Page 1

Anthony Davis

AMISTAD opera in two acts (Reduced Instrumenation)

Libretto by

Thulani Davis Full Score Act I

from the G. Schirmer Rental Library date of printing ________

G. Schirmer, Inc. New York, NY


Anthony Davis

AMISTAD opera in two acts

Libretto by

Thulani Davis Full Score Act I Overture ......................................................................... Scene 1............................................................................. Scene 2 ............................................................................ Scene 3 ........................................................................... Scene 4 ........................................................................... Scene 5 ............................................................................

OV–1 1 41 164 206 266


Cast of Characters

The Trickster God, an African deity .................................................................................... Tenor Cinque, African captives’ leader ....................................................... ........................ Bass-Baritone Rep. John Quincy Adams, lawyer for captives ......................................................................... Bass The Goddess of the Waters, an African deity ....................................................... Mezzo-Soprano The Navigator ........................................................................................................................ Tenor

Abolitionist Tappan .............................................................................................................. Tenor The Phrenologist .................................................................................................. Character Tenor Antonio, slave cabin boy .................................................................................................... Baritone Kaleh, captive, male ............................................................................................................... Tenor Margru, captive, female ...................................................................................................... Soprano Grabeau, captive, male ....................................................................................................... Baritone Burnah, captive, male ................................................................................................................ Bass Kinnah, captive, male ............................................................................................................. Tenor Bahia, captive, female .................................................................................... Lyric Mezzo-Soprano American Lieutenant, a merchant seaman ........................................................................ Baritone The Judge ........................................................................................................................... Baritone Don Pedro, a Spanish slave trader ............................................................................................ Bass The Spaniard, a government official ......................................................................................... Bass President Van Buren ............................................................................................................. Tenor Southern Senator ............................................................................................................... Baritone Abolitionist Lawyer ........................................................................................................... Baritone Ship Cook ................................................................................................................................. Bass Four Reporters ................................................................................... 2 Tenors, 1 Baritone, 1 Bass

Synopsis

ACT I Scene 1: “Cloth for the Dead” The Spanish schooner Amistad, out of Cuba, drifts off Long Island. The “ghost” ship is legendary—taken over by slaves, haunting eastern waters. Aboard ship is one who shapes their fate—a ragged, boastful African deity. The Trickster God is the spirit of rebellion, uncertainty and mischief. When humans meet him, they are apt to lose their way. This Trickster has been led astray himself, and the torturous Middle Passage journey has blinded him and weakened his powers. Claiming that he will yet prevail (Aria: “The unknown is my realm”), the Trickster asks for help from the Goddess of the Waters. He hears the ship’s two hostages, a navigator and a slaver, scheming. They tie the helm on a northerly course, as they have every night. The African leader Cinque discovers the trick and realizes they have not headed to Africa, but zigzagged north towards another fate. (Duet: “We’re drifting”) When the ship runs aground, an enterprising seaman discovers them and seizes the ship to sell the Africans as salvaged cargo. The two Spaniards tell of mutiny and murder and claim to own the Africans, who insist they are free. (Chorus: “We have come to naught”) Cinque believes they are victims of a Mende taboo: to see a god can bring danger. (Aria: “The meaning is clear”) Antonio, a lifelong slave and witness to the mutiny, has fears too. (Aria: “And me, am I save’?”) Scene 2: “Savages of Legend” Newspaper reporters watch the captives being paraded to jail, and joust over their lot. (Sextet: “So these are the savages”) Setting foot on American soil scares the Africans (Chorus: “Are they going to kill us?”) but seems to restore the god of chance. (Aria: “Yap and snap”) Scene 3: “Ankle and Wrist” As people gawk, Margru tells of her capture (Aria: “I could tell”) and the captives vow not to reveal where they are from to protect their families. Cinque recalls being caught in a net. (Chorus: “Ankle and Wrist”; Aria: “The past is a fading”) A “scientist” who studies ethnic groups examines the prisoners and gives his findings to the press. (“The base of his brain”) Scene 4: “The Greatest Liberty” (Chorus: “Jesus Saviour, pilot me”) Abolitionist Tappan comes to plead Adams to act as lead lawyer for the Africans. The former president resists because he has not been in court in years. He then muses on the young republic’s vision of liberty. (Aria: “The greatest liberty”)


Synopsis (cnt’d) ACT II Scene 1: “Posers, Dandies, Hacks” The reporters introduce the cast at court. (Sextet: “It’s quite a show”) Scene 2: “What the Navigator Saw” The Navigator tells of waking to the touch of a blade. (Aria: “The Moonlight Died”) Scene 3: “What Antonio Saw” Antonio tells of the captain’s death. (Aria: “I beg mercy”) The court turns against the Africans. Scene 4: “They Saw a God” The captives say the story begins in Africa. (Quartet: “We thought they came for salt”) Scene 5: “Skin of Clouds” The Goddess of the Waters, invoked by their tale, recalls the Middle Passage. Scene 6: “Freed by Lord and Chief” On landing in Cuba, the seeds of revolt are sown when Antonio rebukes the Trickster (Chorus: “Nansi, Brer Nansi”) and the Cook threatens the captives. Antonio tells them they are now in a new world. (Aria: “Sis Goose”) Scene 7: “The Rising” The Trickster frees the captives and starts the revolt. (Aria: “All my tricks are old”) Cinque decides to spare Antonio. (Aria: “He sleeps at his master’s feet”) Scene 8: “Bird on the Wing” Adams sums up before the court (Aria: “To own one’s life”), and the captives’ case is won. They will go home but the Trickster decides to stay in the Americas. (Aria: “Liberty is my kingdom”)


Notes on Characters (in order of appearance)

The Trickster God A master of disguise, who lives on society’s edges, he translates all tongues, especially between gods and mortals. He is amoral—appearing as many animals, who will steal, molest, or kill, and eat other animals. Offerings are made to him first to prevent any accidents. Cinque (died ca. 1879) Leader of the captives. A rice farmer who lived with his father and a wife and three children. He returned to Mende and later became an interpreter for the American Missionary Association. Rep. John Quincy Adams (1767–1848) of Massachusetts, sixth U.S. president (1825–29). At the time, the former president was in the House of Representatives. Until his death he was obsessed with exposing the corruption in the Van Buren administration found in the Amistad case. Goddess of the Waters Like the Trickster, this West African deity is known throughout the African Diaspora. They both represent culture shared by Africa with the Americas. The mother of waters is known also as the mother of all the other orisha, or gods in African Yoruba, Brazilian Santeria, and Haitian vodun. She is a mature and sensual female spirit. She likes fans made of palm leaves or peacock feathers and, in the Americas, is seen in great indigo skirts with white petticoats. Abolitionist Tappan Based on Lewis Tappan (1788–1873), member of a New York silk merchant family that helped to finance the abolitionist cause. His brother Arthur was a founder of the American AntiSlavery Society and both experienced mob violence, vandalism and hate mail for their work. In the South, a price of $100,000 was put on their heads. At the end of the trials he and others arranged for the slave Antonio (16-year-old cabin boy) to escape to Canada. President MartinVan Buren (1782–1862) Eighth U.S. President (1837–41). A Jeffersonian Democrat, Van Buren earlier served as governor of New York and Secretary of State under Andrew Jackson. Van Buren was already unpopular at the time of the case, and worried about re-election. He lost to William H. Harrison, who died a month after taking office and was succeeded by John Tyler. Van Buren ran for president two more times. The Spaniard is a composite of two Spanish officials with overlapping terms in this case: Don Angel Calderon de la Barca, Spanish minister to the U.S., in 1839–40; and Pedro Alacantara de Argaiz, minister in late 1839. The Navigator and Don Pedro are composites based on two survivors of the Amistad—Jose Ruiz and Pedro Montes—and the buyer, Pedro Martinez, a major slaver with company headquarters in West Africa where the captives were taken. The Judge represents both a Connecticut judge and the men of the Supreme Court which, at the time, had just been enlarged from six to eight justices. Five of them, including Chief Justice Taney, were southerners who had at one time or another owned slaves. One justice died during the last trial.


AMISTAD

OV-1

(Reduced Orchestration) = 52

OVERTURE

Anthony Davis

= 69

1 Fl. 2/picc

1 Ob. 2 1. Cl.

2.

1 2

Bs. Cl.

1 3

3

Bn. 2 3 3

3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibraphone 1 Chimes Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 69 = 52 I

Vn. II

div. Va.

Vc.

Cb.

Copyright © 1997 by G. Schirmer, Inc. (ASCAP) New York, NY This version © 2008 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.


Overture

OV-2

accel. 9 1 Fl.

Flute 2

3

1 3

Ob.

3

2

3

Cl.

1 2

Bs. Cl. 1 Bn. 2

3

3

1 Hn. 2

1 Tpt. 2

1 3

Tbn. 2

Timp.

1 (Chimes) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

accel.

div. I

Vn.

div. II

unis. Va. 3

3

3

3

3

3

Vc.

Cb.


Overture

OV-3

Tempo primo

Faster,

= 126

Faster,

= 126

15 1 3

3

3

Fl. 2

1 Ob. 2

3

2. Cl.

a2

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Chimes) Perc. 2

3

Cel.

Hp.

W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn.

Drums Bass

Tempo primo

Vn. I div.

unis.

I

Vn. II

Va.

Vc.

Cb.


Overture

OV-4 21 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1

cresc.

Bn. 2

cresc. 1 Hn. 2 mute 1 Tpt.

mute

cresc.

2

cresc. 1

cresc.

Tbn. 2

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

Vn.

II

Va.

Vc.

cresc. pizz. Cb.

cresc.


Overture

OV-5

25 1 Fl. 2

1 Ob. 2

a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

unis. I

Vn.

II

Va.

Vc.

arco Cb.


OV-6

Overture 30 1 3

Fl. 2 3

1 Ob. 2 1. Cl.

3

1 2

Bs. Cl.

1 Bn.

3

2

1 Hn. 2

1 Tpt. 2

1 cresc.

Tbn. 2

cresc.

Timp.

1 Marimba

Perc. 2 3

3

Cel.

Hp.

W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn.

Drums

Bass

I 3

Vn.

II 3

Va. 3

pizz. Vc.

pizz. Cb.


Overture

OV-7

35 1 Fl. 2

1 Ob. 2 3

(1.) Cl.

a2

1 2 3

Bs. Cl. 3

1 3

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass div.

I

Vn.

div. II

Va.

(pizz.) Vc. cresc. (pizz.) Cb.


Overture

OV-8 40 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

unis. I

Vn. unis. II

Va.

Vc.

Cb.


Overture

OV-9

45 1 Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

1 3

Tpt. 3

2

1

cresc.

Tbn. 2

cresc. Timp. 3

(Vibr.) 1 3

(Mar.)

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

Vn. 3

II

Va. 3

Vc. cresc.

Cb.


Overture

OV-10 50 1 Fl. 2

1 Ob. 2

2. Cl.

1 2 cresc.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2 cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

Vn.

II

Va.

Vc.

Cb.


Overture

OV-11

Meno mosso,

55

= 108

1

Fl. 2

1 Ob. 2 a2 Cl.

a2

1.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

plunger 1 Tbn.

plunger 2

Timp. (Vib.) 1 Mar. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. brushes

S.D. Drums 3

pizz. Bass

Meno mosso, I 3

Vn.

II 3

Va. 3

cresc.

Vc.

cresc. pizz. Cb.

= 108


Overture

OV-12 60 1

3

Fl.

3

cresc.

2

1 Ob. 2 (a2) Cl.

1.

1 2

3

dim. Bs. Cl.

1 3

3

3

3

Bn. 2 3

3 3

1 3

Hn.

3

2

1 Tpt.

dim. 2

dim. 1

cresc. Tbn. 2

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

I

dim. Vn. II

dim.

Va.

dim.

Vc.

dim. arco Cb.

3

cresc.

3

3


Overture

OV-13

63 1 Fl. 2 3

1

cresc.

3

3

3

Ob. 2 3 3

Cl.

3 3

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

3

3

Bass

cresc.

I

3 3

Vn.

II

Va.

cresc.

Vc.

cresc.

Cb.

cresc.

cresc.

3


Overture

OV-14 66 1 Fl. 2

1 Ob. 2 1. Cl.

a2

1 2

Bs. Cl.

1 Bn. 2

3

3

3

3

3

1 Hn.

3

2 3

3

1 Tpt.

3

3

2 3

1 3

Tbn.

3

2 3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn.

II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.


Overture

OV-15

70 1 Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

Hn.

3

3

3

3

3

3

2

cresc. 3

3

3

3

3

3

3

3

1 Tpt.

3

cresc.

3

3

3

3

3

3

3

2 3

cresc.

3

3

3

1 3 3

Tbn.

cresc.

3

3

3 3

3 3

2 3

cresc.

3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn.

II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

3


Overture

OV-16 75 1

dim. Fl. 2

dim. 1 Ob. 2 a2 Cl.

1.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1

dim.

Tpt. 2

dim.

1

dim.

Tbn. 2

dim.

Timp. Vibr. 1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. solo Build solo - fill Drums

cresc. Bass

I

Vn.

II

Va.

Vc.

dim.

Cb.

dim.

solo


Overture

OV-17

79 1

dim.

Fl. 2

1 Ob. 2 1. Cl.

a2

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1

dim.

Tpt. 2

dim. 1 Tbn.

dim.

3. 2

dim.

Timp. (Vibr.) 1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

I

3 3

Vn.

II

3 3

Va.

3 3

Vc.

dim. div. Cb.

dim.


Overture

OV-18 83 1

dim.

dim.

dim.

dim.

Fl. 2

1

dim.

Ob. 2 (a2) Cl.

dim. a2

1 2

dim.

dim.

Bs. Cl.

dim. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn.

dim. 2

dim.

Timp.

1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn. solo Drums

dim.

dim.

Bass

I

dim.

dim.

dim.

dim.

Vn.

II

Va.

dim.

Vc.

dim.

dim.

Cb.

dim.

dim.


Overture 88 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. Al. Cl. in E ) W.W. 2

Tbn. cymbals only - brushes Drums

dim. Bass

I

Vn.

II

Va.

Vc.

Cb.

OV-19


Overture

OV-20 93 1

dim. Fl. 2

dim. 1

dim.

Ob. 2

dim. Cl.

1 2

dim. Bs. Cl.

1

dim.

Bn. 2

dim.

1 Hn.

dim. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. Al. Cl. in E ) W.W. 2

Tbn.

Drums 3

Bass

I

3

Vn.

II

3

Va. 3

Vc.

Cb.


AMISTAD

(Reduced Orchestration)

Thulani Davis

Anthony Davis

SCENE 1 (Trickster)

= 108 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc.

3

Bs. Cl.

1 Bn. 2

1 Hn.

3 3

2 mute

open

mute

open

1 3

Tpt.

3

2

1 Tbn. 2

Timp. Marimba 1 Vibraphone Perc. 2

3

Cel.

Hp.

to B Clarinet W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn. Drums Drums 3

Bass

TRICKSTER

8

= 108

3

3

3

The un known is my realm

ca

la mi ty

my

king dom

Solo I Vn.

Solo II

Va. pizz. Vc. pizz. Cb.

arco


2

Scene 1

= 112

6 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2 plunger 1

Tbn.

plunger 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. Al. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

I

am

a

God,

am

I

not?

Mas

= 112 tutti I Vn.

tutti II

Va.

pizz.

arco

pizz.

arco

Vc.

Cb.

ter


Scene 1

3

10 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

3

1 Hn. 3

2

1 Tpt. 2

1 Tbn. 2

Timp. (Mar.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. Al. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

of

mor

tal

dis

as

ters

I

I

cresc.

Vn. II

Va.

cresc.

Vc.

Cb.

will

meet

this


4

Scene 1 14 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

(Mar.)

3

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. Al. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

mo

ment

I Vn. II

Va. 3

Vc.

Cb.

as

I

meet

all

oth

ers:


Scene 1

5

= 108 17 1 3

Fl. 2

1 Ob. 2

1 2

Cl.

3

Bs. Cl.

1 Bn. 2

1 3

Hn.

3

2

1 3

3

Tpt.

3

3

2

1 Tbn. 2

Timp. (Mar.) 1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

stal

wart,

au

da

cious

and

bold.

= 108

I Vn. II

Va. pizz. Vc.

Cb.

What

they call


6

Scene 1

(1.)

20 1 3

Fl. 2 3

1

cresc.

3

Ob.

3

3

3

2

cresc. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1 (C. Al. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

tra

ge

dy

I will make my

his

to

ry.

I will make a sto

ry

I 3

Vn. II 3

Va.

cresc. Vc. pizz. Cb.

3

3

3

to be

told

of


Scene 1

7

= 80

= 84 accel.

24 1 3

Fl. 2 3 3

1

dim.

Ob.

cresc.

3

2

dim. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

3

3

3

3

3

Tr. 8

ge

nius born of ne

ces

si

ty

Of cour age

come

eas

y

when the heart

= 80

is

cold

= 84 accel.

I 3

Vn.

3

II 3

Va.

cresc. arco Vc.

Cb.

3


8

Scene 1

= 96

= 76

= 116

29 1 3

3

3

3

3

3

cresc.

Fl. 2

cresc.

1 3

Ob. 2 3

a2 Cl.

1 2 3

cresc.

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Chimes 1 (Vibr.) Perc. 2

3

Cel.

Hp.

Solo Cl. improv. Changes? W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn. Funk Groove Drums pizz. Bass

Tr. 8

= 96 unis. I 3

cresc. div. Vn. II 3

cresc. div. Va. 3

Vc.

Cb.

3

3

3

3

= 76

= 116


Scene 1

9

35 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 mute 1 Tpt.

mute 2 3

1 Tbn.

3

2

Timp. Marimba 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass 3

8

I Vn. II

Va.

Vc.

Cb.


10

Scene 1 40 1

Fl. 2

1 3

Ob. 2

3

1. 1 2

Cl.

3

Bs. Cl.

1 Bn. 2

1 Hn. 2 open 1 open

Tpt. 2

3

1 Tbn.

3

2

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

to Alto Sax. in E (Scene 4) W.W. 1

W.W. 2

Tbn.

Drums

Bass 3 3

Tr. 8

I am the danc er of

all danc

ers,

li

I

cresc.

Vn. II

Va.

pizz. Vc.

pizz. Cb.

ar, thief

and


Scene 1

11

45 1 3

Fl. 2

1 Ob. 2 1. Cl.

1 2 3

Bs. Cl. 3

1 Bn.

3

2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3 3

3

3

Tr. 8

lov

er,

the one

who

I Vn. II

Va. 3

Vc.

Cb. 3

eats

when

the

fo

rest hun

gers.


12

Scene 1 49 1

Fl. 2

1 6

Ob. 2

1. Cl.

1 2

Bs. Cl. 3

1 Bn.

3

2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass 3

3

Tr. 8

When

a

mor

tal

says

there’s

a

bird

on

a

wing

they

I Vn. II 6

Va.

3

Vc.

Cb. 3

say

a prayer

to


Scene 1

13

53 1 Fl. 2

1 3

Ob. 2 3

2. Cl.

1 2 3

Bs. Cl. 3

1 Bn.

3

2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

3

3

3

Tr. 8

me.

When

a

I Vn. II

Va.

3

Vc.

Cb. 3

mor

tal

says

there’s

a

bird

on

a

wing

This

wi

ly


14

Scene 1 57 1 3

Fl. 2 3

1 Ob. 2

1. Cl.

2.

3

1 2 3

Bs. Cl. 3

1 Bn.

3

2

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 C.A. Cl. W.W. 2

Tbn.

Drums

Bass 3 3

3

3

Tr. 8

god

comes

to

sing.

I

I 3

Vn. II

Va. 3 3

Vc.

Cb. 3

am the

danc

er

of

all danc

ers,


Scene 1

15

61 1 Fl. 2

1 Ob. 2

Cl.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

3

1 Tbn.

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

3

3

3

Tr. 8

li

ar,

thief

I Vn. II

Va.

3

Vc.

Cb. 3

and lov

er,

the

one who

eats

when

the

for

est hun

gers


16

Scene 1 65 1

Fl. 2

1 Ob. 2 1. 1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 3

2 3

1 Tpt.

3

2 3

1 Tbn.

3

2

Timp. 6

Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

It 6

I Vn. 3

II

3

Va.

3

Vc.

Cb. 3

is

on

ly

a slight

mis

hap


Scene 1

17

69 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl. 3

1

cresc. Bn.

3

2

cresc.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

4

Tr. 8

my

I Vn. II

Va.

3

Vc.

Cb.

3

sight’s

a

lit

tle

dazed

Is

it

on

ly

a

mo

men


18

Scene 1 73 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 3

dim.

3

dim.

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

dim.

cresc.

3

3

Tr. 8

tar y lapse

my

pow

ers

re

tire,

but

I

do

not

fail.

I Vn. II

Va. 3

3

cresc.

Vc. 3

cresc.

dim.

cresc.

dim.

Cb. 3


Scene 1

19

77 1

dim. Fl. 2

dim. 1

dim.

Ob. 2

dim. Cl.

1 2

dim. Bs. Cl. 3

1

cresc.

Bn.

3

2

cresc.

1 Hn. 2

1 Tpt. 2

1 3

Tbn. 2

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2 3

Tbn. 3

(Drs.) Drums

3

Bass

cresc.

cresc.

3

3

Tr. 8

3

There

are the trials

a her

o

must suf

fer

to make

his sto

ry

bold.

I 3

3

3

cresc.

Vn. II

3 3

Va.

cresc. 3

Vc.

cresc.

cresc. 3

Cb.

cresc.

cresc.

3

3


20

Scene 1 82 1

Fl. 2

1

cresc.

Ob. 2

cresc. 1. Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

Tr. 8

A mong

gods

it’s true

if

I Vn. II

Va.

arco Vc.

pizz. Cb.

arco

you live

a

hu

man

life,


Scene 1

21

88 1 Fl. 2

1

cresc.

Ob. 2

cresc. Cl.

1.

1 2

cresc.

cresc.

Bs. Cl.

1

cresc.

Bn. 2

1 Hn. 2

1 Tpt. 2 1. 1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs.) Drums

cresc. Bass

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

you for

get

what a

god

knows.

If you

live

a

hu

man

life


22

Scene 1 = 100

94

Ritard.

1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl. 3

1 3

Bn.

3

3

2

1 Hn.

3

3

3

3

2 3

1 Tpt.

3

2

1 3

Tbn.

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. (Drs.) Drums

Bass

3

3

3

Tr. 8

You’ll

re

gret

it

like

they

do

Speak

= 100

ing sor row

sing ing

Ritard.

I Vn. II

3

Va. 3 3

3

Vc. 3 3

Cb.


Scene 1

23

accel.

= 88 99 1

3

3

3

cresc.

Fl.

3

3

2

1 3

Ob. 2 3

a2 Cl.

1.

1 2 3

Bs. Cl.

1

dim.

Bn.

dim.

2

dim.

Hn.

1

2

1 Tpt. 2

1 3

Tbn.

3

2

Timp. Xyl. 1 3

Vibr. Perc. 2

3

Cel.

A , B , C - D , E, F , G Hp.

D

A

E

E

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

blue.

div.

= 88

accel. unis.

I

dim. div.

Vn.

unis.

II

dim. div.

unis.

Va.

dim. 3

Vc.

dim.

Cb.

dim.


24

Scene 1

fltg.

103 1 6

Fl.

fltg. 2 6

1

3

3

Ob. 2 3

1. Cl.

2.

1 2

dim. Bs. Cl.

1 (dim.)

Bn. 2

(dim.) 1 Hn. 2 mute 1 Tpt.

mute 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

A , B , C, D, E, F, G 4

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

3

Tr. 8

Men meet with di

sa

ster

no mat ter what they

I Vn. II

dim.

pizz.

4

Va.

dim. pizz. Vc.

Cb.

4

arco


Scene 1

25

108 1 Fl. 2

1 3

Ob. 2 3

2.

1.

1 2

Cl.

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

4

Tr. 8

do.

The hand moves

first

and the

heart’s

sick

la

ter.

I Vn. II

arco Va.

Vc.

dim.

Cb.

dim.

They

think

their


26

Scene 1 113 1

3

Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1 Glock., soft mallet Perc. 2

3

Cel.

Hp.

W.W. 1 C.A. Cl. W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

gods

take pi ty on

them.

They think

I Vn. II

Va.

Vc.

Cb.

3

their

gods

are heart

sick,


Scene 1

27

119 1 Fl. 2

1 Ob. 2

Cl.

1 2

dim. Bs. Cl.

1

dim.

Bn. 2

dim. 1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

too

but

gods

are great er than

men—

not

nic

er,


28

Scene 1

= 120 124 1 Fl. 2

1 Ob. 2 a2 Cl.

1.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

Tbn. 2 3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. Funk groove Drums pizz. Bass

4

3

Tr. 8

I

= 120 I Vn. II

Va. pizz. Vc.

pizz. Cb.

arco

pizz.

am

the

danc

er


Scene 1

29

128 1 Fl. 2

1 Ob. 2 (1.) Cl.

a2

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

dim. Tbn. 2

dim.

3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 3

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

my

I Vn. II

Va.

Vc.

Cb. 3

sight’s

a

lit

tle

dazed


30

Scene 1 132 1

Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1

cresc.

Tpt. 2

cresc. 1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

It

is

on

ly

a

mo

men

ta

ry lapse

I

am

the dan

cer

I Vn. II

dim.

Va.

dim. Vc.

Cb. 3

of


Scene 1

31

136 1 3

Fl. 2 3

1 3

3

3

Ob. 2

3

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 3

3

Tbn. 3

3

Drums

Bass

3

3

3

Tr. 8

all danc ers,

li ar, thief

and

lov

er,

li

ar,thief

and

lov

I Vn.

3

II

Va.

Vc.

Cb.

3

3

3

3


32

Scene 1 141 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

W.W. 2

Tbn. 3

Drums arco Bass 3

Tr. 8

er,

li

ar, thief

and lov

er,

I

Vn. II

cresc.

Va.

3

arco

Vc.

arco Cb. 3


Scene 1

= 80

= 66

= 80

33

= 80

= 66

146 1 Fl. 2

1 Ob. 2 1. Cl.

1.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Vibr. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

God dess

= 80

of the wa

ters

= 66

Moth

= 80

= 66

er

of all

gods

Mis tress

= 80

I Vn. II

cresc. Va. 3

3 3

Vc.

Cb.

3

cresc.

of

o ceans,


34

Scene 1

= 58 152 1 Fl. 2

1 3

3

3

3

Ob. 2 (1.) Cl.

1 2 3

3 3

3 3

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 3

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 Contra Alto Clarinet

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

ri

vers

I

know

you

think

me

just a

= 58 I Vn. II 3

3

cresc.

3 3

3

Va.

cresc.

3

3

3

3

3

3

3

Vc.

cresc.

cresc.

Cb. 3

3


Scene 1

35

157 1 3

Fl. 2 3 3

1 6

3

Ob.

3

3

3

3

6 6

3

2 3

3

Cl.

1 2 3

3

dim.

3

3

3

3

3

3

3

Bs. Cl.

1 3

Bn.

3

2

3

1 3

Hn.

3

3

2 3

1 Tpt. 2

1 3

3 3

Tbn. 2

Timp. (Vibr.) 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

small

god

a

god

un

armed

and

weak

with

on

ly

3

I 3

6

6 6

Vn. II 3 3

Va. 3

3 3

3

3 3

3

3

3

Vc. 3

Cb. 3

3


36

Scene 1 161 1 3

3

3

3

3

3

Fl. 2

1 3

3

3

3

Ob. 2 3

Cl.

1 2 3

3 3

3

3

3

3

3 3

3

3

Bs. Cl.

1 3

Bn. 2 3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tr. 8

wit

and

brain

words

and

guile

but

it

on ly seems

I

am a

board

I 3

6

Vn. II 6

Va. 3 3

3

3

3 3

3

3 3

3

Vc.

Cb. 3

3

3

3

a


Scene 1

37

165 1 Fl. 2

1 Ob. 2 2. Cl.

3

a2

1 2 3 3

3

3

3

3

3

3

3

3

3

Bs. Cl.

dim.

dim.

cresc.

1 3

Bn. 2

3 3

1 Hn.

dim. 3

2

dim.

3

3

1 Tpt.

3

3

2

cresc. 1 Tbn.

dim. 2

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

dim.

3

3

3

3

3

3

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

ship

I

can not

sail

I

will

pre

vail.

I 3

3

dim. Vn.

3

3

3

II

dim. Va. 3

6

cresc. 3

3

3

3

Vc.

dim. 3

3

3 3

Cb.

dim.

cresc.

3

3

dim. 3

3

3 3


38

Scene 1 169 1

Fl. 2

1 3

Ob. 2 3

Cl.

1 2 3

3

3

3

Bs. Cl.

dim. 1 Bn. 2

1 Hn. 2

1 Tpt.

3

2

dim. 1 Tbn.

3

3

3

3

3

3

3

2

Timp. Vibr. 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1 A7( 5 11)

(C.A. Cl.)

sparsely

W.W. 2 3

3

Tbn. R.S. Shuffle Drums pizz. Bass 3

dim. 3

3

3

3

3

cresc.

3

3

3

dim.

3

3

3

Tr. 8

Mark

my words

andhear my

tale

I 3

6

dim.

Vn.

3

3

dim.

6

II 3

dim.

3

dim.

Va. 3

dim.

dim. pizz.

3

3

3

3

3

3

3

Vc. 3

3

cresc.

3

dim.

3

pizz. Cb. 3

3

3

3

cresc.

3

3

3

dim.

3

3


Scene 1

39

173 1 Fl. 2

1

dim.

Ob.

3

2 1. Cl.

1 2

dim.

3

3

3

3

3

Bs. Cl.

dim. 1 Bn. 2

1 Hn. 2 3

1 3

Tpt.

3

3

2

1 Tbn.

3

3

3

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

A7( 11)

B 7( 11)/A

A7( 5)

(even more sparse) A7 95 B 7/A 95

A whole tone

A7( 11)

B 7( 11)/A

W.W. 2

Tbn.

Drums

Bass

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Tr. 8

I

3

3

dim.

Vn. II

dim.

3

dim.

3

3

Va. 3

3

3

3

arco

Vc. 3

3

3

Cb. 3

3

3

3

3

3

3

3

3


40

Scene 1 178 1

Fl. 2

1 Ob. 2 1. Cl.

1 2 3

dim.

3

dim.

3

dim.

3

dim.

3

Bs. Cl. 3

1 Bn. 2

1 Hn.

3

2 3

3

3

1 Tpt.

dim. 2 3

3

1 3

Tbn.

3

3

3

2 3

3

3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

cresc.

B, C, D, E, F , G, A

W.W. 1 (C.A. Cl.) A7( 9)

G m6( 7)/A

3

3

W.W. 2

Tbn.

Drums 3

Bass 3

3

Tr. 8

I Vn. II

Va.

Vc. arco Cb. 3

3

3

Bsus9


41

SCENE 2 (on ship)

( = 58) 1 3 6

Fl. 2

1 Ob. 2 1. 1 2

Cl.

Bs. Cl. 3

1 3

Bn. 2

3 3

1 Hn. 3

2 3

1

3

Tpt. 2

1 Tbn. 2 3

gliss. Timp. 3

3

Vibr.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 C.A. Cl. W.W. 2

Tbn.

Drums

Bass

( = 58)

CHORUS

S

A

T 8

gliss. 3

B Drift

ing

I Vn. II

Va. div.

gliss.

Vc. 3

Cb.


42

Scene 2

= 120

4 1 Fl. 2

1 Ob. 2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

E, F , G, A B , C, D W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

gliss.

3

S Drift gliss.

ing

Drift

ing

3

A gliss. 3

T 8

Drift

ing

ing

B ing

= 120

gliss. I 3

Vn. gliss. II gliss.

3

Va. 3

Vc. pizz. Cb.


Scene 2

43

= 100

8

= 120

1 Fl. 2 3

1 3

Ob. 2 3

1. Cl.

1.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2 mute 1 Tpt.

mute 2

1 Tbn. 2

Timp. Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

3

Nav. 8

We

may

yet get

a

way,

we’re

well

to the north now,

= 120 = 100 I

Vn.

pizz. II

Va.

Vc.

Cb.


44

Scene 2

Ritard

= 92

14 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 3

Bn.

cresc.

cresc.

3

2

cresc.

Hn.

cresc.

1

2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

cresc. Mar. Perc. 2

cresc. 3

Cel.

dim. E, F , G, A B , C, D

Hp.

3

3

W.W. 1

W.W. 2

Tbn. 4

4

Drums

cresc. Bass

3

3

3

Nav. 8

We may yet

Ritard

es

cape

if these cut throats don’t

find

us

out

= 92

I

Vn.

pizz. 3

3

arco

3

arco

3

II

cresc. pizz. Va. 3

cresc. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 2

45

20 1 3

cresc. Fl. 2

3

cresc. 1

3

Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

cresc.

Mar. Perc. 2

cresc.

African bell 1 African bell 2 Tom-tom Conga

3

cresc.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

4

4

4

Drums

cresc. Bass

Nav. 8

I 3

Vn. II

cresc.

Va.

cresc. Vc.

Cb.

3


46

Scene 2 25 1

Fl. 2

3

3

1 Ob. 2 2.

2. Cl.

1 2

3

3

3

3 3

Bs. Cl. 3

3

1

Bn.

3

3

2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

DON PEDRO

East

by day,

North

arco

pizz. I

3 3

Vn. II

3

3

Va. pizz. Vc. pizz. Cb.

by

night

A

ruse

3

so sim ple but


Scene 2

47

30 1

cresc.

Fl. 2

cresc. 1 Ob. 2 1. Cl.

a2

1 2

cresc.

cresc.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3 3

D.P.

3

3

bright...

You’ve saved

us with your de

ceit.

If you steered

as

they

said,

we’d be half way to

I

cresc.

cresc.

Vn. II

cresc.

cresc.

Va.

cresc. Vc. 3

Cb. 3


48

Scene 2 35 1

Fl. 2

1 Ob. 2 1. a2 1 2

Cl.

cresc. Bs. Cl.

cresc. 1 Bn. 2

1

Hn.

2

1 Tpt. 2 mute 1 Tbn.

mute 2

Timp. 3

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

D.P. A

fri

ca,

dead

meat

for

a

can

ni bal

feast.

cresc.

KINNAH

Mo

8

cresc.

GRABEAU & BURNAH

Mo

I 3

Vn. 3

II

Va.

cresc. Vc. 3

Cb. 3


Scene 2

49

38 1 Fl. 2

1 Ob. 2 2.

a2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 (mute)

Tpt. 2 (mute) 1

cresc. (mute)

Tbn. 2

cresc.

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

cresc. Tbn.

Drums

Bass

Ki, 8

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

Gr. Bu.

I Vn. II

Va.

Vc. cresc. a poco Cb.

cresc. a poco


50

Scene 2 41 1

Fl. 2

1 Ob. 2 a2

a2

1 2

Cl.

3

3

Bs. Cl.

1 Bn. 2

1

Hn.

2 (mute) 1 Tpt.

(mute) 2 (mute) 1

Tbn.

(mute) 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

MARGRU S BAHIA

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

A KALEH

8

Gr. Bu.

I 3 3

Vn. 3

II

dim.

Va. 3

Vc.

Cb.

3

dim.


Scene 2

51

=

43 1

cresc. Fl. 2

cresc. 1 Ob. 2 a2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2 (mute) 1 (mute)

Tpt. 2

(mute) 1 Tbn.

(mute) 2

Timp.

1

Perc. 2

3

3

Cel.

3

3

33

3

Hp.

W.W. 1 (C.A. Cl.)

upper register multiphonics

W.W. 2

Tbn.

Drums

Bass

Mar. ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

Ba.

Ka. 8

Gr. Bu.

=

div. I Vn. II

Va.

Vc.

Cb.

3

3

3

3

3

3


52

Scene 2 46 1 3

3

Fl. 2 3

3

1 3

Ob. 2

3

1 2

Cl.

Bs. Cl. 1 Bn. 2

1

Hn.

2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

3

3

3

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

dim.

3

3 3

3

3

3

3

3

Hp.

W.W. 1 (C.A. Cl., upper register multiphonics) W.W. 2

Tbn.

Drums

Bass

CINQUE

3

We’re

drift

3

3

ing

and

the

wind

is

chill

S

A

T 8

B

I 3

dim. Vn. II 3

Va.

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

Vc.

dim. Cb.

dim.

3

3

3

dim.

3

dim.

3

3

3

3


Scene 2

53

50 1 6

Fl. 2 6

1 3

Ob. 2 3

1 2

Cl.

3

Bs. Cl. 1 Bn. 2

1 Hn.

dim.

(mute) 2

dim.

3

(mute) 1 (mute)

Tpt.

3 3

2 (mute) 1 3

dim.

(mute)

Tbn. 2

3

dim.

Timp.

1

Perc. 2

3

3

Cel.

3

cresc.

3

3

3

3

dim.

3

3

3

3

3

cresc.

3

3

3 3

3

3

3

3

3

3

3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Cin. We’re

drift

ing

and

we’re

too

far

north

3

S Drift

ing

CHORUS

3

A Drift

ing 3

T Drift

8

ing

B Drif div. I

3

3

3

3

3

cresc.

6

Vn. II 3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

Va. 3

Vc. Cb.

3


54

Scene 2 54 1

Fl. 2

1 3

Ob. 2 3

a2 1 2

Cl.

3

Bs. Cl. 1 Bn. 2

1

Hn.

2

1 3

Tpt.

3

2

1 3

Tbn. 2 3

Timp.

1

Perc. 2

3 3 3

3

cresc.

Cel.

3 3

3 3

3

dim.

3

3 3

3

3

3

3

3 3

3

3

3 3

3

3

3

Hp.

W.W. 1 (C.A. Cl.) W.W. 2 3

Tbn.

Drums

Bass

3

3

3

Cin. I

see

birds

but

they

fly

west

3

CHORUS

S Drift

ing

Drift

ing

3

A 3

T Drift

8

ing

3

B ting

I

3

3

3

cresc.

Vn.

3

3

3

dim.

3

3

3

3

3

3

II

3

3

cresc. div.

3

3

dim.

3

3 3

3

3

3 3

3

3 3

3

Va. 3

Vc.

Cb.


Scene 2

55

58 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

We’re

not

safe

yet DON PEDRO

Cin. Not

I Vn. II

cresc.

Va.

cresc. pizz. Vc.

pizz. Cb.

safe

yet


56

Scene 2 62 1

Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Nav. 8

Soon

as they’re

through

with us,

theywill kill

I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

us

an

y

chance

they

get.


Scene 2

57

66 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 open 1 Tpt.

open 2 open 1 open

Tbn. 2

Timp. (Vibr.) 1

Perc. 2 Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+2+3

Drums

Bass

TRICKSTER Nav. 8

We’re not

safe

yet.

East

by day,

North

by night!

I Vn. II

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

Vc.

Cb.


58

Scene 2 70 1

cresc. Fl. 2

cresc. 1

cresc.

Ob. 2 1. Cl.

a2

a2

1.

1.

cresc. 1.

1 2

cresc.

cresc.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 Mar. Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+3

3+3

2+2+2+3

3+3

Drums

Bass

Tr. 8

They rule div.

I

Vn. II

div. Va.

Vc.

Cb.

us

yet

by

sleight.

Gut

less guile

they wield,

foul chi can er y, a dir

ty

trick!


Scene 2

59

75 1 Fl. 2

1 (cresc.) Ob. 2 (1.)

(cresc.)

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 2+2+3

2+2+2+3

3+3

Drums

Bass

Tr. 8

We should

cut their throats, MARGRU

We should

cut their

throats,

Cut

their

throats

Cut

their

throats

KALEH & KINNAH Cut

their

throats

Cut

their

throats

GRABEAU & BURNAH Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

BAHIA

T 8

I Vn. II

Va.

Vc.

Cb.


60

Scene 2 78 1

Fl. 2

1 Ob. 2 a2 1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2 gliss. 1 Tbn. 2

Timp. (Vibr.) 1 Mar. Perc. 2

Tom-t. & conga 3

cresc.

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 2+3+2 Drums

cresc. Bass

3

Tr. 8

We

should cut their throats

and chance

the

wa ter

y

roads.

Mar. Cut

their

throats

Cut

their

throats

Cut

their

throats

Ba. CHORUS TENORS

Ka. Ki. 8

Shift CHORUS BASSES

Gr. Bu. Cut

their

throats

Shift tremolo

I Vn. II

Va.

Vc.

Cb.


Scene 2 = 56

82

61

1 Fl. 2

1 3

Ob.

dim.

2 3

dim.

1 2

Cl.

3 3

3

dim. 3

3

Bs. Cl.

1 Bn. 2

1

Hn.

3

dim.

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 3

Cel.

Hp.

W.W. 1 C.A. Cl.

3

3

W.W. 2

Tbn. 3

brushes Shuffle (

)

Drums

Bass

CINQUE

3

Tr. 8

She’s

CHORUS SOPRANOS gliss.

S CHORUS ALTOS

Drift gliss.

ing

Drift

ing

A Pitch gliss.

ing

T 8

ing

Pitch gliss.

ing

B ing

= 56 gliss.

I Vn.

6

gliss.

6

II gliss. Va.

cresc. 3

3

Vc.

cresc. 3

Cb.

3


62

Scene 2 86 1 6

Fl. 2

1 3

Ob.

3

3

dim.

3

3

2 3

2.

2. 1 2

Cl.

3 3

3

3

3

3

3

Bs. Cl.

1 3

Bn. 2

1 3

Hn.

dim.

3

3

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

3

3

Cin. 3

shift

ing

and the

sails bare

ly

fill

she’s

slow

ing

andwe’re go

ing

I Vn. II

Va. 3

3

3

3

3

3

cresc.

3

Vc. 3

Cb.

3

3


Scene 2

63

89 1 3

6

Fl. 2 3

6

1 3

Ob. 2 3

1.

2. 1 2

Cl.

3 6 3

1.

3

3

3

3

3

3

3 3

3

3

3

Bs. Cl.

cresc.

cresc.

1 3

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

TRICKSTER 3

3

3

3

3

Cin. 8

no

where.

Chief,

you’ve

been

tricked

We’re

not

go ing home,

I 6

3 6

Vn. II

3 6

Va.

3 3 3

3

3

3

3 3

3

dim. 3

3

3

Vc. 3

Cb.

cresc.

3

3

3


64

Scene 2 93

3

1 3

3

3

3

Fl.

3

2 3

3

3

3

1 Ob.

3

3

3

3

2

dim. Cl.

1 2 3 3

3

3

3

3

3

3

3

3

Bs. Cl.

cresc.

3

dim.

cresc.

1 Bn. 2

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2 3

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

cresc. Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

Tr. 8

We’re

head ed North

Free the helm

take

hold of

her

CINQUE

3

3

We’re

head

ed

North?

div.

3

I Vn.

3

3

3

II 3

div.

3

Va.

cresc. 3

3 3

3

3 3

3

3

3

3

Vc.

cresc. 3

Cb.

dim. 3

3

cresc.

3

3


Scene 2

65

97 1 Fl. 2 3

1 Ob.

3

2 3

Cl.

1 2 3

3

3

3

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1

cresc.

Tbn.

3

3

2

cresc. 3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

cresc. Tbn. (Drs. - triplet shuffle)

3

3

Drums

Bass

3

3

3

3

3

Tr. 8

Bound for chains, 3

and

head

ed

for

death.

We

go

as they de sire

3

Cin. Bound

for

where? 3

I 6

cresc.

Vn. II 3 3

3 3

Va. 3

cresc. 3

3

3

3 3

3

3

Vc. 3

3

3

cresc.

Cb. 3

3

cresc.

3


66

Scene 2 101 1 3

Fl. 2

1 3 3

Ob. 2 2.

1.

2.

3

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

1 Tpt. 2

1 3

Tbn.

3

3

3

3

2

dim.

dim. 3

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) 3

3

3

W.W. 2

dim.

dim.

Tbn. 3

3

3

Drums

dim.

3

Bass

3

3

3

3

3

3

3

Tr. 8

From mu

ti ny

to

mas

sa

cre,

from

mu ti

ny

to mas

sa cre,

I 3

Vn. II

3

Va. 3 3

3

3

3

3

Vc.

dim.

dim.

Cb.

dim.

3

dim.

from mu ti ny to


Scene 2

67

= 72 105 1 3

Fl. 2 3

1 Ob. 2

1. Cl.

a2

1 2 3

Bs. Cl.

1 Bn. 2

1.

3

1 Hn. 3

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

mas sa

cre.

3

CINQUE

3 3

Lord,

You can

not

see

You

talk so just to rid dle me,

= 72 I 3

Vn. II 6

3

dim.

Va.

dim. Vc.

Cb.


68

Scene 2

= 112

110 1

3

Fl. 2 3

1 Ob. 2 a2

1. Cl.

a2

3

1 2 3

3

Bs. Cl.

1 3

Bn. 2 3

1 Hn.

3

2 3

1 3

Tpt. 2

3

1 3

Tbn.

3

2 3

Timp. (Vibr.) 1 3

3

cresc. Mar.

3

Perc. 2

(Sn. Dr. & Tom-t.) 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TRICKSTER

8

3

I

can

hear,

Chief

I can hear,

3

Now

3

do as I say,

= 112 I Vn. II

Va.

3

Vc.

pizz. Cb.

arco

pizz.

3

You can


Scene 2

69

115

= 104

1 Fl. 2

1 Ob. 2

2. 1 2

Cl.

Bs. Cl.

1

Bn. 2

1 Hn. 2

1

Tpt.

3

3

3

3

3

3

3

3

2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass CINQUE 3

Tr. 8

steer

if

you mind the

tell

tales

What’s

= 104 I Vn. II

Va.

3

Vc.

3

Cb.

that

you


70

Scene 2

= 112 119 1 Fl. 2

1 3

Ob. 2 3

Cl.

1 2 3

Bs. Cl.

1 3

Bn. 2 3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Cin. say?

Lord

Rid

dler

speaks

non

sense,

non

sense

= 112 I Vn. II

Va. pizz.

arco

Vc. 3

pizz.

arco

Cb. 3

3


Scene 2

71

122 1 3

Fl. 2 3 3

1 Ob.

3

2

Cl.

1 2 3

3

Bs. Cl. 3

1 3

Bn. 2 3

1 3

Hn.

3

3

3

3

3

3

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

TRICKSTER 3

8

They

I Vn. II

Va.

arco Vc.

arco Cb.

tell

3

3

wherethe

wind

goes

on

3

3

the

cross

and the shrouds

They

see

the


72

Scene 2

= 66

126 1 Fl.

3

3

3

3

2

1

Ob.

3

2

Cl.

1 2 3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs. - shuffle) Drums

Bass 3

3

CINQUE

3

3

Tr. wind

ev

en

when

she’s

low

Tell

tales

= 66 I Vn. II 3

3

Va. 6

3

cresc. 3

3

3

3

Vc.

3

Cb. 3

3


Scene 2

73

= 126

130 1 6

Fl. 2 6

1 Ob. 2 a2 Cl.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Funk Drums pizz. Bass

TRICKSTER

8

It’s an 3

3

3

3

3

Cin. see the wind and the shrouds,

Lord

what

are

shrouds?

= 126 I 3

6

Vn. II

Va. 3 3

3

3

3

pizz.

Vc. pizz. 3

Cb.

3

arco


74

Scene 2 134 1

Fl. 2

1 Ob. 2

2. Cl.

1 2

Bs. Cl.

1 3

Bn. 2 3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

Eng

lish

word,

An

Eng

lish

man

word

for

cloth

I Vn. II

Va. pizz.

arco

pizz.

Vc. 3

Cb.

3

for

the

dead


Scene 2

75

137 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

cresc. Bs. Cl.

1 3

Bn. 2 3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

cresc. Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 19/8 Drums 3

Bass

Tr. 8

Chief,

you ask ques

tions

while time

is

short

I Vn. II

cresc.

Va.

cresc. arco

pizz.

Vc. 3

arco Cb.

pizz. 3


76

Scene 2 142 1

Fl. 2

1 Ob. 2 a2 Cl.

1.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Xyl.

Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

Tr. 8

Tell the boys to climb

I Vn. II

cresc. Va.

cresc. Vc.

Cb.

up

to

see

if

the land

lies

where those birds

fly.


Scene 2

77

148 1 Fl. 2

1 Ob. 2 a2 Cl.

1 2

cresc. Bs. Cl.

1

cresc.

Bn. 2

cresc.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

cresc.

Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

Tr. 8

The bow is

in

the wind,

Chief.

I Vn. II

Va.

pizz.

arco

Vc.

cresc. pizz.

arco

Cb.

cresc.


78

Scene 2 155 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn.

cresc. 2

cresc.

1 Hn. 2

1 Tpt. 2

1 Tbn.

3

3

3

3

2

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

CINQUE

3

3

Tr. 8

The sails

are luff

fing,

Turn her off

the

wind

Cloth

for

I 3

Vn. II

cresc.

Va.

cresc. arco

pizz.

pizz.

Vc.

cresc. pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

the dead


Scene 2

79

162 1 dim.

Fl. 2

1 Ob. 2 2. Cl.

1 2

Bs. Cl.

1 Bn.

cresc.

cresc.

cresc.

cresc.

2

1 Hn. 2

1 Tpt. 2

1 3

cresc.

Tbn. 2

3

cresc. Timp.

(Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass (Deck springs to life)

3

3

Cin. Climb

the

ropes

Tell

tales

Turn from the

wind

Climb

the

ropes

div. I dim. Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

arco

pizz.

arco

pizz.

Vc.

cresc. arco

pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

Mind

the


80

Scene 2 170 1

Fl. 2

1

dim.

Ob. 2

dim. 1 2

Cl.

Bs. Cl.

dim. 1 Bn. 2

cresc.

1 Hn. 2

1 Tpt. 2 with mute 1

cresc. Tbn.

with mute 2

cresc.

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 14/8 Drums

Bass

TRICKSTER

8

(to himself)

I

Cin. tell

tales

I Vn. II

Va. arco Vc.

cresc. Cb.

cresc.

1.


Scene 2

81

174 1 Fl. 2

1 Ob. 2

1. Cl.

1 2

Bs. Cl.

1 Bn. 2

cresc.

cresc.

1 Hn. 2 (mute) 1 (mute)

Tpt. 2 (mute) 1 Tbn.

cresc.

cresc.

cresc.

cresc.

(mute) 2

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8 Drums

Bass

Tr. have noth ing

to

fear.

I

tell the

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

wind

to

fill

the

sails.


82

Scene 2 180 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

cresc.

1 Hn. 2

1

cresc.

Tpt. 2

cresc.

1

cresc. Tbn. 2

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8

14/8

Drums

Bass

3

Tr. If

for now the winds

say

they will not

bring

us

to

sail, div.

I Vn. II

cresc.

Va.

cresc. Vc. arco Cb.

pizz.

arco

pizz.


Scene 2

83

186 1 Fl. 2

1 Ob. 2 a2 Cl.

2.

1 2

cresc. Bs. Cl.

cresc. 1 Bn.

cresc. 2

cresc.

cresc.

1 Hn. 2

1 Tpt.

cresc. 2

cresc. 1 Tbn.

cresc. 2

cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 14/8

11/8

11/8

Drums

Bass

3

Tr. 8

it

is

just

for

now.

If

I Vn. II

Va.

Vc.

cresc. arco

pizz.

arco

pizz.

Cb.

cresc.

the

rain

says

she


84

Scene 2 192 1

3

Fl. 2

1 Ob. 2 2. Cl.

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

1 Bn.

cresc.

2.

2

cresc.

cresc.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 11/8

11/8

11/8

Drums

Bass

4

3

3

Tr. 8

will not fill

thewa ter pails.

she

will heed

me

yet,

I am still

their

chief,

I 3

Vn.

cresc.

3

II

cresc.

3 3

Va. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 2

85

198 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

1

cresc.

Bn. 2

cresc.

cresc.

cresc.

1 Hn. 2

cresc. open 1

cresc. Tpt.

open 2

cresc.

open 1

cresc. Tbn.

open 2

cresc.

Timp. (Vibr.)

cresc.

1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn. 11/8

Cym.

Drums

cresc. Bass

3

Tr. 8

Lord

of Il

lu

sion, and

De

ceit.

I

div. I

Vn.

div. II

3

Va.

Vc.

cresc.

cresc. arco

Cb.

cresc.

cresc.

will not be


86

Scene 2 204 1

Fl. 2

1 Ob. 2

a2 Cl.

1 2

dim. Bs. Cl.

1

dim.

Bn. 2

dim.

1 Hn. 2 mute 1 mute

Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

3

Tr. played

a

cheat. CINQUE

(spoken): Burnah! Grabeau!

Climb the sails and look!

I Vn.

dim. II

Va.

dim. pizz. Vc. pizz. Cb.


Scene 2

87

208 1 Fl. 2

1 Ob. 2 a2 1 2

Cl.

dim. Bs. Cl.

1

cresc.

Bn. 2

cresc. 1 Hn. 2

1 Tpt.

cresc.

dim.

cresc.

dim.

2

1 Tbn.

3

3

3

3

3

dim.

2 3

dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

KALEH

8

8

KINNAH

GRABEAU

3

Cloth BURNAH

dim.

Vn. II

Va.

dim. Vc.

Cb.

for

the

tales 3

Tell

tales

dead

Climb

the

ropes

Tell

tales

dead

Climb

the

ropes

Tell

tales

Turn

for

the

from

the

3

3

3

Cloth

I

3

Tell

Turn

from

the


88

Scene 2 215 1

Fl. 2

1 Ob. 2 a2

(a2) Cl.

1 2

Bs. Cl. 1

cresc. Bn. 2

cresc. 3

3

3

3

1 Hn. 2

1

cresc.

Tpt. 2

cresc. 1 3

Tbn. 2

3

Timp. (Vibr.) 1 (Mar.)

cresc.

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 19/8

3/4 Half time

Drums

cresc. Bass

3

Ka. Climb

8

the

ropes

Mind

the

tell

tales

Cloth for the

3

Ki. 8

wind

Cloth for

the

dead

the

dead

3

Gr. Climb

the

ropes

Cloth for

3

Bu. wind

Mind

the

tell

tales

I Vn. II

cresc. Va.

cresc.

dim.

arco

pizz.

Vc.

cresc. pizz. Cb.

cresc.


Scene 2

89

222 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 1 Bn.

cresc. 2

cresc. 1 3

Hn.

3

2

1 Tpt. 2

1 3

Tbn.

3

2

Timp. (Vibr.) 1 (Mar.) Perc. 2

cresc.

cresc.

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. Drums Bass

3

Ka. 5

dead

Climb

the ropes

Mind

the

tell

tales

tell

tales

tell

tales

tell

tales

3

Ki. 5

dead

Climb

the ropes

Mind

the 3

Gr. dead

Climb the ropes

Mind

the

Mind

the

3

Bu. Cloth for the

dead

Climb the

ropes

I

dim.

Vn. II

cresc.

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

arco

Vc.

cresc. arco

cresc.

Cb.

cresc.

cresc.


90

Scene 2 229 1

Fl. 2

1 Ob. 2

Cl.

1 2

cresc.

cresc.

Bs. Cl. 1 Bn.

cresc.

cresc.

2

cresc. Hn.

cresc.

1

2

1 Tpt. 2

1 Tbn. 2

Timp.

(Vibr.) 1

cresc.

cresc.

cresc.

cresc.

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. Drums

Bass

Ka. Turn from the wind,

8

Turn

Ki. Turn fromthe wind

8

Wind,

Turn from the wind

Gr. Turn from the wind,

Turn

Bu. Turn fromthe wind

Wind,

Turn fromthe wind

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

div. Cb.


Scene 2

91

236 1 3

Fl. 2 3

1 3

Ob. 2 3

a2 Cl.

1 2 3

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 3

Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 3

(Mar.) Perc. 2

Cym. Tom-t.

3

Sn. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Drums

Bass

Ka. 8

from the wind

Mind

the

tell

tales

8

Wind

Mind

the

tell

tales

Mind

the

tell

tales

Mind

the

tell

tales

Ki.

Gr. from the wind Bu. Wind I Vn.

cresc. II

Va.

cresc.

Vc. pizz. Cb.


92

Scene 2

= 88 242 1 Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

Tbn.

3

cresc.

2 3

3

cresc.

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cym. Tom-t. Sn. Dr. Bs. Dr.

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

= 88 gliss.

I

cresc. Vn.

gliss.

II

cresc. 3

gliss.

Va.

cresc. 3

Vc.

arco Cb.


247

Scene 2

= 108

93

1

5

Fl. 2 5

1 3

Ob. 2

3

1. Cl.

1 2 3

Bs. Cl. 3

1 3

3

Bn. 2

3

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass TRICKSTER

NAVIGATOR

3

3

8

Land!

we’ve

hit

Land,

land! GRABEAU

3

There’s noth

= 108

boy?

Is there

3

ing.

I Vn. II 3

5

Va. 3 3

Vc. 3

Cb.

5


94

Scene 2

= 76 252 1 3

Fl. 2

3

3

1 Ob.

3

2 1. Cl.

1 2 3

6

Bs. Cl.

1 3

3

3

3

Bn. 2

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

land?

3

3

3

3

Gra. Yes land

sand and

dunes

as far

as

I

can

see

A shal

= 76 I 6

3

Vn. II 6

6

6

6

Va.

Vc.

6

Cb. 3

low

place


Scene 2

95

256 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

Not as

DON PEDRO

We’re

yet

3

3

3

my

friend

God

knows

where

saved

G.

I

dim. Vn. II

Va.

Vc.

Cb.

we’ve

land

ed


96

Scene 2 260

= 108

1 Fl. 2

1 Ob. 2

Cl.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1

Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

CINQUE

You

= 108 I

II

cresc.

Va.

cresc.

Cb.

us

to

this

place

Boat

6

Vn.

Vc.

run


Scene 2

97

264 1 Fl. 2 3

1 Ob. 2

Cl.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1

cresc. Tpt. 2

cresc. 1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Cin. man

this

is

some

trick of

yours

I

cresc.

Vn. II

cresc.

Va.

cresc.

Vc.

Cb.


98

Scene 2 267 1

Fl. 2

1 Ob. 2 2. Cl.

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1

Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(NAVIGATOR makes no response) 3

(Grabs NAVIGATOR) Cin. We

go

for

wa

ter,

Watch

them.

I Vn. II

Va.

dim.

Vc.

dim. Cb.

dim.


Scene 2

99

= 80 271 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2 6

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

DON PEDRO 3

Cin. I don’t care what place

this

is.

It

must be

A

mer i ca.

We’ll get help.

= 80 I Vn. II 6

Va.

Vc.

Cb.


100

Scene 2 276 1 3

Fl. 2 3

1 Ob. 2 (1.)

a2

1 2

Cl.

Bs. Cl.

1 Bn. 2

cresc.

cresc.

1 3

Hn.

cresc.

cresc.

cresc.

cresc.

2 3

3

1 Tpt. 2

1 3

Tbn. 2 3

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

D.P. One glance and they’ll see

our

plight. div.

unis.

I

dim.

Vn.

div. II

dim. div. Va.

div. Vc.

cresc. Cb.


Scene 2

= 63

282

101

= 84

1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1

cresc. Bn. 2

cresc.

1 Hn.

cresc. 2

cresc. 1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 63

= 84

I

cresc.

3

3

3

3

Vn. 3

II

cresc. Va.

Vc.

Cb.

3

3


3

102

Scene 2

= 289 1 Fl. 2

1 3

Ob. 2 3

Cl.

1 2

3

Bs. Cl. 3

3

3

3

3

3

1 Bn. 2

1 Hn. 2

1

Tpt.

3

2 3

1 Tbn. 2 3

3

Timp. (Vibr.) 1 6

(Mar.) Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT (off stage) 3

3

A hoy

3

there

A

hoy

there

= I 3

3

Vn.

3

dim. 3

6

3

3

II

dim. Va. 3

Vc. 3 3

Cb.

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3


103

Scene 2 292 1

3 3

3

Fl. 2

3 3

1 3

3

3

3

3

3

Ob. 2

Cl.

1 2 3

3

Bs. Cl. 3

3

1 3

Bn.

3

3

2 3

1 Hn. 2 3

1 3

Tpt.

3

2

1 Tbn. 2 3 3

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(Climbs onto deck from off the side. From the other side,

3

Lt. how

I

say

you

lend

a

hand

3

3

Vn. II

3

cresc.

3

3

3

3

3

3

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3 3

Cb.

3 3

3


104

Scene 2 295 1 3

Fl. 2 3

1 Ob. 2

Cl.

1 2 3

Bs. Cl.

1 3

Bn. 2

3

1 Hn. 2 3

1 3

cresc.

Tpt.

3 3 3

2 3

cresc. 1

3

3

3

Tbn.

cresc.

3

3

cresc.

3

3

2 3

Timp. (Vibr.) 1

3

3

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Coast Guard men bring CINQUE and his party back on board) Lt.

I 3

3

6 6

6

Vn. II 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

Va. 3

Vc. 3

3

3

cresc.

Cb. 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

6


105

Scene 2 298 1 3

3

3

3

Fl. 2

1 3

3

3

3

3

3

Ob. 2

Cl.

1 2

3

3

Bs. Cl. 3

1 3

Bn.

3

2 3

1 Hn. 2

1 3

Tpt.

3

3

2

1 3

Tbn. 2

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

Lt. This

is

a

strange

ship.

A

strange

ship

in

deed.

I 6 6

Vn. II 6

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

cresc. 3

Cb.

3 3


106

Scene 2 300 1

Fl. 2

1 Ob. 2

1 2

Cl.

3

3

3

3

cresc.

3

3

Bs. Cl.

1 3

Bn. 2 3

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

(Vibr.) 1 (Mar.)

3

3

3

3

3

3

3

3

3

Perc. 2 3

3

3

3

cresc.

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Lt. You must

I

be

the

ghost

ship

Heard

of

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. II

Va. 3

3

3

3

3 cresc.

3

Vc.

Cb.

3

3

you


107

Scene 2 302 1 3

3

3

3

3

3

3

3

3

Fl. 2 3

1 Ob.

3

2 3 3

Cl.

3

3

3

3 3

a2 3

3

a2

3

a2

3

1 2 3

Bs. Cl. 3

3

1

3

3

Bn. 2 3

Hn.

3

1

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 3

3

3

3

3

1 3

3

(Mar.)

3 3

3

3

3

3

3

3 3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

Lt. up

I

and

down these parts.

the ship

manned by black

men

haunt ing the

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

whole

Vn. II

Va. 3

3

3

3

3

3

3

3

3

cresc.

3

Vc.

cresc. Cb.

dim.

coast.


108

Scene 2 305 1 3

Fl. 2 3

1 6

Ob. 2 6 3

Cl.

3

3

3

3

3

3

3

3

3

3

3

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl. 3

3

3

cresc. 1

3

3

3

cresc.

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

cresc.

3

cresc.

3

3

3

3

cresc.

Bn. 2 3

cresc.

Hn.

3

cresc.

3

cresc.

1

2

1 6

Tpt.

6

2

1 Tbn. 2

Timp. (Vibr.) 3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

(Mar.) 3

3

3

cresc. 3

3

3

cresc.

3

Perc. 2 3

cresc.

3

3

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

3

3

I as

3

3

sure you,sir.

We are

not

3

ghosts,

on

I 6

Vn. II 6

Va. 6

Vc.

Cb.

6

ly

near

ly

so.


Scene 2

109

310 1 3

dim.

6

Fl. 2 6

3

dim. 1

6

3

Ob. 2 6

3 3

Cl.

3

3

3

3

3

3

3

3

3

3

3

3

1 2

cresc.

cresc.

3

Bs. Cl. 3

3

3

3

3

3

3

3

3

3

cresc.

3

1

3

3

3

3

3

3

3

3 3

cresc.

Bn.

cresc. 3

cresc.

3

3

cresc.

3

3

cresc.

cresc.

3

3

cresc.

3

cresc.

3

2 3

cresc.

3

cresc.

3

3

3

1

dim.

dim.

3

Hn. 3

2 3

1 Tpt.

3

2

1 3

Tbn. 2

Timp.

(Vibr.)

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

cresc.

3

(Mar.) 3

3

3

3

3

3

3

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Nav. 8

Se cure these men—

They’ve killedour

crew,

Held us

I 3

Vn.

div.

3

II 3

div. Va. 3

Vc.

Cb.

3

6

cap tive man y weeks


110

Scene 2

= 108 315 1 3

Fl. 2 3

1 3

Ob. 2 3

Cl.

3

3

3

3 3

1 2 3

cresc. Bs. Cl. 3

3

3

3

3

1 3

Bn.

3

2 3

3

3

1 Hn.

dim. 2

dim. 1 Tpt. 2

3

3

3

3

1 3

cresc.

Tbn. 2 3

3

3

Timp. (Vibr.) 3

cresc.

3

1 (Mar.) 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT 3

Nav. 8

now.

Who

are

you,

= 108

I 3

6

Vn.

3

3

3

II 3

cresc. 3

Va.

3

cresc.

3

3 3

3

Vc.

cresc. 3

Cb.

cresc.

3

pizz.

3

sir?


Scene 2

= 72

111

321 1 Fl. 2

1 Ob. 2 2. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR 3

Lt. 8

Thecap tain of this

rig

whose ship flies no

I Vn. II

Va.

Vc.

div. Cb.

flag?

Nav

i ga tor,

sir.

= 72

Our


112

Scene 2

= 84

328 1 Fl. 2

1 3

Ob. 2 3

Cl.

1 2 3

Bs. Cl. 3

1 3

Bn. 2

1 Hn. 2 3

1 Tpt.

3

2

1 3

Tbn. 2

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Nav. 8

Cap tain

is dead.

This is the

A

mi

stad

of Span ish ti

tle,

Load ed in Cu

ba,

= 84

I 3

3

Vn. II

Va. pizz.

3

Vc. pizz. Cb. 3


Scene 2

113

333 1 Fl. 2

1 3

Ob. 2 3

1 2

Cl.

3

Bs. Cl. 3

1

Bn.

3

2

1 Hn.

3

2 3

1 3

Tpt. 2 3

1

dim. Tbn. 2 3

dim.

Timp. (Vibr.) 1 3

Perc. 2 Rim shot 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Nav. 8

tak

en

on

the

sea

by

these

slaves.

ANTONIO

Sir

I Vn. II

Va. 3

Vc.

Cb.

Ex

cept


114

Scene 2 336 1

Fl. 2

1 3

3

3

3

3 3

Ob. 2 3

3

3

3

1 2

Cl.

dim.

3

Bs. Cl. 3

dim.

3

3

3

3

3

3

3

3

1 Bn. 2

1 Hn. 2 3

3

3

3

3

3

3

1 3

Tpt.

3

3

2

1 3

Tbn.

dim.

2

Timp.

1 3

(Mar.) Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6/8 3 = Drums 3

3

3

3

Bass

3

3

3

Nav. 8

This

one.

A

lo

yal

CINQUE (to ANTONIO)

slave.

3

Not just n

3

3

du

o

n

gil

3

le

not just a

6

I 3

3

3

3

3

3

Vn. II 3

Va. pizz. 3

3

3

Vc. pizz.

3

Cb. 3

3


Scene 2

115

340 1 Fl. 2

1 6

3

3

Ob. 2 3

1.

1.

1 2

Cl.

3 6

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

Tpt.

3

2

cresc. 1 Tbn. 2

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

(to LIEUTENANT) 3

3

3

3

3

3

3

3

Cin. slave.

A dog.

We

are

no

slaves.

We are free

I 3

Vn.

men.

Free men cap tured

6

6

dim.

dim.

3

II

cresc.

3

6

3 3

dim.

3

Va.

cresc. 3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Vc.

cresc.

cresc. 3

3

Cb. 3

cresc.

3 3

3

3

3

3

3 3

3

3

3

3


116

Scene 2 345 1 6

3

sub.

Fl. 2 6

3

sub.

1 3

3

3

3

3

3

Ob. 2 a2 Cl.

1 2 sub.

6

sub. Bs. Cl. 1 Bn. 2 3

1

dim.

Hn. 3

2

dim. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

cresc.

Tpt.

3

3

3

3

2

cresc.

cresc. 3

1

dim.

Tbn.

3

2

dim. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 12/8 Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

3

3

3

3

3

Cin. 3

out of Af

ri

ca.

And

bound

for

home.

We

are

not

slaves.

Not one

day.

div. I

3

dim.

6

Vn. II

3

3

3

dim.

dim.

Va. 3

dim. 3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3

Vc.

cresc. 3

3

Cb. 3

3

3

3

3

3 3

3

3

3

3

3

cresc.


117

Scene 2

= 108

349 1

3

Fl. 2 3

1 Ob. 2 a2 Cl.

1 2

3

Bs. Cl. 3

3

3

3

3

1 3

Bn. 3

2 3

Hn.

1

2 3

1 Tpt.

3

2

1 3

Tbn. 2

3

Timp. Vibr. 1 Mar. Perc. 2

Rim shot 3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

W.W. 2

Tbn.

Drums 3

Bass

LIEUTENANT 3

3

(They pull their weapon)

Cin. Chain these men.

They have a fierce look

= 108 I Vn. II

Va. 3

3

Vc. 3

Cb. 3

al


118

Scene 2 354 1

Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) 3

6 3

6

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

Lt.

3

3

right.

I pi ty these white

men

so long in their hands.

Slaves you say?

I 6

Vn. II

Va. 3

Vc.

Cb.

3

6


Scene 2

119

360 1 3

Fl. 2

3

1 3

Ob.

dim.

3

2

dim. Cl.

1 2 3

dim.

Bs. Cl. 3

1 Bn.

3

2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

Lt. What’s

their

worth?

DON PEDRO

3

3

A

great

deal

Tell

us, sir,

where

I Vn.

div. II

Va.

Vc.

pizz. 3

Cb.

arco

have

we


120

Scene 2 364 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

3 6

Bs. Cl. 3

1 3

Bn.

3

2

1 Hn. 2

1

dim.

Tpt. 2

dim. 1 Tbn.

dim. 2

Timp.

1 (Mar.)

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums 3

pizz. Bass

3 3

Lt. You are

in

New

York.

CINQUE

3

3

3

D.P. land

ed?

Gra

beau,

Bur

nah,

I 3

6

Vn. II

Va. 3

Vc. 3

Cb. 3

pizz.


Scene 2

121

367 1 Fl. 2

1 Ob. 2 1. 1 2

Cl.

Bs. Cl. 1 Bn.

cresc.

cresc.

cresc.

cresc.

2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

(Mar.)

3

3

Perc. 2

cresc.

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

Drums

Bass

cresc.

3

Lt. What’s that 3

he

says DON PEDRO

3

Cin.

3

3

Kin

na,

Ka

leh,

show them the gold.

Just their bush

I 3

Vn. II

3

pizz. Va. 3

pizz. Vc.

Cb. cresc.


122

Scene 2 371 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.)

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

KINNAH 3

8

I Vn. II

Va.

Vc.

Cb.

We 3

3

lan

guage

3

They don’t talk much Eng

lish.

3

have

gold.

We have gold and goods of val

3

ue.


Scene 2

123

375 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl. 1

cresc.

Bn. 2

cresc. 1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.)

3

Perc. 2

cresc.

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc.

Bass

cresc. 3

3

3

Ki. 8

You

see.

We

are

not

slaves.

LIEUTENANT

I’d have to see I

3

Vn. II

Va.

Vc.

Cb.

cresc.

that.


124

Scene 2 379 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 3

Tpt.

3

cresc.

2 3

3

cresc.

1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

to B Clarinet

W.W. 2

Tbn.

Drums

Bass

(CINQUE tells KINNA to show him. KINNA nods and gestures for the LIEUTENANT to follow. The LIEUTENANT sends two men with him.) Lt. I’ll have to make an in ven

I Vn.

3

II

cresc. Va.

Vc. 3

Cb.

to

ry.


125

Scene 2 383

= 74

ritard.

1

dim.

Fl. 2

1

dim. Ob. 2 1. Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

dim. Perc. 2

3

Cel.

Hp.

W.W. 1 B Clarinet A whole tone/Gm9 W.W. 2

Tbn. Brushes - soft time - steady! Drums

Bass

3

Lt. I’ll have to

ritard.

see

it

all.

= 74

I Vn. II

Va.

Vc.

pizz. Cb.

dim.

Gm11( 7)


126

Scene 2 389 1

Fl. 2

1 Ob. 2 (1.) Cl.

1 2

Bs. Cl.

dim. 1

dim.

Bn. 2

dim.

1 Hn. 2

1 Tpt. 2 mute 1 Tbn.

mute 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (B Cl.) Gm11( 7)

D7alt/Gm

A whole tone/G

Gm7( 6)

Gm11( 7)

W.W. 2

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

dim. arco Cb.

dim.

Dalt7


127

Scene 2 395 1 Fl.

dim.

dim.

dim.

dim.

2

1 Ob. 2 (1.) Cl.

1 2

dim. Bs. Cl.

dim.

dim.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (B Cl.) D7( 6)

E 7( 11)

E 7( 9)

D7( 13)

W.W. 2

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

dim.

Cb.

dim.

dim.

D9( 11)

to Contra Alto Clarinet


128

Scene 2 401 1

dim.

Fl. 2

1

dim.

Ob. 2 a2 1 2

Cl.

dim.

dim.

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 3

(C.A. Cl.) W.W. 2

Tbn. 3

Drums pizz.

3

Bass

cresc. CINQUE

3

We MARGRU

3

3

at

last

3

have

come

3

3

3

to 3

naught,

We

at 3

3

S We CAPTIVES

BAHIA

at

last

3

have

come

3

to 3

naught,

We

at 3

3

A KALEH & KINNAH

We

at

last

3

have

come

3

to 3

naught,

We

at 3

3

T 8

We GRABEAU & BURNAH

at

last

3

have

come

to 3

3

naught,

We

at 3

3

B We

at

last

have

come

I Vn. II

Va. pizz.

3

pizz.

3

Vc.

cresc.

Cb.

cresc.

to

naught,

We

at


Scene 2

129

407 1

dim. Fl. 2

1

dim.

Ob. 2

a2 Cl.

1 2

dim.

3

3

Bs. Cl.

dim.

dim.

1 Bn. 2

1

cresc.

3

dim.

3

3

3

3

Hn. 3

dim.

2

cresc.

dim.

dim.

1 Tpt. 2

1

3

3

3

dim.

dim.

Tbn. 2 3

dim.

3

3

dim.

Timp. 1

Perc. 2 3

Cel.

Hp.

W.W. 1 3

(C.A. Cl.)

3

W.W. 2

dim.

dim.

Tbn. 3

Drums 3 3

3

Bass

dim.

cresc. 3

3

3

3

3

3

Cin. last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

Mar. last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

Ba. last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

Ka. Ki. 8

last

have

come

to 3

3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

Gr. Bu. last

have

come

to

naught,

We

at

last

have

I 3 3

Vn.

3

II

Va. 3

3

Vc.

cresc.

dim.

3

3

Cb.

cresc.

dim.

come

to

naught.


130

Scene 2

= 132

413 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

cresc. Bs. Cl.

cresc. 1 Bn. 2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

cresc. Mar. Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn.

Drums

Bass

cresc. 3

3

3

Cin. tell

tales, shrouds,

a

dead man’s cloth

the

Mar. the Ba. the Ka. Ki. 8

the

Gr. Bu. the

= 132 I Vn. II

Va. arco Vc.

arco

pizz.

Cb.

cresc.


Scene 2

131

419 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc.

dim.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

Bs. Cl.

cresc. 1 Bn. 2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. Drums

Bass 3 3

Cin. mean

ing

is

clear

The

chains

re

turn,

the

i

rons

i

rons

i

rons

i

rons

i

rons

3

3

Mar. mean

ing

is

clear

The

chains

re

turn,

the 3

3

Ba. mean

ing

is

clear

The

chains

re

turn,

the 3

3

Ka. Ki. 8

mean

ing

is

clear

The

chains

re

turn,

the

3

3

Gr. Bu. mean

ing

is

clear

The

chains

I Vn.

re

turn,

the

3

cresc.

dim.

II

cresc.

3

cresc.

3

dim.

Va.

dim.

Vc. 3

cresc.

dim.

Cb.

cresc.

dim.

cresc.


132

Scene 2 424 1

dim. Fl. 2

dim. 1 Ob. 2

Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt.

cresc.

dim.

cresc.

dim.

2

1

cresc.

Tbn. 2

cresc. Timp. (Vibr.) 1

cresc.

(Mar.) Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 4

5

5

6

4

Drums

Bass

Cin. come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

Mar.

Ba.

Ka. Ki. 8

Gr. Bu.

I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

5

5


Scene 2

133

428 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl. 1 Bn. 2

1

cresc.

Hn. 2

cresc. 1 Tpt. 2

1 Tbn.

cresc.

cresc.

cresc.

cresc.

2

Timp. (Vibr.) 1

cresc.

cresc.

(Mar.) Perc. 2

cresc.

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

4

5

5

6

4

5

5

Drums

Bass

Cin. We had a brush with the gods— Mar. We had

a

brush

with

the

gods—

We had

a

brush

with

the

gods—

we

Ba. We saw

a god

Ka. Ki. We

8

had a brush

with

the

gods—

Gr. Bu. We had a brush with the gods

I Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

cresc.

cresc.


134

Scene 2 432 1

dim.

Fl. 2

dim. 1 Ob.

dim. 2 (1.)

Cl.

1 2

dim. Bs. Cl. 1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt. 2

dim. 1 Tbn.

cresc. 2

cresc. Timp. (Vibr.) 1 (Mar.)

cresc.

cresc.

cresc.

cresc.

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

4

5

5

6

4

5

5

Drums

Bass

Cin. We saw

a

god

and this has brought us down.

Mar. saw

a god

face

to

face

face

to

face

Ba. Ka. Ki. 8

We saw

We a god

saw

a

god

and this has brought us

down.

and this has brought us

down.

Gr. Bu. We saw

a

god

div. I Vn.

dim. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.


135

Scene 2 436 1

cresc.

dim.

cresc.

dim.

Fl. 2

1

dim.

Ob. 2

dim.

Cl.

1 2

dim.

cresc. Bs. Cl. 1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt.

cresc.

dim.

cresc.

dim.

2

1

cresc.

Tbn. 2

cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 6

4

5

5

6

5

5

Drums Bass

Cin. To

be

the

prey

be

came

our

fate,

Mar. brought

us down.

To

be

the

prey

be

came

our

fate,

brought

us down.

To

be

the

prey

be

came

our

fate,

To

be

the

prey

be

came

our

fate,

To

be

the

prey

be

came

our

fate,

Ba.

Ka. Ki. 8

Gr. Bu.

I Vn.

cresc.

dim.

II

cresc. Va.

cresc. Vc.

cresc. Cb.

cresc.

dim.


136

Scene 2 440 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 4

5

5

4

5

5

Drums

Bass

3

and

we were caught and

Mar.

Ba. Ka. Ki. 8

Gr. Bu.

I Vn. II

Va.

cresc. Vc.

cresc. Cb.

starved,

sold

3

on

these

wa

ters


137

Scene 2 444 1 3

dim.

Fl. 2 3

dim.

1. 1 3

dim.

Ob. 2 3

Cl.

1 2

dim. Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 4

5

5

4

5

5

Drums

Bass

3

3

Cin. but

we

are

not

slaves,

But

Mar. We

are not

slaves,

We

are not

slaves,

Ba. Ka. Ki. We

8

are not

slaves,

Gr. Bu. We

I Vn. II

Va.

cresc. Vc.

cresc. Cb.

are

not

slaves,

we

are

not


138

Scene 2 448 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1

cresc.

Tbn. 2

cresc.

Timp.

1

Perc. 2 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn. 4

5

5

4

5

5

4

Drums Bass

Cin. slaves

But we

Mar. We

are not

slaves—

We

are not

slaves—

Ba.

Ka. Ki. 8

We are not slaves—

Gr. Bu. We are not

slaves— 6

I

dim.

Vn.

div. II

dim. Va.

cresc. Vc.

cresc. Cb.

are

not

slaves—


Scene 2

139

453 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl. 1 Bn. 2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. Sn. Dr. Drums

Bass

TRICKSTER

8

There (to TRICKSTER)

are

(The whites, who can’t see the TRICKSTER, are puzzled)

Cin. Tell me how to say it—

Tell me, Lord Trick

ster,

I Vn.

cresc. II

dim. Va.

cresc.

Vc.

arco Cb.

dim.

no


140

Scene 2 458 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

Hn.

1

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

Tr. 8

words

No

Cin. Tell me how to say

it—

Tell me, Lord Trick

ster— div.

I Vn. II

Va.

Vc.

Cb.

words

at

all


141

Scene 2

= 69

ritard.

463 1

Fl. 2

1

dim. Ob. 2

dim. a2 Cl.

1 2

dim. Bs. Cl.

1

dim. Bn. 2

dim.

1 Hn. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

They will not—

3

not

3

Cin. Where

are the words

that

white men un der

stand?

= 69

ritard.

I Vn. II

Va.

Vc.

dim. Cb.

dim.

here,

not


142

Scene 2 469

Subito

= 100

1 3

3

3

3

3

3

3

3

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 3

3

3

3

3

3

1

Bn.

3

3

2

1 Hn. 2

1 3

Tpt.

3

2

1 Tbn. 2 3

Timp. Xyl. 1 3

Mar.

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Hands on drums Drums 3

3

3

3

Bass

DON PEDRO

3

Tr. 8

LIEUTENANT

now.

They talk 3

He’s mad,

Subito I

= 100

3

Vn. 3

II

Va.

Vc.

Cb.

too.

He

talks to the air

3

a

stern.

to


143

Scene 2 475 1 Fl.

3

3

3

3

3

3

3

3

3

3

3

3

2

1 Ob. 2 1. Cl.

1 2

3

3

Bs. Cl. 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

3

Bn.

3

3

3

3

2

cresc. 1 3

Hn.

3

2 mute

3

1 Tpt.

mute

3

2

mute 1 mute

Tbn. 2 3

3

Timp. (Vibr.) 1 (Mar.) 3

3

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. play with triplets (hands on drums) Drums

Bass

TRICKSTER

3

8

3

3

You’re as good

3

3

3

as

dead

D.P. spir

its.

Sir,

you

have

much

to

learn. div.

I 3

Vn.

3

3

div. II 3

Va. 3 3

pizz.

3

Vc. 3

3

pizz.

3 3

Cb. 3

3

3

cresc.


144

Scene 2 479 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 3

Hn.

3

3

cresc. 3

2 3

cresc.

3

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

(The men return with trunks and open them, removing a few pouches) Tr. 8

I Vn. 3

3

3

3

3

II

cresc. Va. 3

3

3

cresc.

3

Vc. 3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

Cb. 3

cresc.

3

3


Scene 2

145

482 1 3

Fl. 2 3

1 3

Ob. 2 3

a2 Cl.

1 2

3 3

Bs. Cl. 1 Bn. 2 open 1 3

Hn. 2

open 1 3

open 3

Tpt. 2

open 1 3

Tbn.

open 2 3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplet feel)

march-like funk

Drums pizz. Bass

DON PEDRO

That

gold

is

mine,

my

3

I 3

6

Vn. 3

3

II 3 3

3

Va. 3

pizz.

3

Vc. 3

3

3

3

3

3

3

3

3

3

Cb. 3

3

3

gold.


146

Scene 2 487 1

Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

3

1

cresc.

Hn.

3

2

cresc. 1

Tpt. 2

1 3

Tbn. 2 3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

D.P. 3

There

I Vn. II

Va.

Vc.

Cb.

are

more

bags

in

their

belts.

I

own

these

and


Scene 2

147

491 1 3

Fl. 2

1

dim.

Ob. 2

dim. Cl.

3

1.

1 2 3

dim.

dim.

Bs. Cl.

1 3

3

3

3

Bn. 2

3

1 Hn.

3 3

2

dim. 1 Tpt. 2

1 3

dim.

Tbn. 2

dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass 3

3

3

3

3

3

cresc.

3

3

3

D.P. man

y

oth

ers,

whole

bar ra coons

in Ha va

na.

He

is

mine,

too.

That

I Vn. II

Va.

3

3

3

3

Vc.

cresc. 3

Cb. 3

3

3

cresc.


148

Scene 2 495 1

Fl. 2

1 Ob. 2

3

3

1 2

Cl.

3

3

Bs. Cl. 3

3

1 3

3

3

3

3

3

3

Bn. 2 3

1 Hn. 2

1 3

Tpt.

3

2

1 3

3

Tbn. 2 3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass 3

3

3

3

3

3

cresc.

3

3

3

3

3

D.P. one.

Cin

que,

the

lea

der,

They

are

all

mine.

3

I Vn. II 3

Va. 3 3

3

3

3

3

3

3

3

3

3

Vc.

cresc. 3

Cb. 3

3

3

3

3

cresc.

3

3

3

3


Scene 2

= 120 498

149

3

= 1

Fl. 2

1

dim. Ob. 2

dim. a2

(1.)

1 2

Cl.

dim. cresc. Bs. Cl.

1 Bn. 2

1 Hn.

dim. 2

dim. 1

dim.

Tpt. 2

1 Tbn.

dim.

cresc.

dim.

cresc.

2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

sim.

Drums

Bass

LIEUTENANT

I

be

lieve,

sir,

you

should

be

glad

D.P.

= 120 3

= I

dim.

Vn. II

Va.

cresc. arco Vc.

cresc.

pizz. Cb.

dim.

cresc.


150

Scene 2 502 1

dim. Fl. 2

dim. 1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

1

dim.

Tpt. 2

dim. 1

cresc.

dim.

cresc.

cresc.

dim.

cresc.

Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Lt. for

your

life.

It’s

the fear

I

of

all

slav

ers,

Fear

3 3

Vn. II

3

Va. 3

dim.

3

dim.

3

Vc.

Cb.

cresc.

dim.

cresc.


151

Scene 2 505 1

dim. Fl. 2

dim. 1

dim.

Ob. 2

dim.

a2 Cl.

1 2

dim. Bs. Cl. 1 Bn. 2

1 Hn.

cresc. 2

1 Tpt. 2

cresc.

1

cresc.

Tbn. 2

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Lt. of all slav

ers:

a slave that

owns

him

with

a

cut

lass.

But this car

go

is

mine,

DON PEDRO

They

I Vn. II 3

Va. 3 3

Vc. 3

Cb.

cresc.

cresc.

are

all


152

Scene 2

= 126 508 1 Fl. 2

1

Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

NAVIGATOR

3

3

Lt. 8

Sal vage

of

a

ship wreck.

Help these men

to a boat

They

D.P. mine,

= 126 I

dim.

Vn. II

Va.

3 3

cresc.

Vc. 3 3

dim.

cresc. arco

Cb.

dim.

are

kil

lers!


Scene 2

153

512 1 Fl. 2

1

Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

3

1 Hn. 2

1 Tpt. 2

1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

(NAVIGATOR and DON PEDRO exit protesting)

3

Nav. 8

They are

DON PEDRO

kil

lers 3

Lt. I

be lieve

they

sure

ly are.

Of

fi

cer,

that

is

I Vn.

3

II

cresc.

dim. 3

Va. 3

Vc.

cresc. Cb.

dim.

dim.

not

right.


154

Scene 2 518 1

cresc. Fl. 2

cresc. 1

cresc. Ob. 2

cresc. a2 Cl.

1 2

cresc. Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT

(Ignoring DON PEDRO, to his first mate)

Not a 3

D.P. They

are

mine,

all

mine.

I Vn. II

3

Va.

cresc. Vc.

div. Cb.

bad

day


Scene 2

155

524 1 Fl. 2

1 Ob. 2 a2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Lt. Not a bad

I Vn. II

cresc.

Va.

Vc.

cresc.

Cb.

day,

I

say.


156

Scene 2 529 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

Lt. We’ll have to head for New

I

Vn. II

Va.

Vc.

Cb.

Lon

don.

New York

is

not

a slave

state.

They’ll

let

them


Scene 2

157

535 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1

Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Lt. go.

We sail for

port

in Con nec

ti

cut.

Slaves

they will

div. I Vn. II

Va.

cresc.

cresc.

cresc.

cresc.

Vc.

cresc.

Cb.

cresc.

cresc.

re


158

Scene 2 541 1

Fl.

to Piccolo 2

1

dim.

Ob. 2

Cl.

a2

dim.

a2 1 2

dim. Bs. Cl.

1

cresc. Bn. 2

cresc. 1 Hn. 2

1

cresc. Tpt. 2

cresc.

1

Tbn. 2

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. Drums Bass

Lt. main.

Slaves

they

will

re

main.

I

dim. Vn. II

dim.

Va.

Vc.

div. Cb.


Scene 2

159

548 Picc.

Fl. 1

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ANTONIO (Standing alone in the confusion)

And

I Vn. II

Va.

Vc. pizz. Cb.

me,

am

I

slave?

I

left Cu ba

a

slave


160

Scene 2 553

Picc.

Fl. 1

1 Ob. 2 1. Cl.

1 2

dim.

Bs. Cl.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

An. I’ll land

in A mer i ca a

slave

Not friend

nor

foe

to white or

black.

I Vn.

cresc. II

cresc. Va.

Vc.

Cb.

cresc.

I have no


Scene 2

161

557 Picc.

Fl. 1

1 Ob. 2

Cl.

1 2

Bs. Cl.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

1 Bn. 2

3

1 6

Hn. 3

2 6 3

1 Tpt.

3

2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

An. chance with my“broth ers”

here.

They’ll nev er

trust

me.

Be sides, they got no chance

I

dim. Vn. II

dim.

Va.

dim.

cresc.

Vc.

Cb.

dim.

cresc.

cresc.

at


162

Scene 2

= 80

562 Picc.

Fl. 1

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

cresc.

1 Hn. 2

1 Tpt. 2

1

cresc. Tbn. 2

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Fill Drums

cresc. Bass LIEUTENANT

all.

Take

them all

= 80 I

dim. Vn. II

dim.

Va.

dim. Vc.

cresc.

Cb.

cresc.


Scene 2

163 Flute

568

to Flute

Picc. 3

Fl. 1 3

3

cresc.

1 3

Ob.

dim.

3

2 1. Cl.

1 2 3

dim.

3

Bs. Cl.

1 3

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Glock., soft mallets 1 3

Mar.

3

3

Perc. 2

3 6

cresc.

3

Cel.

3

3

3 3 6

Hp.

dim.

cresc.

E , F , G, A B ,C ,D

(C , G )

3

dim.

3

3

3

3

cresc.

(A , E )

(G )

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(The captives are tied to one another and taken off the ship. One of them grabs the TRICKSTER and hangs on.)

I 3

Vn. II 6

Va. 3

Vc.

dim. Cb.

dim.


164

SCENE 3 (Parade) (Wharf, New England port town. The Coast Guard parades the captives through the town en route to the jail. Citizens come out to watch. Parade move to exterior of jail, circling among people waiting.)

= 120 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1

cresc.

cresc.

cresc.

cresc.

Tpt. 2

cresc.

a2 1

Tbn.

cresc.

cresc.

cresc.

cresc.

a2 2

Timp. Glock. 1

cresc. Perc. 2 Bs. Dr.

Sn. Dr.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Snares on Drums

Bass

= 120 I

Vn. II

Va.

Vc.

Cb.

March - brushes


Scene 3 9 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

cresc. 1 Tbn. 2

Timp. (Glock.) 1

cresc. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

Cb.

165


166

Scene 3 16 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Double time brushes

5/8

Drums

cresc. Bass

I

Vn. II

Va.

Vc.

Cb.


Scene 3

167

22 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 3

3

3

Bn.

3

2 3

3

3

3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5/8

3

3

Drums 3

3

3

3

3

Bass

I

Vn. II

Va.

3

3

3

Vc.

pizz. Cb.


168

Scene 3 29 1

dim.

Fl. 2

dim. 1 Ob. 2 1. 1 2

Cl.

3

3

dim.

Bs. Cl.

1 3

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

dim. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Fill Drums

cresc. Bass

I

Vn. II

Va.

Vc.

dim.

dim. arco

Cb.

dim.

dim.


Scene 3

= 76

169

= 100

36 1 Fl. 2

1 Ob. 2

2. Cl.

1 2

Bs. Cl.

cresc.

cresc.

1

cresc.

cresc.

cresc.

cresc.

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. 8va

8va

Bass

cresc.

= 76

= 100 1 solo

I

cresc.

Vn. II 1 sola Va.

1 solo Vc.

Cb.

6


170

Scene 3 41 1

Fl. 2

1

cresc.

Ob.

cresc.

2

cresc.

cresc. 1.

Cl.

1 2

Bs. Cl.

cresc.

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc. REPORTER 1

8

So these

are the sa

va

ges

a

board

the

le

gend

ship.

Mur der ers and man

(1 solo) I Vn.

(1 solo) II

(1 sola) Va. (1 solo) Vc.

cresc. Cb.


Scene 3

171

45 1 Fl. 2

1

cresc.

Ob. 2

cresc. 2. 1 2

Cl.

Bs. Cl.

cresc.

dim.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

R.1 8

ea

ters.

They

look

ev

’ry bit of

I Vn. II

Va.

Vc.

cresc. Cb.

it.

Bring

on

the

“E

thi

o

pi


172

Scene 3 49 1

Fl. 2

1 Ob.

cresc.

cresc.

cresc.

cresc.

2

1 2

Cl.

Bs. Cl.

cresc.

cresc.

cresc.

1

cresc.

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

cresc.

3

R.1 8

an

de lin

e

a

tors�

to

make

some

new

coon

bits. tutti

(1 solo) I 3

Vn.

(1 solo)

3

tutti

II (1 sola) Va. (1 solo)

tutti

Vc.

cresc.

3

Cb.

cresc.


Scene 3

173

52 1 Fl. 2

1

cresc.

Ob. 2

cresc. Cl.

1 2

cresc. Bs. Cl.

cresc. 1

cresc. Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

5

5

6

Drums

Bass

cresc.

TENOR

8

We know BASS

fat

hap py Mam

bo

Sim ple laz y Sam

bo

Cot ton top

Un cle and

Shift

less

Coon

We know

fat

hap py Mam

bo

Sim ple laz y Sam

bo

Cot ton top

Un cle and

Shift

less

Coon

div.

unis.

I Vn.

div.

unis.

div.

II

tutte Va.

Vc.

Cb.

cresc.


174

Scene 3 55 1

Fl. 2

1 3 3

Ob. 2

1. 1 2

Cl.

Bs. Cl.

1 Bn. 2

1

Hn.

2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

6

5

5

6

Drums

Bass

REPORTER 2

3

3

Would you be do cile

O

blig ing and ser

T 8

Who

are these brutes

talk ing mum bo jum

bo?

talk ing mum bo jum

bo?

B Who

are these brutes

1 solo I Vn.

1 solo II

Va. 1 solo Vc.

Cb.

vile

If


Scene 3

175

59 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2 3

1 Hn. 3

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) Vibe. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

6

5

5

6

Drums

Bass 3

3 3

R.2 ripped from home and near

ly killed?

If white men

had mutin eed

and dark

T 8

Whereis Mam bo?

WewantSam

bo.

Whereis Mam bo?

WewantSam

bo.

B

(1 solo) I Vn.

(1 solo) II 1 sola

Va. 3

(1 solo) Vc.

Cb.

pizz.

arco

skins

were


Scene 3

176 63 1

cresc.

Fl. 2

1 Ob. 2

cresc. 2 1 2

Cl.

cresc. Bs. Cl.

1

Bn. 2

1

Hn.

3

2

1 3

Tpt.

3

2

1 3

Tbn.

3

2

Timp. (Vibr.) Vibe. 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. 3

5

5

6

5

5

6

Drums

Bass

R.2 killed

you would hail the lead er

a he

ro

And de mand li

ber ty for one

and

all.

3

3

S Where is Mam bo?

We want Sam bo.

and we will give 3

3

A Where is Mam bo?

We want Sam bo.

and we will give 3

3

3

3

T 8

Where is Mam bo?

We want Sam bo.

Givethem lib 3

er ty

and we will give

3

3

B Sam bo.

Givethem lib

(1 solo)

er ty

give

tutti

I Vn.

cresc. tutti

(1 solo)

3

II 3

(1 sola)

tutti

Va. 3

3

(1 solo) pizz.

arco

pizz.

3

3

cresc. tutti arco

Vc. 3

3

cresc. Cb.

3


Scene 3

177

68 1

dim. Fl. 2

dim. 1 Ob.

dim. 2

dim.

1.

1 2

Cl.

dim. Bs. Cl.

1 Bn.

dim. 2

dim. 1

Hn.

2

dim. 1

dim.

Tpt. 2

dim. 1 Tbn.

dim. 2

dim. Timp. (Vibr.) 1 Marimba Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. Drums

Bass

REPORTER 3 R.3 A

he

ro

A

mul ish Man din

S them

death.

them

death.

them

death.

them

death.

A

T 8

B 1 solo, con sord. 1 solo: al sord. I Vn.

1 solo: al sord. II

Va.

Vc.

Cb.

go


Scene 3

178 72 1

Fl. 2

1 Ob. 2 (a2) Cl.

a2

1

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

Sn. Dr. 3 Low. Tom-t.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums pizz. Bass

3

3

3

R.3 mul lah

e mir of the grec

hees

and the gul

lah.

That man’s

(1 solo)

I 1 solo, al sord. Vn. II 1 sola, pizz.

(1 sola) arco

1 solo, pizz.

(1 solo) arco

Va.

Vc.

Cb.

the

ve ry rea son

we

call

a to bac co chawa


Scene 3

179

77 1 Fl. 2

1 Ob. 2 2. 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn.

3

2 mute 1 3

Tpt.

mute 2 mute 1

Tbn. 2

Timp. (Vibr.) 1 (Marimba) Perc. 2

3

Cel.

Hp.

W.W. 1 E Contra Alto Clarinet W.W. 2

Tbn. snares on

High Hat (open)

Drums pizz.

Bass

3

3

3

R.3 nig ger head,

and a rough nut

a

nig ger toe.

Why the

nig

ger

is the black

you

take off rice

grain

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

S

A

T 8

B solo

I gli altri, div. tutti div.

Vn. II

tutte Va. tutti Vc.

cresc. Cb.

3

and


Scene 3

180 81 1 Fl. 2

1 3

Ob.

dim.

2 3

dim.

1 2

Cl.

3

dim.

Bs. Cl. 1 Bn. 2

cresc. 3

1 Hn.

dim. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp. 1

Perc. 2 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn. Drums

(pizz.) Bass

cresc. 3

3

3

3

R.3 su gar cane.

He’s the

chaff

that has to go

if you want to have wheat.

S toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

A

T 8

B

tutti

3

I 3

3

Vn.

(div.) II

Va. 3

Vc.

3 3

Cb.

dim.


Scene 3

181

86 1 Fl. 2

cresc.

cresc.

cresc.

cresc.

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 5 Drums (pizz.) Bass

cresc. REPORTER 4 3

R.4 8

So

true

Why that crea ture there in the cage

He’s a

blub ber lipped nap py head sul len lout

Not half

as smart,

S Ole

Black

Joe,

Mam

bo,

Sam bo,

Mam bo,

Sam

bo,

Ole

Black

Joe,

Mam

bo,

Sam bo,

Mam bo,

Sam

bo,

Ole

Black

Joe,

Where is Mam

bo?

Ole

Black

Joe,

Where is Mam

bo?

want

Where

is

A We

want Sam bo. Where is

We

want Sam bo.

T 8

B

I Vn. II

Va.

Vc.

Cb.


Scene 3

182 91 1 Fl.

dim. 2

cresc. 1 Ob. 2

dim. 1 2

Cl.

cresc.

dim.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1

Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 7

7

Drums (pizz.)

arco

Bass

REPORTER 1 3

R.4 8

not half

as

smart

as

ev ’ry third

nig

ga

on our docks

Tru er words werenev er

S Mam bo?

We

want Sam bo.

Mam bo?

We

want Sam bo.

We

want Sam bo.

We

want Sam bo.

A

T 8

B

I Vn.

1 solo II

1 sola Va. 1 solo Vc. (pizz.) Cb.


Scene 3

183

96 1 Fl. 2

1 Ob. 2 1. Cl.

1 2 6

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

R.1 8

said

We have learned

here,

here

in A mer

i

ca

Our blacks are

1 solo I Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

cresc.

Cb.


Scene 3

184 101 1

3

Fl. 2 3

1 3

3

Ob. 2

3

3 3

1.

1 2

Cl.

3

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

cresc.

3

R.1 8

hap

pi

er.

Sub

ject

ion

does

them

good

S Give them li

ber

Give them li

ber

A

T 8

B (1 solo) I Vn.

dim.

(1 solo) II

cresc.

cresc.

cresc.

cresc.

(1 sola) Va. (1 solo) Vc.

cresc. Cb.

cresc.


Scene 3

185

105 1 Fl. 2

1 Ob. 2 1.

1.

1 2

Cl.

dim. Bs. Cl.

cresc. 1 Bn. 2

1 Hn. 2

mute 1 Tpt.

mute

cresc.

cresc.

cresc.

cresc.

2

1 Tbn. 2

Timp. 1

Perc. 2 3

Cel.

Hp.

W.W. 1 (C. A. Clar.) W.W. 2

cresc. Tbn. Cymbals - sparse Drums

Bass REPORTER 2

Who

told

you

S ty

we’ll

give

them

death.

ty

we’ll

give

them

death.

we’ll

give

them

death.

we’ll

give

them

death.

A

T 8

B

tutti

1 solo

I Vn.

tutti

1 solo

II tutte Va. tutti Vc. tutti Cb.

1 solo

that?


Scene 3

186 110 1 Fl. 2

1

3

Ob. 2 3

1 2

Cl.

3

Bs. Cl.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. A. Cl.) W.W. 2

Tbn. Cymbals - sparse Drums

3

Bass

3

3

3

3

R.2 Some “hap

py” chained

up

black?

The

slave

trade

is

a

tra

ge

dy.

We

(1 solo) I Vn.

(1 solo) II 3

3

1 sola Va. (1 solo) Vc.

Cb.


Scene 3

187

114 1

cresc. Fl. 2

cresc. 1 Ob. 2 2. Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums pizz.

pizz.

arco

Bass REPORTER 4

R.2 8

must sup port

its

fi

nal

end

They’re so keen eyed

and

shif

ty—

They ought ta

I

cresc. Vn. II

cresc. Va.

Vc.

Cb.

cresc.

be


Scene 3

188 118 1

cresc.

cresc.

cresc.

cresc.

Fl. 2

1 Ob.

dim.

dim.

dim.

dim.

2 (2.) Cl.

1 2

cresc.

cresc.

Bs. Cl.

dim.

dim.

1 Bn. 2

1 Hn. 2

dim.

mute 1

dim.

Tpt.

mute 2

dim. 1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

REPORTER 2

3

R.4 8

hog

tied

and

whipped.

Well,

I

must

a

gree,

they

get

(1 solo) I Vn.

(1 solo)

3

II (1 sola) Va. (1 solo)

cresc.

Vc.

cresc. Cb.

a lot of sym pa


Scene 3

189

122 1

cresc.

cresc.

cresc.

cresc.

Fl. 2

1 Ob.

cresc.

dim.

cresc.

dim.

2 (2) Cl.

dim.

1 2

cresc.

cresc.

Bs. Cl.

dim.

1

dim. Bn. 2

dim. 1 Hn.

dim.

dim.

dim.

dim.

dim.

dim.

2 (mute) 1

dim. Tpt.

(mute) 2

dim. 1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc. 3

R.2 thy

more

tears

from

la dies and

fools

than

white

men

I Vn. II

dim.

Va. 3

dim.

Vc.

cresc. Cb.

e

ver

could.


Scene 3

190 126 1

cresc.

cresc.

Fl. 2

cresc.

cresc.

1 Ob. 2 (2.) 1 2

Cl.

cresc.

cresc.

Bs. Cl. 1 Bn. 2

1

Hn.

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn.

Drums

Bass

cresc. REPORTER 1

4

In

8

deed.

Cer

REPORTER 4

8

In

3

deed.

R.2 Whites

need

e

qual

just

ice

REPORTER 3

In (1 solo) I Vn.

(1 solo) II (1 sola)

Va.

dim. (1 solo) Vc.

cresc. Cb.

3

deed.

tain

lib

erals


Scene 3

191

130 1 Fl. 2

cresc.

cresc.

1 Ob. 2 1. Cl.

1.

1.

1.

1 2

cresc.

cresc.

Bs. Cl.

1 Bn. 2

cresc.

3

1

cresc.

3

3

dim.

Hn. 3

3

3

2

cresc.

dim.

1 Tpt. 2

1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

R.1 8

you knowthe ones

I

mean,

de

fend the coons

e ven when they

kill

it’s

I 3

Vn. II 3

Va. 3

Vc.

Cb.


Scene 3

192 134 1 3

Fl. 2 3

1 Ob.

3

2 a2 Cl.

1 2

cresc.

cresc.

Bs. Cl.

1

Bn. 2

3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

cresc. 3

3

3

R.1 8

gett ing so these brutes

can run a mok,

(1 solo)

slit our throats

2 soli

and live to

tell it

get fat and

com fy,

1 solo

3

sleep ing in our

jail

tutti

I 3

Vn.

2 soli

1 solo

tutti

3

II 3

2 sole

(1 sola)

1 sola

tutte

3

Va.

cresc.

3

(1 solo)

tutti

Vc.

cresc.

Cb.

cresc.

cresc.


Scene 3

193

139 1 3

Fl. 2 3

1 3

Ob. 2 3

a2

3

1 2

Cl.

3

Bs. Cl. 3

1 Bn.

3

2

1

Hn.

2 3

1 Tpt.

3

2

1 Tbn.

3

2 3 3

3

3

3

3

3

3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc.

3

3

3

3

3

Bass

3

S Give

them

3

A 3

3

3

3

3

3

3

Give

T 8

Give

them

li

ber

3

3

ty,

Give

them

li

ber

ty,

Give

them

3

3

3

li

ber

3

ty, 3

B Give

them

li

ber

ty,

Give

them

li

ber

ty,

Give

them

li

ber

ty,

I Vn.

3 3

II 3

3

Va. 3

cresc.

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

Vc. 3

cresc. 3

Cb. 3

cresc.

them


Scene 3

194 141 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

1 Ob. 2

(a2)

3

3

1 2

Cl.

3

3

3

3

Bs. Cl. 1

Bn.

2 1

Hn.

2

1 Tpt. 2

1

cresc.

Tbn. 2

cresc. 3

3

3

3

3

3

3

3

3

3

3

Timp.

1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. Drums 3

3

3

3

cresc.

3

3

3

3

3

3

cresc.

Bass MARGRU

3

Are

CAPTIVES

BAHIA

they

are

they

go

ing to kill 3

KALEH & KINNAH Are

they

they

go

are

they

us,

ing to kill

go

3

3

us,

3

3

3

Are they

8

are

3

3

ing to kill

us,

GRABEAU & BURNAH

Gra. Are they,

3

3

are

3

3

they 3

S death,

Give

them

death,

WHITES

3

Give them li 3

ber

ty, 3

3

Give them

li

3

A death,

Give

3

3

3

3

3

them

death,

3

3

Give them li 3

ber

ty, 3

3

Give them

li

3

T 8

death, Give them li 3

3

ber ty, 3

Give them li

ber ty, Give them li

3

3

3

ber ty,

death,

3

3

Give them li

ber

ty,

Give them

li

3

B death, Give them li

ber ty,

Give them li

ber ty, Give them li

ber ty,

death,

Give 3

I 3

cresc.

Vn.

6

cresc. 6

3

II

cresc.

3

3

3

3

3

3

3

3

cresc.

Va. 3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Vc.

cresc.

cresc. 3

3

Cb.

cresc.

cresc.


Scene 3

195

144 1 3

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

dim.

3

1 3

dim. Ob. 2

dim.

a2 1 2

Cl.

3

dim.

3

Bs. Cl. 1

Bn.

2 3

1 Hn. 3

2 3

1 Tpt. 2

1 3

3

Tbn. 2 3

3

3

3

3

3

3

3

3

3

3

Timp. 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. 3

3

3

3

3

Drums 3

3

cresc.

3

3

3

3

3

Bass 3

3

Ma. go ing to

kill

us,

CAPTIVES

3

3

Ba. go ing to 3

Ka. Kin.

Go ing to

8

kill

3

3

3

us,

go ing to

kill

us, 3

kill

us,

3

Gra. Bur. go ing to 3

kill

Do you

us,

know 3

3

3

3

3

3

3

S ber ty, Give them li

WHITES

3

ber ty,

Give them li

3

3

ber ty, Give them li

3

3

3

ber ty,

Give them 3

3

A ber ty, Give them li 3

ber ty, 3

3

Give them li

3

3

3

3

ber ty, Give them li 3

3

ber ty,

Give them

3

3

T 8

ber ty, Give them li

ber ty,

Give

them

death,

Give them li

ber ty,

Give them li

ber ty, Give them li

ber ty,

3 3

3

3

3

3

3

3

3

3

B them

death,

Give

them

death,

Give them li

ber ty,

I Vn.

them

death,

3

3

dim.

Give

II 3

3

3

3 3

3 3

3

3

3

33

3

3

3

cresc.

33

3

3

Va. 3

3 3

3 3

3

cresc.

3

3

3 3

3 3

3

3

3

3

Vc.

cresc. 3

3

Cb.

cresc.


Scene 3

196 147 1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

1 3

3

Ob. 2 3

3

3

3

1 2

Cl.

3

3

3

3

3

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

3

3

3

3

3

3

3

3

3

3

3

Timp.

cresc. 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. 3

3

3

3

Drums 3

cresc.

3

3

3

3

cresc.

3

Bass

CAPTIVES

Ma. Do

you

know,

Do

you

know,

Ba. Ka. Kin. 8

Are

they

Do you

go ing to

Gra. Bur.

3

3

3

3

3

3

3

Are

They

go ing to 3

3

3

3

S death,

Give them li

WHITES

3

ber ty, 3

3

3

Give

them 3

death,

Give

3

them

death,

3

Give them li 3

3

ber ty, 3

Give them

li

3

A

arco

death,

Give them li

ber ty,

3

Give

them 3

3

death, 3

Give

them

death,

3

Give them li 3

3

ber ty,

Give them

li

3

T 8

death,

Give them li 3

3

3

ber ty, Give them li 3

3

3

ber ty,

death, Give them li

ber ty, 3

3

B death

Give them li

ber ty

Give them li

ber ty, Give them li

ber ty,

death,

Give them

I 3

Vn.

3

3

cresc. 3

3

3 3

3

II 3

3

3

3

3 3

cresc. 3

3

3

3

3

3

Va. 3

cresc. 3

3

3

3

3

3

3

3

3 3

3 3

3

3

3

3

3

3

3 3

Vc.

cresc. 3

3

Cb.

cresc.

3

li


Scene 3

197

150 1 Fl. 2

1 Ob. 2 a2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

Tbn.

3

2 3

3

3

Timp. (Vibr.) 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn.

Drums 3

3

3

Bass

CAPTIVES

Ma. Are

they

go ing to

slit

our

throats

Are

they

go ing to

slit

our

throats

Slit

our

throats

Slit

our

throats

Ba.

Ka. Kin. 8

know

Gra. Bur. 3

3

S ber

ty,

Give them death

WHITES

3

3

A ber

ty,

Give them death

3

3

3

3

T Give them li

8

3

ber

3

ty,

Give them death 3

3

B ber

ty, Givethem

li

ber

ty,

Give them death div.

I Vn.

3

II 3

3 3

Va.

cresc. 3

3 3

3 3

3

Vc. 3

cresc. 3

3

3

Cb.

cresc.

3


198

Scene 3 153 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 mute 1

Tpt.

cresc.

cresc.

cresc.

cresc.

mute 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

Tr. 8

They yap

and

snap,

snick er like

mon

keys.

Af ter so

I 3

Vn.

3

II

cresc. Va.

cresc. Vc.

Cb.

much

si

lence,


Scene 3

199

158 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

cresc. 1

Bn. 2

1 Hn.

dim. 2

dim. 1

cresc.

Tpt. 2

cresc. 1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc. pizz.

Bass

Scat (Whole tone) Tr. 8

so

much gloom,

the bush

re

a

wak ens me.

re a

wak ens me.

I 3

Vn. II

dim.

dim.

Va.

dim.

dim. arco

pizz.

Vc.

cresc. pizz. Cb.


Scene 3

200 164 1

Fl. 2

cresc. 1 Ob. 2

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 Marimba Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

D half diminished

C7( 11) or

Duet with Trickster (interact)

W.W. 2 – Tbn.

Drums

cresc.

cresc.

cresc.

Bass

F half diminished Tr. 8

I Vn. II

Va.

Vc.

Cb.

E 7( 11) or


Scene 3

201

170 1

dim. Fl. 2

cresc.

dim.

1

dim.

Ob. 2 a2

Cl.

dim.

a2

1 2

cresc.

8

dim.

Bs. Cl. 1

Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1

dim.

Tbn. 2

dim.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 C( 9) 7 Duet continues W.W. 2

Tbn. Fill Drums

Bass

E

( 9) 7

Tr. 8

They div.

I 8

Vn. II

dim.

Va.

dim. Vc.

Cb.


Scene 3

202 175 1

3

dim.

dim.

dim.

dim.

Fl. 2 3

1 3

Ob. 2

3

(a2) Cl.

1 2

dim.

dim.

Bs. Cl.

1 Bn. 2

1 Hn.

dim.

dim.

2

dim. 1

dim.

Tpt. 2

dim. 1

dim.

Tbn. 2

dim.

Timp. (Vibr.) 1

3

Xylophone Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

squalk

and

chirp

chirp and squalk

div.

like

hun

gry

birds,

unis.

I

dim. Vn. II

cresc.

Va.

cresc. Vc.

cresc. Cb.

cresc.


Scene 3

203

180 1 Fl. 2

1 Ob. 2

a2 Cl.

1 2

cresc.

6

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Tr. 8

Like

hun

gry

birds ’round

a cook

ing

pot

I

cresc.

6

Vn. II

cresc.

Va.

Vc.

Cb.

dim.

dim.


Scene 3

204 184 1

Fl. 2

1

dim.

Ob. 2

dim.

Cl.

1 2

dim.

6

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt.

dim. 2

dim. 1

dim. Tbn. 2

dim. Timp.

(Vibr.) 1 (Xyl.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

dim.

cresc.

cresc.

pizz. Bass

3

4

3

Tr. 8

A place for a

crowd

I

like the sound of bar ter and

I 3

cresc. 4 Vn.

3 4

II

cresc.

Va.

Vc.

pizz. Cb.

dim.

noise


Scene 3

205

189 1

cresc. Fl.

3

2 3

1 Ob. 2 a2

a2 Cl.

1 2

cresc.

3

Bs. Cl. 3

1

Bn.

3

2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1 Tbn.

dim. 2

Timp. (Vibr.) 1

Perc. 2 Bass Drum 3

Cel.

Hp.

W.W. 1 3

W.W. 2

Tbn. Fill Drums

cresc. Bass

no tremolo

I

cresc.

3

dim.

6

Vn.

no tremolo II

cresc.

dim.

6

no tremolo Va.

dim.

3 6 3

Vc.

dim.

Cb.


206

SCENE 4 (Jail) Jail cell, interior. (If exterior is shown, streets still jammed with people.) Blacks are in three to four cells: Women in one and CINQUE and the other men in two or three. Men wear dark striped cotton trousers and striped cotton shirts; the women, calico dresses.

Freely,

= 69

1 3

Fl. 2 3

1 3

3

3

3

Ob. 2 3

2. Cl.

1 2

Bs. Cl.

1

3

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Freely,

= 69

I

Vn. II

Va. 1 solo

3

3

3

Vc.

Cb.

3

3

dim.

dim.

3

3

3


Scene 4

207

= 84

7 1 3

3

3

3

3

dim.

cresc.

Fl. 2

cresc.

1 3

dim.

3

Ob. 2

dim. Cl.

1 2

Bs. Cl.

1 3

3

3

3

cresc.

Bn.

3

2

cresc. 1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.)

3

3

1 Marimba Perc. 2

3

Cel.

E F GA ] 3

BC D

3

3

3

cresc.3

3

3

3

3

3

3

3

3

3

3

3

Hp.

E

F W.W. 1

W.W. 2

Tbn. Sparse interjections cymbal swells (brushes) Drums

Bass

= 84 I Vn. II 3

3

solo Va. 3 3

cresc.

3

3

3

3

3

(solo)

3

Vc.

dim.

Cb.

cresc.

3

3

cresc.

3

3

3

3

3

3


Scene 4

208 13 1

3

Fl. 2

1 3

3

3

cresc.

Ob. 2 3

3

1. Cl.

1 2

Bs. Cl.

3

3

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. 3

(Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim. 3

Hp.

3

3

3

3

3

3

E

3

3

3

3

3

3

3

3

3

3

F

F

3

dim.

3

3

3

3

3

3

3

E

W.W. 1

W.W. 2

Tbn. (Sparse Interjections Cymbal Swells, etc.)

Brushes (triplet feel)

Drums

Bass

I Vn. II 3

3

3

Va. 3 3

dim.

3

3

3

3

3

3

3

3

3

3

3

3 3

cresc.

3

3

3

3

dim.

Vc. 3

Cb.

dim.

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

dim.

3


Scene 4

209

18 1 3

Fl.

3

dim. 2

1 3

3

3

Ob. 2 3

dim. 2.

Cl.

1 2 3

dim.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. 3

(Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

3

3

3

3

3

cresc. 3

Hp.

3

3

E

3

3

3

3

3

3

3

3

3

3

3

3

F

3

3

3

3

E

F

3

3

3

3

dim.

3

3

3

3

3

3

E

3

3

F

W.W. 1

W.W. 2

Tbn.

Drums

Bass

MARGRU 3

3

3

I could tell

by their

looks,

3

3

their touch es,

the way they han

dled

me,

1 solo I Vn.

1 solo

3

II 3

metà

3

3

3

3

Va. 3

3

3

3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

3

3

dim.

metà Vc. 3

3

3

3

3

3

cresc. Cb.

3

3

3

3

3

3

3

dim.

3

3

3

3

3


Scene 4

210 23 1

dim.

Fl.

3

3

3

3

2

1 3

Ob.

3

3

3

2

dim.

Cl.

1 2 3

dim.

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim.

3

Hp.

3

3

3

3

3

E

F

3

3

3

3

3

F

E

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Mar. they want ed a

girl.

They thought I was 3

a

vir

gin.

E ven these

(1 solo)

I

3

dim. Vn.

(1 solo)

3

II 3

cresc.

dim.

3

3

3

Va. 3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

dim.

3

3

3

3

3

Vc. 3

Cb.

3

cresc.

3

3

3

1 solo

3

3

3

dim.

3

3

3


Scene 4

211

27 1

3

3

3

3

3

3

3

Fl. 2

3

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1

3

3

Bn. 2 3

3

3

3

1 Hn.

3

2 3

1 Tpt. 2

1 Tbn. 2

Timp. (Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

3

Cel.

3

3

3

3

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

E

F

3

3

3

3

dim.

3

Hp.

3

3

3

3

3

F

E

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Mar. men

here,

in

this

pris

on,

call

me

the girl.

They think

I 3

3

3

Vn.

6

3

3

II 3

3

3

dim.

3

3

3

Va. 3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

dim.

3

3

3

Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3

3

dim.

3

3

3

3

I’m


Scene 4

212 31 1

6

Fl.

dim. 2

1 Ob.

3

3

3

3

2

3

Cl.

3

1 2 (2.)

3

5

Bs. Cl.

1 3

Bn. 2

1 Hn. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp. 3

(Vibr.)

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

Hp.

F

W.W. 1

W.W. 2

Tbn. switch to sticks Drums

dim.

dim.

Bass

3

3

3

3

3

Mar. a

vir

gin

They

got

what they want

ed,

a slight

(1 solo) I 3 5

Vn.

dim.

(1 solo)

cresc.

3

II 3

tutti

3

3

Va.

3 3

cresc.

3

3

3

3

3

3

3

3

3

3

dim.3

3

3

dim. 3

3

3

3

tutti

Vc. 3

(1 solo)

3

cresc.

3

3

3

3

3

3

3

tutti div.

Cb.

dim.

3

3


Scene 4

213

35 1 3

3

3

dim.

Fl. 2

3

1 3

3

3 3

Ob.

3

2 3

3

1. Cl.

2.

1 2 3

3

dim.

3

3

Bs. Cl. 3

3

1 Bn. 2 3

1 Hn. 2 3

cresc.

1 3

Tpt. 2

1 Tbn. 2

Timp. 3

3

(Vibr.) 1 3

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

Mar. girl,

with

slim hips

and small breasts.

They don’t know

I left a ba

by wrapped in cloth wait ing

I Vn. II

Va. 3

dim.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Vc. 3

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

Cb.

dim.

cresc.

3


Scene 4

214 40 1

3

3

3

3

3

dim.

dim.

Fl. 2

3

3

3

3

3

dim.

dim.

1 3

dim.

Ob. 2 3

Cl.

dim.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. 3

(Vibr.)

3

1 (Mar.) Perc. 2

3

3

Cel.

3

3

3

3

3

3

3

3

3

cresc.

Hp.

3

3

3

3

[B C D E F G A]

3

3

3

3

D G

W.W. 1

W.W. 2

Tbn. Color with cymbals (scrape?) Drums

dim.

cresc. Bass

3

3

3

3

Mar. for his milk.

He is ly

div.

ing

in

his

cloth

on a 8va

1 solo

tutti I 3

3

3

cresc. Vn.

3

3

dim. div.

tutti

metà

3

dim.

3

3

3

II 3

3

cresc.

3

dim.

3

3

3

3

cresc.

3

metà Va. 3

3

cresc.

3

3

3 3

3

3

3

3

3

3 3

dim.

Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3

dim.

3

3

3

3

3

3

3

3

cresc.

3

3

3


Scene 4

215

45 1 3

dim.

Fl. 2 3

dim.

1

Ob.

3

3

3

3

3

2

Cl.

1 2 3

Bs. Cl.

1 3

Bn. 2

3

1 Hn. 3

2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 3

3

3

3

(Mba.) Perc. 2

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim. Hp.

3

3

3

3

3

3

3

3

3

D

3

3

3

G

3

3

D

3

3

G

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. brushes Drums

Bass

3

3

3

3

3

3

Mar. pal

let

on

the

ground

un

der my moth

er’s

gaze

in my house

of

grass

solo on top, tutti octave below 8va

solo

tutti div.

I 6 3

Vn.

3

dim.

3

3 3

3

3

II 3 3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3

Va. 3

3

3

3

3

3

3

dim. Vc.

dim. Cb.

dim.

3

3

3

3

3

3


Scene 4

216 49 1

3

Fl.

dim.

3

2 3

dim.

1 3

Ob.

dim.

2 1. 2. Cl.

1 2 2.

3

Bs. Cl.

1

cresc.

Bn. 2

1 Hn.

3

cresc. 2

cresc. 1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1 3 3

(Mar.) Perc. 2

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Hp.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

Mar. in a small

round

house

on bar ren

3

heart less

soil

where the wind blows

all

but the goats

1 solo

I

3

3

3

dim. Vn.

3

3

3

II 3

dim. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Va. 3

3

3

3

3

3

3

3

3

3

3

cresc. Vc.

dim.

cresc.

Cb.

dim.

cresc.

cresc.

3

3

3


Scene 4

217

53 1

3

3

Fl.

to Piccolo 2 3

3

(1.) 1 3

3

3

3

3

3

3

3

Ob. 2

1. Cl.

1 2 3

3

Bs. Cl. 1 Bn. 2

Hn.

1

2 3

1 3

Tpt.

3

2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

dim. Hp.

3

3

3

3

3

3

3

cresc.

3

3

G

3

3

3

G 3 C

3

3

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

4

3

3

range

with

3

Mar. a

way.

His cloth was

o

sea

shells

on

it.

I kept

him wrapped

tutti I 6

cresc.

Vn.

3

tutti

3

3

II 3 3

3

dim.

3

3

3

3

cresc.

(metà)

Va. 3

3

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc. (metà)

Vc. 3

3

cresc.

Cb.

dim.

cresc.

3

3

3


Scene 4

218

Piccolo

57 Picc. 1

6

6

Fl. 1 3

6

1 3

3

Ob.

3

3

3

3

2 3

3

2. Cl.

1.

3

2.

1 2 3

3

3

3

3

Bs. Cl. 1 Bn.

cresc. 2

cresc.

Hn.

1

2

1 3

3 3

Tpt.

3 3

3

2

1 Tbn. 2

Timp.

1

Perc. 2

3

6

6

6

cresc.

Cel.

6

6 6

6

6

6 6

6

6 6

6

6

6

3

3

3

3

B ,C 3

6 3

3

Hp.

3

3

3

3

3

3

3

3

3

3

6

sustain

3

W.W. 1

W.W. 2

Tbn. 6 against 4 Drums 3

3

3

3

cresc. Bass

3

3

3

3

3

3

3

Mar. tight

to my back,

ex cept

that

af ter noon,

ex

I

6

6

cept

6

that

af ter noon,

when I

6

6

6

6

6

6

6

6

6

cresc.

Vn. II 6

6

6

cresc.

6

tutti Va. 3 3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

tutti Vc. 3

Cb.

3

3

3

3

3

3

3

3

cresc.

3

3


Scene 4 61

219 to Flute

Picc. 6

6

3

dim.

Fl. 1 3

6

6

dim. 1 3

Ob. 2

3

a2 Cl.

1 2 3

3

dim.

3

dim.

Bs. Cl. 1 Bn.

dim.

dim.

dim.

dim.

2

3

1 Hn. 2 3

3

1

dim. Tpt.

dim.

3 3

3

2

dim.

1

dim.

3

3

dim.

Tbn.

dim.

2 3

dim.

Timp.

1

Perc. 2 3

6

6

dim. 6

Cel.

6

6

6 6

6

6

6

3

6

6

Hp. 3

6

6

W.W. 1

W.W. 2

Tbn. 4/4 Drums 3

3

dim. Bass

3

3

3

3

3

3

Mar. went

for

food.

When

they

took

me

my

div.

I

6

6

6

6

6 3

dim. div.

Vn.

3

3

3

3

3

3

6 3

3

II 6

6

dim.

6

6

6

3

cresc.

3

div.

Va. 3 3

3

3

3

3

dim.

3

3

3

3

3

3

3

3

6

3

Vc. 3

dim.

3

3

3

3

cresc.

Cb.

dim.

dim.

cresc.

3

3

3

3

3

3


Scene 4

220

3

=

65 1

3

3

3

Fl.

Flute 2 3

1 3

3

3

Ob.

3

2 3

Cl.

2.

(2.)

1 2 3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2 3

3

1

cresc.

Tpt.

3

2

cresc. 1 3

cresc.

Tbn. 2 3

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

cresc. dim. Tbn.

Drums

Bass 3 3

3

=

3

3

3

3

Mar. milk

flowed

down

the

dirt trails,

down my

legs

and

arms

I

y

i

rons.

3

6

6

on the rust

6

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

II 3

3

dim.

3

cresc.

3

3

Va. 3

3

cresc.

Vc. 3

3

3

3

dim.

3

3

3

3

3

cresc.

3

3

3

3

Cb.

dim.

cresc.

3

3

3


Scene 4

221

69 1

dim.

Fl. 2

1 Ob. 2

Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn.

cresc. 2

1

cresc.

Tpt. 2

cresc. 1

cresc.

cresc.

Tbn. 2

cresc.

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

[B C D E F G A]

cresc.

Hp.

W.W. 1

W.W. 2

cresc. Tbn. Cymbals only

Sticks

Drums

dim. Bass

Mar. And yes,

I

cresc.

Vn. II

dim.

cresc.

Va.

Vc.

dim.

cresc.

Cb.

dim.

cresc.

I helped to kill

the


Scene 4

222 74 1

dim.

dim.

dim.

dim.

Fl. 2

1

dim.

Ob. 2

Cl.

1 2

dim.

dim.

dim.

dim.

dim.

dim.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

cresc. Timp.

1

Perc. 2

3

Cel.

cresc.

Hp.

dim.

cresc.

dim.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn.

Drums

cresc.

dim.

dim.

Bass

Mar. men

I

cut

one

of

those sail

ors

in

his

chest.

I

I

cresc.

Vn.

cresc.

dim.

dim.

cresc.

dim.

dim.

II

cresc.

Va.

cresc. Vc.

Cb.

dim.

dim.


Scene 4

223

79 1

dim. Fl. 2

dim. 1

dim.

Ob. 2

dim. 1. Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn.

cresc. 2

1 Tpt. 2

1

cresc.

Tbn. 2

dim.

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

cresc.

dim.

Hp.

W.W. 1

W.W. 2

dim.

cresc.

Tbn.

Drums

dim.

cresc.

Bass

Mar. was not

a

fraid

to

die.

I

was

I

dim.

cresc.

Vn. II

dim.

cresc.

Va.

cresc. Vc.

dim.

cresc.

Cb.

dim.

cresc.

a

fraid

I

could


Scene 4

224 84 1

dim.

3

cresc.

dim.

cresc.

dim.

cresc.

dim.

Fl. 2

dim.

3

1

dim.

Ob.

3

dim.

2

dim. Cl.

3

dim.

a2

1 2

dim.

3

Bs. Cl.

1 Bn. 2

1 Hn.

cresc. 2

dim.

3

dim.

1

dim.

Tpt.

dim.

2

dim.

dim.

1

cresc.

Tbn. 2

dim.

cresc.

Timp.

cresc. Xylophone 1

cresc. Marimba Perc. 2

cresc. 3

Cel.

cresc.

Hp.

cresc.

W.W. 1

W.W. 2

dim.

cresc. Tbn.

Drums

cresc.

cresc. Bass

3

Mar. not

get

back

where

I

still

live

my

life.

I Vn.

cresc.

cresc.

cresc.

cresc.

II

Va. 3

cresc.

dim.

Vc.

cresc.

dim.

Cb.

cresc.

dim.


Scene 4

225

89 1 Fl. 2

1 Ob. 2 (a2) Cl.

a2

1 2

Bs. Cl.

1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp. (Xylo.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2/4 Feel brushes Drums

Bass

3

Mar. I’m

still

caught

in

a

step

on

my

way

back

1 solo

I Vn.

1 solo II

1 sola Va.

cresc.

dim.

cresc.

dim.

cresc.

1 solo Vc.

cresc. 1 solo Cb.

cresc.


Scene 4

226 95 1 Fl. 2 4

1 3

Ob. 2

cresc. 3

Cl.

1 2 3

cresc. 3

3

3

3

3

3 3

3

cresc.

Bs. Cl. 4

1 3

3

Bn. 2

1 4

Hn.

4

2

1 Tpt. 2

1 4

3

Tbn. 2 4

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

to Tenor Saxophone in B

W.W. 2

Tbn.

Drums

Bass

4

3

3

3

3

3

3

Mar. to

a

pal

let

on

the

ground,

(1 solo) I 4

Vn.

dim.

(1 solo) II

dim.

4

(1 sola)

Va.

cresc.

cresc.

cresc.

cresc.

(1 solo) Vc. (1 solo) Cb.


Scene 4

227

101 1 Fl. 2

1 Ob. 2

2. Cl.

1.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

4

4

Mar. my

ba

I Vn. II

Va.

dim.

Vc.

dim. Cb.

dim.

by wrapped in

sea shells,

wait ing

for

his

milk.


Scene 4

228 108 1

3

3

3

3

3

3

cresc. Fl. 2

cresc. 1 Ob. 2 1. Cl.

1 2

3

cresc.

3

3

3

3

3

3

3

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 solo Tbn.

Drums

cresc. Bass

Mar.

tutti div. unis. I 3

3

3

3

cresc. tutti div.

cresc. Vn.

3

3

(1 solo) II 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

(1 sola) Va.

cresc. (1 solo)

cresc.

Vc.

cresc. tutti div. Cb.

cresc.

3

3


Scene 4

229 3

=

113 1 3

3

3

3

3

3

cresc.

3

3

3

3

Fl. 2

cresc. 1 Ob. 2 (1.) Cl.

3

a2

3

1 2

3

2.

cresc.

3

3

3

3

3

3

3

Bs. Cl. 1 Bn.

dim. 2

dim. 1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibraphone 1 Marimba Perc. 2 Tom Snare

3

Tom

dim.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass 3

GRABEAU

Chief, 3

div.

unis.

= I 3

3

3

3

cresc.

Vn. II

3

cresc.

3

3

3

tutti Va.

cresc. tutti Vc.

div. Cb.

cresc.

3

3

3

3

what will

be come

of


Scene 4

230 118 1

3

Fl. 2

1 Ob. 2 1. Cl.

1 2 3

Bs. Cl. 3

1 Bn. 2

1 Hn. 2

1 Tpt.

1. 2

1 Tbn. 2

Timp. Xylophone (sounds octave higher)

(Vibr.) 1

cresc. (Mar.) Perc. 2

cresc. 3

cresc.

Cel.

E F G A? B C D

Hp.

cresc. Alto Sax. in E W.W. 1 3

W.W. 2

Tbn.

Drums

cresc. Bass

3

3

3

3

Gra. us?

Sure

ly they will kill us,

pizz. I Vn.

cresc.

pizz.

II pizz.

cresc.

Va.

cresc. pizz. Vc.

cresc. Cb.

They know we’ve killed their

cap

tain

We should have killed

them all,


Scene 4

231

123 1

dim.

Fl. 2

1

dim.

Ob. 2

dim. 1 2

Cl.

dim. Bs. Cl.

dim. 1 Bn.

dim. 2

dim. 3

1

dim.

Hn.

3

2

dim. 1 Tpt. 2

1

dim.

Tbn. 2

3

dim.

Timp. (Xylo.) 1

cresc.

dim. (Mar.) Perc. 2

cresc.

dim. 3

dim.

cresc.

Cel.

dim.

Hp.

cresc. W.W. 1

W.W. 2

Tbn.

Drums

dim.

cresc.

Bass

3

KALEH

3

3

Gra. 8

dumped

them

in

to

the

sea.

Chief, CINQUE

3

We had no

3

oth

er

way.

(pizz.) I

dim. Vn.

arco

(pizz.) II

dim. (pizz.)

cresc. arco

Va.

dim.

cresc.

(pizz.) Vc. div. Cb.

dim.

dim.

my fam i ly—


Scene 4

232 128 1 3

Fl. 2

1 3

Ob. 2

3

Cl.

cresc.

1 2 3

cresc.

Bs. Cl. 3

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Xylo.) 1

cresc.

cresc.

(Mar.) Perc. 2

cresc. (Drums)

cresc.

3

cresc.

Cel.

Hp.

cresc.

cresc.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

3

3

Kal. 8

Will

I

e ver see them? MARGRU

3

3

Ka

leh—

we

all have

3

fam i

3

ly

help less

3

on the oth

er 3

div.

arco, div. I 3

Vn. II

cresc.

cresc.

Va.

cresc.

cresc.

Vc.

dim.

dim.

Cb.

dim.

dim.

shore.


Scene 4

233

132 1 Fl. 2

1 Ob. 2

dim. 1. Cl.

1 2 3

dim.

3

Bs. Cl.

dim. 1 Bn. 2

Hn.

1

2 3

1 Tpt. 2

1 3

Tbn. 2

Timp. (Xylo.) 1

cresc. (Mar.)

cresc.

Perc. 2

cresc.

cresc. (Drums) 3

cresc.

cresc.

Cel.

cresc.

Hp.

cresc. Alto Saxophone in E W.W. 1 3

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Mar. 8

CINQUE

3

4

3

The wo man makes a point.

We must not

say from where

we’ve

3

come,

3

Not from Men de,

or Sier ra Leo ne div.

I 6 3

Vn. II

cresc. Va.

cresc. Vc.

Cb.


Scene 4

234 136 1

cresc. Fl. 2

cresc. 1 Ob. 2 a2 Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1

cresc.

Tpt. 2

cresc. 1

cresc.

Tbn. 2

dim.

dim.

Timp. (Xylo)

Vibraphone

1

cresc. (Mar.)

cresc.

cresc.

cresc.

cresc.

Perc. 2

cresc. (Drums)

Chimes

3

Cel.

Hp.

cresc. W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

Cin.

I

cresc.

Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

cresc. Cb.

cresc.


= 76

Scene 4

235

141 1 3

cresc. Fl. 2

cresc. 1 Ob. 2

1 2

Cl.

3

cresc.

3

Bs. Cl. 3

cresc. 1 Bn. 2

1 Hn. 2

1

cresc.

Tpt. 2

cresc. 1

cresc.

Tbn. 2

Timp. (Vibr.) 1

cresc. Perc. 2 (Chimes) 3

Cel.

Hp.

Alto Sax. in E W.W. 1 3

3

W.W. 2

Tbn.

Drums

cresc.

CHORUS

Bass

B Ank le

= 76 I

cresc.

Vn. II

cresc.

Va.

cresc.

Vc.

cresc. Cb.

and Wrist,

Ank le

and

Wrist,


Scene 4

236 149 1 Fl. 2

1 Ob. 2 3

2. 1 2

Cl.

3

Bs. Cl. 3

1 Bn. 2

1 Hn. 2

1 3

Tpt.

3

2

1 3

3

3

3

Plunger wa dat

Tbn.

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

W.W. 2

Tbn.

Drums 3

pizz. Bass 3

CINQUE

3

3

CHORUS

The

Ank le

I

II

Vc.

Cb.

is a fad ing day

3

light

B

Vn.

Va.

past

3

and

Wrist,

Ank le

and

Wrist,

Ank le

and

Wrist,

Ank le

and


Scene 4

237

156 1 Fl. 2

1 Ob. 2 2. 1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

3

wa dat

Tbn.

straight

3

3

3

3 3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

3

Tenor Saxophone in B W.W. 2 5

3

Tbn.

Drums 3

3

3

3

3

3

Bass

3

3

3

3

3

3

3

3

3

3

Cin.

CHORUS

We are float ing yet still

There is on ly the catch

The past

is a 3

3

B Wrist,

Ank le

and

Wrist,

I Vn. II

Va. 3

Vc. arco 3

Cb.

er’s net,

3

Ank le

and Wrist,

fad ing day light


Scene 4

238 162 1 Fl. 2

1 Ob. 2 1. 1 2

Cl.

5

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 5

5

3

5

Tpt.

3

2 5

1

Tbn.

3

3

3

3

3

5

5

2 5

3

5

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1

5 3

5

(Tenor Sax.) W.W. 2

5 3

3

5

Tbn. 3 3

3

Drums 3

3

3

cresc.

3

3

Bass 3

3

cresc.

3

3

3

3

3

3

3 3

3

3

3

3

3

CHORUS

Cin. 3

3

We are float ing yet still

er’s

net

The

past

B Ank le

and Wrist,

Ank le

I Vn. II

Va. 3

Vc. 3

Cb.

There is on ly a catch

and Wrist,


Scene 4

239

= 96

167 1 Fl. 2

1 Ob. 2 (1.) 1 2

Cl.

3

dim.

3

3

Bs. Cl.

dim. 1 Bn. 2

1 Hn. 2

1 3

Tpt. 2 3

1 3 3

Tbn.

3

3

3

3

3

3

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

dim.

3

3

(Tenor Sax.) W.W. 2 3

dim.

3

3

3

Tbn. 3

rimshot Drums 3

3

3

3

Cm7 Bass 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cin.

CHORUS

is a fad ing day

light

We are float ing yet still 3

There is on ly the catch er’s net

It snares us slow ly but

3

B Ank le

and

Wrist,

= 96 I Vn. II

Va. 3

Vc. 3

Cb.


Scene 4

240 173 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 3

Tbn.

3 3

3

2

dim. Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

(Tenor Sax.) W.W. 2

Tbn. 3

Drums Fill

3

Fill

Bass 3

Cin.

CHORUS

tight T 8

Net

and

beast

The

3

B Ank

le

I Vn. II

Va.

Vc.

Cb.

dim.

and

Wrist,

Ank

le

and

Wrist,


Scene 4

241

179 1 Fl. 2

1 3

Ob. 2 3

dim. 5

2. 1 2

Cl.

3

Bs. Cl.

1 Bn. 2

1 Hn.

dim. 2

dim. 1 3

Tpt. 2

1

3

3

Tbn.

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1

cresc.

3

(Tenor Sax.) W.W. 2 3

3

3

Tbn. 3

3

3

Drums 3

cresc.

Bass 3

cresc.

3

cresc.

3

3

3

S

CHORUS

Dead men walk A 3

T 8

dead

men

walk

A

ten

days

march

Net 3

B An

kle

I Vn. II

Va.

Vc.

Cb.

dim.

and

Wrist,

An

kle

and

Wrist,

An

kle

and


Scene 4

242 184 1 Fl. 2

1 Ob. 2 (1.) 1 2

Cl.

cresc. Bs. Cl.

1 Bn. 2

1 Hn.

cresc.

dim.

cresc.

dim.

cresc.

dim.

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

(Tenor Sax.)

W.W. 2

Tbn. 3

3

Drums D7 9

3

E7 9

Am7 9

Bass

cresc.

3 3

S out

to

sea

CHORUS

3

A out

to

sea

T 8

And

beast

And

out

to

sea

B Wrist,

I Vn. II

Va.

Vc.

Cb.

An

kle

and

Wrist,

An

kle

and


Scene 4

243

188 1 Fl. 2

1 3

3

3

3

3

3

3

3

3

dim.

Ob.

3

2

1 2

Cl.

3

3

(1.) 3

dim.

3

3

Bs. Cl.

1 Bn. 2 3

3

1

dim.

3

Hn.

dim.

3

3

3

3

3

2

dim.

dim.

1 Tpt. 2

1 3

Tbn.

3

dim.

3

3

2

3

Timp. (Vibr.) 1 3

3

3

3

dim.

3

3

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1

3

(Tenor Sax) W.W. 2

3

3

Tbn. 3

3

3 3

3

3

3

3

(triplet subdivision)

Drums 3

3

3

3

Bass 3

3

3

dim. 3

3

3

3

3

3

CINQUE 3

3

S The

dead

men

CHORUS

3

First

they threw

the

A The

dead

men

walk

3

3

3

T 8

a

si

lenced

prey

B Wrist, I

6

Vn. II

Va.

Vc. arco

3

3

Cb.

dim.

3


Scene 4

244 193 1 Fl. 2

1 3

3

3

3

3

3

3

3

3

3

3

Ob. 2

Cl.

3

1 2 3

Bs. Cl.

1 Bn. 2

3

1 3

Hn.

3

2

1 Tpt. 2

1 Tbn. 2

Timp.

dim.

3

3

(Vibr.) 1 3

3

3

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums

Bass

3

3

3

3

3

Cin. net

snared me like a beast

I was wild,

a prey

sur prised.

They

chained my wrists

and

6

I 3

6

Vn.

div. (unis.) (div.) II 3

3

3

3

3

3

3

3

3

Va. 3

Vc. 3

Cb.

dim.

3

3

dim.


Scene 4

245

198 1

dim.

Fl. 2

dim. 1 3

3

3

3

3

3

3

3

3

3

3

Ob. 2 3

1.

a2 Cl.

1 2 3

dim.

3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

3

3

3

Timp.

cresc.

cresc.

(Vibr.) 1 3

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums

Bass

4

3

3

3

3

Cin. then

my

an

kles,

and kept me

in a shroud—

the

shroud,

a

cloth for

dead

men

for a ten

I 3

dim. Vn. II 3

3

3

3

3

3

3

3

Va. 3

3

Vc. 3

3 3

Cb. 3

3

3


Scene 4

246

= 76 203 1 Fl. 2

1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 2 3

(1.) Cl.

1 2

Bs. Cl. 3

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

3

Timp.

dim.

3

(Vibr.)

1 3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums 3

Bass

CINQUE, GRABEAU, & BURNAH

3

3

3

Cin. days

march.

Net

and

beast

a si

lenced

prey

The

= 76 I

3

Vn. II 3

3

3

cresc.

Va. 3 3 3

Vc. 3 3 3

Cb. 3


Scene 4

247

208 1 3

3

dim.

dim.

Fl. 2 3

3

dim.

dim.

1 3

dim.

3

dim.

3

dim. a2

3

dim.

Ob. 2

1 2

Cl.

dim.

dim. Bs. Cl. 1 Bn. 2

1

Hn.

2 mute 1 Tpt.

3

dim.

3

dim.

mute 2

1 3

Tbn.

dim.

3

3

dim.

3

3

dim.

3

2

Timp. 1

Perc. 2 3

Cel.

Hp.

Alto Sax W.W. 1 Tenor Sax W.W. 2

Tbn.

Drums pizz. Bass

3

3

Cin. Gr. Bu. past

is

3

a fad ing day

3

light

We are

3

3

float ing yet

3

still

3

3

There is on ly the

catch

3

er’s

net,

3

S net

and

beast

and

beast

The

CHORUS

3

A net

The

3

3

T 8

Dead

men walk

out

to

sea

B An

kle

and

Wrist,

An

kle

and

I 3

3

dim.

Vn.

dim.

II 3

3

3

dim.

3

dim.

Va. arco Vc. arco Cb.

dim.

dim.

Wrist,


Scene 4

248 212 1 3

Fl. 2 3

1 3

Ob. 2

3

(a2)

1 2

Cl.

Bs. Cl. 1 Bn. 2

1 3

Hn.

3

2

1 Tpt.

dim.

3

dim.

3

2

1 3

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1

W.W. 2

Tbn.

Drums pizz. Bass

Cin. Gr. Bu.

3

3

The past

is

3

a

3

3

3

fad ing day light

3

3

We are float ing yet still

There is on ly the catch

3

S dead

men

walk

a

ten

days

march

ten

days

march

ten

days

march

3

CHORUS

A dead

men

walk

a 3

T 8

Dead

men

walk

a

B An

kle

I 3

Vn. II 3

Va. Vc.

Cb.

3

and

Wrist,

An

kle

and

Wrist,

3

3

3

er’s

net,

the


Scene 4

249

217 1 3

3

Fl. 2 3

1 3

3

Ob. 2 3

3

1. 1 2

Cl.

3

3

Bs. Cl. 1 Bn. 2

1 3

Hn.

dim.

3

2

dim. 1 Tpt. 2 1 3

dim.

Tbn.

3

3

3

3

3

3

2

Timp. (Vibr.) 1 3

Perc. 2 3

Cel.

Hp.

(Alto Sax) W.W. 1

3

3

dim. (Tenor Sax) W.W. 2

3

3

dim. Tbn. 3

3

3

3

3

3

Drums 3

pizz.

3

Bass 3

3

3 3

3

Cin. Gr. Bu.

past

is

a fad ing day

3

3

3

light,

3

3

3

3

S The

past

We are float ingyet still,

CHORUS

3

the

past 3

3

A The

past

float ingyet still,

the

past

3

T 8

Net

and

beast,

net

3

3

3

and

3

3

3

B An

kle

and Wrist,

An

kle

and

Wrist,

An

kle

and Wrist

I 3

Vn. II

Va. 3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.


Scene 4

250 221 1 Fl. 2

1 Ob. 2 (1.) 1 2

Cl.

3

Bs. Cl. 1 Bn. 2

1

Hn.

2 (mute) 1 3

Tpt.

3

dim.

3

(mute) 2

dim.

3

1 Tbn.

3

3

3

3

3

3

3

3

3

3

2

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1 3

3

dim.

(Tenor Sax) W.W. 2

3

3

dim.

Tbn. 3

3

Drums pizz.

3

3

3

3

Bass

3

3

Cin. Gr. Bu.

is

3

3

3

3

3

a fad ing day light

3

is

a fad ing day light.

3

3

3

S float ing

yet

still,

yet

still,

CHORUS

3

A

T 8

beast,

3

net

3

3

and

3

beast

B An

kle

and

Wrist,

An

kle

and

Wrist,

An

kle

and

Wrist,

I Vn. II

Va. 3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.


Scene 4

251

224 1 Fl. 2

1 Ob. 2 (1.) 1 2

Cl.

3

3

Bs. Cl. 1 Bn. 2

1

Hn.

2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 to Contra Alto Clarinet W.W. 2

Tbn.

Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

TRICKSTER Cin. Gr. Bu.

8

Sh!

CHORUS

S

A

dim. T 8

net

3

3

and

beast,

3

3

net

3

3

and

beast

3

3

B An kle

and Wrist,

An kle

and Wrist,

An kle

and Wrist,

An kle

and Wrist

I Vn. II

Va.

Vc. pizz. 3 Cb.

3

3

3

3

3

3

3


Scene 4

252 229

= 126

1 Fl. 2

1 Ob. 2 (1.) Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2 open 1 Tpt.

open

open 2

1 Tbn. 2

Timp. Glock. 1

Perc. 2 Sn. Dr. 3 Bs. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Sn. Dr. - March Drums

Bass

(CITIZENS file through, paying admisssion and gawking, communicating with CAPTIVES by handsigns. TRICKSTER wanders among them, still blind, picking their pockets, looking for food.

= 126

8

I Vn. II

Va.

Vc.

Cb.

TRICKSTER

Sh!


Scene 4

253 (PHRENOLOGIST enters)

238 1

cresc. Fl. 2

1 Ob. 2 (1.) Cl.

1 2

cresc. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

cresc. 1 Tbn. 2

Timp. (Glock.) 1

cresc. Perc. 2 Funny sound 3

Cel.

Hp.

W.W. 1 C.A. Cl. W.W. 2

Tbn.

Drums

cresc. Bass

(PHRENOLOGIST enters) I

Vn. II

Va.

Vc.

Cb.


Scene 4

254 245 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

dim.

1

dim. Bn. 2

dim. 1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums 3

dim.

3

3

pizz. Bass

1 solo I Vn. II 3

Va. 3

3 3

3

Vc. 3

div. Cb.


Scene 4

255

252 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

cresc. Bs. Cl.

cresc.

cresc.

1

cresc.

Bn. 2

cresc.

Hn.

1

cresc. 2

cresc. 1 Tpt. 2 1

cresc.

Tbn. 2

cresc. Timp. 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn. Drums

cresc.

cresc.

Bass

cresc.

cresc. MARGRU

3

Are they—

Are CAPTIVES

go ing to

BAHIA

KALEH

kill

us?

they— KINNAH

Are they—

KINNAH 3

8

Are they—

go ing to

kill

us?

Arethey— GRABEAU

BURNAH

Are they—

I Vn.

1 solo II 3

1 sola Va.

Vc. Cb.

3

Are


Scene 4

256 258 1 Fl.

dim. 2

dim. 1

dim.

Ob. 2

dim. 1 2

Cl.

cresc. Bs. Cl.

cresc.

1 Bn. 2

1 Hn.

3

2 3

1 Tpt. 3

2

1 Tbn. 2 3

Timp. Vibr. 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn.

Drums

Bass (PHRENOLOGIST makes his examination.) 3

Ma. Go ing to

kill

us?

kill

us?

kill

us?

Are they going to—

kill

us?

Are they going to—

3

Ba.

CAPTIVES

Go ing to 3

Ka. 8

Are they—

us? Go ing to 3

3

Kin. 8

go ing to kill

us? Go ing to

Gra. they—

Do you

know?

Do you

know?

3

Bu. Are they—

go ing to kill

us?

(1 solo) Vn.

I

II (1 sola) Va.

1 solo Vc.

Cb.


Scene 4

257

264 1 Fl. 2

1 Ob. 2 a2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn.

Drums

cresc. Bass

cresc.

Ma. Do you

know?

Are they

go ing to

slit

our

throats?

Do you

know?

Are they

go ing to

slit

our

throats?

CAPTIVES

Ba.

Ka. 8

Do you

know?

slit

our

throats?

8

Do you

know?

slit

our

throats?

slit

our

throats?

Kin.

Gra. Are they

go ing to

Are they

go ing to

Bu.

I Vn. II

Va.

Vc.

Cb.

Throats


Scene 4

258

= 92

270 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Mar. Perc. 2 Tom-t. Sm. Tom-t. Bs. Dr.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

MARGRU & BAHIA

PHRENOLOGIST

(PHRENOLOGIST speaks to reporters)

8

Do you know?

The base

of his

brain

is small er than

CAPTIVES

REPORTER 4

8

KALEH & KINNAH

8

Do you know? GRABEAU & BURNAH

Base of his brain REPORTER 3

Do you know?

Base of his brain

= 92 I Vn. II

Va.

Vc.

Cb.

Base of his brain REPORTER 2


Scene 4

259

276 1

Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl. 1 Bn. 2

1

Hn.

2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums pizz. Bass

Ph. 8

oth er parts—

Parts of the brain

Lower an i mal pro pens i

ties

Do not dom i nate.

He’s not that bad.

R.4 8

What parts?

What’s

that?

What’s

that?

R.2 What parts?

Ah

ha

Ah

ha

R.3 And so (1 solo) I Vn.

(1 solo) II (1 sola)

Va. (1 solo) Vc.

Cb.


Scene 4

260 281 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

cresc. 1 Tpt. 2

gliss.

1

6

gliss.

cresc.

Tbn. 2 6

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) gliss. W.W. 2 6

Tbn.

Drums

Bass

cresc. Ph. gliss.

8

The ce

re

6

bral or

ga ni cresc.

za

tion is sup er

i

or—

Ce re bral or

ga

ni za tion

Su pe ri or?

Ce re bralor

ga

ni za tion

Su pe ri or?

Or

ga

ni za tion

Su pe ri or?

R.1 8

Oh gliss.

6

cresc.

R.2 Oh gliss.

6

R.3 Oh

I Vn.

(1 solo) II

cresc. Va.

Vc.

Cb.

You

don’t mean


Scene 4

261

286 1 3

Fl. 2 3

1 3

Ob. 2 3

1. Cl.

1 2 3

cresc. Bs. Cl. 3

cresc. 1 Bn. 2

Hn.

1

2 3

1 Tpt.

3

2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 Tbn.

Drums

cresc. Bass

cresc.

3

3

3

Ph. 8

Su pe ri or

to most Ne groes

here

In

fact

he is rath er well bal anced

R.4 8

that

Oh

good

R.2 Good 3

R.3 Good

What did he

(1 solo) I Vn.

(1 solo) II

Va.

Vc.

Cb.

6


Scene 4

262 291 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

3

3

4

3

Ph. 8

bet ter de vel oped

than most

per

sons—

than most be long ing

to his race.

R.4 8

What’s

that?!

What?

What’s

that?!

What?

R.2

R.3 say?

I Vn.

What? He’s a black

(1 solo)

6

(1 solo)

4

II 6

(1 sola) Va.

Vc.

Cb.

4


Scene 4

263

295 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

cresc. 1 Bn. 2

Hn.

1

2

1 Tpt. 2

1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

cresc.

3

Ph. 8

His brain is good all

the

same.

the ce re

bral or

ga ni za

tion,

R.4 8

What’s

that he said?

What’s that he

What’s

that he said?

What’s that he

That he said?

That he

3

R.2 a kil

ler!

3

R.3 pi

rate (1 solo)

I

3

cresc.

Vn.

(1 solo) II 3

(1 sola) Va.

(1 solo) Vc.

Cb.

pizz.


Scene 4

264 299 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl. 1

cresc.

Bn. 2

cresc.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

Bass

cresc.

Ph. 8

the

ce

re

bral

or

ga

ni

za

tion,

the

ce

R.4 8

said?

What did you

say?

said?

What did you

say?

R.2

R.3 said? (1 solo) I 6

Vn.

(1 solo) II (1 sola)

Va. (1 solo) Vc.

cresc. Cb.

re

bral

or

ga


Scene 4

265

= 69 302 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

cresc. 1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1

dim.

Tbn. 2

dim.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

Ph. 8

ni

za

tion

R.4 8

R.2

R.3 How do you spell

ce

re bral?

= 69 (1 solo)

tutti

I Vn.

(1 solo)

tutti

(1 sola)

tutte

II

Va. (1 solo)

tutti arco

Vc.

dim. tutti arco Cb.


266

SCENE 5 (Transition)

= 69 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

AMERICANS

S

A 3

3

T 8

Deep

in the fes

t’ring hold

thy fa ther lies,

of his bones New Eng landpews aremade,

those are al

tar lights

that were his eyes.

of his bones New Eng landpews aremade,

those are al

tar lights

that were his eyes.

3 3

B Deep

= 69 I Vn. II

Va.

Vc.

Cb.

in the fes

t’ring hold

thy fa ther lies,


Scene 5

267

7 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

dim. Tbn.

Drums

Bass

3 3

3

3

S Je

sus Sa viour Pi lot

Me

O ver Life’s

AMERICANS

3 3

Tem pes tuous sea 3

3

A Je

3

sus Sa viour Pi lot

Me

O ver Life’s

3

T 8

Deep

in thefes

t’ring hold

thy fa ther lies,

of his bones

New Eng landpewsare made,

of his bones

New Eng landpewsare made,

3 3

B Deep

in thefes

I Vn. II

Va.

dim. Vc.

dim. Cb.

dim.

t’ring hold

3

thy fa ther lies,

Tem pes tuous sea


Scene 5

268 13 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

S

AMERICANS

Oh,

Je

sus

Sa viour Pi

lot

Me

O

A Oh,

Je

sus

Sa viour Pi

lot

Me

O 3

T 8

those

are

al

tar

lights

that were his eyes.

Deep in the fes

t’ring hold

thy

fa ther lies, 3

B those

I Vn. II

Va.

Vc.

Cb.

ver 3

are

al

tar

lights

that were his eyes.

Deep in the fes

t’ring hold

thy

fa ther lies,

ver


Scene 5

269

18 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

S

AMERICANS

life’s

tem pes tuous sea

Oh,

Je

sus Sa viour Pi

lot

me

O ver Life’s

3

3

Tem pes tuous 3

3

A life’s

tem pes tuous sea

Oh,

Je

sus Sa viour Pi

lot

me

O ver Life’s

Tem pes tuous

T 8

of his bones

New

Eng land pews are made,

those are al

tar

lights

that were his eyes.

of his bones

New

Eng land pews are made,

those are al

tar

lights

that were his eyes.

B

I Vn. II

Va.

Vc.

Cb.


Scene 5

270 23 1 Fl. 2

1 Ob. 2

1 2

Cl.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

S

AMERICANS

Sea

Oh,

Je

sus

Sa viour

Pi lot Me

O

3

ver Life’s

tem pes tuous Sea 3

3

A Sea

Oh,

Je

sus

Sa viour

Pi lot Me

O

ver Life’s

tem pes tuous Sea

3

T 8

Deep in the fes

t’ring

hold

thy fa ther lies,

of his

bones

New Eng land pews are made,

of his

bones

New Eng land pews are made,

3

B Deep in the fes

I Vn. II

Va.

Vc.

Cb.

t’ring

hold

thy fa ther lies,


Scene 5

271

28 1 Fl. 2

1 Ob. 2 a2

1.

1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

S

AMERICANS

those are

al

3

tar

lights

tar

lights

that were his

3

A those are

al

eyes.

T 8

those

are al

tar

lights

that were his

eyes.

those

are al

tar

lights

that were his

eyes.

B

I Vn. II

Va.

Vc.

dim. Cb.

dim.

eyes.


Scene 5

272

= 66 33 1 3

Fl. 2

1 Ob. 2 2. Cl.

1.

1 2 3

3

Bs. Cl.

1 Bn. 2

1 Hn.

cresc. 2

1 Tpt. 2

1 Tbn.

cresc.

cresc.

cresc.

cresc.

cresc.

2

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc.

cresc.

Tbn.

Drums

Bass

(Parlour of former President, and current Representative JOHN QUINCY ADAMS of Massachusetts. Enter Abolitionist TAPPAN and another lawyer. ADAMS welcomes them in and offers them seats. Maybe even tea.) TAPPAN

8

3

3

3

We are grate ful, sir

that

= 66

I Vn. II 3

3

Va. 3 3

Vc.

Cb.

3

you al low us

3

a

word,

to

press a


Scene 5

273

40 1 Fl. 2

1 Ob. 2

1. Cl.

1 2 6

Bs. Cl. 1 Bn. 2

1 Hn.

cresc. 2 cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

cresc. Tbn.

Drums

Bass

3

3

(Joking)

3

3

3

3

Tap. 8

cause,that you’ve

fought, too

Ah,

there we were forced.

But

weare

lu na tics

rad i cals, and fa

ADAMS 3

Not as you

3

withtorch and sword.

I

Vn. II

Va.

3

3

dim. Vc.

3

3

dim. Cb.


Scene 5

274 45 1 3

6

Fl.

3

3

3

3

2

1 3

3

Ob.

3

2

1. Cl.

2. 1.

2.

1.

1 2 3

3

3

Bs. Cl.

1 3

Bn. 2 3

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc.

cresc. Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tap. 8

I Vn.

nat ics,

thekindyou findma

3

ligned

inthe news.

It’s quiteall right.

If itmustbe a bright light

3 3

3

II 3

3 3

Va. 3

Vc.

Cb.

we shineon slav ery,

so be it.


Scene 5

275

51 1 3

Fl. 2 3

1 3

Ob. 2 3

Cl.

1 2 3

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tap. 8

But you bring us a cool

head

and a wise

re pu ta tion.

And you’ve fought to build a just and true na tion

with free states, not

I 3

Vn. II 3

Va.

3 3

3

Vc. 3 3

Cb.

3


Scene 5

276

= 120 57 1 Fl. 2

1 Ob. 2 1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

pizz. Bass

cresc.

cresc.

Tap. 8

slave,

with

free

states,

not

slave. ADAMS

Fail ing

= 120

in that—

a

ba lance.

I Vn. II

Va.

cresc.

cresc.

arco Vc.

cresc.

cresc.

cresc.

cresc.

pizz. Cb.


Scene 5

277

62 1 Fl. 2

1 6

Ob. 2 6

Cl.

1 2

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

Tap. 8

with

free

states,

not

slave.

Ad. We’re rath div. I Vn. II

Va.

Vc.

cresc.

Cb.

cresc.

er

like No

ah’s ark:


Scene 5

278 67 1 Fl. 2

1

dim. Ob. 2

dim. 1. Cl.

1 2 6

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

cresc.

3

Ad. tak

ing

two

of

each

one

slave,

one

free,

hop

I Vn. II

cresc.

cresc.

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

ing

to make


Scene 5

279

71 1 Fl. 2

1 Ob. 2

Cl.

1 2

cresc. Bs. Cl.

cresc. 1 Bn. 2

1

cresc.

Hn. 2

1

cresc.

Tpt. 2

cresc. 1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TAPPAN

8

The

Ad. room

e nough for

all.

I Vn. II

Va.

Vc.

arco Cb.

A

mi

stad


Scene 5

280 76 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 3

Hn.

3 3

3

2

1 Tpt. 2

1 3

3

Tbn. 2 3

3

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

is

a

test

if

I Vn. 3

II 3 3

Va.

Vc.

Cb.

we

mean lib er

ty

is

for

ev

’ry

man.


Scene 5

281

81 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

Tap. 8

ADAMS

I

on

ly hope,

sir

I may be of help.

I be

lieve

your case may div.

I 3

Vn.

3

II

Va.

cresc.

Vc.

Cb.

cresc.


Scene 5

282 87 1

Fl. 2

1 3

Ob. 2 2. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tap. 8

In deed

Ad. have some chance.

The Span

iards flaunt

the ban

on slav ing a

I 3

Vn. II

Va.

Vc.

Cb.

3

cross the seas.

they do.


Scene 5

283

94 1 Fl. 2

1 Ob. 2 1.

2. Cl.

1 2

cresc. Bs. Cl.

cresc.

cresc.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

They sneak in to Cu ba

with slaves

by night.

Can blacks

see

jus

tice

I Vn. 3

II

cresc. 3

Va.

cresc.

Vc.

Cb.

cresc.

as

a ny oth er

men?


Scene 5

284 100 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

dim.

dim.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

dim. Tbn.

Drums

Bass

Tap. 8

But

if we give

them

to Spain

they go

in

to

cap

ti

vi

ty

I Vn. II

Va.

Vc.

dim. Cb.

dim.


Scene 5

285

106 1

Fl. 2

1

dim. Ob. 2

dim. a2

a2 Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

and death that

is

cer

tain.

In

Cu

ba they will die to teach a

slav

er’s

les

son.

div. I div.

Vn. II

Va.

Vc.

Cb.


Scene 5

286 112 1 Fl. 2

1 Ob. 2 1. Cl.

a2

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ADAMS

This is where the

I Vn.

(div.) II

div. Va.

Vc.

pizz. Cb.

case

lies:

these


Scene 5

287

117 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ad. blacks

I Vn. II

Va.

Vc.

Cb.

are

nei

ther

slaves

nor

ci ti zens of Spain.

Span

ish

law

does

not

ap

ply.


Scene 5

288 121 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1

Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ad. They were not in

I Vn. II

Va.

Vc.

Cb.

Cu

ba

long

e

nough

to

see

a

farm.


Scene 5

289

125 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

ten. 1 ten.

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Ad. Spain

at

tempts

to

I

Vn. II

Va. 3

3

Vc. 3

Cb.

3

de

ceive

with

false

pa

pers

up


Scene 5

290 128 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TAPPAN

8

3

Spain will try

for

a

set tle ment

an ar range ment

Ad. her sleeve. 3

I Vn. II

Va.

cresc. Vc.

cresc.

Cb.

with the

Pres

i


Scene 5

291

134 1 Fl. 2

1 Ob. 2

Cl.

1 2

dim.

cresc.

dim.

cresc.

Bs. Cl.

1 Bn. 2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

dim.

Bass

cresc. 3

Tap. 8

dent.

You can count on it.

3

3

3

Ad. He

won’t

want to rile

a ny one

o

ver some

mu ti nous blacks.

I 3

3

Vn. II

Va. 3

arco

pizz.

Vc.

cresc. Cb.

cresc.

arco


Scene 5

292 139 1 Fl. 2

1

dim.

Ob. 2

dim. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tap. 8

Will you help us plead

this case?

Take it as far 3

as

we go

through

the courts

3

Ad. Plead this case?

I div.

I Vn. II

dim. Va.

dim. Vc. 3

Cb.

3

can

ad vise.


Scene 5

293

145 1 Fl.

to Piccolo 2

1 3

Ob. 2

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

cresc.

3

3

3

3

Ad. Sure

ly

that is

all you want of me.

It’s been thir

ty

years

since I’ve been

in

court.

I’d be a

I 3

Vn. II

3

Va. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 5

294

= 63

ritard.

150 Picc.

Fl. 1

1 Ob. 2 a2

1.

1 2

Cl.

Bs. Cl. 1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

TAPPAN

3

3

3

3

Ad. 8

poor

hand

when you need one that’s sure.

ritard. I Vn. II

Va.

Vc.

arco Cb.

= 63

You’re the man for

us.


Scene 5 156

to Flute

Picc.

dim.

Fl. 1

dim.

1 Ob. 2

1. Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 Mar., soft mallets Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

3

(They shake hands and TAPPAN exits)

Tap. 8

Think on it.

I Vn. II con sord. Va.

Vc.

dim.

Cb.

dim.

295


Scene 5

296 160 1 Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn.

Drums

Bass

I Vn. II

Va.

Vc.

Cb.


Scene 5

297

163 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1

dim.

Bn. 2

dim.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. brushes Drums

Bass

I Vn. II

Va.

Vc.

Cb.


Scene 5

298 166 1

Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I Vn. II

Va.

Vc.

Cb.

dim.

dim.


Scene 5

299

169 1

dim. Fl. 2

dim.

1

dim. Ob. 2

dim. a2 Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

dim. Vn. II

dim.

Va.

Vc.

dim. Cb.


Scene 5

300 172 1 Fl. 2

1

dim. Ob. 2

dim. 1. Cl.

1 2

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ADAMS

3

3

We’ve

had

on

ly

fif

3

3

ty

years

to

try

our

ex

per i

ment

to

heal

the blood

and

flautando

I 3

Vn.

3

cresc.

II cresc.

3

Va.

Vc.

Cb.

cresc.

cresc.


Scene 5

301

175 1

cresc.

Fl. 2

cresc. 1 Ob. 2

Cl.

1 2 3 3

Bs. Cl.

1 Bn. 2

3

1 Hn. 3

2

1 Tpt. 2

1 Tbn. 2 3

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Ad. tears

and trials

of

war

and be gin to in vent

I 3

a

na

tion

3

built on lib er ty.

3

Vn. II 3

3

Va.

Vc.

3 3

Cb.

dim.


Scene 5

302 178 1

Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Ad. On ly

I 3

Vn. II 3

Va.

Vc. 3

Cb.

dim.

fif

ty years since theBill

of

Rights.


Scene 5

303

181 1 Fl. 2

1 Ob. 2

2. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

4

3

3

Ad. We

learn

its

mean ing

on ly

from day

I 3

Vn. II

3

3

3

Va.

Vc. 3

3

Cb.

dim.

to

day.

How man

must test

what we say and do


Scene 5

304 184 1

cresc.

Fl. 2

cresc. 1 Ob. 2

Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

Ad. How

we

up

hold

this

lib er ty.

I

cresc. Vn. II

cresc.

Va.

Vc. 4

Cb.

dim.


Scene 5

305

186 1 3

Fl.

3

2

1 3

dim. Ob. 2

dim.

3

1. 3

2. Cl.

2.

1 2 3

dim. Bs. Cl.

1 Bn. 2

1 Hn. 2

1

Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc. Bass

3

3

4

3

3

3

3

3

3

Ad. We dwell with sat is fac

tion

up on our dreams

and vi

sion.

yet

we

for get—

lib er ty

I 3

3

Vn.

3

II 3

3

4

Va.

Vc. 3

3

3

3

Cb.

cresc.

dim.

cresc.


Double time, = 126

Scene 5

306 189 1

dim. Fl. 2

dim. 1 Ob. 2

Cl.

1 2

dim. Bs. Cl.

1 Bn.

cresc.

cresc.

cresc.

cresc.

2

1 Hn.

dim. 2

dim. 1

dim.

Tpt. 2

dim. 1

dim.

Tbn. 2

dim. Timp.

cresc. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

4

Drums 3

Bass

3

3

4

Ad. is

pow

er,

Lib er ty

is

pow

er,

lib er ty

is

pow

4

I

3

Vn.

3

II

Va.

Vc.

Cb.

cresc.

er.

Double time, = 126

dim. 3

4


Scene 5

307

193 1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2 3

1 Hn. 3

2

1 Tpt. 2

1

Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Ad. The

na tion blessedwiththe great est lib

er ty

must

ex ert the great est pow er

to

se

cure

I 3

Vn. II 3 3

3

3

3

3

Va.

Vc.

Cb.

3


Scene 5

308 200 1 Fl. 2

1 Ob. 2 (a2) Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

cresc. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

dim.

cresc.

Bass

cresc.

dim.

Ad. lib

er ty

for one

thus lib

er ty

I 3

Vn. II

Va.

Vc.

Cb.

cresc.

dim.

for all.

And still

we

for

get,

the great est lib

er ty


Scene 5

309

206 1 Fl. 2

1

dim. Ob. 2

dim. 1. Cl.

1 2

Bs. Cl.

1 Bn.

cresc.

dim.

cresc.

dim.

2

1 Hn.

dim. 2

dim. 1 Tpt. 2

1

dim. Tbn. 2

dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

3

Ad. the great est

lib

er ty

brings the great

I Vn. II 5 3

Va.

3

Vc.

Cb.

est

pow

er

but on

ly to

be used


310

Half time,

ritard. 212

= 63

Scene 5

1

Fl. 2

1 Ob. 2 a2 Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Ad. for the great er

ritard.

good.

Half time,

Could God

in tend us to

= 63

I

Vn. II

Va.

Vc.

dim. div. Cb.

dim.

dim.

3

3


Scene 5

311

216 1 Fl. 2

1 Ob. 2 1. Cl.

1 2

Bs. Cl.

1 Bn. 2

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ad. do

oth er wise?

I 3

Vn. II 3

Va.

Vc.

Cb.

dim.

3

3


Scene 5

312

ritard.

219 1

Fl. 2

1 Ob. 2

Cl.

1 2

Bs. Cl.

1

dim.

Bn. 2

dim.

1 Hn. 2

1 Tpt. 2

1 Tbn. 2

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ritard. I Vn. II

Va.

cresc.

Vc.

Cb.

dim.

Davis AMISTAD, ACT 1 (reduced orchestration, full score)  

Opera and Music Theatre; full score; reduced orchestration; G. Schirmer; musicsalesclassical.com; 27225

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