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6 Long age

11Saad Sedawy

14 CAIROCATURE Kids

22 Interview with

cartoon

Ahmad Kamel

28 Cartoon from Egypt 58 Arab Cartoon           

Wessam Khalil Omar Seddek Khaled El marsafy Asmaa Aly Samira Saeed Rasha Mahdy Marwa Ibrahim Eman Azmy Khaled Salah Ahmed Samir Farid Dina Abdelgawad

.Yemen street cartoon  Maytham Rady  Aly Alawy  Ayman Alwessaby  Arwa Moukabel  Dress Oubella

50 News 54 Portraicature

68 Dialogue Avec

76 World Cartoon

94 Contests

Antonio Rodriguez Garcia Bernard Bouton J.Bosco TVG Menon Kamil Jerzyk Arturo Rosas Vladislav Dubcov CAIROCATURE

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Anne Derenne


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Long age

Caption describing picture or graphic.

By : Mr. Abdallah El -Sawy

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‫من أيام زمان‬

‫كتب ‪ :‬عبد هللا الصاوى‬

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‫كاسيكاذيش دوسي تجشيذج انجًهىسيح في انثًاَيُاخ ـ اإلعذاد انكايم واإلخشاج وانشسىو واتركاس‬ ‫تعط انًشاسكاخ تًجهح صثاح انخيش‬ ‫انشخصياخ انخاصح تًجهح ( شاطش )‬ ‫انرعاوٌ يع أشهش يجالخ األطفال انًصشيح ( يجهح ـ اإلعذاد واإلخشاج وسسىو يجهح ( انفاسس )‬ ‫سًيش و يجهح ييكي إصذاس داس انهالل) و يجهح‬ ‫نًشكز انًهك فهذ نعالج أوساو األطفال‪.‬‬ ‫ـ اإلعذاد واإلخشاج وانشسىو نًجهح انثشاعى انري‬ ‫صُذوق انذَيا و عالء انذيٍ إصذاس االهشاو‪.‬‬ ‫صذسخ عٍ ( داس انسايي )‪.‬‬ ‫عًم انكاسيكاذيش انسياسي و اإلجرًاعي تًجهح‬ ‫انيًايح انسعىديح نًذج ‪ 41‬عاو ‪.‬يع إعذاد و إخشاج ـ اإلعذاد واإلخشاج وانشسىو نًجهح (انكاترٍ‬ ‫صانخ )‪.‬‬ ‫وسسىو يهذك نألطفال شهشيا ً (يجهح انيًايح‬ ‫صفذح كايهح يىييح تجشيذج انجزيشج انسعىديح‬ ‫انصغيشج )‪.‬‬ ‫نإلسرشادح انجادج انًذسوسح نًذج ‪ 44‬عاو ‪.‬‬ ‫تاب دوسي صفذح تًجهح كاسيكاذيش انًصشيح‬ ‫يعاسض فُيح ذشكيهيح تًص و تانشياض ذذد‬ ‫تعُىاٌ ( في انًهيثاٌ )‬ ‫إعذاد صفذح أطفال أسثىعيح تجشيذج انجزيشج‬ ‫سعايح انسفاسج انًصشيح‪.‬‬ ‫انسعىديح نًذج ثالز سُىاخ وَصف تاإلظافح إني إصذاس يجًىعح انكريثاخ انخاصح انرشاثيح ‪:‬‬ ‫ستع صذفح نألطفال يىيي ‪.‬‬ ‫انًفاهيى انرشاثيح و انشخصياخ انخيانيح و‬ ‫اآلسطىسيح في( تاَىسايا دىاديد يصشيح )‬ ‫ـ أدذ انًؤسسيٍ انشئيسيٍ نًجهح (انجيم انجذيذ )‬ ‫و انزكشياخ انشخصيح عٍ انعاداخ و انشخصياخ‬ ‫سسىو و إتركاس انعذيذ يٍ انشخصياخ األساسيح‬ ‫انشعثيح في( أَا شقد انذاجاخ دي )‬ ‫نهًجهح ألكثش يٍ ‪ 02‬عاو‪.‬‬ ‫ـ سسىو وأخشاج انعذيذ يٍ كرة األطفال انًرُىعح‪ .‬و انشؤي انفُيح انرشكيهيح نهعذيذ يٍ األعًال انفُيح و‬ ‫أشهش يٍ أثشوا ف ّي في (إسرذيى يصش )‬ ‫ـ انرعاوٌ يع انعذيذ يٍ انًجالخ (تًجهح تاسى و‬ ‫و عٍ ركشياخ اإلسكُذسيح ( يا يىج انثذش يا‬ ‫يجهح انشثم و يجهح دسٍ و انًجهح انعشتيح‪.‬‬ ‫يسافش)‪.‬‬ ‫ـ إعذاد وسسىو تاب أسثىعي نألطفال تًجهح‬ ‫انجزيشج انصادسج عٍ جشيذج انجزيشج‪.‬‬ ‫‪11‬‬

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CAIROCATURE Kids

Ola Wessam Khalil 10 Years old

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Olen 2017 — Belgium CAIROCATURE

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CAIROCATURE Kids

Ola Wessam Khalil 10 Years old

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Tourism 2016 —Turkey CAIROCATURE

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Fagr El Sayd Mohammed Primary 5

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CAIROCATURE Kids

Anas Ahmad Samir 07 years

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The 4th prize in Sinai contest — Egypt CAIROCATURE

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Interview with Ahmad Kamel

My name is Ahmed Kamel, I am a cartoon- I wasn’t understand the school lesist @ Al-Ahram Al—Massai newspaper & son without drawing during our caricature section Chairman @Rose news- teacher explains the lesson . paper married & have a son, after graduated from Faculty of My story with cartoons began from child- darululoom , But I love drawing & I hood – follow master Mustafa Hussein in wasn,t know any one in the press news and children's stories Tan Tan & flash field to get a job . CAIROCATURE

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I learnt a lot from it and I had a freedom to draw what I need ,Cartoon and Portrait. Often I start daily draw from 8:00 to 12. I draw 3 cartoons and go to the newspaper & follow news and websites and draw @ Ahram newspaper , search for new idea . That is why I am saying that always draw a caricature career Find combustion means the rate of mental hours drawing in the day as possible of 3 to 5 hours a day, but you think of new cartoons idea all the day.

One day there was Journal announcement require editors. I called the Journal & fortunately the Editor-in-chief , when I asked him if they require cartooniest he agree & like my drawings And actually publish my first cartoon , it was the beginning . I met great painters Professor Amr Selim , Muhammad Nady and Dr. Sameh Hassan . They teach me many things

Press work is a responsibility & I care about what I present to readers & I am trying to reach simple people & draw about there life's Problems and difficulties .

After that I started go to lots of newspapers until the Journal Egypt's youth

Every cartoonist has his way to expresses his feelings , he has his own style The idea & style together are important Caricature is the simplest , informed , stronger and faster way of expression provided to the reader of any cultural or intellectual level ..

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‫الفكرة واستاٌل الرسم االثنٌن معا ال ٌقل‬ ‫احدهما عن االخر‬ ‫ٌعتبر الكارٌكاتٌر أبسط و أبلػ وأقوى و‬ ‫أسرع وسابل التعبٌر التً تقدَ م إلى القارئ‬ ‫أٌا كان مستواه الثقافً أو الفكرى ‪ ..‬وسٌلة‬ ‫للنقد الالذع والسخرٌة من الحكومات‬ ‫واألنظمة واألوضاع االجتماعٌة و السٌاسٌة‬ ‫‪25‬‬

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Mostly, of course I draw idea in Sketch, make some changes, and then use color

I follow lots of world cartoonists & learn from there art .

My tools for drawing is a pencil, inking pens but right now the tablet and computer is the most used, but there always remains a passion for pencil .

My massage to Egyptian cartoonists to care about develop themselves , read & do effort to present cartoon art & think a lot the massage of cartoon not just laughMy dreams is product my cartoon maga- ing art & try to draw estimates drawings zine , and present Tv. Program I tried many times before to publish my magaMy massage to world cartoonists zine . & I present cartoon media verteDraw for love ,peace , art & human rights bra at Egyptian TV. I think Cairocature e-magazine is agood effort & especial work , I hope more development & success .

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‫االمكانٌات مساعدنٌش على تحقٌق حلم بالشكل‬ ‫اللى نفسى اعمله‬ ‫"خبرة فى شؽلى باكتسبها" من نقدى لنفسى و‬ ‫االهتمام بتطوٌر عملى باستمرار من خالل‬ ‫االطالع على اهم الرسامٌن الكبار فى العالم‬ ‫وتعلم منهم و التجدٌد باستمرار فى االسلوب و‬ ‫قوة الفكرة و االهتمام بالناس و االحتكاك بٌهم‬ ‫علشان أعرؾ تفاصٌلهم و لؽتهم و مشاكلهم‬ ‫و الحٌاتٌة بشكل عام سواء كانت محلٌة أو‬ ‫عالمٌة‪ٌ ..‬مثل التحدٌات و الصعوبات التى عادة‬ ‫ما ٌواجهها رسامو الكارٌكاتٌر هو الشكل‬ ‫والمضمون ‪ .‬ومن ٌتقن االثنٌن معا هو رسام‬ ‫كارٌكاتٌر متمٌز ‪.‬‬ ‫انا من وجهة نظرى الرسم هو الحٌاة و الواقع‬ ‫والخٌال و الجنون ‪.‬‬ ‫فى الؽالب طبعا بارسم الفكرة اسكتش و بعد‬ ‫كده أبدأ أطور وأؼٌر فٌه للشكل النهابى اللى‬ ‫ٌرضٌنى و بعد كده ابداء ألون و فى أوقات تانٌة‬ ‫الفكرة تكون مرسومة فى خٌالى جاهزة للخروج‬ ‫علشان كده بارسمهم على طول من ؼٌر اسكتش‬ ‫أدواتى للرسم هى قلم رصاص طبعا و اقالم‬ ‫تجبٌر و طبعا االكثر استخدما االن هو التابلت و‬ ‫الكمبٌوتر الن رسمى االن كله دٌجتال لكن ٌظل‬ ‫هناك دابما عشق للقلم الرصاص فهو الصدٌق‬ ‫العزٌز جدا لى‬

‫رسالتى لفنانى الكارٌكاتٌر بمصر االهتمام‬ ‫بالتطور و القراءة و العمل على انتشار فن‬ ‫الكارٌكاتٌر اكثر واعتبار ان الكارٌكاتٌر رسالة‬ ‫و لٌس وسٌلة لالضحاك او التنكٌت و البعد عن‬ ‫االبتزال و السطحٌة و المباشرة و االهتمام‬ ‫برجل الشارع‬ ‫رسالتى لفنانى العالم نشر الحب و الفن و نبذ‬ ‫الكارهٌة و الحروب و التعصب و التمٌٌز بٌن‬ ‫البشر‬ ‫كاٌروكاتٌر جهد مشكور جدا و إضافة لفن‬ ‫الكارٌكاتٌر وعمل ممٌز أتمنً منكم االستمرار‬ ‫و نرجو منكم مزٌد من التطوٌر و التقدم و‬ ‫النجاح الدابم و شكراً لكم‬

‫من أحالمى عمل مجلة كارٌكاتٌرساخرناجحة و‬ ‫برنامج تلفزٌونى كارٌكاتٌرى و كان لى اكتر من‬ ‫محاولة لتحقٌق الحلم ده ‪ .‬عملت فقرة ثابتة فى‬ ‫التلفزون المصرى عن الكارٌكاتٌر بس ضعؾ‬ ‫‪27‬‬

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NEWS

Wessam Khalil

XXIII MIAH - Borders MADRID - Spain 2016

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Wessam Khalil

NEWS

The 5th Sejong Contest - korea2017

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NEWS

Wessam Khalil

XIV the International Cartoon Contest “Karpik” 2016 — Poland

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NEWS

Khaled El marsafy

XIV the International Cartoon Contest “Karpik” 2016 — Poland

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this contest was judged by Fernando Cobos (the first winner of the last contest) as following: 1st winner: Clรกudio Teixeira (Brazil) 2nd winners: Cartoonist John Henson (Philippines) & Bouziane Khudozhnik(Algeria) 3rd winners: Ricardo Ajler (Argentina), Yuri Dunnko (Russia) & Jorge Duarte(Brazil).

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this contest was judged by Cláudio Teixeira (the first winner of the last contest) as following: 1st winner: Swathi Jai Kumar K (India) 2nd winners: நெடு மாறன் (India) & Fernando Cobos (Spain) 3rd winners: Ricardo Ajler (Argentina), Bahar Hj Onan (Malaysia) & Hsu John (Taiwan)

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‫محلة كاريكاتري الشارع ‪ -‬اليمن‬ ‫بقلم ‪ :‬أروى مقبل‬

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‫حوار مع الفنانة الفرنسية‬ ‫آنى ديرينى‬ ‫أتجول دابما بدفتر لكً أدون فٌه األفكار التً‬ ‫تترابى لى‪... .‬وتعد هذه هى المرحلة األولى التً‬ ‫تسبق الرسم ‪..‬إنها الفكرة‬ ‫نحن ال نعلم أابدا متى تأتً الفكرة ‪...‬‬ ‫من الجابز أنها تأتً فً أي مكان أو زمان (فً‬ ‫المترو ‪ ..‬فى رحلة ‪...‬فً محادثة مع أصدقاء ‪..‬أو‬ ‫أثناء متابعة أحد االفالم )‬ ‫ولذلك ‪...‬فمن المهم جداً بالنسبة لً ‪...‬تدوٌن‬ ‫الفكرة‪...‬بمجرد ظهورها على الفور‪..‬‬ ‫ثم بعد ذلك‪...‬عندما أجلس أمام المنضدة التً أرسم‬ ‫علٌها ‪...‬بمنزلً‪...‬استعرض هذه األفكار‪...‬واختار‬ ‫أفضلها ‪...‬ألرسمها ‪.‬‬ ‫وبجانب رسم الصحافة ‪..‬فإننً أقدم على الرسم‬ ‫الحر ‪...‬أحٌانا ‪..‬ولكن بشكل ؼٌر منتظم ‪.‬‬

‫كامال ‪..‬فً الرسم‬ ‫حٌث ارسم اسكتشات ‪...‬أو باأللوان ‪...‬الخ‬ ‫وأحٌأنا أخرى عندما ٌكون ٌومً مزدحما ‪...‬أقدم على‬ ‫الرسم فً المسأء أو أكتفً ببعض التلوٌن ‪.‬‬ ‫وعلى ذلك فإن هناك أٌام ‪ ..‬أمارس فٌها الرسم لمدة‬ ‫‪6‬أو‪ 8‬ساعات وأٌام أخري ‪...‬ل أكاد حتى ألمس القلم‬ ‫الرصاص ‪...‬‬ ‫عندما انتهً من رسم عمل ما ‪..‬نادرا ما اعٌد‬ ‫صٌاؼته‪...‬اال فً حالة‪...‬مالحظة خطأ فً‬ ‫التكنٌك ‪..‬ولكنً ال اؼٌر الفكرة االساسٌة‪...‬اال فً‬ ‫احٌان نادرة جدا ‪.‬‬ ‫ولكن ٌحدث ذلك فً بعض‪.‬االحٌان عندما اعرض‬ ‫عملً مكتمال على احد الزمالء ‪...‬فٌقترح علً بعض‬ ‫االفكار التً تثري العمل‪...‬‬ ‫ولكن هذا ٌحدث ��الطبع ‪...‬قبل النشر ‪...‬او وضعه عل‬ ‫االنترنت ‪.‬‬

‫وفً بعض األحٌان ‪ٌ...‬حدث أننً أقضً ٌوما‬

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Je me promène toujours avec un carnet ou je note

Quand je termine un dessin, en général

les idées qui me viennent. C´est la première étape

je le retouche rarement sauf si je vois un

avant le

défaut technique… Mais je reprends ra-

dessin : l´ idée. On ne sait jamais quand vient une

rement l´idée générale du dessin. Cela

idée (dans le métro, en se promenant, en discutant

m´arrive de temps en temps quand je

avec des amis ou en regardant un fil… etc), donc il

montre le résultat final à mon copain et

est important de pouvoir la noter dès qu elle vient.

qu il me donne des idées d améliorations

Ensuite quand je suis chez moi devant ma table de

que j´approuve. Mais c´est toujours avant

dessin je ressors mon carnet et choisis ce qui me

publication ou mise en ligne sur internet.

semble la meilleure idée et je me mets à dessiner.

Une fois publié je ne retouche plus.

Comme j´ai d´autres activités à côté du dessin de presse, je dessine quand je peux, mais ce n´est pas toujours régulier. Il m arrive de passer une journée entière à dessiner : croquis, mise en couleur etc… Les journées où je suis moins disponible j essaye au moins de dessiner un peu le soir ou d´avancer sur une mise en couleur. Donc il y a des jours ou je dessine pendant 6-8 heures et d´autres ou je touche à peine mon crayon. C´est assez variable.

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Je suis rentrée dans le monde de la caricature en même temps que je progressais dans le monde du dessin. J´ai toujours dessiné mais me suis orientée vers des études d´économies. Quand


‫وبمجرد ‪...‬نشره ‪..‬ال اقترب منه ابدا ‪.‬‬ ‫انا دخلت فً مجال الكارٌكاتٌر‪...‬فً نفس الوقت‬ ‫الذي كنت اتقدم فٌه‪..‬فً الرسم بشكل عام ‪..‬‬ ‫لقد كنت دابما ارسم ‪...‬ولكنً كنت قد توجهت‬ ‫للدراسات االقتصادٌة‪..‬وعندما انتهٌت من‬ ‫دراساتً‪....‬وبدأت اعمل‪...‬اخذت الرسم مأخذ‬ ‫الجد ‪ -‬لقد اخذت بعض الدورات‪....‬وانتهزت‬ ‫كل وقت فراغ متاح لى ‪..‬لكً ارسم كما انً‬ ‫كنت اتابع بشكل دابم االخبار ‪..‬وبالنسبة لً‪..‬فان‬ ‫الدفاع عن االفكار و عرضها من اجل اظهار‬ ‫الحقابق‪...‬هو امر فً ؼاٌة االهمٌة بالنسبة لً‬ ‫ولذلك كان من الطبٌعً ان استخدم الرسم لكً‬ ‫اعبر عن افكار و اقدم رسابل للمتلقى‪...‬تبدو لً‬ ‫مهمة لدرجة كبٌرة وانا اعتقد ان من ٌدخل مجال‬ ‫الرسم الكارٌكاتوري و الصحافة‪...‬ال ٌستطٌع‬ ‫الخروج منه‪...‬ابدا فهو ٌفتح مجاال حٌوٌا للتعبٌر‬ ‫عن النفس‪ ...‬فمن المستحٌل ان ٌصادفنً خبر او‬ ‫حدث ما ‪ٌ...‬هزنً بعمق دون ان اعبر عنه ال‬ ‫حقا‪ ..‬عن طرٌق الكارٌكاتٌر وٌمثل هذا بالنسبة‬ ‫لً‪...‬احتٌاج شخصً‪...‬فحتى لو كنت ؼٌر قادرة‬

‫على مجابهة الظلم‪...‬فعلى االقل تعبر رسوماتً عن ما‬ ‫ٌجٌش فً صدري من مشاعر و ؼضب تجاه هذة‬ ‫االحداث‬ ‫فً الرسم الصحفً‪.. .‬االهم هً الفكرة ‪..‬انها هى التً‬ ‫ٌبنى علٌها الرسم ‪..‬وهى التً تستطٌع تحرٌك مشاعر‬ ‫وافكار القارئ‬ ‫ثم ٌأتً بعد ذلك فً الترتٌب الثانً من حٌث‬ ‫االهمٌة‪...‬الرسم الجٌد الذي ٌستطٌع التعبٌر بشكل واضح‬ ‫عن الفكرة‪..‬فان رالرسمةوالؽٌر واضحة ‪...‬تعتبر رسمة‬ ‫فاشلة ‪ -‬ان تمكن الفنان من الرسم ‪...‬لٌس بنفس القدر‬ ‫من االهمٌة‪...‬بلنسبة لقدرته على التعبٌر عن الفكرة‪..‬فكم‬ ‫من الرسامٌن العظماء ‪..‬فً قدراتهم‪..‬ولكنهم ال‬ ‫ٌستطٌعون توصٌل فكرتهم للمتلقً‪...‬وعلى العكس‬ ‫منهم ‪...‬كم من الرسامٌن الضعفاء ولكنهم ناجحون جدا‬ ‫فً الرسم الصحفً ‪ ...‬النهم نجحوا فً توصٌل افكارهم‬ ‫و التأثٌر فً القراء !‬

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j´ai commencé à travailler après mes études je me

d´expression qui devient vital. Je ne peux

suis remises au dessin de manière sérieuse, j´ai pris plus voir un fait d´actualité qui me choque quelques cours et ensuite me suis mise à dessiner

sans pouvoir m´exprimer par un dessin

pendant tout le temps libre que j´avais. Comme

juste après… J en ai besoin pour sentir

j´avais toujours suivi l actualité et que pour moi il

que même si je suis impuissante devant les

est important de défendre ses idées et de manifes-

injustices au moins mon dessin me per-

ter pour des causes justes ; c´est naturellement

met de sortir mon émotion ou ma révolte.

que je me suis mise à utiliser le dessin pour faire

Dans un dessin de presse le plus important

passer des idées et des messages qui me semblaient importants. Donc cela c´est fait naturellement et je pense qu´une fois qu´on est tombé dans le monde de la caricature et du dessin de presse

structurer le dessin et faire réagir le lecteur. Ensuite l´idée doit être bien sure correctement mise en œuvre pour qu´elle soit

on n´en ressort jamais. Ça devient un mode

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c´est d´abord l´idée… c´est elle qui va

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‫نحن نرسم دابما الواقع‪ ..‬عندما نرسم كارٌكاتٌر ‪.‬انها‬ ‫واقعٌة موضوعٌة و ذات وجهه نظر خاصة ‪..‬ولكنً‬ ‫اعتقد اننا نرسم دابما الحقٌقة حتى ولو اختلؾ‬ ‫الشكل ‪...‬ولذلك ٌسبب الرسم الكارٌكاتوري‬ ‫والصحافً‪...‬بعض األلم بل والتحرٌض فً بعض‬ ‫االحٌان للمتلقً انك عندما تتطرق الى الواقع او تالمس‬ ‫الحقٌقة‪ٌ...‬كون ذلك مؤلما بعض الشا ‪.‬‬ ‫انا ارسم دابما رسوماتً االولٌة ‪ ..‬بالقلم الرصاص‬ ‫النه بالنسبة لً اكثر طبٌعٌة وسهولة‪...‬ثم بعد ذلك‪..‬‬ ‫اسكنه على الكمبٌوتر ‪..‬واقوم بوضع االلوان اٌضا على‬ ‫الكمبٌوتر ‪..‬‬ ‫انا استخدم سوفت وٌر ٌسمى ‪Kirta ..‬وهوبدٌل‬ ‫جٌد ‪...‬لبرنامج الفوتو شوب ‪ ...‬فً الحقٌقة‪...‬الشىء‬ ‫المهم بالنسبة لً‪..‬هو القدرة‪..‬على االستمرار فً‬

‫التعبٌر عن نفسً بالرسومات‪ٌ...‬وما بعد ٌوم‪ .‬لٌس‬ ‫عندي مشارٌع‪...‬على المدى الطوٌل‪ ...‬ان اللحظة ااتً‬ ‫اقرر فٌها الرسم والتعبٌر والتفاعل عن ومع االحداث‬ ‫الجارٌة والتاثٌر فً المتلقً ‪.‬هو الشا الوحٌد‪...‬الذي‬ ‫ٌمثل لى االهمٌة القصوى‪...‬‬ ‫تسامح‪...‬وسالم ‪...‬واحترام البٌبة المحٌطة ‪...‬هذة هى‬ ‫األولٌات التً تبدو لً اساسٌة‪..‬فً عصرنا الحالً اذا‬ ‫كنا نأمل ‪...‬بالفعل ان نحافظ على كوكبنا من الفناء ‪..‬‬ ‫ان تلك المفاهٌم العظٌمة ‪...‬البد من تفعٌلها ٌومٌا ‪..‬فً‬ ‫حٌاتنا الشخصٌة‪. ..‬‬ ‫نحن نشعر بالضأله والضعؾ امام مشاكلنا الكبٌرة‪...‬‬ ‫ولكن اذا حمل كل منا ‪ ..‬حجرة‪..‬ووضعها فً مكانها‬ ‫الصحٌح ‪..‬من الصرح الكونً ‪...‬بمساعة المحٌطٌن‬ ‫به ‪..‬وبتؽٌٌر مفاهٌمنا وباحترامنا لآلخر‪....‬سٌتؽٌر‬ ‫عالمنا لؤلفضل ‪..‬‬

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bien comprise. Un dessin non compris est un dessin raté. Peut importe qu on soit un grand dessinateur ou non. Il y a des très bon dessinateurs qui ne savant pas faire passer les idées, et de très mauvais dessinateurs qui sont devenus de grands dessinateurs de presse car ils savent faire passer leurs idées et touchent le lecteur. On dessine toujours la réalité quand on fait de la caricature. C´est une réalité subjective et marquée par un point de vue mais je pense que c´est toujours la réalité que l on dessine bien que d´une manière biaisée… C´est pour ça que les caricatures et les dessins de presse peuvent faire autant réagir ou faire mal parfois. Car c´est quand on touche une vérité ou une réalité que l on fait mal. Je fais toujours mes croquis au crayon sur papier. Pour moi c´est le plus naturel et le plus facile. A partir de là je scanne le dessin et le passe au propre sur l ordinateur et la mise en couleur se fait sur ordinateur également. J´utilise un software libre qui s´appelle Krita et qui est une bonne alternative à Photoshop qui est payant. L´important pour moi c est de pouvoir continuer à m´exprimer au jour le jour à travers mes dessins. De pouvoir continuer à diffuser mon travail. Je n´ai pas de grand objectif à long terme, du moment que je peux dessiner, réagir à l actualité et toucher le public, le faire réfléchir ou réagir à travers mes dessins, c´est le plus important pour moi. Tolérance, paix et respect de l environnement… ces ingrédients semblent plus que primordiales de nos jours si on veut espérer que la planète ne finisse pas en morceaux… Ces grands concepts, l important c´est déjà de les appliquer au jour le jour dans nos vies personnels. On se sent souvent trop petit quand on voit l ampleur des problèmes… mais déjà si chacun apporte sa petite pierre à l édifice en aidant ses proches, en consommant autrement, en respectant les autres… alors il reste de l espoir pour aller vers un monde meilleur.

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Antonio Rodriguez Garcia Mexico

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Bernard Bouton

France

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J.Bosco Brazil name - Joao Bosco Jaco de Azevedo (J.Bosco) surname - Bosco Azevedo birthday - 15/01/1961 nationality - brasileiro city - Belem

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Vladislav Dubcov Russia

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The 13th International Cartoon Contest SYRIA 2017 Regulations Themes: Cartoon Section: F R E E ( funny) Caricature Section: SYRIAN CARTOONIST : Momtaz Albahra "Momtaz Al-Bahra" Syrian painter and cartoonist born in 1938, studied fine arts in Cairo university then moved to Damascus where he published a lot of his drawings in the Syrian journals and magazines, then he quit cartoon "Karikatur" during early 80s... "Al-Bahra" is considered as one of the most outstanding painters of the "children's literature" in Syria, he has pioneer contributions to the history of the Syrian contemporary Artistic Movement as an immortal pioneer Artist.Note: Each participant can send maximum 2 artworksA4, 200 dpi, JPG/JPEG and free techniques. • Deadline: 25 /2 / 2017 • Prizes: Golden, Silver, Bronze and 5 Special Prizes. • Jury members will be considered as participants in the exhibition and represent their own countries. Their names will be automatically added to the List of Participants (They will participate only in exhibition, Not in contest (just honorary participation). • Cartoons can be used for any promotion purposes (Printing, websites, Newspapers, posters, invitation cards....etc) without the permission of the artist and without any payment. • Cartoons must be sent to: syriacartoon@gmail.comSyria Cartoon website: www.raedcartoon.com RAED KHALIL

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10th INTERNATIONAL DON QUICHOTTE CARTOON CONTEST / 2017 Theme: “Respect differences!“ Societies differ based on their language, religion and racial features. These features create the basics of the “differences” description. In such terms, we may not talk about equality since every body has a different color. Amongst crowds, these concepts are unfortunately referred as discriminators. Whereas these differences should be seen as riches.

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Whilst facing differences, we should acknowledge everybody as they are and respect their differences. Respecting people’s thoughts, lifestyles, views of life are a must in the first place for societal values. These differences shouldn’t be a reason for imposition, othering and end up into opression. People’s values, lifestyles, visions, beliefs, anticipations, tastes, perceptions and interpretations pof the World may differ.

will be presented in social media and on DQ website for the following 10 days. 6) The jury exists, evaluates the works between 01. and 07. April 2017. Results of this evaluation and conception of the price-crowned works are published on 10 April 2017. 7) The award of the prize will take place in the context of the opening of the exhibition in 5 May 2017 in the municipal art gallery Filderstadt. 8) Received caricatures will be securely saved in Don Quichotte's archive. We certainly will get permission from you if we need to use your caricatures for purposes other than displaying it in exhibitions and album. 9) Contest Album will be developed in pdf and, if sponsored, will be printed. 10) Awarded and best performing cartoons will be exhibited in various European countries.

All of them represents the riches of life. Acknowledging, understanding the other and whatever his/ her differences are, knowing that he/she also owns all the rights we do, elevates our humanist side and universality. In a society where some masses want the others to be just like themselves and rejecting the others’ cultural heritage representing the differences is a menace towards societal values. In any society, all The Prizes: the people must live in equal conditions and rights. - First Prize: 1.000 Euro +Don Quichotte Medal Every race is different yet all create a harmony like - Second Prize: 750 Euro +Don Quichotte Medal a rainbow when joined. - Third Prize: 500 Euro +Don Quichotte Medal - Special Awards We deserve living in a colorful World independent - 10 Mentions of race, language and religion. Respecting the differences.. Preselector Jury: The purpose of our contest is to underline the dif- Hayati Boyacıoğlu/Germany ference while showing its importance to societies - İsmail Doğan/Belgium and implement it through the cartoon art. - Erdoğan Karayel/Germany The Rules of Competition:

Jury Members: - Tan Oral/Turkey - Gürbüz Doğan Ekşioğlu/Turkey - Elena Ospina/Colombia - Peter Nieuwendijk/Netherlands - Jitet Koustana/Indonesia - Marco De Angelis/İtaly - Walter Toscano/Peru - Valeriu Kurtu/Germany - Ivailo Tsvetkov/Bulgaria - Hicabi Demirci/Turkey - Hayati Boyacıoğlu/Germany 4) The closing date of the competition is 15 - Erdoğan Karayel/Germany )1With participation in competition is possible only by Internet. (respect@donquichotte.org) 2) All submitted work should be participating a contest for the first time. With an offence, there's a risk of deprivation of the achieved prizes. 3) The designs are to be drawn in A3-Size to deliver in 300 dpi dissolution and in Jpeg format. They know both and black-and-white, and to be colored, the coloured representation is exactly the same as the colortechnical treatment of the work is incumbent on not a containment.

March 2017.

5) Pre-selective Jury will determine the 100 finalists between dates 20-31st March 2017. Finalists

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Technich Assistance: Saadet Demir Yalçın/Turkey

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Participation Sports INTERNATIONAL CARTOON FESTIVAL 2017/Belgium INTERNATIONAL CARTOON FESTIVAL 2017 English Version ENG/ REGULATIONS 2017 : Sports in the future Art. 1.Participation The contest is open to any person. Participation is free of charge. Participation in the contest implies full acceptance of the current regulations. The jury’s decisions are final and not subject to appeal. Art.2. Contest theme: Sports in the future Art.3. Specifications of entries Paper entries 3.1. The drawings shall have the following dimensions: 210 x 297 mm (DIN A4). 3.2. The works shall not be provided by a passe-partout, or be stuck on larger paper. 3.3. The drawing must mention, on the reverse, the surname, name, address and e-mail of the participant. 3.4. The drawings shall not include subtitles Digital entries 3.1. Digital entries are admissible. .3.2Cartoons can be sent by e-mail to:cartoonale@sportimonium.be .3.3They shall have following dimensions 210 x 297 mm (DIN A4) and resolution of max. 72 DPI. 3.4. When your digital entry is selected, you are obligated to send in your original work 3.5. Entries which do not meet these criteria will not be accepted. Art.4. Entry 4.1. The entry-form must be sent together with the cartoons. 4.2. The works must be sent to the following address: SPORTIMONIUM, to: Liesbeth Salens, Trianondreef 19, 1981 Hofstade-Zemst (Belgium). Art.5. Number of entries

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5.1. Each contestant can provide up to 5 cartoons. 5.2. The cartoons shall not have been exhibited or published before. Art.6. Jury 6.1. A jury will select the works for the exhibition and will award the following prizes. 6.2. Prizes: The first place will be awarded with the prize of 600 EURO – 2 nd place: 400 EURO – 3 rd place: 250 EURO. Art.7. Property of organisation All received entries will become the property of the organizers. Art.8. Damage or loss The organisation cannot be held responsible for damage or loss during the shipment. Art.9. Patent rights and intellectual property 9.1 Participants grant the authorization to publish their works free of charge for the purposes of eventual promotion campaigns and communications 9.2. Participants guarantee that they are the authors of submitted artworks. Art.10. Deadline 10. Entry until 1 st of May 2017. Art.11. Vernissage 11.1. The awards are planned to be granted with the opening of the exhibition (25th of June 2017). 11.2. The participant can visit the exhibition for free. Entry form:


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22nd INTERNATIONAL CARTOON EXHIBITION ZAGREB 2017/ CROATIA A. PARTICIPATION The organizer of the 22nd International cartoon exhibition ZAGREB 2017 is the Croatian Cartoonist Association. The festival is opened for everyone regardless of nationality, age, sex, or profession. B. THEMEB. THEME HOTELS, HOSTELS, APARTMENTS AND CAMPS (Tourism workers and tourists' funny stories) C.ENTRIESConditions of entry: 1. Original works and digital artworks will be accepted. Digital artwork is to be numbered in pencil on the front and pencil signed. Copies cannot be admitted. 2. Entries can be either black and white or coloured. 3. There should be the name, the surname and the adress on the reverse side of cartoons. 4. The cartoons must not have been previously awarded on festivals. 5. Maximum 3 entries will be submitted. 6. Size of entries is A4 or A3 format. D. DEADLINE Entry deadline is the 13th of April 2017. E. ADDRESSCROATIAN CARTOONIST ASSOCIATION (HRVATSKO DRUŠTVO KARIKATURISTA) SAVSKA CESTA 100 10000 ZAGREB, CROATIA F. PRIZES AND AWARDS First Prize ... 1.000 EUR Second Prize ... 500 EUR Third Prize ... 300 EUR Five Special mentions. G. EXHIBITION The exhibition will take place in Gallery 'Klovićevi dvori' in Zagreb on the 30/5/ 2017. H. OTHER CONDITIONS Authors of works that qualify to the exhibition are given a presentation copy of the exhibition cataloque. Only on explicit request will remaining (original) works be returned to the owners in the end of the exhibition cycle (in the second half of the year 2018). The organizer reserves the right to reproduce the works sent to the festival, Zagreb 2017, as the advertising material without being obliged to pay a fee to an author whose work may be used.The prizewinning works become property of the organizer.

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Theme: A . physiognomic cartoons ALBERTO URDANETA (no pictures) B. Graphic Humor: PEACE New Deadline:11 January 2017

Biography: http://noticartuncolombia.blogspot.com.co/2016/11/convocatoria-3-concursointernacional.htmlImages and information http://www.biografiasyvidas.com/biografia/u/urdaneta_alberto.htm http://www.colarte.com/colarte/conspintores.asp?idartista=1113 http://agenciadenoticias.unal.edu.co/uploads/pics/AgenciaUN_0729_6_14.jpg http://www.unperiodico.unal.edu.co/uploads/tx_flstaticfilecache/ www.agenciadenoticias.unal.edu.coB. )4Each participant can present in the event a maximum of 1 work subject but can only be awarded in a category and can participate with cartoons in black and white or color.

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Cairocature january 2017