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Sa r a Ol i v e r G V G E O M E T R Y

A N D

N A T U R E


R E A L I T Y

I S

A N

I N V E N T I O N

Pa i n t i n g & d r a w i n g


Sa r a Ol i v e r G V “ Th e m iss io n o f a r t is no t t o co p y n a ture but t o ex p r ess it ” (Balzac )


S T A T E M E N T

&

B I O G R A P H Y

“My a r tistic work has al w a y s b een in f l uen c ed by geom et r y an d n atu re . My i nterest about compos it ion s a n d t he st r uc t ure of l ight an d c o l o r h ave be e n constantly present a t m y w ork a n d I repea t ed l y w a n t to tr an s m i t th o se concepts Al so drawing is a poet ic w a y f or t a l k in g a b out t he en v i ro n m e n t o f h um an and his spiritual it y.”

EDUC ATION Ar t Residence: Lope z Vil l a s eñ or Museum of Ciuda d Real , Sp ai n u n d e r th e te achings of the pain t er Vic t or Hugo Cha c ón ( Jul . 2 0 1 3 ) Fi ne Ar ts on the Compl ut en s e Un ivers it y of Ma drid ( Oc t. 2 0 0 8 – Jun.2013) Hi g h S chool, Major in A r t s: In st it ut o Verit a s ( Sep. 2 0 0 6 – Ju n . 2 0 0 8 ) S ch o o l: San Luis de los Fra n c eses ( Sep. 1 9 9 6 – Jun . 2 0 0 6 ) Pa i nti ng lessons: Studio of Ma ría Ferrero Za pa t a a r t ist ( 19 9 4 - 2 0 0 8 ) P ROF ESSIONAL E X PER I E N CE Ado r a Calvo Galler y _( Jul . 2 0 1 2 ) ( ht t p: //w w w. a d ora c a l vo. c o m ) Teach i ng assistant on th e st ud io of Ma ría Ferrero Za pa t a ( 2 0 0 8 - 2 0 1 3 ) CON T E ST AND SCH O L A R S H I PS X VIII Young Painters Con t est of “ La Ga c et a de Sa l a m a n c a” ( Oc t. 2 0 1 3 ) Ruta Quetzal: Expedition t hrough t he j un gl es of t he Feath e re d Se r p e n t ( Jun.- Jul.2006) EXHI B ITIONS L a Sa li n a, exhibition of La Fun da c ión G ACE TA a b out t h e X V I I I Yo u n g Pa i nters Contest (Nov. 2 0 1 3 ) ( ht t p: //w w w. l a ga c et a d e s al am an c a. e s / fundaciongaceta/2013/10/30/inaugurada-salina-exposicion-fundaciong a ce ta/105118.html) P UBLI CATIONS Exh i bi tion catalog of the XV III Youn g Pa in t ers Con t es t of “L a Fu n d ac i ó n GAC E TA ” (Nov.2013)


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M A G N I F I N G

PAINTING

G L A S S

“The eye absorbs... the brain create forms” Paul Cézanne Magnifing glass is a project focus on interpreting the structure of light and color using geometry and minimalism. Sometimes the formal aspect of something, don’t let us appreciate other features. Using the tecnology of pixel, as they becomes smaller, they just add more color shades.

185 x 1 85 cm A cryli c on w ood


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D eta i l o f S U N S E T 2 01 1 10 0 x 1 4 5 c m A c ry l i c o n ca nvas


PAINTING

M A G N I F I NG G L ASS II 20 13 114 x 14 7 cm Oi l o n ca n vas


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PAINTING

L A N D S C A P E S Everything in nature is colorfull “Art must make nature eternal in our imagination” Paul Cezánne


COLAPSE 2013 Oil on canvas 100 x 100 cm


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CO L D D A Y 2 0 13 40 x 5 0 cm Oil o n can vas H IG H 2 0 13 40 x 5 0 cm A crilic on ca n vas GRA Y D A Y 20 13 40 x 5 0 cm Graphi t e on p ap e r , p as t e d o n w o o d MA GIC NI GH T 20 13 50 x 61 cm Egg te mp e ra on w oo d A FT ER RA I N 2 0 13 40 x 5 0 cm Paste l on p a p e r , p ast e d o n w o o d MEL T I NG 20 13 40 x 5 0 cm Oil and e n cau st ic on w o o d


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PAINTING

C R E E K 2 0 13 3 0 x 4 0 cm Oil on wood

N O C T URNE 20 13 3 0 x 4 0 cm Oil on wood


W E T L A N D 2 01 3 810 x 650 cm O i l o n ca nvas

M E A D O W 2 01 3 810 x 650 cm O i l o n ca nvas

N I G HT L I G HT S 2 01 3 950 x 775 cm O i l o n ca nvas


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PAINTING

W I N D O W S With this project I seek to contrast two types of landscape, urban and natural through the window element. The window shows us the world fits in a frame and let us take our gaze to the horizon.


WINDOW I/II/III/IV 2010 55 x 55 cm A c ry l i c o n w o od


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PAINTING

SUNRISE 2010 155 x 55 cm Acrylic on canvas


SUNSET 2010 155 x 55 cm Acrylic on canvas


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T H E E N D L E S S N E T W O R K Everything goes and comes as concepts, languages, ideas, ways, people‌ As soon as we let something go away we just catch up with something else until we die. A point has been influenced and at the same time, it is influencing others. Connections can break, being interrupted and can create new ones, drawing an open map, connectable in all his dimension, removable, changeable, susceptible to constant modification.

DRAWING


Pen on paper 100 x 80 cm


1718

DRAWING

T RAC E I 20 11 3 6 x 29 cm Sta m o n l i n en fabr i c T RAC E III 20 11 3 1 x 19 cm Sta m o n l i n en fabr i c

W A Y S A N T R A C E S Our feet are the part of our body that connects us with the land. The organ that attach us to life. They point out our way and leave the trace.

T RAC E I 20 11 3 6 x 29 cm Sta m o n l i n en fabr i c T RAC E III 20 11 3 1 x 19 cm Sta m o n l i n en fabr i c

T RAC E I 20 11 3 6 x 29 cm Sta m o n l i n en fabr i c T RAC E III 20 11 3 1 x 19 cm Sta m o n l i n en fabr i c


1920

DRAWING

BL OOD 2 0 1 1 1 50 x 70 cm

P L A Y C I R C U L A T I O N Through the concept of mandala, Play Circulation is a proyects that wants to bring the scientific drawing of human body to a poetic and spiritual context. The heart is one of the most important organs that keep us alive, as a metaphor for love. All drawings are collage and drawing on paper.

M USC L E 2 0 1 1 1 50 x 70 cm

SK YL INE 2 0 1 1 1 50 x 70 cm C IRC UL AT ION 2 0 1 1 1 50 x 70 cm


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DRAWING

PL ANE T I 2 0 1 1 1 50 x 70 cm PL ANE T II 2 0 1 1 1 50 x 70 cm

B O D Y P L A N E T S Through the concept of Chakras, Body Planets is a proyects that wants to bring the scientific drawing of human organs to a poetic and spiritual context. Each planet corresponds to a chakra and each chakra the organs that influence. All drawings are stamps on paper.

PL ANE T III 2 0 1 1 1 50 x 70 cm PL ANE T IV 2 0 1 1 1 50 x 70 cm

PL ANE T V 2 0 1 1 1 50 x 70 cm PL ANE T V I 2 0 1 1 1 50 x 70 cm


P R O Y E C T S

I N D E X

P A INTI N G Magnif in g Gl a s s ( 2 0 1 1 - 2 0 1 3 ) - p g. 1 - 4 Land sc a pes ( 2 0 1 2 - 2 0 1 3 ) - p g. 5 - 1 0 Window s ( 2 0 1 0 - 2 0 1 1 ) - p g. 1 1 - 1 4 DRA WI NG T he en dl es s n etw o rk ( 2 0 1 1 - 2 0 1 2 ) - p g. 1 5 - 1 6 Ways a n d tr a c es ( 2 0 1 1 ) - p g. 1 7 - 1 8 Play Circ ul a tio n ( 2 0 1 1 ) - p g. 1 9 - 2 0 Body Pl a n ets ( 2 0 1 1 ) - p g. 2 1 - 2 2


Sara Oliver GV  

Portfolio 2013

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