     –                                          Ž         ‰                                                        Ž             ‰

   Š –€       …              œ                          Ž           Ž      Ž               ‰…                 Ž         ‰                                ‰€         ƒ                  Ž       ­   ¥        –    €                   Ž                                  ‰ “      –                                                   ‰‚    –              Ž                            Ž        ‰

   ˜ –€               €                                                           –    ƒ                            Ž                 ‰€                                     ž                        ‰ ‚         –         Ž        Ž                        Ž    –       ­         '                     Ž     ‰ ­    '                         ­             ­      Ž              – Ž                     –                         Ž                         Ž            ‰

   ¥ –€               Ÿ                                                             –                     Ž            ‰ €     –                                                            ”           ‰                                                     ƒ    ‰               ‰€                                 š          –                                         ‰

    –€                            –           Ž                 Ž       Ž             ƒ                Ž  '                    Ž        ‰                               –       Ž                        ‰€                            “     †          Ž                                                                Ž                       ‰


                  

                 

           –    ­                                                      ‰            —     Ž                       –            ƒ Ž      ­        ‰€       Ž                                      –            —                                       ž             Ž              ‰                     Ž     ­       –                  ‰ …                                  ‰                             ƒ                                                         Ž       ­                          ‰…                                  ‰      Ž         –                        Ž        ‰ €                         ”                                      ‰          Ž    –    ­                                Ž                          ‰„                        ž                        –  

    ˆ ‰          

05

                            ‰          “        Ÿ                   ”‰                           “          Ž    š         ”  ž          ‰                                          –             Ž                           ‰ ‚         –                     –                             Ž            ‰            –                                          —  ƒ    ‰€          Ž                      ‰ €                                                      ‰            ƒ   '                            Ž             Ž           ‰€            –                       š   ‰                Ž      ‰ ‚    –                           –                        ž          Ž                        –            ­         ‰                                       Ž             —          ‰‰


                    

                         

    ˆ ‰             Š ‰      ­

06

˜ ‰€                      

Andy Sham Interior Desihner

                 GREENPEACE 10/F, Stelux House, 698 Prince Edward Road East, San Po Kong, Kowloon, Hong Kong             

Dear Sir/ Madam, Thank you for inviďż˝ng us to act as interior Designer for this project. We understand that you would like us to design an experience centre for plasďż˝c polluďż˝on experience to educate the ciďż˝zen. The experience centre is to include Feature Wall, White Polluďż˝on Tunnel , Rest Place ,Exhibiďż˝on Area , cafe and Work Shop. Please ďŹ nd enclosed the following enclosures : Enclosure A: Programme of Work Enclosure B: Schedule of Interior Design Services Enclosure C: Schedule of Designer’s Fees (including costs) Enclosure D: Esďż˝mated Construcďż˝on Costs As the CDM regulaďż˝ons will apply to this project , you have agreed to appoint us as CDM coordinator or please advise us of the name of the CDM coordinator We do not believe it will be necessary to seek advice from other consultants or specialists for this project or we conďŹ rm you have agreed to appoint the following specialist consultants. If it should be necessary to seek advice from any other specialists or consultants, we will advise you. We conďŹ rm that we will maintain professional indemnity of $500 per month and as the standard Construcďż˝on Design and Management Regulaďż˝ons will apply to the refurbishment of Basďż˝on 6, you have agreed to supply a CDM coordinator for the duraďż˝on of the project, ensuring H&S regiulaďż˝ons are upheld throughout. If you are in agreement with our proposals, we would be grateful if you could sign the boďż˝om of this leďż˝er and return it to me at your earliest convenience. Yours sincerely, Signature of Designer

Signature of Client

Date: 7 January 2019

Date: 7 January 2019


             

Enclosure A WK 1 7/1-13/1

WK 2

WK 3

14/1- 20/1 21/1 -27/1

WK 4

WK 5

28/2 -3/2

4/2 -10/2

WK 6

WK 7

11/2 -17/2 18/2 -24/2

WK 8

WK 9

25/2 -3/3

4/3 -10/3

WK 10

WK 11

WK 12

11/3 -17/3 18/3 -24/3 25/3 -31/3

WK 13

WK 14

1/4 -7/4

8/4 -14/4

WK 15

WK 16

15/4 -21/4 22/4 -28/4

WK 17

WK 18

29/4 -5/5

6/5 -12/5

Uni 340 340 340 340 340 340 340 340 340 340 340 340 340 340 340

CV and Cover letter Preparation

352 352 352 352 352 352 352 352 352 352

Research and Site Analysis

380 380 380 380

Site Analysis

CV and Cover Letter Hand in Mock Interview Portfolio Preparation Mock Interviews Assignment 1 Assignment 2 Assignment 3 Assignment 4 Assignment 5 Assignment 6 Assignment 7 Assignment 8 Assignment 9 Assignment 10 Unit 340 Final hand in

Review 1: Position, Brief and Site Concept Development Review 2: Concept & Design Scheme Design Detail Design Review 3: Design & Detail End of Project Review Unit 352 Final Hand-in Exhbition

Brief Writing Artists Book Final Hand in Designers Fees Consultants Fees

28 6

20 5

Uni 340 - Major Project

20 4

20 6

20 4

25 0

29 5

30 5

27 5

35 5

20 3

20 0

18 0

20 0

25 5

30 5

35 6

32 5

       Â?   Â’ ˆ ˜ 

Uni 352 - Interior Communica�on and Professional Studies Uni 380 - Interior Iden�ty             


                             

Enclosure B

Enclosure B

                               

            

Part1

Design Stages

Appraisal and BrieďŹ ng

Visit the site and carry out ini�al Appraisal Assist the prepara�on of the Client's

                               

            

Part2 Installa�on management (The designer will NOT carry out relevant services in Part 2 if carrying out the Building Works under Part 3 or supplying FF&E under Part 4)

requirements

Act as contract Administrator Building work-All tender ac�on Building work-All construc�on FF&E Installa�on

Studies to determine the design approach (visuals) Advise on the need to obtair statutory approvals and the clients du�es under the CDM regula�ons

Part3 Buikding Works

Design Proposals

Survey and prepare drawings of site and

In accordance with Annex A All Also including all Decora�ons

building Prepare outline proposals and discuss with client Visits with client to suppliers and other projects

Part4 FF&E Supplied by designer

In accordance with Annex B1 and B3 Also including Decora�ons

Develop a detailed design with visuals Prepare an approximate es�mate cost, including FF&E Submit detailed design proposals and approximate cost of approval Make an applica�on for detailed planning permission

Installa�on Informa�on

Prepare drawings and speciďŹ caďż˝ons Prepare speciďŹ caďż˝ons /Schedule of Decoraďż˝ons

This is the schedule of Interior Design Services Rela�ng to the project at Treadgolds referred to in the Le�er of Appointment and the Agreement clause dated 4th of March 2016 made between

Signature of Designer

Signature of Client

Date: 7 January 2019

Date: 7 January 2019

Prepare outline proposals and discuss with client Prepare schedules of FF&E Make applica�ons for building regula�ons and other statutory approvals


                             

Enclosure C

Enclosure D

                       

            

                         

            

This document will cover construction fees, which will contribute to the overall expenses. To get a good estimation I have made reference to some precedent projects that have a similar client/ brief (see below)

Junior Designer Esďż˝mated Hours: ÂĽ Â? ÂĽ Consultant Designer Esďż˝mated Hours: ˆ Š ‹

Cost Precedent Hong Kong Science Museum

Junior Designer hourly Rate: $100 Consultant Designer hourly Rate: $300

Hong Kong Museum of History Ordinary Exhibi�on

Junior Designer total: $45400 Consultant Designer total: $38700

Precedent Sq./ďż˝ 135000 170000 14000

Construc�on Cost HKD $31,050,000 HKD $34,580,368 HKD $2,450,000

Cost per sq./ďż˝ HKD $2300 HKD $2034 HKD $1750

Average Cost per sq./ďż˝ HKD$2028

€    ‚   ‡ $84100

Hong Kong Science Museum

All travel is excluded from this fee. Should any extra work be needed to be carried out, it will be done at a rate of $100 p/hr for a Junior Designer, and $200 p/hr for a Consultant Designer. Prin�ng is also be excluded, and shall occur per sheet at a cost of:

HKD $31,050,000 13500 sq./ďż˝

A4: $2 A3: $3 A2: $10 A1: $30 A0: $50

Hong Kong Museum of History HKD $34,580,368 17000 sq./ďż˝

Planning Applicaďż˝on Fees, as set out by The Town and Country Planning Regulaďż˝ons will amount ot $2000 per applicaďż˝on, based on the ‘ change of use’ occuring at Basďż˝on 6. Should a Quanďż˝ty Sur veyor be needed, they shall recieve $500 an hour, and a Historical Building Conservaďż˝on Advisor, $300 an hour. Should these ser vices be required, I shall aler t you as needed.

These precedents will give you an understanding of the type of project in terms of the exhibition area walls of form and construction with also the details and the selection of event furniture and ďŹ ttings. These are all factors impact a lot on construction cost. With this, I was able to identify the budget to be (low-medium) costing around hkd 2028 per sq/ft.

The overall Es�mated construc�on costs: Head of Project: ANDY SHAM DESIGN Client: GREENPEACE Project Size: 9860 sq./� Cost per sq./�: HKD $2028 Total Construc�on: HKD $19,996,080

Signature of Designer

Signature of Client

Signature of Designer

Signature of Client

Date: 7 January 2019

Date: 7 January 2019

Date: 7 January 2019

Date: 7 January 2019


          

              

             –       ­ €         ‚ ƒ š                Ž    ƒ                 ”             ‰    ‚ ƒ‚                ”                                              Ž Ž              ‰œ    š                           Ž                           ƒ               Ž                                        ­                              š          –                                       ‚         ‰    ‚  ƒ           š                    ƒ                           ˆ ’ ‰Š –   š                    Ž                      Ž                                            –         ˆ    –      ‡

   ‚ ƒ š                Ž       š                                     ­       ‰€  Ž        Ž                                      ˆ 



    ˆ ‰‚     Š ‰‚           

07

˜ ‰‚     ƒ„   ‚      








                         „        …      …      †    Ž       ‡     „ ¥            ­Œ       ƒ           „  ‡ €                 ‚ƒ €       ‰            €       €   ‚ ( )­    ƒ €   „          ‚ ()   ­           …  /   €                 ­  …  /       ‡ () ˆ  ­    …  /   €                 †                ­          €  ‹                    

EXIT

EL

TICKETING



  Ž       ‡„ ˆ ˆ ‰Š    Ž       ‡     „ ˆ ˆ ‰˜ ( )                                                   ­              €     €     ­   ­                 €

       €            €       €   ‚ ()­    ƒ €   „          ‚   ­    …  /                    †         ‡ ˆ  ­ €    €          ‰ ()­    ƒ €   „      ‚                   ‡ ˆ  ­ €    €          ‰ ()­  €€      ƒ €   „                 €          ‚ Š                  ‡ ˆ  ­ €    €          ‰

13.3m

29.1m

29.1m

            

EL



COMMON CORRIDOR

18.1m

PLASTIC FEATUREWALL

9.7m

                  



EL

m

16.6

REST PLACE EXISTING PLANT ROOM

EL

EXIT

EL

EXIT

1.5m

3.6m

EXIT

EL

PLASTIC FEATUREWALL

EXIT

2m

EL

2.6m

EL

1.6m

E&M PLAN ROOM

EXHIBITION

EXIT

EL

1.5

m 7m

9.2m

DISPLAY AREA

3.7m

MARKET PLACE  





22.6m

2.5m

3.5m

2m

8m

17.9m

™   ‡

9.2m

4.6m

LEGENT

WHITE TRANSFER STATION

EL

1.5m

SPECIAL EXHIBITION GALLERY

FIRE STRATEGY L2 LAYOUT PLAN

EL

 Š                    Protected Lobby

2 Hours Fire Door

Means of Escape

Emergency Exit

Fire Extinguisher Fire Alarm

Fire Hose Reel

EL

Emergency Lighting

FF.1.0


                         „        …      …      †    Ž       ‡     „ ¥            ­Œ       ƒ           „  ‡ €           Ž       ‡     „ ˆ ˆ ‰ˆ            €       €   ‚ ( )­    ƒ €   „          ‚ ()     ­                …  /   €                     ­    …  /       ‡ ()  ˆ   ­      …  /   €                     †                

  Ž       ‡     „ ˆ ˆ ‰Š   Ž       ‡     „ ˆ ˆ ‰˜   Ž       ‡     „ ˆ ˆ ‰’   Ž       ‡     „ ˆ ˆ ‰Œ                                        €    €        ­                   ­         ­       €  ­  €            €        ­                        ‰

                  

VOID

18.3m

9.9m

21.9m

1.6m

EXIT

EL 3.8m

0.5m

EL

3m

0.9m

1.0m

9m

1.

WORKSHOP

5.

0.5m

EXIT



7.1m

1.5m

16.6m

1.6m

EL

VOID

WHITE TRANSFER STATION

2.6m

75

m

7.5m

1.5m

6.2m

5.1

SPECIAL EXHIBITION GALLERY

6m

CAFE

EL

VOID VOID VOID

™   ‡

LEGENT

FIRE STRATEGYL3 LAYOUT PLAN

6

1.4m

EL .0m

 ˆ +  Š €             Protected Lobby

2 Hours Fire Door

Means of Escape

Emergency Exit

Fire Extinguisher Fire Alarm

Fire Hose Reel

EL

Emergency Lighting

FF.2.0


                  ‚       –                                                                  

‚    „ –                

‚     –                     /   

€  „       ƒƒƒ        ˆ      ”                      (ˆ )    €      ­              €€    €        ˆ    ‰ ‚    „       (Š )             €€  ­  ­          Ž        ‘                 ‘                                  €€                 ­       €           ­    ­           €€                         € ‰       (˜ )      ­    ­              €€  „  €            ’         ­  €      †      €               €€                €             €€       ’            ‰ “      €   ­    „      ­  € € / €  ‘         ’    ƒ ‰

€   ­             /Ž   ­         ‚                                         ‡ )       €  /„   ­          €€ €      ­            €          ­    ‰ )“  —         €  /„   ­               ( ˆ         )      †         €€ €        ­   €  ­       ­      €   Ž         ‰          ­ € / €  ‘     €          €      ­     €                              ­                   ‘   ‰ )       €  /„   ­             €€   (          ) €              ­       ­     €         €‘        ‰

TACTILE GUIDE PATH

*  …  ™  œ ™     ™  

WHITE TRANSFER STATION

                  

FF.3.0


                  ‚     ˆ ˜  –                                 

‚    ˆ  ƒ     

€  „       ƒƒƒ       €        

€  „       ƒƒƒ‰  €  

œ Ž              ”       (    Ÿ )   €                  €           €€        €                        ­           €    ­        ­          ‰’  €    €     …            €      €€  €    €      €         ­            €€         ‡ ­       €                                /      ­     €        €           €€  Š         (   ’      )‰         €€     €   ­              €€                 ”       €€                    ­         ‰’                               …             ­  €            €€­ €€            ’      ‰

    €               ­                      €€    € ­ € ­                 €         €  €               €€     €       €       ‘      €        €                          €  ‰                “       ( )     €            €€  „    €                    ˆ     €   ­   €€      €       ­•    ­       ­     ‘        ­      €‰ ( )       ­    €   €€         ­  €       ˆ               ˆ                …    €   ‰

                     €     „     „      €€  ”          ­       ­    ­    €€             €     €   €  ­                       ­             €                  €               €€ €                     €   € ­    ‰

STEPS AND STAIRCASES HANDRAILS

*  …  ™  œ ™     ™  

WHITE TRANSFER STATION

                  

( )–( )     €   €€  ‚ ()    €    €                     ˆ         €     ‡  ()                              €        „          ­   €     €‰ (ˆ )–(Š )     €   €€       Ž    €€   €                 „    €       ­     …     ­                     ­                      €               €€             ­ €€          €€­            €€    ”         ­   €‰—                 €                    ­  €              €€      ‰

FF.3.1


          

                 

             Ž   ¤         ”    ­    ­                                     €€         ˜             ­ ‰           €         €                                     †      ‰ €           Ž    

       Ž   ( €  ‘         €    ) 

¡          Ž   ( €  ‘         €    )                                                      €                 ‰          €                     €€                                 €

   ‰Œ   ˜                     €  €   €       €                                  ”     ‰ ¡           Ž             €                           ­     €          €  ­                                ‰ “          €                € ­                 €                          ­     ˜           Ž      €  €        Ž  ‰              ­        €               ”      ­         €      ˜             €  ‰ ƒ                                             € ­‰ ’         €                  €        €  ‘     ‘             ‰

    ˆ ‰…     

08


          


              

          

    ˆ ‰         

09

‚               

‚ ƒ‚  ˆ ‚ ƒ… € Š    

  



‚ ƒ… € ˆ


                      

Room Name/Number :

Plas�c Feature Wall

Room Area:

104 sqm

Document Revision:

2

Level: Floor - Ceiling Height:

Second 2.6m

CODE F-ST1

ELEMENT Floor Finish

DESCRIPTION Concrete Floos

SUPPLIER By Contractor

F-PA1

Wall Finish

Dulux Forest Breath Eco-sense All in 1 Emulsion A699, 2 coats ICI 45YY 74/073 China White Ma�

By Contractor

F-FE1

Feature Wall

Mineralized Water Bo�le 500 ml

BONAQUA

F-MT1

Feature Wall metal Frame

304 Stainless Steel Mirror Piano Black Colored Sample No: CS-8881

COBELCO INDUSTRIAL SUPPLIES LIMITED

F-MT2

Feature Wall Bo�le metal support

304 Stainless Steel Ma� White Colored Sample No: CS-9211

COBELCO INDUSTRIAL SUPPLIES LIMITED

F-LT1

Ligh�ng

Hidden Ambient LED Strip Ligh�ng at top of wall

Philips Hk

IMAGE


              

         

  Âœ ÂŁ  € ‡“   “ €  Âœ ÂĄ €  œ ™ â€? ÂŚ      ™    ™ €  

Helmet

Work gloves

Working at high altitude

€  † ‡ ˆ ‰ ­      

10

Mobile Working Platform

Using Mobile Working Platform


                Â?       •        •                •           •    Â?  Â?    •       ÂŽ  Â?        Â?    •          ÂŽ  Â?               •       Â?                                  “—      Â? â€? •       –   Â?                         Â?              ­ •      š            •           Â?   ­ Â?                                         – ÂŽ                            –   š             Â?   •     Â?              Â?          Â?              Â? ÂŽ     

RISK

SEVERITY

TYPE

Work on building exterior

5

Construc�on

Working at Hight

4

Demoli�on

Remove the exis�ng windows

4

Construc�on

To Build Up the Feature Wall

3

Demoli�on

Danger of tripping on single concrete steps

1

Use

Hazard

Working at Hight (Install projector and screen)

Descrip�on of Design Issue

High Risk 5

Low Risk 1 Reason for Hazard

Because the project has to create Since the project will use a a feeling of the seabed, it is projector placed around the necessary to design some special ceiling and the height of the eects through the ceiling, so that ceiling is high, if it falls workers in the project need to accidentally, it may cause work at an al�tude of 2.5 or death, convic�on, and higher. permanent environmental damage.

Severity

5

Possible Methods of Mi�ga�on

Method of Controlling Hazard

1. Provide two people to work 2. Provide Working at high al�tude 3. Provide one person to pay a�en�on to safety in the lower part

1. Do not carry out scabbling for more than half an hour without having a break 2. Use non-slip materials on the Mobile Working Plaďż˝orm 3. It should be used aďż˝er inspection by qualiďŹ ed persons.

Revised Severity

3


 ™     š ™  ™ “  ›    œ ™ 

Profile for Sham Yiuyeung

Andy_Interior Communication & Professional Practice  

Andy_Interior Communication & Professional Practice  

Advertisement