Page 1

APPOMATTOX An Opera by Philip Glass Piano/vocal Score (8/1/2007) Music by Philip Glass Libretto by Christopher Hampton

DUNVAGEN MUSIC PUBLISHING


Commissioned by San Francisco Opera


APPOMATTOX Act I–Prologue

Christopher Hampton

 q = 72       Julia Grant    

    

Philip Glass

 

The Spring cam - paign

   Piano

 J.G. 

  

4

            

mp

 



         

  



  

In

         



     J.G. 

                                        

7

  

four short years

   

 J.G.   9

I have grown

 



 

  



to dread those words.

       





             



  

A

When the mud

                         

A

  

  

hard - ens

and the roads

 

are

          



Copyright © 2007 by Dunvagen Music Publishing



8/1/2007


Act I Prologue

2

     11

J.G.

fit For death

  

     

to ride.

U - lys - ses



    J.G.  13

Leav - ing



to join the lines

15        J.G.        a prom - ise



 





’round Pe - ters - burg

            

Made me

my hus - band

      

    

         

           

    



that this would

         

   



soon be ov - er

   And

                                      

 mp J.G.  18

blood

    would flow

    no

           

mf

 

more.

          


Act I Prologue

  20

J.G.

3



mp

 

 

I

                          

      

Più mosso q = 84

     mf

 

  

   

                                             mp              

            

22

J.G.

p

  

B

want - ed

  J.G.  26

to part

heart.

I

 mp

      

 J.G.  30

brave - ly

     

mp

  

said to him

But my pale face

   “I

He

               mp             

  

    

don’t know why

          p        

be trayed the sor - row in my

C



took

feel so sad.”

                         

 

   

 

 

   

my hand, and raised it up

p      

 

 

to

                    


4

Act I Prologue

  J.G.    34

his warm lips

“War is al - ways sor - row - ful,” he

                            mp                

 J.G.  38



  

plied

And stepped in - to

       J.G.    42

         

 J.G.  46

 

And this war the most

 

 

 

 

mp

        

mp



        p

   sor - row - ful of all





 





 





be - fore has so much blood been drained

                                        p

morn - ing.

Nev - er

   

 

                        

  

D

 

     

sor - row - ful

 

  

re -

    



mf

   

War is al - ways

 

the

 p

                      

                        

  

 

 

 

          mp

 

 



  

 

   


Act I Prologue

 J.G.  50

54

  



U

-

      

lys - ses says

it



nev - er will a - gain

 

This

is the

                                 

   

 J.G. 

mf

5





mf





 





 

 



  





last time.

                                                          

 E mf M.C. L. 



MARY CUSTIS LEE

 

60

What would

 M.C. L.  64

give

3

3

3

 

mp

 

  



3

 

 

  

Ar - ling - ton!

But

        

     

3

 

3

 

3

   

To stroll a - long

                    

    

I

 

   



3



3

the ver - dant

3

 

 

3

  

  

now our own home suf - fers

 

3

of

         

  



hills

         

  



3

3

3

 



  

   

dail - y

 

out - rage

From

                   



 

3

 

3

  

3



 

3



3

 

3


Act I Prologue

6

   M.C. L.  67

         

Fed -’ral troops

Your fath - er Gen - er - al Lee

         

 

3

 

  

 M.C. L.  70

3

3



 



 

3

   are al - lowed

         

 

3

 

3

  

3

 

 

3

I

3

3

 

3



3

doubt

our own slaves

          3

 

3

 

AGNES LEE mf

 

  



  

 



to



         

 

 

         

3

But

  

to show

mp

3



Tells us

 

3

  



         

73



3

  

    

Christ - ian re - sig - na - tion,

 A. L.  M.C. L.

 

3

       

  

3

   

  

    

F

I

 

3

      think of our dear An - nie:

tend my par - ents’ graves.

        

 

  

3

 

3

 

3

F

         3

  

 

3

3

 

  


 A. L.  76

Act I Prologue

    

My

dar - ling sis - ter

lies a - lone

far a - way

         

         

         

3

3

3

       

3

   

3

 

80

Cold - er than cold.



     

3

3

 

    



 

This

is our fate.

   

  



     

     



  

  

  





 

 

3

  

 

 

You

  

are a

      

   

 



    

  

his wife,

   

 

  

3



  

I,

    



Gen’ ral’s daugh - ter,

  

3

   

  

 

3

             

3

    M.C. L.   84

3

       

mf

 

  

3



3

  

     A. L.  M.C. L.

  



         3

7

And he’ll

    



  



  


Act I

8

Prologue

          M.C. L.   88

nev - er leave the path of

 

       M.C. L.  92

 



 

 



 

  



     

         M.C. L.   96

na - tures

   



   



  

          al - ways sor - row - ful

 

how - ev - er high the price.



War is



du-ty

     

  

      

 

G

We must

  

  





 



 

    



  

 

  

 

  

 



may

  

main - tain the bright ness

 

per - form - ing what tasks we

  

     

   

        

     

 

   

      

 

   of our

     

 



      and pray to



God

 

what

     



     

   


Act I Prologue

            M.C. L.  

9 mp

100

ev - er be the out - come

    

  

 M. L.     M. L. 

This is the last time.

   

 





 

 

 

        

MARY LINCOLN mf

       

 

 

 

me

          

 

       f

  

   M. L.  

    

112

 

mir - ror;

 mp

And

 

     

mf





of an - oth - er of his ug - ly

  

  



inSpring - field,

mf

     

 

         

 

saw, in - stead of one re - flec - tion,

dreams.

          

 

He turned his head T’wards the

        

 





                        

Ly - ing onhis bed at home

mp

     

 

                             

         

The Pres - i dent Has told

108 H

p

 104





        



 Two





  

      

ver - sions of his face,

mf

poco cresc.

mf

                        

  





  

 

 









 

 


 M. L. 

10

116

 

 

  

  

as he is,



one

    

 

The oth - er

mp

mf

mp

                                        

    120    M. L.  E. K.

I

Act I Prologue

 

mp



 

 

      mp    

    

    

Don’t be a - fraid,

 mf    E. K.   124

 

 

    

  

We shall con - sult the spir - its;



 

 

  

 

 

                     p

 

 

     



       

 

mp

pale as death.

mf

J mp

             Mas - ter Will - ie Can ask some wise man on the oth - er shore To read that dream.                                           

mp

         

 E. K.  128

  

Could be



  



it means

p

                      

Mis - ter Lin - coln

                                

       

is leav - ing by his grief And

               

               


Act I Prologue

   E. K.     132

    

fix - ing

    

when the war is won





 



   

   to



turn

11

  

 

 

And be his right - ful self.



 

 



 

 

                         

136

          

rit.

        

     

 

                                            

     140

M. L.

mosso q = 72 K Meno mp

War

 

p

       

is al - ways sor - row - ful

        

  M. L.   143

Make

   mf

me

 

 

 

 

mp

p

                                

a mourn - ing dress of

wa - tered

black silk

With

       mp p                    145              M. L.    

  

bi - assed vel - vet bands

mp

in deep - est black

  



p

                        


      M. L.    

Act I Prologue

   

12

148

If it be true

 

  

this blood - shed will soon end

p

  M. L. 



    War

 

        

 

 

  

War

is al - ways sor - row - ful

   L

mp



                         

   J.G.    155

      

 

   

this war

all



wars

   

the most sor - row - ful



p

mp

    

           

 And

157

p

                 

 J.G.  

the

        

is al - ways sor - row - ful

mp

is

L

 

               

last time.

J.G.

Then this

         

151

 

  

      

of

  

 



  

 

Nev - er be - fore hasso much blood been drained.

  

         

    

 

   

 

         


Act I Prologue

   160

J.G.

 

     



U - lys - ses

says

mp

     

    

it

nev - er

 

will



p



13

a-

                          163 mp  mf          J.G.   gain

 

  mp

M mp

       

M

      

War

is al - ways sor - row - ful.

   

  

  

                         

    A. L.  169

must

M.C. L.

    

  

main - tain

  

     p        must

main - tain

  

                 

     

 

 

mf

the bright - ness

  

of

of

our

our

 

We

 

the bright - ness

 

  

     

 

mf

    



We

    



 

p

p

is al - ways sor - row - ful.

 

time.

              

      

is the last

   

War mp

M.C. L.

  

        

   A. L.  166

This

na - ture.

na - ture.

We

We

       


Act I

14

         A. L. 

Prologue

171

must per - form what mod - est tasks we

M.C. L.

    

 

must per - form what mod - est tasks we

may

   A. L.  173

     

     



    

 

 

N

pray to God what - ev - er be the

mp

         

And

pray to God what - ev - er be the

                            mp

      

N

mp

 

    

         

mp

And

M.C. L.

 

may

    

        

 

p

                         

    A. L.   mf

175

out- come

     mf

M.C. L.

     

     

This

is the last time.

let this be the last time.



out - come

    

This

 

   

is the last time.

    

 

     

mp

mp

Let this be the last time.





mp

                            mf


 M. L. 



178

A. L.

M.C. L.

J.G.

Act I Prologue

  

       

  

War

182

   

M. L.

  

      

      

   

is al - ways sor - row - ful.

War

is al - ways sor - row - ful.

  

  

        

  

  

O mf

War

Make

       

is al - ways sor - row - ful.

          mp            185

is al - ways sor - row - ful.

       mp p            

 M. L. 

War

 

 

    

  

 

   



in

   

 

 

    

 

   

 

  

wa - tered black silk

With



                    mp

deep - est black

 

  

     

              

             

me a mourn - ing dress of

bi - assed vel - vet bands



15

 

 

 

 


Act I Prologue

16

 

187

M. L.

      If

 

                        mf mp                   

 M. L.  189

    

blood - shed will soon end

    

Then this

 

 

    

  

  

  

is

   



 

 

  

  

  

  

be true

this

    

 

                 

    

 

  

 

p

the last time.

  

it

 

  

  

  

p

                   

192

                                             mf p                              

 P   E. K.   193

mp

       

War

is al - ways sor - row - ful.

               p

  

  



 

I’ll

                    

   

mp

 


  E. K.      196

Act I Prologue

17

 

 

make a mourn - ing dress

of

wa - tered

    

198

bi - assed vel - vet bands

black silk

with

  



       E. K. 

 

       

           p

  

  

    

in deep - est black

                           

 Q E. K.   201

  

 

 

  

  

mp

     mf

 

    

                               If

p

 

thisblood - shed will soon end



          

   

Then this

mp

204

E. K.

it be true

is the last time.

mp

 

  

 

                           Let it be the last time.

p

    

mp

 

p

 


  mf     M. L.  

18

207

War is al - ways

       

Act I Prologue

   

War is al - ways

M.C. L.

mf        

War is al - ways

  

 

  

  

mf

 

 

   

M. L.

     

A. L.

M.C. L.

sor - row - ful

 

 

J.G.

mp

E. K.

       

           

war

the most sor - row - ful

of all

this

war

the most sor - row - ful

of all

       

the most sor - row - ful

of all

       

       

this

war

    this

war

the most sor - row - ful

the most sor - row - ful

             R

mf

              

of all

of all

      

this

    this war     

 

And

                           

211 R

sor - row - ful

   

And

    

sor - row - ful

mf  E. K.      

War is al - ways



And

War is al - ways

sor - row - ful

   

J.G.

And

        mf

sor - row - ful

mf

A. L.



And

      

       

  

  

Nev - er

be - fore

   Nev - er    Nev - er

  

   be - fore    be - fore

Nev - er

  

Nev - er

be - fore

  

                                        

 

be - fore

  

   

         


    M. L.    215

Act I Prologue

has so much blood been

A. L.

M.C. L.

J.G.

          

drained

          

  

  

 

   

     

 

 

God

We pray to

God

      

We pray to

 God

     

  

  it

 

 

 

God

it

it

it

  it

  

                                    

     

     

This is the last time

     

This is the last time

This is the last time

 

      

     

nev - er will a - gain

We pray to

     

nev - er will a - gain

 

God

We pray to

We pray to

 

   

   

drained

 

nev - er will a - gain

E. K.



   

      

drained

  

nev - er will a - gain

J.G.

 

nev - er will a - gain

M.C. L.

   

219

has so much blood been

       

A. L.

drained

drained

has so much blood been

M. L.



has so much blood been

has so much blood been

E. K.



19

This is the last time

This is the last time

                                        

 

      Let this be the last time.

     

     

Let this be the last time.

Let this be the last time.

      

Let this be the last time.

      

  

Let this be the last time.

        

            

     


Act I

20

Prologue

 S f S  





   

This

war

most

sor - row - ful

f

This

war

most

 

223

Women’s Chorus

A

 S

   mf     

   

   

   

 S     227

   

 

  

 

         

   

   

        

   

This

    



nev - er will a - gain

   

   

   nev - er

 

This

   

  

       

    

   

   

 

 

God

it

   

   

   

    

it be the last

   

   

   

   

it

       

it be the last

   

God

    

is the last time. Let

  

   



     We pray to

  

     

mf

    

   

     

        

 

mf

is the last time. Let

    

   

We pray to

                  

nev - er will a - gain

          

    

231

A

nev - er

                                

so much blood been drained.

S

  

sor - row - ful

so much blood been drained.

A

  

  

 time.

time.

                       


Act I

21

Prologue

 T    M. L.   f

235

This A. L.

f

war

   



war

the most sor - row - ful

  

This

This



        the most sor - row - ful

of all

       

       

   

the most sor - row - ful

mf

This

war



the most sor - row - ful



war most

of all

war most

   

             

      nev - er

be - fore

  

  

nev - er

be - fore

nev - er

be - fore

nev - er

be - fore

  

  

  

  

     

nev - er

be - fore

   nev er

sor - row - ful

            mf

of all

sor - row - ful

T

of all

f

 mf S  A

war

f

This E. K.

of all

    

           

This

J.G.

the most sor - row - ful

f

This M.C. L.

war

       

   nev er

                                         

      

      


Act I

22

Prologue

  M. L.    239

has A. L.

  

has

M.C. L.

   

has

J.G.

  

has

E. K.

  

has

 so

 so

 so

so

so

 S    

much blood been

much blood been

much blood been

much blood been

much blood been



so much blood been

A



drained.

     

   







   

 

 

 

 

    

  f

We f

We

God

  

pray to

  it

  it

  it

 

God

   pray to

it

God

     We pray to

God

      We pray to

God

     We pray to

drained.

 

 

drained.

drained.

We pray to

 

God

     

drained.

 

     We pray to

drained.

so much blood been

drained.

  

God

      

it

 it

it

  

                     


Act I

23

Prologue

      M. L.  243

nev - er will a - gain. A. L.

    nev - er will a - gain.

M.C. L.

      nev - er will a - gain.

J.G.

A

This is the last time.

Let this be the last time.

      

This is the last time.

     

Let this be the last time.

This is the last time.

            

 

      

Let this be the last time.

       This is the last time.

Let this be the last time.

      

      

       

Let this be the last time.



     

      

nev - er will a - gain

This

   



nev - er will a - gain.

S

     

   

nev - er will a - gain. E. K.

      



nev - er will a - gain

This is the last time.

This

is the last time. Let

    

it be the last

time.

     

    

is the last time. Let

it be the last



time.

                                

                                 


Act I

24

Prologue

 U    M. L.   247

This A. L.

      

   

      

This

J.G.

war

   

      

      

the most sor - row - ful of all

mf





   

This

war

most

sor - row - ful

  

war

most

sor - row - ful

 

This

     U

the most sor - row - ful of all

war

mf

the most sor - row - ful of all

This

  S  A

war

     This

E. K.

war

the most sor - row - ful of all

     This

M.C. L.

war

      

  

nev - er

be - fore

  

  

nev - er

be - fore

nev - er

be - fore

  

  

  

  

nev - er

  

  

nev - er

the most sor - row - ful of all

           

  

be - fore

be - fore

   nev er

   nev er

   

   

                                          


Act I

25

Prologue

  M. L.    251

has A. L.

  

has

M.C. L.

   

has

J.G.

  

has

E. K.

  

has

 so

 so

 so

so

so

 S    

much blood been

much blood been

much blood been

much blood been

much blood been



so much blood been

A



drained.

  drained.

     

 

 







   

 

 

 

 

 

    

We pray to

 f

We

f

We

God

  

pray to

  it

  it

  it

 

God

   pray to

it

God

     We pray to

God

      We pray to

God

     We pray to

 

God

     

drained.

drained.

drained.

 

     We pray to

drained.

so much blood been

drained.

  

God

      

it

 it

it

  

                     


      M. L. 

26

255

A. L.

M.C. L.

J.G.

E. K.

nev - er will a - gain.

   

nev - er will a - gain.

      

nev - er will a - gain.

   

      

nev - er will a - gain.

  S      

nev - er will a - gain.

A

Act I Prologue

             This is the last time.

Let this be the last time.

  

last time.

  

           This is the last time. Let this be the                   

      

This is the last time.

Let this be the last time.

This is the last time.

Let this be the last time.

      

       

This is the last time.



      

Let this be the last time.

           nev - er will a - gain This is the last time.Let                                           



259

nev - er will a - gain

    

sub. p

263

  267

 

This

is the last time.Let

V

        

    

     it be the last      it be the last



time.

time.

                      

        

        

        

        

                 

                                               

        

        

                                   

  pp

    

     

        

                                   


Act I

27

Song No. 1

  T   Men’s

q = 84

271

Chorus

B

mp

We’re

  

q = 84

 

mp

We’re

     

p

     

                                                 

         T   tent - ing to - night on the old          B  275 A

tent - ing

 

B

camp

to - night on the old

A

  

camp

ground

  

give us

 

 

 

cheer

give us

  

a song

to

  

a song

to

                       

    cheer

  

 ground

278

T

      

      



  

     

 

our

wea



-

ry hearts a song of

old

and

our

wea

-

ry hearts a song of

old

and

 

    

 

                               


28

  T   friends 282

B

 

friends

  

we loved

  

we loved

    wea   B 

  

T

  

so

dear

   

   

man - y

   

    

wish - ing for the war

    

wish - ing for the war

   

  

 

are the hearts that are

man - y

  

 

are the hearts that are

B

to

cease

to

cease

      

        

288

dear

B

so

- ry to - night

wea - ry to - night

 T  

B

                         

285

 

Act I Song No. 1

  

  

                 

         

                

 

Man - y

are the hearts that are look - ing for the right

To

Man - y

are the hearts that are look - ing for the right

To

                

 

     

         


Act I

29

Song No. 1

  T   see   B 

  

291

  

of

peace.

a dawn

of

peace.

a dawn

see

  

p

   

  

  

                                 

 C mf T     Camp - ing mf    B   294

Camp - ing

C

     mp    

 T     grounds.    B  297

   to - night,





  

  

   

camp - ing

to - night

    

to - night,

     

  

  

to - night

camp - ing

camp - ing on the old

     

camp -

camp - ing on the old

camp -

  

    

        

  

                            

  

Camp - ing

grounds.

  

Camp - ing

 

    

   to - night

  

camp - ing

     

  

  

to - night

    

camp - ing

to - night

to - night

  

    

  

                         


30

 T        camp - ing on the old 300

B

     

camp - ing on the old

    



 camp

camp

 D      T   tir - ed of war mp       B  mp

tir - ed

D

We’re



grounds.

 We’re

  



  

  

  

p

of war

  

on the old

camp

  

on the old

  

 ground

Man - y

camp

ground

  

Man - y

  

are dead

and

  

are dead

and

                               

306

  B 

 

 

 

gone.

grounds.

 T    gone.

                                 

303

 

Act I Song No. 1

  

p

  

  

  

 

 

     

 

Of the brave

and the true who have

Of the brave

and the true who have

 

 

                       


Act I Song No. 1

 T    left 309

B

 

left

 their



homes;

their

homes;



   

Oth - ers

  

Oth - ers

 

Man - y are the hearts that are wea - ry

E

 

  

long

  

to - night

  

to - night

  

   

                

    

Wish - ing for the war

to

Wish - ing for the war

to

    

         

         

 

Ma - ny are the hearts that are

cease;

                         

315

long

been wound - ed

  T   cease;

been wound - ed

               

 E  T            Man - y are the hearts that are wea - ry           B 

312

B

 

 

31

 

Ma - ny are the hearts that are

  

  

  

                           


Act I Song No. 1

32

 T         look - ing for the right         B 

  

318

to

 

look - ing for the right

 T    B 



321

  

of

peace.

a dawn

of

peace.

a dawn

see

   

    

                                  

F mf

  

Camp - ing

  

Camp - ing F

  

       

      T   camp - ing on the old       B  324

camp - ing on the old

camp - ing

    

mp

     

  

  

to - night

camp - ing

to - night

    

to - night,

  

 

    

  

                

camp - grounds.

  

to - night,

mf

     



see

 

to

  

camp - grounds.

 

  

Camp - ing

  

Camp - ing

                                            

to - night

  

    

to - night

      


Act I

33

Song No. 1

   T    camp - ing    B 

  

327

 

to - night

   

     



to - night

camp - ing





 

    grounds.   B  329

rit.

T



camp - ing

on

the

old

camp

camp - ing

on

the

old

camp









 

  

 

 





grounds.

 

rit.

   

  

   







   



p




Act I

34

 q= 76 Abe. L.   331

Scene 1

  

     

                 

vi - tal task be - fore us,

 

   Abe. L.  337

glut

       

  

   

   

Is to bring

an end

 

of blood - shed

  

  

to this

And soon.

   

 

         

This was the pur - pose of my re e - -lec - tion:

 

 

mp

 



 

       

And now you tell me

 

 

339

 

  

 mf            Abe. L. 

 

    

mp

 

Gen - er - al,

   

 



mf

335

p

        Abe. L.  

mf

The

 

mp

ABRAHAM LINCOLN

     

       


Act I

341   Abe. L.

U.G.

     

Fort

Sted - man has fall - en.

 

  

35

Scene 1

  

    

        

  mp       Abe. L.  

   

  



Which no doubt will be suc - cess - ful.

     

       

is - n’t?

      

To break through and es - cape to the south;

  

 



 

  

What is the aim of Gen - er - al Lee?

                            

348

        

 

 mf     U.G. 

 

     

    

 

345

And if it

  

have

 

I

 

or - dered an im - me - di ate coun - ter - at - tack

343 A             U.G. 

 

ULYSSES GRANT mp

     

   

  

       By his as - sault on the

            

 


Act I Scene 1

350   U.G. 

36

Fort

  

he

354

U.G.

 

     

   

mf

  

  

the war

 



 

 

p

   

an - oth - er year.

  

poco cresc.

  

    mf

       

f        

He could pro

 

              

   long

   

357

U.G.

 

       

 

his for - ces with Gen - er - al John - ston

mf

  So

       

And if he should suc ceed?

in the Ca - ro - li - nas.

 Abe. L.



join

     

 

and

 

     

 

  

a - way

   

   Abe. L.

 

may slip

B

to con - tract my lines

 

   

  

352 B

 

  U.G. 

  

He hopes to force me

  

     

Tell me this will not hap - pen.

 

   

   

  


Act I

37

Scene 1

  U.G. 

        

359

 

mp

 

mp

 

 

dim.

                

But

  

since Lee is Lee,

p

         

mp



       U.G.     

     Abe. L.  f

368

   mp

    My God,



  

             

 

   Can it not

   

or soon there - af - ter.

    

 

 

  

  

   

I think we may ex - pect one more Des - p’rate

Eith - er when Rich - mond falls

My God,



   

365

blood - y bat - tle

   

           

    C      

362

It will not hap - pen.

  U.G. 

         

          

be a - void - ed?



                

 

Can you not spare more ef -

 

   

  

mf


      Abe. L.  38

mf

371

fus - ions

Act I Scene 1

      

mp

of blood?

374

mp

 

I

           

  

 

    

leave this bus - iness in your hands, of course,

        

    

mp

 

376              Abe. L. 

 

   



   

And turn now to the heart of the mat - ter:

   

      

  Abe. L.  378



    

   

mf

Be

 

        

   

 

    

 

   

gen - er - ous

 



      

  



 

             





The terms of sur - ren - der.

   



  

a tempo

D

  

We have spent so much of it

    p           

 poco rit.  Abe. L. 

     









a - bove all.

 



              


Act I

39

Scene 1

  Abe. L.  

Once the Con - fed - er - a - cy





       

   Abe. L. 

 

382

want those men



    

 

   

 E          Abe. L.  384

With no fear of re - pri - sal,



   



   their shops,

 

 

  

their farms,

     

   

    

     

  

as cit - i - zens.

  

  

Guar - an - teed all their rights

                   sim.



       

           

I

   

its arms,

   



back to their homes,

   

  

       





down

 



   

lays



          



       

380

I

              

               


Act I

40

387    Abe. L.

U.G.

Scene 1

  

 

trust we’re in

      

a - gree - ment.

Yes, Mis - ter Pres - i - dent.

         

  

         U.G.      

  U.G.  391

 

 

    

  

To

 

 

 

   

Rich - mond? There’s man - y wish to

      Abe. L. 393

  

 

 

 

 

 

      

    

         



 

 

up

in

     

 

the Cap - i - tol

     

 

 

        

drag them from

     

 

And

all those pol - i - tic - ians

         

string them up from the near - est

   

 

does this pol - i - cy ap - ply

 

     

389

U.G.

 

   

And

   mf

  

 

When it

lamp - post.

                                   


Act I

41

Scene 1

  Abe. L. 

 

395

comes

 

to

  I

 

    have

to

 



be more care - ful.



 

 



 

397

 

 



  

 F 

Let

me put

it this way.





 

If

you

  

                               

399       Abe. L.  care

ci - vil - ians

  Abe. L. 

 

to

     

is - sue

          

safe pas - sage

To

Mis - ter Da - vis and his crew of

                                              

  Abe. L.  401



trai - tors

  

    mf

I’ll

dim.

ap - plaud



your

ac

   

 -

tion


Act I Scene 1

402            Abe. L.  42

heart - i - ly

I

can’t see what’s

        

the harm as

long

as

no

one tells me

         (dim.) mp      

404

G Più mosso q = 84



         mp                                       

6

6

6

407

                                                          

6

f  LINCOLN         M. L.   

410

MARY

3

Ah,

  p

Gen - er - al

 

        

   M. L.  412

stand

  

 

Grant, the

  6

6

 

  ver

  

3

y man,

I un - der-

 

 

 

6

3

6

-



                 

you fin -’ly de - cid - ed

 

 



           

6



 

To re - lieve

             

 

   3

Gen - er - al Ord

 

    

6

 

   

of

his com -

 

       


Act I

  M. L.  414

Abe. L.

U.G.

mand.

 

6

No,

 

mf

 



I think you should.

  

    f

  

43

Scene 1



ma’am.

 

416

Abe. L.

  dear,

  

  

 

  

f

He

  

 

6

  

        

3

sent

 

My

                       

  M. L. 

mp

a most

un - comf’ ta - ble car - riage

To bring

your

I’m sure...

 

 

 

6

 

 

 

 

6

                                M. L.  418

H

wife

 

   

and me

to

 

 

6

the re - view

          

 



   

  

We ar - rived late

to find he

 

6

 

 

               


Act I

44

Scene 1

  M. L.  420

sent

  

   his wife

 



    

  

 

To ride by

Lin - coln.

How could they

6

Mis - ter

 

 

 

 

 

 sup -

 

6

                             M. L. 

 

422

pose

 

  

He’d want that wretch - ed

 

 

6

 

          wom - an at his side With her out - ra - geous



 

 

 

6

                            M. L.  

  

 

424

hat?

   It shows

 

6

   a quite

 

  



a - larm - ing

 

lack

 

 

6

 

of judge - ment

 

                           


Act I Scene 1

  M. L. 

          

426

J.G.



 

    

Oh, don’t you? You

mp

I don’t think so.

            mp      

        M. L.  429

have to

6

 



    

   

use more dis - cern - ment



I

If

       J.G.  431

 



 

I

 

 



  







    

 

  

6

  

 

 







mp

 

 



  

House.

  mf



 

 

 

   

 

Nev - er

 

 

        

6

 



   

have no thought of that,



 

 6



 

6

you’re to reach the White

    f

Un - less he plot - ted the whole thing.

6

J.G.

45

 

 

I

   

 

i - mag - ined we would rise

to





 

6

 



 


Act I

46

Scene 1

 M. L.   J.G.

 

f

 

you’d bet - ter take it:

6

 

 



 

 

 

     

       

mp

  

I’m re tir - ing;

   



  

Moth - er will you join me?

  

         mp

   

  

 





 

  

  

 



 

 



 

There’s plen - ty to be said for it.











pp

       

   438

  

 

 J.G. 

you can get it

 

435

If

where we are.

mp   M. L.   

Abe. L.

          

mf

No thought of that?

  

    

 

 

433

This has gone on for hours.


Act I Scene 1

 J.G.  442

         

mp

    

    

mp     U.G. 

47

 

Raw - lins is here to see you.

I thank God dail - y for yourstrength and calm.

 

  



 

 

 

              U.G.     

 

   

445 mp



Send him in

 

I’ll see yousoon;

I need to.

   

mp

   

  

 

 

                   

 J U.G.   449

Più mosso q = 96

    

  

mp

  

  

              

  U.G. 453

  J.R. 

  

JOHN RAWLINS mf

  

  

When I

   

   left

  

  

   

 

The

           

mf

  

What

           

news?

 

      

    

bat - tle

  

was still rag - ing

  

  

But

           


Act I Scene 1

    J.R. 

      

48

457

  

turn - ing

ver - y much

   

J.R.

  

  

            

461 K

U.G.

  

  

 

guess.

  

    

    

But noth - ing

  

 

 

Un - less

I miss my

 

  

   

           

de - cis - ive?

  

  

   

to our ad - van - tage

  

With

  

   

  

mf

                                     mf 466              U.G.  Lee is a mor - tal be - ing,                     J.R.  K

Lee

you nev - er know

un - til it’s ov - er.

                               



    U.G.  471

  

 

    

not

a wiz - ard.

You

 L

 

al -

   

   

ways speak of him as





    if

He can turn

                                











 

  


 

       U.G.  476

two back som - er - saults

 U.G. 480

J.R.



mid - bat - tle



No!

You do not.



 E.P.    U.G.  484





 M

M



p



mf

 

          A drink is what

  

  

   

 

  

 

     



Col - onel?



ELY PARKER mf

you do not need.



We’ve

dim.

    

 E.P.         tak- en back Fort Sted - man;   U.G.  489



         

I



                   

 

And land be - hind my lines.

  

mf

  

need a drink.

 

            

in



  

49

mp

                   

    

Act I Scene 1

  

  

The line’s

 

 

 

   

  

in - tact.

mp

 

 

The

                         p

mp


Act I

50

Scene 1

 E.P.   493

U.G.

    

Con - verg - ing

Lord be praised.

   p

  

    mf

  

    

fi - re

 

  

Was so in - tense

  

 

 



mp

it



 

                          N  E.P.       blot - ted out the sun 497

   p

     

Like a me - tal lic storm,

 

  

 

   

 

3

mf

mp

Like

  

flocks of black birds

  

  

 

                              E.P.      beat - ing through a gale, 501

    p

  

  

 

 

  

    

Their tails a blaze.

 

  mp

They lost the best



 

  partof



 p

                     


Act I

51

Scene 1

  E.P.   five 505 O

  

   A

 

  

   E.P.    Some - where 508

of

 

      a - bove two

ar - my.

p

 

I’ll

    

And on

 

   

and tell the Pres - i - dent.

 

 

511

go in

      

 

us?

thou - sand.

What of

 

his

  

     

           U.G.    

   

tenth

 

   



mf

O

U.G.

thou - sand men.

  U.G. 

  

to Rich - mond!

 

 


Act I

52

Scene 2 q = 112

                              mp                   

515

522

           

                                              A

                  

p

           

                                                  

529

  

poco cresc.

 R. L.  535

    

        

mp

mor - row

Rich - mond

   will

ROBERT E. LEE

          

 

          

        

541 B     R. L.  

    



mp

be

   mp

To -

    

     

      







 

    

un - de - fend - ed.

 

 

                      

p

   

  



  


Act I

53

Scene 2

 R. L.  544

 

mp

Why

    can I

       

not

pre - vail up - on you To

                                                            

 M.C. L.  549

R. L.

  

MARY CUSTIS LEE p

  

We did

    

so last

year

leave the cit - y?

                         

mp

p

                               M.C. L. 

   

553

  

and drift - ed

help - less - ly

        

     as

ref - u - gees,

C

  

Skirt - ing



   the fringe



                

                                


Act I

54

Scene 2

    M.C. L.    557

of this vile war.

 

           Now I pre - fer to stay





in

 

     

my ownhome And trust to Prov - i - dence.





                   

mf

mf

                          561 mf           R. L.  Gangs

  mf     565   R. L. 

One

are al - read - y

  

   

           

loot - ing in the streets.

  

     of the sad - dest

          

  

Of all the man - y trag - ic sights of war

           

 

 

       is to see a

cit - y

 

 

 

 

 

   

 

torn a - part

by it -

                                        


Act I Scene 2

 M.C. L. 

569 D

R. L.

 

self D

   

  R. L.  573

  

          

But

if you want to stay,

 

mf





If

we can slip a - way,

55

this the end?

       

 

 

mp



      



 

mp

Is

of course...

     

 

  

 

mp

 



Break through Grant’s

  

lines

and

                             p





 

577        R. L. 



ren - dez - vous with John - ston,

 

 M.C. L. 

 

580

R. L.

  

can re - cruit

    

 

three

  

 

  

       We

     



 

  

fight a - gain;



 

 

  

 

      

You know I

 

   

We



      

hun - dred thou - sand slaves.

 

 

mp

  

 

can re - group and

  

 

 

 

dis - ap - prove.

 


Act I

56

Scene 2

       R. L. 

     

E 583 mp

We can on - ly play

E

  p

 





  R. L.  587





 

   590

Un - ion

 

 



  

 



      I would have glad - ly

 

 

   

 

 

  

 

 

 

 

 

 

 

I would have done.

  

 

 



 





   

  

For the old

Un - ion,

sac - ri - ficed my life

 

so

 

    

 



to com -

    

And

 

 

   

for - ces;

  

 



 



  

 R. L. 

the

 



 

 





   

mand



Theyasked me



 

out our des - tin - ies.



 





  

 

   

 

 

     

    

   


Act I Scene 2

    R. L. 

 

594

But not

my

 

  

hon - or.

      



   

 

   



       

 R. L.  598

 

die was

 

     

 

 

 

    R. L. 

I

601

 

na - tive state,

Hap - py

vot - ed to se - cede, The

 

   

 



drew my sword

 

    

Vir - gin - ia

 

 

 

      

cast.

    



And when

57

 

 

 

 



 

 

 

 

In

de - fense of

 

 

 

 

this, my

 

    

  

to fol - low you

in this way.

  

 

Now

I must

                                     p          

      R. L.  605







keep our cause a - live.

   p    

  

  

 

 

 

 

 

 

 

 

 


Act I

58

Scene 2

609

 

F

           

p

 p   R. L.   613

   

Ag - nes,

 



 mp

Be so good



as to take your moth - er in.

 R. L. 



    

shall come by



   

  

and make

           

 

my fare - wells la - ter.

                 

 

 

sim.

  





  

mf

  

Ah,

Gen - er - al Cobb,

3

                     

 

         

I

621

                 

617



my dear

 R. L.  

           

 

 

 

  

 


  R. L. 625

   

Are you well

T. C.

Act I Scene 2

      

59 G

sup - plied in Pet - ers - burg?

  

THOMAS COBB mf

 

We are:

G

                    

 

 R. L.

 

629

 

 

  



first of all, I have an

 

ur - gent mat - ter

To

 



  

            T. C.   

But

  

  

raise

  Be

with you.

                       

 

 

 

 

  



 

 

 

 



 

 

 

 

 

       R. L.  brief.                            633

mp   

 T. C.  637

   

 

 

 

 

 

  

mf

  As you

                        

                    


Act I

60

Scene 2

 H  T. C. 

 

 

641

know,

     

     

Three weeks a - go our Con - gress

 

 

 

 

 

au - thor - ized The use of

 

 

 

 

 

                          

 T. C.    645



 

 

Not

 

 





            

 

as com - bat sold - iers,

 



      

slaves

 



seg - re-gat - ed,

 

 

 

as

is the un - ion’s prac - tice,

 

 

 

 

                            







        T. C. 

But fight - ing side by side

 

 

 

 

     

649

 

 

with us, their mas - ters.

 

 

 

 

 



  

 

Will you not

ask them

 

 

 

                                  mp







 






Act I

 R. L. 653

T. C.

61

Scene 2

I

I  

Why would I do that?

   

to

    

mf

 

    

 

 

re - scind this bill?

 

     

mf

An - y - thing you may ask

 

 

 

 

 

 

                   

                                657 f        R. L.

 

    

                

But why should I

             T. C.  

do this?

  f

The coun - try will not ven - ture to de ny you.

 

 

 

 

 

Be

 

 

 

 

                             mp poco cresc. mf             661                   T. C.  cause this

 

 

is the most

 

 

 

per - nic - ious bill

 

 

mp



mf



 

mp



 

 

    



   

Ev - er passed by our Con - gress.

 

 

 

                        

 

 

mf



It

 

   


Act I

62

Scene 2

   T. C.  665

J

3

makes

a mock - er - y

 

 

  mf

 R. L. 



 f

      

Rev - o - lu - tion.

It’s

a dis - grace.

                  



  

No!

of our

 

     

669

   

       



 

The dis - grace was



      

  

     

not to pass the bill last year.

With win - ter train - ing

                                       

673   R. L. I

T. C.

      

   could have had

twen - ty more di - vi - sions

   in

the

field.

  f

If

 











 

 

 

 

 

 

               mf

mp

 



mf

















      mp

mf

 


     

  

676

T. C.

K

Act I Scene 2

slaves can make good sol-diers Where

   R. L. 679

T. C.

 

 

 

 

  

   



 



mf

 

 

 

mf

 

of

 

 

 

 

    

   

our the - ory

 

f

  

     

 

    

 

 



slav - er - y?





mp

 

   

does that leave

 

 

mp

  

 

 

63

Con - ceiv - a - bly,

 

 

   

But

Do you say it’s wrong?

 

 

                     mp

mp



mf

 

  R. L.  682

my

 



 

 

mp

 

       

bus’ ness

 

is

 

     

mf

 

 

 

 

 

 

 

 

mf

 

  war,



 

 

 

 

mp

 

 

  not

mp



 

 

mf

 

 

 

     

 

 

the - o - riz - ing.

 

mf

 mp

 

                



mp

 

mf

 

 

 

 

 

 

 

 

mp

 

 

 

 

 

 

 


Act I

64

Scene 2

   T. C.   685

L

          T. C.  687

 R. L. 689

The

news



 

right!

The

 



pa -

pers

 

Mer -



 mf



 

Ah, the



  R. L. 

691

 

Run,

 

have you



news

-



   an

e -

  

no - ticed,

by



pa - pers;

6





 

all

our best

     3

gen - er - als?

When

6

  



calls you

  

6



6

    

6



 

are

cu - ry

  

man - ci - pa - tion - ist.

 

6

       T. C. 

-

6

    

   

p



 

mp

6


Act I

65

Scene 2

 R. L.  693

  

M

ev - er

I

      R. L. 















for - saw them



sad - ly,







   

  

  

they for - got

To let

me know in





  

6





  



ev - en

6

 

if,

all,

6



   

  

    

 

I

6

697 mp

    

   

 R. L. 

bat - tle

6



  

find these gen - tle - men

in

p

695

have made mis - takes



   

   

 6




  R. L.

Act I Scene 2

66

699

T. C.

 

time.



mf



I

 

N



6

     

 mp

6

can - not un - der - stand

     p

  

N

cresc.

 

                        702                         T. C.   how a good South - ern - er Could con - tem - plate the use of nig - ger sol - diers.                                     

         R. L.  705

Let me make it clear to you.

     mf     

  

My in - ten - tion is to

ro - man - tic pos - es does not tempt me.

win the war.

                            

708       O       R. L.  Strik - ing

    

       

mf

    mp

                  

cresc.

       I

am more in - t’rest - ed

                          


      R. L.  711

    

  

On - ly

suc - cess.

in suc - cess.

                            

Act I

Scene 2

  

       

 E. A.    R. L.  718

   

      

You can give me

  721    R. L.  You,

  

p

 

  

   3

Gen - er - al,

  P

3

Be

so good as to take the Gen - er - al’s

 

              

                                 

        

 

p

mf

read - y?

Trav - eller sad - dled and

  

     E. A.   Yes sir. EDWARD ALEXANDER      R. L.  mp

Is

     

                          

(cresc.)

715



 

mp

67

  

P

 

      

re - port.

         

mp

Ver - y good sir.

             the es - sence as we ride.

 

  

   are ex - cused.

  

 

   

   

 

    


Act I

68

Scene 3 q = 96

    

725

  



 

 

 

 

  

 

 

 

                  

                         mp

   

  733



  

729

 

  

  

                                               

 



 

 

 

A



 



     

 

     

 



 

                                  p

mp

                                  737

 



 



                

 

 



 

       

       

       

       


 

740

 

B

JULIA GRANT mp

    

 

  

  

      

He worked all ho - urs

   

     

all



 

 

  

  

Clear - ing

 

 

     

the land

 

get - ting in the crops

    

 

 

 

 

On our

 

                         

 J.G.   750

 

                                 

weath - ers in the fields,

  

Not ten years back,

 J.G.   747

 

                        

          



p

  J.G. 

  

69

                        

743

Act I Scene 3

  

hard - scrab - ble land.

   

 

  mf

 



 

 

 

 mp

   

 

                                


Act I

70

  J.G.  753

   



mp

So

 

 

Scene 3

poor

one year

  

 

 

 

  

  J.G.  759

Could - n’t

 

Sold

3

 

 

  

 



 

 

 



fi - re - wood

on

street

cor - ners in St. Lou - is;

      

 

  

called

it

“sol - ving

    



 

 

  J.G. 

He

   

      

 

To

af - ford to pay for cab - bage seed;

 

    

 

 

 

                         

762

  

 

   

  

 

                 

 

3           

buy the child - ren pre - sents;

   

 

mp

                   

756

     

He pawned his watch at Christ - mas

p

 J.G.        

 

  

C

 

  mf

 

 

the prob - lem

 

  

mp

    

of pov - er - ty.”

   



                                


Act I

71

Scene 3

 

765

         

mp

Five years a - go.

p

 

                 His ven - ture in - to real es - tate

   

  



     

mp

 

  





              773

took

                                       

 D mp J.G.      

J.G.

 

   

p

769

         J.G.     

sist - ing

 

 

his two









poco cresc.



    

 

    

        

A

clerk,

as -



     

       





   

     

  

In their store

 

       



He



young - er broth - ers

    mp



    

  

777







a job in the fam - ily leath - er busi - ness,

     

foun - dered,







      in Ga - le - na Il - li -

        

 

 

 

   


Act I Scene 3

72

     J.G.  780

nois

And

  try - ing

                

not

to drown him self in bour bon;

                      

785

 

mp

mf

               

  

       

           

    

   

     



mp

    

 

 

A

    

 

bill - ing clerk,

 

  

    

a - wash

 

 

in pa - per - work,

 

 

 

                         

  J.G.  792

  

mp

                                 

789

mf

              

E

 J.G.   

 

   

And fin -’lly

 

  mf

the stench

 



    

   

in our nos - trils,

Blown from his fa - ther’s

 



 

 

mp



  



                          


Act I

  J.G.     795

  

tan - ner - y,

   

   



 

  

But

from the first,

 

 

  

     804

 

   

faith in him

  

 

p

  

mp

he would come through

J.G.

 

 

the fa - bric of our lives.

 



mp

 

      

 



My moth - er al - ways said





 





 

                           

801   J.G. 

      

                           

798

F

Be - came



 J.G.  

73

Scene 3

mf

 

And be one of the high - est in the land;

 

 

 

 

 

 

 

Her

 

 

 

                        nev - er

   

          

 

      

wav - ered for an in - stant.



 

 

 

  

And

  

mp

    

 

                             


Act I

 J.G.     

74

Scene 3

807

she was right.

   

 

  

mp

 

And

p

                                       

 G J.G.   811

here

            

he is,

the



      J.G.  

   

815

 

  

 J.G.   

  

818

         

    

 

   

  

have stayed a clerk,















       

  



so man - y

 

 





 







 

 





              mp

    

Than led

to slaugh - ter.

 

     

           





bright young men

I

 



think he would rath - er

  

  

ar - chi - tect of death.

         mp

mp

        

poco cresc.

 

   

   

   


   822

J.G.

Act I Scene 3

    

And

I

          

can see

this bal-ance-sheet of death Con sumes him

                     

mp

mf

 J.G.   826

H

 

               mp

835





 

from with

       

 

 

 

     

  

       

mp

p

  

p

                                       

    

 mp 

 

H

831



in.

mf

 

    

75

                        

 

 



 



 

  

   

 



                       

                        

839

 

 



 



 

       

               

       

               


Act I Scene 3

76

 

842

 

J.G.

U.G.

   844

   

JULIA GRANT mp

I



 

 

 

 

   p

 

 

Can you

rest now?

ULYSSES GRANT

   

 

   

   mp

 

Per - haps.

I

         p

 

  

  U.G. 

     

 U.G.  851

 

If my cal - cu - la - tions

     

   

 

mf

848

mp

        

     

end

 

      

  

this mat - ter.

    

   

 

It

may









  

 

   

             

 

 

are cor - rect,

 

  

 

 

 

    

 

     

be pos - si - ble to

  

   

 

   

  

 

I have asked Lit - tle Phil

to

 

mf

   

   sub. mp

 

 

 

 

 

 

 


Act I Scene 3

                      U.G.  

77

854

go

a - round the en - e-my

     

and fall up - on him from be - hind at Five forks,

 

 

 







 

 

 

 



 

 

 



857             U.G.  push - ing him back to where War - ren

 

   

 

 U.G.  860

 J.G.   

 

 

It may be sleep must wait

 

U.G.

 

   

mp

Might

 

 

 



   

  

           

  J

  

Till a re - sult

is



 

crush him.

          

 

called. 6

 

           

p

       

 

  

mp

Not

 

     



 



 

 

 

 

they sur - ren - der?

   

and Hum - phreys wait to

            

  

863

   

 

yet.

   

Lee has at least 6

6

                       

   

 

 

     

 


78

Act I

 

Scene 3

865

J.G.

  U.G. 

 

one more

   

   

Does he

 

not feel, as

big fight in him. 6

6

                                        

         J.G.  867

you

do, the

fu - til - i - ty

 

Of

 



thou - sands of

     

un - nec - es - sar - y graves 6

6

                                           U.G.  869

      Im - pos - si - ble

6

  

to say. 6

6

                                                            

 K                 U.G.    872

No one can pen - e - trate his dig - ni - ty:

  

 





     

But I sus - pect

 



   

he suf - fers for his

  

  

 

 


Act I

79

Scene 3

         

875               U.G.  cause And all its mur - der - ous re - sults,

      U.G.  878

 

E - ven though, if truth be told, His

      



                  

cause must be the worst

 



course it is

 

 

 

coun - try - men,

  

  

       

   The

    

cease - less kill - ing of

our

       

  

   

But soon

it will

be

 



 

 

Of



                   

884

a heav - y weight to bear,

     U.G. 

 

for which a peo - ple ev - er fought.

881            U.G. 

 

o - ver.

                      


Act I

80

 J.G. 

Scene 3

887

U.G.

L

   

mp

Will it?

   

mp

 

Oh, yes. L

6

6

                       

p

                      U.G.  890

in

3

 

two nights

     

Weit - zel will gal - lop

down

3

3

      

 3

3    

the streets of Rich - mond. 6

                

6

6

                       

          

894

 

                     

892

3

          

6

With

poco rit.

pp



         




Act I

81 896

q = 108

       

901

mp

898

Scene 4

 

 

   

                          904 A                                                                      907                                                  

910

 912

 

 

 



 

      

  

   

  

   p

  

  


82

Act I Scene 4

914

 



B

mp

                   917                                                     920                                     

922

924

 

926

 

 

 



 

 

 

   

 

 

 

                       

                          

  

        C   

   

   p

           

                               929                                               


    

931

  

 

  

Act I

Scene 4

 

 

 

 

83

                        933                 mp sfp                           935            mp      938

 



  

D

mf

  

  

  

                               941                                                943                              

                         945                 sfp mp                          


84

Act I Scene 4

            mp                           

947

950



E

 

     

                                     953              

mf

                         

  

956

 

  

 



   



960

 

mf

 

   

  

  





  

 

962

             

958

 





  

 

  

    mf

               





              


Act I Scene 4

85

                                                         

964

F



 

 

                                              

967

970

  

   

 

   

974

 976

 G

                        



972

mf





 

    

  

  

  

 

  

  

mf

 

 

                         978

mf

                           


Act I

86

Scene 4

  980

S

  mf





  mp



 

 

                       

982

ah



mf

ah

   S  A



ah

Chorus

A

 



 

 



 

   

 

   S 

 

 

  





ah





 



ah



 

ah

                         984

A

    

 

  

                       


Act I Scene 4

  T    ah 986

B

 

mf



87



 







ah

   mf





   

 

ah



 

ah

 

 

 

                        

  T   B

 



988

ah

  

 



ah

   





  



 T    





 



 

  

 

 

989

B

                        


88

   S      991

H

mf

Act I Scene 4

 

ah

   mf

A

     ah ah

mf

T

     mf

B

ah

         H



 

 











 









ah

 





 



ah



ah

ah





 





                          mp

   993

S

 

A

  

T

B

    

ah



 



ah

     

 



 

   

ah









 









  





ah

 



        

                                     


Act I Scene 4

       

996

   

  

  

89





                          mp

mp

                              

998

 

            

                                     


90

   S      1001

I mf

ah

   mf

A

ah

     ah mf

T

     mf

B

    

ah

I

Act I Scene 4

  











 









 



ah

 







ah

ah

 

ah





 



 



                          mp

 S   1003

A

T

ah

     











 





  







   

 



  



 



 

  B   

ah

ah

ah

   



        



                                     


Act I

91

Scene 4

1006

    

   

mp

  





  

mp

                         1008

   

 

 





             1010



  

 

 



  

           

J

 

  



                         1012

 

1014

 

                        

                       


92

      mf

1016

S

Act I Scene 4

 

   



ah

mf

A

ah

     ah mf

T

     B  mf



 



 



  ah

ah

       





 





 



ah



 

ah





 

ah

 

           

  



mp

  



                          mf

  S  1018

A

T

    

  B  

     

 

   

 

 

   



ah

ah

ah











    

ah



 



 



ah

ah

   

     



      

 

         







                                     


Act I Scene 4

 

1021

K

93

  

 

 

  

                          mp

1023

  

 

  

 



                          1025

  

mp

  

   

  

                                

1027

 



 





mp



                               1029

  

  

  

 

                                

1031

 

mp











 

                                   


Act I

94

Scene 4

  M.C. L.   1033

L Meno mosso q = 96

   

    





    

Those

are

the mag - a - zines





6

6

                          mp

 M.C. L.  

     

1035

MARY LEE mf

And the



i - ron - clads

moored

down

at





 

Rock - ett’s

 6

6

                                            M.C. L.  



1037

land - ing;

 

The



 

 

 

6

    flo - ur mills

  

   

are burn - ing And the to -



 6

                                  


    M.C. L.   1039

Act I Scene 4

  

  

bac - co ware - hous - es

3

1041   M.C. L. 

well

 





  have

 

un - der - stood

                

  M.C. L.  1043

Leave

 

How

                                

our boys



 

6

6





6

       

de - stroyed.



95

  

noth - ing stand - ing,

 

no

their or - ders: 6

         

 

stone

on

 

  

  

 

an - oth - er,

  If

6

6

                         mp                 

     M.C. L.     1045

it

will ben - e - fit

6

    

the

en - e - my.

 



They will march in 6

                                         


Act I

96

Scene 4

  M.C. L.   1047



 

Af - ter

 

this long

   

cam - paign

And

 

find

they’ve gained a 6

6

 

                                        

 A. L. 

1049

M.C. L.

 

     

few

hand - fuls

  

AGNES LEE

mp

I

 

of ashe - es.

                                                                    6

6

          A. L.   M mf

1052

 M.C. L.  

wish we could have

 

    

   M

 3

   

 

left

 

6

      

As Fa - ther asked us

 p

6

to.

   

No,

it was on - ly

mf



poco cresc.

6

                                          


Act I Scene 4

   M.C. L.  1055

 

that we should stay And suf - fer with our cit - y,

       

   

right

97

  

   While our

 

mp

3                                    6

mf





         1058

M.C. L.

6



      

fa - ther leads our gal - lant sol - diers

In - to

   

p

 



  

  a

   

new phase of

poco cresc.

6

 

the

6

                        mp                  

    M.C. L.  1060

strug - gle.

 

    

Take

 

me in now.

 

 

   

mp

3                                     mp mf                           6

6

                         mf  mp                        

1063

     mf

    


Act I

98

Scene 4

1067

 mp     

    

1071 N Più mosso q = 108

 

mp cresc.

1078

 

mf

O

Oh,

we’re the bul - ly

    

   

 



we’re the bul - ly O



mp



                         

mf

Oh,

    

                           

 T    Chorus B

accel.

  

 

sol - diers of

sol - diers of

 

 

the“First of Ar - kan - sas.” We are

 

the“First of Ar - kan - sas.” We are



 



 

 

 

 T                               fight- ing for the Un ion, we arefight- ing for the law, We can hit a Re - bel furth er than a                          B  1081

fight - ing for the Un ion, we arefight - ing for the law, We can hit a Re - bel furth er than a

  

 

  

 

 

  

  



   

  

 

 

 


Act I

99

Scene 4

       T   white man ev - er saw, As        B  1084

white man ev - er

  

 



      there a - bove     B 

T

  

 

   T   go   B  1089

we

go

As

we

go







 



1087

there

saw,

a - bove

 

   



     

 

the cen - ter, where



the cen - ter, where

     

on.

march - ing









  

flag

is wav - ing

bright,

the



flag



  

is wav - ing

        

 See,



See,

on.

the





 

march - ing



 



 

We

are



bright,

We

are





 





 

 

- ing out

of slav - ’ry; we

are bound for

free - dom’s light;

We

go - ing out

of slav - ’ry; we

are bound for

free - dom’s light;

We

 

  

  

 

 

  

  

 

  


Act I

100

               T   mean to show Jeff Dav - is how the Af - ri - cans can fight, As                B  Scene 4

1091

 we

mean to show Jeff Dav - is how the Af - ri - cans can fight, As

  

 



 



 T       on! As      B  1094

on!

    

P

     

mf

 

          We go march - ing on.       B 

 



      3

 

3











    

3



We go march - ing on.

       

We

go march - ing on.

We

go march - ing on.

        

 3

3

 



      

 

We go march - ing on.

 

    

go march - ing on.

       



    





3

T



go march - ing

 

  



we

go march - ing



we go march - ing on.

1097

 



    

   

We



we go march - ing on.

As

       

P



 

      3

 

3




Act I

      T   We go march - ing on.       B  1099

 T    on.   B  1102

  



 3

3

 



3

 T       done with hoe - ing      B  1104

done

  

 

3



with hoe - ing

 

  corn,

we go march - ing

We go march - ing on.

As

we go march - ing



 3

3

 



    



     



We have done with hoe - ing cot - ton,

we

have

We have done with hoe - ing cot - ton,

we

have

      Q

 





   

We

are



corn,

We

are

 

  

            

         3

As

         

on.

We go march - ing on.

     

  

Q

 



         

We go march - ing on.

       

101

Scene 4

 

 

 

 

   



 



 

col - ored

Yan - kee sol - diers, now,

as

col - ored

Yan - kee sol - diers, now,

as

  

  

 

 


Act I

102

   T   sure   B  1106

sure

 

  

Scene 4

 

 

as you

are born;

 

as you

are born;

When

 

         think it’s Ga - briel’s horn As        B 

 

 T    have   B  1111

have

  

 

 



us yell - ing, they’ll



 

on.



















  

 

us wag - es,

 



 

of

their sin,

the

wa - ges

 

of

 

  They will

wa - ges



 

They will

 



on.



 



 

the

 



go march - ing



 

mas - ters hear

 

we

  

us yell - ing, they’ll

we

us wag - es,



 

mas - ters hear

  

As

to pay



the



 

  

to pay



go march - ing

   

the



T

think it’s Ga - briel’s horn



 







 

When

1108

 



 

their sin,

 

  

They will

They will

 


Act I

      T   have to bow     B  1113

have

 

  

to bow

103

Scene 4

 

 

their fore - heads

 

their fore - heads

 

 



their col - ored

to

their col - ored

to

 

kith

and kin,

kith

1115

  

 

 

 T       on. As      B  1118

on.

 



As

 

  R

   





 

 

         

we go march - ing on.

     

mf

 



will



    we

go march ing

we

go march ing

   

As

   



   

    

    



We go march - ing on.

We go march - ing on.

 3

 

They

    

we go march - ing on. R







 

               T   have to give us house - room, or the roof shall tum - ble in! As                B 

will

They

and kin,



have to give us house - room, or the roof shall tum - ble in!



 

 

 



 



 



   



3



       



 3

 

3




104

Act I Scene 4

 T          We go march - ing on. 1121

B

      We

     

              

3

3



      T   We go march - ing on.       B  1123

We go march - ing on.

 

       

 T    on.   B  1126



 

 

on.

 3

3

 

We

 We





go march - ing on.

     

             

3

3



We go march - ing on.

As

we go march - ing

We go march - ing on.

As

we go march - ing

      

     

 3

3

 



 

    



   



                                  

heard the Pro- cla - ma - tion, mas - ter hush it as he will,

The

heard the Pro- cla - ma - tion, mas - ter hush it as he will,

The

                3 3 3 

    

 

 

We

go march - ing on.

    

    

We

go march - ing on.

      

 

 

 

 

  

 



   


Act I Scene 4

  T                               bird he sing it to us, hop - pin’ on the cot - ton hill, And the pos - sum up the gum tree, he                         B  

105

1129

bird he sing it to us, hop - pin’ on the cot - ton hill, And the pos - sum up the gum tree,

 

  

 

 



 

       T   could - n’t keep it still, As        B  1132

could - n’t keep

  

 

it still,

 

 T       said, “Now col - ored 1135

B

S

 

  

 



 

he

 



went climb - ing















 



  

 

 

 shall



be

be

  



on.

went climb - ing

shall



 





breth - ren, you

 



 



S





he

said, “Now col - ored breth - ren, you

 

   

 



As

 

 

They

on.

  

for - ev - er

for - ev - er

 

he

They



 free,

 free,

 

  

From

the



From

the

 


106

Act I Scene 4

 T                               first of Jan - u - ar- y,Eight - een hun - dred six - ty - three.” We heard it in the riv - er go - ing                          B   1137

first of Jan - u - ar- y,Eight - een hun - dred six - ty - three.” We heard it in the riv - er go - ing

  

 

 

 





 



      T   rush- ing to the sea,       B  1140

rush - ing

to

  

the sea,



 

 



 T         we go march-ing on. 1143

B

 

     

mf

 



 

it

went rush - ing

on.

As

it

went rush - ing

on.





















 



 



 

  

As

 As



      



    

 3



We go march- ing on.

We go march-ing on.

     

    



 

As



We go march-ing on.

3

 3

   



    

we go march-ing on. T



T

     

 

3



We go march- ing on.

         



      3

 

3




Act I Scene 4

 T          We go march - ing on.       B  1146

We

      T   We go march - ing on.       B 

3

3

We go march - ing on.

       



We

go march - ing on.

We

go march - ing on.

  

As

we go march - ing

As

we go march - ing

  

 3

3

 



3



3

 



     

       



1148

    

     

              

    

go march - ing on.

107

 

on.

Fa ther

 

on.

    





     





3

3

3



Fa ther

  



 T                             A-bra-ham has spo-ken and themes-sage has been sent, The pris-on doors he o- pened, and 1151

B

                                 

A -bra- ham has spo- ken and themes- sage has been sent, The pris - on doors he o- pened, and

  

 

 

 

 

  

 



   

  

  

 

 


108

Act I Scene 4

 T                          out the pris -’ners went, To join the sa - ble ar - my of the “Af - ri - can des- cent,”As                        B   1154

out the pris -’ners went,

 

 

     T   we 1157

B

 

we

   



   

   









 T     bet - ter



 

do

it soon,

bet - ter

  

 



do

 

 

it soon,

 

on.



  





Don’t

 Don’t

 

  



you hear

you hear

  

   



                   in, col - ored breth - ren,

you’d

fall

in, col - ored breth - ren,

you’d

U





fall

 Then



 

 U

Then



B



 



on.

go march - ing

1160



  

go march - ing

To join the sa - ble ar - my of the “Af - ri - can des - cent,”As



 

 



 

  

 

a - beat - ing

  

the drum

a - beat - ing

the drum

  



 

 

 

the

 

the

 


 T     Yan 1162

B

 

Act I

     

- kee Doo - dle

Yan - kee Doo - dle

 

  

109

 tune?

tune?

 

 

  





are with

you now

this morn - ing,

we’ll

be

We

are with

you now

this morn - ing,

we’ll

be

We

  

 

at noon,

 

 

 V T        we go march - ing on. 

 

V

go

mf



march - ing

march - ing



















We

3

 As



 

go march - ing on.

go march - ing on.

       

on.

    



     We

As

go

3



on.

we



As

       





 



go march - ing on.

       

we

      we



1167

B

  



 



1164

a - way

 

       T   far a - way at noon, As        B  far





 









      3

 

3




110

Act I Scene 4

 T          We go march - ing on. 1169

B

      We

     

              

        We go march - ing on.       B 

T

We

 

 

  T   we 1173

B

 

we

  





    

 go

 go

 



      3

3

march - ing

march - ing

 



 



3

 

We

go march - ing on.

As

We

go march - ing on.

As

       

 

3

    

 

     

go march - ing on.

     

go march - ing on.



3

1171

We

go march - ing on.

             

3

    

We

go march - ing on.

      



      3

3

 



on.

on.

         3



3

3



 


Act I

111

Scene 4

1175

 

W

L’istesso tempo (q = 108)





       p         



    











     



    



   

                    

1178

       

 

 

mp



      

       



 

 

 

      

          

     T. M. C.    trea - son, 1184

         

 

 I

 

       



 

 

              

So

 

long the ver-y

        

cen - ter

of

          

                     

  

  

has - ten to de - scribe here for my

      

          

mf

     



           

 X          T. M. C.    Seat - ed,as I am, in the Speak - er’s Chair, 1181



 

              

 

  

read - ers

        

 

The

        

            


     T. M. C.   at - mos - phere

Act I

112

Scene 4

1187

     

 

     

 

 

of

 

Rich - mond.

  

  Since our

  

  

ar my

     

 

    

Y



Noth - ing can sur - pass

       

 

 

 

 

         

    

        

 

  

the re - joic - ing of the ne - groes.

        



      

        

         

Y

has marched in - to the

                     

    T. M. C.   cit - y, 1190

   

They can

       

  

         

1193                        T. M. C.        hard - ly be - lieve this change has hap - pened, Their long years of prayer have been                                                                    

    T. M. C.   an - swered. 1196

Z

   

mp





mf

    

 



    



    

 



     



    

 

                       


Act I

     T. M. C.   Yes - ter - day

           

1199 mf



       

113

Scene 4

I was

    



    



   



         

 

 

    

 

    

To

          

           

         

 

   



I

have

       

  

 

no doubt The for

      

 

                               

   T. M. C.        giv- ing na - ture of the race 1208

     

          

 AA            T. M. C.    walk through o - pen doors to free - dom.

     



and could not be per - suad - ed

1205

 



           

Stayed in their cells

                              

 



 

the

          

1202

     

pre - sent at the o - pen - ing Of a slave jail,



       T. M. C.    in - mates of which

 

 

     Will ver - y soon

       

 

 

 

   

in - duce them to for - get

      



 

 

The

        

                          


  T. M. C.   crimes     

Act I

114

1211

Scene 4

 

   

un - leashed up on them

 

 

   

  T. M. C.   What

  T. M. C.     spir - it of      1216

   

      

1218

in the past.

       

 

    

         



  

         

 

        

                              



1214 BB

 

an

a - maz - ing

 

change

  

 

   

   the south - ern

              

    

      

    

has come Ov - er

the

             

 

dream!

  



 

      

  

                    

  

  

      



   

      

                              mp                                 

1220 CC q = 104


Act I

115

Scene 4

                                                

1224

                                                           

1228 DD

                                             

1232

OLD MAN EE mf

       

Glo - ry!

Glo - ry hal - le - lu - jah!

    Old Man   1236

             

1239    Old Man 

glo - ry

        

  

     

        

 

to God!

        

  



   

 

Bless

the Lord

and

    

 

 

  

   

    





     

    

You come at last! Come to free

 

your chil - dren from

       

  


Act I Scene 4

116



   Old Man 1242

mf

bond - age!

Yes, you are free,

  

Soon

  

             

  

 

as I saw you

I knew

I was free.

     Old Man 1249

as air.

    

              

Nav. Of.

Free

                      

  Old Man 

    

     

  Abe. L. 

1246

Yes, I am free

ABRAHAM LINCOLN mf

    

    

A - bra - ham,

FF

For I’ve held you in my heart, Fa - ther

      

             

    





 

Andnow Itake your hand.

 

      

      

       

NAVAL OFFICER

 mf

       

Thank you; Now let the Pres - i - dent

    

    

    





  

  

 


Act I Scene 4

  Young  Man    Nav. Of.  1252

117

    

YOUNG MAN mf

Don’t leave so soon.

   

We’ve been man - y years

                                   

   Young      Man    des - ert with- out wa - ter;

1255

1258

     

is might - y

  

           

 

 



pleas - ant.



Yes,

GG

 mf

GG

   

  

  

thank God

                        

And

 

  

       

Now we are look - ing at the spring of life

                         

  Young  Man  it  Abe. L. 

 

   

in the

 

through.

 

 

   

 

we have lived

to

 

mp


Act I Scene 4

118

  Old Man 1261

         

OLD MAN

see this.

                

1264

     

 

1267    Abe. L. 

  

Kneel

to

 

That is

 

God

  



  



  

      

 

Kneel

     

not right.

 

mp

    

 

the

to God

on - ly.

 

lib - er - ty

   

that

  

 

      

And thank Him for

 

  f

Don’t

     

        

  

You must not kneel,

mf

      

    

kneel,

God bless you Fa - ther A - bra - ham.

   Abe. L. 

  Abe. L. 

mf


Act I

119

Scene 4

  Abe. L.  1269

 T   B

you

  

    

  

will en - joy

from this

day for - ward.

mf

 

Oh



mf

Oh

                  HH  T    clap    B 

1272

clap

HH

 



 



your hands

your hands

     

mp

      

 

           

all you peo - ple

  

    

 

  Shout

all you peo - ple

   





mp

  

 

un - to God

with the

un - to God

with the

 

 

  

 

 

Shout



                                




120

1275            T    voice of tri - umph For the Lord                      B  voice of tri - umph



 

  

 

   

        

   

most high

For the Lord

      

Act I Scene 4



most high



is

ter - ri - ble

is

ter - ri - ble

 



 

     He is a

     He is a

                                  T    B 

1278



 T    B 

1281

       

great king ov - er all

 



great king ov - er all

   

    

     

    the earth  

  

 

    

                

the earth



             

He shall sub - due

the peo - ple un - der

He shall sub - due

the peo - ple un - der

 

  

                              

           

na - tions           

us

And the

us

And the



na - tions

  

 

  

    un - der    

  

our feet

un - der



  

 

 

    

our feet

 



 

 

                                        


  

        T   choose our in - her - i - tance for          B  1284



us

The

 T    B 

1287

 

II



 

 

   

 



  

     

your hands

all you peo - ple



Oh

clap

your hands

all you peo - ple

loved

II

  

              T   Shout un - to God with the voice          B   1290

Shout

un - to God





 

 

 

              

   

most high

For the Lord

   

For the Lord         

of tri - umph

with the voice of tri - umph

             

   

 





  

      



clap



 

    

Oh

 

   

ex - cel - lence of Jo - seph whom he

loved

            



   

  

     

 

ex - cel - lence of Jo - seph whom he

                              

   

  



  

 

121

The 

us

choose our in - her - i - tance for

  

Act I Scene 4

is



most high



is

 

                                      




122

 T    B 

1293

         

ter - ri - ble

  

ter - ri - ble

Act I Scene 4

     

 T    B 

1296

 

 

  

       

 

He is a great king ov - er all

       



 

the earth

He is a great king ov - er all

                    

    

        

  

 

  

          

the peo - ple un - der us

And the

     



na - tions           

due

He shall sub

         

And the

 

    

                

the peo - ple un - der us

He shall sub

the earth

due

   



na - tions



 



     un - der    

our

un - der

our

  

 



                                

  T    feet    B  1299

 



will choose our in - her - i - tance for us  He              





  

 

 

feet

          

He will choose our in - her - i - tance for

            

  

 



us

 

 

The



The

                      

      




Act I Scene 4

    T   ex - cel - lence 1302

 

    B 

ex - cel - lence



  

 







123

of

Jo - seph whom he

 







Jo - seph whom he

 







 

loved



 



                      Meno mosso q = 96

 M.C. L. 

1310

J.R.

              

             



 

1304 JJ

              



 

loved



of

 



 

MARY CUSTIS LEE mp

  

Why,

JOHN RAWLINS mp

      mp

  

Mis - sus Lee?

 

6

             

6

           

p


Act I Scene 4

  M.C. L.  124

1313

J.R.

yes.

 

mf

  

My name

 

 

      J.R. 

Gen - er - al Grant

 



mp

He

      wants to

be

re - as - sured

  

That



6

                         



     

you

Raw - lins;

6

1317

Gen - er - al

           

has sent me.

  J.R.  

is

6

    

1315

  

 

 

and your fam - i - ly

 



6

                  

hu - mane - ly treat - ed.



   

Have been

6

       


Act I Scene 4

 M.C. L.  



mp

1319

 

I

  



 

6

 

 

-

i - dent,

 

 

 

 

 

 

 

 

 

of course,

Mis - ter

6

      

good - ness

 



 

to



 

     

 

 



 

I mean

  

   

Who had the

6



 

Dav - is,



1323

com - f’ta - ble

                       

  M.C. L.   

a

 

6

arm - chair from the Pres

  

6

    

KK

have re - ceived

1321

M.C. L.

125

con - cern

 

6

 

 

him - self



 

 

  


Act I Scene 4

 M.C. L.   126

1325

 

With the

sub - ject

 

  

of

ar - thri - tis.

my

  6

6

                                        

    1327

M.C. L.

  

Oth - er

   

  

than that

I

 

would not say

 

our treat - ment

6

Has

6

                                        

  M.C. L.  1329

J.R.

       

been

es - pe - cial - ly

hu mane.

 mf



Oh? 6

6

6

                                                                

       M.C. L.  1332 mf

 

This, for ex - am - ple.

 

We felt

     



this

was

de - lib -’rate - ly

6

in -

6

                   

 





     


   

1334

M.C. L.

J.R.

Act I Scene 4

sult - ing.

 

mf

Has

 

  

he been im

  -

po - lite?

6

6

127

                                          1336 mf                   M.C. L.     Not

in the least.

       

  

1338 LL M.C. L.

J.R.

6

is

nei - ther here

mf

  

Oh. Of

course,

     

let

6

6

me deal with this.

                       

1340              J.R.  This was

a

sim - ple





o - ver - sight;





6





Cer - tain - ly

                    

 

    

6

nor

                             

there.

LL

cour - te - sy

6

 

His





no

in -

       


Act I

128

Scene 4

   J.R. 

 

1342

ten - tion

6

6

to de - mean you.

        

 

 J.R. 

1345

6

                                                   

mf    

If I may, 6

6

6

                                    mp                            1348     J.R. 

 

I’ll wait un - til 6

    a

suit - a - ble

  



re - place - ment can 6

  be found.

                                          


Act I

129

Scene 4

 M.C. L.  



 

1350

mf

You mean,

J.R.

A

Please

 

 



rit.

   mp

    

-

ar - chy

 

  



of

war.

 

   

 Put

  

 

In - deed, Ma’am.

 

 

it down

to

 

mf

  



 

a - pol - o - gies.

 

 

   

ac - cept my sin - cere

 

an

   

white man.



 

1352



cresc.

   J.R. 

 

 

 

I hope,

 

mp

1354

 

 J.R. 

 

   mf

  

 

 

  mp

the


Act I

130

Scene 5 1356 q = 112

 

      p

  

1358

 

  

  

 

    

  

 

                                   1361

 

A

                                  

     

1365

 

    



                                 p

1368

                mp

                                 1371

                                 

 

  

 




Act I

131

Scene 5

   1373

U.G.





You

  

1375   U.G. 

hope - less

must now

          

B

ULYSSES GRANT mf

be

 

to

re - sist

 

con - vinced

it

is

               

         

  I

feel

it

    my

 

du - ty

  To a -

                                 

 

  U.G.  1377

void

  

  fur - ther

   

ef - fu - sion

 

  

 

of blood



ask - ing

the

  By



  sur

         

               

 

 

    

1379         U.G.  ren - der

Of

the

Ar - my

  of

       

    

North - ern Vir - gin - ia.

                 

   Re -

               

  


Act I Scene 5

   U.G. 

      

132

1381

spect - ful - ly, your hum - ble

C

ser - vant

                                 

 E. A.    R. L. 

 

    

1383

     

ROBERT E. LEE mp

  

EDWARD ALEXANDER mp

   

  I

What do you say?

                                 



      E. A.   say not yet, sir.    R. L. 

 

     

1385

 

 

mf

  

You’re right.

It

has



not come

to

                                 

 

  R. L.  1387

that.

      

  

We have too man - y brave men

  

 

with us

    And our men

  still

                                

      

  


Act I

 1389    R. L. 

  

fight with spir - it,



 

 

 E. A.       R. L.  1391

I

 

  

 



die than show him weak - ness,

would

  

  

As

                    

  

 

And would soon - er

            

133

Scene 5

f

my - self.

   mf

 

      

No one

I’ll get you out of this.

                                 



    E. A.   doubts it.

1393

R. L.

 

 

    

    mf

All the same,

   It

      would be cour - te - ous

   to re - ply.



 p

                                 

   

   

mp

  


Act I Scene 5

134 1395

  







                                 

 

  R. L. 

  

1397

mf



 D 

Though by

 

 



a - gree - ing with you

a-

 

               

            1399            R. L.  our





bout

    

no means

         

po - si - tion,

   

I sup - port





your de - si - re



 

to

a-





                                 

    

   R. L. 

 

1401

void

 

the

  

use - less

  

  

      

  

ef - fu - sion

          

    

  

of

 

blood

   And





                 


Act I Scene 5

1403     R. L. 

ask the terms

  

 

you of - fer

on

 

con - di - tion

 



135

    of

sur - ren - der

 





of

the



                                

    

  R. L.   1405

    

Ar - my

  

 

of North - ern

Vir - gin - ia





    

  





                                 

 

 

 

        ULYSSES GRANT

1407 mp

U.G.

J.R.

JOHN RAWLINS

   

What do you make of that?

 

But cor - rect.

mp

   

Slip - per - y.









                                



mp

  

  


Act I Scene 5

136

   

1409    U.G. 

Let me make an

E

an - swer.

Gen - er - al

   



   

mf

Lee,

  There’s





                                 

p

 

  

      U.G. 

 

1411

one con - di - tion



  

I’d

 

in - sist

   

on:



Those

 



  

sur - ren - dered



shall be dis



                                

  

     U.G.  1413

qual - i - fied



         

    

from tak - ing arms



  

 

Un - til

prop - er - ly



 

   ex -



p

                                 

      

mp

     


  U.G. 



1415

  

changed.

Act I Scene 5

I



  

  

will meet where - ev - er you choose

 

137

 

to or - gan - ize



the



                                

  U.G.  1417





of

   



1419

sur - ren - der.

 

 

   

                      

 E. A.    R. L. 

1421

 

  I

How would you ans - wer that?

 

 

 

 

                      

 

 

                

 

mf

          mf

                

 

mp

         

 

   

  

    

terms

F



 

    

would not ans - wer at all.

F

 

 

 

                






Act I

138

Scene 5

         R. L.  1423

Oh, but it must be

 

 

 

 

 

 

    mf

Gen - er - al,

 

 

 

  

 

  your

 

                                 mp





note

  

 

1427    R. L. 

 

  

                                

1425

ans - wered.

 

  

R. L.

 



 



 

    

ar - rived

at a late ho - ur.

       

 

 

     

 

    

I

 

 

had

no

 

                

 

 


Act I

139

Scene 5

  R. L. 

   

1429

thought

to pro - pose

 

     

sur - ren - der

 

G

of

my

 

wish

   

 

to know your terms.

 

 

 

1431

Ar - my.

  I

 

 

I

  

do

      

not think

 

 

the cris - is has a - ris - en

 

 

                                

     R. L.  1433

the

 

   R. L. 

 

  G

                                 

  



 

 

      to

  

  

call for sur - ren - der

 

 

 

But

I

  

   

shall be

pleased

   

to

                                                


Act I

140

Scene 5

   R. L.   1435

meet you

  to

  dis - cuss

Peace

rath - er than

   sur - ren - der.

                                 

 

1437

  

         

R. L.

 

      mp



Have this sent

to him;

 

  mf

 

To

                                                             R. L.  1439

mor - row

 

    

be - fore dawn

we

   break out!



If

reach

the

                                               

mf

    

   


Act I Scene 5

   

  R. L.  1441

 

Blue Ridge moun - tains,



hold out there  



 



for twen - ty  



 years.

 

 

    





mf











 

   

 





   











 

                                 

   1445

  

                               

   

  

H

mp

1443

We can

141





















 

  

 



  



  



  

 

                                                      1447















 

 













 

                                                  


Act I Scene 5

142

  U.G.  1449

ULYSSES GRANT

 

mf

It 













 

I



 

  

as if

looks



the old man wants

to

                                  

p

       

1451    U.G.

fight.

  J.R. 

JOHN RAWLINS

   

 

    

mf

He nev - er



    

 

      

   

meant to sur - ren - der

his

ar - my!

                                

  J.R.  1453

No,

   sir, this

    

is a trap!



 

 

         

You asked him

   

  to

sur - ren - der.

  He

                                 p

  



    



   

   


Act I Scene 5

1455      J.R.  want - ed

     

 

to know your terms.

You

 

143

stat - ed your terms.



Now

he

                                   



      



 U.G.

1457

J.R.

J

 

    

wants to dis - cuss the

     

     f

peace.

This J



 



is

  

 

mf

Oh,

in - sult - ing!

                                 p

  

  U.G. 

1459

     

Raw - lins:

 

It’s

 



 

all

the same.

    



   

 

He’s on - ly

try

ing

to

be

 

                                    







 



  




Act I Scene 5

144

  U.G.  1461

       

let down eas - y.



Why don’t

I

 

  

meet him

 

in the morn - ing

 

And

                                 p

  

    U.G. 1463

J.R.

set - tle

 

  

  

 

this whole busi - ness

   



   

in

an ho - ur?



   

f

    

 

No! He must

 

sur -

                                      

 U.G.

1465

J.R.

 

K mf

 

 

ren - der,

 

       

   



      sur - ren - der

Oh, ver - y well,

    but

I

must

or noth - ing! K



                                   

    



p

  

        


Act I

145

Scene 5

   

1467          U.G.  an - swer him

If

on - ly

to de - cline

    

his prop - o - si - tion.

                                 

         



  J.R.  1469

  

mf

    

   

     

 

Leave him

  

to

stew in

his own juic - es.

                                 p

       

1471 mf         U.G.  I

will re - ply

  

in the morn - ing.

    

For

 now

   

   



the small - est sound

 is

                                 

 

 



   

     

 


Act I

146

Scene 5

     U.G.  1473

L

blind - ing me.

                  1475



    

     

    



 

           

      

    

  

  

                  

1479

    

   

1477

mf

              

       

   

        

   

  

 

 

 

 

 

 

  

                          

   

 









 

                               

   

            

               


Act I

147

Scene 5

1481

 

  

     

  





  

 

                 

    1483



 

    1485

 

E. A.

  





cresc.

 







                 

       





   



                            

              



               G.P.

 

  



               

  

1487

 

 

M L’istesso tempo (q = 112)

 

ff

 

 

EDWARD ALEXANDER mp

          

Mes - sage from Gen - er - al Gor - don. 6

                                      

mp

6

   

  

6

 




Act I

148

Scene 5

 E. A.    1490

  

    He says

       

  

he’s fought

his corps

to a fraz - zle,

But can’t

 

break

                                      

6

6

  

  E. A.    through. 1493

6



   

   

 

He came

up - on

a

sol - id

 

wall

of

 

blue

6

6

                        

   E. A.    1495

 



    No



 

               

  R. L.  1497

  

mp

  

   

Then there is

noth - ing

              

6

 





less than two miles wide.

6



    

left

6

          

 

for

me

But

to

6

                  


Act I

149

Scene 5

   1499

R. L.

     

go

treat with Gen - er - al Grant.

  

Or

6

am

  I

wrong?

6

                                     

 E. A.    R. L.  1501

N mp

My

 

i - de - a

 was

to

   melt

in - to

 

 

the bush - es.

mf

 

The N

 

 

 









6



                        6



 E. A.      R. L. 

 

1503

 

mf



Guer - ril - la

war - fare.

   

 

 

 

  

Take

to

the

bush - es?

 













                         



 

6

 

  

6

 


Act I Scene 5

150

  E. A.    

   

1505

woods

 

and van - ish

 



in

the moun - tains.



 

  

      Two thirds of



us

could



                         

6

    

     E. A.   1507

get a - way

 

  

   

      



To fight

an - oth - er

day.





6

        

Hid - ing our - selves

like

3



                       

6



 E. A.      par

    

1509

6

 

   

- tridg - es

 

They would not find



 

              

     

or rab - bits:

 

 

6

 

 

    

  

 

6

 



    

us.

 

     

  

  


Act I

151

Scene 5

 R. L. 

1511

  

   mp

Sup - pose

 



 

 6

I ac - cept



  your i -

 



                                     

6

                       

   1514

R. L.

6

 

de - a.

 

  Our

 

 6

  

  R. L. 

 

1516

trol.

 

  

They would be - come mere





   

   

no



 

 



 con -

6



  

   ren - e - gades,

 





  

Plun - der - ing

                   6

 

           



 

men would have no food and

             

O

and

    

6

  



   

  


Act I Scene 5

152

  R. L.  1518

rob - bing

 to

sub - sist.

The





 

coun - try would be



              

  R. L.  1520

bands:

   

 

full

of

law - less

 



            6

6



f

  

 

No,

it won’t do:

You young men can go bush - wack - ing if you like.

   

         

 

 



 



                                     

6

6

mf

           

 f  E. A.    No sir! 1523

  

 

 

          

 

Of course you’re right.

  R. L.  

6

f

 

Then



   let

  

us write

 

  a - gain



  

to

                         

6

6



  

 

  

 

  


Act I Scene 5

     R. L.  1525

153 P

Gen - er - al Grant.

 

                                    

  J.R. 

 

6

 6

6

mf

                     

This one

  

     

JOHN RAWLINS mf

1528

  

I think

you must read

a - loud.

                                      

  U.G.  1531

  

6

  

6

mp

 

  

ULYSSES GRANT mf

“Gen - er - al

 

 

      1533

U.G.

in - ter - view In

  

  

Grant,

  

  

I

re - quest

now

    an

             

           6

 

6

6

 

 

ac - cor - dance with the

   

 

  

 

of - fer

in

     your last let - ter

                          

 

6

 

 

6

  


  U.G. 

Act I Scene 5

154

1535

  

 

With ref -’rence

  

to

the

 



sur - ren - der

of

this

 

 

Ar - my

At

                          

  U.G.  1537

such

6

  

 

  

 

a time and place as

 

 

you may

6



 

  

choose.

 

Ver - y

re -

                         6

 

  U.G.  1539

6

 

 

     

 

spect - ful - ly

your

o - be - di - ent

 

 

  

 Q    U.G. 1541

J.R.

Gen - er - al.”

  

   

Rob - ert E. Lee,

     

   

  

 

Will that do for you, Raw - lins?

    

6

  

     

 

ser - vant,

              6

 

   mf

I think

mp

  

My

     mp

that will do, sir.

                                     6

Q

6

 

  

6

  

  

  

  

  


Act I Scene 5

       U.G.    

155

1544

                                      mi - graine has just van- ished.

 

  

6

p

  

6

 

 

 

6

 

                        

1547

6

   U.G. 

1549

6

 

rit.

 

 

  ULYSSES GRANT mp

                          Your

 

 

        

1551 U.G.

6

Meno mosso q = 96

R mp

note is but this mo - ment

 

  

  

  

re - ceived.

I am now

6

      



at the Farm - ville

-

                        p              1554                  U.G.     

Lynch - burg

road.

I’m push - ing for - ward to the front to meet you.

Please

                       


Act I

156

   U.G. 

 

1557

choose

  

the

 

 R. L. 

1559

 place

 

ROBERT E. LEE

  S 





you

wish

for

the

mp

 

I p

 

 

 

could so eas - i - ly

be

rid

  





p

p



   

p

ah

 

of this;

      ah

ah

   

            

 

in - ter - view.

ah

ah

  B 

ah

ah T

           

ah

A

  

           




Act I

157

Scene 5

 R. L. 

1562

 

I

S

have

 



p

ah

B

 

ride out

   



   

 p



the

  

  

ah

 ah



p

ah

   

   

p

mp

 

ah

ah

S

mf

a - long

ah

mp

ah

to

ah

     ah 

  

 ah

p

ah

mp

mp

T

on - ly

mp  S    

A

  

mp

  

                               




Act I

158

Scene 5

  R. L.  1566

 

And

it

would soon

 

line

mp  S    

 

A

B

ah

ah



 

ah

He let’s

p

 

ah

ah

   

   

 

  

ah

 ah

   

p

           



ah

p

 

 

me choose the

ah



  

ah

ah

mp

    

p

mp

mp

 

be ov - er.

 

     ah  

    

p

mp

T



mp

  

           




Act I

159

Scene 5

         R. L.  1570

mf

mp

   

place I will sur - ren - der

 S    

A

T

B

    

But

 

 

ah

ah



 

p

mp

ah

p

mp

ah

ah

 

 

ah

ah

p

mp



 

ah

ah

   

  

ah

 ah

   

   

p

mp

 

ah

p

mp



  

                               

 




Act I

160

Scene 5

    rit.

1574

R. L.

a tempo

T

    

 

I would rath - er die a thou - sanddeaths.

 S  

T



p

 

ah



ah

 

   

T

p



p



a tempo

   

   

p

     

ah

mp

 



ah

mp

rit.

ah

mp

 

 ah

ah

  

p

ah mp

 

A

B

 

mp

                 


Act I

161

Scene 5

  S 

pp

1577



ah

A





   

pp

 

ah

T

pp

  

ah

  B 

pp

   

 ah

pp

                  

 

pp

1580

          

1584

  pp

 

p

   

 

  

             

pp

p



   

   

   


162

APPOMATTOX Act II Scene 1a

Christopher Hampton q = 120  

    

Piano

 





Philip Glass

           mp                             

                                             5                                              3

 

  W.M.   7

    

 



  

   



mf

You’ll

                              

9  A   W.M.   

 

  

WILMER MCLEAN

hard - ly

  

be - lieve

this,

 sir,

    

  I

   

                                 8/1/2007 Copyright © 2007 by Dunvagen Music Publishing


Act II

163

Scene 1a

11        W.M.  

 

 

used to own a farm - house

         

13    W.M.   in

  

that first great

 

near

     

 

 

Ma

-

nas - sas

   And

 

              

  

    

bat - tle

of

       

Bull

Run

a

Un - ion shell ex -

 

 

                                   

         W.M.   15

plod - ed

in

  

my kitch - en.

 

That’s

    

how

 

I came

    to

 

                                         W.M.   17

 

  

Ap - po - mat - tox Court - house,

 

         



Blown

 

 here

    by

the un -

 

              


Act II

164

Scene 1a

  W.M.        19

 

  

  

rul - y winds of war.

 

I

   

was as - sured

my

 

                                  

 B     W.M.   21

fam - ’ly would be safe,

 

        That we

nev - er

 

   

would hear

                         

      23

W.M.

   

sound

of

bat - tle

 

    Tucked a

-

way

 

   

 

  

in these

the

 

  

    qui - et

 

                                

   W.M.   25

hills.

 

       We

ran

 

   to hide

   from the

 

                                


   W.M.   27

Act II

    

war

165

Scene 1a

          

And now

the was has come to

 

 

seek us out.

 

 

 

  

                                     W.M.  29

E. A.

EDWARD ALEXANDER mf

      

Yes, sir;

     but

 

it

is here

      to

end

  

it - self.

The

 

mf

 

                                 

    W.M.   31

Lord

 

  

         

 

men

be praised for that.

 

33  C  W.M.  

    

  



And

    

these piec - es are an - tique

would you please

 

             and

   

 

of

tell your

 

 

    great

val - ue?

   

   

                                   


Act II Scene 1a

166

    E. A.    Please mf

35

     rest eas - y

 

           I

can guar - an

-

tee their safe - ty

 

   

And their

 

                                 

   E. A.      val- ue 37

 will

  

     p

  

  

on - ly

 

  

be en - hanced

 

mp



  

when

his - to - ry

is

  

  p

  

                                 

  E. A.   made 39

  

  

 here

  

in this room.

mp

          

41

D

p

 

  p

  

  

  

 

 

                    

  

  

  

 

    mp

  

                                 


Act II Scene 1a

   

43

p

 

  

  

  

 

  

167

mp

                                 

   R. L.  45

   p

ROBERT E. LEE

 

mf



  

  

 

They

  

tell me

  

 

      

he’s ar - rived.

  

 

pochiss.

                                   Meno mosso q = 112

    

47

E

 

                         

                               mf

 R. L. 50

U.G.

dim.

 

  

     

ULYSSES GRANT mf

Gen - er - al

 

                     



 

mp

                     

Lee.

  



     

  

   mf

Gen - er - al

    

  

          

    mf

mp

dim.


Act II

168

Scene 1a

  R. L.  53

      

Grant.

 

De - light - ed

   

   

make

your ac - quaint - ance,

      

   

              

   

       

mf

   

   

  

   

mf

Is that so?

      

We have met once be - fore.

   

Dur - ing the Mex i - can

 

                      

 U.G.  58

sir.

   

 

      

55

   

        

 R. L.

U.G.

to

  

mp

p

  

                            

war.

      You came

to in - spect

  

  

Gar - land’s bri - gade

                              



  

     where I then served.

  

 

          


Act II Scene 1a

61            U.G. 

     

 R. L.

I

  

have

a



      

63

U.G.

most par - tic - u - lar

169

  

F

of

   

 

  mf

                R. L.   

told me

  

 

And ov - er

        

the

                                 

tried to re - col - lect your face



       

 

65

68         R. L. 

I

     

   

 

That you and I had met in Mex - i - co

you.

Some - bod - y

would have known you an - y - where.

 

      



    

           

  

mem - or - y

 

last

 

I

         

         With - out a glim - mer

few months

  



 

of suc cess.

                                   


Act II

170

Scene 1a

   R. L.  71

 Still,

  U.G.  

 

  

      mf

here you are.

I

 

 

  

                     

  

have re - called me

In

73

would

         U.G.  75

gran - ites;

  

Mon - ter - rey

  

war

  

        

a - mong

the pom - e -

  

          

  G       

Waged by a strong - er on a weak - er na - tion,

             mp

cresc.

   

    

It was an un - just

that you

     

  

           

   

   

  

had no thought

p

  U.G. 

 

 

                               p


Act II Scene 1a

 U.G.  78

  

 

 

   

     

But I learned man - y

 

171

val - u - able

les - sons, Not least

   

 

 

   from you.

 

 

   

 

mf

                           R. L.  81

   

mf          



The pur - pose of our meet - ing,

 

 

 

   

Is,

84

p

H

ful - ly un - der - stood.

    

mp

  

 

   It

             

 

   

mf

 

I

i - mag - ine,

       

 

                            R. L. 

    

is

   

 

  

 

my task

to

   

  p

            6


Act II Scene 1a

172 87       R. L.

U.G.

             

as - cer - tain the terms

You set for the sur - ren - der of my

 

ar - my.

  mf

Yes, in -

  

 

   

 

  

 

                                     6

90   U.G. 

deed:





The

terms that I pro - pose

  

  

6

6

   

  

 

   

are

As

stat - ed in our

   

 

                                      6

6

 R. L. 93

U.G.

 

 

 

6

mf

You

have

in mind

 

the

re - cent cor - re - spon - dence.

 



6

           

mp

              6

 


Act II

173

Scene 1a

  R. L.  95



pro - per steps to

take,

As

I

have;

  and

6

                        

97   R. L. 

 

I

 

 

would sug - gest

 



That

you com - mit your terms

 

 

6

 

 

to

6

                       

 

  R. L.  

99

  

writ - ing,

6

 

 

p



So

that

they

 

may

be

 

for - mal - ly

 

dis -

6

6

                          mp

 

p

 

 


Act II Scene 1a

174

  R. L. 101

I

 

cussed.

U.G.

 

mf

  

Ver - y well,

 

  

I shall

do so.

6

             mp

  

p

  

I

















                

  

 



        



       

 

 

104

107









                





 



(attacca)


Act II

175

Interlude 1

 

Meno mosso q = 96 110

 

p

 

 

                           

                                 

113

 A M. L.   A

The

   





 

  

Pres - i - dent

has had

a

                         p

3

  

3

 M. L.   118

3

 

3

E - liz - a - beth,

3

3

     

dream,

 

 

MARY LINCOLN mp

116

 

 

And

3



    this

3

one

 

most

dis -

                        

 

3

3

3



3

3

3

3



3




Act II

  M. L.   

Interlude 1

176



120

 

turb - ing,

I

3

3

     3

nev - er

 

it

to

me.

3

3



 E. K.  

  

 

  

3

    

3



  

mean

3

seem,

3

3

 

ex - act - ly

what they

                      

  124

B

 

Dreams

3

in

        3

  

me

3

3

p

Let

  

126

had not told

3

122

 M. L. 

wish he

3

3

KECKLEY mp  ELIZABETH E. K.   

                         

 

-





  

 

 

ter - prte for



you.

           

3

  

3

3

3



3

  

mp

He

was

  in

3

3

    

 

the White House,

sur -

                       

 

3

3

 

3

 

3



3



3



  

3

3

   


Act II

  M. L. 

 

128

by

  M. L. 

130

sounds of

si - lence

3

 

Bro - ken

3



 

 



3



C

at length by

3

3





 

 

 

qui - et weep - ing.

3

  M. L.  132

3



3



3



 

He went down - stairs,

  

3

grew,

But

             3

3

  

  M. L.  134

3

 



  

3

 

Un - til

3

3



the

he reached the

all

3

3







   

 

  

sounds of weep - ing

                       

  

a death - like

3

3

 

 

177

                        

round - ed

Interlude 1

     

the mourn - ers were in - vis - i - ble,

   3

          3

3

  

 

  



East

Room.

3



                         p

 

3

3



  

3

3



3

3

  



3



3




Act II

178

Interlude 1

 M. L.  136



 

There

he found a

3

3

 M. L.    D

laid.

3

  

The room

In which a corpse was

3



  

was thronged



3

mp

  

so he could - n’t cross

mf

      



    

the thres - hold.

  

withmourn - ers,

so much

                                    

3

       

                                     

     

3

141

3

  

      M. L.     

cat - a - falque

    

    

                       

long black

138

 

  

mf

                    

     Heasked a guard

  who had

                                      

   

mp

                  


Act II

179

Interlude 1

 M. L.  144

    

 died

in

the White

E

  

House.

    

“Why, sir,

the Pres - i - dent,”

                  

   

        

 

              

   

         

 

 M. L.  146

    

“Shot down

            

 mf E. K.   149

the Pres - i dent,



                                                     

          

How could it be

by an as - sas - sin.”

                      

       

  

the man re - plied,

mp

When

    he

him - self

    

was stand - ing wit - ness?

   

 

      

          

   

   

 





  

         

   

  



mp


Act II

180

Interlude 1

  E. K.  151

    

The ques - tion

is

              

                  F M. L.  153

E. K.

 

mor - bid

 



   

Why

is

he trou - bled

fan - cies

 

When he

by these

           

      

          

     

 

 



has

won

 

mf

You’re

 

his war?

F

        M. L.  155

 

 

   



 

 

  

 

 

   





























 

    

   

 right.



     

All week he’s been

so

dread - ful

sol - emn,



When he should

                  

  

        

              

     

         

mp


Act II Interlude 1

 M. L. 



   



be

re - joic - ing.

157

E. K.

        mf

He

     

 

   

 

181

     

here - in lies the mean - ing of



the

                

161

What

  

he

saw

And

dream:

        

f   E. K. 

wise man.

           

159

a

                              

          E. K.    

is

 

                mf

                

  was the

   

car - cass

of

the

war,

  It’s

                                                                   


Act II

182

Interlude 1

  E. K.  163

dead

 

 

and gone,

 

and

G

 all

     

it’s troub - les

too,

  But

                                  

  E. K.  165

now

 





   he

                       

un - der - stands

 

he

 

  

 

has

to fight

The

                                                                 M. L.  167

E. K.

 

 

     

man - y - head - ed

bat - tles

 

  f

There

 

of

peace.

                                                                 


Act II

183

Interlude 1

  M. L.  169

was

 

   a

   

171

sec - ond dream:



Sail - ing

 

 



He

stood

    

a - board a

phan - tom ship

                           

 

 

 

to - wards

a



   

vast,

in - def - i - nite shore.

                                  

                                

 E. K.   173

                                

  M. L.   

  f

   

And did

 

he stand

           





a - lone?

                 dim.

                                


Act II

184

Interlude 1

 M. L.   175

 

  

mf



H

Yes.

                             H

                               (dim.)

mp

mf

177

                                                                     

179

                                                                 

 

                                    f                                   

181

I


Act II Interlude 1

183

 

185

   



                          

  



                            

185

                                                   

                 J





         

187

189

 

191













mp





 







 

                

  

         

p

        

                       

(attacca)


Act II

186

Scene 1b Meno mosso q = 76

194

mp

 202

mf

mp

mf

                                  

198

mp

 

  

        

  

  

         

A

                                            

p

p

       

mp

                 mp

205

                         mp

p

                          mf

  

208

mp

 

mp

 

 

   

   

  

 

 

 







           p

  

 


Act II

  R. L.  210

B

  

 

Scene 1b

ROBERT E. LEE mf

     

  

“The fol - low - ing terms, to wit:

p

   

187

 

    R. L.  To

du - pli - cate.



Of - fi - cers

mp

       

  

       R. L.    

  



pa - roles

217

 

  Not

to

      

Of the U - nit - ed

   

take arms

       

      



to give their in - di -

    States un - til...”

    

      a - gainst the Gov - ern - ment

       

p



        

Here you seem to have left out a

            

   

  

mp

  



      

       R. L. 

and men

p

mp

215



of fi - cers

  

   

be made

vid - u - al

of all

           

p

213

Rolls

        

p

     


Act II Scene 1b

219   R. L.

188

U.G.

       

word.

Did you

         

use

the word

yes.

  

     

      

I

  

   

 

223              R. L.  you pro - vide me with a pen - cil,

      

   mf

       

   

 

mp

       

 

C

I thought that’s what

if

“ex - changed”?

Why,

 

  

      

 

           

 R. L. 

to

 

221

U.G.

in - tend



   

  

mf

  

With your

per - mis - sion

said. C

     mp

   

   

 

     

 

p

    I

will in - sert



 

 

   







the word.

   

      

      


Act II

 U.G.  225

Scene 1b

  

mf

  

          

 mf R. L.  228

     

    

  

    

  

  

Of - fi - cers’ side arms

 

   R. L.  233

D

  

to be re - turned,

 

 

nor their

      

  

 

 

hors - es.

This done, Each

   

  

of - fi - cer

to re - turn

to their homes.”

  

  

 

           mp

    sfp

mp



 

 

 

  

will be al lowed

in - clud - ing

p

           and man

       

   

pri - vate

p

    

p

mp

 

  Not

          

231         R. L.  p

      

p

     

“Arms and Ar - til - ler - y

 

                loco

p

   

  

Cer - tain - ly.

189

   

 

sfp

        p


Act II

190

Scene 1b

236                    R. L. 

    

   

This will have A most hap - py ef - fect up on my ar - my.

sfp

 

 

U.G.

  

U.G.

                 





less

 

poco rit.

 

you have some chang - es

  to

mp



  

mp

One

mo - ment.

sug - gest.

poco rit.

  



Un -

p

 

cop - y made in ink

  

p

 R. L.

  

mf

242

Up

p

Then I will have A

I dare say

        

239

      

And

sfp

          R. L. on the fu - ture of our coun - try.



E

p

attacca


Act II

191

Interlude 2 244

Più mosso q = 92

                                                                                   

 T. M. C.   248

 

T. MORRIS CHESTER

      I

mp

  



  



251

    

253

A



      

 

           last week in

a

mil - i - tar - y skir - mish

  



  

      

eigh - teen sev - en - ty three.

              

Lou - i - si - an - a

                                     

A - pril



           from Col - fax,

  

            

tel - e - graph

          

     T. M. C.    Twen - ti - eth

 T. M. C.  

mf

   

 



 

Where

          



 

         At least a

hun - dred col - ored

                 

 

 

    


Act II

192

Interlude 2

 T. M. C.   255

men were mur - dered.

        

     

    

  

Dis - pute a - rose

mp

 

 

    



258

     

  



 B       T. M. C.   in Grant par - ish, Named

 



  

   

The

of - fi - cial

 

 

re - sult

 

   

 

  

260

         

 

af - ter

         

          T. M. C.   trapped in - side the blaz - ing court - house, 262

  

                

poco cresc.

    

 

      

our

  

 



      

           

A

       



en - force

     

 

af - ter the last e - lec - tion:

                       

           T. M. C.   black mi - li - tia try - ing to   

       

in - cum - bent Pres - i - dent,

      

 

   

 

Was

    

         Sur - round - ed

    

by

a heav - i - ly

         

    

    

 


Act II

 T. M. C.      armed force

Interlude 2

264

   

 

  

 

193

          

Some from as far

as

                                           

    mf

C             T. M. C.   men from the White Leagues and Ku Klux Klan.

267

 

 

                        p                 

    T. M. C.    Ne - groes

    

270



 

ex - it - ed

mf

       

273

    

  

 

  

 

                            

a flag of truce

 

 

 

and were



                       

 

  

mp

      

Like dogs;

  

The

                              

  



   f

           

Of

                

the burn - ing build - ing Un - der

              T. M. C.    shot down

Ar - kan - sas and Tex - as

  

for - ty

  

  

  

 



 

 

 

 

or so were tak - en

 

 



 

 


Act II

 T. M. C.  

Interlude 2

194

275

pris - on - er

And lat-er ex - e - cut - ed

 

 

 

       

 

 

     



 T. M. C.   278

   

           

in cold blood.

 

  

sub. p

D

mf

    

         in - ter - viewed an

    

 T. M. C.   281

                                   

         

    

                              

       T. M. C.    lay a - mong the corp - ses  

 

mp

  

 

 

 

  

 

   

mf

 

Shot in the face,

 



he

 



              p    

     

  

one

of

mf

            

284

              dim.

f

Ben - jie Brimm, One ofthe few sur - viv - ors;

    

  

             

mp

   

old man,

  

                       

               

mp

 

 

 

               

I

  

   

Pre - tend - ing

  

  

  

 

 

           

  

to

be

 

 

 

  

     


Act II

 T. M. C.  

195

Interlude 2

286

     

 them,

when he heard A horse - man

   

f

say:

 

“This nig - ger

is

not

                 

       

      dead yet,” 288

T. M. C.

 T. M. C.  

          

E

       

        mf

He crawled in - to a ditch

 lay

  

    

mf

  he

                        

mf

mp

  

f

con - cealed All day long

     

             

               

  

And re ceived two more bul - lets in the back.

                 

294

     

mp

291

 T. M. C.  

           

   

mf

       

mf

   as the whites

mp

     loot - ed

the

                         dim.

                    mp

mf


Act II

196

Interlude 2

 T. M. C.       bod - ies. 297

                    (dim.)          

 T. M. C.   300

F

F

p

           

        mp

  T. M. C.    go 

                        

 f

 

EIght years a -

mf

            303

        

mp

        mf

              

mp

    

The lib - er - a - tion

  

 

mf

                                        

               I re - port - ed

        

mp

                        

Writ - ing

    

 

of Rich - mond

   

 

in -

      mf

        

                          


Act II

197

Interlude 2

 T. M. C.   306

         

 side

   

the Cap - i - tol

mf

 T. M. C.   

   

309

  

 

    

mf

        

  

mp

  

                     

 

 

           

        

       

 

   p

             

             

      

mf

             

       

mp

          T. M. C.      strug - gle When it was just be - gin- ning. 

             

Ithought this was the end - ing of a

mf

312

p

 

       

mp

      

   

  

op - ti - mism then!

mp

      

  

  

mp

How mis - placed was my

 

sit - ting in theSpeak - er’s Chair.

                     

      

it - self

   

mp

     

            

mp

        mf

                  

           


Act II

198

Interlude 2

315

       

G

p

                     T. M. C.   318

   

    T. M. C.    dead yet.

  

321

     

  

 

 

  



      

  

This nig - ger

   

 

  

   

 

H

  

 

   

is not

 

              

   

 

               

    

  

  

p

        

  

 

    p

  

 

  

 

  

  



                                   

325

 



   

  

  

 

                                           

329

              

ritard.

   

            

   

 

  

attacca


Act II

199

Scene 2

  

332 L ’stesso tempo (q = 92)

      p

rit.

  

 

 

  

                                   A Più mosso q = 100

335

 

 

 

  



 



p

                             339

R. L.

ROBERT E. LEE mp

There is

one

  

  

mat - ter

I should like

B

ar - my

  it is not





  

  

 



to raise:

on - ly

    p

 

  

p

         

   R. L.  

  

 343

In our

 

         

     

of - fi - cers

  

 who

   

own their hors - es;

 

                               


      R. L.  

200

347

pri - vate sol - diers too,

Act II Scene 2

  

Cav - al - ry - men,

       

  

ar - til - ler - ists;

  

will they

   

p

     al -so

   

be

                                351  C            R. L.   mp ab - le to re - tain theirhors - es? ULYSSES GRANT                   U.G.     

  

Not as the terms

C



p

are pres - ent - ly

 

                             355                  R. L.     U.G. 

No;



I can see that this has been made clear.

  

  

 

                      

 D U.G.   359

       p

 

    

 

mp



   

 

drawn.

p

            mf    

  

 

  

p



I be

                                                  


Act II

 U.G.  363

201

Scene 2

lieve



   p

    

The

    

last

bat - tle of the war



  

  

 

has been fought;



 

mp

 

                                 mf 366 E                U.G.   

  

p



   



And as most

of your

p

    

pri - vate



sol - diers

Are

 

                                      369                      U.G.  

                                                  farm - ers

372    U.G. 

need - ing to plant a

crop,



    

    

  

will not change the terms as now

  

I will ar - range it

   

this way:



    

   

set down,

I

    

But I will

    

                                


Act II Scene 2

202

  U.G.  375 F

give

   U.G.  378





 R. L.  381

horse

  

 

 

    

of - fi - cers

       

 

      

To let all those who claim





 

to own a

                    

     

  

     

       

  

   

 

Take home their an - i - mals to work theirfarms.





   



    

         

G        

mp

That is most grat - i - fy - ing

    

                          

384

U.G.

to my



     R. L. 

  

 

             

    

in - struc - tions

     

      

  

    

It will do much

to rec - on - cile

 

p

    

our peo - ple.

   



   

 

mp



Then

                          


Act II

 R. L.

Scene 2

387

U.G.

    

      

may I have

 

   

mp

203

 

By all means.

 

the let - ter cop - ied?

mp

Good that



  

p

                          

  U.G.  390

you

        

      H

  

speak of

rec - on - cil - i - a - tion,

Gen - er - al;

   

for how

we end the

                                         393                     U.G.       

war

p

  

Will still

 

be felt

 

a

hun - dred years

mp

   

from now.

                   

   R. L.  396

   

to - day

    

 

I know that.

 p

       

  

 

pp

                       attacca


Act II

204

Song No. 2

 q= 96   399

T

  B  

 

q = 96

 

6

6

    

A

hun - dred years a - go

A

hun - dred years a - go

p



p

    

 



p

6

 

 

They

  

They



                                              3 402               T   3  signed a bill to set us free. Meant                 B  3 signed

  

a bill

to

   

 

set us free.

 

Meant

 

6

6

 

 

 



 

6

                                      

                             3 3  noth - ing to the KKK And done no good for Jim - mie Lee                             B  3 3 405

  

6

6

A

6

T

noth - ing to the KKK

A

   

 



And done



 

no good

  

6

for Jim - mie Lee



 

 

6

 

 

                                            6

6

6

6


  408

S

A

T

B

  

Act II Song No. 2

  

  S  411

   

A

hun - dred



  

A

hun - dred

mp

  

  

 

      mf

mf

mf

and

  



we ain’t

free



we ain’t

free

     

 

 

We’re

 



We’re

 

hun - dred

years

and

we ain’t

free

We’re

hun - dred

years

and

we ain’t

free

We’re

 

 

 

 

 

  

 

  

 

 

 

6

6

                                        6

6



 to

 

        

    

         



to

Mont - gom - er -

 

  

Mont - gom - er -

mp

 

 

     

 

A hun - dred

y

 

years

and



A hun - dred

 

years

           mp

to

y

mp

march - ing

to



mp

Mont - gom - er -



6

   



205

    

years

Mont - gom - er -

mf

and



6

march - ing

   

 

years

  

mp

    

march - ing

B

A

march - ing

T

mp



  

A

A

mp

and



 

          

years



and

y

years

and

y

A hun - dred mp



A hun - dred

  

6

6

 

 

p

 

6

 

   

                                    6

6

6


Act II Song No. 2

206

 S  414

  



we ain’t

free

   

A

     we ain’t

free

T

  



B

we ain’t

free

   

 

mf

 

  

free

We’re march - ing

mf

 

mf



  

 

mp

6

  

 

  

  

    

  

Mont - gom - er - y.

to

 

    

to

to

 

  

 

   

Mont - gom - er - y.

We’re march - ing

Mont - gom - er - y.

Mont - gom - er - y.

 

 



  

6



6

                       

            6

6

6

B

  

  

Jim - mie Lee’s Grand - pa

Jim - mie Lee’s Grand - pa

   

to



 

 T    B 



We’re march - ing

 

417



We’re march - ing



we ain’t

 

mf

B

 

 



 p

     6

 

 

 

6

 

 

                                          3 6

6

6


Act II

207

Song No. 2

   T    Cag-er     B 

   

Was shel - ter - ing

     

in

Mack’s Ca - fé

Was shel - ter - ing

in

 



Lee

Cag - er

  

  

 

420

Lee

  

 

 

 

 

  A

  

  

Mack’s Ca - fé

 

 

6

6

A

   

 

6

                                       6

6

  T   man    B  man

   



of nigh

  

on

eight



-

of nigh

on

eight

-



 

  

423

 



6

      

 

         

          

y three

They kicked

and beat

him

y three

They kicked

and beat

him

  

6



 

 

6

6

 

 

                                                 6

6

6


Act II Song No. 2

 S 

208

426

  

        

  

         

Jim - mie Lee

     an - y

T

B

A

-

an - y

 

  

way

  

-

way

 

  

 

6

        

Vi

and his Mom - ma

Vi

 

 

 

 

Vi

and his Mom - ma

Jim - mie Lee

    

        

Jim - mie Lee

Vi

and his Mom - ma

  

  

 

6

   

6

                                         

 S   429

6

6

too

       

T

            And his lit - tle sis - ter Em - ma

mp

And his lit - tle sis - ter Em - ma

too

mf

  B 

  

mp

mp

too

        

 

 



 

And Cag - er

           And Cag - er



 

went

to



 

went

to



 

          

went



to

too

went

to

mp

mf

And his lit - tle sis - ter Em - ma

And Cag - er

         

mf

 



mp

         

A

6

         

mf

And his lit tle sis ter Em - ma

and his Mom - ma

Jim - mie Lee

  

6

6

 

And Cag - er

 

p

 

 

6

   

                                          6

6

6


Act II

 S  432



  

church

to try

  

A

    church

B

  S 

    

like you

mf

reg - is - ter to vote

  

like you

  

mf

   

reg - is - ter to vote

like you

      

To

to try

mf

    

To



  

 

church

to try

To

 

reg - is - ter to vote

 

  

 

  

To

to try

  

    

mf

 

  

church

T

209

Song No. 2

 

reg - is - ter to vote

  

mp

 

 

like you

 



6

6

 

hun - dred

 

 

 p



    

years

     

  

6

years

    

hun - dred

mf

hun - dred

years

hun - dred

years

mf

C



C

mf

A

  

6

      mf

A

 

                                                      

A

B

   6

A

T



6

6

435

A

 

  mf

 

  6

  

we

  we

 

we

  

we

 

                                        6 6

6

6


Act II Song No. 2

210

 S  

   

still

ain’t free

438

 

A

still

T

B

   still   still

  

  

ain’t free

     

 

  

We’re march - ing

 

   

 

 

to







We’re march - ing

 

    



  

Mont - gom - er - y

        

  

to

Mont - gom - er - y

 

  

  

ain’t free

We’re march - ing



to



Mont - gom - er - y

ain’t free

We’re march - ing

to

Mont - gom - er - y

 

 

 

 

 

 

 

6

 

    

 

 

 

6

  

mp

                                               

  S  441

Give

 

A

B

6

  

Give

 

  

us our vote

mf

  

   

free

In

mem - or - y

  



let

us rise

us rise

 



In

mem - or - y

us rise

free

In

 

mem - or - y

let

us rise

free

In

mem - or - y

 

 

 

     

free

let

 

6

     



  

us our vote

 

 

let

us our vote

 

 

  

       Give us our vote      Give

T

6

6

 

  

 

of

of

of

of

 

 

6

6

6

 

                                                 6

6

6


Act II

211

Song No. 2

    S  444

Jim - mie

A

  

Lee



D

Jim - mie

     Jim - mie

Lee



   B  

Lee

They

hauled

them off

Jim - mie

Lee

They

hauled

them off

T

 

 

 

 

 

  

D

mp

  p

  

  

 



6

   

in - to

  

  

 

the rain

And

 

in - to

the rain

And

 

  



6

 

6

                                            3 6 6

      beat them

T

till

    B 

 

till

 

6

 

   



they heard



beat them

   

   



447

the break

  

  

the break

 

  

6

 

 

bones

are



 

bones

are

Old Cag - er’s

 



Old Cag - er’s

  

they heard

 

 

 

 

6

 

                                    6

6

6


  T   dry   B 

Act II

212

dry

   

Song No. 2

   

450

 

  

like cane

He said

   

like cane

He said

  



 



it

sure



was

 

hard

it

sure

was

hard

 

 

6

453

A

B



  

Jim - mie

Lee

   





Lee



Lee

Jim - mie

Lee

 

    

  

to take



to take

 

     



6

    Jim - mie 

 

  

6

                                              

Jim - mie

T

 

6

6

 S 

 

  

 

  

6



 

took

them off

 

them off

 

took

 

the street

 

 

 

took

them off



 

took

them off

 

  the street

the street

 

the street

 

 

6

                   6

6

6

 

     


 S  455

mf

Act II Song No. 2

   

   

Thought they’d be safe

A

mf

in

  

B

  

Thetroop - ers

had

been

mp



 

     

in

   

Ca - fé

  

     

had

mp



been

Thought they’d be safe

in

Ca - fé

Thetroop - ers

had

been

 S  458

 

 

  

Mack’s

Mack’s

 

Thetroop - ers

had

been

mp



 

     Thetroop - ers

  

 

 

 

 

p

   

6

6

                                    6



   to

    told

to

 

to

beat



 

told

to

beat

  

 

  6



An



-

An

-

 

  

mf



An

   mf

 

head



they

y black

head

they

y black

head

they

y black

head

they

y black

 

mf

An



 

mf

            6

mf

beat

6

6

beat

  

told



Mack’s

6

  

in

  

told

Ca - fé

 

  Thought they’d be safe mf     

B

mp

  

mf

mp

T



   

Ca - fé

  

A

Mack’s

  

Thought they’d be safe

T

  

213

-

-

 

 



 



   

  6

 



            6


Act II Song No. 2

   S 

214

  

460

found

    found    found

T

B

  

  

  

 

  

  A

  A

  A



  



 

6

 

 p



 

 

6

                                                6

6

      

years

hun - dred

years

      hun - dred    

years

hun - dred

   E

mf

6

6

hun - dred

B

 

that day.

463

T

that day.

 E    S   A

A

that day.

found

 

that day.

 

A

   

 

 

  



 

we still

  

ain’t free

We’re march - ing

to

Mont

we still

  

ain’t free

We’re march - ing



Mont

  



to

   

years

 

   

 

     

 

   

 

 

 

 



   

we still

ain’t free

We’re march - ing

to

Mont

we still

ain’t free

We’re march - ing

to

Mont

 

 

 

 

 



  

 

6

 

 

                                      6

6

6

6

6


Act II Song No. 2

    S 

    

466

gom - er

A

T

    

- y

     gom - er

 

 

 

 

gom - er

- y

- y

 

 



 

 

 

 

A

gom - er

 



 

1st time

- y

   

  B  

1st time

A

215

1st time

A

1st time

 



The troop - ers

     mp

A

 

   

mp



The troop - ers



  p

mp

 





                              3 6 6

6

       T   fol - low them to Mack’s       B 

  

468

fol - low them to Mack’s

   



 

  

    

right in

And start

right in

And start

 

 

    

  6

6

    

Vi

to beat up

Vi

to beat up

    



 

 

    6

 

                                       6

6

6


216

    471

T

  B     

Act II Song No. 2

  

       

 

       



a

thought

that

that

And that’s

when Jim - mie Lee at - tacks

With - out

   

And that’s

when Jim - mie Lee at - tacks

With - out

a

thought

 

 

   

 

6

 

 

 





  6

 

 



6

 

 

                                                 6

 S  474

6

mp

  

6



The blood runs down

A

 



  



die

  

he might

die

  

  

The

     he might

T

B

mp

     

 

  

 

6

face

The

    



 

Mom - ma’s

   

his

 

The blood runs down

 

Mom - ma’s

his

The blood runs down



his

blood runs down

   

  

 

his

 

 

face



The



Mom - ma’s

 

face

The





 

Mom - ma’s

face

The

   

 

  6

6

 

                                                      6

6

6


 S  477

   

A

 

B

  

mf  

480

  

mp

 

 

B

   

his gun

and pulls

his gun

 

 

             mp

Been taught

the

mp

Been taught

to hate

the

              mp

Been taught

   

to hate

         

  

to hate

the

 mp          Been taught

  

6

 

  p

to hate

 

 

the

 

6

6

                                            

     

mf

        



Can’t see



this is

Can’t see

this is

race

      race

 

 

mf



Can’t see

 

  

mp

some Moth - er’s

       

Can’t see

 

mp

  mp

         

mp

 

some Moth - er’s

some Moth - er’s



 

son

son

  

6

6

son

 

this is

son

  

this is

 

mp

some Moth - er’s

          

mf        

race

  

  

    

mf

race

col - ored

6

6

6

     col - ored

  

his gun

and pulls

turns

217

  

and pulls



mf

col - ored

  

turns

   

T

  



col - ored

A

his gun

turns

troop - er

   

 S 

and pulls



troop - er

turns

mf

troop - er

T



   

mf

troop - er

Act II Song No. 2

6

 

                                             6

6

6


Act II Song No. 2

 S 

218

483

     mf F

  

The Troop - er

A

fi - res

at

    

fi - res

at

fi - res

at

      

  

 

fi - res

at

    

  

mf

The Troop - er

T

B

 

mf

F



 



 p

6



  

6

 

 

    



6

6

6

 

 

 

  



Jim - mie

   

Lee

And hits

him

in

the gut

Jim - mie

    Jim - mie

Lee

And hits

him

in

the gut

Lee

And hits

him

Jim - mie

Lee

And hits

  

  

  

   B  

 



                                                       3

486

T

 

    

The Troop - er

A

mf

The Troop - er

  

S

 

  

 

 

 

 

     



  

     

down low

  

down low

in

 

the gut

down low

him

in

the gut

down low

 

 

 

 

     



6

6

6

 

                                    6

6

6


 S  

Act II Song No. 2

told

him

    Some - one   

told

him

could it

told

him

Some - one

Some - one

 

A

B

   

 

219

 be

   





that

will

make

you

  

be

That

that

will

make

you

could it

That

that

will

make



you

told

him

  

be

could it

be

That

that

will

make

you

 

 



 

 

 

 

6

could it

   That

Some - one

T

  

489

  



 

   

            

6

       

6

  

                                                

 S   492

T

B

6



die

real

slow

die



real



slow

die

 

real

slow

die

real

slow

A

6

 

 

  



   G

Jim - mie

Lee

  



   

    

 

runs

runs

 

Lee

 

 

out

out

  

Lee

Jim - mie

  



Jim - mie

G

  

runs



Jim - mie

 

 

Lee

  

6

runs

 

out

out

 

in the street

  

  

in the street

in the street

  

in the street

 

 

6

6

  

6

 

                                          6

6

6


Act II Song No. 2

 S  

220

         f

495

“Get that nig - ger”

 

A

f

the troop - ers cry

              “Get that nig - ger” the troop - ers cry f              the troop - ers cry

f

B

“Get that nig - ger”

        S  498

 

mf

  

  

 

    

don’t

  

than

last more

than

last more



don’t

 

mp

 

 

 

 

6

 

feet

feet

  

  



feet

 

 

6

6

feet

fif - ty

than

mf

6

  

  

  

  

f

 



      fif - ty 

last more

 

  

He

  

6

fif - ty

B

 

don’t

  

mf

the troop - ers cry

 

than

  

He

last more

                                         

    

T

 

don’t

mf

He

6

fif - ty

A

  

   He

          

“Get that nig - ger”

T

mf

They club him down

 

f

   

They club him down

  

f

They club him

 

f

  

down

  

     and let him lie

   mf

 

mf

    

mf

and let him lie

and let him lie

     

mf

and let him lie

 

 

 

  

6

6

    

They club him down

 

mf

6



                                    6

6

6


 S 

Act II Song No. 2

501

 

 

 

mf

A

A

mf

A

T

B

 

A

     S  504

 

 

 

B

6

troop - er

beats him

       

troop - er

beats him

               

troop - er

beats him

troop - er

beats him

 

 

 

 

6

     

     

  

6

6

6

with his stick

mp

 

 

       

                                                 

        with his stick 

 

6

with his stick





      

T

   mf

A

with his stick

A

mf

221

 

 

And the

last word f

 

f    

And the

 

   

 

last word

And the

And the

 

f

that they hear

him say

  

  

mf

  

Was

  

mf

  

him say

that they hear

   

him say

that they hear

him say

that they hear

last word f

   

  

last word

    

 

mf



 



  

6

6

6

 

mf

Was

   

mf

Was

 

Was

 

                                                 6

6

6


 H S  

Act II Song No. 2

222

507

“No

A

“No

T

B

I did n’t

      

Meant

noth - ing

   f

Meant

   noth - ing



 

to



the

to

the

 



f

 

I did n’t

throw no brick”

Meant

noth - ing

to

the

“No

I did n’t

throw no brick”

Meant

noth - ing

to

the

mp

       

 

 

 

K

K

K

 

K

K

K

   K  

K

K

K

K

K



  

 

mf

 

 

f

  

   mf



 

 

 



6

6

            

6

mf

 

 

6

 S  

     

               

510

throw no brick”

I did n’t



   

B

      

    f

   “No     

T

throw no brick”

     

H

A

     

   

6

6

 

 

mf

A

mf

A

mf

mf

 

  

mf

A

mf

A

 

  

 

 

6



 mp

 

 

6

 

                                                6

6

6

6


 S   513

Act II Song No. 2

hun - dred years

 

A

hun - dred years T

B

 

hun - dred years

 

hun - dred years

  mf

 

 

   

we still

  

we still

         

   

ain’t free

  

ain’t free

     

 

223

  

We’re march - ing

 

   

 

 



 

to

Mont -







 

We’re march - ing

to

Mont -

 

we still

ain’t free

We’re march - ing



to



Mont -

we still

ain’t free

We’re march - ing

to

Mont -

 

 

 

 

 

 

 

 

 

6

6

 

 

6

                                    

    S 

6

6



  

y

Give

us our vote



  

Give

us our vote

516

gom - er

A

-

   gom - er

T

-

     gom - er

   B  

-

gom - er

 

y

 

 

 

   

free

In

free

In

  



 

   let

  

let

us rise

 



us rise

  



y

Give



us our vote

  

let

us rise

free

In

y

Give

us our vote

let

us rise

free

In

 

 

-

6

 

 

mp

 

mf

 

 

 

 

6

6

 

 

                                              6

6

6

6


Act II

224

Song No. 2

 S  519



 

mem - or - y

  

A

 

mem - or - y

    mem

T

B



 

- or - y

 

mem - or - y

  

  

of

Jim - mie

Lee

  



 

of

Jim - mie

Lee

  

of

Jim - mie



Lee

Jim - mie

Lee

 of

 

 

 

   

 

 

6

 

mp

6

                            6

6

attacca


Act II

 

     

 

521 Più mosso q =112

    525 A

 

 

mp

p

p

B



   

have



 

a thou - sand

fed - er - al

               

 pp



      3

pris - on - ers,

      

Gen - er - al;



                                              

I

     R. L.  537

                             p

 

sfp

mp  ROBERT E. LEE   R. L. 

534



sfp

         530    

 

225

                                                           

mp

  

Scene 3

          mp         I should like to ar - range their

                            6

6

                     

p

 

     


Act II Scene 3

226

 R. L.  540

 safe

  

re - turn

As soon

  

   

       R. L. 

   

 

fess

I have

    

as pos - si - ble:

 

 

 

I must con -

 

 

 

pp

6

pp

      

no

  

ra - tions

6

                  

for them.

 

C

    



Nor in - deed

for my own men.

                                U.G.  546

 

 

          

 

6

6

       

       

     

ULYSSES mp GRANT

I can ar - range

 

       

   

 

                       

  

543

     

  

p

for ra - tions to be sent

 

 

 

 





A - cross the lines

 

pp

 

 

at

 

                    pp

6

         

6

     


Act II

  U.G.  549

once

   p

for,

let

us see,

   

  R. L. U.G.

6

p

                   

552

     

      

     mp

Oh, plen- ty,

plen - ty, an

is that e - nough?

     

   

 

 

 

 

Twen - ty - five thou - sand men,

                          6

227

mp

 

a - bun - dance,

 

   

 

       p

thank you.

 

pp

                    

   

6

6

            

           

pp

   

D                                6 6 p                      

555

559

 

 

 

 

 

   

   

   

pp

                                     

pp

6

6

6

                       


Act II Scene 3

228

                  6 p               

562

 R. L.  566

                 6      pp              

   

  

  

3



 

6

p



  E.P.          R. L.  573

 

 

6

 



Good to see

 



 

         

  

 

 

 mp

Of course we are.

    

3



6

      

We are all A mer - i - cans, sir.

 

a real A -

   

 

mf

   

   

  

      







mer - i - can pres - ent.

6



                          

 mp       E.P.   Par - ker, sir, E - ly Par - ker.   R. L. 

 

mp

Col - onel...?

6

570 ELY PARKER

E

           

     

  



 

 

   

6

   

 


Act II

  R. L. 576

U.G.

F

  

 F

   579



  

    

  

mp

Why, yes sir,



p







6

  

My



 

 

   

 

 

u - ni - form my

lack

of sword,

 

6



581

U.G.

 

 

boots:

I

6



 

 

to

 

 my



    

 

mp

 

I



did - n’t want

 



 

6



 R. L.

6

                       

                       

     

and sir, I

3

6

hope you will for - give me

6

     U.G.

      

And now, if you’ll ex - cuse me...

 

229

Scene 3

keep you wait - ing here.

3

6

6

6

                          
















Act II Scene 3

  R. L. 

230

583

un - der - stand,

6

I’m



 

 

 

ver - y

 

glad

of it.

6

6

   

                    

 





 



 

 

 

G Poco meno mosso q = 104

585

        mf sost.   

                  

       



 

590

                                    

 H Voice  595

H

     

R. L.

 

p

 

  

mp

600

 p  

   

VOICE mf

 

 pp

  

      

 



 

mp

                I

 

Are we sur - ren - dered?

 

       

 

 

   mf

Boys, you can

   

go home



now;

                                   


Act II Scene 3

 R. L.  604

 



231

mf

And

if

608

cit - i - zens

 

you

make

As good

 as

  

you have sol - diers,



  

You

will do well.

                       

 R. L.  611



mp



I...

 

  

I

have done

 the

                       

      R. L.  614 J

best I could for you.



                               

    R. L. 

p



   

 

My

heart

is too full

to

                       


Act II

 R. L.  

Scene 3

232

617

say

 more.

  p

               

620

       

                               

623

Più mosso q = 120

                               

  

mp

625 K

 





 









   

                                 

     mf





 

  

dim.





  

627

                               

     (dim.)





 





 

629

 

                               

    

 

 

 

mp







 


Act II



Scene 3

631

Cap.

W.M.

Cap.

W.M.

CAPTAIN

f

 

How much for

 

233

the chair?

 

WILMER MCLEAN f

It’s

                                                    633               

   not

 

I’ll

give you twen - ty

dol - lars.

for sale.

                                                   635 f BRIGADIER       Brig.   For - ty.          W.M.  Not

for sale,

I

say.

                                                        

637

                                                   


Act II Scene 3

234

                                            

639

L

   

         

f

       

      

                                                                   

641

  

                       

                                              

643

  

645

                   

M

    

 

           

  

                       

 

 

                                             f

  

         

f

         

647

      

 

       

     

                   

 

                                                                      

                       


Act II Scene 3

              

 

649

 

            

     

235

 

                                              

 

       

           

                                      f                                

651

653

  655

  656

N

   

                                mf

cresc.

     

   





 

               

  f

 

   

 

 



                 

 

                                    f                               

658

O


Act II

236

Scene 3

660

  662

                                mf

cresc.

 

 

  663



 

 

f

665

    

 

P

 

 

   

 

               

 

667

   



                 

 

                                              f                                                

               

                     

       


Act II Scene 3

668

 

237

                       

 

                             669

 

               

                          

   

                                                        

670

  

671

Q

   

 

  

 

 

 

                f

                       

672

 

   

 

 

 

 

 

                       

 

     

 

                                         


Act II Scene 3

238

  

673

 

  

 

   

 

               

                       

674

 

   

 

   

 

 

 

                       

 

     

 

                                              

675

 

   

 

 

 

               

                            

676

  

 

 

 

 

 

 

     

                                                            


Act II Scene 3

R      

677

 

 

239

 

                                       

680



 

 

 

682

S

 

  

  

   

   

 

  

   

        



 

  





 

   

 

 

 

   

    

 

                                                    mf

  

  

686



   

  

 



                                         

    

  

 

rit. (2nd time)

690 T

  

  

 

  

  

 

  

  

 



                                   mp

   

694

U

Meno mosso q = 96

p

  

  

  

                   

attacca


Act II

240 698

q = 76

     

 

 E.R.K. 

  

706

mp

702





 



 

Scene 4 

p

  

 





 

  

  



        E.R.K.  710

They can do what they like

               E.R.K.  713

   to

I

me,

I can tell you,

            



dim.



   

told them:

                 

Iain’t say - ing a word.

        

               



     

                           

But you,



      p mp                         

  







EDGAR RAY KILLEN mf

   A





mp



dim.



 

 

    

 

    

          I’m proud of what I done.

                 



     


Act II Scene 4

 B  E.R.K.  716

  

I been a

  

  

   E.R.K.  720





 

        





 



  

more

than fif - ty

    













 

















 



 

 

For

   

years.



  

    





 

all through - out this coun- try

            

 

     

                       

   

of God:

      

I’ve pas - tored church - es

722    E.R.K. 

 

A man

  

   

   

   

  



I’m

   



by most ev - ery - one,

 

  

jack - leg preach - er all my life,

        

well thought of

    

 

                

718   E.R.K. 

241

I’m

a

 










Act II Scene 4

242

 C  E.R.K.  724

Più mosso q = 84

good

  

sol - dier,

p

pp

  

    

from the Im -

        



 

pp



p





He

  

pp



 

is - sues me an or-der num - ber four,

 





  





       

                       

p



 E.R.K.  730

Get a call

          

Wi - zard;

    

  

what I’m told.

p

 



pe - ri - al

do

    

  

                       

727      E.R.K. 

I

  

         

  

  

  





pp

D

 

 





   

Says there’s these trou - ble- mak - ers

       

          

                   p

pp poco cresc.





















 





pp




Act II Scene 4

   

733   E.R.K. 

from

p

    

may - be

 E.R.K. 

  

 

p







 

  



pp

p





      

      

 

   

pp

 

     

I mis - re - mem - ber,

 

    

 f

or

          



nig - ger,

   



739

 

        

it was two Jews and a

   

 

        

736

   

pp

   

 

  

A Com - mie and a Jew - boy and a nig - ger,

   

   

  

E.R.K.

             

out - side:

    

243





   



pp poco cresc.









         

Scum of the earth, which - ev - er way you cut it.

       

        p









 mf  

   

   

   

   

   

   

                 sim.            


Act II

244

Scene 4

742      E.R.K. 

  

Civ - il rights

     

   

   

   E.R.K.   745

work - ers:

        

He says he wants their

                              

  

rear ends

     

      

   

   

   

   

rit.

tore up.

                                                                   

  E.R.K. 

748 E Più mosso q = 88

 

  





 



I

call



  

           

my guys and tell them:

  







                                   

pay - day’s

   

com - in’.

  I

 have



my dep - u - ties

ar

  

                               

mf

  E.R.K.   750

f

mp

                            

 

 

 


Act II Scene 4

  E.R.K.   752

 



rest them,

 

 

   

  E.R.K.  754











   

 

245

                  

Throw them

in Nesh - o - ba

Coun - ty



                                    

                                                                    756                   E.R.K.  Jail,

got

 

 

So



the



doz - er



I

could fig - ure



ov - er



to





out

a

the dam:

 

plan.

 



I





 



Then we



                            758           E.R.K. 

re -

 

                                                                      760  F                 E.R.K.   leased them,

on - ly prob - lem was

                              may - be

beat too heav - y





with them

                

chains

 

they

They say

the

nig - ger

                


Act II

246

Scene 4

   762

E.R.K.

   

was

 

 

a lit - tle dent - ed,

  

Which was - n’t

too smart,

  ’cause

                                                                    

    764

E.R.K.

he

 

 was

 

the driv - er:







  

 

 

 

766

   

drive,

 

   





  

 

 

no harm done.

he

  

    

so

 

Turns out

  

  E.R.K.  

  

 

   

  still can

 



 

 

 

They

                                    

                                   

 G E.R.K.  768

  

cut them

 

 

off

out



on

 

 

High - way

Nine - teen

 

 

And

 

  



                              

   



                            


Act II

247

Scene 4

  E.R.K.  770

rode

their ass - es

down on

  

 

      

    

Rock

Cut

 

 



Road.

 

                                                                       E.R.K.  772

ff

 

   

Wayne Rob - erts dragged the Jews

 

  

 



from

 

  

     the pat - rol car

  

And

 



 

                          

774    E.R.K. 

                    

         

    

shot themnig - ger - lov - ing bas - tards dead.

  

   

 



 

Jim - my

  

 



Jor - dan was

 

                                   

                          


Act II

  E.R.K. 

Scene 4

248

776

    

sore that

 

  



 

 

 



 

 

 

poco rit.

  

 

 

                            

  



 







Meno mosso q = 84





     

        

      

 

  mp

They                                   

       mp

      

 

p

784           E.R.K. 

     

  

drove the bod - ies ov - er to the dam



he guessed that was

mp

 H E.R.K.  

 

  

780

But said

 

                          

bet - ter than noth - ing.

                                

       E.R.K.  778

  

he got the nig - ger,

 

 

       And dug them in

               

       mp

 

p

mp

  

  

 

p

  mp

    

down where the

      


Act II

   E.R.K.  787

          

sun don’t shine

   p

    

  E.R.K.  790

      

  

   

       

   

 

p

  

 

I      

  



You did - n’t

get no

more

             

mp

 

p

 

     

         

Sure,

    

it was Fa - ther’s Day,

mp

796

    

 

    

but that’s o. k.

p

     

      p

mp

  

                           

None of them was fa - thers, Or

p

         E.R.K.  

 

     

      

trou - ble out of them.

      

     

mp

       

 

793

mp

A pret - ty good day’s work.

     E.R.K.   

          

 

      

      

In fif - teen feet of Mis - sis - sip - pi clay.

    

p

249

Scene 4

p

pp

no, the nig - ger was,

p

but what the hell.

pp


Act II Scene 4

250 799

               

       

p

 802

 

p

 

J

   

I’m

pp



 

mp

     

pp

   E.R.K. 



 

   

there’s

p



   

a man



  



  

    

   

  

so’s

  

 



       

   



 

p

the guy

who

mf

Now

  





  

 

   

   

I’d like to shake by the hand.

 

 

But

fin - ished Rev - erend King,

810



807

in jail,

    E.R.K.  

mosso q = 76  Meno    E.R.K.  

rit.

pp

So,

 

804

p

 E.R.K. 

pp

    




Act II Scene 4

  E.R.K.  813

 

We’ll

 

   

816

ev -’ry cause



 

  

  

 

  



825

 

  





  

  



  

am I right?

 









 



  

 

   

p



rit.

pp

  

   

   

   

  

   



And

   

mp

   

  mp

fight the fight

 

  

    

   

822

p

to

needsmar - tyrs,

  

819

    

   

 

   

     

 

do what - ev - er it takes

      

    E.R.K.  

     

251

   

 

  



 attacca


Act II

252

Epilogue Più mosso q = 88

828

 

p

  

 

                                   832

 



  p mp                                   J.G. 

836 A

JULIA GRANT mp

   

  

 

“War is al - ways sor - row - ful,” he said

                 

 J.G.   839

                

      

           

  And

                

stepped in - to the morn - ing.

                                                                                     

 J.G.   842

mp

War

    is

    

al - ways

                     

sor - row - ful

       

  And

                                                 


Act II

253

Epilogue

  J.G.     845

this war

      

the most sor - row - ful

               

 J.G.  848

all.

 

   

                

 

B

Nev - er

be - fore

had

     

  J.G.       851

                     

 

       

of

                                             

so much blood been drained,



    



U - lys - ses

said

                   

              

  854

J.G.

   al - ways

  



    

     trust - ed in his

   

  He

 p

mp

                          

fel - low man,

                      

it

    

nev - er would a - gain.

 



   

Nev - er

  

heed - ed

 

the

                                  


Act II

  J.G.         

254

Epilogue

 

857

words of Mis - ter Lin - coln,

             

 C J.G.   860

     

  

Who

once said:

  

        

mp

p

               

      

“Hu - man na - ture will not change,



What

   has oc - curred

 

must

                       sub. p

                        

   J.G.   863

ev - er

  

re - cur.”

                         pp

                         dim.

866

                         mp sost.

dim.

                         869

           

  

                                 (dim.)

pp


Act II

255

Epilogue

872

  

p

  

 

                                     876

 

 

mp



p

                                 

880

D

 

 



 

 

 

 

 





                                       

884

 

                                    

rit.

888

                                


Act II

256

Epilogue

 E   S  

a tempo

892

A

  

     

   

War

is al - ways

sor - row - full



    

  

mp

mp

War E a tempo

is al - ways

And this

   

sor - row - full

   



And this

        

895

war

the most

 

war

  

mf

sor - row - ful of all.

Nev - er

     

mf

  

sor - row - ful of all.

 

the most

                

       S  A





Nev - er

      

be - fore

be - fore



 

had

 



had

mp

                           S     898

so much

A



  

so much

  

  blood

   

been



 

blood

been



mp

drained

 

  

  

mf

Nev - er mp

drained

mf

  

Nev - er

 p

 mp

      

be - fore

be - fore

 

 

had

 

had

                         


Act II

257

Epilogue

  S    

         

901

broth - er

A



thus

  

thus

  

 S   

   

mp

   

killed broth - er





p

                         

904

A

killed broth - er

     

broth - er



mp

 

mp



   

  

And

this

is not

the

mp

mf

  

 

And

 

  mf

 p



this

 

mp sost.

is not

   

the

last

last

    



time

time



  

                          

     907

S

What has

A

  

What has

  

   

oc - cured

      

must ev - er re - oc - cur.

oc - cured

      

must ev - er re - oc - cur.

   

           

  

p

                               


Act II

258

Epilogue

 S   

 

 

 





will not

be

the

last

time

p

910

This

    p

A

This

   p    

  S  912

A



will not

be

the

  

     

 

  

last

time.

last

time.

  

 

    F S 



a tempo



the



    

time

the

   

  





  

 

rit. (2nd time)

 

rit. (2nd time)



last

   



 

914

 

  

  









 p

 

ah

A

  

p

ah F a tempo

 

p

6

6


Act II

259

Epilogue

 S   

 



da

da

da

da



da

da



da

da

da

da

  

  

 

 

 

 

916

   

da

A

da







                                 6

6

6

 S   918

da

A

 

6

 



 



da

da

da



 

da

da

da

da

   

  



  



                               6

6

6

6


Act II

260

Epilogue

 S    920

G p

da

   



da

da





da

da

 

da

da

da

 



da



da



da

da

da

da



da

da

  

  

  

 

 

 

 

   

p

A

 



mf

G

p

mf

mf

                                            6

  S  

 

da

da

 

 

923

A

6

6

6

6

6

 



 

da

da



 

da

da

da

da

 

   

 

   

6

                                     6

6

6


Act II

261

Epilogue

  S 

 

da

da

925

A

 

 



  

   

 

da

da







mp

                        

    

6

6

6

 

 

mp

 

 

6

 

6

                                   

 S   929

mp

6

927

p

da

6

6

 

pp

 

da



 

da

 da



 

  

  



unis. p

A



mp

pp

pp

                                    

p

6

6

6

6


Act II

262

Epilogue

 S   931

p

da

 

da

pp

 

da

 da

 

  

  

p

A

 

p

pp

pp

6

6

                        6

6

Glass APPOMATTOX (vs, 2007)  

Opera; Vocal score; Dunvagen; 35412

Glass APPOMATTOX (vs, 2007)  

Opera; Vocal score; Dunvagen; 35412