Soldiers of Swing Rudolf Boelee Vintage Jazz Posters
Soldiers of Swing Rudolf Boelee Vintage Jazz Posters
design: Rudolf Boelee
Published by: Hotsource http://www.hotsource.co.nz
ÂŠ Rudolf Boelee, 2011 http://www.opshop.co.nz
Dedicated to Tom Stuip and R. Crumb
Alberta Hunter (April 1, 1895 â€“ October 17, 1984)
Arthur "Art" Blakey (October 11, 1919 â€“ October 16, 1990), known later as Abdullah Ibn Buhaina,
Warren "Baby" Dodds (December 24, 1898 â€“ February 14, 1959)
Bessie Smith (April 15, 1894 â€“ September 26, 1937)
Billy Bauer (November 14, 1915 â€“ June 16, 2005)
Leon Bismark "Bix" Beiderbecke (March 10, 1903 â€“ August 6, 1931)
Chesney Henry "Chet" Baker, Jr. (December 23, 1929 â€“ May 13, 1988)
Blanche Calloway (February 9, 1904 - December 16, 1978)
Earl Rudolph "Bud" Powell (September 27, 1924 â€“ July 31, 1966)
John Jean Goldkette (18 March 1893â€“March 24, 1962) was a jazz pianist and bandleader born in Patras, Greece. Goldkette spent his childhood in Greece and Russia, and emigrated to the United States in 1911. He led many jazz and dance bands, of which the best known was his Victor Recording Orchestra of 1924 â€“ 1929, which included, at various times, Bix Beiderbecke, Hoagy Carmichael, Chauncey Morehouse, Jimmy Dorsey, Tommy Dorsey, Bill Rank, Eddie Lang, Frankie Trumbauer, Pee Wee Russell, Steve Brown, Joe Venuti, and arranger Robert Ginzler among others. Vocalists included the Keller Sisters and Lynch. In his Jazz Masters of the Thirties, Rex Stewart, a member of Fletcher Henderson's band at the time, writes that the Goldkette band's innovative arrangements and strong rhythm made it the best dance band of its day and "the first original white swing band in jazz history".
Buck Clayton (born Wilbur Dorsey Clayton in Parsons, Kansas on November 12, 1911-died in New York City on December 8, 1991) was an American jazz trumpet player, fondly remembered for being a leading member of Count Basie’s 'Old Testament' orchestra and leader of mainstream-oriented jam session recordings in the 1950s. His principal influence was Louis Armstrong. The Penguin Guide to Jazz says that he “synthesi[zed] much of the history of jazz trumpet up to his own time, with a bright brassy tone and an apparently limitless facility for melodic improvisation”. Clayton worked closely with Li Jinhui, father of Chinese popular music in Shanghai. In the long run, his contribution changed the course of music history in China, Hong Kong and Taiwan
Charles Henry "Charlie" Christian (July 29, 1916 â€“ March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar, and is cited as a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique combined with amplification helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the 1972 Columbia album Solo Flight: The Genius of Charlie Christian, Gene Lees writes that "many critics and musicians
consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it". Christian's influence reached beyond jazz and swing â€” in 1990 he was inducted into the Rock and Roll Hall of Fame. Christian was raised in Oklahoma City and was one of many musicians who jammed along the city's "Deep Deuce" section on N.E. Second Street. In 2006 Oklahoma City renamed a street in its Bricktown entertainment district Charlie Christian Avenue.
Joe "King" Oliver (May 11, 1885 â€“ April 10, 1938) was a jazz cornet player and bandleader. He was particularly noted for his playing style, pioneering the use of mutes. Also a notable composer, he wrote many tunes still played regularly, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, jazz would not be what it is today".
Claude Jones (February 11, 1901 – January 17, 1962) Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969
Clifford Brown (October 30, 1930 â€“ June 26, 1956), aka "Brownie," Lou Donaldson (born November 3, 1926)
Charles Parker, Jr. (August 29, 1920 â€“ March 12, 1955), famously called Bird or Yardbird,
Charles Melvin "Cootie" Williams (July 10, 1911 - September 15, 1985)
Dillon "Curley" Russell (19 March 1917 â€“ 3 July 1986)
Dave Tough (26 April 1907 â€“ 9 December 1948, sometimes known as Davie or Davey Tough)
John Birks "Dizzy" Gillespie, October 21, 1917 â€“ January 6, 1993)
Eddie Safranski (December 25, 1918 â€“ January 10, 1974)
Michael "Dodo" Marmarosa (December 12, 1925 â€“ September 17, 2002)
Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (December 28, 1903 â€“ April 22, 1983)
Edward Kennedy "Duke" Ellington (April 29, 1899 â€“ May 24, 1974) was a composer, pianist, and big band leader. Ellington wrote over 1,000 compositions. In the words of Bob Blumenthal of the Boston Globe "In the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington. A prominent figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music.
James Fletcher Hamilton Henderson, Jr. (December 18, 1897 â€“ December 28, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. His was one of the most prolific black orchestras and his influence was vast. Henderson's band also boasted the formidable arranging talents of Don Redman (from 1922 to 1927). During the 1920s and very early 1930s, Henderson actually wrote few, if any, arrangements; most of his recordings were arranged by Don Redman (c. 1923-1927) or Benny Carter (after 1927-c. 1931). As an arranger, Henderson came into his own in the mid-1930s. His band circa 1925 included Howard Scott, Coleman Hawkins (who started with Henderson in 1923 playing the low tuba parts on bass saxophone and quickly moved to tenor and a leading solo role), Louis Armstrong, Charlie Dixon, Kaiser Marshall, Buster Bailey, Elmer Chambers, Charlie Green, Ralph Escudero and Don Redman.
Fats Waller (May 21, 1904 â€“ December 15, 1943), born Thomas Wright Waller, was a jazz pianist, organist, composer, singer, and comedic entertainer. He was the youngest of four children born to Adaline Locket Waller, wife of the Reverend Edward Martin Waller. Fats Waller started playing the piano when he was six and graduated to the organ of his father's church four years later. At the age of fourteen he was playing the organ at Harlem's Lincoln Theater and within twelve months he had composed his first rag. Waller's first piano solos (Muscle Shoals Blues and Birmingham Blues) were recorded in October 1922 when he was only 18 years old. He was a skilled pianist, and master of stride piano, having been the prize pupil and later friend and colleague of the greatest of the stride pianists, James P. Johnson. Waller was one of the most popular performers of his era, finding critical and commercial success in his homeland and in Europe. He was also a prolific songwriter and many songs he wrote or cowrote are still popular, such as "Honeysuckle Rose", "Ain't Misbehavin'" and "Squeeze Me".
James P. Johnson (James Price Johnson, also known as Jimmy Johnson, born February 1, 1894, died November 17, 1955) was an American pianist and composer. A pioneer of the stride style of jazz piano, he was a model for Count Basie, Duke Ellington, Art Tatum and Fats Waller. Johnson composed many hit tunes including "Charleston" and "Carolina Shout" and remained the acknowledged king of New York jazz pianists until he was dethroned c. 1933 by the recently arrived Art Tatum. His influence and success is often overlooked
George Brunies, aka Georg Brunis, (6 February 1902 â€“ 19 November 1974)
Herschel "Tex" Evans (March 9, 1909 â€“ February 9, 1939),
Horace Silver (born September 2, 1928), born Horace Ward Martin Tavares Silva in Norwalk, Connecticut
Howard McGhee (March 6, 1918, Tulsa, Oklahoma â€“ July 17, 1987, New York City)
Louis Daniel Armstrong (August 4, 1901 â€“ July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, vocalizing using sounds and syllables instead of actual lyrics. Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music.
Ferdinand Joseph LaMothe (September 20, 1885 â€“ July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer. Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition, in 1915. Morton is also notable for naming and popularizing the "Spanish tinge" of exotic rhythms and penning such standards as "Wolverine Blues," "Black Bottom Stomp," and "I Thought I Heard Buddy Bolden Say", the latter a tribute to turn-of-the-century New Orleans personalities. Reputed for his arrogance and self-promotion as often as recognized in his day for his musical talents, Morton claimed to have invented jazz outright in 1902 â€” much to the derision of later musicians and critics. However, jazz historian Gunther Schuller writes about Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation."
Jimmie Blanton (October 5, 1918 â€“ July 30, 1942) was an influential American jazz double bassist. Blanton is credited with being the originator of pizzicato and bowed bass solos.
James Edward Heath (born October 25, 1926), nicknamed Little Bird
James Edwards "Jimmy" Yancey (February 20, 1898 - September 17, 1951
Jonah Jones (born Robert Elliott Jones; December 31, 1909 â€“ April 29, 2000)
John Cornelius "Johnny" Hodges (July 25, 1906 â€“ May 11, 1970) was an American alto saxophonist, best known for his solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years Benjamin Francis Webster (March 27, 1909 â€“ September 20, 1973), a.k.a. "The Brute" or "Frog," was an influential American jazz tenor saxophonist. Webster, born in Kansas City, Missouri, was considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young. Known affectionately as "The Brute", he had a tough, raspy, and brutal tone on stomps (with his own distinctive growls), yet on ballads he played with warmth and sentiment. Stylistically he was indebted to alto star Johnny Hodges, who, he said, taught him to play his instrument.
Lester Willis Young (August 27, 1909 â€“ March 15, 1959), nicknamed "Prez", was an American jazz tenor saxophonist and clarinetist. He also played trumpet, violin, and drums. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument, playing with a cool tone and using sophisticated harmonies. He invented or popularized much of the hipster ethos which came to be associated with the music. Harry "Sweets" Edison (October 10, 1915 â€“ July 27, 1999), born in Columbus, Ohio, was an American jazz trumpeter and member of the Count Basie Orchestra He spent his early childhood in Kentucky, where he was introduced to music by an uncle. After moving back to Columbus at the age of 12, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937 he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets")
McKinley Howard (Kenny) Dorham (August 30, 1924 - December 5, 1972) Thelonious (Sphere) Monk (October 10, 1917 â€“ February 17, 1982)
Edward "Kid" Ory (December 25, 1886 â€“ January 23, 1973
Mary Lou Williams (May 8, 1910 â€“ May 28, 1981)
Maxwell Lemuel "Max" Roach (January 10, 1924 â€“ August 16, 2007)
Mildred Bailey (February 27, 1907 â€“ December 12, 1951) was a popular and influential American jazz singer during the 1930s, known as "Mrs. Swing". Her number one hits were "Please Be Kind", "Darn That Dream", and "Says My Heart
Ernest Loring "Red" Nichols (May 8, 1905 â€“ June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone."
Francis Joseph Julian "Muggsy" Spanier (November 9, 1906 â€“ February 12, 1967)
Charles Ellsworth Russell, much better known by his nickname Pee Wee Russell, (27 March 1906 â€“ 15 February 1969)
Oscar Pettiford (30 September 1922 â€“ 8 September 1960)
Sarah Lois Vaughan (March 27, 1924 â€“ April 3, 1990)
Sheldon "Shelly " Manne (June 11, 1920 â€“ September 26, 1984)
Milton “Shorty” Rogers (April 14, 1924 – November 7, 1994), born Milton Rajonsky
Thelonious "Sphere" Monk (October 10, 1917 â€“ February 17, 1982)
William Christopher Handy (November 16, 1873 â€“ March 28, 1958)
Tom Stuip (11 November 1944)
Soldiers of Swing
Published on May 13, 2013
Swing music, or simply Swing, is a form of American music that developed in the early 1930s and became a distinctive style by 1940. Swing us...