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Vocal Score

MISS FORTUNE opera in 7 scenes

music and libretto by

Judith Weir

CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549 Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.chesternovello.com e-mail: music@musicsales.co.uk Aug. 11 11 Sept.

MISS FORTUNE Cast: Lord Fortune (bass-baritone) Lady Fortune (mezzo-soprano) Tina, their daughter (soprano) Fate (counter-tenor) Hassan, a kebab seller (tenor) Donna, proprietor of a laundry (mezzo-soprano) Simon, a wealthy young man (high baritone) Chorus of sweatshop workers and party guests (S.A.T.B.)

Scene 1:

Dark Looming Shadows (Tina, Lord Fortune, Lady Fortune, Chorus (S.A.T.B.), Fate)

page 1

While Tina checks her horoscope, her parents Lord and Lady Fortune prepare to host a fabulous party – which has barely begun when they learn that their vast wealth has suddenly vanished in a financial catastrophe. They make rapid arrangements to escape to a foreign hideaway; but Tina declares that she is going to live in the real world from now on, and get an honest job. Fate hovers in the background. Scene 2:

Nocturnal (Tina, Chorus (T.B.), Fate)

page 50

At night. Leaving the family home forever, Tina finds herself in a sinister street where a murder has recently happened. Hiding her fear, she takes an optimistic view, and makes for a brightly-lit building which appears full of activity. Scene 3:

Stitched (Chorus (S.A.T.B.), Tina, Fate)

page 65

The building Tina enters is a garment sweatshop, full of tired workers. They offer Tina a job sweeping the floor, which she enthusiastically accepts, believing it will be her entrée to the fashion trade. The workers finish their shift, leaving Tina to guard the premises. A mysterious gang of intruders enters (Fate concealed amongst them) and the workshop is destroyed. Alarmed and helpless, Tina escapes. Scene 4:

Aubade (Hassan, Tina, Fate)

page 97

On a patch of wasteland, Hassan is tending his kebab van while singing a poetic Aubade. Tina rushes in, distressed; Hassan calms her, and they watch the dawn together. Hassan goes away to restock his van, and Tina is left in charge. The van starts to shake, and a gang of attackers break it to bits; Tina rushes away to escape the violence. Fate’s voice is heard again. Scene 5:

The Mysteries (Donna, Hassan, Chorus (S.A.), Tina, Fate, Simon)

page 117

Donna, working in her laundry, is pondering the mysteries of the universe when Hassan bursts in, distraught at the destruction of his livelihood; meanwhile the sweatshop women are packing up and leaving town, following the meltdown of their workplace. Tina appears, stunned and lost; Donna offers her work in the laundry. Tina unenthusiastically accepts, and is put to work ironing a lifetime’s worth of shirts; Fate sarcastically urges her on. She is interrupted by the fleeting weekly visit of Simon, a wealthy young man, who has come to collect his own shirts. Convinced that every new person portends disaster, Tina turns pale, and tells Donna about her troubles. Donna suspects the involvement of Fate, whom she advises Tina to confront, telling her that she will find him near a wasteland at the edge of town. Somewhat incredulously, Tina makes her way there.

INTERVAL Scene 6:

In Another Dimension (Tina, Chorus (T.B.), Fate)

page 145

Tina arrives at the deserted location described by Donna. Mystical words emerge from the ruined walls and the ground. Tina calls out to Fate, over a vast distance, and his answers return from the air. Tina tells Fate to stop interfering in her life; Fate replies that he will never leave her. They reach an uneasy truce. Scene 7:

Finale page 161 (Hassan, Donna, Tina, Fate, Simon, Chorus (S.A.T.B.), Lord Fortune, Lady Fortune)

Several months have passed at the laundry. Hassan is begging in the street, Tina is doing all the laundry and Donna is relaxing. News comes of a stupendously huge but as yet unclaimed lottery win in the next town. Fate arrives, incognito, as a customer in the laundry. He gives Donna a paper strip full of strange numbers which she can’t match to any item in her shop, and casts aside. Following Fate’s departure, an atmosphere of positive energy temporarily envelops everyone. To Donna’s surprise, Simon enters to compliment her on her fabulous workmanship. A ray of light strikes Tina, and Simon is overcome with admiration for her beauty. He is interrupted by Hassan, whom he recognises from his student days as a beloved seller of late-night kebabs. Dismayed at Hassan’s ill-fortune, Simon presses money on him, and urges him to return to the catering trade. The elegant women from Lady Fortune’s party arrive, now down-at-heel and depressed at the collapse of their own fortunes; followed by the male party guests, similarly desperate, whose last hope is to find the missing ticket for the unclaimed lottery win. While they explain this, Lord and Lady Fortune themselves return, ragged and unkempt, from their foreign exile, during which they were hijacked by pirates, and made a narrow escape. The men press on with their enquiries about the missing ticket. Tina emerges from the laundry with the paper strip left by Fate. The numbers on it miraculously match the lottery win – until the final number proves to be one digit out. Tina is beyond caring, and Simon only wants her to be his bride; but everyone else is deeply disappointed. Tina calls on Fate to re-run the last few seconds, and for a moment, the action moves backwards. When it stops, it turns out that Tina’s ticket is an exact match to the lottery win after all. There is general jubilation; but Tina is not interested in her sudden gain and throws the ticket to the crowd. She leaves, with Simon, for her unknown future; whilst everyone else parties blissfully, watched thoughtfully by Fate.

Miss Fortune was commissioned by the Bregenz Festival and by the Royal Opera House, Covent Garden. World premiere at the Bregenz Festival on 21st July 2011 at the Festspielhaus, Bregenz, directed by Chen Shi-Zheng, with the Prague Philharmonic Chorus (director Lukas Vasilek) and the Vienna Symphony Orchestra, conducted by Paul Daniel. Duration: c. 90 minutes Materials are available on hire SOURCE TEXT The original inspiration for MISS FORTUNE is a Sicilian folk story called SFURTUNA/Misfortune; from Fiabe, novelle e raconti popolari siciliani (Volume 2, No. 86) collected by Giuseppe Pitrè (Palermo 1875) and told to him by Agatuzza Messia. Pitrè’s collection has been translated into English by Jack Zipes and Joseph Russo (Routledge 2009). Italo Calvino retold “Sfortunaâ€? in his Fiabe Italiane (1956) (No. 149).

REHEARSAL LETTERS In this score, the rehearsal marks are made up of letters plus the number of the Scene they refer to, thus: Scene 1: Scene 2: Scene 3: Scene 4: Scene 5: Scene 6:

A1 – V1 A2 – J2 A3 – O3 A4 – K4 A5 – T5 A6 – L6

with the exception of Scene 7, where the letters run from A7 – Z7, and then from A8 – U8.

ORCHESTRA 2 flutes (2nd doubling piccolo) Oboe 3 clarinets in B  (3rd doubling bass clarinet) Bassoon Contrabassoon 3 horns in F Trumpet in C 3 trombones Percussion (3 players): 1.

Marimba, bass drum, tubular bells

2.

Glockenspiel, suspended cymbal, tambourine, high-pitched wood block (or temple block), thundersheet

3.

Metal wind chimes, tam-tam, snare drum, small ratchet, pair of cymbals, 3 tomtoms (high,medium, low)

Piano Strings

VOCAL SCORE

Miss Fortune Judith Weir

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4

Ev’ - ry -thing’s

Chor. B.

2

0

0

0

mp

3

5 5: 5 5 

4

Ev’ - ry -thing’s

F1

G

BB :: B:

55 5

 55 5

BB :: B:

(mp) f

f

mf

 5 5: B :

55

BB::

5 55  = 4 ?

f

mf

mf

55 5

5

B  BB

BB B

mf

3

ff 3

p

BB:: 5 5 5 5  5 ! 5 E 5 5 55 5 5  55 55 5 5

BB

3

f

131 Tina

0

G

0

?

= 5

4

R R

Still 3 1 T. G E5 5 5 B i un - der con - trol;

Chor.

3

5 5 5 B. B 2

p

mp 3

3

4 5 E5 5: 5 5 no - thing

p

4 5 5 5: 5 5  no - thing

0

0

G

mp

mp

EBB

3

3

at all

mp

un - der con - trol;

4 55 E55 BB 55 B B 5 5 ' ' = 55 E 55 5 5 3 mf

4

3

B to

4 B

at all

to

mf

5 5 5 wor - ry

5

a - bout.

mf

5 5 5

wor - ry

5

R R mf

55

?' '

R R

a - bout.

0 3

R R

 R 55 55 :: 5 R 5 5 5 = E 55 5 5  3

12 mf

134 Tina

5 : RR / GRR

5 5 

5 B

the old Lord Fort.

RR / RR

mp

3

5

gloo - my

3

5

tale,

5 5

4

All

p

5 

3

3

p

 5

?

Dad? mf

0

1 RR T. G RR / i Chor. RR B. / 2 RR

?

B

5 !5 !5

I

did was

=

4

?

?

0

=

4

?

?

0

3

5

5

work,

no - thing

(cocktail piano tinkles distantly)

3

f

3



5 !BBBB

5 mp

BB BB

p

5 B!BBB

5

B BBB

Lord Fort.

0

G

3

5 4 else;

5

I

ne - ver went

Tina

G

5 o

Lady Fort.

G

5 5 to

5 -

a

mp

par

3

-

3

555 5

3

5

to build an air - port –

3

o - ver and

4

ty

55 55 3

55 55

BB BB 3

5 5 B 555 555 BBB

mf

3

We had

it

4

BBB  BB mp

BBBB

3

0

3 3 4  5 5 5 5 5 5   !5

 555 555M 5 5 G  5  5 = 4 BBBB p M3 5 5   555 555 = 4 BBBB 

3 5 5 5

B

? 3

f

5

You’ve told mp

3

?

ver,

?

5

B

5

3

138

5 5

B 55 55 5 5 5 5 M 55M 5 = 55 = BBB 55 55   5 555M  5555 5555 5 =  BBBB : = 4 4  

3

B  BBB

5 5

mf

GGGGGGGGGGGGGGGG

BB G  BBB

mf 5

4

f

3

BB BBB

5 B 555 BBB

3

136 Tina

55 55

3

GGGGGGGGGGGGGGGGG

BBB B p BB B p

GGGGGGGGGGGGGGGG

BB ::: RR / B GRR B: f 555 5 =55 BBB RR / 5 5 RR

5

555 5

BBB B

5 5 555 555

B BBB 3

4

f

5 5 5 5 3 5 5 5

peo - ple need a space to park

BBB ::: B: B :: BBB ::

BB :: BB :: BBB ::: B:

13 140

G mf

Lady Fort.

G 5 5 4 5 G 555 mp

555 5

5 =

= ?

5:

planes. mf

5 B 5 5

5

5

I

ne - ver

Lord Fort.

took va - ca - tions,

3

B B B

leave

or

at

ra

a

5 5

5 B 5 B 5

5 5

mp

and

mf

mp

5555

f

with

ve - ry hea - vi - ly -

mf

fierce

3

5 555 

5 555

3

3 3

555 BBB 5 B

BBBB B

5  3 5 55 = BB BB 5 5 5 5 5M 5 BB

BBB

mp

3

 555 = BBB 5M B

B BBB

mf

BB BB

G1

5

mp

5

dogs. mf

B

BB BB

BB BB

We’re going to guard the gates

3

GGGGGGGGGGGGGGGGGGGGGG

3

55 55

mp

5 5 55 5 5

I’d

55  G 5M = 4 55

p

5

4

0 3

BBB B

3

3

3

p

5 5 5 5 B men

B B

-

0

 5555 = = 4 M 3

the

B B

?:

3

G B

day

3

3

3

B BB B

B

  B 5 5 5 5 5

3

3 555 5 5 5 53 5 =  5 5M 555 555 5M

BB BB

p

5 5

0

be - hind,

4

4

- armed Lord Fort.

it

?

BBB B

Lady Fort.

5

p

B

5

5

5

- ces,

144

f

3

mp

3 3

5 5 5

55 55 B B

mf

4

mf

3

3

3

p

55 55 = = ? 

mp

G

5

BB 55 5 5 5  = 4  BB 5 5 5 55 M

to

B

mp

3

3

G 5 5 G ?

mf

0

f

5 

142

Lady Fort.

4

Time

3

Tina

?

p

3

their Lord Fort.

?

GGGGGGGGGGGGGGGGGGGG

Tina

0

4

?

? 5 5 5 5 5 5

5

get

G1

out of bed at

four

0

mf

mp

BB BB

5 5 5 5 5 5 5 B

3

5 5

14 146 Tina

Lord Fort.

G ?

mf

B

5

Lose

that

4

5

B

in the

morn

GGGGGGGGGGGGGGGGG

G ?

f

5 5

5 -

f

3  5 5 5 5 5 5

5 5 5 5 5

ne - ga - tive e - ner - gy, Throw it all

ing,

555 55

3 5555M 55 = 4 

BBBB BB

mf

55 55

4

55 5;

f

3  BB :: 5 5 5 5 5 BB ::

mf

55M 55;  555 = 4 555 

B BBB

Lord Fort.

mf

 5 5 5 5 5

5: Sun -

f

5

3

B

day, Mon - day, Tues - day, Christ - mas 3

' '

Day

and then ev’ - ry

55 555 M

55M 55M 5 4 5 55

55M 55 4

55M 55

3

150 Lady Fort.

G 4

3

mf

 5

3

5 5 B 

3

We’ve filled the flower - beds Lord Fort.

B

?

BB BB

5 5 ?

3

55 55

55 55

5 5 5555 5555 3

5 ?

of

the

3

BB BB

5 of

B BBBB

B pink, mf

= 5 5 5  the long hard

BB BB

BB :: BB ::

B BBB

B :: BBB ::

mp

' ' ' ' '

 55

3

year,

' '' G  '' '

3

f

B BBBB

with at - trac - tive shades

?

o - ther day

mf

3

 5 5 = 5 5

55M 4 555 4 

3 5 5 5  5 5 5 5 5 !5 

5555 4 5M

mp

p

3

55 5M

55 4 5M

G ' '

43  555 5M  55

mf

5 :

3

3

3

3

148

a - way.

0

4

BBBB :::: B :

mf

3

 55 = 555 ::: 55 5: M mf 555M = 5555 :::: 5 

5555M 5 555M 5 

15 152 Tina

?

0

G

f

!mf B

?

Dad? f

Lady Fort.

G 5 4 5 5 5 le - mon,

Lord Fort.

5 B

and

lime, mf

did - n’t mind,

5 5 5 5 B

I’m

that way

Why don’t you give all your

0

4 ?

3

5

5 5 B

grind, I

p

B:

5

4

3 B 3B B 5 5 5

4

0

in - clined.

3

G 4

55M 55; 555; 555  5 5 5 53  5 5 5 5 = 4 BBB = 555 4 555 555  5 BBB M = 4   ;

3 mp mf p M5 ;5 5; 5;5 5 5 5 5 BB ? = 55 4 55 55 55 = = 4 BBBB

3 3

B BBBBB f

B 4 BBB

155 Tina

mf

3

3

mo - ney a - way, Lady Fort.

0

G

o - ver

BBB BBB 158 Lady Fort.

3

555 ' ' ' 555 ' '' mp  555 ' ' 555 ' ''

G

!B ! B

p

5 = 4 

gain?

?

?

mp

4

5 5: 5 B BB::

BB BBBB

5 5 5 4

an - noy

5 5

3

B

55 BB

how

B :: B: B

B: B:

f

p

BBB ::  BBB ::::

4

mp

4 5

your fa - ther;

55

B :: ! BBBBB :::

BBBBB B

' ' ' ' '' mf  ' ' ' ''

mf

Don’t

B B



Now Ti - na!

H1

G ?

-

0

3

G BBBBB B

a

p

' :: ' ' : ' '' ::

B

3

and be hap - py all

f

f

3 4 5 5 5 5 5 5 5 5

G 5 5 5 '

' :: ' ' ' ' ' :::



mf

5

5 5 5 : 5 5: 5: 5 5

do you

think

B :: B: B

5

B:

mf

= ? 55 5M

?

we can af - ford to

: BB : B:

mp

BB::

?

4

p (mf )

= ? 55  5M

16 (trying to ignore her) mf

161 Tina

0

G

0

f B 4 5

?

Lady Fort.

I can’t

mf

f

5 5 5 5 5 5 5 5 B 5 5 5

G B

in our beau - ti - ful house on the edge of

the bay,

55 BB ::  G 5 B:

5 ! BB :: 5 5 B:

5 BB :: 5 5

B B B

B B B

?

= ? 555 M

4

?

be - side the im -

! BB ::

BB

Tina

0

G 3

Lady Fort.

5 5 5 5: G - pos - si - bly dark

' ' ::

G

5 B  blue

mp

mf

E 55 BB

3

?

= 5 5 5  I’ve got my

3

f

mf

mf

G=



 55 55 mp

B B B p !BB mf

55 5

BBB ?

?

mf

4 5

?

Oh

B  55 BB B 55 BB B 5 B 3 mp  BB f

lit - tle white puffs of

= ? 55  5M

5 =: $ 5 : B 5 5

sky?



?

mf

5 4 4 4 4 5 B

5 55 :: 55 5 :

the

p

?

mf

5 5 5 5 5 : 5

BBB

fin - gers in my ears mp p 3

in the tran - quil

4 5 = ? 55 M

with

3

G 5 5 5 5 5 B !B : G 55 BB ::  5 mp

5

?

I1

5 5 5 3 5 B 3

mf

f

55  55 5 5 5 5

4 = 55 ? 5 f M

G ?

4 55

BB

mf

cloud

?

: ' ': p

168

Lady Fort.

?

lis - ten - ing

sea,

mp mf

':  ': ?

Tina

I’m not

B

4

3 5 55 5 4

5 !B

?

E BB

55  BB

55

! BB f p mp  55 55 5 B 5 B

mf

f

165

3

(mf )

mp

?

you,

4 =  5 5 5 5

?

mp

4 = ? 55 5M

5 5= ? 

hear

4 ?

live

p

B

4

The gen - tle breeze,

I1

5 55 55 B : p  mp B : ? 4 BB :: p

B 5 4 5  BB B

mf

17 171 f Tina

p

la la la Lady Fort.

3

4 B 5 B 5

G 4

the Lord Fort.

?

0

La la la la la la la la

mf

3

p

5 5 5

5 5 5!5 5

f

 535 5 5 43 4 ?: G

ver - dant

= 5 :

?

B

f

groves,

the

0

p

3

 5 5 5= ?

5

4

hum- ming bees,

0

?

(doggedly) mf

3

= 5 5 5 5 5 

. . . the stor - my waves,

G !555555BBBB 3

f mf

5  55



BB

55 ::: 5

mp

p

G

55 5 

?

mf

G ?

and the hur -

f

176

f

mp

3

3

3

3

mf

3

3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3

 5 = 4

p

hu -

3

3

hu -

' 5 3 5 53 5 3 5 53 ' E5 5 5 5 5 5 ' ! '

3

mf

p 3

p

E5 !5

f

'

mf 3

5 5

u-

!B

mf

5 5

! 5 !5 5 5 5 5 5 5 5 5 5 5 5 5  3

hu -

B mp

3

3

mp

and the

M !5 E5 !5 5 5 5 5 E5 5 5 5 5 5 5 5 ! B !! BB BB 4  BB

BBB BB

BBB BB

555 55

B 3 E B 5 5 = GE BB

B

f

mp

hur - ri - canes,

B

?

?

B BB ::::  5 ! 5  5 ! 5 BB :

 55 55 ::

B: 55 B :

p

mp

3

gale force winds,

Lord Fort.

5 B : 55  BB ::

f

3 3 3 3 3 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

174 f Lord Fort.

BBBB ::: :  p : BB :

! BBB

p 3

f 3

G



mp

5 5 5 5 5 5  5B 5 5 5 5 5 E!E5BB 5 5 5 5 5!5' ! 5 ' BB ' EB

18

J1 Molto meno mosso, ma sempre con moto q = 96

178

(CHORUS still in the distance, but coming closer) mp p

1  T. G  B i Black,

 5

4

p

 5

B black,

Chor.

 4 B. 2 

=

mp

mp

5

4

p

5:

mp

= B black

mp

p

= 5

5 

black,

Black,

mp

= B

black

J1 Molto meno mosso, ma sempre con moto q = 96

(a distant rumble is heard)

 B : G  B :

55 

= BB

f

p

mp mf

55 

B = B

mf

f p mf  55 5 5 5 5 5 5 55 5 5 5 5 5 5  55 EE 55 55 55 5 5 5 5 5 5 5 5 !! 55 EE 55 55 55 55 EE 55 55 55

181

1 T. G 5 : i night

Chor.

B.

2

5: night

B G !B

ff

p

 5 5 is

fall

5 -

5 !5  is

fall

55

5 -

-

!5 -

BB ::

0

4

0

ing, p

5

4

ing,



 BB

55  =

mf f

p

f

p

55!!55E55 55 55 5555 55 55 55 55  5   5  5 5 5 5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 E 5 5 5 ! 55 E 55 55 55 55 55 55 55 55 55 55 55

19 mf

184

G 4

Lady Fort.

3

5 5

4

What’s

p

5 

=

that

 5

B

4

Lord Fort.

4

What’s

1 T. G i

0

0

5 

2

4

=

=

4

4

that

p

B

5 

noise?

4

0

mp

B now

Chor.

B.

4

noise?

mf

 35 5

=

4

0

mp

B

now

187

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 f

p

4

4

4

BB

G

mp mp

p

mf

5555 55 55 55 55 55 55 5555 55 55  !5 5 5 5 5 5 5 5  55  55 55 55 55 55 55 55 55 55 55 55  55  55 55 55

mf

1 5: T. G i Fate

 mp 5 5

B

has come

call

p

0

5 -

-

ing;

Chor. mf

B.

2

5 : Fate

G

55 ::

5 

mp

5

has come

55 !55 

p

!B call

BB ::

0

!5 -

-

ing;

!

! BB

55  =

mf f

p

f

p

55!!5555 55 5 5 5 5 5  5 5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 55555 5  5 5 5 5 5 5 5 5E 5 ! 5 5 5 !! 55 E 55 55 55 55 55 55 55 55 55 55 55

20

K1

mf

190

G 4

Lady Fort.

!5

3

5

5

What

are

they

!5

3

5

5

What

are

they

mf

4

Lord Fort.

1 T. G i

0

0

3

5

2

 5 =

4

0

4

0

say - ing?

5

3

mp

5 

5  =

say - ing?

4

Chor.

B.

mp

 5

4

mp

5:

B dark

skies

are

mp

5:

5  !5

dark

skies

are

B

K1

 BB 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 G f

p

193

5

-

-

-

mf

2

G

BB ::

0

ing, p

!B

warn

5

-

-

-

0

ing,

(mp) f

!55

5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 !55 !5

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55

B.

our

mf

Chor.

BB

our

mp

p

1 Emf B T. G i warn

5  5

p

BB B

55 5 

mf f

=

G p

!5 5 5 5 5 5 5 5 5 5 5 5 E55 55 55 55 55 55 55 55 55 55 55 55  5  55 E! 55 55 !! 55 55 E! 55  55 5 ! 5  5 ! 5 5 5! 5  5! 5

21 195

G =

Lady Fort.

mf

3

Is

it

p

5 5 5 5 5 

4

Lord Fort.

f

a

4

5 = 

mf

5 

I’ve

0

0

0

4

quake?

=

1 T. G i

4

5

3

5

5

5

start - ed

to

shake –

p

5 =  4

0

2

4

mp

!B

hard mp

Chor.

B.

4

4

0

B

hard

5 5 5 5

G = !5 : !5: mf

B B

5 5

B  = B 5 mp 5

E5!!55 5 55 5 55 5 55 5 55 5 55 E5 55 5 55 5 55 5 55 55 55 55 55 E55 55 55 55 E5 5 5 5 5 5 E5 5 5 5 E5 5 5 5 5 5 5 5 mp

198

1 : T. G !5 i times

5 5 

5:

5 5 

Chor.

B.

2

times

G

BB

a -

a -

p

5 = 

head,

mp

mp

B

!5 :

 5 E5

hard

times

a - head,

p

55

f

mf

5 = mf B 

head,

E55

mf

mp

5:

hard

times

EBB

!BB

 5 5 a - head,

55

mf

mf

f

5 5 5 5 5 5 5 5!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 5 ! 5 5 5 5 5 5 5 5 E 5 5 5

22 mf

201

3

G 5

Lady Fort.

ev’ p

1 G E5 i Chor. p  B. 5 2 T.

5

-

5

5

ry - thing’s

5

going

3

p

5 5 

5

to get

!5 :

5:

bro

-

-

ken.

=

4

4

0

0

=

4

4

0

0

! 5E5 55 55 55 55 55 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5  5 55 55 55 55 55 5 5 5 5 5 5 5 !5 5 5 5 5 5 ff

f

p

mf

p

mf

p

5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

L1 204 mp

1 T. G 5: i Feel

Chor.

B.

 5 5 the

mp

2

5

wind,

 5 5

5 :

Feel

the

L1

wind,

55

BB

f

mp

207

tra - vel

4

 !5 5

 5

tra - vel

the

2

5  5

the

5 5 the

mf

5 5

4

4

4

4

rud - der; mf

5

5

rud - der;

 BB :: f

555 5 5 5 5 5 5  5  5  5  5  5  5 ! 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5

1 4 T. G i Chor. B.

turn

turn

mp

5 

5

5

55

B B

5 :

 5 5

 5 !B the

road,

B

p

 5 = p

 5 =

5

3

5

know where

5

3

5

know where

road,

3

G

! BB

mf mp

5 55 5

55

BB :: mf

BB

5 the

5 the

!5 deep,

E5 deep,

E5 5 f

f

!5E5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 55 5 5

23

mp

210

0

G

Tina

0

4

4

=

 5

(it mp

1 T. G 5 i

 5

5 : dan

-

ge

f

mf

5 -

5

rous

2

!5 :

5

E5

5 

dan

E55

-

ge

5 E5

5

-

rous

!BB

55

5

p

 5 B

5

lie.

5 E 55 BB 5 

55 B EB

3 mp

3

ff

mf 3

3

3

f

5  5 5 5 5  5 5 5 5 5 5 5  5  5 5 5! 5 ! 5 5 5 5 5 5 5 E 5 5 ! 5 5  5 5 E 5 ! 5 5

213

mf

3

G 5 must

EBB

5

5

be

our

5 ter

E55

35

5 -

-

5

ri - ble

BB

p

lie.

cha - sms

mf

 5 E5 B mp

3

mf

p

3

f

mp

Tina

5

cha - sms

Chor.

B.

mp

3

mp

p

E5!5E5!5E5!5! 5  5 5 5  5 5 5 5 5 5 5 5 5 5 `b

mp

5 Kar

E55

5: -

E5 : -

ma . . .)

BB ::

G

(p)

E5 !5 !55 5E5!5 55 55 5E5 !5 !55 f

mp

24

M1 PiĂš mosso q = 104

216

 G E5

Tina

=

4

 

4

0

0

f

3

3

1 S. G

 4 5 5 5 5 5 5 5 5 5 5 5 5 5

0

It’s a blood - bath, it’s a f

4 3  5 5 5 5 5 5

0

G

A.

(rushing onstage; excitably) p

Chor.

2

bon - fire, it’s like a mas - sive 3

It’s a blood - bath, it’s a 3  5 5 5 5 5 5 5 

B : Yes!

It’s a blood - bath, it’s a

M1 PiĂš mosso q = 104

bon - fire, it’s like a mas - sive

5 35 5 5 5 5 5 bon - fire, it’s like a mas - sive mf 3

3

 4 B  BB

0

G

5 5 5 5 5 5 5

f

p

B.

3

3

 5 5 5 5 5 5 5 5 5 5 5 5  5 5

G B : i Yes!

T.

It’s a blood - bath, it’s a

f

bon - fire, it’s like a mas - sive

p

55 5 5 5 5 5 5 5 5 5 5

 

5 55

p

55 5 mp

BB !55 B5B B 5 5 5 5 3

5

B:

5

B

B

(loco) 219

S.

1 5 G

mf

3

B

earth - quake; 3

G

A.

5 B earth - quake;

Chor.

3

T.

B.

2

?

0

4 5 it

mf

?

0

4

0

5 3B

0 !BBB B

f

mf

!BB  BB

mp

5

5 5 5 5 5

it

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-

B : B:

-

41

mf

311 Lady Fort.

0

G

?

f

?

so that

Lord Fort.

?

0

mf

5!53 5 !5 3  5 5 5 B 4 5 3

no - one will know who we are.

mf

B

so

no

? !B

f

! B

B -

one

0

0

?

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?

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mf A.

G  B : !B : - ing

the

f

B

B

sink - ing

B

p

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knows.

mf

1 S. G

0

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B :

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dents!

mf

p

?

?

B

ship!

Ro

p

p

B:

B:

-

dents!

B:

B :

-

dents!

Chor. mf T.

G B : i - ing

B: the

mf

B.

: 2 B : !B - ing

the

B

B

sink - ing

B

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f

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0

? mf

mp

f

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B :  B:

B: B:

B B

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p

p

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ship!

? BBB BB f

?

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ship!

f

G

mf

p

mp

' ' ' ' '

p

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p

BBB !BB

BBB ::: BB ::

mf

?

B B

4 ? p

': ':

42 315

0

G

Lady Fort.

0

3 5 5!35!5 4 4 5 5 5

0

They’ll ne - ver get hold of our

f

Lord Fort.

0 mp

1 S. G ?

A mp

4

B.

-

4 B:

-

ban

-

4 B :

ban

-

ban

-

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ing

the

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ing

the

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the

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the

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don mf

-

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don mf

-

don

-

!B :

B :

A

-

0

G

don mf

!B :

A mp

?

ban

B:

B:

A mp

G ? i 2

-

B:

Chor. T.

!B :

B

0

mf

4 B:

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0

0

f

3

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ne

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ves f

-

ves

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?

4 B : ! B:

mp

B : ':

B :

' : ':

p

p

sel!

B -

sel!

5 ' 4 4  55 ''

p

f

4 4 55 ' '

f

 ': '

T1 Half the speed q = 96

Tina

0

G

f

mf Lady Fort.

G

or

mf

5 = 5 

get

B G  BB mp

ff

 5: 

3  =  5  5 !5 !B 5 5

loot,

Lord Fort.

 4

B

 BB

to

lock us

a - way. f

ff

 5 35 ! 5 ! B lock us

 

5:

Now, mf

=

5: right

4

0

4

0

mf

=

a - way.

BB

B: 5 : B 3 

 B : 

BBB

mf

 BB

5 5 :

stop it

T1 Half the speed q = 96

BB B

mp f

mf

= 5 : =

? ?

f

319

?

p

B

ves

?

sel!

B

3

p

p

B

!B

0

mf

ver

sel!

B

3

mp

-

B

ves f

f

B

(f)

f

G

5 

3 5 5 : 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5

p

f

p

322 Tina

G

mf

B

I

 5: 3 5

G 5 5 : Stop it

G

5

G

p

3

5 B

5 5 5

5 5 :

there!

4

=

5 5

 5 B

5

I Fate

G

 B5

5

if

5 5 5 5 5

mf

3 5 5  5 

G 5 : lie, p mf

Fate

you know it’s

G

5:  5:

5: 5:

mf

f

5:

5 5

BB

5 5 5 5

5 :

5 I

care if p

I

f

die,

we’re liv - ing a

mf   = = 5 5 5 5 5 5 B we’re liv - ing

5 B

3

mp

B : B: mf  =  = : 5 B 5  

5

To -day p

mp

=

 B

5

true.

To

5 !5 5  5 5 53 !5 5 B :

-

3

my

 5 :: 55 BB 5 mf

 5: 

5 mf

my

5  B

day

mp

B:

lie,

5 ! 5 5 5 5 5 5 5 5 5  5

true.

5:

a

p

5

5

5 5  5 !35 5

5 5 B

5

3 5 55  5 5 5

5

f

you know it’s

G 5 5 5 5 5

mf

=

5

5

5

die,

5 5 5 5 5 5 B:

330 Tina

I

mf

5

p

 BB::

55 5

B

5 5 5 5

mp

G

don’t 3

don’t care

wrong:

wrong:

BB 3

5 B

3   5 G 5 B

5:

It’s all

326

G 4

5 

=

f

mf

555

all

5 5: 5:

5 : 5 5 5 B : 5  5 5 5 mf mp

it’s

mf

 = 5

mf

5: 5 5:

5 5

3

won’t scut -tle a - way,

right

mp

f

5 B  5  5 5

3

=  5 B

there! FATE mf

Tina

43

(FATE is hidden in a faraway corner of the stage, or amongst the other people onstage, but is invisible to them)

5 B:

life,

55 Âł

´ G

44 333 Tina

G

f

mf

 5 !35 5 5:

=

life be - gins: p mf Fate

G

3

 B

  5 !5 :

life

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p

f

= = 5 : I’m

3

5  5  5 !5 3

mp

B G

5

4

 

world,

5 5 : 5 !5 5 5

5 

going to live in the world,

the

'

  

3

3

5 5 5

5

B

mp

mp

!5 

the real mf

mf

0

BB

336 Tina

going to live in the world, mp p

be - gins:

3 5B !5 5  5 5 5 5 B B

G BBB

5

I’m

4 5 :

f

: 5  5 

5: 4 B !5 5 5 5 5 3

 

f

5 5 5 B  5 5  5 5 5

mf

4

3

3

in the teem - ing har - mo - ni - ous street, f

Fate

mf

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!5

real

4

4

3

= 5 5  5 !5 5 B mp

mf

 BBB

p

f

=

B :: B

5 5

5

mf

p

339

f

mp

 5 G  = 4 mf

G 5

3

5

4 5

- mo - ni - ous

5

5

mp

55 5 5 5 5 f

mf

3 5 5 5 5 p

I’ll go to work, mp

5 =: 

5

5   5

5 p mp

3 5 5 : 5 5 5 5 5 5 5

mp f

B

3

3

5 5  55 55 !55 !5 5 mp

=

35 5 5  5 5 I’ll

I’ll

BB B

mf

mf

4

street,

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5 5 5 5 5

5

 5 5 5 !55 G  5 5 mf

3

3

=

in the teem - ing har -

3

f

Fate

B

mp

world,

B G B

Tina

p

sur - vive on my mf

5:

5

go

to

5 5 : f

3 5 5 : 5 5 5 5 5 5 5

mp mf

45

342 Tina

G

mp

5

5 

=

4

4

0

4

mf

=

5 

own,

Fate

  5 G

I’ll

5 :

4

0

0

work, mf Lady Fort.

G 4

4

5 You? mf

Lord Fort.

4

! 5

4

5 5 5 5

5 p 3

mp

5 5 5 5 5 5 5 G

mp

G

G

5 :

5 

live,

I’ll

5

5

4

4

4

4

p

5

What will you do?

5

B: 4

5 5 5 E5 mp

5 !5 5  5  5 5 ! 55

5B

3

5 5 : I’ll

poco

=

eat,

p

55 G  5

3 5  5  5  5 5 5

mf 3

`a

5 5 5 5 5 5

5

55  55 5 5

5

out in the throng - ing

5 5 !5 5  5 ! 5  5 5 5 5

5

 !555 555

p

BB

B

5

5

earn,

5 5 E5 E5 E 5 ! 5

G555 :::

mf

3

5  5 5 5  = 5

p

Tina

p

mf

BB mf

345

mf

3

What will you do?

You?

G

mp

 5 =

5

55 5

5  55

 BBB

 55 5



street,

46

348 Tina

G

 5

`

4

5

B

G

3

BBB

mf

5 :

5

all

the

= 5 5

ra - ces and creeds,

3

5

5

where ev’ - ry - thing 5

mp

p

mp

 BBB

55 5

5 55

mf

G B

5 5 where it’s

5:

B  BB

5 5  !5

great

0

G

mf

E5 5 5 5 5 !5  5 ! 5  5 ! 5 5 3 E5 E5 !5BBB 5 5 5  BB 55 55 !5 B 5 p

thrives,

Lady Fort.

5 5 5 B

5

351 Tina

mp

3

to

be

0

a

55 5

mp

B -

4

live.

4

4

mp

5 !5 Suit your -

Lord Fort.

0

0

4

4

mp 5 5 Suit your -

p

`a G

5 5 E5 5 B 5 555 !! 555  55

B !5 ! 5  5 5 mf

 555  55 5 mp

mp

mp

B !! B55 !! 55

 55 55

mf

p

5  55

mf

5

 5 ! 5  5 ! 5 ! 5555

555 !! B55 mf

555 !!555

555 !!B55

 55 p

55

G

47

U1

354 Fate

0

G

0

f

mf

5

5

5 5

5

!5

Ah Lady Fort.

G 5 - self!

Lord Fort.

5

mf

= 5 5 5 We’ve got

a

We’ve got

5 : flight

to catch.

0

mp 5  5 

5 :

a

(Lord and Lady Fortune exit, with luggage)

 5 5

mf

5 ! 5 5 = 

- self!

mp

flight

0

to catch.

U1

 5555 E! BBBB G (p)

G

4

 55 55

!!BBBB

!55

 !BBBB ::

mf

f

E! BBBB

5 5 5  5 ! 5 5 5 5 5

!55

B:  !BBB:

357 Tina

0

G

Fate

mf

4 5

5 5 

5 5 

I’ll

have my

life,

f

mf

5 G  = 5

4

0

5

5

5

5 5 = 4 

0

mp

4

5

ah

G

I’ll

 BBB

 5555 !!BBBB mf

G

5

5 5

5  55

BB :: B:

f

5 5 ! 5 !5 ! 5  5

 BB

5B :5 5 p mf

!5

B:

4

5

5 have

5 5 5 5 p

5 mp

5

48 361

5

I

won’t

need

Fate

5

can’t

mf

my

5

=

more,

B

G 5

mf

5:

5

5

G 5 5

Tina

f

3

life,

I

5 5

wait

to step through

mp

5 B 

=

5 :

won’t

5

5 :

need

more,

3

5  =

mf

f

 B:  B5: 5 5 5  5 5 5 5 5 5 5 5 5 B 5 5 5 5 5 5 5 G 5 5 mf

5

5

B

5

mf

mp

p

5

B

5

mf

p

5 :

=

mp

V1 364

G 5

Tina

 G 5

Fate

Can’t

mp

5

5

that

door –

mf

 5 =

4

4

 5 =

5 :

0

0

0

wait – p

3

mf

= 5 5 5 5

0

You’re on your

Chor.

2

0

p

1 T. G i B.

0

p

3

M mp ; 5 5 = 5

own mf

=  5 !5  5 5  You’re on your

p

Miss

mp  = =  ; 5 5 5 p

For - tune;

you’ll need

mp mp p ;

5 5M = ;5 5 = =  5 5   p

own

Miss

For - tune;

you’ll need

V1

p

5  B5:  5 55 3 5 5 5 5 G 5 5 5 !55 55 !55 BB (p) 3

5

5 mf

B

mp

3

 = =  5 5M  55 55

mp

p

55 55 !55 BB p

BB :: BB ::

 M 55 = = 55 55 

49

mf

368

1 T. G 4 i Chor.

f

3

 5  5 5

to

be

mf

B.

2

to

f

be

5 = 4 

4

where p

5  = 4

mf

mf

p

BB B

55 5  =

5  5  5 55 55  5 ! 5

mf

where

55 5 = 

4

=

4

4

p

BB

 5

mf

= 5

you’re go - ing,

 BB

mf

it’s

= 5 5 5M

!5

BB B

4

you’re go - ing,

mp

4

5  5  5 G  55 55  5 ! 5 f

M =  5 5 5

5

tough:

3

mf

mp

tough:

4 5 5 !5 3

p

it’s

55

BB

55  55M

mf

p

mf

55

BB

55 M 55

3

f mf 1  5 = T. G  5 5 = 5 i go - ing to beM 372

Chor. f

mf

!5 5 =  5 = B. 5 M 2 go - ing

G !55 55 BB mf mf

!55 55 BB

to

be

ff

= 5 B 

mf

0

0

 

0

0

 

BBBB B

 

ROUGH! ff

= 5 B

mf

ROUGH!

5555555

p ff

BBBB B

5555 5555 5  5

p

ff

BBBB B

5555 5555 5  5

p

ff

 55       ! 5 5 ! 5 ! 5  5  5  5 ! 55 55  55 ! 555 555 55  ! 55 ! 555 555 55  ! 55 ! 555

50

Scene 2: Nocturnal

376

A dark, gloomy, urban street. Sinister things are going on in the shadows. When Tina enters, she is at first afraid, but then hides her fear. PiĂš mosso q = 112

 G  5555 4 4  5 p

 

0

0

mp

 555 55 55 BB  5 4 5

0

G

f

 555 55

p

!55 55

555

0

0

3

mp

 5 5

5 5 4 4

0

0

0

4

3

mp 3

mp

mf

55 E!55

5 5 B E5 5 EB 4

0

mf

p

55 !! 55

p

0

55 55

0

BB

5 5 4 4

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f

p

392

G

4

0

mf

3

384

 5 5

3

55

55

55

!55 E55

! 5 !5

5 5 4

f

p

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55

f

5 55

4

mf

3

p

mp

555

3

55 55

0

0

3

mp

mf

3

!5 555 E !55 5 !5

555 !5 5 5 !!5B  5 !!BBB !B 4 EB 3

399

0

G

0 p

!!55 55

55 55

mf

p

G 5 5  5 5

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mf

p

5 5

f

p

! 55 55  5  5 55

E55 !!55 !! BB

406

!!BB

4

 5 5

 5 5

5 5

f

p

! 55 55  55  5

3

5  55  5

! 55  55 ! BB mp

3 5555 !!BB

! 55  55

mf

5 !55 5

B !B

p

BB

3

55 !! 55 BB mf

5555 3 5 5  5 !55 BB

55 !! 55 p

mf

55

55

55 55 p

55 55

!! BB mf

BB

413

G 5 5 p

55

mp

 =  5 ! 5M

G 5 E 5 p

55

p

! 55555

 G E5 = E 5M

425

5 5

f

55555

3

55

!! 55555

5 5

f

p

EE 555

f

55 !5 5

BB 5 5

5 5 B 5 E5 !B

55555

mf

3

5 B ! 5 ! 5 E 55 ! B E 5

5: 5:

mf

EE! 5 555 55 :: 

E 555 :::

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E 555 E555 !5 M

f

mp

f

5 E5 !5 5 E 5M ! 5

 5 E 5 55 5 ! 5 :: E 5 5 E 5M 5M ! 5 E 5

G

3

55 55 BB  5 5 mp mf 3

E5 E5 !5 E 5 ! 5 5

3

EBB

55  55 5  B 5  B

!55 !BB

mp

55

5 5 B 5 E5 B

p

mf

5 E5 3

E55 EE55 EBB

!!55

mf

BBBB

5555 

3

 55 :: E5 E5

mp

3

5 5 55

55 !55 EE55 5

!BB

 55 !5  55 :: !5 !55 55 !55 :: 55  5  5

3

! 55  55 ! 55

mf 3

 5 : E 5 !5 : E 5 EEBB

5 !55 E 55 5

3

55

!!55

ff

55 5

3

 ! 5 E 5 !55 ::

A2 PiĂš tenuto q = 96

E5 B 5 E5 B 5  

3

438

5 E5

E!55 EE55 EBB

432

f

3

3

poco rit. 3

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 55 E5 :: E5

3

p

BBBBB

mp

55 E!55 !55

3 555 3 E55 EE55 EBB !55

M G E5 !5 5 E 55 E 55

 55 EE55 = M

!55 EE55

! 55

3

B B

f

 5 5

BB

55

mf

 5 5

419

51

 5 5

 5 5 f

5 5 p

!E 55 55 5555 3

3

E55

3

55 EE55 mf 3

! 55 ::

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p

 55 EE55 !5 : E 5 : E 55 55 !! 55

G

52

B2

mp

445 Tina

0

G B2

4 5 5

mf

p

Lone - ly

451 Tina

G

B

5

5 5B E5 B

5 E 55

mf

E!BB B

!5 E

!555  mf 55 E5 

!55 !55 55 55 55 E 555 ::  5 !5 5 5 5

mp

BB B

p

5: 5:

B B

3

mf

5 35 E5

p

B

mf

0

f

5 

= 5

here;

5 !5

they’ve all

3

3

p

3

B EB5 5 5 B B

!5 !5

3

 5 5 5 5 5 5 : 55 :: !BB mf

55 :: 5: 3

4 !B

p

B

 5 5  5 !5 5 B B BB G B

55 5 5 5 55  5 !5

p

BBB

mf

55 E!55 5 !5

3

55 5 5 5 ! 55  55 p

3

E55 E 5 5E! 55 ! 555 p

5 !5 5 E5 mf

4

5

55 55 ! 555 55 !55 !!55 B 5 5

3

B BB

5 5

do

5 55 !55 5

5B 5 B

5 55 ! 55

BB B

555

f

5 5

where

3

3

55 5 5 E55

E5 5 

So,

5

mf

home.

mf

mf

0

!555 

p

B ! BB

457

0

gone

p

EB

5

5 5 E5 5B 5 G BB B !!E 555

G

4

0

there’s

!5B : ! B ! E5 5

5555

no - one

Tina

=

3

night,

3

G

mp

p

5:

!B

E5 5

! B !B

G EEEBBBB

mf

3

I

go

5B 5 B

mf

f

BB B

3

464 Tina

mf

G 5

5 now?

G 555 E!5555 mf

 5 55

55 !5

p

5 =  55 55

f

5

5

Where

5 !55

p

f

55 5

5 ! 55

5 BB

mf

5

5

5

is

there

to

5

5  BB

5

5

5

!!BBB

=

go?

5 55 !!555

mf

B BB

p

5:

M 5 E55 55 5 5 E 5 5  5 55 ! 5 5 5 p

55 5

5 ! 55

5

mf

5 5M 5 E 5 5 55  55 55 ! E55 55 5

53 470

E555E 555M 555!555 555 G 5

55 E55M 55 E555 555 555 E55M 55 55 55 5 E 5 5 ! 5 5 5 E 5 5 !5 5

mf

5

mp

E 5 ! 5M 5 5 5 E55 !55 55 ! 55 55

55 5

5

mp 5

55 :: 5:

5 5555

f

M ! 55 5

!55 5M

G

E BBBBB

BBBBB

B BBBB

mp

p

M E55 5

4

Tina

G =

3

55 5M

Dark

3

55 5M

55 EE 55 !55

poco accel.

BBBBB f

BBBBB

5

f

3

5 5 

streets

are

B gleam

3

5 -

BB

mp

5:

ff

BB BB

EEBB EEBB

3

55 EE 55 !E55 ! 55 ! 55 EE 55

5

f

BBBBB

3

mf

5

E!BBBBB

p

C2 Animato q = 104 485

mf

mf

!55M !5

BBBBB

mf

! 55M

5

mf

=

5 5

4

there’s an

ing,

C2 Animato q = 104

3 E 55555 G 5555 5 = 5 = 4 

B p

3 3

= 4 55

B  B5:  BB

3  5 5 5 5 5 BBB B

3 5555 5555 5 5  5 = 4  3

mf

mf

=

55 5 5

!BB B

B BBBB

mp f

55 !555 55 5

mf

B BBBB

E55 E5

M E555 E5

p

B BB

f

479

mf

5

5 55 !! 5555 55

555 E55M  G 5 E !55

5

mp

5M 5 5 5 E55 55 5 5 5 5

5

474

f

55 5

0

 5 = 4 E5

0

=

3

= 4 55

54 490 Tina

f

!5 G 5 5 

mp

5:

B

=

=

f

3

5

o-range glow;

G B mp

p

mf

495 Tina

G

5 !5 5 5

B5BB B

5 35

5

in

the

 = 4  5 5

and 3

 5555 5555 5 5  5 = 4 

Tina

G

 55 = 4

0

why would

want

I

3

5 to

 55555 BBBB 4  5 B p

 55 = 4

=

3

B

5 4

3

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4

5 35 5

mf

0 f

f

3

3

mp

500

mf

= 5 

sha - dows,

5 5 5 5 555 555 4

3

=

4

BBBB B

hid - ing

 5 5 5 5 5555 5555 5 5  5 = 4

B5BB B

f

5 3 B

BB G    BBBB

5 5

what’s

 = 4 ! 5 !5

0

5

3

mf

5

3

mf

3

4 5 5

0

0

0

5555 !!! 5555 5 5

5555 5555 5 5

5555!!! 5555 5 5

p

p

p

4

mf

B

5

4

0

0

know?

G

5

5 5 5 5  BBBB B f f sempre

G

  5 5 = 4

0

506 Tina

BBBB B

mf

D2

0

4 B

3

It’s

BBBB

p

0

ad

5 : -

ven

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f

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f

3

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my

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f

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0

ture –

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mp

4

3

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p

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511 Tina

G

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mf

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524 Tina

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flood - lights

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there

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from

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to

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there

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mf

mp

f

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4

5 !B

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B

=

3

3

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from

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clear;

p

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mf

Tina

mf

be

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(mp) f

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3

5  5555 f mp

mf 55 !5M = 55 55M 3 55 5 3

56

The Chorus are observing some violent incident, or its aftermath, in the shadows. Tina doesn’t notice 528 1 them, or tries to ignore them. T.

Chor. B.

2

G i

0

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0

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3

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0

that?

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p

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what’s

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late;

mf

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0

3

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p

p ff

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late;

it’s

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it’s p

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f

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bad. f

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Chor.

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f

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mf 3   !!55 55 E 55 55

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f

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p 3

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58 562

5555 E 5555 BBBB 5 5 B

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mp

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f

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mf

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G2 582 Tina

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mp

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Late

night,

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3

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e

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55 

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-

p

0

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59 587 Tina

B

G -

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lec

5:

5

-

G

3

5 5 it

5:

= BBBB

3

mp 3

5 3!B

5:

light - ing

up

the

p

600 Tina

G

3

mp 3

5

5

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life - time

that’s

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f

5:

4

= 5 a

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555  5555 5

mp

mf

f

5:

3

going

5 5 

B

to be

mine.

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=

M  55M  55M ! 55 5 ! 55  5 M M ! 5 M  5 M  5 5  =  = = 55 55 !55  5 5 M 5 f p f p

p

B

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fu - ture,

5 5 5 = 5 5 = 5 5 5 5

p

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5

mf

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3

M M EE 55M E 55M E 55M !E 55 5 !5

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it’s

5

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can

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5 55M 55M M   5 5  5 =5  5 G   55 55M 5M  5M !5M  M mf p

5

5 

I

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see

Tina

4

mf

5:

mp

591

595

=

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tric,

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Tina

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4

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mf

p

f

p

4 5 5 =  5! 5

ff

p

3 M 55M 3 ! 5 M =  ! 5 !5 55 !55 55 5 G 5 5 55 55 55 55  5M 5M M M M 5 M M ! 55M 5M M M mf 3 p mp

f

60

H2 605

Tina

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mf

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Dark

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5

Tina

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55  5 55 5 55 5 55 5 55 5 55 5 E5 5 5 5 5 5 6

610

and

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ness

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f

dan

5

 55 55 55 55 55 55 55 55 55 55 55 55  55 55 55 55 55 55 5 5 5 5 5 5 5E 5 5 5 5 5

mf

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mp

5 5  55  5 ! 5 ! 5 ! 5 G !!55  5 !5

Tina

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mf

p

608

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BBBB

5555

55 G 55

3

5

6

mp

5 5 5 5 5 5 !55 5 55 5 55 5 55 5 55 5 55 5 6

p

mf B

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5:

5 :

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I

can

feel

the

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mp

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poco

fright;

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55 5 55 5 55 55M 55M 5M 5M !5 3 5  5 5 5  5 5 ! 5 5 5 M  5M  5M 6 mf

mp

613 Tina

G

 = 5

4

5: 5 5

dazz

mp

p

3 ! 5 !5 5 5 = 5 5 5 5 mf

f

5 5

ling in

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f

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the sha

6

5 5 5 5 5 5 !55! 5 55 5 55 5 55 5 55 5 55 5

p

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f

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dows,

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mp

0

4

M 5  5M 5M !55M 55M  55 = 55 5 !5 G  5 5 5 !!55M 55M 5 5 Mmp M ! 5 5 M M f mf

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618 Tina

G

G

3

4 B

3 5 5 5

it

shines with the

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5

stars

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mp

623

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mp

f 6

6

6

f

mf

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p

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E5555 55 55 55 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 = : $ 3 5 5 ! 5 5 5 5 5 5 5 5 5 5 5  5 5 !5 5 6 mf

p

4

mf 3

BB

=

BB BB

mp

G

5 

to - night.

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BBB BB

61

f

mf

f

mf

p

mf

3 5 5$ 3 = ! 55 ! 5 55 5

f

mf

f

Fate echoes Tina’s words. Again he appears as a passerby, or is invisible to everyone else onstage. The Chorus’s attention remains on what’s happened in the shadowy darkness. Tina sees a brightly lit building ahead.

I2 627 Tina

G

mp

PiĂš mosso q = 112

0

0

0

=

mf

p

mf

5 :

5 5 5

There’s

Fate

G

1 G Chor. i B. 2 T.

0 0

0

4

5 p

mp

B Who

is it?

0

0

0

I2 PiĂš mosso q = 112

BBB BB

=  5M 5M 5M  5 5 5 5 M M M

0

mp

there’s

0 0

a

0 0

p

BBB BB

f

mp

 555  55 :: BBB 55  555 :: BB

mf p M M M 5 5 5 5M 5M 5M 5M =  mf

0 0

B house –

0 mf

= 5 : We

G BBBBB p

= 5 !5

5:

5 = 4 

a house – mf

There’s,

5 5 4

3

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62 mp

634

= 5 :

0

G

Tina

mf

the mf

G

Fate

4

lights are

mp

5

p

Chor. B.

=

5:

0

I

on.

5

lights

are

on.

I

=

0

0

B

5 :

0

mp

3

5 !5

0

5

hap - pened?

What mp

B

 5 = 4

B

5

mp

p

mf

0

(mf )  4 = 5

0

= 4

mf

1 G i 2

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mp

the

T.

3

5 5 5

0

0

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know.

G

0

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G

Tina

BB  BBB

mp 5M 5M 5M = 

3

5 5 5 can see

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mf

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5M = 5M 5M = 5M = mf 3

mp

G

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5  = 4

Chor. B.

2

B

B

can

see

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5  5 5 5 5 5 5 5 5  5 5 5 5M  3

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ple,

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p

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5 4 = 

peo - ple in - side –

B

1 G i

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mp

f

mf Fate

p

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3

5 5 5 B 3

B  BBBB

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f

3

3

3

p

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B

5

5 !5

It’s

gone

all

qui - et.

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mp

p

3 3 = 5 5 5 !5 5 5 5 5 = 5 5 = M M M M M M M M M M E5M mf mp

f

63

J2 646

mp

G

= 5 :

Tina

mf

3

5

B

they’re

5

Fate

a - wake

all

night.

a

0

0

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wake

0

mp

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0

mf

all

0

0

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0

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5 5 5M 5 M M M M M M  = 5 5 5 5 5 5 5M 5 5 5 5 5 6

652

Feel the

e - ner - gy

Fate

Feel

T.

Chor. B.

1 G i 2

B

the

e

0

ff mf

flow - ing out of

5 = 4 

0

0

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ne

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0

0

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B

B

B

gy

flow

0

0

0

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G

BBB  B

mf

E 5M 5M 5M 5M f

mp

BB BB

BB BB

mp

= 5 5 p

  = 5 5 5 5 5 5 = 5 5 5 5 5 5 M M M M M M M M

f

mf

p

f

mf

0

mp

0

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ing

0

He’s al

0

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there.

mf

B

mp

=  = 5 5 5M 5M 5M 5M

5 5 35 5 

mp

G EB

G

mf

3 5 :  = 5 5 5 5 5

0

G

B BBBB

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3

f

f

mf

0

;B  !! BB BB

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blood?

that

0

p

5 !5

5 !5 Is

G BBBB B

0 mf

mp

J2

Tina

p

night.

0

0

0

B

B

5 5

5

B

1 T. G i Chor. 2

5

3

they’re

B.

3

5

mp

G B

f

;BB !BBB mf

5 -

M M 5 5 rea -dy

BB BBB mp

5M 5M 5M 5M 5M 5M 5M 5M mp

64 659 Tina

0

G

3

mp

4 5 5 5 5 B

0

That place is f

Fate

mp

5 :

G

Chor. B.

1 2

0

mf

= 5

4

mp

5:

=

a - live –

(mp)

=

out.

mf

3

p

B

B

B

That

place

is

0

B

0

0

dead.

  BBBB B

BB BBB

G p

BBBB

mp 3

p

664 Tina

G

mf

3

4 5 5 I’m

go

mf Fate

G

-

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f

B

B a

5

3

BBB B 3

3

4 5 5M = 5 5 = 5 5M = 5 5 5 5 5  M M M M M

0

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BBB B

mf f

 B 

3

5 5 ing 3

live –

to mp

join

5

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I’m

go

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mf

5

5 = 4 

them. mf

-

B

B :

ing

to

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Fate

 G

B join

 G

 5 :

mf

5 5 : 5 :

f

mp

5 f

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mf

f

0

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them.

5 5 5

BBB :: B :   5 5 5 5 E5 5 M M M M M M

f

mf

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f

B

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BBBBB :::: :

mf

f

 

4

0

5 5 5 5 :

5 : 5 5

B  BBB !5 5 5 M M M f

ff

BBBB 5 M

mp

5

0

Tina approaches the brightly lit building.

65

 5 5  5 5  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5

672

f

BBBB  !5 M

BBBB 5 M

ff

5 M

mf

BBBB 0

0

5 M

mf

Scene 3: Stitched Inside the building – which is a sweatshop for the fashion trade – a group of people, predominantly women, are robotically sewing. They have been doing it for a long time, and are tired and irritable. 675

Chor. S. A.

q = 92

1 : 2G :

0

absorbed in their task spoken p

0

4

4

2

q = 92

mp

4

2

Tack

4

tack

de E55 EE 55 55 55 55 55 E55 EE 55 55 55 55 55 E55 EE 55 55 55 55 55 E55 EE 55 55 55 55 55  : G : f mechanical, con forza

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p

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 55 ! 55  55 ! 55  55 ! 55

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f f

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G EE!E55555

682

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1 Chor. S. G 4 A. 2

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p

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2

4

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4

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mp

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4

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p f

4 !!55 4 !! ! 555 ;

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66

A3 687

1 4 S. G

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Chor. A.

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tack

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  5= 4 tack

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mp

3

tack

E5 5 = 4

tack it

tack it 3

mf

E5 5  5 tack it in

p

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tack it

p

3

E5 5 = 4

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tack

mp

mf

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4

tack it in

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692

1 S. G 4

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mf

mp

p

mf

3

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Chor. A.

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2 G 5 E5 5

give it a rest, mp mf

3   5 E5 5  5

4

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p

mf mf

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mf

3

p

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p

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5 E5 5  5 give it a

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mf

4

tack p

3

give it a rest,

f

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mf mf

p

rest,

tack

mf

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tack

tack

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mf

f

mp mf   G  = 55M 5 =  5 !555 ::: 5 E 55 !! 55; mf

696

1 4 S. G

f

mp  5 = E5 =

mf

tack

Chor.

tack

 =  = 4 A. G !5 2 5 tack

tack

=

mf

p

555 :::

E 555 mp

=

mp

mf

 = = = 5 E5 5 EE 55; ! ;55 E ! ;55 f

mp

 5 !!55 =  5 5 5 !5 E5

 5 !!55 =  5 5 5 !5 E5

lis - ten to me scream, f mp

lis - ten to me scream, f mp

lis - ten to me scream,

lis - ten to me scream,

5 5 E5 5  5

ff mf

mp

f

` M  55 !E 55 55 55 55 55 E 55 G mp

p

mp

 5 =

M  55 ! 5;5 ! 55M ! 5 !5 =  p

f

  G E 55 = !!55 =E !E555 = E 555 !!55 EE55 55 5;5 :: E ;5 ; ;5

mp

5 !5 E5 5  5

M E 55 ff mp

 5 =

M  55 ! 5;5 ! 55M E5 ! 5 =  p

f

555 !55 EE55 55 5;5 :: ! 5 E 5 E E 5! 5

mp

E 55 !! 55

67 699 mp   1 mf = !55 = 55 = S. G !5

tack

Chor.

tack

tack

tack

 = mp =  = 5 A. G !5 5 2 tack

mp E5 !5 5 E5 5 E5 5  5 =

tack

tack

lis - ten to me scream, f mp

5 E5 !5 E5 !5

mp  = 5 =  = 5 5

mf

tack

f

mp  = !55 = 5 = 5 5

mf

mf

tack

tack

`  55 55 55 55 55 55 G

tack

tack

lis - ten to me scream,

M ! 55

 55 55 55 55 55 55

f

ff f

mp

 G 5 = ! 5 = !55 = !5 E5 ! 5M  5M ! 5M

lis - ten to me

Chor.

5 A. G !5 E5 !5 E5 2 lis - ten to me

` 5M !5 G ff

scream,

M  55 !E 5;5 ! 55M E5 !5 = 

mp

G E!55 E55 E!55 E55 !5;5 :: B3 705

p

Chor.

lis - ten to me p mf

A.

2 G E 5 5 E5 5

tack

tack

tack

mf

4

lis - ten to me

`;a 5 5 ! (loco) 5 G E55 55!E55 !55 ! 5 f

!E55 55!E55 !55 G BB  B;

tack

tack

mp  = !5 =  = !5 E5

mp  = !5 =  = 5 E5

tack

tack

tack

tack

mf

tack

tack

f

mp

f

 =  =  = !55 E E55 ! 55 !55 E! 55 ! 5M E 5M ! 5M 4

mp

mf

E5 ! 5 E5 5

4

4

4

E5 ! 5 E5 5

4

4

`a M ! 5;5 !E 55 (loco) !E 55 = E5 !55!E55 !55 ! 55 5  p

f

!5 5 5 5 tack tack tack tack

4

lis - ten to me

p

f

 =  =  = ! !55 E E55 E 55 ! 5M E 5M 5M

lis - ten to me p mf

B3

p

tack

p

4

! 55 ! 55

 55  55 55 55 55 55  55  55 55 55 55 55

mf

1 S. G E5 5 E5 5

mp

mp  = EE55 = !5 = E5 5

p

f

f

mp  = EE55 = !5 = E5 5 mf

 5 =

p

55 E55 !5;5 :: 5 E 5 5 E E5

mf

scream, f mp

M  55 !E 5;5 ! 55M E5 ! 5 = 

mp

mf

 =  =  = 55 ! 55 E! 55 5M  5M ! 5M

702 f

mp 1 E 5 ! 55 = S. G !5 E5 !5 E5 ! 5 

 5 =

f

E55 !55!E55 !!55 G BB  B;

E 55 E 55

4

f

!5 tack

5M 5 E 5 5 5555 55 p

5 5 5 tack tack tack

M 55555 5

M 55555 5

M 55555 5

ff

55 !E555 555 555 555 M M M M 5

68 708

tack tack tack tack tack tack p

Chor. A.

2G

5 ` 5M E 5555 5 G

5 M 55555 5

5 M 55555 5

5 M 55555 5

5 M 55555 5

mf  =  =  = 55 55 !55

mp

p 1 S. G 5 5 5 5 5 5 4

 =  =  =  =  = 5 55 E 5 E 5 55 5 E5 E5 tack mp

4

tack

tack

 =  = 5 5

tack

tack

tack

 =  =  = 5 5 5

clack mf

clack

 =  =  = 5 5 5

5 tack tack tack tack tack tack clack clack M 55555 5 55!55 55 55 55 55 !!55 55 55 55 55 55 55 55 !55EE55 55 55

tack tack tack tack tack tack

mf

mp

G E55M5

555 M

555 M

555 M

555 M

p

accel.

1  = 5 =  = 5 = 5 = !5 = 5 = !5 = 5 = S. G 5 5 55 5 5 E5 !5 E5 5 5 clack

A.

clack

clack

= = = 2G 5 5 5 clack

clack

clack

clack

crack

crack

 = =  = 5 5 E5 clack

crack

crack

crack

crack crack

= = = !5 E5 5 crack

crack crack

` 55EE55 55 55 55 55 55 EE55 ! 55 55 55 !E55 ! 55 55 55 E55  55  55 G accel.

p

 =  = 5 = 55 55 ! 5 5M 5M 5M

 =  =  =  =  = 5 55 E 5 E 5 55 55 E 55 E 55 5 5M M M M M

712

Chor.

f

mp

555 4 M

f

mf mp

q = 100

f

mp

 ! 5 E 5 = E55 55 !55 55 crack, f

I am goi - ing, mp

 = E5 E 5 5 !5 5

crack,

I am goi - ing,

q = 100

M M M M ! 55 !55 ! 55 55 EE 55 55

p f

p

f   p    =  =  = f  = mp =  = 55 55 E !55 G 55 55 55 !!555 = EE!555 = 555 = EE!555 =EE555 555 !!555 5 5 5 E 5 5M 5M M M M M M M M M M M M

q = 108

accel.

716

mf

C3 A tempo (q = 92)

ff

1 S. G E!5 5 55 55 55 EE55 55

! 55 55 55 55 55 55

Chor.

I am go- ing, go - ing mf

La - la - la - la - la - la ff

-

A.

2G E5 5 5 5 5 5

5 5 5 5 5 5

I am go- ing, go - ing

La - la - la - la - la - la

-

` accel. M M !! 55 55 E 55M 55M ! 55M 55M G mp

G EE!555 M

mf

q = 108

55M 55M 55 55 ff

55 5M

55M 55M 55 55

55M 55M 55 55

mf

mp

p

la - la - la - la - la - la mf

mp

p

55 55 55 55 55 55 BB :: B:

5 5 5 5 5 5

la - la - la - la - la - la

C3 A tempo (q = 92)

55M 55M 55M 55M 55M 55M BB :: 55 55 55 55 55 55 BB :: mf

p

M M M M 55 !555 555 E!E555 555 555M 555M ! 555M 555M ! 555 555 555M 555M 555M 555M 555 555 5M M M M M f

BBB ::: 5 ! 5 5

69 720

1 S. G

0

Chor. A. G 4 2

4

p

I’m wiped out, molto staccato

` BB :: : G BB :

5M 5 = 5

(loco)

5M 55

5M 55

5M 55

mp

= 55M 5

p

B : G BBB ::

B

5 5 B

- ing cra - zy.

5 : 5 5

A.

wiped

out.

5 5 G 55 55 55 55 55 M M 5M  5M 5 M p

55 5M p

G B :

55M 5

mf

mp

) 1 (mf 5: S. G Chor. A.

We’ve mp

5 5 5 5 5  been work- ing p

now?

G

5M 55

mp mf

G 5:

5M 55

5M 55

55M 5

55M 5

55M 5

What time

55M 5

55M 5

55M 5

55M 5

I’m

5M 5M 55  5 5

5M 55

55M 5

f

5: 5 5: 5 5: 0

5M  55M  55M 5M 5M 55 5 5 55 55 mf

5 5 5 5 5 B 

5M 55

mp

p

5 5 5

5

is

it

now?

5M 5M 55 5 5

55M 5 p

What time

5

mp mp

3

5

5

is

it

M

 5M 5M 55 55M 55M 5M 5  55 55 5 5 5 55 !55 =

5

5

3

p

B5 5

mf

3

f

= 5: 5 5: 5 5:

5 mp mp

=

hours and hours and hours, mp f

 5 =

days and days and days,

5M 5M 55  55

4

mf 3

5: 5 5: 5 5

5M 55

mf

mp

3

p

5

 5 5

5:

stopped the clock?

5M M M M M 55  55 55 55 55 5 5 5 5 =

5

mf

Who

5

3

5

5

5

for hours and hours and hours, f

= 4

2G 5 :

5

5 : 5 5

3

=  5 5

5

728

mp

  = =  5 5 5

5

4

3

5

3

mp

5

4

mf

mf

55M 5

p

mf

4 M  55 5

p

I’m wiped out,

M 5M  55 55 5

5M 55

Who stopped the clock?

 = 4 5 5

2G 5 :

 5

-

I’m go

mp

=

Chor. p

mf

mp

5 5

5

ing cra - zy,

4

5M 5 = 5

p mp

mf

-

4

mf

p

mp

p

 5 5 : 5 5 = = 5 5

go

mp

1 S. G 5 5 5 : 5 4

mp

mf

I’m

  5 5 5 5:

=

mp

= 5 5 :

weary and faint mp 3

4

724

4

(unis.)

5M 55

55M 5

55M 5

mp

5M 5M 55  5 5

5: 5 5: 5

days and days and

55M 55M 55M 55M 5M 5 5 5 5 55 p

mf

p

mf

B

5

5

B

70

S.

1 5 : 5 5 : 5 5 : 5 B: G 5: 5 5: 5 5: 5 5 days and days and days and

Chor.

2G 5: 5 5: 5 5: 5 days and days and days and  5M 5M 5M 55M 55M 5M 5 5 5 5 G 5 5 5 5 5 5 mp

G B:

55M 5

55M 5

55M 5

B

5

5

55M 5

5M 5M 5M 5M 55 E55 5 5 5 5

0

and

M 55 5

mf

p

5

5

5

EB

mp

3

there’s al -ways the gut - ter,

there’s al -ways the gut - ter, mf p

mp

mp

3

5

5 5 5 B

we’ll

ne - ver be rich,

! 5 5 5M

B

= 4 5

4

!5 5 5 M

 5 3 = 5 5 5 55

0

3

55 5 B 5M 55 BB

mp

mp

2G D3

years

p

p  5 3 = 5 5 5 5 5 5 = 4

(unis.)

Chor. A.

5

 5M 55

0

and mf

5

5

D3

1 S. G 4

years

p

4

f p

736

55

5

5

4 EB

f

mp A.

mf

f

732

4

p

4 mf

3

5 5 5 5

5 we’ll

ne - ver be rich,

3 3 3 3 3 3  53  5 3  53  5 3 5 3  4 4 4  4  5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5M 5 5 5 5M 5 5 mp 5 M 5 55 5 5 5 mf 5 55 55 55 55 4 4 4 4 4 5 4 4 5 4 5 5 5 5 5 3

(con ped.)

1 mf5 S. G 740

we’ll

Chor. A.

f 3 5: 5 5: 5 5 5 5 be here for e - ver and p

2G

 5

4

4

4

4

mp

5 e mf

5: 5

we’ll be

5 5 4 -

ver,

f

5: 55

4

mf

5

5: 5 5: 5

we’ll 3

5 5

here for e - ver and

be here for mp

5: e

5  -

4

ver,

3 3 3 3 3 3 3   3 3    5 5  !5 5 5 5 5 4 4  5  5 5 4  5 4 5  5 5 G 5 5 55 5 555 5 55 5 5 5  5  5 5 5 5 5  5 5 5 5 5 5 5 5 5 5 !5 5 5 5 3

3

3

(mp) (mf )

55 5 5

4

4

55 5 5

mf

4

4

mp

!55 5 5

mf

4

4

!55 !5 !5

mp

mf

4

4

71 744 f

1 5 53 S. G e - ver

Chor.

A. G 4 2

5

5

and

e

mp

5 !5 -

4

4

= 5:

ver. 3

5: 5 5: 5 5

we’ll be here

B:

It’s f

mf

4

4

mf

5

for e - ver

5

5:

and

e

3

night,

mp

5 4  -

748

mp

3

5 5 5 5 5 I need to

Chor. A.

mp mf

p

1 S. G

3

3

mp

mp

mp

p

mf

3

5 5 5 5 5 I need to 3

!55

G  5 55 BB  5 mf

p

55  5 BB 5

p

5 55 BB  5

55

Chor. A.

4 !B

0

2G 5

- ry.

G 5 5

4

4

5M 5

5M 5

molto staccato

5M 5M 5= 5  5 4 5M

live

! 5 ! 5M

5M 5

o - ver

4 5M 55

 5 E5 5 ! 5 E 5 5  5M E 5M 5M ! 5M E 5M 5M

4 5M 55

55 5 5

4

0

5 5

5 B

mf

al - ways wea

-

BB ::

mp

5 B 5 B

55 

5 E5 5 

0

p

5 E5 ! 5 ! 5 G E5 ! 5 M M

E5 5  used to

0 5M 5

mf

night,

mf

55  BB

5 !5

5 5: 5 !5 :

5

!55 55 :: 

mf

5 5

I p

4

55

 5: 55 !5 :

p

5

p

I’m

3

p

753

it makes me ill. p

sleep.

55

55 5 B 5  B

 5 5: 5  5:

5 4

B:

3

mp

3

1 S. G

mp

5 : It’s

p

mf

= 5 5 5 5

B:

sleep,

2G B :

p

mf

ver.

3  5 3 5 5 3    5 5 5 5 : G 4 5 5 5 5 5 5 4 5 5 5 5 5 : 5 5  5 5  5 5  5 5 5 5 5 5 5 5 (mp) mf p mf mp f mf 55 55 5 4 4 4 = 55 :: 4 4  5 5 5 3

=

5

the sea mp

p

4

mf

5 where 55M 5 5 5M

B: B:

5 E5 

 5 5 there was

5 E5 5 5M E 5M 5 M

4

5M 55

a breeze

M 5 E 55

5 5 5M 5 M

72 758

1 S. G 4

mf

5

4

5 5 p

5 E5 5

A. G 5 2

0

55M 5

mp

0

G 5 5 M

4

5

5

763

4

mf

at

the back

`a5M 5

G

5M 5

768

5 5  -

2G 4

of

5

to the

4

5M 5: 55 55 :: = G 

5 5M

 5

B

night. . . mp

mp

55 M

4

55M 55M

55 M

4

55M

5 5M 4

mf

5

in p

mf

5

5

5 5 5

4

and

talk

a - while.

5M 5 5  =

5M 5M  55M ! 5M 55 5  5 55 5 = = = =  4   

55M 5

5 5 5 5 55 55M 55M 55 5 55 55M 5 55M 55 55M 5M 5M 55M M M 5M M  5M 5M  5M M

5 5M

E3

p

4

0

4

!B I

p

Tack tack tack tack tack tack

BB B

55M

mp

4

= 5 5 5 5 5 5 = 55 5 

0

our - selves,

0 5M 55

4

5 5 

rest

p

mp

p

5:

p

5M 55

55 5 5 M 5M 5M

5 5 5

55 5 55 M  5M M

the fad - ing

p

the sun came slid - ing down.

5

our house

5M 5

55M 55 M

55 M

1 5 S. G Chor.

4

5 5 5 5

5 5 5

2G 5 G

4

we’d

light mp

Chor.

 5 5

5 55 55 55 5 55 55M 5 5 5M 5 M 5M M 5M M 5M 5M 5 5M mf

p

mf

M M5 5M 5M 5M 55M 55M 55M 5M 55M 5M 55 5 5 5 55 5

55M 5

5 5 5 5M 5M G 5M 55 55 M M

1 S. G B

 5 5

when

5M 55

mf

5 55 5

In

that would blow

A.

0

5 55

in the twi - light hour

Chor.

A.

mp

p

55 55 5 5

0 E3

5  BB 55 B mf

0 5 55

!B !B p

mp mf f mf    5 5 5 = = = G 55 5 5 55 55 55 55 55 55 55 55 55 55 !55M 55M 55M 55M 55M 5 5M 5M M 5 M M M M M M M M M M M  5M M

73 mf

772

1 5 S. G Chor. A.

E5 5 

5 E5 5  

used to

sit

un - der

0

2G

5 5 

4

4

p

5

the stars mp

4

4

4

!mf B and

mf

5

 5 5

5 E5 

5

when

there was

a bell

that

5 5M E 5M 5M 55M 5M E 5M 5M 55M 5M M ! 5M 5! 5 5 5E 5 5 5 5 5 5 ! 5 G

5 E5 5 would chime

5M 5M 5M 5M 5M M M 55M 5M 5M M 5M 5 5 E5 5 5 5 5 5 5 E5 5 55 E5

mp

M E5 5 55 5 5 = 5 G  E 5M 5M M 55 E55 55M 5M 55 5 !!55M M M M ! 5M 5!5 

I’d

think to

Chor. A.

5 

4

B

my -

0

2G

p

mp

776

1 5 S. G

780

mp

1 S. G  5

mf

B

5

5

5 5 5

“Now

it’s

time

to rest�.

2G

4

4

!5

G

5 5

mf

mp

5: 5:

mf

p

mp

= 5 5 5 = 5  5M 5M 5M 5M

=

5

mf

5 5

“It’s

so

p

5 5 

0 5 5

B B

5 E5 5 5   E5

mp

5

p

4 4

I’ve been gone for so long, p mf

5 5 all

5

 55 5 = 5 5 55 55M 55 5 5 5M  5 M M  5M  55  55M M M M M

4 4 !5

mf

That’s

B B

5  55

5 55

0

peace - ful now�. mp

Chor. A.

5 5 5

p

mf

B

0

self: mp

M B 55M 5M 5M ! 55M  55 1 BB = G 5 5 G 55 5 5 !55 = 55M M  5M  5M M

55 5 5 5 5 5 5 5 M 5M 5M 5M E 5M 5M 55M 5M 5M E 55M E 55M 55M

so

B B

G 5 55M 55 5 ! 5 55M !55M 5 ! 5 55 M  5 5M  5M !5  5 M

5 5 5 5 far

B B mf

B B

4

a - way,

5 55 p mf

55 5

4

! 5 I’ve

B BB BB B

5 E55 mp

55 E5

5 5 5 5 been gone for

BB :: B: BB :: B:

p

74 785 Tina

0

G

0

mp

1 S. G 4 Chor.

4

e - ven my

mo - ther would - n’t

know

0

4

2G 5 5 5

4

I’ve

been gone for p

E5 :

5 

f

5 !5 5 5 : !5 5 

5 5 5   p

A.

mf

mf

5 5 !B p

p

mf

been gone for

f

5 555  BBBB

5

4

4

so long.

BB :: B:

BB B

mf

p

BBBB::::

BBBB !!E 5555

55 ! !BB 5 B

E BBBB ::::

e - ven

0

 5 !5 5  5 : ! 5 5

mf

BBB:::

so long,

me.

I’ve

EEBBB :::

5 5

0

5

so long,

B: G BB ::

mp

p

5 4

E 5555

During the women’s song, Tina has entered the room quietly. The women see her, and are suspicious. 790 Tina

G

5 5 EB my mo

1 S. G

5 5 -

mf

5 E5 5

ther would - n’t know

0

0

F3 PiĂš mosso q = 108 p

B

0

4

me. f (angrily)

= 5 5 5 5 5

p

= 5 5 5 5 5

Tack tack tack tack tack Chor. A.

2G

0

0

f (angrily)

=  5 5 5 5 5

tack tack tack tack tack p

=  5 5 5 5 5

Tack tack tack tack tack

B: G E BBB :::

BBBB :::: mf

E B : BBB :::

BBBB ::: :

tack tack tack tack tack

F3 PiĂš mosso q = 108

 = 55 55 55 55 5M 5M 5M 5M

f

4

4

mf

5M 5

555 555 555

M

M M f  B B

555

M

555

M

555

M

p

mf

5M 5

555

M p

75 mf

794

1 S. G

0

4

5

Who’s

Chor. A.

5

0

2G

f

 BB

p

4

from?

Chor.

A. G 4 2

B : B: G

Where’s she

B

5

We

don’t

 B : B :

4

B

know.

5 5

 B B

p

5 5 5 5 5 5 5 5 5 5 5 5 !55M5 55M 5 55M5 55M 5 55M 5 55M 5  55M 5 55M 5 55M5 55M 5 55M 5 55M 5  55M 5 55M 5 55M5 55M 5 55M5 55M 5

G

4

mp

mf

f

4

(I’m

so

scared,

5

B

5

0

4

p

mf

B

5

Not

a

G 555M 5 555M 5 555M 5 555M 5 555M 5 555M 5

5

mp

mf

p

1 B S. G

5

mf

0

G

4

mf

B B

798 Tina

4

that?

0

G 555 555 555 555 555 555 4 M M M M M M

mf p

4

5

B

mp

5

don’t

let

5

0

0

0

0

5 5

B B

clue.

5

5M 5

B B

5555 5555 5555 5555 5555 5555 M M M M M M mf f mp f p

mf  5M  B 55 555 555 555 555 555 5555 5555 5555 5555 5555 5555 G ! 5 5 B 5M 5M 5M 5M 5M 5M M M M M M M

802 Tina

G 5 it

1 S. G 4

0

B show)

4

Chor. A.

2G G

mp

5

B

Tell

us

0  B : B :

G 555M 5 555M 5 555M 5 555M 5 555M 5 555M 5

0 mf

5

5

your

B: B:

p

B name;

0

0  ;B : B :

0 0 mp

5 B What ;B : do B:

p

mp

5555 5555 5555 5555 5555 5555 M M M M M M

5555 5555 5555 5555 5555 5555  555 555 555 555 555 555 M M M M M M  5M 5M 5M 5M 5M 5M

76 806 Tina

0

G

mf 5

5:

My

name

mf

Chor. A.

1 2G  5

Tina

3

G 5 4 f

1 S. G 4

4

3

Miss For

 55  BB

817

5 5 5

5 5 5

3

3 3

55 5 55 5

0 0

-

know you

al

3

-

3

f

3

55 5 55 5

3

5 5 5

5

4

0

rea - dy! mf

!5 5

0

4

rea - dy! 3

B !55 !55 55 mp

B55 55 ! 55

0

BB mp

3

3

B55 55 !55

mf

3 3

BB

p

!5 B ! 55 ! 55  5

BB

3

0

0 p

f

  5 5 5 5 5 5   5 5 5 5 5 5

0

5 5 5 5 5 5

tack tack tack tack tack tack tack tack tack tack tack tack f p

Chor.

BB

3

3

 

stea - dy)

2G

p

al

5 5 !5

55 5  55 5

f

know you

G3

3

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The chorus continues to sew, Tina sweeps most energetically. Soon, everyone becomes absorbed in a Zen-like sweeping and sewing motion. 3

3

3

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Tina

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Tina

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J3 Poco meno (q = 108)

84

909

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87 They prepare to leave, and Tina begins to follow them out. 934

55

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. . . unseen hands, or sinister figures, creep into the room and start to destroy everything in it. At first Tina, resting, doesn’t notice what is happening . . .

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Fate is in the background, offstage, or indistinguishable amongst the group of people destroying the room. Tina is unaware of Fate’s presence and words. The destruction continues while they sing.

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