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ESSE PORTFOLIO OF HUOPU ZHANG


INDEX

01

RENDITION/ Descriptive Study

1

02

FORMATION/ Reconstructive Study

7

03

EXPLORATION/ The Dystopic Art Center

13

04

IDEALIZATION/ The Ribbon

25

05

MATERIALIZATION/ Frsh

35

+

Soliloquy

41


Project 01 RENDITION/ Descriptive Study Personal Project. [IN]Arch 2013, U.C. Berkeley. Tutor: Melanie Kaba, Peter Samuelson

1

This project introduces a descriptive way of perceiving objects. It explores the form, the geometry, the inner structure and the movements involved in a chosen object. By studying into the internal nature of the object, an orthogonal drawing and an unfolded drawing of the object were produced.

2


I. Object Study An electric transformer is a really small object and arrangement is taken so as to concentrate the drawing within a small range at the center of the paper so that viewers can easily focus onto it. In addition, the construction lines are arranged into a circuit that represents the normal condition of it as an electric unit.

Though it is small, the inner structure of a transformer is highly sophisticated so the unfolded drawing is arranged into interconnected component parts. The overall layout resembles an explosion both to indicate the abnormal state when it is disassembled and to remind the viewers of its inner complexity.

Orthogonal Drawing - The Circuit

Unfolded Drawing - The Explosion

Beyond the category of qualitative and quantitative reasoning, another approach of perceiving the world is through description and I find this kind of rendition with interventions of both laws and the mind’s impressions stands closer to my internal nature.

3

4


II. Gesture study In the second part of the project, a body part is chosen for further study and I dealt with my thumb and index finger as well as adjacent parts of the palm. Before doing the final drawing, I made some preliminary study about the contours and sections of some important components.

5

The Final Drawing

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Project 02 Back-FORMATION/ Reconstructive Study Personal Project. [IN]Arch 2013, U.C. Berkeley. Tutor: Melanie Kaba, Peter Samuelson

7

Having studied the forms and geometry of a body part through deconstruction, this project mainly concerns the reconstruction of the body part with a representative element chosen from the drawings done in the object study section. After some preliminary study about the connections and mapping of the element, a physical model of the reconstructed body part is produce.

8


The Element

Mapping Scheme

Having studied the geometry of the body part by unfolding, in the last part of the project, I chose an ‘element’, which was based on a 3“x3” moment of the unfolded drawing of the electric transformer, and designated for it some rules of connections and transformations in order to rebuild the body part with it.

A preliminary study was taken out on the unfolded drawing produced in the gesture study section to find out a general scheme for module mapping.

Tabs Fold Lines Slots

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10


11

The Exaggeration

A Close Look

The reconstruction process was not a purely accurate and faithful one. Instead, it emphasized the gesture by exaggerating the two fingers. In addition, torsion was incorporated into the elongation of the fingers to add to its dynamicity.

The model, in its small scale, accomodates the geometry of two fingers and their adjacent parts. Meanwhile, it creates interesting space within its surface. A close look into it can get us a sense about how it could accomodate people if it is enlarged.

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Project 03 Spatial EXPLORATION/ The Dystopic Art Center Personal Project. [IN]Arch 2013, U.C. Berkeley. Tutor: Melanie Kaba, Peter Samuelson

13

This is the last project in [IN]ARCH program. In this project, I also started with a module from the drawings in the previous project. Unlike the second project, the main concern of this project is the interaction with the boundaries of a designated space. A physical model was produced. Besides, I also made a digital duplicate of it in Rhino 5 to study its sections and plans and eventually did some digital renderings.

14


The Site

The Module

606 Ellis Street, San Francisco - Located at the heart of Tenderloin, a neighborhood long been reputed for its cultural diversity and artistic attractions, this single house produced a hollow in the urban façade, which brings a sense of surrealism. The project aims at occupying this space by building an art center with some special programs.

The module used in this project comes from the unfolded drawing of the previous project. To be faithful to its mechanical origin, rigid movements are preferred to flexible ones.

10’-0”

XL: 14’-4.8”

Module Sizes

L: 12’-0” M: 10’-0” S: 8’-4”

Fold Lines Gaps for Connection

Modules in Half Inch Scale

Folding Study

12’ 13’

25’

15

16


Study Models: The Connections

Study Models: the Guidelines

*Physical Model Scale: 1/2” = 1’-0”

To explore and occupy the space, some rules are set to be followed. Under these rules, general guidelines for the expansion of the structure are drawn out. However, the scheme for vertical prolongation still needs further testing.

Basic Connections

There is some existing murals on the left wall, which are to remain.

Planar Connection: x and y axes

Linear Connection: z axis

When expanding to the vertical space, the structure can be attached to the two side walls.

Planar Connection: Polar Coordinate

Further Explorations

Vertical Direction: supporting system

17

Horizontal Direction: Floors, Terraces, Stairways

Arch: Switching between planes

The façade should contain an opening that is large enough to let the 2-storey house to be seen

The vertical prolongation follows a pattern of attaching to the two walls alternately, thus producing a co/sinusoidal spiral. But the final form remains undetermined.

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Voyage/ Making the Ground Space

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*Physical models are in half inch scale

I. The Faรงade

III. The Side Wall

II. The Front Corner

IV. The Backyard: Ready to ascend to the vertical space

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Prolongation/ Occupying the Vertical Space

*Physical models are in half inch scale

Testing Models

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The Final Model Even Prolongation/Sinusoidal

Odd Prolongation/Cosinusoidal

A Blend of the Two

Pro: The first level is reorganized. The second floor is connected as a whole. Con: Excess weight and mess exist on the right.

Pro: The whole structure is more balanced, Con: The first level remains unintefered. The second floor terraces remain scattered, leaving some areas inaccessable.

The final form is relatively balanced and can produce adequate interference with both the 1st and 2nd levels.

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Circulation and Level Plans

Post Processing: The Art Center In Dystopicland

In addition to art exhibitions, the art center also accommodates two special programs - a gazebo on the top of the structure as well as a podium at the nexus on the second level, where various public/private lectures, and even sermons, are to be delivered.

Level 1: 0 - 7 ft

Level 2: 7 - 12 ft

Level 3: >12 ft

The Backyard

The Lesser Exhibition Room The Hall and the Existing Murals

Entrance

The Podium/The Nexus

The Gazebo

Sections II

Section I-I

I

Section II-II

Section III-III

N III

III

II

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I

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Project 04 Flowline IDEALIZATION/ The Ribbon Personal Project. Instructor: Christoph Klemmt

This project explores the potential of generating a form according to a set of idealized flow lines based on the law of elasticity so that the structure itself can help reorganize the circulation within the chosen site. It is my first personal practice with Grasshopper and Vray for Rhino. The open area at the south end of Guangzhou CBD, China, is chosen as the site for this experiment.

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Fluid Elasticity/ The Forming Process I. The Site - Flowline Mapping and Hooke’s Law

II. The Spring System

Flowline Mapping in South End, Guangzhou CBD, China - Produce a simplified network consisting of critical points and discrete flowlines

Rebuild - Rework the flowline network into a manipulatable spring system

The IFC

III. The Ribbon IV. Obtain a reorganized network by modulating the proportion of rest lengths to present lengths for different sets of flowlines

Select the compressed routes and the stretched routes that deviate significantly from the ground

Smoothen the selected routes with a single curve Cover all the selected routes with a ribbon

Guangzhou Library Routes to be compressed/ Rest length<Present length

The Science Centre

Routes to be stretched/ Rest length>Present length Anchor Points

Guangzhou Opera House

21.8m

Guangdong Museum

-5.0m -5.0m

Hookeâ&#x20AC;&#x2122;s Law - Apply basic elastics units consisting of springs with unvaried stiffness but different rest lengths

The Digital Process with Grasshopper and Kangaroo Physics in Rhino 5

C Line

L

A B

R

Connection Stiffness Damping Rest Length Upper Cutoff Lower Cutoff Plasticity

1 ms

S

Slider Pt

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Toggle

False

Force Objects Anchor Points Settings Geometry SimulationReset

Out

Pt

Iterations ParticlesOut Geometryout

Line

/*setting the rules for selection*/ If (the route is a stem route) count it into selection; else If (the route is within 5.0 meters above/below ground level) level it to the ground; else Count it into selection;

V D P K

(*5.0m is the designated height of 1st level)

C

Expand to a ribbon

L D

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On and Along the Ribbon/ The Circulation The Ribbon Decomposed: The Levels Above and Below

Upper Elevation

Lower Elevation

Glass Add-ons: The Ground Level

Entrance/Exit Flow Line

Vertical glass wallsďź&#x161; Supporting the ribbon while not spoiling the entirety of view

Glass floors: letting light into the underground levels while constituting part of the ground level

Levels Underground

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30


The Space In Between Upper Elevation

Lower Elevation Ground

B1 Section cut with flowlines on each level B2

The vascillation of waves generates space in between

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The undulation of the ribbon resembles this gesture

Space is similarly generated and naturally divided into levels and zones

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Top View

N

II I

Ground Level Walk - Below the Ribbon

Sunken Space Walk - Exhibition

Le Montage

The space created by the ribbon and its accessories is consistent with the reorganized flow routes produced by the spring system. Lying at the nexus of the Guangzhou CBD, it provides a large amount of renovated public space and is capable of accommodating various functions as well as a series of events.

Public Art Gallery

II

I

View from above the ribbon - Open-air Vintage Fair Outdoor Events: Music Festival

Section I - I

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Section II - II

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Project 05 FE MATERIALIZATION/ Frsh Group Project. AA Beijing Visiting School 2013. Tutor: Christoph Klemmt, Rolando Rodriguez-Leal Team Member: Shihshih Shen, Haoran Wen, Xingchen Dong, Wenyang Wang, Weicheng Li, Xiaoxue Xiao, Shuya Xu, Sijia Yang, Junzhe Liu, Huopu Zhang

35

This group project includes the design and making of an installation. It mainly discusses the subject of translating physical laws into a visible and tangible form. After some experiments on the forms under different combinations of variables, a final form is decided on and an installation is constructed to further prove that such a form itself justifies the physical rationality of its own. Note: During the project, I was responsible for both the designing and the making process of the installation.

36


Morphology

Finite Element mesh 1st Variable: Anchor Points

Spatial Geometry

Triangulate

4.2m

‘Frsh/‫( ﺵﺭﻑ‬carpet, rug)’ is a geometry consisting of surfaces generated using digital-aided FE(finite element) analysis simulations, which results in compression and tension based morphologies. The surface itself becomes the structural system, which at the same time mediates the programmatic and spatial requirements of its surroundings. For this, it can be viewed as a materialization of FE analysis. To build up the installation, 200 aluminum cells are utilized

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2nd Variable: Unit Deflection

Tessellate: Hexagons

3rd Variable: Area Load

Modularize: Hexagon Flanges

6.5m

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Installing/The Process

39

The Final Work Done

40


Soliloquy/ ESSE & संसार

41

A conflict between the internal and the external nature; A vascillation between intuition and ratiocination; An alternation between deconstruction and reconstruction; - All exist inside of me as different aspects of the iteration of a paradox, an undulating Samsāra/संसार.

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7

...have been studying civil engineering for the last four years. Upon my entering university, I wanted myself to abandon the old, seemingly superficial understanding of the world and to look deeper into the internal structures, the rules and the laws lying beneath the appearance of the environment. I did ,for a time, feel the truth was approaching, yet gradually, I began to realize that the more I perceive the external nature this way, the more I find my internal nature discontent. I remember that I...

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Steel Structure Design for a Roof. Personal Work. 2012

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FVI ...was, at the very beginning, more fascinated with the geometry and shapes of the built environment and, out of instinct, tended to observe the artistic and spiritual aspects of the external world. This way of thinking might be my true intuition, my true internal nature. However, it was suppressed by myself, constantly, in favor of ratiocination, in the hope of understanding the external world more rationally and I think that I...

Photography. Personal Work. The Faรงades. 2013. Taken at Beijing World Tower and Hyatt San Francisco

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SVM/ERO Freehand Drawing - An Irrational Reintepretation of the Faรงade of the Beijing CW Tower.

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..am and will possibly always be involved in this conflict between the external nature and the internal nature. Being 69% right brain oriented, I am more sensitive to images and creative thoughts. Meanwhile, I am more apt to be driven by the instinct, yet, paradoxically, the utmost instinct lying within me might be a call for order and harmony, that is, a stronger balance between ratiocinations and whims. This might be why I...

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All works in the portfolio done by “Sean/Hugues” Huopu Zhang 6-B, Sanxin Dasha, Tianhe, Guangzhou, China airlay88@gmail.com

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