Cairocature june 2017 by Samira

Cairocature is an international Egyptian e-humor & Satire magazine. Its purpose is to introduce the art of caricature in Egypt; our members will provide you with their works. We present cartoon, Illustration, portrait, Interviews , News & caricaturists. you will find cartoons from all over the world from the second issue , follow to read online & download

Editor in chief

Art adviser

Samira Saeed

Saad Sedawy

Web site http://cairocature.wix.com/cairocature Facebook https://www.facebook.com/cartoonandcaricature/ E-mail cairocature@gmail.com

Contents

Saad Sedawy cartoon Cartoon and poetry

Algeria ( YOUCEF AĂ?MEUR Morad Morapet )

( Sedawy & Omar Al Sawy )

Mohamed Tawfik Eslam Fekry Abdo Abo Bakr

Interview with Edgar Vargas Avila

Ashraf Hamdi

Venezuela

Ahmad Kamel

( English & Arabic language )

Samira Saeed

World cartoon

Asma Ali

Bernard Bouton - France

Amr Elsawy

Yang Lijie - China

Portaicature

TVG - India Kamil Jerzyk - Polans

Interview with Asma Ali ( English & Arabic language ) News Arab cartoon Iraq ( Ali Atib ) Caricature is an eyewitness

( E& A )

Rashad Al Samaeey thiYazan Al Alawy )

Ramadan cartoon Mohamed Anwar

26 30

Yemen ( Arwa Moukabel

Contests

1st winner: Romeo Jericho (Indonesia) 2nd winners: Lucy Hobrecht (Germany) & Miller Almeida (Brazil) 3rd winners: Hoba Davigoya (Egypt), Ali Artist (Bahrain) & Sasha Krasivo (Russia)

1st winner: Ahmed Wahid (Egypt) 2nd winners: Cartoonist John Henson (Philippines) & Luuk Poorthuis (Netherlands) 3rd winners: Fernando Cobos (Spain), Ahmad Abdel Moniem (Egypt) & Goyo Vela (Spain)

Interview with Asma Ali

be as you would like to be ,try to find yourself and do not forget your humanity

‫أسما على‬ ‫اسمي أسماء األمين كااتوايساياساا يتسااما كاوا‬ ‫أطفال‪ ،‬حصاتاا ىاتاس ناياسااساا اناتاةا انافااتسايا‬ ‫‪ ،2002‬ىمتا في ىدة صحف مصتي مثل انبديل‬ ‫يانييم انسابع يتيز انييسف يكذنك في ديت سشات‬ ‫مسهاا ‪ ،Macmillan Egypt‬يحااناياا اتسام كاوا‬ ‫أطفال ندات سشت ىتبي ياشاتك في ىادة ماراات‬ ‫كاتيكاويتي محتي يدينايا افاافا ناكايساي أىامال‬ ‫محتتة في مالاتا يماي اع ‪ ،Entrepreneur‬نام‬ ‫أدتا انفن ييما ً ينكسي أحببا انتسم مسذ طافايناواي‬ ‫ييلدا انوشليع ياندىم من ياندواي‪ ،‬فاكاان ادت‬ ‫انذ اىوز به ييلدا فيه سفسي اكوت من أ شايء‬ ‫أخت‪.‬‬

‫‪20‬‬

‫انتسم طقا ييمي بحكم طبير ىمتي ىتس اناتمام مان‬ ‫اكوظاظ انايايم بااألىاماال‪ ،‬يواواباايان اناتسايمااا اناواي‬ ‫اماتسها ييميا ً ما بين اسكوشاا انكاتيكااوايات ياناتسايم‬ ‫انويفيحي اي تسيماا بانحبت فقط نتمور انشاخاصايا‬ ‫يناامااماااتسا اناافاان ناايااا او‪ ،‬ي بااانااسااساابا نااتساايماااا‬ ‫انكاتيكاويت يوتايح ىاددااا ماا بايان ‪ 4‬اناس ‪ 2‬أفاكاات‬ ‫يكثيتاً أثساء دخيني نتسيم وأويسي فاكاتة كااتياكااوايات ماا‬ ‫فأىيد نالسكوش نتسم كتيكي نتكاتيكاويت اسفذاا انايايم‬ ‫ً‬ ‫حيازا أكابات‬ ‫انواني‪ ،‬أما بانسسب نكو األطفال فهي وأخذ‬ ‫د يصل انس أكثت من ‪ 10‬اسكوشاا بانقتم اناتصاا ‪،‬‬ ‫األحاايااان خاااص ا ىااساادمااا يااكااين نااد‬ ‫يفااي باار ا‬ ‫‪ Deadline‬د أظل أىمل طيال ‪ 11‬ساى ييمياً‪.‬‬

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My name is Asma Ali , I am an Illustrator for Children's Books, BA in Persian Language 2006, I worked in several Egyptian newspapers such as Al-Badeel, youm7 and Rose As well as in a publishing house Macmillan Egypt and others, Currently, I am Illustrator for children's books at Arab publishing house And participating in several local and international caricature fairs. In addition to I am an editor in Entrepreneur magazine. I did not study art , but I love painting since childhood and found encouragement and support from my mother, which I cherish and i found myself more than anything else. The drawing is a daily rites according to my work Despite today's over crowding, The daily drawings are varying between caricature sketches and illustrations or ink drawings just for personal pleasure and art practice.the caricatures take between 4 to 6 ideas , during my sleep I get the idea then I back to the sketch to draw a cartoon for next day, As for children's books it takes more space , it can be more than 10 sketches , and sometimes Especially when I have a deadline I work for 11 hours a day. I usually draw sketches . Then I draw the caricatures on Flash and Photoshop. After finishing, return to the drawing again to have a look. Then the vision is clear and more comprehensive so I can identify the weaknesses, if any, and then modify. Or no need to amendment then send it directly for publication.

21 32

My beginnings were Coincidence when I participated in Al-Masry Al-Youm newspaper competition to discover comicâ&#x20AC;&#x2122;s talents; Strangely, I took a very advanced position. It was a new point for my professional life. I developed myself and used graphics programs in coloring instead of watercolors and acrylic colors. I was helped by my friend, Ashraf Hamdi, who did not hesitate to advise me towards the best programs. He also helped me to continue in the field. Also artists Ahmed Kamel and the Abdel Rahman Abu Bakr Kamel helped me to take care of the idea a lot and how to develop it. Abdul Rahman is a reference The sessions of drawing and the exchange of ideas and experiences between us Encourage me to publish both masters Effat and Ahmed Abdel Naim. of course the idea , is the origin and the basic of the success ,the good painting and the painter's characteristic style, but not vice versa. Poor painting with a weak or almost nonexistent idea produces nothing. Every Cartoonist has to draw something from life, it is full of everything that is contradictory and distinctive and worthy to drawing , but I do not resort to it so much in the caricature I drew portraits from life and inspired some characters as a reference may add something special to the idea And highlights them better but not always. As I draw from life once a week with Urban Sketchers group.

‫عادة أقً٘ بشعٌ اعنخؾاث ىيفنشة باىقيمٌ اىمشفماؿ‬ ‫فٖ٘ اىَفنو باىْغبت ى‪ ٜ‬ثٌ أقً٘ بخي٘‪ ِٝ‬اىناس‪ٝ‬نماحم‪ٞ‬مش‬ ‫عي‪ ٚ‬بشّاٍم فم ػ ٗفم٘حم٘ؽم٘عد ٗبمتمذ ا ّمخمٖما‬ ‫أفنو اىت٘دة ىيشعَت ٍِ جمذ‪ٝ‬مذ بمْمامشة اىمَمخميمقم‪ٜ‬د‬ ‫فاىشؤ‪ٝ‬ت حنُ٘ أٗمح ٗأؽمَمو فمكحمَمنمِ ٗقمخمٖما ٍمِ‬ ‫ححذ‪ٝ‬ذ ّمقماه اىنمتم جُ ٗجمذث ٗاىمخمتمذ‪ٝ‬مو فم‪ٞ‬مٖما‬ ‫باإلمافت أٗ اىمحمز د ٗقمذ حمحمخماع ي‪ ٛ‬حمتمذ‪ٝ‬مو‬ ‫فخشعو ىيْؾش ٍباؽشةً‪.‬‬

‫‪22‬‬

‫ماّج بذا‪ٝ‬اح‪ ٜ‬حخشا اىناس‪ٝ‬ناح‪ٞ‬ش ٍقادفت عْذٍما‬ ‫ؽاسمج ف‪ٍ ٜ‬غابقت جش‪ٝ‬ذة اىَقش‪ ٛ‬اىم‪ٞ‬مً٘ ايٗىم‪ٚ‬‬ ‫مخؾا ٍ٘إب ماس‪ٝ‬ناح‪ٞ‬ش‪ٝ‬ت ّضٗ ً عي‪ّ ٚ‬قم‪ٞ‬محمت‬ ‫بتل ايفذقا د ٗىيغشابت حقذث ٍشمضاً ٍخمقمذٍما ً‬ ‫ىيغا‪ٝ‬ت فناُ ّقطت حح٘ه ىح‪ٞ‬اح‪ ٜ‬اىمَمٖمْم‪ٞ‬متد فمتمَميمج‬ ‫عي‪ ٚ‬حط٘‪ٝ‬ش ّفغ‪ٗ ٜ‬اعخخذاً بشاٍ اىجمشافم‪ٞ‬مل فم‪ٜ‬‬ ‫اىخي٘‪ ِٝ‬بذ ً ٍِ ايى٘اُ اىَائ‪ٞ‬ت ٗأى٘اُ اىـ "جم٘ى‪"ِٞ‬‬ ‫اىخ‪ ٜ‬مْج أفنيٖا ف‪ ٜ‬اىشعٌد ٗعماعمذّم‪ ٜ‬فم‪ ٜ‬رىمل‬ ‫مث‪ٞ‬شاً فذ‪ٝ‬ق‪ ٜ‬اىفْاُ أؽش حَذ‪ ٛ‬اىز‪ ٛ‬ىمٌ ‪ٝ‬مبمخمو‬ ‫ف‪ ٜ‬اسؽاد‪ٗ ٛ‬ح٘ج‪ّ ٜٖٞ‬ح٘ افنو اىبشاٍم د ممزىمل‬ ‫عاعذّ‪ ٜ‬عي‪ ٚ‬ا عخَشاس ف‪ ٜ‬اىَجاه سف‪ٞ‬ق‪ ٜ‬اىمنمفما‬ ‫اىفْاُ أحَذ ماٍو ٗاىفْاُ عمبمذ اىمشحمَمِ أبم٘ بمنمش‬ ‫فغاعذّ‪ ٜ‬ماٍو عي‪ ٚ‬ا ٕخَاً باىفنشة مث‪ٞ‬شاً ٗم‪ٞ‬فم‪ٞ‬مت‬ ‫حط٘‪ٝ‬شٕا ٕٗ٘ ٍَ‪ٞ‬ض ف‪ٕ ٜ‬ز اىْقطت اٍا عبذ اىشحَمِ‬ ‫فٖ٘ ٍشجع ف‪ ٜ‬اىفْاّم‪ٞ‬مِ ٗمماّمج ىمجميمغماث اىمشعمٌ‬ ‫ٗحباده ايفناس ٗاىخبشاث ب‪ْْٞ‬ما أثمشاً ممبم‪ٞ‬م ًش عميم‪ٚ‬‬ ‫حط٘س ث ثخْاد ف‪َٞ‬ا ؽجتْم‪ ٜ‬عميم‪ ٚ‬اىمْمؾمش ممو ٍمِ‬ ‫اىفْاُ ٍحَذ عفج ٗ أحَذ عبذ اىْت‪.ٌٞ‬‬

‫‪33‬‬

I have lots of drawings and always have a little sketch wherever I go. I draw and then use scanner and do the coloring using the tablets. I rarely draw sketches on the programs directly. The pen still has a special estimation

I learned a lot of courage; give a useful brief opinion, to be human! The cartoonist in his searching for an idea meet people and live their experiences and see the suffering of them closely , he reads in the news much of the reality pension, Cartoonist ridicule of a painful reality and knocks warning of a difficult reality to live. My message is be as you would like to be ,try to find yourself and do not forget your humanity , live and let others live in peace to stop being the worshipers of dissenting opinion, the difference is grace and culture of the herd doesnâ&#x20AC;&#x2122;t produces human beings. If everyone cared about his life, the situation of the entire planet would have been very different..

Cairocature magazine is a unique and youthful project that deals with the current generation of caricatures at the local and international levels and highlights their work. Nowadays , there is no cartoon magazine close to the young people, and it is characterized by diversity. I had the honor of cooperating as editor with the editorial team. I enjoyed the meeting with you. I hope to get extra of evolution and creativity in the nearest future.

‫اىفنشة باىطبع ٕ‪ ٜ‬ايفو ٗأعاط ّجا اىناس‪ٝ‬ناح‪ٞ‬ش ‪ٝ‬ض‪ْٖٝ‬ا‬ ‫ٗ‪ٖٝ‬زبٖا ٗ‪ٝ‬نم‪ٞ‬م عميم‪ٞ‬مٖما أبمتماد جمذ‪ٝ‬مذة ‪ -‬اىمشعمٌ اىمجم‪ٞ‬مذ‬ ‫ٗايعي٘ع اىََ‪ٞ‬ض ىيشعماًد ٗىمنمِ ىم‪ٞ‬مظ اىمتمنمظ فماىمشعمٌ‬ ‫اىنت‪ٍ ٞ‬ع فنشة مت‪ٞ‬فت أٗ ؽبٔ ٍتذٍٗت ‪ْٝ‬خ ؽم‪ٞ‬مًما ً د‬ ‫ف‪َٞ‬ا قذ حَش فنشة ق٘‪ٝ‬ت ٍع سعٌ مت‪ٗ ٞ‬حتخبش عَ ً ج‪ٞ‬مذاً‬ ‫جذاً‪.‬‬ ‫بذ ىنو سعاً ٍِ سعٌ ؽ‪ ٍِ ٜ‬اىح‪ٞ‬اة فٖ‪ ٜ‬صاخمشة بمنمو‬ ‫ٍا ٕ٘ ٍخْاقل ٍَٗ‪ٞ‬ض ٗ‪ٝ‬غخحق اىشعمٌد ٗىمنمْمْم‪ ٜ‬أىمجمك‬ ‫ىممزىممل مممثمم‪ٞ‬ممشاً فمم‪ ٜ‬اىممنمماس‪ٝ‬ممنمماحمم‪ٞ‬ممش قممذ اسعممٌ ٍممِ اىممحمم‪ٞ‬مماة‬ ‫اىب٘سحش‪ٖٝ‬اث ٗاعخيٌٖ بتل اىناسامخشاث کـم‪reference‬‬ ‫قذ ‪ٝ‬ن‪ ٞ‬ؽ‪ًٞ‬ا ً ٍَ‪ٞ‬ضاً عي‪ ٚ‬اىفنشة‬ ‫ٗ‪ٝ‬بشصٕا بؾنو أفنو ٗىنِ ى‪ٞ‬ظ دائَاً‪ ..‬ممَما اّمْم‪ ٜ‬اسعمٌ‬ ‫ٍِ اىطب‪ٞ‬تت ٗاىح‪ٞ‬اة ٍشة أعب٘ع‪ٞ‬ا ً ٍع ٍمجمَم٘عمت ‪Urban‬‬ ‫‪Sketchers.‬‬ ‫أفنو مث‪ٞ‬شا اىشعٌ باىقيٌ اىشفاؿ ٗدائَا ٍمتم‪ ٜ‬اعمنمخمؼ‬ ‫فغ‪ٞ‬ش ٗعذة أق ً سفاؿ ٗحبش أ‪َْٝ‬ا رٕمبمجد أسعمٌ ثمٌ‬ ‫اف٘س أٗ اعخخذً اىـ ‪ ٍِٗ Scanner‬ثٌ أقً٘ بماىمخمحمبم‪ٞ‬مش‬ ‫ٗاىخي٘‪ ِٝ‬باعخخذاً اىخابيجد ّادساً ٍا اسعٌ اعنخؾماث عميم‪ٚ‬‬ ‫اىبشاٍ ٍباؽشة ف صاه ىيقيٌ ٍتضة خافت ىمذ‪ٗ ٛ‬أس‪ ٙ‬فم‪ٜ‬‬ ‫أعي٘ع اىشعٌ بٔ امافت ٍِ جحغاط اىفْاُ ٗسٗحٔ‪.‬‬ ‫فتب أحذد ٕذ ٍت‪ ِٞ‬يُ ٍَاسعخ‪ ٜ‬ىفِ اىناس‪ٝ‬ناح‪ٞ‬ش ف‪ٜ‬‬ ‫حذ راحمٖما ٕمذ أحمَمْم‪ ٚ‬أُ أسعمٌ ثمٌ أسعمٌ‪ٗ ..‬أعمخمطم‪ٞ‬مع‬

‫‪24‬‬

‫ٍِ اىناس‪ٝ‬ناح‪ٞ‬ش حتيَج اىمنمثم‪ٞ‬مش ٗاىمنمثم‪ٞ‬مش حمتميمَمج‬ ‫اىؾجاعت ٗاىتَي‪ٞ‬ت ٗجبذا اىشأ‪ ٛ‬اىَخخقش اىمَمفم‪ٞ‬مذد‬ ‫ٗايٌٕ حتيَج أُ أمُ٘ جّغاّت أمثش! فماىمشعماً فم‪ٜ‬‬ ‫سحيت بحثٔ عِ فنشة ‪ٝ‬يخقم‪ ٜ‬بمْماط أممثمش ٗ‪ٝ‬متما‪ٝ‬مؼ‬ ‫حجاسبٌٖ ٗ‪ٝ‬ش‪ٍ ٙ‬تاّاة اىبتل عِ مثب ٗ‪ٝ‬مقمشأ فم‪ٜ‬‬ ‫ايخباس مث‪ٞ‬شاً ٍِ اى٘اقع اى َُتاػ ٍَا ‪ٝ‬جمتميمٔ أممثمش‬ ‫قممشب ما ً ٗأمممثممش جّغمماّمم‪ٞ‬ممت فمم‪ ٜ‬اىممخممتمماٍممو ٗاىممخممْمماٗهد‬ ‫فاىناسحّ٘‪ٞ‬غج ‪ٝ‬غخش ٍِ ٗاقع ٍؤىٌ ف‪ٞ‬مقمشج جمشعما ً‬ ‫ححز‪ٝ‬ش‪ٝ‬ا ً ى٘اقع فتب ‪ُٝ‬تاػ‪.‬‬ ‫سعاىخ‪ ٜ‬باخخقاس ٕ‪ ٜ‬مِ مَا ححب أُ حنُ٘ فمقمو‬ ‫اعت‪ ٚ‬إل‪ٝ‬جاد ّمفمغمل ٗ حمْمغم‪ ٚ‬جّغماّم‪ٞ‬مخملد عمؼ‬ ‫ٗاحشك ايخش‪ ِٝ‬ى‪ٞ‬ت‪ٞ‬ؾ٘ا ف‪ ٜ‬عم ً ىمْمنم عمِ أُ‬ ‫ّنُ٘ ج د‪ ِٝ‬ىيَخاى ى٘جٖت ّمامشّماد ا خمخم‬ ‫ّتَت ٗثقافت اىقط‪ٞ‬ع حْخ ج أؽمبمآ بؾمش‪ٗ ..‬ىم٘‬ ‫إخٌ مو ؽخـ بح‪ٞ‬احٔ ٕٗزع ّمفمغمٔ ممَما ‪ٝ‬مْمبمغم‪ٜ‬‬ ‫ىناُ حاه م٘مب ايسك باىناٍو قذ اخخي مث‪ٞ‬شاً‪.‬‬ ‫اىَجيت حجشبت ٍَ‪ٞ‬ضة ٗؽباب‪ٞ‬مت حمخمْماٗه جمذ‪ٝ‬مذ جم‪ٞ‬مو‬ ‫اىناس‪ٝ‬ناح‪ٞ‬ش اىحاى‪ ٜ‬عي‪ ٚ‬اىَغخ٘‪ ٙ‬اىَحي‪ٗ ٜ‬اىمذٗىم‪ٜ‬‬ ‫ٗحيق‪ ٜ‬اىن٘ عي‪ ٚ‬أعَاىٌٖد ٗحاى‪ٞ‬ا ً ‪٘ٝ‬جذ ٍمجميمت‬ ‫ماس‪ٝ‬ناح٘س‪ٝ‬مت قمش‪ٝ‬مبمت ٍمِ اىؾمبماع ٕمنمزا ٗحمخمَم‪ٞ‬مض‬ ‫باىخْ٘ج د ٗقذ ماُ ى‪ ٜ‬اىؾش باىمخمتماُٗ ممَمحمشسة‬ ‫ٍع فش‪ٝ‬ق ححش‪ٝ‬ش اىَجيت‪ ..‬اعخَختج مثم‪ٞ‬مشاً بماىميمقما‬ ‫ٍتنٌ فؾنشاً ىمنمٌ ٗبماّمخماماس ٍمض‪ٝ‬مذاً ٍمِ اىمخمطم٘س‬ ‫ٗاإلبذاج‪.‬‬

‫‪35‬‬

EGYPT Dina Abdelgawad Album Of The 13th International Cartoon Contest SYRIA 2017

EGYPT SHERIF ARAFA 100 FINALIST Cartoons Album Of 10th International Don Quichotte Respect Cartoon Contes,2017

Caricature is an eyewitness By : Ali Atib Iraq / Baghdad Smart lines and balanced idea that observe events become equal and are turned to in the crucible of creativity.to create a Caricature By good style that makes the spectator interests in it, because of play on contradictions In addition to the idea that depends on the cultural balance For use in the vocabulary of work To bring out a cartoon illustrating the contents of a lot of daily topics to highlight the event As the political observer viewer or a creative artist Where he embodies a particular situation To let the artist use his imagination to live its airspace, And to drains a lot of Suffering Especially since most of the topics reflect the suffering of the Iraqi people Patient and thus shortens many articles and lengthy analyzes and columns in pages and lines

38 33 27

‫عاتب ‪..‬يكتب‬ ‫الاكرياكتري ‪ .....‬شاهد عيان ‪.‬‬ ‫العراق ‪ /‬بغداد‬

‫انخطيط انتشيق يانفكتة انتصاياسا اناواي واتصاد اناحاد‬ ‫يسصبان في بيوق االبداع نوكين ىمل انكاتيكاويت‬

‫ساياان‬

‫حي ان االستي انمموع انذ يسوفز انساظت نوالىبه ىتاس حابال‬ ‫انوسا فاا افاف انس انفكتة انوي وروماد ىاتاس اناتصاياد اناثاقاافاي‬ ‫نوسخيته فمن مفتداا انرمل الختاج نيحه كاتيكاوياتيا ماراباتة‬ ‫وخوزل في مفاميسها انكثيت من انميافيع انييمي نوستياط انفايء‬ ‫ىتس انحد من زاييه انتاصد انسياسي يانفسان انمبوكت‪.‬‬

‫‪28‬‬ ‫‪34‬‬

‫حي يوقم (حان مريس ) نيطتق انفسان نمخيتوه ناياراياش‬ ‫أليائها ييسوسزف انكثيات مان انامارااسااا خصايصاا يان‬ ‫امت انميافيع وربت ىن مأساا شربسا انرتا ي انصاابات‬ ‫ياي بذنك يخاواصات انارادياد مان اناماقااالا ياناواحاتاياالا‬ ‫انمطين ياالىمدة في لياس انصفحاا في خطيط‬ ‫ي ( فش )‬

‫‪39‬‬

Through which a sharp light is shed in front of the eye & becomes involuntarily Often to a situation that is full of life .It may seem at first sight spontaneous But they are making a big bang and echo It may reach all closed places and backward minds . The crash of the wall of financial corruption . Administrative and then terrorism It may seem at first glance spontaneous But it can make a big bang and echo . & may be reach all closed places, backward minds , And crash the wall of financial corruption, Administrative and then terrorism By exposing malicious methods . And uncover by painting in national red ink. Which as soon as had get rid of the constraints of dictatorship then fall into the trap plots From dark alleys to another wild . the Iraqi people have remained steadfast . to spend these years of life.... Caricaturist is an eyewitness record Record for history this tragic real fact And highlights its events in front of the eye.

40 31 35

‫يستط من خالنها فيءا حادا يمتق أمام انرين فيوحيل‬ ‫بشكل ال اتاد ميت محسيا في كثيت مان االحاياان‬ ‫انس مي ف يفج بانحياة يشيت ىتيه فسان انكاتيكاوايات‬ ‫بساءه انفسي في وتكيبه مميزة واحايل أخاطات األحادا‬ ‫انمشورت انس طتف‬ ‫د وبدي اليل ياته ىفيي نكسها واحاد ديياا يصاد‬ ‫ياسع د وصل اناس كال االمااكان اناماةاتاقاه ياناراقايل‬ ‫انموختفه يوحطم سيت انفساد انماناي ياودات ي اباتاه‬ ‫مفخخاا االتاا‬

‫‪36‬‬ ‫‪30‬‬

‫من خالل ففح االساني انخبيث ي طت ها وحا سسدان (اناتايحا )‬ ‫بفتشاة ياىي مسؤين مةمس بحبت انايطان االحامات ‪ .....‬اناذ‬ ‫مابتح ان وخت من ييد اندكواويتي نيقع في فخ انمؤامتاا ‪ ،‬فمن‬ ‫أز مظتم انس اخت ميحش ظل يتايح انشر انرتا ي انصاابات‬ ‫نيقفي سسين ىمته اذه‪....‬؟!! يتسام انكاتكاويت شااد ىيان يسلال‬ ‫نتواتيخ ي ائع اذه انحقيقي انمأسايي ييبتز احداثها امام االسظات‪..‬‬

‫‪41‬‬

3142

3748

World Cartoon

Interview with

Edgar Vargas Avila Venezuela

41 50

‫حوار مع الفنان‬ ‫ادغار فارغاس أفيال‬ ‫فزنويال‬ ‫أ‪ٚ‬ال ‪ٚ‬لجً وً ؽ‪ٟ‬ء أْ أؽىش وُ ػٍ‪٘ ٝ‬زٖ اٌّمبثٍخ ‪،‬‬ ‫‪ٚ‬اٌز‪ ٝ‬أعزط‪١‬غ ػٓ طش‪٠‬م‪ٙ‬ب ٔؾش سعو‪ِٛ‬وبرو‪ - ٝ‬أٌو‬ ‫ؽىش ‪.‬‬ ‫اعّ‪ ٟ‬إدغبس فبسغبط أف‪١‬ال‪ٌٚ ،‬ذد ف‪ ٟ‬فٕوض‪٠ٚ‬وال‪ٚ ،‬روموغ‬ ‫فٕض‪٠ٚ‬ال جٕ‪ٛ‬ثبً ِٓ اٌمبسح األِش‪٠‬ى‪١‬خ اٌّطٍٗ ػٍو‪ ٝ‬اٌوجو وش‬ ‫اٌىبس‪٠‬ج‪ِ ،ٟ‬غمظ سأع‪ ٟ٘ ٝ‬لش‪٠‬خ ‪ٚ‬ال‪٠‬خ وبس‪ٚ‬سا السا‪ ،‬أٔوب‬ ‫ِ‪ٛ‬اٌ‪١‬ذ ‪ 81‬أوز‪ٛ‬ثش‪8691 ،‬‬

‫وّب ‪٠‬مبي أٔب أسعُ ِٕز وٕذ ف‪ ٝ‬سحُ أِ‪ٚ . ٝ‬ظو‪ٙ‬وشد‬ ‫ِ‪٘ٛ‬جز‪ ٝ‬ف‪ ٝ‬عٓ ِجىشح جذاً‪ .‬ف‪ ٝ‬عٓ اٌخّغخ ػؾش‬ ‫أسعُ ف‪ ٝ‬لقـ األطفبي‪ ٚ ،‬ف‪ ٟ‬عٓ اي ‪ 89‬ثذأد فو‪ٟ‬‬ ‫اٌشعُ ف‪ ٟ‬ف ‪١‬فخ ثمش‪٠‬ز‪ ٟ‬ف‪ ٝ‬اٌضّبٔ‪ٕ١‬بد‪،‬‬ ‫صُ ثذأد ف‪ ٟ‬ارخبر خط‪ٛ‬ار‪ ٟ‬األ‪ ،ٌٝٚ‬وبْ رٌه ف‪ ٟ‬أ‪ٚ‬اخش‬ ‫اٌضّبٔ‪ٕ١‬بد ح‪١‬ش دخٍذ ِذسعوخ اٌوفوٓا ِوبسروٓ رو‪ٛ‬فوبس‬ ‫ثّذ‪ٕ٠‬خ ثبسو‪١‬غ‪١ّ١‬ز‪ .ٛ‬وبْ رٌوه ػوبَ ‪ ، 8611‬حو‪١‬وش‬ ‫دسعذ ٕ٘بن فٓ اٌزق‪٠ٛ‬ش ٌّذح ‪ 1‬عٕ‪ٛ‬اد‪.‬‬

‫‪40‬‬

‫‪51‬‬

in the now-departed "Carora diary." It was then that I began to take my first steps, it was until then in the late 80's that I entered the school of art: Martin Tovar Y Tovar of the city of Barquisimeto. 1988 was my entrance in the school of art, there I was 4 years there studied graphic arts.

First of all to thank the kindness, for this interview and in this way to be able to make known and to spread my graphic work, a thousand graces. My name is Edgar Vargas Avila, born in a land of grace called Venezuela, Venezuela is located to the south of the American continent facing the Caribbean Sea, my birthplace is the village of Carora Lara state, I came to the world on October 18, 1964, Are my father Eleonora del Carmen Ă vila, and Edgar JosĂŠ Vargas Gutierrez, the latter deceased two years ago. This drawing comes from my mother's womb. Even at a very young age he showed attitudes to drawing. Always fifteen to illustrate children's stories, it was then at age 16 I began to illustrate in the newspaper of my village opinion notes this would be there in the 80's,

I do not finish my career for personal matters, which I will not detail. In 1992 someone came to the art school requesting the services of a draftsman, to illustrate a folk tales of my region, to talk to this person and we reached an agreement, we began illustrating a collection of four stories, Which was already illustrating more books, the owners of the publishing house where they would print these stories showed interest in my work and talked with the person who illustrates the stories, to do a job interview with me. It was in 1992 in the city of Caracas that we could meet, for me it was a great challenge, which would be to assume the art direction of the publishing house. With them I worked four years developing a large number of school textbooks and children's stories, 1996. I returned to the city of Barquisimeto to work with a newspaper of great importance in the region, with this newspaper I was 10 years there also I was founder of the department of illustration since this newspaper did not count on this department. It was in the year 2006 that I finished my services kindly with this newspaper. There would be a much bigger challenge. In August 2006, a colleague called me to offer me a contract as an illustrator and designer in one of the most important newspapers in my country, El Universal, a newspaper of national circulation today a reference in local and international news events.

‫ٌّغبئً ؽخق‪١‬خ ٌُ أٌز ك ثّؼًّ فٕ‪ٚ ، ٝ‬ال داػ‪ٌٍ ٝ‬وؾوش‬ ‫ٕ٘ب ‪ .‬ف‪ ٟ‬ػبَ ‪ 8661‬حضش ؽخـ إٌ‪ِ ٝ‬ذسعخ اٌفوٓ ‪ٚ‬طوٍوت‬ ‫خذِبد ِٓ سعبَ‪ ،‬ث‪ٙ‬ذف ثوؼور سعو‪ِٛ‬وبد ػوٓ اٌو وىوب‪٠‬وبد‬ ‫اٌؾؼج‪١‬خ ػٓ ِٕطمز‪ ،ٟ‬ر ذصذ ِغ ٘زا اٌؾخوـ ‪ٚ‬رو‪ٛ‬فوٍوٕوب‬ ‫إٌ‪ ٝ‬ارفبق‪ ،‬ثذأٔب ثؼًّ ِجّ‪ٛ‬ػخ ِٓ أسثغ لقـ‪ٚ ،‬اٌز‪ ٟ‬ووبٔوذ‬ ‫ثذا‪٠‬خ ٌّض‪٠‬ذ ِٓ اٌىزت ‪ ،‬أثذ‪ ٜ‬أف بة داس اٌوٕوؾوش ٌوٍوموقوـ‬ ‫ا٘زّبِب ثأػّبٌ‪ٚ ٟ‬ر ذص‪ٛ‬ا ِغ اٌؾخـ اٌوز‪ ٞ‬رو وذصوذ ػوٕوٗ‬ ‫عبثمبً إلجشاء ِمبثٍخ ػًّ ِؼ‪ .ٟ‬وبْ رٌه ف‪ ٟ‬ػبَ ‪ 8661‬ف‪ٟ‬‬ ‫ِذ‪ٕ٠‬خ وشاوبط ‪ ،‬وبْ رٌه ر ذ‪٠‬بً وج‪١‬شاً ثبٌٕغجخ ٌ‪ ، ٟ‬ػوّوٍوذ‬ ‫ِؼ‪ ُٙ‬أسثغ عٕ‪ٛ‬اد ف‪ ٟ‬رط‪٠ٛ‬ش ػذد وج‪١‬ش ِٓ اٌىزت اٌّذسعو‪١‬وخ‬

‫ػذد إٌ‪ِ ٝ‬ذ‪ٕ٠‬خ ثبسو‪١‬غ‪١ّ١‬ز‪ٌٍ ٛ‬ؼًّ ِغ ف ‪١‬فخ راد‬ ‫أّ٘‪١‬خ وج‪١‬شح ف‪ ٟ‬إٌّطمخ‪ ،‬ظٍٍذ أػوّوً فو‪٘ ٝ‬وزٖ‬ ‫اٌق ‪١‬فخ ٌّذح ‪ 81‬أػ‪ٛ‬اَ ‪ٕ٘ٚ -‬بن أ‪٠‬ضب وٕذ ِوسعوظ‬ ‫لغُ االٌغزش‪٠‬ز‪ٛ‬س ‪ ٌُٚ‬رىٓ رٍه اٌق ‪١‬فخ رؼزّذ ػٍ‪ٝ‬‬ ‫٘زا اٌمغُ ‪ .‬أ‪١ٙ‬ذ ثزٍوه اٌوجوش‪٠‬وذح ػوّوٍو‪ ٝ‬ػوبَ‬ ‫‪ٚ.1119‬وبْ ٘زا ثوّوضوبثوخ رو وذ‪ ٜ‬أووجوش ٌو‪ . ٝ‬فو‪ٟ‬‬ ‫أغغطظ ‪ ،1119‬ارقً ث‪ ٟ‬أحذ اٌضِالء الثوشاَ ػوموذ‬ ‫فو‪ٝ‬‬ ‫وشعبَ ‪ِٚ‬قُّ ف‪ٚ ٟ‬احذح ِوٓ أ٘وُ اٌقو و‬ ‫ثٍذ‪ ،ٜ‬إي ‪١ٔٛ٠‬فشعبي‪ ٟ٘ٚ ،‬ف ‪١‬فخ ‪ٚ‬طٕ‪١‬خ رؼذ ِشجؼب‬ ‫ٌألحذاس اإلخجبس‪٠‬خ اٌّ ٍ‪١‬خ ‪ٚ‬اٌذ‪١ٌٚ‬خ‪.‬‬ ‫أِض‪١‬ذ ِؼ‪ٚ ُٙ‬لزب ج‪١‬ذاً ِٓ خالي ػّوٍو‪ ٝ‬صوُ ثوذأد‬ ‫ف‪ ٟ‬ػبَ ‪ 1181‬اٌؼًّ ِغ اٌجش‪٠‬ذ أ‪ٚ‬س‪ٕٛ٠‬و‪ٚ ، ٛ‬رؼذ ٘و‪ٝ‬‬ ‫األخش‪ ٜ‬أ‪٠‬ضبً ‪ٚ‬احذ ِٓ األوضش رذا‪ٚ‬ال ً ػٍ‪ ٝ‬اٌوّوغوزو‪ٜٛ‬‬ ‫اٌّ ٍ‪ ، ٝ‬حقٍذ ػٍ‪ ٝ‬اِز‪١‬بصاد راد أّ٘‪١‬خ ووجو‪١‬وشح‬ ‫ف‪ ٟ‬اٌ‪ٛ‬لذ اٌز‪ ٞ‬ػٍّذ ف‪٘ ٟ‬زٖ اٌق ‪١‬فوخ‪ .‬ووجوبئوضح‬ ‫( ث‪١‬ذس‪ ْٛ١ٌ ٚ‬صاثبرب ) وأفضً سعبَ ووبس‪٠‬وىوبرو‪١‬وش فو‪ٝ‬‬ ‫اٌق بفخ اٌ‪ٛ‬طٕ‪١‬خ ٌؼبِو‪ ، 8666-8661 ٝ‬فو‪ ٟ‬ػوبَ‬ ‫‪ 1181‬حقٍذ ػٍ‪ ٝ‬أػٍ‪ ٝ‬جبئضح ٌٍؼبٍِ‪١‬وٓ ثوبٌوّوجوبي‬ ‫اٌق ف‪ ٝ‬ثجٍذ‪ ٝ٘ٚ ٜ‬اٌجبئوضح اٌو‪ٛ‬طوٕو‪١‬وخ (عو‪١‬وّو‪ْٛ‬‬ ‫ث‪١ٌٛ‬فبس ) وأفضً سعُ رق‪٠ٛ‬ش‪. ٜ‬‬ ‫أٔب ػبدح أعز‪١‬مع ثبوش ‪ٚ‬أل‪ َٛ‬ثإػذاد اٌم‪ٙ‬و‪ٛ‬ح ‪ٚ‬رؾولو‪١‬وً‬ ‫ج‪ٙ‬بص اٌىّج‪ٛ١‬رش اٌخبؿ ث‪٘ ،ٟ‬زا ِوٓ أجوً ِوزوبثوؼوخ‬ ‫األخجبس‪ ،‬ع‪ٛ‬اء األخجبس اٌ‪ٛ‬طٕ‪١‬خ أ‪ ٚ‬األحوذاس اٌوذ‪ٌٚ‬و‪١‬وخ ‪،‬‬ ‫ثؼذ٘ب رجذأ ِشحٍخ اٌخذػ‪ٚ ،‬اٌوجو وش ػوٓ فوىوشح أ‪ٚ‬‬ ‫رقّ‪ ... ُ١‬رغزّش ٘زٖ اٌؼٍّ‪١‬خ ػبدح ِوٓ أسثوغ إٌو‪ٝ‬‬ ‫خّظ عبػبد ‪١ِٛ٠‬بً ‪ .‬وً ؽ‪ٟ‬ء ‪٠‬ؼزّذ ػوٍو‪ ٝ‬دسجوخ‬ ‫فؼ‪ٛ‬ثخ اٌشعُ ‪٠ -‬زطٍت ػٍّ‪ٚ ٟ‬لزب ف‪ٚ ٟ‬ضغ ِوٕوزو‬ ‫ثبعزخذاَ اٌزمٕ‪١‬خ إٌّبعجخ ‪.‬‬ ‫ٔظشاً ٌغشػخ ‪ٚ‬رو‪١‬وشح األحوذاس حو‪ٌٛ‬وٕوب ‪ -‬أفوجو وذ‬ ‫اٌزىٕ‪ٌٛٛ‬ج‪١‬ب أداح أعبع‪١‬خ ف‪ ٟ‬ػٍّ‪ .ٟ‬حبٌ‪١‬ب أعزوخوذَ‬ ‫اٌشعُ اٌشلّ‪ ،ٟ‬فأٔب ٍِزضَ ث‪ٛ‬لذ ِ ذد ٌٍزغٍ‪ ُ١‬إٌ‪ٝ‬‬ ‫اٌق ‪١‬فخ‪ ٚ .‬اوزغجذ ِٓ خالي خجشر‪ ٝ‬عشػوخ إٔو‪ٙ‬وبء‬ ‫األػّبي ‪ٚ‬ج‪ٛ‬در‪ٙ‬ب ‪...‬‬ ‫أْ ‪٠‬ى‪ ٌٝ ْٛ‬سأ‪ ٚ ٞ‬ارطٍغ ٌإلطالع ػٍ‪ ٝ‬اٌوّوؼوٍو‪ِٛ‬وبد‬ ‫اٌؼبِخ ‪.‬‬

‫‪42‬‬

‫‪53‬‬

With them I was a good time then in the year 2010 I start work with the Orinoco Mail, this one also of national circulation, at the moment I work in this newspaper. I have obtained distinctions of great relevance as a prize Pedro Leรณn Zapata years 19981999 as best caricaturist of national press in my country, in 2014 I obtained the highest award which can be received in the journalistic genre and it is the NATIONAL JOURNALISM PRIZE: SIMON BOLIVAR as the best graphic image work.

I usually get up early, prepare a good coffee, and turn on my computer, this in order to monitor the news, that is the national and international news events, once selected the news to develop, start scratching, looking for an idea or design ... this process usually lasts from four to five hours. Everything depends on the degree of difficulty of the drawing to publish, my work requires time in its elaboration this product of the technique that I handle.

‫اٌؼذ‪٠‬ذ ِٓ اٌّؾبس‪٠‬غ ِٕفزح ػٍ‪ٔ ٝ‬فظ اٌزقّ‪ ،ُ١‬فبٌ‪ٛ‬لوذ‬ ‫ػٕذ‪ ٜ‬ض‪١‬ك جذاً ٌٍم‪١‬بَ ثؼذح ِشاجؼبد ٌٍؼًّ رارٗ‬ ‫‪ ٓ ٔٚ‬ف‪ٙٔ ٟ‬ب‪٠‬خ اٌّطبف ف‪ ٟ‬ثؼر األح‪١‬بْ ٔمذ‪ ُ٠‬أؽو‪١‬وبء‬ ‫ع‪١‬ئخ ٌٍلب‪٠‬خ أ‪ ٚ‬ال ٔى‪ ْٛ‬ساض‪ ٓ١١‬ػٕ‪ٙ‬ب ‪ٌٚ .‬ىٓ ٔ ٓ ٔو وب‪ٚ‬ي‬ ‫أْ ٔجزي لقبس‪ ٜ‬ج‪ٙ‬ذٔب‪.‬‬ ‫ٔ ٓ ف‪ ٝ‬ػبٌُ اٌىبس‪٠‬ىبر‪١‬ش‪ ،‬ػبٌّٕب ٘‪ ٛ‬طش األفوىوبس ‪...‬‬ ‫وً ؽ‪ٟ‬ء ‪ ...‬أؽىبي ِزؼذدح ِٓ اٌزؼجو‪١‬وش‪٘ ،‬وٕوبن ػوذد‬ ‫ِ‪ٛٙ‬ي ِٓ اٌّقبدس رز‪ٌٛ‬ذ ِٕ‪ٙ‬ب األفىبس ‪.‬‬ ‫‪٠‬جت أْ رجزّغ اٌفىشح ‪ٚ‬أعٍ‪ٛ‬ة اٌزٕف‪١‬ز ‪ٚ ،‬ثوزٌوه ‪٠‬وّوىوٓ‬ ‫ر‪ٛ‬ح‪١‬ذ اٌؼًّ اٌجشاف‪١‬ى‪ ٚ... ٟ‬اٌ ‪١‬بح ٘‪ٛٔ ٝ‬ع ِٓ األفىبس‪.‬‬ ‫‪ّ٠‬ىٕٕب أْ ٔم‪ٛ‬ي أٔٗ ِٓ خالي ػٍّ‪ ،ٝ‬أفج ذ اِ‪١‬وً أووضوش‬ ‫ٌجبٔت اإلٔغبْ ‪ -‬أل‪ٛ‬ي رٌه ح‪١‬ش ‪ّ٠‬ىٕوٕوب أْ ٔوىو‪ ْٛ‬أداح‬ ‫ٌٍزط‪٠ٛ‬ش ‪ٚ‬خبفخ ٌقبٌح األوضش إحز‪١‬بجبً ‪.‬‬ ‫ال ؽ‪ٟ‬ء أوضش رىٍفخ ِٓ اٌجؾش‪ ،‬فٍٕزؼٍُ أْ ٔوؼو‪١‬وؼ‬ ‫اٌّخزٍف‪ ٓ١‬ػٕب ‪ ،‬حز‪ٔ ٝ‬ف‪ ُٙ‬إحز‪١‬بجبد ا‪٢‬خش‪ٓ٠‬‬

‫ِوغ‬

‫ِٓ اٌضش‪ٚ‬س‪ٚ ٞ‬ج‪ٛ‬د ٘زٖ اٌّجٍخ ‪ٌٕ ،‬ؾش ٘وزا اٌوٕو‪ٛ‬ع ِوٓ‬ ‫اٌشعُ اٌج‪١‬ذ ِٓ وً أٔ بء اٌؼبٌوُ ‪ ،‬رو و‪١‬وبرو‪ٌ ٝ‬وجوّو‪١‬وغ‬

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The speed at which we move today, technology has become a fundamental tool in my work. Currently my graphic work is digital, this has come to summarize my delivery time to the newspaper. I guinde time and quality in my deliveries... The other modality is the jobs that are me during week are fixed sections that go in the body of the newspaper: opinion, general information, and fixed columns of informative character. This part of the trade is the most methodical, since many stripes are made on the same design, until we can find the concept that we like. I am very critical of my work maybe very hard on myself, because product of the time with which they ask us the work we do not do things as they should be better ... and we end up delivering very bad things sometimes. In other words, we do not like them. But we try to do our best. We are a caricature, our circundant world is the ideas tender ... everything is there, shake your pupila and you'll find it that pict there ... in another form of expression, an unforgettable source of ideas to make. style or idea?It has to be equal, and in this way to harmonize the graphic workâ&#x20AC;Ś Life is my kind of ideas. For an artist of illustration or caricature, the commitment, radical in the social, and this goes to this sector of the most vulnerable population, to those who historically have been invisibilised , denying their sacred right to be fulfilled, with igulda ... and as their voice as flags can claim their rights, that millions of souls, the commitment we have to assume the caricaturists is to put to our pen for such a purpose.

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We could say that through my office, i have leaded more to the human. And when i say that it is thought, that we can be a vital tool for the development of the most needed Nothing costs to be better human beings; we learn to live in the shoulder ajeno, so we will understand the needs of others Necessary are these courts, for the good dissemination and diffusion of this genre of the drawing, and therefore can we achieve millions of thousands throughout the world ... my gigantezco huggage to all and all those who integrate that great magazine. Success for everyone and all...!

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THE SECOND INTERNATIONAL CONTEST ANIMAL CARTOON, 2017 ·Portal ANIMAL CARTOON, Belgrade ·FECO Serbia and ·Zoological Garden, Belgrade are organizing cartoon contest on theme "Pets". A. Participation The contest is open to all cartoonists all over the world, over the age of 18, regardless of nationality, religion, gender and education.

B. Cartoon theme: Pets (animals

that people keep in their home) C. Entries - Send by e-mail. Only the original cartoons (up to 5) in digital form to send with e-mail will be accepted. Digital works (A4, 250 dpi, JPEG or TIFF, the maximum length per one cartoon 3 MB) with personal information (name, address, e-mail, a brief CV (.doc format) andphoto) should be sent to:

Info@animalcartoon.net

The cartoons must not be previously awarded. Condensed file zip, rar, etc... not accepted.

D. Deadline Entry deadline is May 15, 2017.

E. Prizes and awards First prize 800 € Second prize 600 € Third prize 400 €

The jury reserves the right to any prize eventually awarded on two winners. It will also be awarded several special prizes and diplomas.

F. Exhibition The exhibition will be staged in Zoological Garden Belgrade (BEO ZOO VRT) from July 12 to September 1, 2017. The exhibition will be shown in other towns in Serbia and abroad.

G. Catalogue Award-winning cartoonists will receive a free copy of the printed catalog. The others participants of the competition will be able to download the catalog in PDF format from our website.

H. Other conditions The organizers reserve the right to use them for various purposes without any obligation to compensate for it. The works will be included in the permanent exhibition and archive portal Animal Cartoon. By submitting works is considered that the authors accept these rules. Arrived works remain the property of the organizers.

Arrived submissions that passed the pre-selection will be posted on the same day on the site Animalcartoon.

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Spiro RADULOVIC, cartoonist

Call-1st International Festival of Satire, Humor and Caricature "Me, Itar Pejo". The organizer of the festival "Me, Itar Peyo" International Slavic University "Gavrilo Romanovich Derzhavin" Sveti Nikole - Bitola, announces International Competition for satire, humor and caricature. The competition is announced for aphorism, Humoresque and short cartoon, and the topics are two, namely: Clever Peter (Hitar Petar / Itar Pejo) and Free theme. Authors should send 20 aphorisms, five humoresque, and unlimited number of cart o o n s . All papers must be original and hitherto unpublished anywhere. Provided are three prizes for each category are as follows: 500, 300 and 200 euros for Cartoon; 400, 300 and 200 for Humoresque, and 300, 200 and 100 for Aphorism. The address where you should send the appendices: International Slavic University "Derzhavin", "Marshal Tito" no. 77, Sveti Nikole 2220, Republic of Macedonia, with a note: The competition for "Me, Itar Pey o " The competition is announced on February 14, 2017, and the deadline for sending the papers is June 14, 2017.

- 1PARTICIPATION: 05 April to 16 June 2017. The 9th Salão Medplan de Humor is open to all graphic artists, who can enter works that have not been awarded until the closing date of the entries, in the cartoon, caricature and comics modalities (The comic strip should have only one page.). The opening of the Exhibition will be July 31 , with the announcement of winners . Each artist can enroll with the maximum of five ( 5 ) UNPUBLISHED works in the format 30x40 cm and using any technique . On the back of each drawing , or in registration must include the author's full name , address (with ZIP code), email , phone number , ID number , social security number and bank account . The artist can participate by sending their work through the website www.medplan.com.br (with maximum size of 3 megabytes ) - 2THEME The theme of the 8th Salão Medplan de Humor will be MARRIAGE. - 3AWARDS First prize: R$ 5,000.00 (five thousand reais) Second Place : R$ 3,000.00 (three thousand reais). Internet Award : R$ 2,000.00 (two thousand reais) . Medplan Award Caricature: R $ 2,000.00 (two thousand reais). Free theme. Medplan Award for Comics / Comic Strips: R $ 2,000.00 (two thousand reais). Free theme. The Internet Award will be chosen by Internet users, 10-14 July at the site : www.medplan.com.br The best works will be part of the traveling exhibition of the 9th Salão Medplan de Humor. The awarded works will be considered acquisitive and will become part of the acquis Medplan. The works will not be returned. May not participate in this hall officials Medplan, their relatives and anyone involved in your organization. The simple inscription configure automatic participant's agreement to all such terms. Other information: +55 (86) 9975 2514

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The First Nishkhat International Cartoon Contest 2017, Iran Themes: 1- Cartoon makes the world a better place. 2- The press as the fourth principle of democracy. Each Participant can send maximum 5 cartoons Size: A4 or A3, JPG Format, 300 dpi The works with artist’s name, e-mail and postal address must be sent to festival@nishkhat.com Deadline: June 20, 2017 Contest Album will be printed. The Prizes: First prize: $1000+Trophy Second prize: $500 +Trophy Third prize: $300+Trophy 10 honorable mention The Jury: Javad Alizadeh, Iran Vladimir Kazanevsky, Ukraine Musa Gümüş, Turkey Ali Miraee, Iran Keyvan Varesi, Iran. Source: Javad Takjoo.

'FREEDIM' -INTERNATIONAL COMPETITION FOR CARTOONISTS Terms of competition Participants: Professional cartoonists from around the world. Topic: FREEDOM (individual, political, creative, no oppression, responsibility to freedom, price of freedom, the limits of freedom) The procedure and deadlines for submission of entries: Step I: Entrants send in copies of their work by electronic mail to: spak@mysyrowicz.com Size of work: the long side approx. 2,000 pixels, jpg or tiff, 300 dpi, maximum number of works - 5. Works will be accepted in the period 30.05 - 30.06.2017. Each entry should be accompanied by a number. Excluded from the competition are award-winning works in other competitions. Step II: The panel will select works for the exhibition and for the evaluation of the jury within 15.07.2017. The authors of selected works will receive e-mails asking for sending the originals of selected works, with an indication of the work that comes within 07.20.2017. Works must be sent to the following address: Association of Polish Cartoonists, ul. Helenowska 16, 05-807 Podkowa LeĹ&#x203A;na, Poland, with a note: "FREEDOM" within 08.20.2017 r. - DEADLINE 20/08/2017 Work size: Min 210 x 297 mm (DIN A4), max 297 x 420 mm (DIN A3) Entries must include on the back the following information: author's name, postal address, telephone number, email address or job title. The works should be accompanied by a short biographical note and photo. Technical conditions: The works must be original, made in any flat artistic technology. Prints work done in digital technology must be signed with a handwritten note "Print 1". Copies and photocopies will not be accepted. Prizes and jury: Jury appointed by the organisers will award among the original works the following prizes: I - 1500 Euro, II - 1000 Euro, III - 750 Euro and 3 mentions of 200 Euro each. The jury reserves the right to distribute the awards differently, provided that the full jackpot prizes provided will be used. It is also envisaged prizes funded. Prizes will be awarded in the period to 09.20.2017. Authors of the works awarded will receive a written notice. All works rewarded and commended become the property of the organisers.

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Exhibition: The opening of the final exhibition and awards ceremony will be held in Warsaw in December 2017. All the winners and participants of the exhibition will be invited to the ceremony. Conditions for participation of the winners will be agreed at a later date. The presentation of the exhibition in other places and times is also being anticipated. Catalogue: The exhibition will be accompanied by an extensive catalogue and each participant of the exhibition will receive one. Final Provisions: The organisers reserve the right to free use of selected works on the theme of "Freedom" for promotional purposes on posters, in the catalogue and other materials related to the competition. Out of competition the authors retain their copyright (copyrights). Return of the original works, at the request and expense of the author, will take place after a series of exhibitions in 2019. Any questions relating to the competition should be addressed by email to: Curator of the competition - Witold Mysyrowicz - witold@mysyrowicz.com

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The Conditions The Competition is open to caricaturists from all ower the world. Caricaturists can send their published or unpublished works of art to the Competition. Yet the caricatures must not be awarded by another Competition. The subject of the Competition is free. The caricaturists can participate at the Competition with three caricatures. The dimensions of caricatures shall not be bigger than 30x40 cm. The caricatures shall unconditionally be original. The caricaturists have to write in capital letters their names and surnames, address, telephone number and their countries on the back of their works of art. And their CV’s (curriculum vitae) have to be added to their caricatures. The caricatures shall be delivered to the given address at the latest 14 July 2017. The results shall be announced on 26 July 2017. All caricatures send to the Contest shall be kept at İstanbul Centre of Caricature and Humour by the Association of Caricaturists. The jury will choose the caricatures which will be included in the Album and the caricatures which will be exhibited. Then the Album of the Competition will be published. The Album of the Competition will be send to the caricaturists of whom works of art exhibited and included in the Album. The caricaturists participated at the Competition shall be regarded as accepted all the conditions of the Competition. The Prizes Grand Prize: 5000$ Honour Prizes (5): 1000$ Special Prizes: Special Prizes offered by various establishments, associations, newspapers, art magazines, syndicates and agencies. NEW ADDRESS: 37th INTERNATIONAL NASREDDIN HODJA CARTOON CONTEST KARİKATÜRCÜLER DERNEĞİ, ANKARA TEMSİLCİLİĞİ Meşrutiyet Cad. Konur Sk. No: 31/10 Kat: 4 Kızılay 06420 ÇANKAYA - ANKARA / TURKEY

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