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♠ illustration ♣ designio ♠ ♣ ғ typography ♦♦ photography ■ layout

PORTFOLIO DANIEL G.GALL


imprint design of this book and all shown art work Daniel Gall editions shown on www.arternity.com photography of Daniel Gall p. 5 Torsten HĂśnig

No part of this book may be used or reproduced. Š Daniel Gall, 2013. All rights reserved.

Thanks to the agencies I work(ed) for supporting me and giving me the opportunity to contribute my work to all these interesting and challenging projects.


Daniel Gall aka SAN2 born in 1978 in Ingolstadt, Germany Art Direction, Graphic Design (Dipl. University for Appl. Siences)

♠ illustration ♣ designio

ғ typography ♦ photography ■ layout

After highschool (A-levels) and serving the civil service I went to San

I do a lot of projects with the fashion photographer Torsten Hönig.

Francisco, CA. In the Bay Area I was working as a musician in the local

Through the work with him I also learned about lighting, retouching

blues scene. I studied figure drawing at the Berkley University Exten-

pictures, fine-drawing and print refinement of my layouts.

sion. After one a year I returned to Munich and I attended the Freie Kunstwerkstatt, an art academy.

Today I’m able to handle the whole process from concepting to print finishing but my passion remains creating elements in design, illust-

I applied for the University Georg-Simon-Ohm in Nuremberg where I

ration & typography always searching for something new.

studied graphic & design for the next 4 and a half years. Since I came from drawing I liked illustration the most but soon I started to focus on typography and composing layouts for covers and posters. Before freelancing for Heye & Partner I started with an internship.

At the moment I live in Munich and Amsterdam. I work for several

Contributing to campaigns for wellknown clients such as Mc Donald’s,

agencies freelance as an art director and I have a small group of own

Wrigley’s, gmx.de and others, taught me a lot about the strategy of ad-

clients. With my rhythm&bluesband The Soul Patrol I’m playing my

vertising and showed me a professional workflow.

music all over Europe.

In February 2007 I got my diploma. Since then I’ve continued wor-

In May 2010 I got featured by the SWATCH & MTV PLAYGROUND

king as a freelancer and musician. Again I was fortuned to work for

and my work was shown on several music events around the globe.

companies like Adidas, Bench, Chiemsee, Timezone, Music Factory

My illustrations 16 bit pure art are distributed in editions.

and many others. (see also References)

Therefore please visit www.arternity.com


PORTFOLIO DANIEL G.GALL


featured on

Behance Net CENTRONICS

graffiti illustration, based on font I created out of circles

free work

â™  2007


Aus Liebe zum Senf.

Aus Liebe zum Senf. AUS LIEBE ZUM SENF

product catalogue for the mustard LÖWENSENF

client LÖWENSENF

■ 2006


Die Nummer eins unter den Scharfen.

Aus dem Neuling von 1920 wurde im Laufe der Jahrzehnte Deutschlands berühmtester Senf, hoch geschätzt und begehrt von Kennern in aller Welt, die schwören, dass es nicht einen Senf gibt, der sich in Schärfe und Geschmack mit dem Original Löwensenf Extra messen kann.

In Deutschland zählt Löwensenf zu den 10 bekanntesten Markenartikeln. So gehört der „Original Düsseldorfer Löwensenf“ – neben Marken wie Montblanc, Tempo und Porsche 911 – zum erlauchten Kreis der „Deutschen Standards“ *. Denn geht es um Senf, setzt Löwensenf Standards – heute wie gestern.

Dieser Deckel war eine technische Sensation: Erstmals wurde in Deutschland ein Senf unter Vakuum abgefüllt, eine der

* Deutsche Standards, hrsg. von Jörg Kirchbaum, Stuttgart/Wien 1988.

sichersten und umweltfreundlichsten

Konservierungsarten. Daher das typische „Plopp“ beim ersten Öffnen des Löwensenf-Glases.

7 16

Scharfer Senf und feine Küche? Wie passt das zusammen? Ganz hervorragend! Hier ein paar Beispiele für Feinschmeckergerichte, denen eine wohl dosierte Gabe Löwensenf die kulinarische Krönung verleiht:

Dorade mit frischer Tomaten-Mozzarella-Füllung Verfeinern Sie die Dorade mit einer Füllung aus Tomaten- und Mozzarellastückchen, kleingehackten Frühlingszwiebeln, Basilikum und Löwensenf Extra. Die Dorade mit Löwensenf Bayerisch Süß einreiben, in Alufolie wickeln und im Backofen garen. Dorade mit Tomaten-Mozarella-Füllung

Romana-Salat mit Apfel-Balsamico Vinaigrette Romana-Salat nach Geschmack mit Paprika, Zwiebeln und Walnüssen mischen. Schalotten und Knoblauch mit andünsten und mit Apfelsaft ablöschen. Anschließend Fond zusammen mit Löwensenf Extra, Distel- und Olivenöl sowie ApfelBalsamico zur Salatsoße verarbeiten. Romana-Salat mit Apfel-Balsamico Vinaigrette

Klassische Rinderroulade Rouladen salzen und pfeffern. Einseitig mit Löwensenf Rouladen Traum bestreichen, Gürkchen dazulegen, aufrollen. Mit Holzspießen fixieren. Rouladen rundum in Öl anbraten, mit Fond aufgießen, bei mittlerer Hitze ca. 1 Stunde schmoren. Die vollständigen Rezepte (und viele weitere leckere Senfrezepte) gibt’s hier: www.loewensenf.de

Rinderroulade klassischer Art

10 16

Es gibt nur wenige Markenprodukte,

die ein so fester Bestandteil des tägli-

chen Lebens geworden sind, dass man sie anhand der Umrisse ihrer Verpa-

ckung unfehlbar identifizieren kann.

Löwensenf in seinem typischen Glastönnchen ist einer dieser Klassiker.


featured on

Behance Net Flip clock

Helvetica 75 Illustration & animation in the style of a flip clock

free work

Ň“

2009


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■ 2009

Pe ter

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Posterdesign for the Electronic Beats Festival

client T-Mobile

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20.05.2010

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T I M E Z O N E

COLLECTION

TIMEZONE GMT

CD Logo for TIMEZONE’s new fashion line the GMT COLLECTION

client TIMEZONE

ғ

2010


TIMEZONE GMT

Concept for the logo and applications like hangtags, backpocketstitching, labeling a.o.

client TIMEZONE

Ň“

2010


TIMEZONE GMT

Applications showing the new logo and signée, produced by Piovese Italy

client TIMEZONE

ғ

2010


45 degree

Cd covers

free work

â™  2010


Bronze-Reproduktion

Druck auf Transparentfolie

Silberstreifen

Feine Linienführung

Struktur und Plastizität

Changierende Schattentöne

Dim

Farbprismen

Wasserzeichen im Negativ

CENTRONICS

excerpts from my diploma at University for Apllied Science

free work

♠ 2007


Dominierende Leuchtfarben

Sicher. 07:33

Stanzung Material innen: Posterboard

mensionalit채t der Ebenen

Verbindung 16:00


WORT


T

ANT


featured on

Behance Net Centronics

design of a banknote, featuring the guilloche

free work

â™  2006


Workbook

Workbook showing the new Denim Collection of BENCH.

client Bench.

â–  2010


European sWS

logodesign of the MC DONALD’S EUROPEAN SPORTS WORKSHOP (right side)

client MC DONALD’S

ғ

2006


Whatever your sport, don’t perform, outperform.

federiCa pellegri

ADIDAS TECHFIT

autograph cards for the swimmers Pellegrini, Carry, Steffen

client ADIDAS

■ 2008 & 2009


a ini

david Carry

Britta steffen

adidas.com/techfit


Printmedia Ispo

Concept & CD for exhibition stand at Ispo, Munich - logos, illustrations

client CHIEMSEE

â–  2010


M

L

Printmedia Ispo

Concept & CD for exhibition stand at Ispo, Munich - logos, illustrations & side tools

client CHIEMSEE

â–  2010


my ride at

m

o e.c

se

iem tch un

mo

0 7. / 0 8 . / 0 9 . 0 2 . 2 0 1 0 Hall A3 Booth 402/501 Hammer kick-off 5pm

Chiemsee AG & Co. KG Theodor-Sanne-Str.6, 83233 Bernau, Germany

www.chiemsee.com


featured on

Behance Net CD cOVER NEW

CD cover in different versions / textures and photographs

client booKING Promotion

â–  2009


Gute Nacht Cäsar

poster for a dance-theatre piece (Nuremberg, Zurich)

free work

â–  2008


plakat_gutenachtc_final.indd 6

06.08.2008 14:24:28 Uhr


MUSIC FACTORY LOGO

various logodesigns for the American label & company MUSIC FACTORY

client MUSIC FACTORY

Ň“

2009


CORPORATE DESIGN GUIDELINES

CI COlORS ovERvIEW

8

MF blACK

MF GREY

logo

alternate text C:

0

illustration

m:

0

outline for

m:

y:

0

WhITE gradient LoGo 3D

y:

0

k:

45

CI COlORS maIN

regular text

C:

k: 100

0 0

MF WhITE height

MF RED

background area

logo illstration

WhITE height

C:

0

C:

0

m:

95

m:

0

y:

100

y:

4

k:

0

k:

8

MF blUE

MF gradient WhITE

logo

background for

text headline

WhITE gradient LoGo 3D

C: 100

illustration

m:

0

y:

0

k:

0

illustration

-45° radial C:

0

C:

0

m:

0

m:

0

y:

0

y:

4

k:

0

k:

8

MF gradient RED

MF GREEN logo

red circle in CI LoGo

text headline

C:

illustration

m:

0

y:

100

k:

0

red/black gradient

20

illustration

C:

0

C:

20

m:

90

m:

100

y:

100

y:

100

k:

0

k:

15

C:

100

C:

100

m:

0

m:

y:

0

y:

0

k:

0

k:

80

© san2design.de, 2009

MF gradient blUE bLUE gradient LoGo illustration

MUSIC FACTORY LOGO

Corporate Design Guidelines (excerpt)

client MUSIC FACTORY

ғ

2009

5


CORPORATE DESIGN GUIDELINES

CORPORATE TYPOGRAPhY hoUSE FoNTS

11

The regular text is set in ITC Conduit a very readable font which gives a Font

Conduit ITC

hip font of the logo and headline text. Regular text light ssectem quat irit ulla

Size

8

pt

feugueros amconsenis nulla conulputem inci te feuguerat. Idunt utpat nibh et,

Line Spacing

13

pt

sit nim nosto dit vel utatue dolobore te vel ut am, conullaor sim aliquat. Duissi

Letter Spacing

20

blan et vercilismodo eraesto et utpat dolorperosto commolorem incillan et,

Colors

black, grey

Section Text is needed everywhere where you want to explain something more precisely, ad more content or you don’t have a possibility to set the type bigger.

Font

Conduit ITC

Size

6

pt

Line Spacing

6

pt

Letter Spacing

30

Colors

black

Font

ITC lubalin Graph lT

Size

99

pt

Line Spacing

91

pt

Letter Spacing

0

Colors

possible in all CI colors

Font

Conduit ITC

Size

21

pt

Line Spacing

18

pt

Letter Spacing

-10

Colors

possible in all CI colors

Font

ITC lubalin Graph lT

Size

47

pt

Line Spacing

38

pt

Letter Spacing

0

Colors

possible in all CI colors

Font

Conduit ITC

Size

11

pt

Line Spacing

12,5

pt

Letter Spacing

20

Colors

possible in all CI colors

Idunt utpat nibh et, sit nim nosto dit vel utatue dolobore te vel ut am, conullaor sim aliquat. Duissi blan et vercilismodo eraesto et utpat dolorperosto

commolorem incillan et, commodolor il duis nim num zzriureet nonulluptat. Ut el il ipis nim ipit, sequisis ad magniamcor sequatem zzriureetum iure dolesequis dolorem digna con elis dunt ad tisim nulluptat, con volobor eriure eugait ilit aliquissed tet augait wisi bla feuis nostinim ilismodio odit lum iurem nonsequam, vulla alit praestrud del erat volestrud

tat. an henim del in vendiat iriliquat. Ut wiscin ute conum del ut la con velit lum illaorp eriustin vel in henit utat, conse corperos alit el incidunt incil ullan veliqui blan er iusting et ver accummy nulputpat veniam in henim augiat. Quatismod magnit alissit velit, quat nim aliquipit dip etuer ad tatem zzrit augait nibh endrem nullan henibh ex eugue te magna autpate facilla con-

title

The title and headline font is Lubalin Graph demi. It visualizes the creative environment of the music Factory.

headline line © san2design.de, 2009

REGUlAR TEXT

serious, professional impression and it gives a good contrast to the stylish,

lOGO Ibh ERCIlISIM zzRIlIqUAT, qUI TIE vERO ODO ETUMSANDRE MAGNA FACCUM EUGAIT inCiP ex eugiAmConseD te min utAt, quis euisL DoLor in eum iLit Aut veLiquAtinit ALis At. Dui er senismoDignA FEUGUER SEQUaT aCCUmmy NIm DoLoREm aUTpaTIE DIaTISL ELENIbh Ea FEUm vEL DoLoR SIT INCINIT, CoN vENIaT Ip EUGaIT Ex ENIm ExERoST-

Light, bold

SECTION TEXT Light

TITlE demi only small letters

SUbTITlE Light

hEADlINE demi only small letters

SUbhEADlINE Light, medium, bold only capital letters


TIMEZONE TRAVELMAP

Houston GMT-6 Travelmap, showing the route of the Timezone-Travel-Team & explaining the GMT History.

client TIMEZONE

â™  2010


He also dares to not know any borders. grounded in my and think. When I was seems disputed danced not only do something, which by step I realised that I I felt like somethe impulse room eight years ago, began to introduor senseless, always with for turns and moves. I wild, finding no 1996. body who is running completely new urghausen. A day in spring into my dances. to create something ce all possible effects think that many old, has house pillars to hold on to. I break! It is nePatrick, fifteen years how a man – to start where others Suddenly I was interested people, are stanTiger on TV young, and also older audience along in arrest. He watches Karate cessary to drag the are dustbin, how a flag blows his they and pulls dancing edge, is an who ding on such the association and sees a teenager move and enwith expression, and the wind, or how people Alcohol, drugs, The teenager in danger to give up. elements and moves. that upon Hip Hop music. me, to itemization clear the of became gines work. It or simply fear of around and joblessness, diseases, you manage to turns on his back, spins things by danThat’s only possible if I can express all these anybody could imitates a the future – suddenly by letting them inspires his friends. Patrick watch the envienchain the audience, many people cing, and so I started to Eight years later stand in the dark. Today A good dancer few steps…it works. Today when take part in the events. ronment more intensively. can you always as a technical how to deal ask me: Patrick, how Patrick gives up his job the ground, I and choreographer knows I see leaves falling on self-confident? completebe in good mood and so find lanes and draftsman, to addict himself and I think with that, and has to think about gravitation, the light on by brought him to My answer: I turned with free heart the ly to dance. Breakdance possibilities to decide the way I could represent and you step, about by step works It theme. dancing! himself step by step. at buildings, in relation to the particular light floating. When I look if you dance or his feeling, can do it, too. No matter only reason for that is I realise the coThe streets or feel I balls if tables, I was a shy him…” do something else. Sometimes “Before I began to dance, and geometry, which inspires and guides Centre herences of physics I played socgo to the Move Too Hot I bad, All guy. School was not mine, before. on and move which I never understood but I always at night, turn the music and one handcer and tried many things, Watch Patrick moving around me made sense, things the better! feel I everything. of e.de/passion around. After this felt weak and I was afraid a union which jumping on www.timezon and I recognized it as philosophy. The and you I often think about my Everything was forbidden Breakdance important, I included in my dancing. at school and at only thing which is really had to keep the rules: which is only his own body has a lot of techniques, out. After I had is that: Everyone has got home, and when I went not everybody something for insiders, describe things, two friends who and his own ability, to seen the film, I found style, his own wants to create his own you trust in the so we met once or to move himself. If also liked Hip Hop and to learn from moves. Everybody wants of my parents’ of each one, and combine individuality is a week in the basement accurately you have the others, but to copy them only checked it with different styles, house and practiced. We on the beginFor a dancer a sin. Perhaps it depends off steam to the optimal base for dancing. out easy moves and let colored people ning of Hip Hop. The discipline and I discovered soit is important to have music. It was amazing. and against also to posbattled for their values completely free. single-mindedness, but mething where I was media rules faith, and racism. In a world where wanted. At that sess flexibility, openness, I could do whatever I addicted on the of a dancer is fashion, it is easy to get Sunday in the responsibility. The level time we danced every can loose yourself, and you that for dance, fact only feeling first At characterized by the youth panel of Neuötting. without thintake everything you get diverse styles, visitors too. We his method in the for ourselves, then for is like a caking. For me breakdance about this note. the streets, on and the conversion danced a lot of times on criticize what talyser where I can also dance plays a for shopping the in just or employment The many festivals, audience, I don’t like. To get a greater it, and engadecisive role. centre. The people liked and Hip breakdance combine I will Dancing becaged us for other events. I won’t only does Hop, with art and theatre. not only a A good dancer and choreographer me more and more intensive, what I feel make a show, I will connect of living. Step hobby, more an attitude

B

PATRICk

55

magic she shed the paper, refre ear on the images app ching the ies. Wat n, own cop nique agai d. roid tech ed as a chil dthe Pola discover with e her chil h in touc lored sinc es, she got longer exp Techniqu studies, t, and no Creative hing her otten abou on Polaroid After finis almost forg d course ion. had ance ress an adv al exp which she legendary ating in ium of visu ugh her particip med thro le a ial Whi the elon spec hood. of Barc n-lifts in this very emulsio the streets icted to fer and scovered she got add she redi image-trans moment ents on From this g experim era, or doin , SX-70 cam t of view poin l ona her pers tograstudio. develop onal pho tinues to a professi 7, she con work as since 200 into her Germany wledge Back in roid kno a the Pola to become cing ted odu intr she wan tosee that ers in pho ld clearly pher. photograph re she cou ion different by, befo crete. stant for one.de/ pass s passed more con w.timez as an assi fell Many year more and working tin on ww elona, she became See Kers er. While trip to Barc decision g in the photograph … On a tion, her ed breathin a journey and on loca discover had to do she studios, she , real freedom her wish and the To make ish culture span the e to in love with and mov of life. e country anean way s, mediterr e her hom ish chao the span ded to leav ple, and she deci t studying erience, mix of peo finally star by this exp ticultural true, and Inspired m, the mul m come a. The ryth e her drea That mak ks. Barcelon to wor gy fresh ener . itional b/w ing her academy s on trad gave her elop tice IEFC prac ry, dev y at the g a lot of laborato photograph the b/w was doin nights in nning, she and long In the begi d hours her to spen allowed

e taking they wer y; when the next photograph rrrrr…”, tact with d “klick… first con ting with ial soun ers her was wai this spec rememb ed then she there was Kerstin era, and ure. It seem little girl, of the cam roid pict her as a the Pola photos of on moved out t ear shee lines app a white urs and moment g the colo watchin fun! curiosity, was such and ic to be mag

KERSTIN

20 20

EN TE R TA IN

Y RE NA

A late surpri se to her Calga ry based family; Cyren getting over a came to the the initial shock world in the late seventies and horror of actual with a curios dancer, chore ly being on ity, which ographer, artist, baffled all stage, Cyren began to live present. Before a and practically anyth and breath the recognition she could ing that includ e music. Eveeven say “musi she desired, rything that ed creative c”, she was chaos and she decishe was passio ded to try her performanc the main act, singing ged terrain nate about luck in New e; a dream had something and dancing again. She she follow that York, travel started to feel to do with it. to her own led a few weeks ed despite kings. As a little more liShe began a all warnings through Europ playing piano child, she didn’t at home, being not focusing of e, and fi, composing nally lande part of an inneed much herself on one time watch ternationall her own med a job in one lodies, and sole thing. ing from the y mixed,divers While of Germanys’ later dark audience finishing her many small to jam in local e yet related, seating, to cocktail of theatres. With pre-professi basements and know that her creatively inclin dance studie onal barely any garages. Her place time ed people. s for in was up Calgary, she front, under musical taste A family away second thoug was so rich was lucky the bright stage hts, she packe from home enough to join that she began up her 21 years , her and her lights. d her theatr local to write e colleagues dance heroe into two suitca rics for all styles lyAlberta Ballet s at became part ses and , without realiz a backpack, as an aspiri of the After a few city scene, left Canada, ing that ng young danshe would years of dance and it didn’t cer, on tours and started ever use them. take long unher professional lessons, and throughout til her wish She dreamed stage career North Amer simultaneo to sing passe ca. As years usly of becom . id through the past on, her 44 right ears. Some ing a singer taste chang , friends of a and surrounding ed, In 2001, she friend were options failed looking for was happy fresh vocals to bring to be invite , and when join the Nurem d to met she Tomm burg Ballet y Yamaha , and chanand Martin sa a.k.a. The KaiStrike Boys, none of the

TIMEZONE Collection

excerpts from the collection books, featuring the LIVE YOUR PASSION campaign

client TIMEZONE

ғ

2007

CYRENA

three knew that they were stand at the begin ing her own creati ning of a long ons, Cyrena and fruitfu collaboratio gave up her l soloist dance n. During Perhaps rebell contract in the record ious to her sessions for ing 2005. Not only for the normally re“Playtime” cognized as studio, wrong , released sound and ‘shy’ exteri 2004 featur in kong was movement, or, Cyrena on a missio ing Cyrena is her greate what she loves does n to get into in both tracks obsession. st eccentricall “find my way” the spotlight. A weakness It didn’t take y, and can’t and “outer get enough for role-plalong ying, and the for three to space”, it of the adren was clear, that become ongoing search aline she disfive, wrong there was more covered durrin kong was playin for that one moment to come. g So much in her first live g their live of absolute debut for hundr fact, that wrong shows. bliss on stage. Whether singin eds of curiou An escape? kong was g or dancing, born, a divers s Only listen and those ers, they were hooke entertaiely alternative who experience ning or provo her live can electronic d immediatel king artisti singer-songw tell, and the few days later, cally, she y. A riter projec most rest is will just definitely in they landed t. have to catch Determined a deal with her element up! Minty Fresh to follow when she brings Records, with her path with her interior wrongkong, plans for a to the surfac North Amer and test the Recognizing e. ican debut Cyrena live waters with her and her album releas on stage: in the fall of collaborator e ideas, vision s 2007. www.timez s, and situat one.de/pas ions, and sion transformin g them into words, visual s,


21


Patrick is the world-champion in breakdancing and holds the record in one-hand jumping. Dancing means everything to him and at the moment he can think of only one thing – to double his own record of 101 one-hand jumps in one minute to 202! For this we designed the perfect pants for him.

Cyrena came to the world in the late seventies with a curiosity, which baffled all present. Before she could even say “music”, she was the main act, singing and dancing to her own likings. As a child, she didn’t need much time watching from the dark audience seating, to know that her place was up front, under the bright stage lights. She now sets off with her band wrongkong entertaining her audience and fans...

Exposition

10m wide pano for the BBB exposition in 2008

client TIMEZONE

■ 2008


Ricoloop is a “one-man-jam�, exploring the entities of music in communication with himself as a multi-instrumentalist and songwriter! To him it was a language of the heart, where feeling an instrument and building intimacy and connection between the music and listeners is parmount. Rico creates musical compositions using many different instruments, objects, and his own voice. His music is a beautiful journey through sounds and rhythms, and is always a process within itself.

Kerstin got addicted to this very special medium of visual expression. It seemed to be magic to wait with curiosity, watching the colours and lines appear on the Polaroid picture. Rediscovering the streets of Barcelona through her legendary SX-70 camera, or doing experiments on image-transfer and emulsion-lifts in the studio, is her way to live the passion.


Centronics II

Editions with line art, produced on high quality material covered with plexi ¡ distributed on www.arternity.com

free work / EDITION

â™  2008


Centronics

photographic about power generation

free work

â™  2006


Centronics II

collages with paper

free work

â™  2008


showreel

DVD Showreel with partial UV lacquer

client S. KALTSCHMID

■ 2009


SAN2 & SOUL PATROL

2009 tour posters

client booKING PROMO.

■ 2009


PRESENTS

28.12.07 2200H

BACK2HARLEM.DE

LIVE ON TAP SAN2 & HIS SOUL PATROL

TURNTABLES// DJ SAM SEVEN & PETER KRAUS

REBIRTH OF SOUL AND RECYCLING THE BLUES Tickets an der Abendkasse und bei N端rnberg Ticket im U1 Tickethotline: 0911.241 85 22 Mehr Infos unter www.back2harlem.de


SAN2 BOOK BOLD featured on

Behance Net SAN2Book

creating a new Grotesk font - developed as headline & logo font for DREIPOOL (also see next page)

client DREIPOOL

Ň“

2010


www.

designing and programming various websites

various clients

â–  2007-2009


CD cOVER NEW

CD cover in different versions / textures and photographs

client booKING Promotion

â–  2009


Civitella

excerpts from my scribble book I drew in a little Toskanian village

free work

♣ 2006


Angry Martin

sketch of my good friend Martin (right side) ¡ (left side) various

free work

♣ 2005


CENTRONICS II

illustrations made from maculation · distributed on www.arternity.com

free work / EDITION

♠ 2008


san2design, 21. april 2008. fĂźr meine eltern in liebe.


1984

illustrations to the book, etchings

free work

♣ 2006


HERZ

visualizing the rooms for the tourist Centre HERZ at Main Taunus

client IMPULS DESIGN

♣ 2008


Logbook

calender with New York travel guide and fashion story

client TIMEZONE

â–  2008


WRIGLEY MED

various ideas for a stand-up displays / the tooth display has been produced

client WRIGLEY’S

♣ 2006


EIN MEER VOLLER KLANG

poster for a music event of the City of Nuremberg

client DELFINARIUM Nbg

■ 2006


Musikevent im Delfinarium 19. Februar 2006 18 Uhr

Künstler & Ensembles der Hochschule für Musik

Meer voller

ein Delfinballett

Klassik und Jazz

Klang

Videoperformance

s Sparkasse Nürnberg

Tickets: Tel 0911 / 433 4618 - Fax 0911 / 439 29 13 - tickets@hfm-das-projekt.de Benefizkonzert für das Delfinarium und die Hochschule für Musik unter der Schirmherrschaft von OB Dr. Ulrich Maly – Das Projekt


SAN2 & SOUL PATROL

2008 tour posters

client booKING PROMO.

■ 2008


BBB STAND TIMEZONE

front collage for the stand · (above) invitation for customers

client TIMEZONE

■ 2008


Take a journey to a city and an environment that is literally on the edge of the earth. Where people from all the corners of the world have come to make their home; where the culture of the indigenous peoples still thrives and where salmon can be candy, where salt is often sweet and where shades of grey are not cold, nor fearful; but inviting, mysterious and always with you.

So hold on and let us guide you to a city of ice hockey, film, Feng Shui, great seafood, and afternoon skiing. To the birthplace of Greenpeace and the home of the 2010 Winter Olympics. To where lions sit high above the city on the Coast Mountain Range; their manes shrouded in clouds and covered in winter snows.

The red T - established 1993. The product is our passion. When you wear an item of the collection we want you to keep your individuality and feel just comfortable being yourself. TIMEZONE wants to dress you and not to dress you up. This is the origin of the brand which was founded 1993 by Wolfgang Endler-Ross. Street- & Sportswear since 1993 Real people in every timezone.


BBB STAND TIMEZONE

visualizing & planning the TIMEZONE stand at the Bread&Butter exhibition, Barcelona

client TIMEZONE

â–  2009


BBB STAND TIMEZONE

finished exhibition stand at BBB

client TIMEZONE

■ 2009


Logbook

circle grid illustration influenced by the legendary Josef MĂźller-Brockmann poster (Beethoven)

free work

â™  2011


TIMEZONE MAGAZINE

Munich GMT+2 Magazine, editorial about the Timezone-GMT journey

client TIMEZONE

â™  2011


TIMEZONE MAGAZINE

Stockholm GMT+2 Magazine, editorial about the Timezone-GMT journey

client TIMEZONE

â™  2010


featured on

Behance Net CENTRONCS II

Illustration megatone

free work

â–  2009


single

DS YAKUTI55R DS YAKUTI65 DS YAKUTI65R DUBIUS-BOLD DUBIUS-BOOK DUBIUS NORMAL DUERERSMINUSKELN DUMPSTERDUPLOSKETCHESPLUS DUTCH 801 BOLD BT DUTCH 801 BOLD ITALIC BT DUTCH 801 EXTRA BOLD BT DUTCH 801 EXTRA BOLD ITALIC BT DUTCH 801 ITALIC BT DUTCH 801 ROMAN BT DUTCH 801 ROMAN HEADLINE BT DUTCH 801 SEMI-BOLD BT DUTCH 801 BOLD ITALIC BT DYADIS ITC BOLD DYADIS

megatone single


Abc

Posters with typography elements on surface

free work

Ň“

2009


Vorsicht Geistiges Produkt

illustrations with ink & letter stamps

free work

â™  2008


references Companies Adidas, international Bench, Germany Chiemsee, international Dauphin, Nürnberg Downhill Records Dreipool Gotra Ballet, Netherlands Goodyear, Deutschland gmx.de, Deutschland HERZ, Main-Taunus JRC, Europe Löwensenf, Düsseldorf Marmot, Europe Mc Donald’s, Germany Mitosfilm, Berlin Music Factory, Los Angeles Ratiopharm, Deutschland Shakespeare Fishing, Europe Suspa, international Timezone, international Wrigley’s, Germany  

Agencies Heye & Partner, München Arts of Sales, Nürnberg Kaller & Kaller, Berlin werk b, Nürnberg Fotografie Torsten Hönig ImpulsDesign, Erlangen Krieger des Lichts, Nürnberg  

Publications www.arternity.com 07 WHO, Design Magazin MTV & SWATCH PLAYGROUND behance.net


san2design.de


PORTFOLIO DANIEL G. GALL