It Seemed Like a Good Idea at the Time

Page 1

It Seemed Like a Good Idea at the Time for Solo Bass Trombone

with Fixed Media

(2017)

Ryan J Williams (ASCAP)


It Seemed Like a Good Idea at the Time For Solo Bass Trombone 
 with Fixed Media Duration: ca. 5’30” Program Notes Throughout our lives, we all have encountered some decision that, all things considered, seemed like it was a good decision. Then, in hindsight, we learned it was a bad idea. We experience this on a societal level, too. At one point, we (our communities, our towns, even our nation) agree that something is a great idea, only to learn down the road that we were way off the mark. Things like margarine. Our history is full of these examples of folly. And it makes you stop to think about things we’re doing in the here and now. What things that we accept as normal, great ideas are going to be the laughably bad ideas in 20 or 30 years? As you listen to this work and laugh at the stereotypic advertising contained throughout, stop to think about what we do now. Maybe there are things we’re doing that might have seemed like a good idea at the time, but on second thought maybe not…


About the Composer

Mr. Ryan Williams first began composing music as a freshman in high school in Mechanicsburg, PA. Following this passion for more than 20 years, Williams has written many works for a variety of forces, both large and small, with a notable focus being on the wind band. To flesh out his craft, Williams attended West Chester University where he earned his Master of Music Theory and Composition in 2014 and his Bachelor of Music in 2003. While studying at West Chester University, he had the opportunity to work with renowned composers and scholars such as Dr. Robert Maggio, Dr. Adam Silverman, Dr. Lex Rozin, Dr. Mark Rimple, Dr. Andrew Yozviak, and Dr. Larry Nelson. Now, Williams receives commissions for all levels of music, ranging from beginning students and middle school band and to professional musicians. His works have been performed across the Eastern United States and have been described as “a cut above the rest” and “sophisticated” by American composer Mark Camphouse. He is a member of the composer’s collective at CWJ Music House, publishing through that group on the JW Pepper website, and has a set of Bassoon Duets titled “Six Greeting Cards” published through TrevCo Music Publishing. Most of his works, however, are self-published and can be previewed at www.RyanJWilliams.net. In addition to composition, Williams is a performer and technician. As a performer, Williams has 5 years’ experience marching with DCA and DCI drum and bugle corps, earning the 1996 DCA World Championship with the Harrisburg Westshoremen and being a 2000 DCI Finalist with the Bluecoats Drum and Bugle Corps. In 2002, he enlisted into the Army Reserve where he served as an instrumentalist, arranger, and composer for 14 years. Since earning a Bachelor of Science in Music Education from York College in 2005, Williams has worked with 32+ competitive and non-competitive high school bands, college bands, and drum corps over the last 17 years across the northeast. Williams has served as the tuba technician and brass instructor for the 2015 World Champion Reading Buccaneers Drum and Bugle Corps and the 2016 Cadets Drum and Bugle Corps from Allentown, PA. In 2017, he joined the brass faculty for the Boston Crusaders Drum and Bugle Corps and became the arranger and composer for the Starriders Drum and Bugle Corps from Bad Münder, Germany. Presently, Williams lives in Columbia, SC and attends the University of South Carolina, pursuing his Doctor of Musical Arts degree in Music Composition.


Bass Trombone

It Seemed Like a Good Idea at the Time Funk

    

Drums start

        

8

 = 104

Ryan J Williams

A

     

"Busy you..." On count 4

                     

                                                    

                                               

13

                                                      

17

                                              

22

B

The Whizz bar...

Copyright © 2017 Ryan J Williams & Ryan Williams Music (ASCAP) www.RyanJWilliams.net All Rights Reserved. No part of this work may be reproduced without expressed written consent of the composer.


2

Bass Trombone

                                                    

28

                                                     

32

                                                     sub.

36

                    

40

  

44

   

52

C

                             

             

           

                



          

           

           

       

   

                                                 sub.

56

    

60







  

 

  

D

Whistling...Kool Aid


Bass Trombone

   

64

  

68

      

3

                                         

                                             With Vox...

Kool - aid

Kool - aid

                                                        

72

                                                   

76

  

80

                                            

           

84

E

Esso Gasoline

 

Stag Beer

     

                                 

90

 



    



  

 

"Extra quick starts..."


4

Bass Trombone

   

97

  

101

  

106

      

"...when they drink Stag"

 



 

  

                              Faster

 = 116

Drums Re-enter  Pall-Mall                               Good Good Good

F

         g              liss.                        

          

109

     

                                         

"Dirty" - hit the notes in-between

.  iss  gl  

  

113

  

119

 

"Taste Pall Mall"



 

"So good, good, good."

                                        With Vox

Taste Pall - Mall

      

128

good good good

                                                      

                       

123

So

With Vox...

Kool - aid

       Kool - aid     

  

            

  

        

   



                                                          

132


Bass Trombone

  

136

  

140

  

145

                                                          

      

5

                              

So



Good

   

Good Good




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