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CHERYL FRANCES-HOAD MANY MOONS for Orchestra

CADENZ A MUSIC


Many Moons (Score in C)

CHERYL FRANCES-HOAD (b.1980)

I

Adagietto (q=66) dolce

a2

(No.'s 1&2*) 2 Flutes

pp

p

(No. 3*) Alto Flute p

p

dolce

Ob. 1

2 Oboes p en dehors

3

Cor Anglais p

pp

mp

lusingando

dolce 3

2 Clarinets in Bb leggiero

3

pp

Bass Clarinet in Bb

2 Bassoons

Contrabassoon

con sord.

Hn. 1

2 Horns in F mp con sord.

Tpt. 1

3

2 Trumpets in Bb mp

lontano 7

Vibraphone Percussion 1 p

mf

Medium suspended cymbal (soft sticks) Percussion 2

Marimba

Vibraphone

6

Harp

p

p

mf

E# F# G# A§ Bb C# D§

9

Piano

mf

solo 3

mp

Violin I (10 players) tutti pp

(mp) 5

pizz.

Violin II (10 players)

mf

pizz.

5

mf Upper

Viola (8 players)

pp

(mf)

pp

(mf)

Lower

3

1st Desk

pp 2nd Desk

Violoncello (8 players)

pp 3rd Desk

gliss. gliss.

3 3

gliss. gliss.

3 3

(mf)

pp

(mf)

pp gliss. gliss.

pp 4th Desk

pp 1st Desk

3 3

(mf)

pp

gliss. gliss.

3

(mf)

pp

solo p

pp

(mf)

2nd Desk Double Bass (6 players) 3rd Desk

pp

(mf)

N.B. All double bass harmonics are written as they sound pp * No.'s 1,2, and 3 refer to players 1,2 and 3, in order to clarify which flute plays which part (since each of the 3 flutes doubles either the piccolo or alto flute)

© 2018 Cadenza Music Limited

(mf)


2

 

Ob.

 

C. A.

Cl.

8

Fl.

A. Fl.

  p

 



 

B. Cl.

Bsn.

     

 

   mf



     



  

  

  

   

 



 

mf

    

Perc. 1

mp

(Vibraphone)

(E# F# G# A§ Bb C§ D§)

C#-§

mp

3



3

3

 

 

l.v.

mp

 

  

 

  

E#-§ C§-#







3



  



Hn. 1

3

  





3

3

  

9



 



3







    

 

   

  

3









3

 

         

 

pp

 

     



Vc.

   

 

     

Db.

  

 

   

     

   

 

 

   

 

  

 

             

    

 

    

  

   

    

  

    

3



     

 

 



mf

   

5



 

 

6



Bb-§

 

3



6 3

   



 







5





5



 

  

 



   

     

    

   

  

  

   



      

     

   

 





3

  

 

  



   

  

  



   

  

  

 

  



  



   

 

 

 





  



 

 

   

 

pp

pp

pp

 



pp









  

pp

  

   

3





 

pp

    

 





  

 

   

 

pp

  

mf

mf

pp

 

 

3



pp

         

Vla.

   





mf

  

3

simile (l.v.)

3

  

senza sord (Hn. 1)

  

mf

   



  



  

      

5

mf

Vln. II

    

6



mf

3





 

6

3





3



      

  

Vln. I

 

mf

9





  

Pno.

 





 

3

 

  

Hp.

3



Perc. 2 (Suspended cymbals)



   

 

mp

Tpt.



en dehors

 

mf

mf

 



en dehors

 

Hn.

en dehors

 

en dehors

a2

pp

                 

   

 


3

  

 

 

 

12

Fl.

A. Fl.

Hn.

  

  

Perc. 1

  p

(Vibraphone)

Perc. 2 (Suspended cymbals)

Hp. (E§ F# G# A§ B§ C# D§)

 

3

Low suspended cymbal



Vln. I

      

3

mf

5

3

    







gliss.

   

    

 

  

 



 

 

 

mf

   

 

(to marimba)

3



3

 

3

5

6

mf

   

           

 



5



 







3

 

(Vibraphone)

mf

 

6



 

   

  

 

mf

 

9

 

7

mf

     

 





 

3

5





 

mf



 





 



  3

 

5



(pp)

   

     

 



           



   



 



 

  

    

 



          



   

 

 



 

  

  

    (pp)

 

  

     





    

     (pp) 

 

  

     (pp)         (pp)     (pp) 





Vc.



       

(pp)

   (pp)   

          

  

          



   

  

 



  

   

 



  



  



  







      

3

          

(pp)

  

 



 

 

(pp)



    

 





Vla.



 

 

3

     

(pp)



7

3



(E§ F# G# A§ B§ C§ D§)

 

(Marimba)

5

           

 

  

mf 3



sospirando

sospirando





 3       



mp

Hn. 1

mf



mf

6

 

    

 

 

3

mf

3



 

sospirando

mf

3



3

  

C#-§

  





7

mf

 

 

 

mf

mf

Db.



 





 

  

 



3

 

3

 

Vln. II



        

 

mf

 

 



6

3

 



  

3

     mf 

 

 

 

 

Pno.

  

 sospirando  

Hn. 2 (normale)

  

sospirandomf

mf

3

Tpt.

B. Cl.



          

Cl.

  

C. A.

Bsn.

Ob.

A



   

mp

    mp     mp

    mp    

 

 

 

 

 





 

   

    

   

    

mp





     mp     mp

   

   

 


4

  16

Fl.

 

A. Fl.

  

Ob.

Tpt.

Perc. 1

Perc. 2

Hp.

 

  



 

  

  

      

 







mf

 





3

  

3

più f



5

      





3

a2

  



(Vibraphone)

3

             7

(Marimba)

 

6

           

3

 



  

 

3

f

 

3

 



 



 

    



  







3



più f

Vln. II

  

 

 

 

 

mp



mp

Vla.



mp



mp

  

   

  

  

 

 

                      

      

  

                                                           

                            

 

3

             

 



 

 

 

 5

 





    

3

   

più f

 

  

3



   

alla chittara (mf)

3

alla chittara (mf)

  



 



3

  



 

     



 

3

3

6

    

3

7



   

5

  f

3

  

3

f

  3 

3

 



 



(E§ F# G# A# B§ C# D§)

 

Vln. I

f



più f

f



C§-#

 3

f 3

Marimba

   

3

senza sord.

 



 

 con calore

      

     

 

  

con calore





a2

f

 

 con calore

f



più f

Db.



con calore

 

 

 

A§-#

Vc.

f





   

B

f

(mf)

Pno.



 

 

mf

  





(mf)

 





 

Cl.

Hn.

 

(mf)

(mf)

 

C. A.

B. Cl.

 



  a2

   















   3



   

  

   

   

   

    

  

  

  

   

   

   

 

  



  









 

 

   



 

 

 

  

  

  

     mp          mp       mp       mp        mp         mp       mp  

 

 

             

3

f

 f



3 3

3 3

3

f









                

 tutti      

  


  20

Fl.

A. Fl.

Ob.

C. A.

Hn.

Tpt.

Perc. 1

Perc. 2















             

 



 f  





  

 



 



Vln. I



 



9

  

 





  

(Vibraphone)

 

mf

(Marimba)



3

3

 





 6

 

  

 

  

5





(p) 5



 

 3





mf

 

   

3

  

7

3

   



 

 



mf



6

  

mf



     

         

 mf

6

 

     mf

   mf      mf    mf

  Vla.

   

 

         mf            mf          

3

3

      

7

   

    

        



                     

   

   

 

  





 

  

        

   

 

s .



   gli s



  3

     

mf

         mf

 

 gliss. gliss.

gliss.

gliss.

     



      

  

     

 

      

 

 

  

   

  

   

  

  

  

     

                   

  

     p

   

  



     

  

3

    

     

 

    

   



(mf)

   (mf)     (mf)   

   

(mf)

 

  

    

   

  

(mf)

 

      

 

(mf)

p

   

p

  

  

(mf)



    



  

(mf)

p

 A#-§

  3

 

 

 







mf

    

loco



mf





3



mf

C#-§



  

mf

(E§ F# G# A# B§ C# D§)

    

  

   



5



mf

f

    





6



3

 

3

 

 



f

   







5

 

Db.

6



 

Bsn. 1

 

3



mf



Vc.

3

 



  

Vln. II

Fl.1

(2nd flute to piccolo)



(più f)



 

Pno.

Hp.

3

 





5

   

3

 

 

B. Cl.

Bsn.

 

Cl.

   

     

   

 gliss.



 


6

Tpt.

Perc. 1

Perc. 2

3   

      

mf

 

 

 





  

   

 

 

gliss.

 

 

  

  

    

 

   



 



(Marimba)

        



A§-# C§-# D§-#

         

mf



 

 



   

3

       

 

  

 

   

3

  



     



   

  



 

 

   

 

3  

    3  3  

           

   

 

9



           



         

     

 

 

   

3   

   

 



  



  

 

 





  

  

 



 

        

  

     

 

       

         



   

3



3

mf

   

 

     

 

     



 



 

 

 

 

                     9

9

 

 

    

     

3

 

 





 



 3      3

 

      

  

3

 

 

 

   

 

9

 

 

9

  



3

     





3

3

    



3

 

 

     

  

 

  

6



 

 

 



  

   

   

 

   

    

Vc.

Db.

 

3

Vln. II

mf

      

 

3

(E§ F# G# A§ B§ C§ D§)



 

   

 

Vla.

 

3

9



mp

mf

 

 

senza sord.

(Vibraphone)

3

 

mp legato



mf

Hn. 1

  



mf

    



3

7

Vln. I



 

 5

     

 

sospirando

Pno.



 

 



sospirando

 

 

     

Hp.

B. Cl.

Hn.

 

 

Cl.

Bsn.

 

C. A.

mf

 



A. Fl.

 





  

3



Picc.



Fl.

 





 

24



  

 

  

       

        pizz.

pizz.

pizz.

pizz.

 

 

 

 

pizz.

 

pizz.

 

 

 



mf

3



mf



 3



mf

solo

 3

mf

 

 3

 



 



 



 



 

mp legato, senza vibrato

 



 



 



 

 


7

C

(No. 1)  

         p un poco agitato

    

5

 



 

 

     

 

5

        

5            

5

    



5

5

(No. 3) A. Fl.



p un poco agitato

(No. 2) Picc.

 

   

28

Fl.

5

 

p un poco agitato

   

3



simile





         

   

 

    

simile

 5

5

 

 

5

 



 

5



5

       simile



5

  





  



  5

  

 

3

 

 

  

5

  



 

 

 

 

 5



 

5

 

5

5

  

  



    

5

   

5

 

Ob.

  

         p un poco agitato

 

C. A.



 

  



   

    

simile

 

 

 

   

    

p

B. Cl.

 

   

Cl.

 



 

 

  





 

 

3







 

3

 

mp Bsn. 1

  

Bsn.

Cbsn.

Hn.

  

 

mp

     

mp

3



mp

Hp.

               

 

 

 





 



 

 





 

Xylophone



 

Upperdesk      

   

5

p

Vln. I

un poco agitato

  

p

 

  

5



   5     

p

5

 5

un poco agitato



 

  

 

 5



   

 

(Xylophone)



 

 

5

5



 

3

5

 

5

 

 

(E§ F§ G§ A§ B§ C# D#)

5

    

 



 

5

  

    

5

   

5





      (Xylophone)    



 

 

   

       





5

5

 

3

5



a2

 

   





 

  

un poco agitato

5

Upper desk

 

5

5

       

5

   

Lower desk

F#-§ G#-§ A#-§



5

pp

pp

    

   

 

 

Xylophone

3

mp

 

(E§ F# G# A# B§ C# D#)



 3

Perc. 2 (Marimba)



  

Perc. 1 (Vibraphone)

  

   5

 



 

5

  

  



 

 

5

  

 5

 

 

    



     

5

5

 

 5

 

Vln. II

  

  

Lower desk

 

p un poco agitato

   

Upper desk

5



Vla.

 

4th and 8th violas

   

solo



 

5

   

5



gliss.

  

un poco agitato pizz.

    

Upper Vc.

5

 

5

1st Desk pizz

   

2nd Desk

Db.

mp

3rd Desk

   

 

 



  

  

mp

 

      

   

un poco agitato



   

 

   5



    

  

5         



 



 





 



 

   

 



   



 

 

 



5

 

5



 

arco

arco  





 

     

  

  

5



    



   

5

  

   



  



 

un poco agitato

mf

  

 

5

5

pizz.

 

3

5           un poco agitato

Lower

 

    

un poco agitato 2nd and 6th violas

5

5

5

    



       

   5

 

 

 

 



 





  

gliss. 3

 



 

5

5

5

  

   

           



 



  

 

 5



 



 



  

5

  

 





gliss.

5

  

 

 

      

5

 

 

5

 


D 8

Più mosso (q=76)

  



32

Fl.

Picc.

A. Fl.



 

5

3

 





 



5

5



   

 



    

Cl.

B. Cl.

Bsn.

3

 

C. A.



 

 

3   3



  



  

 

3



f 3

   

   

 

    

 



 

  3











 





  



f



   

  



Perc. 1

Perc. 2

 

 

 

  

 

5

 

 

f



 



 



 

5



 

 

 

 



arco

arco

  

3

f appassionato

  5 

  

 

 

 

arco

 

arco

 

arco

 

 

 



  

5



   

arco

5



 

 

    



5 5

5

 

 

   normale (lower part only)

        

 



5

 

 

        

arco

 



 



f

sonore

  

arco

f

f

5

  



5

   5     

5

3

ff

   

f

  f

  ffp

  

   

 3

f

   

ffp

     

ffp



f

 

   

3

3

     

    

      3 3

ffp

3



  ff

  ff

 

 

ffp

ff

  ff

 

ff

   

   

3

ff

3

3

 

ff

 

3

3

3

ff

       

f

ff

  

ffp

3

 

3



ff

3

ffp

 

 

3

 3



  



a2

 

3

f

 

   



  

3

 

ffp 3

    



ff

ffp

ffp

3

3

 

ff

  

3

3

ff

ffp

 



    

  

f

 



  f

 

ffp 3

ff

ffp



f

5

3

ff

(Xylophone)

   

 

(E§ F§ G§ A§ B§ C# D#)

  

 

3

    

  

 



  

 



 

 

 









 

 

 



 



f

     

  

 

3

 

  



        

 

 

 

 



 

  

 

 

  

 

 

 

 

 

 

  

  

 

 

 

f



f











  

5:6





 



appassionato

  

appassionato

  

5:6

f

f

 

 3

f

  

  

 



  

f



   

3

appassionato













f

sonore

ff



arco f

f

        

3

f

    

 



ffp

3

3

3

 

3

 

f

f



 

ff

ffp

     

  





  

3

  

ff

ffp





f

  

6

ff

ffp

 

f

 

3

f

f



  

 

ff



3

f appassionato

 

  

3

f

   

 



 

 



  



5





 

 

Db.



 

5

Vln. II



  

  

 

Vc.

3

ff

Vln. I

  

  

 

 



  

3

      



f

ff

ffp

Vla.

3

  

ff

ffp 5

f

   

6



 

ffp

    



ffp

 

ff

      

6

3

3 3

ffp



ff

 

 5

          

   

  

f

3

5



3

ffp



f

ffp

5

Pno.

5

Hp.

 

 



f

ff

ffp

6

Hn.

 

5

3 3

    

a2

ffp

ffp

6



3

f

  

ff

  

6

3

  

  

  

f

ff

ffp

   f

3

Cbsn.

ffp

 

f

  



5

Ob.

 

 



5

3

 

f



5



f

3

  

  

 

3

3

3

   3



  

  

 

 

 

gliss.





 

 

 


   

36

Fl.

A. Fl.

ffp 3

3

3





f

  



3



 3

  

B. Cl.



3

 

  

Bsn.



Hn.

Tpt.

Perc. 1

  

    

    

3

Hp.

3

Pno.

  3





3

  

 

ffp

  

3

   

  

     



  

sfz

  

(E§ F§ G§ A§ B§ C# D#)

 



  

   

sfz

       

3

  

  

3

   

sfz

fff

  

fff

3

           

  

3

  

  

 

3

 

 

fff

 

 

 

3

  

    

fff

  

 3

 

  

   

3

 

 

.

 

    

 

 



3

 



    

 

  

 

 

   sfz

   

 

sfz

 

 



  

 

 



 

  

  

 

 

 

 

  

 

  

 

  

 

 

     

  

sur la table

E§-# B§-b

sfz

    

 

ff

   

grandioso

 

 

 

 

p

sfz



 

Ob. 1

sfz

 

 

 

3

 

3

 gliss

f

 

sfz

D#-§



F§-#

 

sfz

  

  

 

 

  



  

sfz

 



    

   

 

  sfz

 



Cymbals (clash)

   

(senza sord.)

  sfz

  

ff grandioso

 

   

    

  sfz

        

sfz

3

 

      

sfz

Tpt. 1

 

3

3

fff

   

  

  

sfz

 

 

 3

  

 

fff

  

       

sfz

3

 

   

   

3

3

  

  

3

sfz

3

             

fff 3

f

    



 



 

  

 

          

sfz

  

  

   

 

   

  

(Cymbals)

 

 3

fff

ff

3

fff

3

f

     (Xylophone) 

 

 

 

 

 

3

 

3

3

f

  

3

3



 

3

3

 

3

f

 

f

  

3

  

3

ffp

  

  

 

 

ff

Perc. 2

3

3

ffp

 

    

f

  

ffp

      

3

3

f

Cbsn.

 

3      

3

  

 

     

  

3

f

3

3

f

 

ffp



f

  

3

3

ffp



f

ffp

  3

3

Cl.

 

3

 

    

f

 

9 3

f

f

ffp

3



 

 

3

f

   

3

3

 

f

  

 

3 3

 E    

3

 





ffp

3

f

  

C. A.

3

 

Ob.

  

 

f

  

 

3

3 3



  

 



f

Picc.

    

3

 

 

sfz

     

sfz

 

 

Vln. I

      

 

  

Vla.

     

 

 

 

    

 

    

   

Vc.

     



 

  

  

 

  

 

 

  

  

 

     

 

 

  

  

 

 

 

  

  

 

 

ff

3

  



 



Db.

 

  

 



   

 

3

 

    

    

 

   sfz

sfz

sfz

     

sfz

sfz

ff

 

ff

  

 

ff

       

grandioso

  

 

 



     

Vln. II

     

 

 

 

    

 

    sfz

  attacca

(E# F# G§ A§ Bb C# D§)


10

II Andantino

1)  (No.   (q=63)

Fl.

(

 

(No. 2)

Picc.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  



 

      

(Ob. 1)

Ob.

   

3

mf affetuoso

      3

                3



  

3

 

 



    

           5:4

 3

   

 

 

piagendo

Hn.

Tpt.

Percussion 2

Hp. (E# F# G§ A§ Bb C# D§)

  

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

Let chord ring (from bar 41)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

Pno.

 

    

 

3

5

   

5

  

 

(divisi)

   

mp

 

(E# F# G§ A§ Bb C# D§)

   

   

 

 

   

   

   

   

   

 

   

   

   

 





upper

 

lower

Vln. I

 

(Cymbals)

 

 

 

 

mp

 





 

 

upper

 

 



 



 

 



  





 

lower Vln. II

 

  

Vla.

(divisi)

 

  

  

 

   

 

   

mp

   

 





  



  

  

  

   

 

   

   

   

 

   

  



  

 

upper

 



 



 

 

 

   

   

   

   

 

  

  

 

 

mp

 

 

Vc.

 

  

 

  

 

  

lower

 

 

mp Db.

 

 

 

 

 

 

 


F

11 Fl. 1

49      

                

3

Fl.

p dolce e lusingando

 

Picc.

7



3

 3

    

 

               mf

7

3

3

           G                     3

 

3

con calore, sonore

       

   3

 

9

  







       

 

 

 

  

 

 

 

 

 

 

3

mp parlando

5

 

Ob.

 

C. A.

 

 

 

 

 

Cl.

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

   

 

To marimba

 

 

(Marimba)

 

 

 

To marimba

 

 

(Marimba)

 

 

Bsn.

Cbsn.

Perc. 1

Perc. 2

 

   

Cymbal slide

Pno.

Vln. I

 

 

 

  

mf lusingando

     3

 

 

 

 

 

 

(E§ F# G# A# B# C# D§)

 

 

 

 

 B# C# D§)

  

 

 

 

  

 

 

 

 

   

 

 

 

  

   

 

     

 

  

 

 

 

 

  

 

   

 

   

 

 

 

 

   

 



    

 

  

    

 

 

  



 

 

 

dolce sempre mp

dolce sempre mp

upper desks only

     

sempre mp

dolce sempre mp

(divisi)



   



 

(E§ F# G# A#

 

dolce (divisi)



     

 

f

     

Vla.

 



E#-§, G§-#, A§-#, Bb-#

Vln. II

Cl. 1

pp

 

Hp.



tutti

 

  

 

mf

(con pedal)

 

5

 

 

 

 

   

tutti

parlando

 

   

 

 

           

tutti

tutti

 

 

Vc.

 

   solo  



dolce sempre mp

 

  

 

 tutti  

 

 

Db.

 

 

 

 


12

    56

Fl.

  

Picc.

   





5:4

  

 

 

 

f lusingando e delizioso

    

 

 

 

 

 

 

 

 

 

3

  

mp parlando

 

A. Fl.

  

Ob.

  

C. A.

3

3

       

  



 

 

        

  

 

 

     

 

 

 

 

 

 

 

  

  



 

 

 

 

 

 

 

 

 

 

 

 

 

 

mp

  3

   

3

mp parlando

 

gliss.

 

delizioso

 

 

5

 

      

     

mp

 

B. Cl.

   

 

  

Cl.



(3rd player)  

 3



 

 





3

    

3

5

 

 

    

 

 

 

mp 3

  

Bsn.

Cbsn.

Hn.

Perc. 1

  

3

3

      

     

 

  

   



mp

mp

 

   

 

   

 

Bsn. 1

 

 

 

 

     

sempre mp

Perc. 2

  

Pno.

Vln. I

 (Marimba)

  G#-§ D§-#

      

        p

con sord.

 

affetuoso

 

con sord.

   

   

 

3

mf

 



   

molto cantabile

 

 

 

 

 

     

    

     

    

 

     

     

     

     

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

           

 

 

   

3

 

 

 

3

5

  

    

 

 

 

 

    

 

Vln. II

Marimba (2 players)

sempre mp

 

Hp.

 

 

mp poco agitato

Marimba (2 players)

(Marimba)

    



mf

     

 

 

 

 

 

 

 

  



 

 

 

 

 

 

    

 

     

mf

 

Vla.

mf

   

 

  

 

 

   

 

sub.p

mf

 

  



 

 

 

 

 



 

 

 

 

    solo      



 

    

 

 

 

    

 

mf molto cantabile

Vc.

 

 

 

sub.p

Db.

  

   

mf

 

2 soli



sub.p


13

Fl.

H 63   

 

 

(No. 1)

 

 

 

(No. 2)

 

 

 

(No. 3)

 

 

 

Picc.

A. Fl.

 

Ob.

3

 

  

 

  

3  

 

  

  

f

 

 

 

 

Cl. 1

 

Cl.

 

B. Cl.

 

 

 





 

3

 

 

 



3                 

  



   

 

5

mp parlando

 

  

 

  



3

  

  

  

      

3

f

 

 

 

 

 



3     f

    

 

 

 

 

   

 



    

    

 

    

 

  

 

   

 

 

 

f

3

f

a2

  

3  

mf appassionato

 

 

 

3

C. A.

I    

  3

3



f

   

   

3  

  

  

3  

    

 

Tom-toms (hard sticks)

  

f

Bsn.

 





 





 

mp

Cbsn.

Hn.

Perc. 1 (Marimba)

Perc. 2 (Marimba)

Hp.

Vln. I

 

   

mp

3

  

   

   

 



 

  



gliss.

 

3

  

  

  

 

 



 

 

To low suspended cymbal

 

(Suspended Cymbal)

 

   

 

   



   

   

   

   



 

 

 

   



   

  



 

   

 

 



3

mf 3

  

 

   

 

  

 

 

 

      

     

   

f

f

  

 

 

  

mf 3

3

 

 

  

mf 3

Db.

 

 mp



 



  



3

 

Low suspended cymbal

  

 

3

      

  

Hn. 1

mf

 

 

To vibraphone

f

 

    

To vibraphone

f

 

 

   

 

 

    

    

    

 

 

   

  

   

 

 

           

    



 

5

appassionato

 

3

  

      3

  

 

 

 

  

   f    

 

      f             f 

        tutti f

   



gliss.

3

ff affetuoso e maestoso

      

Vc. 3

 

    

f

  



3

 

(Tom-toms)

 

3

 

To tom-toms





 

 

 

  

 

 

mp parlando

Vla.

senza sord (Hns 1&2)

3               

 

Vln. II

Hn. 1 (con sord.)

  

3

    

       







     

  

  

  

 

        

 

 

 

 

    

 

 

 

 

 


14

J

   70

Ob.

  

Cl.

  

   

3

(E§ F# G§ A# B# C# D#)

Pno.

Vln. I

Vln. II

   

 Cl. 1

  

    

3     

3        

5



 

  

Vibraphone

  

  

 

 

 

 

 5

    

      

  

5

     

  (Vibraphone)

3

pp

  

3

3   

(Vibraphone)

 

         3



5:4

perpendosi

 

   

 3      p

 

 

 

 

 

 





Triangle

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

3

 

  

   

3

 

pp

p

 

 

 

Vibraphone

p

Perc. 2 (Vibraphone)

Hp.

 

 

mp lusingando e dolente

sospirando e dolente

Perc. 1 (Vibraphone)

 

 

    

Hn.

 

p

 

 

 

 

 

 

 

  



 

 

 

  

 

 

 

 

     

 

     

   

  

   

mf

mf

 

  

 

 

3

3

  

3

3

   

mf

 

 

3

  

 

3

  

   

   

   

  

3

(E§ F# G§ A# B# C# D#) p

          



3

mp parlando

5

3

 

1st Desk senza vib.

   

 

3

mp

 

mp 1st Desk senza vib.

   

    

 

3

 

3

 

 



players 3 & 6

 

  

  



 



players 4 & 7

  

  

  



   

   

   



  

 

mp

 

 

 

 



players 5 & 8

mp

  

   

 

 

 

 

 

 

 

1st Desk



3

senza vib.

 

 

 

 

mp

 

 

p

3

p

mp

 

p

   

 

Vla.

 

 

p

1st Desk senza vib.

   

 



1st 'cello

  

3

  p

3

  p

3

mp

 

     

p

 

 

2nd 'cello

3rd 'cello

4th 'cello

5th 'cello

6th 'cello

7th 'cello

  

 

  

   

   

  

   

   



 

  

 

  

   

   

  

   

   



 

  

 

3

 

 

p

 



mp

 

 

 

 



mp

 

Vc.

 

 

 

 

 

 

 





mp

mp

 

 

 

 



mp

  



  



 

Db.

 

 

 

8th 'cello



mp

 

p 3

 

 

 

 

p

3



 

3

p

 

 

 

 

p 3

p

3

 

 

p

 

 

 

 

 



    

 

 

 

 

 

    

  

   

 

 

 

 

 

   

 

   

  

 

 

 

 

 

   

 



3

 3

(If not able to play this low note, lower desks sustain e flat an octave above)

solo

tutti

3

3

  

p

 


15

K 77   

Fl.

 

Picc.

 

A. Fl.

 

Perc. 2 (Triangle)

Vln. I

Vln. II

5

  

               3

5

 

3

 

  3

 p

               agitato

alto flute to flute

7





3

mf

3



  



  

  

 

3

declamando e appassionato

 

 

 

 

 

 

 

 

 

 

(Vibraphone)

 

 

 

 

(Xylophone)

 

 

 



 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

a niente

  

to Xylophone

F#-§, G§-#, A#-§, B#-§

     

 

   

   

 

   

Upper player (of all desks)

   

 

 

Players 2 & 6

Players 4& 8

   

3

  3

    

  



(E§ F§ G# A§ B§ C# D#)

Upper player (of all desks)

Players 2 & 6



    

 

  

     

    

 

  

    

    

 

  

       







  



 

 

 

   







  



 

 

 

sempre p

   

 

 

 

 



3



3

 

 

 

 

 

 

 

 

 

 



     



sempre p

 

   



sempre p

   

Players 4& 8



    

3

    

 

  

     

   

   











 

  

 



  

  



     



 

 

 

 

     

 

 





   







  



 

 

 

 



  



 



 

 

 

sempre p

   



sempre p

3





sempre p

  

  

Vc.

 

 

   

Db.

 

                      

   

sub. mp

 

  

Vla.



 

 

(E§ F# G§ A# B# C# D#) Hp.

     

Perc. 1 (Vibraphone)

 

   

Cl.

3

p

Ob.

sempre p

attacca


16

III Allegretto Scherzando

 (No.'s  1&3)  (q=160)

Flute

a2



mp scherzando, ma cantabile e piacevole

 

 

(No. 2)

Picc.

Ob.

ff







 





mp scherzando, ma cantabile e piacevole

 

 

 

Cl. 1

   

3

  







mp cantabile e piacevole

 

 







 

Ob. 1

 

 

Bsn.

Bsn. 1

 

a2



 

 

 

    

 

 



    

 

Cl.

  

 

 

mf

Horn in F

Trumpet in Bb

Perc. 1 (Vibraphone)

Perc. 2 (Xylophone)

 

  

  

  

  f

   

Vln. II

Vla.

Vc.

Db.

 F§-# G#-§ B§-b C#-§

 



 

 



 

   

           

p

 

mp

prés de la table

  

 

to Marimba

(Marimba)

(Marimba)



  

(Xylophone)

normale







   

C§-#

 

G§-# Bb-§ D#-§

(E§ F# G# A§ B§ C# D§)

          

 

                  

 

   

                       



                   

 

   

p scherzando

(senza pedal)

pizz.

  f

 

 

pizz.

 

pizz.

 

pizz.

 

Xylophone

             

 

Vln. I

 

  

mp

p

 

Pno.

f

 

non. arpeggiato



(E§ F§Hp. G# A§ B§ C# D#)

 

Vibraphone (no vib.)

  

 



Cbsn.

f

  f

  f

 

  



3

arco

 

  3

3

 

 

 

arco

arco

arco

 

 



 

pizz.

gliss. gliss.

3

3



gliss. gliss.

3

3

  3

gliss. gliss.

gliss.

gliss.

     

   

    

      

  pizz








 



  

p

        

Picc.

p

solo

Ob.

a2

           

(Cl. 1)

a2

Cl.

   



 





 



B. Cl.

Bsn.

Cbsn.

Hn.

Tpt.

Perc. 1

Perc. 2

Hp.

 

     

 

 





    

    

 

  

            



   



 

(con pedal)

pizz

pizz

3

3

 

pizz

Vc.

    

3

             

p



 3

    



 





   



a2



mp

   

    

(Xylophone)

F#-§  (E§ F§ G# A§    B§ C# D§)  

    



3

 

        



 



(Marimba)

    



 

  

D§-#

   simile             p

             p

            

(senza pedal)

 

      

   



  

senza sord.     

3

   

pp



   

 

p

Tpt. 1

   

3

Vla.

      3

con sord.

  



pp

   

  

  

      

 

    





 

  

   

  

3

      

 

  

mf



M

pp

 

   

 

Vln. II

Db.



                   

  

mp

Vln. I

   

   

Pno.

p

  





 







a2



   

17



L 91  Fl. 1         

    



A. Fl.



3   

 

   

 

  

   

3

  

3

pizz

   

    

   

pizz.

pizz.

pizz.

pizz.



 

mp cantabile

arco



 

mp cantabile

arco



mp cantabile

   

   gliss.

arco

arco

arco

gliss.







mp cresc.

   

 mp cresc.

 


18

Fl.

98    

  

  

       

 

  

   

 

N  

 

 

       

a2

 

f

ff

Picc.

Cl.

B. Cl.

 

 



  

 

   



  

     



   

 

mf

       

 

  

gliss. gliss.



  



  

gliss. gliss.

   

 

 

 

a2

 

 

                  p

 

gliss.

 



 

gliss.

 

 

 



f

 

 

   

  

  

 

 





      

      

       ff

Bsn.

Cbsn.

Hn.

Tpt.

Perc. 1

Perc. 2



 

 



  

   

   

F§-# D#-§

  

  

 

   

 





Vln. II

Vla.

Vc.

Db.



                             

  









  

  

  

  

  

  

  

  

 



 



 



  

a2

        

 

 





   

 

 

stopped

 

        

 



     

       

 

ff

 

 

 

p

 

          

        

a2

  

 

    

 

   

 

Bongos (played with hands)

 

      

 

 

 

 

 

 

 

  



      

  



 



  





(Bongos)

 

 

(E§ F# G# A§ B§ C# D§)

F#-§ G#-§ A§-b C#-§

 

 

 

 

   

 

 

 

 

 

 

 

   * 

    

   

  

   

   

III

  

gliss. gliss.

gliss. gliss.



gliss.

gliss. gliss.

gliss

 

.

 



 

 

sul tasto

 



 

 

sul tasto

              (Marimba)

Tpt. 1

 

       sul tasto

                        p



 

 

  



   

  

sul tasto



  



Vln. I



                              

Pno.



mp

       

 

  

       

 

 a2      

 

 

 

      

 

 

a2

ff

p

  

(Xylophone)



  

  

 



 

unstopped

 

(E§ F# G# A§ B§ C# D§)



  

Tpt. 1

 

p

  

(Marimba)

  



 

stopped       

  



  

 

     

 

 



  

a2



Hp.

 



 



  

gliss.

  

gliss.

  

glis

s.



  

glis

s.



 



gliss.

gliss.

gliss

 

.



*omit if no bass can play this low (do not double at the octave above)



 

ff

f

 

prés de la table

 

 

 

 

 

 

 

 

 

 

  

  

  

   sfz



 

 

  



sautillé

sautillé

 

 

   



 

      

 

 

   

 

Bartok pizz.


Più mossos, giocoso e leggiero

Fl.

107    

  

fp

Picc.

 

 

 

  

 

 

 

  



 

    



 

 

 

a2

mp

 







  



  

     

pp

 



   

p

      

  





pp 1st flute to 2nd piccolo

   

p

  p

   

  

p

Ob.

C. A.

 

  

Cl. 1



 

  











 

 

  

 

 

  

  

 

 













 



   p

p

B. Cl.

  

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

  



  a2 

Bsn.

p



  



 p

    

Hn.

Tpt.

Perc. 1

 

 

 

   

 

 

 

 

 

  

 

 

 

 

 

  

 

 

mf leggiero

  

Marimba

  

 

Vln. I

 

 

Pno.

  

    

Hp.

 

fp

mf

Perc. 2



(Marimba)

 

to Triangle (Triangle)

  

  

mf

    

legato e leggiero

     

   

 

   

  

 

   

 

      

   

   

   

   

        

   

 

 

    

    

   

 

   

  



mf

    

   

arco

   

       

   

   



pizz.

 

 

 



 

         

   



   

       

 



   

 

(Triangle) p

   

  

    



(Marimba)

Triangle

  

       

Ab-#



 

   

  

 

        

 

 

   

  

   

       

   

 

   

 

    

         

       

       

   

   

     

              

           

     

             

                

                     

     

         

           

     

         

    

  

   

   

               

               

   

loco

   

       

       

   

           

        

  

   

   

 

     

 

mf

simile    

   

   

   

   

p

p

p

p

 

 

   

     

     

      p 

  

 

 

    

    

   

     p 

   arco 

 

 

  

     

     

    p 



mf

 

  arco 

1st Desk

   

   

sautillé mf

Db.

 

       

    

 

loco



       

      

Vc.

 

             

       

Vla.

     

 

    



 

       

mf

      

   



 

       

   

Vln. II



    

        mf

 



  

F§-#

(E§ F§ G§ Ab B§ C§ D§)

    





 

mp

mf

Cbsn.

  

mf

Cl.

2nd Desk arco

mf

3rd Desk



mf

19

      

(q=176)


20

  

   113

Fl.

p

 

 

 

 

 

 

 

 

p

p

 

   

   

   p

 

 

 

   

   

  

 

 

p

p



  

   

 



p

p

 





p





 

p

   



 

mp leggiero e piacevole



 

p

p

p

p

 

p

p

p

   

 

p

   

Cl.

Cbsn.

 

O  

 

p

 

Bsn.

p

   

p

Ob.

C. A.

  

 

Picc.

    



simile

 

 

 

 

   

simile



   

  



    

simile

gliss.

    

gliss.

  

 



 

simile

     

  



 



 

 

 



   

   119

Fl.

(No. 3)

(No.2)  

  

  

       

  

Picc. (2nd piccolo from 1st flute) (No. 1)

 

   Ob.

  

C. A.

  

Cl.

  

Bsn.

  

(Cl. 1)

Cbsn.

Tpt.

  

   

  

  

 

  

 

  

 

  

  

        

      

  



   



  

  

   



 



 



  



    



  



    

Tpt. 1





p dolce, lusingando e cantabile

 

 

 







 

 

  

 

  



  

  

   

   

   

  

 



   

  

   























  

  

 

         





 





 



 

  Tpt.2

 



 

   



Tpt. 1





    




   125

Fl.



  

      



    

       



 

  Picc.

 

Ob.



  

        



    

      



  

   

  



 

 

C. A.

  

       

 

  

 

21

 

P  

 

 

 

 

 

 

 

 

 

 

 

  

 

 

  

 

 

 















  







  





 

 

 

 

 

 

  

 

 

 

   

mp

 













 







gliss.







  





  



  



  

  

  





  

Cl.

B. Cl.

Bsn.

Cbsn.

Hn.

Tpt.



  

 

 

   

 

 

  



 

  

  

   

  



  

 



 



  

   



 

   

   



Tpt. 2



mp

 

    

gliss.

 

mp

   

    

 

gliss.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

Tpt. 2







p

  133

Fl.

Picc.

Ob.

Cl.



   B. Cl.

Bsn.

Cbsn.

Hn.

       

 

 

 

   

   

            

  

 



 

  

   

   

  

 



 

 

 

 

mp



  



  

un poco animato



 

 

  

 

  



mf

mf







   

  

 fp

   

    Picc. 1    

  

 

 

    



 



fp

 

 

 

  



 

 

         

 

  

 

 

 

    

a2



fp



 

   

 

 

mf



    

mf



mf

un poco animato

 

 

 

3

  

  

un poco animato

Tpt.

 

 

 

 

 

   

fp



mf

fp

 

mf

   



  

a2

a2

un poco animato

mp

         

 

mp

 

Q

 

 

 

 

 

Tpt. 1

 

   

  

 

 

   

 

 

  

 

 

Hn. 1

3

  

     

   

 

  

3

   



   

a2

     



 

   

mf

    


22

Fl.

141    

mf

 a2  

Picc.









 

giocoso

mf

  



R



mp







   





 



1  Picc.   



giocoso

 

a2







 

Picc. 1

  

 



 







f



mp

 mf

 

 

 

 

      più f

Ob.

 

 

 

 

   

più f

Cl.

B. Cl.

Cbsn.

Hn.

  

  

    

 

 

   

 

 

più f

  

  





  

 





 





   

 



   

 

 

più f

 

 

 

  

 





 



 



più f

  148

Fl.

    

 

Picc.

 



 

 



       



 

 

    

   

f

  

  

f



  f

Ob.

 

 

 

 

 

 

Cl.





 







 

     

 

   

 



   



     

 

 



 

Cbsn.

Hn.

 

   



 

    

  

 

 a2    

 

 

  f

     

 

    

 

a2

f

Tpt.





 

        

   

 

 

 

  f

 giocoso, con brio

 

  

 

  









      

   

 

 

 

  

 

 

 



 



 

 

 

  

 









  



giocoso, con brio

a2

f



   

giocoso, con brio

f

f

 

giocoso, con brio

a2

giocoso, con brio

 f



    

 



 

giocoso, con brio

f

Bsn.

 

giocoso, con brio

f

B. Cl.



 f

  

  

 







  

giocoso, con brio









  



  







  

giocoso, con brio

  


23

  



156

Fl.

 

Picc.

Ob.





Cl.

 

 

















   

S  

    

 

a2





















 





 

   

















ff



ff

ff







 



mf

mp

 





 

 

2nd piccolo to 1st flute

 

 



 

 



 

 



 

ff

a2

Tempo 1 (q=160)

Cl. 1

 

   

   

 

 

sfz

 

  



sfz

 

B. Cl.



 

C. A.



rit.

ff

  

 

sfz

Bsn.

Cbsn.

Hn.

Tpt.

Perc. 1

Perc. 2

Hp.

Pno.

Vln. I





   

   

     

  

   

  

   





  

 

 



  

 

 

  

   

 

 

  

    

 

 

 

 

 

 





 

 

 

 

 

 

sfz

sfz

sfz

sfz

Tpt. 1

 







ff

  

 

 

 

(E§ F# G§ A# B§ C§ D§)

 

 

 

 

  

 

 

 

 

(Xylophone)

(Bongos)

Xylophone

 

 

 

 

 

 

 

 

 

sfz

Bongos

  

sfz

  

sfz prés de la table, son étouffés E§-b F#-§ A#-§ D§-b

sfz

 

pizz.

 

 

mp

Vln. II

 

 

pizz.

mp

Vla.

Vc.

Db.



 

 

 

 

 

 

pizz.

pizz.



mp

mp

 

to Triangle

 

 

 

 

 

 

 

 

f

 

f

 

f



 

f

 

 


24 163 3) Fl. 2  (No.          

Fl.

  

 

p

 

(No. 2)

Picc.



     

p

 

Ob.

Ob. 1

   mp

C. A.

 

Cl.

 

 

B. Cl.

    

solo

    

 

p

 

       

               

  

 

   

 

   

 

   

 

  gliss.    gliss.  

 

p

gliss.

  

p

p

 

Bsn.

        

solo

p

Perc. 1 (Xylophone)

Perc. 2 (Triangle)

Hp.

   

  

 

 

 

Vln. I

Vln. II

Vla.

Vc.





     

   

Xylophone

mf

3

   

 



  

to Claves

(Claves)

 

mp

Claves (trill)

to Bongos

(Bongos)





 

 

 

 

 



 



gliss.

mp

mp

  

  

   mp

  

  

  

   

   

   

   

 

gliss.

 

gliss.





pizz.

pizz.



 

  

 

 

 

 

 

  

  

mf

mf

pizz.





 

  

 

mf

 

gliss.

pizz.

mf

 

pizz.

 

 

 

 

  

f

   

   

  

 

 

f

 

f

  f

 

 

 

 

 

     più f

mp legato e leggiero

  

  



    

 

     

 

Triangle

 

  

(Eb F§ G§ A§ B§ C§ Db)

mp

Db.

 

Pno.

 

Cbsn.

    

3

 

 

 

 

  

 

 

arco

arco

arco

   

 

mp

 

   

 

sautillé

sautillé

sautillé

sautillé

     

 

f

     

 

f

  



f

    f


25

Fl.

T 169  

Picc.

 

Ob.

a2



mf

cantabile





 





  













  







C. A.

 

 

 

 

 

 

  

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

B. Cl.

 

 

 

 

Bsn.

 

 

 

 

Cl.

mp

      

a2

Bsn. 1

   

mp

Cbsn.

Hn.



 

  

 

 



 

 

 

     

      

 

 

 

a2

       



 

      

 

      

 

      

 

    

 

 

mp

 

 

 

     

a2

mp

Perc. 2

Hp.

 

  

Vln. I



B§-b

           

    

  

         

    

mp

   

Vla.

    

mp

    

Vc.

mp

  

  

  

  

Eb-§ F§-#

      (Claves)

    

  

  

G§-#

  

  

 

   

sons étouffés, non arpeggiato

             

Vln. II

mp

Db.



pp

  

 

   



Pno.

(Bongos)



Db-§



  

 

(E§ F# G# A§ Bb C§ D§)

 

      

(sons étouffés)

 

   

   

   

   

 

 

 

 

 

 

 

 

 

 

 

 

  



 

  



 

 

                            

 

 

  

   

               

   

        

  

 

    



     

  

     



  normale          mf

           

  

         

  



         

 

     

  

   normale     mf

   normale   

 

    

 

 

normale    

(pizz.)

      

 

   

glis glisss. .

 

  

gliss. gliss.

sospirando

sospirando

 

 







gliss.

mp





gliss.

mp

sospirando

  mf

 



gliss.

  

gliss.

glis

 

  

 ss.

 

  

gli

   

  



sospirando

mf

 

 

Bongos

 

  

  

 



mp

     

      

a2

Suspended cymbals

                            

  

   

 

mf

   

 



Perc. 1





Tpt.



 

arco *

gliss.

mp *omit if no bass can play this low (do not double at the octave above)

 



 f

 f

s.

 f

glis

s.



 

 

 

 

 


26

   176

Fl.

 

Picc.

Ob.

C. A.

 

 

(No. 2)

 

 

 

 

   

a2

(No.'s 1&3)



U  

  

  

 

  

 

  



  

 

mp

 

 

  

   

B. Cl.

mf

     

Bsn.

 

 

 





mp

   

   

 

Fl. 1       

 

 

    

     

    

   

 

 

  



 

 

   

 

 

Ob. 1

p

 

   

 

   

p

   

mp

 

 

   

pp

 

(Picc. to flute)

 

p

 

 

 

 

 

 

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



   

 

 

 

 

 



ff

 

a2

ff

Bsn. 1

 

 





  

  



   

mp

 



 

  



f

Cbsn.

  

mp

ff

Cl.

             

 

 

 

  

 

   



 

 

 

 

 

 

 

 

 

 

 

mf

Hn.

       

 

a2

 a2 

  

   

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

(Woodblocks)

 

 

 

 

 

 

 

  (Triangle)

 

 

 

 

 

 

  

ff

f

        f

Perc. 1

  sfz    

 

    

 

 

 

(dampen immediately)

Perc. 2

(played with hands)

    

Pno.

 

Vln. I

Vln. II

Vla.

Vc.

sfz

  

 

  

mf

 

   

  

mf

 







   

 

 

mf

   

 

sautillé

  

sautillé



   

 

 

ff

 

sfz

ff Bartok pizz.

 

 

   

   

 

Triangle

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

   

   

   

   

     

    

   

   

      

    

         

          

          

pizz.    mf

pizz.        

    

      

mp

pizz.

    

   

pizz.

    

  

     

    

sautillé       

     

   

 





 

mp

pizz.

     

mp

  

   

   

 

 

 

 

 

   

 

 

 

   

 

  

    

 

  

 

pizz.  

 

mp

      

 

    

 

ff

 

    

Woodblocks

         sautillé           

  

 

 



 

  

 

sfz

Db.

f



Tpt.

p

p

p

p

     p

normale

normale

arco

p

arco

 

p

 

attacca


27

IV Largamente

  

 

 

 

 

 

 

 

 

 

(q=66)

Violin I

Violin II

 

mp sostenuto

   





  

  tutti   

  







 

 

tutti

Vla.

mp sostenuto

Vc.





 

 

 

3



 

 









     



  

 

3      

 



  



 

 

 





  

 



  

 

 

mp sostenuto

Double Bass

 

 

 

 

   

  

196

Cl.

Vln. I

 

 

 

 

Cl. 1

 

3

 

V    

 

   

  

  

 

  

  





mp molto cantabile

 

 

 

 

 

3





mp molto cantabile

 

Vln. II

  

Vla.

Vc.

Db.

3    



 

 

  

 

 

 

 

 

  



 

  

 

  

  

 

  

 

  

  

 

3



3

  

 

  



  

  



  





3

3

 





 

 

 3  

3



   

 

 

  

 

    



 

 

 



 

3

 

   





 





 

3

3

 

 

   204

Fl.

 

Ob.

 

  

Fl. 3

 

Flutes 1&2

     

     

mf

 

  

  

         

    

  

3 

3



 

 





 

 





 

 





Cl.

Bsn.

Vln. I

 

     

 

Vln. II

   

   

     

  

         

    

  

3 

3





3

 

  





 

3

     

a2



 

 

  

         

    

  

3 





 

3

 



 

3

 

     

3





  

  

 



  

3





  3

 

  

 

mf

3





 

 

  

    

 

  



    

 

  



    

 

  



 

  

 

   

  

   

   

 

 

 

 

mf

 



mf

 

 

 

  

  

  

   

 

 

3

3

 

 

 

 

 

3



3

mf

Db.

     

mf

 

  



 

mf

   

Vc.

    

  

Vla.

3

 

3

3

   

 

 

 



 

 





 







3





           


W

28

Più mosso

   

    

211

Fl.

     3

3

   

     

  

(q=72)

    

(2nd flute to piccolo)

3

               3 Fl. 1

3

3



 

    3

  

 

3

     

      

3

 

3

parlando

    3

Ob.

Cl.

   

    

   

    

3

3     3

   

  

     

  

 

   

  

     

    

 

 

Cl. 1

3

 

    

       

3    3            3

 3

3

3

 

      

   

3

 

 

3

 

parlando

Bsn.

Perc.

   

   

    

 

3

   

 

 



 



  

 

Marimba

            

Perc.

  

 

 

 

    

  

solo





 

 

(Marimba)

             (Vibraphone) 3 p 

Vibraphone

3

3

solo



3





  

f

  

3

3

 

 

 

3 

3 

3

 

3

3

p

  

 

  

   

3

3

 

 

  

 

    

    

3

3

3

3

      

 

     

 

 

Vln. I

  

Vln. II

Vla.

  

  

  

  

  

tutti

    



  

    



 

   



  





3

  

3

3

 

   

3









 

 

 



 

 

  

 

 

  

 

 



f

 



   

 

 

 



3



3









 

 

f



  

  

  



  

 



(solo)

f

solo



f

3



 

3

 





    

  



3







3







 

3

 

 

Vc.

Db.

 

 

  

  

 

 

tutti

 

   f

  

 

  

  

 

3



    

   



3



   

  



3



3



3





 3



 



 


29

   219

Fl.



    

 

Cl.

 

    



  

 

3

 

  



 

    



mf

    

 

B. Cl.

a2

 



  

 

C. A.

 

3

 

Ob.

X

 3

  

3







 

  

 





 

  

  3





     f

  

 

 

  

 

3

 



 

a2







maestoso, molto cantabile

    f

  

maestoso, molto cantabile

 

 

 

 

a2

 

 

 

 

  

 f molto sostenuto

maestoso, molto cantabile

 

Bsn.

 

a2





  

 



3

  

  

    





3

   

f

   

 

 

maestoso, molto cantabile

Cbsn.

 

  Perc. 1   (Marimba)

  





Perc. 2 (Vibraphone)

Pno.

   

 

    

 

 

3

 

     



3





 

  

 

   

3







 



f

 

 

 

 

 

 

 

 

3

 

 

    

  



3

      

  

3

 

   



3

 

  

(solo)

  

 



        

    

    

    

3

3

3

 

 

3

3

  

  

 

 3            3

 3             3

3

(solo)

   f











maestoso, molto cantabile

Vln. I

 

(altri)

  





mf

3



     

  

 



(altri)   



  

 f

maestoso, molto cantabile

 

Vln. II

 

 

 

 

    f

 

Vla.



 

  3

  

 

 

 

  

  





maestoso, molto cantabile

f maestoso, molto cantabile

 



 

    3

 

 

 

 

 

  

 f

maestoso, molto cantabile

Vc.

Db.

  

 

  

 

3

3

  

 

 

 

 

  

 

 

 

  

 f

maestoso, molto cantabile


30

 

 

 

(No.'s 1&3)

 

 

(No. 2)



  

  



  

226

Fl.

Picc.

Ob.

 

 

C. A.

 

 

Cl.

B. Cl.

 



 

Bsn.

  



 

 



3

  



 

   

 

  

 3



f

   



 





  



  



  

  





  

 



  



 

3

 







 

 

 



3

tutti





 











 

 

 









 



 



3





 

 





 

   





  

  

 

 



  

  



Vln. I

  Vln. II

Vla.

 

 



  





  



 



  

Vc.

Db.

 

 3

  





  





 





 





 



 

 



  









 

 



  









 

 

3

3

 







 





 



  

Y

233 a2

Fl.



 

  



Cl.



3 3

   

B. Cl.

 

  







3

 







f

(più f)





3





f molto sostenuto e maestoso

(più f) C. A.





f molto sostenuto e maestoso

 

Ob.

   3

f molto sostenuto e maestoso

 

Picc.





  



  



  



  



3    3

   

   

 





  

 





  

 



  

    

3

3

3

 

 

  

  







 







 

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

To bass drum

 

Bongos (played with hard sticks)

(più f)

Bsn.

Tpt.

Perc. 1

Perc. 2

Vln. I

     

 

3

 

(più f)

 



(Bongos)

  

  

 

   

 

  





  

 

(Bass drum)

  

 

 

 

(ff) Vln. II

(ff) Vla.

Vc.

   

    

 

(ff) 3

Db.

3

 

 (ff)

 

 (ff)

Tpt. 1

 

 3



mf

 



    

 

  

  



a2 

 

 

  

 

 



 

 

 

 

 

  

 

 

 

 



 

 

 



 

    



 

  

 





  

   *

    

  

      

* only play the octave above if no bass can play the low d# (in which case only play the octave above, do not double in octaves)

 

 

  

 

  

3

 

 

 

 



3

 

  



 


USE other page!!!!!!!!!!!!

Z     241 a2

Fl.

 

ff grandioso, moto maestoso e sostenuto

 

Picc.

Ob.



 

ff grandioso, moto maestoso e sostenuto

C. A.

Bsn.

Cbsn.

 

 

 

  

 

 

 

 

 

 

 

 

  

 

   

 

  

 

  

  

  

 

  

 

ff grandioso, moto maestoso e sostenuto

B. Cl.

 

ff grandioso, moto maestoso e sostenuto

Cl.

  

   

ff grandioso, moto maestoso e sostenuto

 

  

 

 

ff grandioso, moto maestoso e sostenuto

  

 



Cl. 1

gliss.

  

  

  

 

 

 

  

 

 

 

  

 

 

 

 

  

  

 

 

3

sospirando

  ff grandioso, moto maestoso e sostenuto     

31

ff grandioso, moto maestoso e sostenuto

    

  

f

3

 



3

 mf

Hn. ff grandioso, moto maestoso e sostenuto

  

 

ff grandioso, moto maestoso e sostenuto

Tpt.

Perc. 1



  

     

 

f grandioso, moto maestoso e sostenuto

   

Pno.

 

   

  

  

 

 

  

 

  

solo



 

ff grandioso, moto maestoso e sostenuto

Vln. I

  

  

tutti

 

ff grandioso, moto maestoso e sostenuto

IV

Vln. II

ff grandioso, moto maestoso e sostenuto

  

  

  

 

 

   

 

Tpt. 1

  

  

 

ff grandioso, moto maestoso e sostenuto

solo

   

   

  

mf

3

 

 

 

 

 

 

 

 

 

 

 

 

IV

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

    

  

f

3

 

  

  

3

  

  

  

3

 

  

  

f

f

ff grandioso, moto maestoso e sostenuto

Vla.

 

 stopped  

 

  

f

 

 

 

 

  

  

 

   

  



  

f

 

 

  

 

  

 

3

ff grandioso, moto maestoso e sostenuto

  

3



 

 



 

 



 

 



 

 

 

Vc.

tutti   

 

  

 

ff grandioso, moto maestoso e sostenuto

Db.

      

ff grandioso, moto maestoso e sostenuto

f

f

   

3

  

 

 

 

 

3

  (q=66)      247

Hn.

Tempo I (Hn. 1)



  Perc. 1     (Suspended

Low suspended cymbal

Cymbal)

pp

  

to Suspended Cymbal

Perc. 2

Vla.

Db.

   

    mf

 

 



    

 



  





   

  

3



 

   

        



   

 

   

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

 



 

 

mp

  

 

   

con sord

 p

 

 attacca

 


32

V Lento

  Ob.  1   (q=52)

Ob.



5

mp



5

(p)

(con sord.)

 







       

 





 

     

                

5

5

 

 

3

 

 

5



 

5

 

 

(No. 2)

     

 



 

3

5

 

 

  

 3

 

3

 

 

 

                mf

 

Cl.

 

 

  

Ob.

3

3

3



 

3

 

Picc.

            

    

 







 

3

AA

   259

Fl.

3

 



mp semplice



  

 

     

Vla.

  

  

 5 

poco agitato e precipitato, leggiero

 (Hn.  1)  

Hn.



  

 3

 

3

     

 

   

mp poco agitato e precipitato, leggiero

 



  

Cl. 2

3

      3

Fl. 1

p lusingando

           7



    

  

  

3

 3

   

3

 

mp cantabile e dolente

B. Cl.

Vln. I

  

  

  

  

 

3

 



 

3

   

     

  

     

3

3

mp cantabile e dolente

  

 

 

3

3

 

3

3

   

3



mp cantabile e dolente

  

Vln. II

  



pp

  

Vla.

Vc.

 





   

 

 



  



 



3

(mp)



 

 

senza sord.

  

  

  

 

  

3

mp cantabile e dolente

 

    

3

 

  



 3

 

 3     

Fl.

265   

 

mp  

   

Picc.

3

Ob.

mp

  

Cl.

BB   

3

 

           

3

 

 3

 

     3





  

(Cl. 1)

 

3

 

 

3

3

       

3

 



 

3

6

 



 

sospirando

Cl. 1

3

    



  

3

   

 

 

a2

(No.'s 1&3)

3     

 

 

CC 

           

  

 

 

5

       



3

3

 



    

3

3

       

 

 

 

 

 

 

 

 

  

mp affetuoso

Vln. I

     

Vln. II

Vla.

upper

3

     3

 

 

   



 

  

   

 



lower

  

 

pp

  

  

Db.

 



   



pp 3

mp sospirando e cantabile

 3

 

 

  



  

 



    



 



 

Vc.

 

 

3

    



  

3





3

 

    

   

 

      

3





 

 



mp

     



  

 

  

 

  

     

 

  

  



 



 5

    

mp affetuoso Cbsn.



lusingando

Bsn.





mp

5


33

    273

Fl.

 

Picc.

 

 

 

Ob.

 

 

 

 

 

5

5

 

a2   

 

5

   mf parlando

 

3

 

    5

5     

 

 

5 mf

5

  



    

 

5

 

 

5

 

    

    5

5

Cbsn.

Hn.

Perc. 1

 

 



 

   

 

5

 

  



  

5

  

 

5



 

 

 

  

 

3

Ob. 1



   

   

    

3

 

più f

  

  3

3

 



 

 

 

 

           

  

 

 

5

5

  

  

 

 

mf

 

 

5

  

gliss.

 



 

5

3

(Cymbals)

 

    

5

mf



 

   5

 





5

    

  

3

3

più f

 

 

  

Bsn.

   

sospirando

3

  

 

    

 



mf



5

mf sonore e delizioso

B. Cl.

   

3

5 5                 

mf sonore e delizioso

mf

Cl.

DD  a2    

5

 mf

     

 

5



 

  

 



 

 

 

 

 mf

Cymbals (clash)

 



sospirando

to Vibraphone

 

 

to Marimba

 

 

f



Hp.

Vln. I

 

 

 

   

 

 

  

f

(E§ F# G# A# B# C# D§ )

B#-§ D§-#

   

(E§ F# G# A# B§ C# D# )

  

   

 

 

 

 

 

 

 

 

 

 

 

 

 

  



  



 

 



mp sospirando

   



  



mp sospirando

 

mp sospirando



  

   

 

  

   

 

  

   

 

 

 

 

 









3

3

3

  

 

 

   

 

 

   

 

 



(tutti)

  



3



 

 

  

 

 

 



 3



  











 

  

 

 

 

  

 

  

 

 

 

 

 

 

 

   

mf sospirando

 



  

  



   

 

  

  

  



  

  

 

  



 

 

 

  



 

 

  



 

 

  

 



mf sospirando

mf sospirando

  

  

 

 

 

mp sospirando

Db.

 

mp sospirando

Vc.

  

Vla.

 

Vln. II

Pno.

 



Suspended cymbals



Perc. 2

(Suspended cymbal)

  

mf sospirando

 

  

 

  



 



mf sospirando





  

   

 



 

 

 

 


34

     280

Fl.

     

Picc.

 

Ob.

B. Cl.

Hn.

Tpt.

Perc. 1

Hp.

Pno.

  

        

 

 

 

5

a2

  

Cl.

Cbsn.

 

  

 

 



3

 

Cl. 1

 

 

   

3

3

  

EE   

 

 3

   5    



 

   

3

  



   

 

 

 

3

 

   

3

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 (con sord.)   



 

 

Tpt. 1

mp

  

  

 

 

     

  

    

   

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

  

(Vibraphone)

 

con sord.

 

con sord.

 

con sord.

 

Vibraphone

F#-§ B§-# D#-§

 

 

 

 

 

 

 

  

 

 

(E§ F# G# A# B§ C# D#)

solo

Vln. I

Vla.

 

 

  

 

       

Vln. II

3

  

3

   

   

 

 

  

 

 

tutti

    tutti

 

 



sospirando

  

  

 

sospirando

(normale)

 

 

  

 



A#-§

 

  

 

 

 

 

(E§ F§ G# A§ B# C# D§)

 

 

 

 

 

 

 

 

 

 

   

   

  

sospirando

  



  

 

 



  

 

 

 

 solo   

p

(E§ F§ G# A# B# C# D§)

 

 

 

  

 

  



 



 

 

  

  

  

  

  

 

  



 

 

  

 

  

 

  



 

  p semplice

p semplice

   

p semplice

p semplice

sospirando

 

p

l.v.

p semplice

 



 

 

  

 

  

   

 

 

  

 

  

   



 

  

 

 

  

  

  

sospirando Vc.

 

con sord.

 

 tutti   

  

p semplice

 



sospirando

Db.

 

con sord.

 

 

 

 

 

 


35

 

 

  

Ob.

 

 

Cl.



 

 

 

 

 

287

Fl.

Picc.

Hn.

Perc. 1

FF  

 

 

 

 

 

 

 

  

 

   



pp

Crotales

(Crotales)

 

Low suspended cymbal

  

 

3

ppp

Perc. 2



Hp.

 

(Marimba)

 Marimba (soft sticks)   



 









3

D§-#

G#-§

  

 

   



 

  

(E§ F§ G§ A§ B# C# D#)

 

 

 

 

 

  

 

 

 



 









3

 



 

 

 

 

  

 

3

          

 

p





  

 

   



   

   

 

Vln. II

 

   

 

    



   

   

 

Vla.

 

  



  



  

  



 

 

  



  

  



  

  





  



  3

 

  

  

 

  

  



Vc.

 

Db.

 





  





  

p





 



 

7

  

Vln. I



 

(E# F# G# A§ Bb C# D§)

  



3



E§-#, F§-#, G§-# B#-b, D#-§,



p

 

3

 

pp

Pno.

 

 


36

 

 

 



 

 

 

 

 

 

 

293

Fl.

Ob.

Hn.

 

Perc. 1 (Crotales)

Perc. 2 (Marimba)



(E# F# G# A§ Bb C# D§)

(Marimba)

 



3

6

 







 

 

 



3

slower tremelo

              



       





(Vibraphone)

   (Marimba)

  

 

 

 

pp

        3



 



    l.v.  3

 

 

 



 

 

(E# F# G# A§ Bb C# D§)

 

 

7

     

 

 

 

 

    



3

 



6



C§-#

simile



 

3

to Vibraphone

3

 

 

C#-§

 

Pno.

 

Hp.

Crotales







 

a niente

 

Vln. I

Vln. II

Vla.

 

 

 

 

 

   

  

 

 

 

 

   

 









 

a niente

a niente

a niente

   









 

 









 









 

 

 

 

 

Vc.

Db.



a niente

a niente

a niente

 

 

Cheryl Frances-Hoad September 2006

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Frances-Hoad MANY MOONS  

Orchestra; Chester Music; musicsalesclassical.com; 58358

Frances-Hoad MANY MOONS  

Orchestra; Chester Music; musicsalesclassical.com; 58358