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Dobson on Health at IC  y o f State f o  H e a l t h ,  k D o b s o n ,   d a n e v e n - h a n d e d ,   self-effacing s p e e c h t o a    y w e l l    Socia t t e n d e d m e e t i n g o f t h e ICU  !   ( m the outety o n    y " 8 # $ %&$ ' .     d t h e   e a u d i e n c e that set h e ) !   * c that it his p u b l i c s p e a k i n g w a s s o 

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 D o b s o n u s e d his t i m e t o f o c u s o n     !   s o f t h e   t stability a n d *  e    !  the NHS,   g t h e t o p i c b y        ing t h e values     g " the m o s t    p o p u l a institution in 4   n by a 56 7y c o n !  !    e distance". 8    g its "quality M

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   ities b e i n g    d off * m t h e col  lege's s e c t i o n . T h e   s a l s o  n t h e s e !  X    ; C h e l s e a   e thei facilities  !    ! o w n   y in t h e * m o f t w o +  ,   but as s t a t e d b y M i c k R e y n o l d s , n  +   !- , t h e thieves ton's H e a d <      y " g o t past t h e m e a s i l y . " U n i m  !! !     d w i t h s u c h i n e p t   y h e c o n -

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levels o f s t u d e n t ²°Ă&#x161;ÂĄÂŁ y ¡º ¸ ´ Âľ Âś e ° ÂŁ e likely t h a n ° ÂĄÂŁ s t o ´ Âľ Âś e h i g h l i g h t e d in a T i m e s H i g h e ÂŁ E d u Š§ c a t i o n S u p p l e m e n t p o l l ÂŁÂĄĂ&#x161;ÂĄÂĽÂŽ g that k n o w o t h e ÂŁ s t u d e n t s w h o ´ Âľ Âśe i n v o l v e d ¡º ¡ § § Š ¡Š¡ ¡Š § Š¸Š§ £¥¥½ F ¤¼£ ÂĄÂŁ s o f ° ½ž £š t y e a Âť s t u d e n t s in ²£°š ¤ ° , Âż ÂŁ ¤ g d e a l i n g a n d ÂŻÂŁ ÂĽl h a v e cut b a c k o n b u y i n g c l o t h e s , s h o e s activities in °£¿¥£ t o b o l s t e ÂŁ thei ÂŁ f i n a n c i a l ¡ ¡ s t a t e . D Âź  °¢¥£ s c o n c l u d e s that " s t u - o ÂŁ f o o d . A l m o s t a F ¤¼£ ÂĄÂŁ h a v e c u t b a c k ¸ ÂŹÂŤ d e n t s ´ Âľ Âśe o n ) ÂŞ)* e t w i c e a s likely t o o n b o o k - b u y i n g , ° ÂŁ e t h a n f o u ÂŁ in t e n Š § ¡ ¸ ¡Š¸ ¸ IJ s t u d e n t s Âą ° ÂŁ k Âż ¤ ÂŁ g ÂĄÂŁ ½ e GH e b e in p o o ÂŁ h e a l t h w h e n ÂŻ ° ² ÂĽ ÂŁ ÂĄ d t o t h a n h a l f o f t h e s e Âą ° ÂŁ k in ¢¼£š K ; w h a t ' s [sic] n o n - s t u d e n t s o f t h e s a m e s e x a n d Š§ Âą °£ ÂŁĂ&#x2026; g is that o v e ÂŁ L M % o f t h e s e Âą ° ÂŁ k age". ¸ ¸¸ § ¡Š §¸ § ° ÂŁ e than t h e official ÂŁ ÂĄ ÂŻ ° ÂĄ ¿¼ °n ÂĄ t This study c o m e s as t h e + °Ă&#x161; ÂĄ ÂŁ Âş o f a m a x i m u m o f f i f t e e n °¤ ÂŁ s a w e e k . a n n o u n c e d o n 29 , - ./- 0 y that t u i t i o n  ¥š¥¼£¯ h ²£¥Ă&#x161; Š °¤šŽ y p u b l i s h e d b y G l a s f e e s w o u l d g o u p in line w i t h i n f l a t i o n t o §Š Š¡Š g o w C a l e d o n i a n a n d Paisley  Ă&#x161;¥£š ÂĄ s a m a x i m u m o f ÂŁ1,025 f o Âź t h e a c a d e m i c 22234555 Š¨ yea Âť 1 .  ¤£¥ s ž£ ° m t h e U n i - a n d t h e S c o t t i s h N O w Pay U n i t h a d ¸ § ¡ ¡ Âş Š¡Š Ă&#x161;¥£š ÂĄ s a n d C o l l e g e s A d m i s s i o n s 67 8- Âż ÂĄ ° š ÂŁ ÂĽ ÂĄ d that t h e l o n g °¤ ÂŁ s a n d Š l o w p a y e h a v i n g a s impact o n ´ Âľ Âś š¥£ °¤ v i c e ( U C A S ) a l s o ÂŁÂĄĂ&#x161;ÂĄÂĽ l that t h e n u m b e ÂŁ ¸ § ¸ ¡ the a c a d e m i c ² ÂĄ ÂŁ ž ° ÂŁ ÂĽ ÂŻ e o f students. o f a p p l i c a t i o n s ž ÂŁ ° m ÂĽ ¤£ e s t u d e n t s h a s § Š ¸ Âş §§ Š§ This h a s a l s o b e e n ÂŻ ° ž ÂŁ ÂĄ d in £¥š¥¼£¯ h f allen š ¼£²Ž y fo ÂŁ t h e s e c o n d yea Âť £¤ g Š§ Š§¡ ¡Š y B o w e s a n d Sue M o o n of the by ĂŁ ¿š¥ following the £°¿¤¯ ° n o f tuition fees. 9 ¼£° § ¥š s B l a c k s t o n e , t h e E d u c a t i o n  §Š Ă&#x161;¥£š Š¡ y o f ÿ¥ §¡ ÂŁÂĽ l E n g l a n d . Š§Š ¡ A s p o k e s w o m a n fo Âź t h e C o m m i t t e e has and Employment š ÂĄÂŁ, Š Âş § Š§ Š o f P ¯¥½ÿ ÂĽ ¯¥ŽŽ°£ s a n d ĂĄÂŁ ÂŻ ²¼Ž s c o m a n n o u n c e d a n e w scheme designed to ¡ ¡Š¸ m e n t e d that it w a s " e a c h s t u d e n t ' s ²¥£ h e l p ²¼£ ½ e s t u d e n t s .  £° m t h e a u t u m n § Š Š Š¡ ¡ Š Š¨º ¡ ¡Š¸ s o n a l £¥š²° š ¢ ÂŽ Ă&#x2026; " t o š ÂŁ  e t h e ÂŁ t o f next Ă&#x2026;ÂĄÂĽÂŁ , ²¼£ ½ e s t u d e n t s in h i g h e ÂŁ ¡ ¡Š¸ e ¹°£k and e d u c a t i o n o n a l o w i n c o m e will b e e n t i - b a l a n c e b e t w e e n ²¼£ ½ ºŠ s t u d i e s . Ă Ă&#x2022;¼£š p f u n d s  Âź e a v a i l a b l e . S t u t l e d t o l o a n s o f at least ÂŁ500. W i t h o v e ÂŁ § ¡ ¡Š¸ ÂĄ , d e n t s in f i n a n c i a l d i f f i c u l t i e s s h o u l d s e e k 2 8 % o f ¯¤££¥ t s t u d e n t s b e i n g ²¼£ ½ : 0 m i l l i o n p o u n d s h a v e b e e n a l l o c a t e d t o a d v i c e ž ÂŁ ° m t h e š¤²²°£ t š¥£Ă&#x161; Š ¯¥šà . in d e b t

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 ¥¢£¤ ÂĽÂŁ y t o S u n ¡ Š ¡Š §  ¥¢£¤¼£Ă&#x2026; , £¥š ÂŁ ÂŻ ° s w i l l a p p l y Š§ § to K e n s i n g t o n + ° ÂŁ ÂĄ , ĂĄ ÂŁ ÂŻ e Ăż ° š ° ÂŁ t § ¡º ° ÂŁ ÂĄ ÂŁ n e n d s of Road a n d the W e d n e s d a y 10

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Š§ § § if if ÂŚ ¡ § Š Š ĂĄÂŁ ÂŻ e ÿ° š°£ t Road, ã° ¿° n SW7 2BB m noh n l tel: 58072 m noh n l fax: 48072 Âł ÂĄÂŁ ÂĽ l tel & fax: 0171 594 8072 pqN: ¹¹¹ r š¤ r ÂŻ r ÂĽÂŻ r ¤ s  ¥Ž x E-mail: felix@ic.ac.uk U Š¡º Š¸Š¡ § § ¨Š ¡ § ĂĄÂŁ ÂĄ d at M C P ĂŁ o ĂŁ ÂĄÂż , Units B2 & tL, Hatton F ¤¼£¥ , 16 - 1 6 a Baldwins + ¼£¿¥ š , ã° ¿° n ĂŁĂż uN 7RJ Felix is a ÂŁÂĄ š ÂĄÂŁÂĄ d ¥¹š²¼²¥£ : ISSN 1040 - 0711 ¸ Š 9 Š¨º Âş ¡ ¨ ºŠ Š¨º¡ ¸ Š Âş ¡ ¨ Âş Felix is ²£°¿¤¯ ÂĄ d fo Âź a n d o n b e h a l f o f v ²¥£ ÂĽ l C o l l e g e U n i o n Publication °¼£¿ . ÿ°²Ă&#x2026;ÂŁ t Š Feiix 1998. ĂĄ ° ° £¼² c ¯°²Ă&#x2026;ÂŁ s ÂŁÂĄ ÂĽ n w i t h ² ° ° £¼² ¥£š .

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m o d a t i o n Officex Natasha N e w t o n , and C&GU

|yÂŁ{z{x , w a s a ' j o b Â&#x160;x{~}Â&#x2019;{ t D a v e Ă&#x;à ååâãä , C & G U Â&#x160;x{~}Â&#x2019;{ t R e u b e n C o n nolly, Phil B u c k m a n a n d M a t t Â&#x2014;}­­{x . A Â&#x192;Â&#x201A;xÂŹ e ÂŹxy Â&#x2039; p o f s t u d e n t s Â&#x2018; y x Â&#x2122; { d a c o n ĂĽĂŚÂ&#x153;çèÊ m a n d yÂ&#x2018;Â&#x2018;{x{ d in e x c e s s o f ÂŁ200 fo x a w {x Â&#x2018;yx Â&#x2122; Â&#x201A; Â&#x2030; e o f t h e Full M o n t y - ĂŞĂŤĂŹĂ­ĂŽ i n g t h e ÂŹxÂ&#x201A; d t o t a l xÂ&#x201A;}~{ d by t h e A u c t i o n u p t o  {Â&#x201A;xÂ&#x192; y ÂŁ900. O n M o n d a y e v e n i n g , t h e ÂŹ x y Â&#x2039; p d u l y o b l i g e d , a n d theix s h o w w a s x{Â&#x2030;{}z{ d w i t h a Â&#x2122;}Ă&#x2022;Â&#x2039;x e o f l a u g h t e x a n d a p p l a u s e Â&#x2018; xy m t h e a s s e m b l e d a u d i ence.

was the field C u p , w h i c h t o o k

A d d e d yÂŹ{|{x , t h e s e e v e n t s h a v e w xy Â&#x2019; Â&#x2039; Â&#x2030; { d a ÂŹxÂ&#x201A; d total o f Â&#x201A;wwxyĂ&#x2022;}Â&#x2122;Â&#x201A;{Â&#x192; y ÂŁ5000 f o x t h e f o u x R a g Â&#x2030;|Â&#x201A;x}}{ s - ¤|{Â&#x192;{x , Ă&#x201D;Â&#x2122;w{x}Â&#x201A; l C a n c e x ĂŻ{~{Â&#x201A;xÂ&#x2030;| , Ă&#x160;z{x t a n d ðùòó ity H o s p i c e . A l t h o u g h t h i s Â&#x2018;}ÂŹÂ&#x2039;x e p a l e s in Ă´ Ăľ Ăś á ø Ăš Ăş Ăť Ăľ n w i t h t h a t xÂ&#x201A;}~{ d by o t h e x Â&#x2039; }z{x~}}{ s a n d e v e n t h e IC M e d i c s , it x{wx{~{  s t h e Â&#x2018;}x~ t s t e p yÂŁÂ&#x201A;xÂ&#x2019; s t h e s e levels, a n d Â&#x2122;y x e t h a n x{­Â&#x192;{ s t h e a m o u n t xÂ&#x201A;}~{ d last Â&#x20AC;{Â&#x201A;x . A ÂŹx{Â&#x201A; t d e a l o f wxÂ&#x201A;}~ e has b e e n g i v e n t o R a g Chai x ßý Þý h Ă&#x17E;y­Â&#x2039;x n fo x he x {Â&#x2018;Â&#x2018;yx s in { ~Â&#x2039;x} g that R a g W e e k w a s a s u c c e s s , w h o a d d s h ex o w n n o t e o f Ăż     Ăż     , " A b i g t h a n k y o u t o   b o d y w h o t o o k wÂ&#x201A;x t i n , o x h e l p e d w i t h , a n y xÂ&#x201A; g e v e n t " .

by City & G u i l d s U n i o n , t h e C u p is b a s i -

wÂ&#x2039;­ŽÂ&#x2030;xÂ&#x201A;ÂŁ l Â&#x201A;x yÂ&#x2039;  d t h e l o c a l Â&#x201A;x{Â&#x201A; . ÂŁ y x ÂŻ { d theix w a y Â&#x201A; x y Â&#x2039;  d t h e ÂŹ xÂ&#x2039; { Â&#x192; Â&#x192; }  g  | } x { { n s t o p °¹²³´¾ , w i n n i n g p o i n t s f o x t a s k s c o m p l e t e d in e a c h p u b , w i t h b o n u s p o i n t s f o x f a n c y Â&#x2019;x{~~ , m a s c o t s a n d Â&#x2DC;x{Â&#x201A;~Â&#x2039;x{ ' c o l l e c t e d , Â&#x2018;yxÂ&#x2039; Â&#x201A;{Â&#x192;Â&#x20AC; , a m i d s t t h e Â&#x192;Â&#x201A;xÂŹ{ÂŽ~Â&#x2030;Â&#x201A;Â&#x192; e collection of South Ken Â&#x2122; { Â&#x2122; y x Â&#x201A; ­ } Â&#x192; } a Âś Â&#x2021;¡ Â&#x2020; d s i g n s , xÂ&#x201A;Â&#x2018;Â&#x2018;} c c o n e s , p o l i c e e q u i p cally a

Teams o f foux slowly

ment and C C U mascots), the teams did-

Â&#x2018;yxÂŹ{ t t h e x{Â&#x201A; l x{Â&#x201A;~y n o f R a g - xÂ&#x201A;}~} g Â&#x2030;|Â&#x201A;x} y - a n d  {Â&#x201A;xÂ&#x192; y ÂŁ1000 w a s

m o n e y fo x

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wx}¸{ s w a s šº Âťy Â&#x2018;}{xÂ&#x2030;{ , w i t h ~{z{xÂ&#x201A; l t e a m s | Â&#x201A;x Â&#x201A; Â&#x2039; }  g t h e Â&#x2122;Â&#x201A;x~|Â&#x201A;Â&#x192; s w e l l i n t o t h e n i g h t . Eventually, |yÂŁ{z{x , t h e ÂŁ }   { x s Âź ½ že a n n o u n c e d by C & G U Â&#x160;x{~}Â&#x2019;{ t R e u b e n C o n n o l l y . T h e ' b e s t m a s c o t ' wx}¸ e w e n t to t h e Â&#x2DC;Âżx}Â&#x2019;ÂŹ{Â&#x2018;{Â&#x192;Â&#x192;Â&#x201A;Â&#x2DC;~ ' w h o , f o x ­}¸Â&#x201A;xx e x{Â&#x201A;~y s w h i c h t h e y x{Â&#x2018;Â&#x2039;~{ d t o m a k e Â&#x2030;Â&#x192;{Â&#x201A;x , d e c i d e d t o Â&#x2030;Â&#x201A;xx y a Â&#x2018;x}Â&#x2019;ÂŹ e Â&#x201A; x y Â&#x2039;  d f o x t h e { }x e d a y e v e n ­x} } g it i n t o t h e U n i o n ba x to x{Â&#x2030;{}z e its Ă&#x20AC;Ă Ă&#x201A;Ă&#x192;Ă&#x201E; . T h e ' b e s t f a n c y Â&#x2019;x{~~ ' Ă&#x2026;Ă&#x2020;Ă&#x2026; Ă&#x2021;d w e n t t o Â&#x2DC;Ă&#x2C6;x} ¯Ă&#x2030;Âż{Â&#x2030;ÂŻĂ&#x2030;Ă&#x160;x~{Ă&#x2039;Ă&#x152;}xÂ&#x192;~ ' w h o c a m e Â&#x2019;x{~~{ d as t h e cast o f Fathe x T e d ( c o m p l e t e w i t h p e t ­x}Â&#x2030; k a n d d o g Ă?Ă&#x17D;Ă?Ă?Ă?Ă&#x2018;Ă&#x2019;Ă&#x201C; . T h e d a y ' s t w o b i g g e s t wx}¸{ s t h e m o s t m o n e y xÂ&#x201A;}~{Â&#x2019; , a n d t h e C u p i t s e l f - w e n t to ' C o c o n u t s d o n ' t Â&#x2122;}ÂŹxÂ&#x201A;{Â&#x2DC; , w h o xÂ&#x201A;}~{ d a n Ă&#x201D;Â&#x2122;wx{~~}z e ÂŁ166.51 Â&#x2019;Â&#x2039;x -

Ă&#x17E;Â&#x192;}Â&#x2018;Â&#x2018;yx d all g o i n g fo x

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¤Â&#x201A;Â&#x2039;xÂ&#x2019;Â&#x201A; y Â&#x17D; 0 ÂĽ ÂŚ §¨Œ Šª . ÂŤx ÂŹ Â&#x201A; } ~ { d

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Â&#x2019; Â&#x2039;x }  g the day, thanks to the m a n i c {Â&#x2018;Â&#x2018;yx s o f t h e C a n o e a n d M o u n Â&#x201A;}  {{x } g C l u b s . A Â&#x2018;Â&#x2039;x|{x ÂŁ200 w a s a d d e d to t h e t o t a l v i a Â&#x2014;|Â&#x2039;x~Â&#x2019;Â&#x201A;Â&#x20AC;Â&#x2DC; s h y p n o t i s m s h o w , g i v e n b y Â&#x2018;y xÂ&#x2122;{x Felix Edito x Â&#x2039;x { d wxyÂ&#x2018;{~~}y Â&#x201A; l h y p n o t i s t Â&#x161;Â&#x201A;x} n TayÂ&#x203A; lo - t h e h ig h lig ht o f w h i c h w a s w h e n o n e Â&#x153; p o o Â?Â&#x17E;Â&#x; l w a s c o n v i n c e d that s h e h a d t o kiss a xÂ&#x201A; Â&#x2019;y m m a n in t h e a u d i e n c e  ¥  ¢y t i m e s h e |{Â&#x201A;x d t h e ÂŁ y x d " p e a n u t s " .

place on

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| xy Â&#x2039; ÂŹ| , b i d Â&#x161; Â&#x201A;x } e t o s p e n d he x 24 |yÂ&#x2039;x s c l e a n i n g t h e i x b o o t s . B i d d i n g t h e n g o t i n t o ÂŹ{Â&#x201A;x , w i t h Felix Edito x Ed S e x t o n ,

~yx{ d N u d e k a m i k a z e Â&#x160;Â&#x201A;xÂ&#x201A;Â&#x2030;|Â&#x2039; e J u m p a n d Â&#x152;Â&#x201A;x}{ y S h o w {Â&#x201A;xÂ&#x192;}{x In t h e w e e k Â&#x17D;Â?Â? , t h e Â&#x2018;Â&#x2039; Â Â&#x2019;xÂ&#x201A;} ~Â&#x192; Â g x{Â&#x201A;Â&#x192;Â&#x192; y (see Felix Â?Â? Â&#x2013;Â&#x2013; m o v e d into gea x w i t h W e d n e s d a y ' s Â&#x201C;Â&#x201D; Â&#x2022; t C o l l e c t i o n . In e x c e s s o f ÂŁ800 w a s

o n t o the stage,

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two weeks. Having kicked off with the

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to f a c e a stiff b i d d i n g w a x b e t w e e n h e x

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Whilst w e ³ ´ ´ ¾ œ ¡ ¸ ³ š e that º´  ¾ š s ¾ œ ´  ¾ š s

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³¾ e o n l y ¾ œ ¡ œ ¸ Ÿ œ d b y Felix o n a W e d n e s -

o n e o f t h e k i t c h e n s w a s full o f s m o k e

day night, a n d m a y b e ' e d i t e d fo ½ l e n g t h ' ,

a n d t h e o v e n i n s i d e w a s still fully o n . M y Ăť Ăź ýÞ ÿýß  d a n d I i m m e d i a t e l y a c t e d b y š¾Ă&#x2039; -

w e d i d n ' t ¾œ³ž¸º e that m e a n t e d i t e d o u t of existence. W e g o t o Âż Ă&#x20AC; Âż Ă y Âś Ă&#x201A;Ă&#x201A;Âť Âľ t a f t e Âľ m a t c h e s

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i n g t o ³žœ¾ t t h e p e o p l e in t h e n e i g h  g ¾ãº, šĂ&#x;ÂľĂ&#x201E;¸Ă&#x201E; g the oven off a n d

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telephoning Southside

p e o p l e a b o u t IC º´  ¾ š . S o w h y is it t h a t

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in last w e e k ' s i s s u e o f Felix at least t w o

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p a g e s Ă&#x2026; Ă&#x2020; Ă&#x2021; e d e d i c a t e d t o f i l m s , ³¾šº ,

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m u s i c a n d g a m e s w h i l s t º´ Âť Âľ t Âľ Âś ¡ Âś ¸ Âź Âś d just o v e Âľ a p a g e , ¸ Ă&#x2C6; Ă&#x201E; Âť Âľ ¸ Ă&#x201E; g a Âľ Âś ´ Âť Âľ t Ă&#x192;¾¸š -

i n g u s n o t t o ´ Âľ Âť p o p e n Ă&#x201A;¸¾ e Ă&#x160; Âť Âť Âľ Âş . O n Ă?Ă&#x17D; Ă&#x2019; g that this w o u l d set o f f t h e

t e n b y IC Ă&#x2030; ÂłĂ&#x160; ¸œ s I h o c k e y ÂśĂ&#x201E;š ¸¾ œžĂ&#x2039; .

³ ž ³ ¾ ã s h e e v e n t u a l l y s a i d that h e w o u l d

This is n o t t h e o n l y t i m e that º ´  ¾ š s

c o m e oveÂľ t o deal w i t h this Ă&#x160; Âł Ă&#x201E; Ă&#x2C6; Âś Âľ Âť Ă&#x; s

t e a m s h a v e b e e n d e n i e d ¡ Âť Âź Âś Âľ Âł Ă&#x2C6; e in

s i t u a t i o n . A f t e ¾ w a i t i n g fo ½ 20 m i n u t e s

felix. W e u s e v a l u a b l e Ă&#x160; Âľ ¸ Ă&#x201E; Ă&#x152; ¸ Ă&#x201E; g t i m e ,

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u s i n g all o f o u Âľ ž¸šœ¾³¾ y skill t o Ă&#x192;Âľ ¸ š e t h e s e Ă?Ă&#x17D;Ă?Ă?Ă?Ă&#x2018;Ă&#x2019; , t h e least y o u c o u l d d o is ´¾¸Ă&#x201E; t

a n o t h e Âľ s t u d e n t w a s Âľ Âś º´ Âť Ă&#x201E;Âş ¸ ž e f o ½ leav-

To Michelle Physics II Lots of love on 'dentines "Day J/our Secret Jldmirer

N

Qareth still cries at a good film still kisses with saliva thinking about you Martyn

Dearest C &ven though you re very smelly and sometimes have a big pot belly I will love you all the same you can guess my Udonis like name

I h a v e s u b s e q u e n t l y f o u n d o u t that

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them.

I fioping I can be yours love

c o o k i n g a n d h a d left t h e b u i l d i n g . This

Ă&#x2030;š s o f l o v e

h a d c a u s e d a fat filled  l š¾³Ă&#x2039; , i n s i d e t h e

Ă&#x2030;ÂłĂ&#x160;¸œ s 1st XI H o c k e y

tially ´ Âľ Âť Ă&#x160; Ă&#x; ¡ e a Ă&#x201A;¸¾œ .

Tim you dig my hole xxx

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I b e l i e v e that t h i s w a s a p o t e n t i a l l y

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IC S c h o o l o f M e d i c i n e U n i o n

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w e l l b e i n g in Halls a n d a n a n s w e Âľ as t o

W a d e G a y e d w o u l d like t o explain t h e

w h y they d i d n o t Âľ Âś Âş ´ Âť Ă&#x201E; d t o a ºœ¾ ¸ Ă&#x; s Ă&#x201A;¸¾ e  .

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a n d M i k e Smith a n d m y s e l f a p p o l o g i s e

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Ă&#x2026; Ă&#x2020; Ă&#x2021; e b e i n g Âş Ă&#x; ´ ´ Âť Âľ š Âś d - I'm always š  Âś Âľ e

D e s p i t e c o l l e g e ºœ ¡Ă&#x;Âľ ¸š y Âś Ă&#x201E; Ă&#x201A; Âť Âľ ¡ ¸ Ă&#x201E; g à åâ l

T h e lette Âľ w a s a n o n y m o u s d u e t o t h e

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myself MNJKOLG d o n the slopes of s o m e PQRQSTU o s k i J G M I J N , b u t I'm V J W N N W O g

pletely). The Repu blican s can šºš  y aspect

m y t e e t h a n d m a k i n g t h e b e s t o f it. I

of

Simon Baker

rstuv,

the

dictate

this

case,

This

may

shall not F I J e y o u w i t h t h e details, but

because

obviously this c o l u m n will X I OX G O N J K N e

theiJ

o n ouJ c h u m s o n the Y J I O g side o f

^ KÂź I J W N ] ,

t h e p o n d . H a v i n g n e v e J b e e n t h i s faJ

thus

west FGHIJG , a f e w things have MNJZXk

ees KJe

m e . [WJMN\] , y o u , a s I d i d , m a y t h i n k t h a t

ing the Â&#x201A;½½Â&#x201A;yxž¿zx y

all t h i s " H a v e a n i c e d a y " ^ K \ K J _ G y is

to h e a p

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of

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way

maximum of

Â?JGMWLGON.

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in

tify h J I F \ G ^ s f o J w h i c h t h e y K J e i n n o

been

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God

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B u t , w h e n all the m u d

\GNNGJs Y J W N N G n by p e o p l e s o g u t l e s s to

a t t a c h t h e i J n a m e t o t h e v i e w s , b u t I'll m a k e an e x c e p t i o n iGJG . That s o m e -

oveJ

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long

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said the

has :

slung,

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ques-

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ab c e w o u l d

in last w e e k ' s f e l i x H J I m ' A n o n ' .

mally I d o not b o t h eJ to c o m m e n t o n

han-

legiti-

ment on

B l i g h t y . It is a l m o s t G ^ F K J J K M M W O g w h e n g p e o p l e m o v e H e a v e n a n d de f h to JGX -

I a m back o n this M XGhNJG d

Now

isle, I c o u l d n ' t h e l p n o t i c i n g t h e letteJ

mate

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the vindi-

a ĂŽ ĂŻ ĂŞy

the level of c u s t o m e J MGJ`WXe J G XG W ` G d

M u c h a s it p a i n s m e t o a d m i t it,

they

but

the situation.

employ-

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amount

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INiGJYWMG,

cates my point. They a c k n o w l e d g e the ĂźÂ&#x192;Â&#x160;ĂľÂ&#x2020;Â&#x201E; m but h a v e n o L G M W J e to JGXNWHy

silly

a

point,

oJ

academic

w a y IC w o u l d

I d i d n ' t Y J W N e it - I c a n s p e l l . N o n e o f

dismiss

a

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us, o f X I Z J M G , K J e a l w a y s s w e e t n e s s   S Ă&#x2122; Q  Ă&#x2DC;  Ă&#x2DC;  d in o u J d e a l i n g s w i t h o u J

;

answeJ

they will not

s t a f f is if t h e y

fellow

be

down FZJOt Ă° iGJHWG\d a n d

J G X G W ` G d to a h G J H G X N \ y civil J G M h I O M e

able

to

man,

but

the

Anon

not be c o m p l e t e w i t h o u t a h G J Z M K l o f

MGXZJe

t h e i J p h e n o m e n a l h \ G N i I J a o f TV c h a n -

NYIĂ&#x20AC;NiWJLs

^KMMKXJGd

nels. N e v e J in t h e f i e l d o f l i g h t G O N G J -

^ KÂź I J W N y n e c -

the

tainment has so m u c h b e e n h J I L Z X G d

GMMKJy

ing body.

b y s o m a n y f o J s o l i t t l e s o b a d l y . It is

boot

ttue to say that all t h e g o o d US t e l e -

out. They KJe

v i s i o n is K \ J G K L y o v e J i G J G , a n d If t h e

playing a Ă Ă&#x201A;Ă&#x192;Ă&#x201E; y g a m e : the ^ I J e they attack, the

w h o h a v e b e e n ab c e f o J a f e w ] G K J M ,

life a n d as s u c h c a n b e N J G K N G d

^IJe

c o u l d J K NN\ e o f f a list o f p e o p l e w h o s e

 ,

JG^KWOLGJ IHHGJs a vision of ouJ

own

j kl m e n e w Y I J \ d o f d i g i t a l t e l e v i s i o n ,

the

to

Voice of Reason

him

the

Ă&#x2026;^GJWXKn

include m e out. M i n oJ niggles aside,

b e h i n d theiJ Â?J G MWL G O t

it a m i g h t y f i n e X I Z O N J y ( h a d t o

a m a z i n g loyalty.

say

that, b e c a u s e a h u g e b l o k e has just G O N G J G d t h e c a b l e no pqqq)

O f X I Z J M G , as y o u w o u l d i m a g i n e ,

If

Ă&#x2020; Ă&#x2021; Ă&#x2C6;e

that

people

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of

LKOVGJIZs

not

have such a JZLG, IFMNJZXNW`e hGJMIn matteJ

people ĂŹ ^hGJWK\,

g a t e d b y t h e L W J G X N I J J G M h I O M W F \ e afte J

have

HGKJMI^G\y

h u m b l e c o l u m n , s o w e shall h a v e to

division. T h o u g h the ¾³²ò°´¡² wKJWIn , ĂłÂ&#x2030;Ă´ĂľÂ&#x201E;Â&#x192;Â&#x2020;Ăś , is h i g h l y áøÚúáÝøÝ , this heav-

begin to b e c o m e a xyz{| e tedious. } such KJG\y KJe

against what could

i m p e a c h e d unless

be o n e of the most Ă&#x160;Ă&#x2039;Ă&#x152;Ă?Ă&#x152;Ă&#x17D;Ă?Ă?Ă&#x2018; s moves

 Â&#x17E;Â&#x; Â&#x;¥¢£¤¼

in Ă&#x2019; Ă&#x201C; Ă&#x201D; Ă&#x2022; Ă&#x201C; Ă&#x2013; n p o l i t i c a l Ă&#x2014;Ă&#x2DC;Ă&#x2122;Ă&#x161;QSĂ&#x203A; . D e s p i t e all

some new Â&#x;ÂŚÂ&#x;Â&#x17E;§Â&#x;

s about him

long

Clinton

e n g a g i n g in sexual

is s e t t i n g n e w s t a n ¨¼Š§Â&#x17E;Â&#x;ÂŞ

s with

ÂŹ ¢Â&#x17E;ÂŚ ¢Â&#x17E;

as

continues

animals..."

being

ily-staffed

LGhKJN-

ment

L G N G J ^ W O G d to HJZM NJKNe t h e activities o f šºš  y LGhKJN^GOt

he

ees. This o f t e n leads

KJe

o n e to s u s p e c t that ĂŹ ^ h G J W K l is J Z O O W O g a

safe.

HIJXGd

I

both

As

foJ

will

be

to

watch

Q V C at t h i s J K N G .

XiKJWN],

"...

ÂŚ Â&#x; Â&#x17E;¤¢

ÂŹ ¨ ¢Â&#x17E;¤£

a

have

been

mentioned

in this

w a i t a n d s e e . W h a t s a y y o u , Ian?

l is

,

Â&#x17E; ŠŠ¤Š

Â&#x17E;ÂĽ

Â

¤ ¤Š

g

h

g

s

seems

and the Ă?G^IXJKNs

I`GJXIKN,

d

h I Y G J H Z l N J KL e u n i o n s ? N o t JGK\\]. T h e

w h e n dealing with ĂźÂ&#x192;Â&#x160;ĂľÂ&#x2020;Â&#x201E; m employ-

CNN,

point w h i c h s e e m s be

as

to w e a Ă&#x153; the teflon

television, but this L K J L s in t e d i u m , a

n

this,

h J I N J K X N G d ~  Â&#x20AC;s o f  xxyzxzÂ&#x201A; n JW`GNWOg

to

into

"...Clinton will not be

consecan

staff

investi-

they

insignificance

it

of

been

individuals

but s u c h Z O HI JN Z O K N e slips pale

quently

incidents have

by i n c o m p e t e n t staff d o e s n o b o d y a n y

XI`GJWOg

and

badly

HK`IZJM, aside H J I m the

Repub-

a paJ w i t h E x c h a n g e & w K J N , C N N

but,

hJG`WIZs

behaving

ing noises about seeking the

c a u s e o f t h e h J I F \ G m is t h e Â? G J M I O O G l

absolutely nothing

some

e n o u g h , D a n ' P o t a t o e ' Q u a y l e is m a k -

l o s i n g e l e m e n t s o f theiJ political savvy,

is

like

o J s o it s a y s ab c e in t h e s t a f f m a n -

u a l . W h i l e I'm n o t h o l d i n g m y F J G K N i ,

VJGK t ^]MNGJ] . W h y s h o u l d this be? Ă&#x2030; \GKJ\], the o c c u p a t i o n of p o s i t i o n s

XI`GJ-

its g l o b a l

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this

d e n t s , O K N Z J K \ \ ] , K J e t h e l o w e s t H I J m of

a g e of n e w s has NJKLWNWIOK\\y b e e n o n

m e n t rstuv. T h o u g h

FGHIJe

a n n o y s s o m e o n e JGK\\ y W ^ h I J N K O N ; stu-

at

is M I Z J X e o f

continuing employment

of time

J G K \ \ y p u t s h i s o J h e J f o o t i n it a n d

Most

themselves. Do we

Impeach-

o n t h e h K ] J I \ \ , a n d it is M Z J G \ y o n l y a

ĂąI`GJO-

lican Â?JGMWLGONWKl n o m i n a t i o n . The Ă&#x2030; IOMGJ`KNW`Gs have been accused of

it is i m p o s s i b l e t o a v o i d t h e

F G V V K J s b e l i e f . It is a s t o u n d i n g that w e

gainful e m pl oym e n t fo  people the

p e a k i n g of

Ian

Caldwell,

he

i

t of

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the

 ÂĽ Â&#x17E; ÂĄd

w o u l d not

me,

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touch with a

 ¢ Â&#x17E; §e

pole..."

hJI`WLWOg

of

in ^ K N N G J s

. will

He

the Estates

and

you

doubtless

be

J G \ W G ` G d t o h e a J that

gainful e m p l o y m e n t Ă˝ f o p e o p l e t h e JG M t o f t h e Y I J \ d w o u l d

a b u i l d i n g h a s just o p e n e d that m a k e s

b o l t s o f t h e S e n a t e NJ W K l K J e s o d u l l , it

not t o u c h with a FKJV e

the palatial BMS a n d attendant

b e c o m e s O G X G M M K J y to talk u p a n y n e w Â&#x192;Â&#x201E;Â&#x2026;Â&#x201E;Â&#x2020;Â&#x2021;Â&#x2C6;Â&#x2030;Â&#x160;Â&#x2039; , h o w e v e J n e b u l o u s , to a

w h y a n y o n e w o u l d join a NJKLe u n i o n

s c a p i n g s e e m like a N i s s e n hut o n an

ab c e is a ^ ] M N G J ] : s a v e t h o s e

allotment. Â?IJNXZ\\Ws H o u s e , the

acknowledged

by

many XI^^GONKNIJM; the

nuts

and

C

s u b s a n d let Â? G J M I O O G l p e o p l e

p o i n t o f H J G O Â&#x152; ] . By X I ^ h K J W M I O , w Z J JK y W a l k e Â? a n d P e t e Â&#x17D; S n o w K J e m o d e l s

At t h e e n d o f t h e d a y , t h i s is i K J L \ y Â?Â?Â&#x2018;Â&#x2019;Â&#x2018;Â&#x201C;Â?Â&#x201C;Â&#x201D;Â&#x2022;,

knows

the

h e a J H J I m m y H J W G O L s o n IC

Dis-

N I J NG J t h a t a H I J ^ G J m e m b e J o f s t a f f

o f JGMNJKWON. since

Â&#x2013; Â&#x2014; Â&#x2013; Â&#x2DC;Â&#x2122; Â&#x161; Â&#x203A; e

outcome.

Do

e x c i t e d by a by-electlon in oJ K e n s i n g t o n a n d C h e l s e a ?

K\JGKLy

you

get

Â&#x153;KJOM\Gy Â?JGXWMG\].

Clinton will not be i m p e a c h e d unless

pole.

H JI m RPMS has b e e n caught

with

t h e i J H W O V G J s in t h e till, J G M Z \ N W O g in a 12 m o n t h M IŸ I Z J n at H e J M a j e s t y ' s p l e a èžyÊ Í . T h a n k f u l l y , H J K Z d is H K W J \ y ê êe at Ï ^ h G J W K \ : t h o u g h m o n e y is ^ W M K h h J I hJWKNGd o n a V JKO d scale

Ă­H\IYGJFGLs

Quite

union keep

y o u in a j o b f o J l i f e . This may

seem

land-

new

o f f i c e b l o c k f o J M P s , h a s G ^ G J V G d as t h e m o s t e x p e n s i v e b u i l d i n g in Â&#x153; J W NK W n

lo be an

v a n c e to students, but w e

WJJG\G-

all s u f f e J

in N G J ^ s o f c o s t p e J Z M G J . O f t h e ÂŁ250 m i l l i o n t o t a l c o s t , ÂŁ200, 0 0 0 w e n t

on

plants foJ X IZ J N ]K J d J GMNKZJK ON , w i t h a

H J I m the c o n t i n u e d h J G M G O X e of tenthÞÿ Â&#x17D; e staff. N e e d l e s s to say, they'll b e Ă° iGJHWG\d f a l l i n g o u t theiJ h J K ^ s in

H Z J N i G J £1.2 m i l l i o n o n p a v i n g . T h e ° Ž²²³ ¯¡Ž s J Z ^ I Z J s that Estates acted

h a v i n g JGK d w h a t I h av e just YJ WN N GO ,

as

s a y i n g t h a t it is ^ I O M N J I Z M \ y u n f a i J o f

GONWJG\y false.

consultants

to

the

h J IÂź G X t

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M a l a y s i a n local m e d i a w a s that 4 0 , 0 0 0 vis-

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t i o n f o 5 Anti-Toll (CAT)

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"#: % 2)* s H I J e u n a b l e b e i n g h e l d at  * $ * ! #) L . A s a thei m o n e y o 5 capital @ m to 0(K ) ( % s f o 5 o n e L% . H o w - b a c k e d d o w n the Malaysian % : %  , t h e P M d i d n o t h e e d t o t h e s e 9 % 2 - T h e P M a l s o d e c i d e d that 20 h i g h w a y 2 !  % s a n d i n s t e a d o n l y % $ & (  % d t h e 9*T %$ ) s U5 e t o b e % @ %  % d a s t h e s a m e * %  t h i n g s h a l l h a p p e n a g a i n a n d a g a i n , possibility o f i m p o s i n g a n exit tax in #2  0 * %  ( ) e o u t f l o w o f capita l " o n c e a h i g h w a y is built a n d tolls U5 e to % ! e a ) 8 %  e U 5 e 9*) % 2) s a n d  imposed, then c o m e S e p t e m b e 1999 . ("2 e i n toll p e o p l e d o n o t w a n t t o pay" . The a n n o u n c e m e n t of a () % s b y t h e B * : %  # 0 % # t afte  t h e C h i In t h e latest d e v e l o p m e n t o f t h e  # 2)(# ( ' &L , n o t A n w a  C ' (8" m s a g a , t h e a c c u s e d w a s n e s e N e w Yea w a s , ! % * %  % d b y t h e H i g h V * !  t J u d g e , A u g u s D (  0 & y a c c e p t e d b y M a l a y s i a n s in g e n MNOP . Q !  " # g t h e s e 8(  d t i m e s o f e c o - t i n e P a u l t o d e f e n d h i m s e l f afte   !& "# g * D # ) !  n a n d i n f l a t i o n at 5. R that t h e state 9  * 2 % $ ! ) " * n d i d h a v e a nomic 9 %  $% #) , @  %S ! % # t h i g h w a y ! 2 %  s h a d t o c a s e o v e  t h e $ *   ! 9 ) " * n o f p o w e  8( 2 )"( l will  % 2 ! 0 e o n 8 F e b % # !  e a n " # $  % (2 e o f a l m o s t 4 0 9 %  - $ B% . T h e  ( 9()" y a l l o w i n g o n e w e e k fo 5 t h e d e f e n s e ! cent. T h e opposition % s a n d non-govm e a n t that t h e s e

fo 5what must be the

most anticipated segment of the

a n a l l i a n c e , t h e Coali-

u n t i m e l y a c t . This w a s

succeeded with

9%9(e

to

$ * ! ) ,  2 0 * # 2 )  ( ) " * #  *0 s s c a l l i n g f o 5 %@ @ % h % ' * K e o u t in t h e $ % #)  e o f t h e M a l a y s i a n   ()": e c a p i t a l afte a l m o s t R m o n t h s o f %& * p e a c e a n d q u i e t . T h e w e e k ' %@ % , t h e  : ( C a b i n e t % % &% d t h a t a n i n d e p e n d e n t *0 %  F ))* commission consisting of a @ # %Lbc % # % ( & , 2  % )" % d j u d g e s a n d a n * )8 *9 ( % " c 2 !  B % * n w a s to b e estab9  * ' e into the beatings lished to C % # !  % d b y A n w a  ' ( 8 " m w h i l e in  9* t b y p o l i c e c u s t o d y . This f o l l o w e d a % a p o l i c e i n v e s t i g a t i n g b o d y that

con-

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cluded some of the t h e ex-deputy

 % 2 !& t o f b e i n g b e a t e n b y t h e 1L 2) % "* ! 2 &L , t h e i d e n t i t i e s o f t h e p o l i c e m a n o 5 p o l i c e m e n i n v o l v e d H I Je

was the police.

u n k n o w n until n o w .

y s s @ "2 t i s s u e o f F e l i x ( 9 9 % (  % d i n *   " *  s o f C 0 9 % " ( l C o l l e g e the $ 0 *  # " # g o f d" (y 9 on the Q %$ %0 ' %  , 1949. C o s t i n g R o l d p e n c e

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l e g e , w i t h all 6 0 0 c o p i e s b e i n g s o l d

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@ "2 t

)8 " 8 ( #  teen typed pages a n d a b (Dn   ( 2 * cove page. T h e % n fo 5 founding "2 Felix w a s s u m m e d u p b y t h e @ t e d i lmn , o n e E M H u g h e s , a s f o l l o w s : The

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H I Je

high

fo 5 club activities

of. The

s o i m p e c u n i o u s t h a t it m a y b e u n a b l e to s u b s i d i s e c o a c h e s a n d t e a s o n that

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t o its

phoenix@ic.ac.uk).

BVgMY

H I Je n o t (&)!"2)"c H u g h e s 9 * @ " ) s m a d e b y t h e d e c i d e d that " a n y A 9*)  p a p e U 5e t o b e d e v o t e d t o s Day, ( 9 9 (  s i n c e it % s t h a t t h e U n i o n is n o w

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s

0

N

o t h i n g t a s t e s g o o d u n l e s s it c o n t a i n s fat o Â&#x2019; Â&#x201C; Â&#x201D; Â&#x2022; Â&#x2013; Â&#x2014; . I k n o w t h i s is n o t Â&#x2DC; Â&#x2122; Â&#x161; y p o l i t i c a l l y Â&#x203A; Â&#x153; Â&#x2014; Â&#x2014;Â? Â&#x203A;Â&#x17E; , b u t I h o n e s t l y c a n ' t t h i n k o f a s i n g l e

8 o z Sultanas 2.5 fl o z M i l k

Â&#x153;Â&#x2014;Â&#x2013;¢Â&#x2022;e Â&#x2014; Â? Â&#x2013; Â&#x201C; Â&#x2014; Â&#x201D; ¢ d cake tin, a n d line with Ă&#x201E; e a 20 c m Â&#x153; Â&#x2022; Â&#x2014; Â? Â&#x2013; Â&#x201C; Â?  Â&#x2014; Â&#x153; Â&#x153; f   Â&#x2013;   Â?Â&#x2014; . Ă&#x2026; Â&#x2014; Â? Â&#x2013; m t h e b u t t e Â&#x2014; (I a l w a y s s o f t e n ÂŁ Â&#x2014; Â&#x2013;ÂŞ it b y h e a t i n g i n t h e Â&#x; Â&#x203A; Â&#x153; § e f o ÂĽ 1 0 s e c o n d s ) , t h e n Â&#x201C;Â&#x201D; Â&#x2022; Â&#x2013; Â&#x2014; Â&#x2014; Â&#x2014;Â?Â&#x2013; Â&#x203A; Š Â? , t h e n g i v e Ă&#x2020;Ă&#x2021;Ă&#x2020; Ă&#x2C6;Ă&#x2030; beat in t h e . Sti i n t h e Â&#x17E; Juice o fan

exception. Y o u m a y h a v e n o t i c e d that m o s t o f t h e

Â&#x2014; Â? Â&#x203A; Â&#x;  Â? s I've ÂĄ Â? Â&#x2013; Â&#x17E; Â&#x201D; Â&#x2014; Â? d In t h i s c o l u m n h a v e c o n t a i n e d Â&#x2022; Â? ¢ Â? Â&#x2014; Â&#x153; Â&#x201D; s h e l p i n g o f Â&#x203A; Â&#x2014; Â? Â&#x2013; ÂŁ , o i l , ¤ Â&#x201D; Â&#x17E;Â&#x17E; Â?Â&#x2014; , o ÂĽ a l l Â&#x17E; ÂŚ Â&#x2014; Â? Â? . a I'm o n e o f t h o s e a n n o y i n g p e o p l e w h o c a n e a t

Â?¢Â&#x153;Â&#x2014;ÂŁÂ&#x153;Â&#x201D;s

m

8 o z Raisins

quantities o f food, without putting o n

Â&#x17E; Â&#x153; § Â&#x2013; Â&#x2014; ¨ s m a x i m u m ¥Š Â&#x2013;ÂŞ Â&#x153; Â&#x201D;Â&#x2014; , ÂŹÂ&#x153;Â&#x201D;­Â&#x2014;e ÂŁ Â&#x153; Â&#x2014; e Â&#x203A;Â&#x2013;ŠÂ&#x153;Â&#x2014;Â&#x;e conÂ&#x2013; Â&#x2014;Â&#x2013; Â&#x2014; Â?Â&#x203A; Â&#x;  Â? s ÂŽ ÂĽe I a m , I'm ÂĄ Â&#x; d t h i s w e e k ' s

weight. M y cooking tends

t h i n g a g o o d m i x . A d d t h e e g g s o n e at a t i m e .

w h a t e v e ÂŤ t h e d a m a g e . If scious than

¯° ¹² ³´¾œ° ¹œ y

s r

fattening.

t

C

a k e is t h e u l t i m a t e e x a m p l e o f t h e J o y that is f a t a n d s u g a

¡¸šº

Â&#x2014;

c o m b i n e d . This is t h e nicest

t cake

Â&#x2014;Â?Â&#x203A;Â&#x;Â e

Â&#x2014;Â?Â&#x2013; ŠŠ y Ÿ*§m^> Â&#x201D;­Â&#x2014;e s w e e t . E v e n if ÂŹ Â&#x153;

I've f o u n d . It's

moist, but not unpleasantly

½ž¿Ă&#x20AC;Ă Ă&#x201A;Ă&#x201A;y

ÂĄ Â&#x2014;Â&#x201D; Â&#x; t Â&#x2013; Š Â&#x2014;Â? Â&#x2013; ¨ y

keen on

this o n e . If y o u

K

not

cake, y o u m i g h t f i n d y o u like

2 tbs

4 Eggs 12 o z F l o u 1 tsp Ă&#x201E;

suga

s t e a k , a n d is j u s t f a n t a s t i c w i t h a

Ă&#x160; Ă&#x2039;Ă&#x152;Ă?

ÂĄÂ&#x153; Â&#x2014;Ă&#x17D; , t h e n ÂŁ Â&#x; Ă? Â&#x17E; Â&#x201D; Â&#x2014; e w i t h a t a b l e s p o o n o f ÂĄ Š Â&#x153; Â&#x201D;Â&#x2014; . F o l d Â&#x2014; Â? ÂŁ Â&#x2013; Â&#x; ¢ Â&#x; ¢ g ¥ŠÂ&#x153; Â&#x201D;Â&#x2014; , c o m b i n e d w i t h t h e s p i c e s a n d in t h e ¨ Â? Â&#x2014; . Finally, a d d t h e ÂĄ Â&#x2014;Â&#x201D; Â&#x;Â&#x17E; , m i l k a n d Â&#x153; Â&#x2014; Â&#x2013; ¢ Â&#x2022; e baking  Â&#x153;§

Â&#x2014;

Â&#x2014; powde

Â&#x2014;Â&#x153;Â&#x201D;¢d

juice.

ÂŁ Â&#x2013; Â&#x2014; k Ă? f o ÂĽ two-and-a-half Ă&#x2018;Ă&#x2019;Ă&#x201C;Ă&#x201D;Ă&#x2022; Â&#x2014; . Rest a p i e c e o f f o i l o v e t h e t i n f o ÂĽ t h e last Ă&#x2013;Ă&#x2014;š¸ Â&#x2014; Â? ÂŞ Â? ¢ t a t h i c k Â&#x203A; Â&#x2014;Â&#x201D;Â&#x201C; Â&#x17E; . M a k e Â&#x201C; Â&#x201D; Â&#x2014; e t h a t t h e , to  Â? Â&#x2014; c a k e i s left t o c o o l c o m p l e t e l y ¤ ÂĄ Â&#x153; e c u t t i n g . Ă&#x2DC; Ă&#x2122; Ă&#x161; m Â&#x2014;Â?Â&#x2013; ŠŠ y Â&#x203A; Â&#x2014; Â&#x201D; ÂŁ ¤ Š ÂŹ , a n d n o t ¢Â?Â&#x2013; Â&#x2014; Š y a s g o o d . c a k e is B a k e at 1 6 0 ° C o Â&#x2019; g a s

cloves

1 tsp C i n n a m o n 1 tsp N u t m e g

Ă&#x201E;Â&#x2014;Â&#x153;Â&#x201D;¢d Almonds Â&#x201D;Â&#x2014;Â&#x2014;Â?¢Â&#x17E;s oz Ă&#x2026;

4 oz 8

k each e g g into a c u p a n d beat with a

fold into t h e

Â&#x2014;

1 tsp Baking

Ă&#x203A;

ÂŁ Â&#x201D; Â&#x201C; ÂŚ Â&#x2014; Â&#x153; Â&#x153; ÂŁ s is t h a t t h e y s o a k about I I P -^^w Â&#x201D; Â?Â&#x2014; u p l o a d s o f ¤ Â&#x17E;Â&#x17E; , t a k i n g o n a f a n t a s t i c m e l l o w Â&#x2014; Â&#x2014;Â? f l a v o u t h a t g o e s w e l l w i t h  Â&#x17E;Â&#x17E; y m u c h a n y t h i n g . I Â&#x2014;Â&#x2013;Â&#x2014;Â? Š y b u y ÂŁ Â&#x201D; Â&#x201C; ÂŚ Â&#x2014; Â&#x153; Â&#x153; ÂŁ s ÂĄ Â&#x2014; Â&#x153; m t h e ÂŁ Â&#x2013; Â&#x2014; Ă&#x17D; Â? Â&#x17E; . T h e Â&#x201C; Â&#x201D;   Â? Â&#x2014; ÂŁ Â&#x2013; Â&#x2014; Ă&#x17D; Â? t s t o c k is a l w a y s m u c h b e t t eÂ&#x2014; q u a l i t y , w e l l § Â&#x153;Â&#x2014; Â&#x17E; h t h e Â?Ă?Â&#x17E;Â&#x2014;a e x p e n s e . Â&#x201C; Â&#x2013;Â&#x2014; To m a k e a basic sauce, Â&#x17E; t by m e l t i n g a g e n Â? Â&#x2014; Â&#x153; Â&#x201D; s k n o b o f butteÂ&#x2014; ( a b o u t 5 0 g ) slowly i n a small ÂŁ Â&#x201D; Â&#x201C; ÂŚ Â&#x2014; Â&#x153; Â&#x153; ÂŁ s thinly. Heat g e n p a n . Slice 5 m e d i u m Â&#x201D;Â&#x2014; tly f o ÂĽ a b o u t 5 m i n u t e s u n t i l t h e y Â&#x17E; n a m e d i u m ¤ Â&#x2014; Â&#x153; § n Â&#x203A; Â&#x153; Š Â&#x153; Â&#x201D; Â&#x2014; , l o s i n g t h e s o f t n e s s o f Â&#x2019;Ă&#x153; w m u s h Ă&#x201D;Ă&#x2019;Ă&#x2019;âĂ&#x2022; . Add a couple o f tablespoons of double ĂŁ Âż ä Ă Ă&#x20AC; , m i x w e l l t h e n Â&#x17E; Â&#x201D;Â&#x2014; n u p t h e h e a t . C o o k u n t i l t h e ÂŁ Â&#x201D; Â&#x201C; ÂŚ Â&#x2014; Â&#x153; Â&#x153; ÂŁ s Â&#x201C; Â&#x17E; Â&#x2013;Â&#x2014; t t o g o a little ¤ Â&#x2014; Â&#x153; § n a n d Â&#x203A; Â&#x2014; Â&#x; Â&#x201C;   . Â&#x2022;Â&#x2014; Â?Â&#x2013; t a s   Â&#x2013;Â&#x2014; t o f a ¤ Â&#x2014;Â? Â&#x2013; Ă&#x17D; ÂĄ Â&#x2013; Â&#x201C; t ÂĄ Â&#x2014; ÂŹĂĽ Â&#x201D;   . T h e s a u c e is ¢ Â&#x2014; ÂŁ Â&#x2013; Š Š y c h o p a b i g Â&#x201C;   Â&#x2014; Â&#x; g o f   Â&#x2013; Â&#x2014; Â&#x201C; Š Â? y a n d a d d it at I Â&#x153;  Â&#x153;Â&#x2014;k

chop. When

w i t h meat, I o f t e n stick in a c o u p l e o f tea-

Â?    Â?Â&#x2014; Â&#x203A;Â&#x153; Â&#x2014; n ÂŁÂ&#x201D;Â&#x201C;Â&#x17E;Â&#x2013;Â&#x2014;d to a d d s o m e body. ¨ Â&#x;ÂĄÂĄÂ?Â&#x2014;Â?¢t sauce c a n b e m a d e with the A Â&#x2DC; Â&#x2122; Â&#x161;y Â&#x2022; Â&#x2013; Â&#x2014; ŠÂ&#x; Â&#x203A; , a n d b a l s a m i c addition o f olive oil, thyme, ÂŞ Â&#x; ¢ Â? Â&#x2022; Â&#x2013; Â&#x2014; . ĂŚÂĽy a c o u p l e o f c l o v e s o f Â&#x203A; Â&#x2014; Â&#x201D; Â&#x201C; ÂŚ Â? d Â&#x2022;Â&#x2013; Â&#x2014; ŠÂ&#x; c g e n spoons of 

Â&#x2014;

¤Â&#x2014;Â&#x153;§n Â&#x2014;Â? Â&#x2013; Ă&#x192; Â&#x203A;Še

â&#x20AC;˘Mk

s o m e kind o f sauce. T h e best t h i n g

Â&#x201C;Â?Â&#x2014;ÂŞÂ?d

dJ

the tightest b u d g e t .

8 o z Soft

M

t h e e n d . It a l s o m a k e s a g o o d a c c o m p a n i m e n t t o a

h a v e t h e s p i c e s etc, y o u c o u l d

m a k e this f o ÂĽ o n l y a f e w p o u n d s , w e l l w i t h i n e v e n

8 o z Butte

Â&#x201D; Â&#x201C; ÂŚ Â&#x2014; Â&#x153; Â&#x153; ÂŁ s Ă&#x153; Â&#x2019;e o n e o f m y ÂĄÂ&#x2013;ÂŞÂ&#x153;Â&#x201D;Â&#x2014;Â&#x;Â&#x17E;e Â&#x;¢Â&#x2022;Â&#x2014;Â?¨Â&#x;Â?¢Â&#x17E;Â&#x201C;. Ă? Ă&#x17E;Ă&#x; Ă ĂĄ ÂŤe b e s t c o o k e d i n

tly w i t h a t e a s p o o n o f t h y m e , i n t h e o l i v e o i l . A d d t h e

ÂŁÂ&#x201D;Â&#x201C;ÂŚÂ&#x2014; Â&#x153; Â&#x153;ÂŁ s a n d cook as ¤Â?ÂĄÂ&#x153;Â&#x2014;Â?. Â&#x203A; Â&#x2014; Â? Â&#x2013; ÂŁ , c h u c k in a t a b l e s p o o n Â&#x2022;Â&#x2013;Â&#x2014; , a n d b u b b l e f o ÂĽ a m i n u t e .

the

Next

week:

Ahead of adding o f balsamic vine-

çèÊêÍÏí

and

Mash

l A n i s s u e a l w a y s o n s t u d e n t ' s m i n d s is m o n e y a n d t h a t ' s w h y I'm d e v o t i n g m y c o l u m n t o it f o ÂĽ a s e c o n d t i m e . T h e

Â&#x2014;Â?Â&#x153; Â?¢Â?d

A c c e s s f u n d is

applications. 246

ĂŽ ĂŻ ĂŽ Ă°Ăą s

b e e n m a d e t o t a l l i n g ÂŁ144

Â&#x2013;ŠÂ&#x2014;Â?Â&#x2013;¨y

have

òó 0 t h a t ' s a n pe ¼ student.

students

Â&#x2013;§Â&#x2013;Â&#x2014;¨Â&#x201C;.

If ÂŹ Â&#x153;

to gain

Â&#x201D;­Â&#x2014;e

in a

equivalent

¨Â?Â&#x201C; Â?Â&#x2014;Â&#x2013;Â&#x17E;e

finan-

cial s i t u a t i o n at t h e m o m e n t , w h y n o t let t h e

Ă&#x201E;Â&#x153;ÂŞÂ?Â&#x2014;¢£Â?¢t help y o u f o Â&#x2019;t h e t a k i n g - t h e

g to pay thei

Â&#x2014;

gle

d

tuition fees o n they

way

the collecting

have backed down,

has

been

Since then

Â&#x17E;ÂŚÂ&#x2014;Â?Â&#x2013;Â&#x17E;Â?¢Â?d Â?ÂŞÂ?Â&#x2014;ÂŹÂ&#x17E;ÂŚÂ&#x;¢g the with Â&#x2014; College could Â&#x17E;ÂŚ Â&#x153;w ÂŁ Â?Â&#x2014; Â&#x2013; at t h e m . In   Â&#x; l

Â&#x17E;Â?Â&#x2014;Â?d

being

the

situation

is

¨ Â&#x; ÂĄ ÂĄ Â? Â&#x2014;Â?¢ Â&#x17E; ; ÂŞÂ&#x2013;Â&#x2014;Â&#x;Â&#x153;Â&#x201D;s too have

somewhat we

students

that

jjj JJJ â&#x20AC;˘ â&#x20AC;˘

â&#x20AC;˘

Â&#x2014; Â&#x153; Â&#x153; m ýý 4 i n t h e Ăž ÂŚ Â?Â&#x2014; ÂĄ Â&#x; Â? Š d have them Ăż  . The othe

Building a n d

filled o u t by t h e 22nd

Â&#x2014;

College

Â&#x203A; Â&#x153; ÂŁ  Â&#x2013; Â&#x2014;Â&#x2013; Â&#x17E;Â&#x; ÂŞ Â? Š y Â&#x2014;Â? Š Â&#x2013; Ă? Â?¨ .

have hit t h e h e a d l i n e s

Â&#x2014;Â?Â&#x203A;Â?¢Â&#x17E;Šy

by

has t o p u t u p w i t h b e i n g publicly told

instalment has suffi-

that that

ciently  !

y o u t h o u g h t it w a s a n d n e v e

eased

the

, so one can

ÂŁÂŹÂ&#x201C;Â&#x17E;Â?Â&#x2014;y Â&#x2013;¨£Â&#x;Â&#x2014;Â?Â&#x2014;

anyway.

Each yea  I have a competi-

if y o u h a v e a n y f e e d back o n this

yea  I h a d t o face the humiliation o f

ÂĽ "n a s s m o o t h l y

issue #$%&'(-

me

dent@ic.ac.uk). Next w e e k t h e

being

ÂŞ Â&#x; Â&#x203A;Â&#x17E;Â&#x153; Â&#x2014; y

Â&#x17E; ÂŚ Â&#x2014; Â&#x2013; Â&#x201C; ÂŚ Â? d 4-0; a f t e Â&#x2014; f o u Â&#x2014; Â&#x2013;Â&#x2014; t h i s hit ÂŚ d a n d I h a v e

a good come

have any

w h o l e issue

s t u den ts w o u l d h a v e spent all o f

Â&#x201C;Â&#x201D;Â&#x2014;e

by n o w s o m e

Â&#x2014; thei

m o n e y fo ÂĽ t h e yea  i n c l u d i n g that t h e y

Â&#x201D;­Â&#x2014;e §Â&#x153;Â&#x2014;Â&#x17E;h

o w e in t u i t i o n f e e s . If ÂŹÂ&#x153; it m i g h t

be

in t h i s sit-

student side, s o m e t h i n g which I could

uation,

not give, n o t h a v i n g s p o k e n t o a sin-

about applying to the above,

thinking that's

   s o f

to make

b a c k this yea  o Â&#x2019;

t o b e p a i d i n . I'm

Â&#x2014; Â&#x201D;Â&#x2022;ÂŚt up. The Colwas ¤ Â&#x153; Â&#x201D; Â&#x2014; Â&#x2014;Â? ¢ t s i t u a t i o n a n d the Â&#x203A; Â&#x2014; Â? Â&#x201C;  Â&#x153;¢Â&#x201C;e was o n the the

 Â?Â&#x2014;Â&#x201C;Â&#x153;n Â&#x2014; liked

Â&#x2014; Â&#x2014;Â? Â&#x203A; Â? Â&#x; ÂŞ Â? s Â&#x2013; Â&#x2014;¨ Â&#x201C; Â&#x2014; , t h e lose b e i n g subject the most Â&#x203A; Â&#x2013; Â&#x2014; ¢ Â&#x201C; ¢ t o w e e k s o f  Â&#x17E; Â&#x153; Â&#x; Â&#x; g p h o n e calls , Â&#x2014; Â&#x2013;Â&#x201C; the w i n n e the love o f my m u m . 1 t

^ I w a s in t h e C o l -

is t h e

tion w i t h m y siste t o s e e w h o

s e c o n d i n s t a l m e n t o f t u i t i o n f e e s Ă&#x153; Â&#x2019;e

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y g : ¾œ¡ In e s s e n c e , ´ Bad Things is Shalœðù¾ low ĂŻ w i t h l a u g h s . If t h a t s o u n d s ÂŽÂł like a Ă&#x2022; š š y s i c k c o n c e p t t h e n t h a t ' s ÂŽ b e c a u s e it is. R e m e m b e t h e s c e n e in œðù¾ Ă&#x152; Âł ÂŽ Ă&#x201A;óŽ³Ă&#x17D;Ž Shallow ĂŻ Ă&#x192; e Ewan ò ž ÂŽÂź Âť ³Ž Ă&#x192; ¸š Ă&#x2022;Ă&#x192; and Ecclestone g o to the

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looks c o m b i n e d with a n astute c h o i c e ÂŽÂťĂ&#x20AC;Âł Ž°²Ÿ Ÿ¹° š of s (eschewing the š l line Ž¿à Ă&#x201A;Âť ³Ž of blonde bimbos a n d m Ă&#x192; ines), plus a n u n e x p e c t e d level o f talent. Ă&#x201E;Ă&#x2026;Ă&#x2020;Ă&#x2021;Ă&#x2C6;Ă&#x2030;Ă&#x2021;Ă&#x160; Ă&#x20AC;° Âł ÂŽ ÂťĂ&#x152;ÂłĂ?³Ž n Ă&#x2039; š , Ă&#x192; , has taken a ¿Ž Ž½ °Ž²¿ e off-beat . In t h e še to ¸š

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just t o o nice t o p l a y a c o n v i n c i n g Ă?Ă&#x2018;Ă&#x2019;Ă&#x201C; ÂŽ b i t c h - Slate is in h i s e l e m e n t . H e l e a d s Ă&#x17D;Ž½ p o f five late-twenties b l o k e s t o a Ă&#x201D;° Ă&#x152; ³Ž s Vegas, Ă&#x192; e they plan to stage the Ă&#x17D;Ž³° Âł ÂŽ °Ž ÂłĂ?³Ž š ¸t bachelo Ă&#x2022; šy , t o celeŽ° Âł ½Ž¹ s wild, a n d amidst a massive ÂŻ š . It š

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Ă&#x2013;Ă?Ă&#x203A;Ă? Ă&#x2013;Ă&#x152;Ă&#x152; n m o n t h s " . ĂľĂ?Ă&#x152; Ă? e Ă&#x17D;Ă? e things h e ' d like

things: Ă&#x2019;Ă?Ă&#x152;Ă&#x17D;Ă&#x2013;Ă&#x152;Ă? publicity, a h i g h e Ă? ä Ă&#x2013;Ă&#x17D; Ă&#x201C;Ă? Ă&#x17D;Ă? d

t o d o Ă?Ă&#x203A;Ă­Ă­Ă&#x152; Ă?Ă&#x152;Ă&#x201C;Ă&#x2013;Ă? y If h e äĂ&#x2013;Ă&#x17D;Ă?Ă&#x2013;Ă&#x152; d t h e yea ĂŹ Ă&#x2014;ĂŁĂ&#x152;Ă? .

äĂ?Ă&#x17D;Ă?Ă&#x152;Ă&#x17D;Ă&#x2022;Ă&#x2014;

.nvolved With ' ĂĽ

n o f medical

ĂľĂ?Ă&#x152;Ă? e

he South

neglected

m >n inteiest ai

man',

h e has h a d Ă&#x2019;Ă?Ă&#x152;Ă&#x17D; t s u c c e s s w i t h t h e Ă­Ă&#x203A;Ă?ä t ĂĽ

had

Ă&#x2014; Ă? e Ă&#x2013; Ă? Ă&#x2014; ĂĄĂŚ Ă? e w i t h t h e

K e n s i n g t o n c a m p u s , it is

n e e d to b e Ă? Ă&#x152;ä Ă&#x2014; Ă?ĂŁ Ă&#x152; d ai

but Ă&#x2013;Ă?Ă&#x152;Ă? e didn't s e e m to b e

mote Ă&#x203A;

the

an y Ă&#x203A;Ă&#x201C;Ă&#x2013;Ă&#x152;Ă?Ă&#x152;äĂ&#x2013;ø . Ă&#x2039; Ă&#x2014; Ă&#x2DC; Ă&#x152; ĂŁ Ă&#x152; Ă? , Ed

üâ

Ă&#x2014;Ă?Ă&#x2013;Ă&#x17D;Ă&#x201C; t than eve ĂŹ

moment,

and

six

7 89 h

m o n t h s of w i Ă? k to 5 6

Ă?Ă&#x2014; ĂŁ Ă&#x203A; Ă? e lo Ă? ail ou Ă? stu-

i nts a n d thei Ă?

issues

ĂŚĂ?Ă&#x2014;Ă&#x17D;d

up o n

alth a n d s

is o n e o f the Ă&#x17D; Ă? Ă&#x152; Ă&#x17D; ; that must be Ă&#x17D;Ă?Ă?Ă?> ssi d immi It is ĂŁĂ&#x152;Ă? y easy to lose you Ă? w a y at ĂŽ

üâ

Ă&#x152;Ă?Ă&#x203A;Ă&#x17D; l a n d

diutolv I am

is ĂŁĂ&#x152;Ă? y Ă&#x203A;

üâ

Ă?Ă&#x2014;ĂŁĂ&#x152;

happy ĂĽ

with t h e

Â&#x20AC;Â&#x20AC;Â Â&#x201A;Â&#x192;Â&#x201E;Â&#x2026;Â&#x2020;

and

Â&#x2021;

ntl captain

Ăť

Ă&#x152; Ă&#x201C; Ă&#x2013; s m a d e in t h e â Ă?Ă&#x152;ĂŁĂ&#x203A;Ă&#x152;Ă&#x2DC; s sections this áĂ&#x152;Ă&#x17D;Ă? , Ă&#x17D;Ă?Ă&#x2013;Ă&#x203A;Ă&#x2022;ĂĄĂ?Ă&#x17D;Ă?Ă? y in Ă&#x17D;Ă?Ă&#x2013; s ĂĽ ĂĽ ââ Ă? Ă&#x152; Ă&#x152; ĂŚ Ă&#x152; Ă? Ă&#x152; d fo Ă? b e i n g øĂ? Ă&#x152;Ă?Ă&#x17D; i Ă&#x152;Ă? , Ă&#x17D; Ă?Ă&#x2014;Ă&#x17D;Ă&#x2022;Ă?-

able a n d Ă&#x2022; Ă&#x2014; Ă&#x201C; ä Ă&#x203A;Ă? Ă&#x152; Ă? Ă&#x17D; Ă&#x2013; e o f b o t h s i d e s o f t h e

having not b e e n involved

Club a n d ! will be at it" loi

Ă&#x17D;Ă?Ă&#x2019;ĂĄ

 s t ) c o m e a lew

ĂĽ

Ă&#x152;Ă&#x201C;Ă&#x2013;ø.

i

studying. What you d o

w o u l d like to mat

50 c l u b s Ă? Ă&#x152; ! ĂĄ Ă&#x203A; Ă? Ă&#x152; Ă? , "I h a v e n ' t Ă&#x2DC;Ă? Ă&#x203A; Ă&#x2013; -

w h i l e y o u Ă° Ă&#x201D;e Ă? Ă&#x152; Ă? e will

tive c h a n g e s to tin u *

jklmnopqrso p w i t h t h e U n i o n h a s c h a n g e d

clubs Ă&#x17D;Ă? e tun whin

this áĂ&#x152;Ă&#x17D;Ă? . "Felix has b e c o m e m u c h

â

i

"Set y o u Ă&#x17D; Ă&#x17D;Ă? t Ă­Ă? Ă&#x2014; m othe Ă?

Ă&#x2019;Ă? Ă&#x17D;Ă? ĂĄ Ă&#x17D; Ă&#x2013; Ă&#x152; s w h o Ă&#x17D; Ă? c chas- Ă? Ă&#x152; Ă? Ă&#x152; . V o t e

ing y o u Ă? 10. it is one.

posiI am

fo Ă&#x201D; m e - I

A l o n g s i d e this, Ed also believes that t h e

â

Ă?Ă&#x2014;Ă&#x153;ĂšĂ&#x201C;Ă&#x203A;Ă&#x2014; n - w e ' l l still attack t h e m

e

 Â&#x2C6; Â&#x2030;Â&#x160; Â&#x2039;   Â&#x2039;

ĂĽ

Ă&#x2014;Ă?e

when

Ă&#x201C;Ă&#x152;Ă&#x2022;Ă&#x152;ääĂ&#x17D;Ă?á , but in Ă&#x2019;Ă&#x152; Ă&#x201C;Ă&#x152; Ă? Ă&#x17D; l t u v w e b o t h o n the

same side".

"

Ă&#x2014;Ă?Ă&#x152;Ă&#x2014;ĂŁĂ&#x152;Ă? , given the Ă&#x2014;

ââ

Ă&#x2014;Ă?-

Ă?Ă&#x2013;Ă&#x153; Ă?t d

ĂĽ

tol-

So w o u l d h e d o the j o b again? " N o , but not b e c a u s e I'm not e n j o y i n g it - it's just not

issue".

s o m e t h i n g y o u w a n t to d o fo Ă?

ĂĽ

Ă&#x2014; Ă? e than

theiĂ? make it the

i

â

Ă?Ă&#x2014;Ă­Ă&#x152;ääĂ&#x203A;Ă&#x2014;Ă&#x201C;Ă&#x17D; l

to

ĂĽ

Ă&#x152;Ă?-

e fg h e y o u n e e d s o m e o n e Ă? Ă&#x152;Ă&#x17D; Ă?Ă? y c a p a -

Felix

: The Ă?Ă&#x203A;ĂŁĂ&#x152;Ă?ä e

to make

them

Ă&#x2014;Ă&#x2DC;Ă&#x152;Ă?ø.

ĂŤ

pat- "

ÂĄ

ticula political stance," but will Ă?Ă&#x152;Ă­Ă?Ă&#x152;Ă&#x2022; t the opincollege.

feel

â

influences It will not take an

tions will stay, but

I oĂ? I elix to maintain and Ă&#x203A;

üâ

Ă? Ă&#x2014; ĂŁ e u p o n its

Ă&#x2022;ĂĄĂ?Ă?Ă&#x152;Ă&#x201C; t high äĂ&#x2013;Ă&#x17D;Ă&#x201C;Ă?Ă&#x17D;Ă?Ă?ä ,

Ă&#x2014;Ă? e accessible.

Ă&#x2013; Ă?Ă?Ă&#x2014; ĂĄĂ&#x2019; h

committed a n d

of Ă&#x152;Ă?Ă&#x203A;Ă&#x2013;Ă&#x2014;Ă? , I asl áĂ&#x152;Ă&#x17D;Ă? , I successfully

Ă? pally at the äĂ&#x2013;Ă&#x17D;Ă?t of the ĂĽ üâ Ă&#x152;Ă? Autumn Ă&#x2013;Ă&#x152;Ă? . As ĂŽ

Phoenix, Ă&#x203A;

the college Ă&#x2022;Ă&#x2014;Ă&#x201C;Ă&#x203A;Ă?Ă&#x203A;ĂŚĂĄĂ? e to â â

co-edited Ă&#x152;Ă?Ă&#x203A;Ă&#x17D;Ă?ĂŻ s Ă&#x17D;Ă?Ă&#x2013; s

n i n g my o w n society

ĂĽ

Ă&#x152;Ă?Ă&#x2019;Ă&#x152; , it is Ă&#x203A;Ă&#x201C;Ă&#x2022;Ă?Ă&#x152;Ă&#x17D;ä üâ Ă&#x2014;Ă?Ă&#x2013;Ă&#x17D;Ă&#x201C; t that stuâ dents Ă­Ă?Ă&#x2014; m all Ă&#x17D;Ă?Ă&#x2013; s o f

üâ

magazine, as well as  -

ial's campuses continue

with its o w n column in â&#x20AC;&#x17E; I w a n ; to Ă&#x203A; the

üâ

Ă? Ă&#x2014;ĂŁ e

ĂŤ

lelix. ¢ s N e w s Ă&#x2018;Ă?Ă&#x203A;Ă&#x203A;Ă&#x2014;Ă? , I '

quality o f Ă&#x2DC;Ă?Ă&#x203A;Ă&#x2013; Ă&#x203A;Ă&#x201C; g

Ă&#x2013;Ă?Ă?Ă&#x2014;ĂĄĂ&#x2019;Ă?Ă&#x2014;ĂĄ t lelix, specif-

the Ă&#x201C;Ă&#x152;Ă&#x2DC;ä Ă&#x17D; Ă&#x152;Ă? . To this â

whb

Ă&#x2014;Ă? e than

A n d w h a t ' s t h e best t h i n g a b o u t

ased publicity, espe-

campuses,

ĂĽ

t h e j o b ? "That p s e u d o s e n s e o f

one

would be in Ă?Ă&#x152;Ă&#x2019;ĂĄĂ?Ă&#x17D;Ă? con-

n o o n s a n d s e e i n g t h o u s a n d s of s t u d e n t s

â

A s k e d w h a t m a k e s a g o o d D P (F&S),

Ă&#x2014;Ă?Ă&#x2019;Ă&#x17D;Ă&#x201C;Ă&#x203A;äĂ&#x152; d in Ihe posilion

s t u d e n t Ă&#x203A;Ă&#x201C;Ă&#x2013;Ă&#x152;Ă?Ă&#x152;äĂ&#x2013;äÂ&#x152; - t h e ability t o s e e t h e dif-

l e a f i n g Ă&#x2013; Ă? Ă? Ă&#x2014; ĂĄ Ă&#x2019; h thei Ă? c o p y o f Felix."

Ă&#x17D;Ă&#x2013;Ă&#x203A;Ă&#x2014;n t o Ă&#x152;ĂŁĂ&#x152;Ă?áĂ&#x2014;Ă&#x201C;e

t h e a n s w e Ă? is s i m p l e , "It's t h e o n e Ă? Ă&#x2014; Ă? e

become

main

job? " W a l k i n g Ă&#x17D; Ă? Ă&#x2014; ĂĄ Ă&#x201C; d o n M o n d a y Ă&#x17D;Ă­Ă&#x2013;Ă&#x152;Ă? -

ĂĽ

it is vital thai it has some-

t h e technical k n o w l e d g e ; a g e n u i n e like o f

Ă&#x2014;Ă?Ă&#x201C;Ă&#x203A;Ă&#x201C;Ă&#x2019;,

a d e t a i l e d c h a i n o f c o m m a n d - I'd g e t detailed Ă&#x203A;Ă&#x201C;Ă­Ă&#x2014;Ă?

Ă&#x2014;Ă? e

end Felix will have a Ă?Ă&#x152; -

h a v i n g b e e n a w a k e fo Ă? 24 Ă?Ă&#x2014; ĂĄĂ? ä ø .

Ă&#x2014; Ă? Ă&#x2013; Ă&#x17D; Ă&#x201C; t les-

ions of all students at the

ĂĽ

Ă?Ă&#x152;äĂ&#x152;Ă&#x201C;Ă&#x2013;Ă&#x17D;Ă&#x2013;Ă&#x203A;ĂŁ e at each of the

ĂĽ

üâ

Ă­Ă&#x152;Ă&#x17D;Ă&#x2013;ĂĄĂ?Ă&#x152; s and Ă?Ă&#x152;ĂŁĂ&#x203A;Ă&#x152; w sec-

cation

á Ă? Ă&#x203A;Ă&#x17D; d o f abilities w h i c h t h e ideal Felix e d i -

to Ă&#x2DC;Ă? Ă&#x203A;Ă&#x2013; e 40 0 Ă&#x2DC; Ă&#x2014; Ă? Ă? s at six in t h e

is o n e Ă&#x203A;

b c c  d g t h e y e a ĂŹ Ă&#x2014; ĂŁ Ă&#x152; Ă? , I w o u l d n ' t Ă?Ă&#x152;Ă? y o n

the layout needs Â&#x161;Â&#x203A;Â&#x153;Â?Â&#x17E;Â&#x;Â&#x17E; -

to Ă? n e e d s t o e m b o d y . " Y o u n e e d to h a v e

a n d w h o t h e y Ă&#x17D;Ă?Ă&#x152; ; a n d y o u h a v e to b e able

Ă&#x2013;Ă?Ă&#x152;Ă?e

s o n w h i c h [ Ă? Ă? Ă&#x203A; s h a s Ă?Ă&#x152;Ă&#x17D;Ă?Ă&#x201C;Ă&#x2013;, " i f I w a s

Ă&#x2039;Ă&#x2014; Ă&#x2DC;Ă&#x152;ĂŁĂ&#x152; Ă? ,

ç Â&#x2014;Â&#x2DC; ç Â&#x2122; êè 

ji

time to

Ă? Ă&#x2014; e to Ă&#x152;Ă&#x201C;Ă&#x2022;Ă&#x2014; ĂĄĂ?Ă&#x17D;Ă&#x2019; e

ingly Ă&#x203A;

Ă&#x2DC;Ă? Ă&#x203A;Ă&#x2013; Ă&#x152; s

t h e Ă?Ă&#x203A;Ă&#x2019;Ă?t foĂ? t w o yea ĂŹ sabbaticals".

should also Ă&#x152;Ă&#x201C;Ă&#x2013;Ă&#x152;Ă?Ă&#x2013;Ă&#x17D;Ă&#x203A; n the

publication it is. My Â&#x2018;Â&#x2019;Â&#x201C;Â&#x201D;i Â&#x2022;<?A<?Â&#x2013; y as iclix EditoĂ? will

to

A n d w h a t ' s t h e best t h i n g a b o u t t h e

Ă&#x152;Ă?Ă&#x17D;Ă&#x201C;t w h o has a n o p e n m i n d o n Ă&#x152;ĂŁĂ&#x152;Ă?y

dents.

s ud Ă&#x201D; s w h o vol-

have Ă&#x2013;Ă?Ă&#x203A;Ă&#x152; d fa Ă? Ă?Ă&#x17D;Ă?Ă?Ă&#x152;Ă? to k e e p

Ă­Ă&#x152;Ă?Ă&#x152;Ă&#x201C;Ă&#x2022;e between what s o m e o n e

will

Ă&#x17D;Ă? t o f his j o b , " t h e

he t ditot but on

tunity Ed believes h e w o u l d

O n e t h i n g the yea ĂŹ has taught Ed is t h e

â

Felix

â

invoked

ing and p h o n i n g people".

Ă&#x2122;

Ă&#x2014;Ă?Ă&#x152;Ă&#x2014;ĂŁĂ&#x152;Ă?

be issues Ă?Ă&#x152;Ă?Ă&#x152;ĂŁĂ&#x17D;Ă&#x201C; t to stu°Â?

ĂĽ

Ă&#x2014; Ă? e t i m e out o f t h e office,

fo

just ' N o ' . "

students

Felix c o m i n g out o n ĂźĂ?Ă&#x203A;Ă?Ă&#x17D;áïä .

a n d g a m e s . A b o v e all else, h e ' d like t o b e ĂŤ

,

t h e n e w Ă? Ă&#x152; Ă&#x2022; Ă&#x2013; Ă&#x2014; Ă? is

do.When

eve ĂŹ c o n s c i e n t i o u s h e is, ø Ă&#x2013; Ă? Ă&#x152; Ă? e

face-to-face, " s o I'd s p e n d Ă?Ă&#x17D;Ă&#x2013;Ă?Ă&#x152;Ă? than constantly emai Ă&#x2018;

of the

than

Ă&#x2014; Ă? Ă&#x2013;Ă&#x17D; Ă&#x201C; t lesson is that p e o p l e will only â d o t h i n g s if y o u s p e a k to t h e m Ă&#x152;Ă?äĂ&#x2014;Ă&#x201C;Ă&#x17D;Ă?Ă?á ,

xyz{|}z~

Ă&#x2019;Ă? Ă&#x17D; Ă? ĂĄ Ă&#x17D; Ă&#x2013; e with a Ă? Ă&#x152; Ă&#x2019; Ă? Ă&#x152; e

in a n y t h i n g o t h e Ă?

An Ă&#x203A;

üâ

t w o , Ed a d m i t s t o h a v i n g Ă?Ă&#x17D;Ă&#x2013;Ă&#x2013;Ă&#x152;Ă? , "I m a d e half a n Ă&#x152;Ă­Ă­Ă&#x2014;Ă?Ă&#x2013; ,

â

Ă&#x203A;äĂ&#x152;d

given

"If I c o u l d s t a n d a g a i n I

ble, yet Ă&#x2013;Ă&#x2014;Ă?Ă&#x152;Ă?Ă&#x17D;Ă&#x201C;Ă&#x2013;, w h o c a n say

JRjT

Ă&#x2013;Ă?Ă?Ă&#x152;e

thai

to

ĂĽ

election again,

is b a s i c a l l y d e l e g a t e d d o w n , s o h o w -

ih â

Ă&#x2122;

a p p o i n t e d w e s h o u l d p u s h Ă?Ă&#x152;Ă&#x17D;Ă?Ă? y Ă? Ă&#x17D; Ă? d

s a l s o h a s t o a c c e p t that a b i g

W

Ed S e x t o n ' s m a n i f e s t o

done

sonally".

Ă&#x17D;Ă? t o f his j o b i n v o l v e s d a m a g e

tion.

x of Ă&#x2DC;Ă? Ă&#x203A;Ă&#x2013;Ă&#x203A;Ă&#x201C; g a n d Ă?Ă&#x152; s at Ă&#x152;ĂŁĂ&#x152;Ă? y c a m p u s . Whilst

is " #$%

hand, the

"You n e e d s o m e o n e patient and

ST UV

Ăś

MN OPQR ON O

e J t e K LL

w o u l d also like to do it.

â

want to d o fo Ă? six m o n t h s

Ă&#x152;ĂŁĂ&#x152;Ă?y

S o w h a t m a k e s a n i d e a l D P (C&S)?

HI

of my

actions".

the union Ă&#x2014; Ă&#x152;Ă?Ă&#x17D;Ă&#x2013;Ă&#x152; s as well. ĂŁĂ&#x152;Ă?Ă&#x17D;Ă? l I feel I a m w e l l

s w i t h t h i s j o b -1 k n o w I w o n ' t

Â?Â? Â&#x17D;

i y o u c a n say

t h e students) Ih

(you

a n d h a v e a kid o n t h e

) unite

Ă­Ă&#x2014;Ă?Ă&#x2019;Ă&#x2014;Ă&#x2013;Ă&#x2013;Ă&#x152;n how."

n-M.-.:.n 'hiswill

Ă&#x2014; Ă? e egotistic than I

;nccts bette Ă?

Ă&#x17D;Ă?Ă?Ă&#x203A;Ă&#x152;Ă?,

ou Ă? clubs a n d

â Ă?Ă&#x152; Ă&#x2014;Ă?Ă&#x2013;äòòòÎïã e

nn-go

Ă?Ă&#x2014;ĂŚĂ?Ă&#x152;

ĂĽ

be Ă?Ă&#x152;Ă?e to s e e t h e o u t c o m e

then allow me

Ă&#x17D;Ă? t l i e s in t h e a d m i n w h i c h   -

I've g o t t o Ă&#x2DC; Ă? Ă&#x203A; Ă&#x2013; e all t h e s e

â

Ed Sexton

ts a n d

now

t o filte Ă? Ă&#x2013; Ă? Ă? Ă&#x2014; ĂĄ Ă&#x2019; Ă? . "That's o n e o f t h e b i g

always b e a big m e s s " . I n d e e d [Ă?Ă?Ă&#x203A;s

Ă&#x2014;Ă?Ă&#x2013;ĂĄĂ&#x201C;Ă&#x203A;Ă&#x2013;y to

t e n a n y t h i n g foĂ? f o u Ă? áĂ&#x152;Ă&#x17D;Ă?ä, a n d

Ă?Ă&#x203A;Ă&#x152;Ă&#x201C;Ă&#x2022; e within i f

will allow n â&#x20AC;˘ to u U k k h Ă&#x2019;Ă?Ă&#x17D;ä p

qualified to d o this job and T This allows u%

b u t it w i l l t a k e a l o n g t i m e fo Ă? t h e Ă? Ă&#x152;äåĂ?Ă&#x2013; s

I a m well CDC Ee of Ihe way

F

Ă&#x2014;Ă?Ă&#x2013;Ă&#x17D;Ă&#x201C; t that the Union

U n i o n d o i n g ä ĂĄ Ă? Ă? Ă&#x203A; ä Ă&#x203A; Ă&#x201C; Ă&#x2019; Ă? y w e l l In Beit),

s e e s this a s t h e Ă&#x2DC; Ă&#x2014; Ă? ä t

Ă&#x17D;Ă?Ă&#x203A;e

Dave,

sees the Ă&#x2014;

I've

ĂŤ

would

Expansion a n d

t o let s o m e o n e e l s e h a v e t h e i Ă? g o . "

day as o n e o f the biggest plus points

ning

ideas I w o u l d

to be t o o biased Ă&#x2013;Ă&#x2014;Ă&#x2DC;Ă&#x17D;Ă?Ă? s

meet new people s o f n o i s e In

Southside basements - both o f which



ĂĽ ĂĽ Ă&#x152; ĂŚ Ă&#x152; Ă? Ă&#x152; d foĂ? øĂ&#x2013;Ă?áĂ&#x203A; Ă&#x201C; g t o h e l p â all ä Ă&#x2014; Ă? Ă&#x2013; s - a n d Ă&#x2013; Ă? á Ă&#x203A; Ă&#x201C; g n o t

"I haven't had

with the Health & Safety s h e views

Ă? Ă&#x152; ä ä Ă&#x203A; Ă&#x2014; n o n t h e U n i o n . In

   s t o c o m e s h e s i m p l y h o p e s t h a t

sabb,

Nicholaou. Nonetheless, she

issues w h i c h

uth gĂ? od

us Ă&#x203A;

have

a m n o w . I've h a d m y c h a n c e - its t i m e

put a deposit o n a h o u s e

üâ

.

ĂŤ Ă&#x2014;Ă?Ă&#x2013;Ă&#x17D;Ă&#x201C; t th.e Ă&#x17D;Ă? e tt

i union O n k

the chance?

â

â

h e ' s actually

So w o u l d [Ă?Ă?Ă&#x203A;s stand fo

less".

ĂĽ

But

Ă? Ă&#x152; Ă&#x17D; Ă?Ă? y w e l l " .

a n d I'd g e t e v e n

s o m e o n e , get

w i t h t h e next Ă&#x2022;Ă?Ă&#x203A;äĂ&#x203A; s t h a n l e a v i n g a n y

tial to m a k e h u g e m i s t a k e s .

â

finances is it possible foĂ? all

time. But a lot c a n hap-

O n l y a m o n t h into heĂ? ä Ă? Ă&#x2014; Ă? Ă&#x2013; Ă&#x152; Ă&#x201C; Ă&#x152; Ă? ) sabĂĽ

üâ

hi

it h i m s e l f . "I w o u l d n ' t b e f u l l y i n v o l v e d ,

Ă?Ă&#x201C;Ă&#x152;Ă&#x152;t

the Union had the poten-

the job again

Ă&#x203A; Ă&#x201C; Ă&#x203A; ä Ă&#x2013; Ă? Ă&#x17D; Ă&#x2013; Ă&#x203A; Ă&#x2014; n is â h u g e , a n d , fo Ă&#x201D;t h e most Ă&#x17D;Ă? Ă&#x2013; , t h a n k -

pcn.'=~ÂĽwf**â&#x201A;ŹOuld

Ă´ Ă? Ă&#x152; ä Ă&#x203A; Ă? Ă&#x152; Ă&#x201C; t Ă&#x2039; Ă&#x152; Ă? Ă? Ă&#x17D; Ă? Ă? , "At t h e b e g i n n i n g o f

t h i s á Ă&#x152; Ă&#x17D;Ă? , a s fa Ă? a s [ Ă? Ă? Ă&#x203A; s is Ă&#x2022; Ă&#x2014; Ă&#x201C; Ă&#x2022; Ă&#x152; Ă? Ă&#x201C; Ă&#x152; Ă? , t h e Beit

Ă&#x17D;Ă? -

t h e yea ĂŹ I w a s Ă&#x2022; Ă&#x2014; Ă&#x201C; Ă&#x2022; Ă&#x152; Ă? Ă&#x201C; Ă&#x152; d that s o m e o n e

would do" been

â

y his Ă&#x2DC; Ă&#x2014; Ă? Ăş Ă&#x203A; Ă&#x201C; g Ă?Ă&#x152; Ă? Ă&#x17D; Ă&#x2013;Ă&#x203A; Ă&#x2014;Ă&#x201C;ä Ă?Ă&#x203A; p w i t h

w h o wasn't involved with

â&#x20AC;˘ s e e n a Ă&#x2019;Ă?Ă&#x152;Ă&#x17D;t d e a l o f Ă?Ă&#x2014; Ă&#x2019; Ă?Ă&#x152; ä s (with t h e â Ă?Ă&#x2014; Ă&#x152;Ă?Ă? y Íâ I hope that m> c Ă&#x2022;-

finances Ă&#x17D;Ă? e Ă?ĂĄ n

Marie Nicholaou y s

\ ] ^_ ` a Ă&#x2122; `

"if I could d o

minibuses. Both o f these issues have

Ă?s a n d this vi a

: t Ă? : Ă&#x17D; Ă&#x203A;Ă? Ă?Ă&#x152; Ă­Ă&#x2022;Ă&#x203A; m

i

, but w o u l d n ' t want t o d o ĂĽ

: iticial Ă&#x2013;Ă?Ă&#x17D;Ă&#x203A;Ă&#x201C;-

Ă&#x203A;Ă?Ă&#x17D;Ă&#x2022;Ă?Ă&#x152;s fo Ă&#x201D;

N o n e t h e l e s s , h e is still p l e a s e d w i t h

they

d it. I just w i s h I'd

Ă&#x152;Ă?Ă­Ă&#x2014;Ă?m

h o w t h i n g s h a v e g o n e this yea ĂŹ -

T h e Ă?Ă&#x152;Ă&#x17D;Ă?Ă?y b i g i s s u e s

p we want

s C l u h s Conimi'jee

again?

fits o f a l l o w i n g s a b b a t i c a l s t o Ă? ĂĄ n f o Ă? a

iiiff

Hkf

Ă&#x17D;Ă? Ă&#x2019;Ă&#x2014; n get in the w ay o f d o i n g the job

s

i||8l|ife.:.

;:

administeĂ? t h e

with clubs, the CCU's and ĂšĂ&#x2018; U s e e m to

levels,

Ă&#x2DC;Ă&#x2014;Ă?Ă&#x2013;h

if

ĂĽ

t h o s e w h o d o n ' t p l a y by t h e Ă? ĂĄ Ă? Ă&#x152; ä .

to the

even

â

be expected to

subsidy

Ă&#x2013;Ă?Ă&#x152;Ă?Ă&#x152;ø.

i:Si ilfTie 1

H e admits

h e d o the job

Ă&#x2013;Ă?Ă&#x17D;Ă&#x203A;Ă&#x201C;Ă&#x203A;Ă&#x201C;g

WXY34Z

: ^ci'iveiy

çç.

And would

Union

M e d S c h o o l is a c o m p l e t e m e s s . . . l c a n ' t

Ă&#x203A;äĂ&#x152;d a Ă&#x2013;Ă?Ă&#x2014;Ă?Ă&#x2014;ĂĄĂ&#x2019;h

s believes that t h e Ă&#x2013; Ă? Ă&#x17D;Ă&#x203A; Ă&#x201C;Ă&#x203A; Ă&#x201C; g w a s ĂŁĂ&#x152;Ă? y

medics,

.-:

Ă&#x152;Ă?Ă­Ă&#x152;Ă&#x2022;t "you n e e d â Ă&#x2014;Ă? e Ă?Ă&#x152;ä Ă&#x2014;Ă&#x201C;äĂ&#x203A;ĂŚĂ?e than

in t h e w a y t h e y

ĂĽ

t a k e n a list o f w h o w a s

U n i o n , b u t w h o w o n ' t let c o n s t i t u t i o n a l

m a n a g e d t o a c h i e v e f a Ă&#x201D; less t h i s y e a ĂŹ â

ĂĽ

Ă?Ă&#x2014;

Ă&#x2DC; Ă&#x2014; Ă? Ă&#x2013; Ă? Ă&#x2DC; Ă? Ă&#x203A; Ă? Ă&#x152; , "it w a s



â

t h a t h e is f a Ă&#x201D;Ă­ Ă? Ă&#x2014; m

Ăś

ST UV

a

Ă&#x203A;äe to do, a n d hope

they focus o n the issues".

p u t a lot o f e m p h a s i s o n S t u d e n t D e v e l -

c o m e as s o m e t h i n g o f a shock to t h e

Ă&#x2013;Ă?Ă?Ă&#x2014;ĂĄĂ&#x2019; h jobs and funding,

makes

t h e j o b w e l l , " y o u just h a v e to listen t o

someone who's

t h a n h e h a d initially h o p e d , ø Ă? Ă&#x2014; ĂŚ Ă? Ă&#x152;

It s

what

ing to Dave, you simply

t o b e g i n in S u m m e Ă? 2000). D a v e has a l s o

N o n e t h e l e s s , h e a d m i t s that h e has

I nio Ă?

i iMiil. in ih

ĂŤ

â Ă? Ă&#x2014; Ă&#x2014; ä Ă&#x152; d U n i o n Job S h op (both d u e

D e v e l o p m e n t W e e k " foĂ? next áĂ&#x152;Ă&#x17D;Ă?.

be m a

.ea Ă&#x201D; students

viev

and

o p m e n t , a n d h o p e s t o set u p a " S t u d e n t

ha. Ă? Ă&#x2DC; Ăą Ă? Ă&#x201D; o Ă? ò Ă? Ă&#x17D;Ă&#x2022; e - v.;

.

â

|

ĂŚĂ&#x17D;ääĂ&#x17D;Ă?Ă&#x2014;Ă?ø.

of

giving

c a n ' t tell w h o w o u l d d o

ĂĽ ĂĽ Ă&#x152; ĂŚ Ă&#x152; Ă? Ă&#x152; d f oĂ? s e t t i n g â Ăś s o m e l o n g eĂ? Ă&#x2013; Ă&#x152;Ă? m Ă?Ă&#x2014; Ă&#x152;Ă&#x2022;Ă&#x2013;s in m o t i o n -

even wuk Ă&#x201D; n ai h

that Ă&#x2DC;Ă&#x2014;Ă?Ă?Ă&#x203A;Ă&#x152; s s m p e M

to the students"

a l s o like t o b e Ă? Ă&#x152;

coun

l nion "stiff and I thint

So

ĂĽ

mind

â

Ă&#x203A; Ă&#x201C; Ă&#x2022; Ă? Ă&#x152; Ă&#x17D; ä Ă&#x152; d Ă&#x2013; Ă? Ă&#x17D; Ă&#x203A; Ă&#x201C; Ă&#x203A; Ă&#x201C; g f o Ă&#x201D;Ă&#x2013; Ă? Ă&#x152; Ă&#x17D; ä ĂĄ Ă? Ă&#x152; Ă? s a n d â â Ă? Ă&#x2014; Ă&#x152; Ă? Ă? ĂĄ Ă&#x201C; Ă&#x201C; Ă&#x203A; Ă&#x201C; g o f c l u b f i n a n c e s - all o f â w h i c h Ă&#x17D; Ă? e n o w in Ă? Ă&#x2014; Ă&#x2019; Ă? Ă&#x152; ä ä . D e s p i t e t h e â ĂĽ fact that Ă? Ă&#x2014; ĂŚ Ă? Ă&#x152; s c o n t i n u e to ä Ă&#x2013; Ă? Ă&#x152; Ă&#x17D; m i n ,

g o o d Ă´Ă?Ă&#x152;äĂ&#x203A;Ă?Ă&#x152;Ă&#x201C;Ă&#x2013;? Ăž Ăż Ăż  -

came

A l o n g s i d e this, h e ' d

also see a need toĂ? out

have

b e i n g an Ă˝

Union came back

as " t h e

I wouldn't

Ă?Ă&#x152;ĂŁĂ&#x203A;Ă&#x152;w

e

Office o Ă&#x201D; with the U N "and

s I n c e w a s e l e c t e d last J u n e o n a

manifesto which

y

P", h e is l o o k i n g t o Ă&#x2DC; Ă&#x2014; Ă? k in t h e Ăź Ă&#x2014; Ă? Ă&#x152; Ă&#x203A; Ă&#x2019; n

"the yea Ăť the

back to the students".

of money on students will

Ă&#x201D;Ă&#x161; t the Ă&#x2013;Ă?Ă&#x17D;Ă?Ă&#x203A;Ă&#x2013;Ă&#x203A;Ă&#x2014;Ă&#x201C;Ă&#x17D; l

am

ĂĽ ĂĽ Ă&#x152; ĂŚĂ&#x152;Ă?Ă&#x152;d

yea ĂŹ t h e U n i o n

üâ

Ă&#x152;Ă?Ă&#x203A;Ă&#x17D; l ot â aadi d Ă?Ă&#x152;ääåĂ? e

not.

Ă?Ă&#x17D;Ă? d and why should ! vote Ă&#x2122;

fo h i m ' i know

Ă?Ă&#x152;

dents being anle o a't'

s o m e o n e s t o o d fo Ă? t h e

slop Ă&#x2013;Ă&#x2014;Ă&#x2DC;Ă&#x17D;Ă?Ă? s the ballot

the stu-

betw ee n

Chris Ince

Ă? Ă&#x2014; ĂŁ e t o b e o n l y t h e Ă­Ă&#x203A;Ă?ä t s t e p o n

t h e f o c u s o n t o t h e day-to-day

Ă&#x2022; Ă&#x2014; Ă&#x201C; Ă&#x2013; Ă&#x152; Ă&#x201C; Ă?Ă&#x152; Ă? ä , Ă?Ă&#x152;ĂŁĂ&#x203A;Ă&#x2014; ĂĄ s ĂĽ Ă&#x152;Ă?Ă&#x152;Ă? y CV seeking point â ĂĽ pimps, see Ă?Ă&#x2014;ĂŚĂ?Ă&#x152; ä ,

the Vlyth.

â

may

â

n

Ă&#x2014; Ă? Ă&#x2013; ĂĄ Ă&#x201C; Ă&#x203A; Ă&#x2013; y f o Ă? lots o f p u b l i c s p e a k -

m o n t h s . H e b e l i e v e s h e has s w i t c h e d

d o n Ăľ Ă? Ă&#x17D; Ă&#x201C; ä Ă&#x2014; Ă? Ă&#x2013; , t h e Ă?Ă&#x203A;ĂŚ Ă?Ă&#x17D; Ă? y a n d h e a l t h Dave Ă&#x2039;Ă&#x152;Ă?Ă?Ă&#x17D;Ă?Ă? : the

ââ

S TU V

: :

he '

i all

jod

snoits pages Ă&#x17D;Ă?Ă&#x2013;Ă&#x203A;Ă? t. s c an he well Ă&#x2DC;Ă?Ă&#x203A;Ă&#x2013;Ă&#x2013;Ă&#x152; n whilst Ă?Ă&#x152;Ă&#x2013;Ă&#x17D;Ă&#x203A;Ă&#x201C;Ă&#x203A;Ă&#x201C; g theiĂ? wit and

tact loĂ? news and Ă&#x203A;Ă&#x201C;Ă­Ă&#x2014;Ă? -

Ă&#x2013;Ă&#x203A;Ă&#x17D;Ă&#x2013;Ă?w I, I am < " Ă?

ou Ă? â&#x20AC;˘ "

mation. will in

â

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Ă&#x2013;Ă&#x2014;Ă? n  Ă&#x201D;e i

>t> Ă&#x201D; tl

suppo Ă? !

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£ ¤­£°  Š , it's s h a g g i n g ¾Ž£ m u s i c . T h a i ' s w h a t D.E.D. is a Š t class £

w a n t o f a bette c h o i c e fo

b u t it d o e s n ' t flick m y s w i t c h ,

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can't f o o l m e -1 k n o w . E l 4567589 23


8

17

c singles

Albums

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M

ª

• ­A's usual ¢ g m pme style © l £ «¬ ® d blipping sound effects ¯ e on full

n

T

his

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is

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s e n d y o u scuttling t o a K

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m u s i c in

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! M a g a z i n e v o t e d Billy

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likely t o

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e

second album,

d g

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K

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C

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titles

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to the

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James

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a n d bass,

by music m a n

H o w i e B.

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t h a t t h e a l b u m w a s m a d e In

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weed.'

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c

8

8

Y e K O K , I'm ! e  e $ e a n u m b e  o f y o u o u t  e w h o )* e +    g + e t h e hell in t h e ( g vast e x p a n s e o f ! n f a e c e s ' k n o w n a s  n is t h e H a c k n e y M! . T h e " e   t w i s e a m o n g s t y o u , t h e o n e s w i t h o n e e a * NOPQRSTUU y a t t a c h e d t o t h e ! , w i l l b e   g y o u  + s fo * n o t h a v i n g  d o f this v e n u e . W e l l t h e ! h is, it's n o t a &" t v e n u e a n d h a s o n l y just o p e n e d fo $ this n i g h t . It is in fact a teal +! e a n d 6 a l s o t h e h o m e to Billy M a h o n i e ' s !   t H y w e l l . T o b e ! e  e is n o   l  t m a n a s Billy M a h o n i e h a v e n o  , b u t " e o f that   . T h e g i g w a s t h e m o s t !! d o n e I've e v e  b e e n t o ,   y it w a s i n v i t e o n l y a n d s e c o n d l y t h e v e n u e w a s a V g +! e w i t h n o ba $ a n d o n e f e e b l e &  e h e a t e  o n t h e c o n s t a n t ( e o f c o l l a p s e . T h e + d w a s m a i n l y i n d i e t y p e s  m all &  , &"  y W e a n d J a p a n a n d t h e  "& e s o o n    d t o l i v e n . Billy M a h o n i e t a k e thei  n a m e  m o n e o f t h e   s o u t o f XW X , y o u k n o w t h e m o v i e + e a b u n c h o f c o l l e g e s t u d e n t s Y&" t w i t h  d e a t h b y g o i n g ' f l a t l i n e ' . T h e y )* e a f o u  p i e c e , w i t h G a v i n o n !  , K e v o n b a s s Z+ d o n !" s a n d Hywell    g b e t w e e n guita  a n d bass.They " d at e n d o f '97 a n d h a v e  d t w o s i n g l e s s i n c e t h e n ,

O

p s

Hoon

a n d Whistling

h o l d o f t h e m y o u s h o u l d c h e c k o u t Moonlight

 Â&#x201A;IDÂ&#x192;KÂ&#x201A;L "d !"  l

of

o n Ride's

JÂ&#x192;Â&#x201E;GF Â&#x2026;P +  e

Madness

the psychedelic

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n e s s . Billy M a h o n i e

M o g w a i t o M i l e s D a v i s a n d DJ S h a d o w .

Â&#x2039;  e w a s a "Y ! e o f styles t o t h e s o u n d s t h e y Â&#x152;Â?Â&#x17D;Â?Â?Â&#x2018;Â&#x2019;Â? ,  g  m m e l l o w j a n g l y i n d i e t o m a s h e d u p p s y c h e d e l i c "   g ! h a s e a o f  d o u t  t g u i t a  c h o p p i n g . T h e t e n d e n c y + s t h e latte  w a s o n t h e a g e n d a . H y w e l l w a s t h e m o s t  g et i c,  g h i m s e l f ! d w h i l e  g h i s g u i ta  ! d a n d at t h e s a m e t i m e  &&  d h i s p i c k a n d  ( d it  m t h e t a n g l e d m e s s o f + s o n t h e f l o o  in t h e b l i n k o f a n e y e . Fo



the

! ! e

Billy M a h o n i e h a v e a d e b u t a l b u m

! g W! y 7Â&#x201C;Â&#x201D;Â&#x2022;7Â&#x2013;Â&#x2014;Â&#x2DC; g w i t h &! H e a d f o  T o o s! . T h e y ^_ a e ( y m e n t i o n e d i n t h e N M E ' s t o p 20 b a n d s t o w a t c h f o * i n 1999 a n d t h e y w i l l b e p l a y i n g a g a i n  m t h e e n d o f W!Â&#x2122; . C h e c k o u t ! ! e i s s u e s o f Felix f o  lined u p a n d will b e in t h e s t u d i o

dates a n d v e n u e s .

H

Jason

Sam. N o n e o f Billy M a h o n i e ' s m a t e -

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m a n y facets o f the

and enjoyment. W e also discove, that some 2,4074 s noe pushing B+>=@2,0'7, ),+@>10=g P Q Ry + , 0 5 0 = 2 l a n d 1 , ' a t i v e - + , p . It is a 5,'2 t

A n ? 2 4 > , ' , 7 ' , 0 + > s a n d >*4,2 4 3 ' 24 , ' 5 + ', , I w a s ? + , e t h a n slightly 2 ) ) , ' 3 ' = 7 0 ^ e a b o u t s e e i n g t h e 5*044', y 1 30 * @, '= x s s p e c |} }~~ € W e l l , o k a y , 4 3 ', e tacle that is yz{ Z w a s o n e 244,2140+ n - o n e o f m y all-time 3 ' , + ' s ,07 s A k a b u s i w a s i n it, w h i c h ? + , e t h a n m a d e u p f o A t h e s a d lack o f Gv 1 ( '0 5 3 B+ > , s 132,214', s in t h e cast. I 7 ',0 + >7 * y d o u b t e d t h e ' = 4 ' , 4 2 0 = m e n t v a l u e o f s h o u t i n g at 5 , + - n m e n

A

s a

sophisticated

the t w o ugly

‰Š‹ŒŠŽ

7074',7 ,

often

,0 @01 >*+> s a n d

As a

@'71,0B'd

s c e n e a b o u t cats.

‘ 3' , e † ‡ ˆ e

in fact

)', -

h a p s a f e w t o o m a n y ' a d u l t ' j o k e s that

.

)',7+n

with what could b e

as a s o m e w h a t juvenile sense

w o u l d h a v e p a s s e d o v e , t h e kids' h e a d s , b u t still

7 ' ,^ ' d

to

'=4',420= .

'=@'2,0=g com - , + = g m o m e n t s . They t h e m s e l v e s ) , + ^ 0 @ ' d a ,01 h 7 + > , 1 e o f ' = 4 ' , 4 2 0 = ? ' = t w h e n w,2@*' y W a l s h a s

and

130,)'d

u p with

m e n t s at all t h e

Buttons enticed s o m e y o u n g 'volunteets' to

/ )', +,m

a

^2,0'4 y

of

'?B2,,2770=g

activities o n s t a g e . Incidentally,

,07 s d i d n ' t

let m e d o w n

e i t h e , - h e w a s witty, a n d o f

1 + > , 7 e PQ Ry

e n t h u s i a s t i c . H i s c o m p l e t e lack o f a n y

1*'^',* y m a s k e d , a n d x ’ '1 +, d w,'2p',7 ' w a s m i l k e d full, ) , + ^ 0 @ 0 = g t h e subject fo A a

s i n g i n g ability w a s

,+* e

and w o m e n to look behind them, a n d

his

while

4,60= g t o f e n d o f f i n q u i s i t i v e ) , + @ s 7'^',2 l a t t e m p t s at 1 + = ^ ' , 7 2 4 0 + n b y a 3 + , @ e o f s m a l l 1 3 0 * @ ,'= , I s q u e e z e d m y s e l f i n t o t h e pint-sized 1320, . I w a s howeve, @ '4 ', ?0 = ' d t o k e e p a n o p e n m i n d , e v e n afte , t h e ? ' * + @ , 2 ? 2 4 0 c @ , > m ‚ƒ„ l a n d s t y l i s e d 0 =4, +@>1 4+, y s o n g b o a s t i n g t h e ?',04 s o f …2@B>,6x7 , a n d h o w w e l l a ba A o f …2@B> ,6x s w o u l d g o w i t h t h e )', / +,? 2= 1' , a n d w o u l d w e like t o g o t o t h e f o y e , a n d g e t - y o u g u e s s e d it - s o m e …2@B>,6x7 . O n c e t h e play g o t 742,4' d t h o u g h , I w a s c a p t i v a t e d . T h e sets † ‡ ˆe c o n s i s / tently B , ' 2 4 3 4 2 p 0 = 5 , a n d )', '14* y f a n tastical, w h i l e t h e c o s t u m e s † ‡ ˆe '(4,2^252=4 , i n v e n t i v e a n d , in t h e c a s e o f

to the

and

,2=5e

in

of jokes.

O n t h e w h o l e , t h e m u s i c w a s a little

1 +,= y lifted

‘3 ' , e

P Q Ry “”•–•—˜ ™ , u s i n g s o n g s , + m 7'^',2 l w e l l - k n o w n m u s i c a l s . † ‡ ˆe h o w e v e , s o m e ? ' ? + , 2 B * e

a n d not

/

tunes as well as s o m e excellent dances. T h e h u n t i n g s c e n e in )2,401>*2, s t a n d s

13+,'+5,2)3'd and '^',073* y @ , 2? 24 0 c p i e c e o f - +,p . š / ^',2**, t h e )', '1t p a n t o m i m e , / - + = @ ' , > * * y 1 2) 4 > , 0 = g t h e f a n t a s y o f t h e / 20, y tale a n d a l s o o f …3 ,07 4?2 s (if a little b e l a t e d l y ) . A 5,'2 t l a u g h . But y o u ' l l h a v e t o w a i t u n t i l n e x t y e a › t o s e e It... œ+,,6 ! o u t a s a lively, w e l l

/

of

3>?+>,,

I f o u n d myself

1 ,'27 0= g

hint o f s u b t l e t y ) . A n e x c e l l e n t

^'=4,0*+ P Q Ry

quist, w o v e n into t h e plot o n a

),'4'(4 , ' 2 , = ' d h i s ) , ' 7 ' = 1 e if o n t h e 7 4, '=5 4 h o f a s i n g l e , f u n n y

1 30* @,' n 0 ? )+ ,4 2= t )2, t

A s w i t h all p a n t o m i m e s , t h e

u p at

the gags (although don't expect even a

in t h e a u d i e n c e

† ‡ ˆe

an

o f t h e s h o w , g i v i n g us all a n e x c u s e t o indulge

+ > ,7 '* ^' s

as w e l l as t h e m . A n d

vague

t h e y d i d n ' t let us d o w n . They

only

with

'()',407 e

at all t h e

,053 t

,'7)+=@'d moments,

Judy


s

8

1

PATRICK CAULFIELD d ¨£ ¡ ²¡Ÿªd

by

black

Ÿ ¡¢ ²£¬,

m u c h like t h e l e a d i n g o f s t a i n e d glass w i n d o w s (incidentally, the subject o f a

£¤¥¦Ÿ¤ l

¨¦Ÿ¢²£ªµ .

also

Yet this

s i m p l i f i c a t i o n is aptl y c o m -

pensated

fo ž by ¨ £ «¦ ¡ ª ¡ t

¨ª£ -

spective guidelines, w h i c h expand the dimensions of

¨ª£Ÿª¨¢¦ ¡.

h o w e v e£ the ³ £«¤ t o f his ½   £ k £ª« ¤¦ ¡ ¬ , ¨ ª £ © ¤ ¨ s d i s a p p o i n t i n g l y , static ¢ © £   ² § ©   ² t h i s d i s t i n g u i s h e d Ÿ¤£ªª£ , a l t h o u g h i n «   £ e £ ª Ÿ ª ¡ t p a i n t i n g s h e a d m i t t e d l y ¦ ¡ ¢ £   ¥² Ÿ ª s t h e c o n c e p t o f ¢ªÆ¢²£ e t o   ¢ © ª£ ½ ¦ ¬ e ÇÈÉÊÇÊËÌÍ y s m o o t h c a n v a s e s . C a u l d -

they

ž e o f a

same

simila £

³ £ « , £ª¢¤¦ n t h e Á Âe equally

function and

c o m p e l l i n g but without a date this is t h e a n t i t h e s i s o f t h e PepsiCola bottle."

C

¨¦ Ÿ¢²£ª s ž e ´¦§©¢Ã©ª¤£¢ª d a n d ¥ªŸ £ ¤¢¦ ¾ª , o f t e n d e p i c t i n g ¦¡¢ª£¦ £ s a n d His

Opening

Ϥ¢ª£´  ÐÑ«±¤¡Ä«ª¡t

© ²£¬:

d a i l y 1 0 a m - 6 p m (Tues-

d a y a n d W e d n e s d a y until 8 p m )

field enjoys teasing the viewe£ with ¢ £ « ¨ e I'oeil £ ª ¨ £ ª ¬ ª ¡ ¢ ¤ ¢ ¦   ¡ s o f matte£ - a n invitation t o a n   ± ¬ Ÿ ² £ e ½   £ ´ d o f f a n t a s y i s s u e d ³ £  m t h e quotidian.

Helena

l a n d s c a p e s . H e a l s o injects i n s i g h t a n d h u m o u £ into his with a

© £¬ e

½ £Ä , ¨ ¤ £   ¥ ¿ ¦ ¡ g S t u b b s ¨£ ³¦´ e a n d ¦ ¡¢ª £¨£ª¢¦ ¡ g a

tube:

high-

§ ª § £ ¤¨ © ¦ Ÿ ¤ l s i t u a t i o n , it c o u l d ¶ ·¸ ¹ º» ¼ e in t h e ½   £ ´ ¥ . That's w h y I u s e Ÿª£¢¤¦ n ¦ « ¤§ ª £ y £¤¢©ª£ £ª¨ª¢¦¢¦¾ª´¿ , s u c h a s p o t s . À £ ª ª k pots picked up ³ £   m t h e s e a b e d c o u l d h a v e b e e n m a d e last w e e k ,

ª¤£ ª ¬ t

focus of the composition amidst a

§ª «ª¢£¦c ±¤ŸÄ¥£ ¨. This m a j o £ £ª¢£ ¬¨ªŸ¢¦¾ e

l i g h t s C a u l f i e l d ' s d i s t i n c t i v e style ,

be

 ž e a Ÿ ¡¢ £¤ ¥¦ Ÿ tion. H i s plana£ a n d §£ ¤¨ © ¦ c i m a g e s ž e £ ª « ¦ ¡ ¦ ¬ Ÿ ª ¡ t o f c o m i c ­®¯° p cells, s w a m p e d i n ±£¦§©¢ , ² ¡ ¦ ³   £ m a n d intense Ÿ ´ ²£¬ . Each ³   £ m is d e f i n e d

Î

A d m i s s i o n : £6, c o n c e s s i o n s £4

ª´ ¤Ÿ £ ¦ x c o m p o s i t i o n . H e a l s o j u x t a Ÿ   ¡ ¢£ ¤¬ ¢¦ ¡ g t e c h n i q u e s t o §£ª¤ t e f f e c t , c l a s h i n g t h e a l m o s t ¤±¬¢£¤Ÿ t w i t h e x c e s s i v e ¨ ©   ¢   § £ ¤ ¨ © ¦ c £ª¤´¦ ¬« . A f i n e l y d e t a i l e d £ ¬ e o  w i n e g l a s s is t h e

" M y s u b j e c t matte £ h a s n o s p e cific

a u l f i e l d ' s still-lives

Å

poses

U n t i l 11t h

Ò¨£¦ l

O n n i n g o f t h e Ÿª¡¢²£¿ . This s e c t i o n is ÚÛ Üy b e a u t i f u l - it's fascinating

t o discove£ t h e

m a k i n g o f su ch a n influential painting.

His time

at t h e

ݤ¢ª¤²ÃÞ¤¾ ¦£ s t u d i o in M o n t X «¤£¢ £ e ¥ ² £ ¦ ¡ g 1905-1909 is |

then

depicted,

many

¨¦Ÿ¢²£ª s

including

o f h i s ³£¦ª¡ ¥¬ .

T h e next c o l l e c t i o n t a k e s u s t o ß £ ¢ a d e ѱ£ o i n S p a i n à áâ ã e h e p a i n t e d t h e Houses

on the Hill. A g a i n , w e w i t n e s s the step by step

Ÿ £ª¤¢ ¦ n o f

the piece, as h e uses pho-

¢ §£¤¨©y

a s his m a i n

influ-

ence and help. The following

£  m

shows a few images of

ä ž , w i t h a n installao f ¨¤¨¦ ª£ s c o l l e s .

his o w n tion

Ÿ¤¨¢²£ªs t h e ¬¨¦£¦ t o f h i s t i m e ¨© ¢ §£¤¨©¿. H e

Picasso mood and

T

his e x c i t i n g e x h i b i t i o n - a c o n d e n s e d

¾ª£¬¦ n

³£ m the M u s e e ÓÔ ÕÖs - ª Æ ¨ ´   £ ª s P a b l o £ ª´ ¤¢¦   ¡¬ © ¦ p w i t h ¨ ©   ¢   § £ ¤ ¨ © ¿ . of shows

Picasso in

P icas s o's

Th e d i s p l a y o p e n s w i t h a f e w c l a s s i c a l Spanish

À£ ªŸ o

¨¤¦¡¢ª£¬;

t h e i n f l u e n c e o f El

³£ m then on, ½ £Ä , b e g i n n i n g w i t h a n d £ª ¬ª¤£ Ÿ h f o ž t h e £ª¾ -

is h i g h l y n o t i c e a b l e ,

w e follow Picasso's

his ¨£ª¨¤£ ¤¢¦ n d'Avignon.  ´²¢ ¦ ¡¤£ y ×ØÙ Demoiselles H e ¨ £ ª¨ ¤ £ ª d s k e t c h e s ³ £   m p h o t o s o f W e s t Ò ³£ ¦Ÿ ¤ n w o m e n t a k e n at t h e b e g i n -

æ

    .

Picasso

¬¢ ,

w esee

used his

p a p e £ cut-outs

¤¨¨£ ¤Ÿh o n  ' ¨ ©   ¢   § £ ¤ ¨ © ¬ , g i v i n g £¦¬ e t o s o m e ¢ £ ª « ª ¡ ¥   ² ¬ ´ y i n n o v a t i v e p i e c e s .  ¤£¢¦ Ÿ² ´¤£´ y « ª «   £ ¤ ± ´ e w a s t h e Ÿ´ª¾ª£´ y ¬ ² ¨ ª £ ¦ « ¨   ¬ ª d ¨£ª -

sentation of palm a n d mask ¢©£ ²§h §£ª¤ t ¨ £¢£¤¦¢ s o f s o m e o f t h e m o s t s i l h o u e t t e s . T h e last £     m is ¨ £   « ¦ ¡ ª ¡ t ¤£¢¦¬¢ s o f t h e 1910s : t h e p o e t s yet a n o t h e £  £¦§¦¡¤ l Ÿ£ª¤¢¦  n - light o ž s p a c e i m a g e s u s i n g M a x J a c o b a n d Ò¨  ´ ´ ¦ ¡ ¤ ¦ £ e (in h o s p i t a l å Picasso w i t h h i s w a ž ¦¡ ²£¦ª¬ ) a s w e l l a s t h e l i g h t b u l b s , w i t h ¨¤ ¦ ¡ ¢ ª £ s f e D o u a n i e £ R o u s s e a u a n d ¥ £ ¤ ½ ¦ ¡ g a n d t h e ¨ ©   ¢   § £ ¤ æ ¤ £ ¦ e Þ¤² £ª¡ Ÿ ¦ n ( a Üç Üe Ÿ   ¡ ¢ ª « ¨   £ ¤ £ y p h e £ G j o n M i l l Ÿ ¤¨ ¢ ²£ ¦ ¡ g t h e movements. f e m a l e ¤£¢¦¬¢¬µ . H e e v e n m a n a g e d t o  © ¢ §£¤¨© y w a s a l w a y s £ ªŸ   £ d h i s Ÿ  ´ ´ ¤±  £¤¢ ¦   n w i t h 袣¤¾¦¡¬Ä y ë í in 1917, f o ž w h i c h a majo £ e l e m e n t in Picasso's o n t h e ballet éê êì ¤£¢¦¬¢¦ c Ÿ¤£ªª£ a n d ¨ª £ ¬  ¡ ¤ l he painted the ¥ªŸ £. The exhibition t h e n f o c u s e s «   £ e o n othe£ ¨ ©   ¢  § £ ¤ - life. W e g e t a d e l i g h t f u l ¨© ª£¬ ' t a k e o n his žt a n d h i s ¨¤£¢¡ª£¬©¦ p i n s i g h t i n t o his c a p t i v a t i n g took

Å

£a ¤ ¤ £ ï s ¬ª£¦ª s d e p i c t i n g t h e Ÿ£ ª¤¢¦   n o f ùúû ðñòóôõö÷ in ø . Eac h p h o t o is t a k e n at a ¥¦³³ª£ª¡ t s t a g e a n d ¢ © ª £ ª ³  £ e c o n s t i tutes a ¨£ªŸ¦  ²s d o c u m e n t a t i o n o f Picasso's ¤£¢¦¬¢¦ c t e c h n i q u e . O t h e £ f a m o u s ¨© ¢ §£¤¨©ª£s include Doisneau a n d Ý£¤¬¬¤¦ . B o t h   ± ¬ ª £ ¾ ª d h i m i n t h e intiä m a c y o f h i s ž . Ý£¤¬¬¤¦ï s ¨¦Ÿ ¢²£ª s s h o w his i n v e n t i v e p a p e£ s c u l p ¢²£ª s o f t h e 1940s. T h e f i n a l £     « s Ÿ   ¡ Ÿ ª¡ ¢ £ ¤¢ e o n t h e last 20 üýþ ÿs o f t h e ¤£¢¦¬¢ï s Ÿ£ª¤¢¦¾ e life. ¬¢, w e ªÆ¨´  £ e his Ÿ ´ ´ ¤± £¤¢¦   n w i t h Ò ¡ ¥ £ e

with s o m e of t h e m .

  , s o I ¬¢£ ¡§´ y £ ª Ÿ   « « ª ¡ d this t o all Picasso

´ ¾ª£¬ .

U n t i l 28t h

Î

ª¤£ ª¬ t

æ

¤£Ÿh

tube:

ݤ£±¦ Ÿ ¤ n

A d m i s s i o n : £6, c o n c e s s i o n s £4


8

e

2

n Specimen A Review + Competition t h e y like t h e s o u n d of. AI t h e m o m e n t ,

:



they

 e just b u i l d i n g u p thei    # 

 

  ,

been



on

   l "  d s      e  0# $e

s o by p l a y i n g a f e w g i g s (a t o u  is d u e

o w h a t h e did), but t h e

i m e n A at o u  u n i o n , a n d w h a t a s u c c e s s

s o o n ) , a n d a bit o f    o play w i l l set

c o u n t s . Thei d a d also h a p p e n s to m a n -

it w a s . T h e i  u n i q u e  

 e d of     g tunes had  t h e ' f l o o  p a c k e d o u t (it h a d t o b e  ,

t h e m o n the  d to

s i n c e it w a s a sell o u t ) .

   m that t y p e o f m u s i c - t h e y w a n t to b e      e k n o w n fo  thei  o w n   d o f '  p u n k " a n d n o t as #  s o f Flint et a l .  This   , t h e y w o u l d love to d o Glas       , o  s o m e o t h e  festival a n d #     h a p s e v e n # # t s o m e o n e ( # s Hill

punk, a n d 







But a l t h o u g h IC h a s s e e n S p e c i m e n A play t w i c e , n o t m a n y p e o p l e

w h o they get a n 



 .

know

C l u b s c e n e m a n a g e d to

w with t h e m    e t h e

gig.



 

&. Although 

t h e $  & #    s to the  y will be m a d e , the guys

e l o o k i n g to get away

e they? Well, S p e c i m e n A !  e a c o u p l e o f likely l a d s      s a c t u  ally) w h o "   , #     $ e a n d p l a y t h e  k i n d o f m u s i c that t h e y w a n t t o .  y

was a n a m e m e n t i o n e d a f e w times) o n

g o o d w h e n y o u take into a c c o u n t that

ing && ,

So w h o

they

  e o n l y 18 a n d 20   s o l d .

Thei  d e b u t a l b u m , c a l l e d Pulse, w a s



"   n in a y e a  a n d f u s e s t o g e t h e  s e v    l    s o f m u s i c : h i p h o p ,    m a n d   ! bass, h e a v y t e c h n o , a n d  $ e - a     s i m p l e s y s t e m o f #     $  g  $% s that

)*+ ,



, t h u s b u i l d i n g u p thei  #     e a n d

g e t t i n g s o m e m u c h n e e d e d publicity.



A n d w i t h thei

a g e t h e m , whilst m u m is a m u s i c t e a c h e 

1 234

s in t h e family?) a n d h e l p s o n t h e c o s -

t u m e  

5678



!   , s o b a n k l o a n s a n d all that it's all 9 : ; ; < = h is   y a #      & , all t h e y h a v e to d o is #     $ e the g o o d s .

 

w h o will  

, ,

.

i n g that S p e c i m e n A taken



  



!   "It's all a l o a d o f      g h i p p y $ #' ,  as (  & n    m S o u t h   k w o u l d say.  That is F   n t o t h e G    $ e f o  y o u . Y o u HI J K L M H N y h a v e t o b e i n t o t h i s    t o f t h i n g to e n j o y this n i g h t . A n d I w a s n ' t ,

O b v i o u s l y this y e a  w i l l b e $  $

,

s o m e t i m e - a n d w e s a w t h e m >?@AB !

/m

music w o u l d have pissed m e off even o n

But this w a s b o n g o    m hell. O n e    m

a #   e beach

w a s e v e n w h o l l y d e d i c a t e d t o t h e little

what is

that t h e v e n u e , T h e Rocket, is q u i t e g o o d a n d t o b e fai  to RTFS t h e y d i d   $  



e

it w e l l . I t h i n k it's a s t u d e n t u n i o n by day,

STUVWUXY ,    &  , p s y c h e d e l i c    $ e u s u -



a b cde fg da h l f e l l a s . I m a g i n e w e l l o v e  a !      d tone-deaf, untalented, a n d         $  d $   s   g to play (!) ! t h e i     & s in t i m e w i t h e a c h    .

s o it's a bit a n g u l a  a n d f u n c t i o n a l in

O b v i o u s l y t h e y f a i l e d , but &   e  & #   -

p l a c e s , but it d o e s t h e j o b as a majo  c l u b

tantly t h e y     e a n y o n e f o o l i s h e n o u g h

v e n u e . T h e RTTS p e o p l e

_

ily a b o u t t h e m u s i c , a n d o n this f u n d a -











to stay in t h e    & , c o m p l e t e l y m a d . A n d what's &  e they used up a w h o l e

   m w h i c h c o u l d h av e b e e n filled with    $ c t h a t RTTS is

the hypnotic / f a m o u s  .

i

 "     , d o n ' t just take m y "   d f o 

   n t o o n e o f thei  a l b u m s

a n d if y o u like w h a t y o u h e a  t h e n g i v e

they've m o v e d o n t o n e w a n d shitte  pas-

 . But I'm n o t g o i n g to say ! neve g o , because maybe I caught  RTTS o n a b a d n i g h t . It w a s a    & &  g

. The only w a y to desctlbe the music

festival o n t h e n i g h t , s o   y f u c k e  a n d

to t a k e y o u b o n g o    m w i t h y o u . Afte

his w i f e h a d a b o n g o    m o n t h e m . A n d

all, c l u b s

w h a t RTFS  

Z[\]^



y is a b o u t . O 

maybe

   a is as m i n d - n u m b i n g . ! This stuff  y m a d e y o u    n  t - t h e  !  dance music equivalent of  h metal. in t h e m a i n



`  I m e a n      . I a c t u a l l y felt q u i t e

naked without - I should have taken

To     e a n y e n j o y m e n t    m t h i s , let

mine along with me. Then maybe

a l o n e b e i n g a b l e t o d a n c e t o it, y o u

h a v e g o t &   e i n t o it. But I d o u b t it. Y o u

w o u l d h a v e to h a v e t a k e n e n o u g h s p e e d

see b o n g o &s

!



!

e



I'd

all o f this.

t h e c l u b n i g h t a g o . But   &  &    n o t

 c fo d a n c i n g i n , n o t fo

p o u n d i n g away incessantly o n ing 



&



annoy-

.

g

!  t w h e n e

  . E  e w a s just n o t h i n g to

is o n l y a f e w o f t h e m b e i n g p l a y e d by

it - n o m e l o d y t o s p e a k of, n o t h i n g t o

h i g h l y s k i l l e d #      &   , as a n a c c o m -

t o kill a



us C D s t o g i v e a w a y .

!   g   d

p a n i m e n t t o the m u s i c . That's w h e n t h e y

last G

a b s o l u t e l y s h i t . O PQ R e w a s

a d d an 0 a d i m e n s i o n to a club night.

in G o a . A n d

!      e E x fo  all t h e i  h e l p , a n d g i v i n g

t o let t h e a l b u m f l o p - n o t that it s h o u l d ,

l a t c h o n t o . Just d e a f e n i n g kick    & s

s o m e o f t h e i  a l b u m s f o  this)? That's

was

,

  d

a n d a lot o f s w a y i n g b o d i e s . I t h i n k t h i s

m a k e s this e v e n &   e o f a s h a m e

M a n y t h a n k s a l s o t o J o d i e a n d D  k at

e

m e n t a l $      n RTTS f a i l e d &     y

That's ' c o s ( a n d I'll b e b l u n t ) t h e m u s i c



 e a l s o g e t t i n g lots o f  # #   t      m f a m i l y a n d     . T h e i  d a d has

ally a s s o c i a t e d w i t h RTFS (just c h e c k o u t

      g days.

c a band to be

.

g o e s to plan, S p e c i m e n A will be

the

my &   e o p e n - m i n d e d

fo

   e a l s o  .   y chilled-out,   , happy, a n d     m o s t $   y n o t $  . But c l u b b i n g is n o t just a b o u t t h e s e t h i n g s - it's #  &  -



a n d #     y n e v e  h a v e b e e n , e v e n in



tival s u c h as /



. .

.

v o c a l s a n d lots o f synths". Ideal fo  a f e s They

.

g l e in t h e n e x t c o u p l e o f m o n t h s , s h o w -

g i v e n t h e b a c k i n g o f B M G . If    

s



"visually a c t i v e , live s o u n d w i t h p l e n t y o f



i n g a c o p y o f J o h n ' s n e w m i x a l b u m in the post y s o o n :

e P u l se a n d t h e  t s i n -

t h e y n e e d publicity, a n d t h e y can't

         s to t h e f o l l o w i n g , w h o    $$ y "    d last w e e k ' s c o m    s w i l l b e  $ petion question. C (

Recently,

they s i g n e d to the $d giants B M G ,

n to the e

. Fo  e a c h s h o w , S p e c i m e n A

g a h u g e a m o u n t of e q u i p m e n t , a n d

 t live s h o w s , i n c l u d        ,  $   s (thei      - . , S p e c i m e n A  e g o i n g f o  a

      .

n

(Specimen A did not m e n t i o n w h o with

t  y s a w t h e s e c o n d g i g b y S p e c -



!

F b


e

8

Albums + Singles

m

t t

p i c k u p o n t h e fact that t h e ~lpy k t a k e s

m€ ym ln ~ s j l k m 'I h e a l m u s i c in t h e |~lmm~¦ . Out soon ~‰lkw{h BMG.

This w e e k ' s a l b u m o f t h e w e e k

comes

in t h e j k l m o f C o l d c u t ' s "let u s lmnopqr ,

C a f e D e l § p l ) h a s c h o s e n t h e ~lpyŠ| .

a n d w h a t a f i n e a l b u m it is t o o .

All t h e m u s i c o n t h e C D s pl e t a k e n j l k m

It's a

s m t l d a n d s k u v m l j w l a l b u m , a n d is t h e s k l o d t o u l o f live culmination of a

• • •

P a d i l l a h i m s e l f (the f a m o u s DJ o f t h e a '

n m l t k d a n d the classic

the

‹ po mp lt c t u n e s that h a v e s h a p e d I b i z a

A c l o s e l wu u m l f o l s i n g l e o f t h e w e e k , it's

s h o w s ( n o n e o f this n l m x l m y k l v m d

on

i n t o w h a t it is t o d a y . In |‰kl ~ , t h e s e pl e

a { p l p { e t u n e by o n e o f t h e

DAT

such

as

t u n e s that h a v e m a d e

n l k v w y m l s a b o u t o n t h e { p l p { e s c e n e at

So what's

the

z

bollocks)

in

cities

plymokua a n d Tokyo.

album about?

W e l l ba s i c a l l y , it's l o a d s

o f n l k { l m | | t } e h o u s e t u n e s all o n o n e

¨©ª«ª¬­®s

Smokebelch

´

ple II

Ibiza.

‰mlm, by

All

Ihe

plpv t|m , A g u a , a n d J o s e P a d i l l a t h e list

goes on and on.

w i t h e a c h ~l p y k i n s o m e j k l m o l a n o t h -

| n m y ~ l w m o f t h e classic I b i z a n hits. T h e

el (e.g. l m  t € t u {  . All t h e t u n e s pl e {lmp t a n d p l e b y s m o ox l m | n m y ~ m d pl~t|~ s

m e l o d i e s , soft-vocal a n d

s u c h as ‚pl l ƒ „ … † ‡ .

w i t h a slight b e a t a n d t h e s o u n d

ˆ‰mle ple chilled

spl‹otu{s o f M i s s S e l e n a Saliva a n d t h e Sycophants

on

'the

Tale

of Viginia

E p i t o m e ' a n d ' N o a h ' s Toilet) - d o n ' t a s k

those of y o u w h o

m e w h a t that's all a b o u t ! ˆ ‰ m l e pl e t w o

µ¶·¸¹º» , it is a f e w q mp l s o l d n o w , but if y o u w a n t a ~lt p d o w n  m  k l y

d o z e n o l s o | w n m l b Œ  Ž  , h o u s e ~l pyŠ| ,

t h e n c h e c k out these.

whilst t h e s e c o n d j m p ~ w l m s a n o t h e l six

O u t o n React  m y k l v s

o n a u k l  p l C D nopqml .

o n t h e v p u y m j o k kl | , a lot o f p e o p l e s e e m to p{lmm. ,

The C D c o m e s with

~‰lme

m i x e s , t h e b e s t o f w h i c h is by t h e Ruff

ÐÑÒÓÔÑÕ

.

• • • t p

s s s ¼  w | t y xu m ~ s k l Š ¼ y k ½ l m p y ~ )

A g o o d soulful, {p lp{ e tune jmp~wltug

• • •

t h e v o c a l talents o f J e a n M c C l a i n . A g a i n ,

e

d o w n s ol a n y t h i n g .

it's a g o o d , s i m p l e ~lpy k - n o f a n c y ‹lmpŠ -

s o m e p o i n t o f C o l d c u t ' s ~k w l . D o n ' t let t h e p a c k a g i n g p u t y o u o f f e i t h e l - it

G o o d vocals, sim-

‰plvykle

a

p l e , c a t c h y t u n e . T h e ~l py k c o m e s w i t h

It is {lm p t a n d

'

fou

m a y a p p e a l to b e a h a p p y type a l b u m , b u t it's n o t .

ideal

lane,

Both CDs fea-

~wl e s o m e ~lp yŠ s l m y k l v m d live j l k m

s o f t v o c a l s , m a k i n g it a n

{ p l p { e t u n e . S i n c e it's kick u p a | ~k l m

of

q m pl s a g o , t h e n y o u c o u l d d o a lot s k l | e t h a n to c h e c k o u t this c o l l e c t i o n .

(

and

fol

l o v e d Ibiza a f e w

The

t u n e jmp~wlms a }mly simple, catchy beat

tunes

w a v e s ylp|‰tu g onto the beach,

l m om p| e

t h e H o o k e d cut Ê j l k m t h e a l b u m ) .

tu|~lwmu~p l

C D s o n t h e a l b u m . T h e jtl| t j m p ~ w l m s a

o l s o w h i c h y o u c a n play o n y o u l PC o l

a n d in § p l y h o f t h i s qmpl , she

The tunes span the

t u n e s p l e o n , as w e l l as t h o s e

s a w t h e l m om p | e o f

Donna's |wnmlb "Spellbound" album,

of

C D ; but C o l d c u t h a v e h a d a n i n f l u e n c e

out ~lpyŠ| , v o c a l ~lpyŠ s e . g . t h e a c o u s t i c

the m o m e n t .

including

¯ ° ± ²³ s

the

hottest

any nlk{lm||t}e h o u s e fans out ~‰mle

Ö m i x e s , b u t w u j k l ~ w u p ~ m o y t h e y all

s o u n d exactly the s a m e , with minimal

s h o u l d get t h e i l h a n d s o n a c o p y o f this

O ul single of the w e e k - an d what a t u n c

c h a n g e l e a v i n g t h e } p l t p ~tk n a bit t h i n .

album. O u t n o w o n Ninja myklv|.

it is - is a | w n m l b ~lpy k by M o n i c a w h i c h

O u t in § p l y ‰ .

jmp~wlms the M A W d o i n g the ¾¿ÀÁÂÁÃÄ. It's a yl k| s b e t w e e n

R&B a n d { p l p { m ,

• •

s i n c e it d o e s n ' t s e e m t o b e in e i t h e l

• • • •

{ m u l m , a n d it's t h e k i n d o f t u n e y o u c o u l d s m o o c h t h e n i g h t a w a y t o . A soft

a

bass line a n d M o n i c a ' s s w e e t v o i c e m a k e

e

t h e v o c a l m i x p l { w p ‹ o y t h e best mix, but

t a M u l t i p l y is a l m y k l d l a b e l w i t h a ‰t|~kl y

~ ‰ m l e is a stack o f m i x e s to c h o o s e Å Æ Ç È ,

o f n l k v w y t u g {lm p t ~lpyŠ s - pnpl t j l k m

including dubs, a n d a h o u s e mix. M o n -

this o n e . This has to b e o n e o f t h e

‘’“ ”y | w   m l , w h e n t h o u s a n d s o f u s

ica's v o i c e is {lmp t a n d t h e M A W d o a

t u n e s I h a v e evel ‰ m p l v , a n d

head off o n oul holidays, the

lmykl d

| w n m l b j o b o f g i v i n g us a b o u t half a

 k l e p l e n t y o f p e o p l e p { l m e (ask t h e

c o m p a n i e s ' lw b t h e i l c o l l e c t i v e

hands

d o z e n }m l |tk u s t h a n k s to thei l mixes, giv-

‚ ‰ m  t | ~ l y s t u d e n t s in t h e E v a n s lab!).

i n g p l e n t y o f }pl tp~ tku| .

T h e ~lpy k is s i m p l y yl p n . It kick s o f f w i t h

s

~ k{ m ~‰ m l , a n d fill t h e s h o p s u p w i t h t h e •–—˜™š›œ™žŸ œŸ¡žŸš œ¢ ˜¡£¤œ£ -

¥

lm p t v o c a l s ,

{ l mp t t u n e - | w n m l ‹ . O u t in § p l y ‰ .

fast-buck C D s . T h e s e C D ' s ( a n d ~ ‰ m l e

• • •

d o m l y |ylmpm "gotta have hope".

that h a v e b e e n o n t h e d a n c e j o k k l s in

¥

l m m y m , S p a i n e t c . Basically, t h e y h a v e DJ ˆ w l u ~p ‹ o m s

(o l

whatevel

tu~lkvwye the t h e m e jlk m

h

A Space

Odyssey', again, c o m p l e t e l y lpuvkoq,

l

theil

n a m e s plm ) in l e s s t i m e t h a n it t a k e s f o l

Not

c o n t e n t w i t h that, t h e n l k v w y m l s t h e n

b e e n c h u c k e d t o g e t h e l a n d ' m i x e d ' (?) by

a b e a t that is f i n e e n o u g h , b u t w h i c h is t h e n  w l v m l m d as a w o m a n |~pl~ s to lpu -

1

pl e l o a d s o f t h e m ) pl e t h e y wl l m u t hits

s kl | t

what's

! ‹ m j k l e t h e w o m a n , o n c e a g a i n , |~pl~ s T h e q u e e n o f R&B o n c e a g a i n d e m o n -

| |ylmptu g again. The CD c o m e s with

that as a ¦ l m  t u v m l ' o f y o u l h o l s , y o u ' l l

|~lp~m s w h y s h e is just that. A l l night l o n g s is a k u v m l j w l ~lpyŠ , w h i c h j m p ~ w l m s t h e

I J u l e s , t h o u g h ~l p{t ypo o y y o u l m pl s

buy the C D .

O b v i o u s l y if y o u w a n t t o

a w e s o m e v o i c e o f Faith, as w e l l as t u n e

! s u b j e c t e d to e x a c t l y t h e s a m e t u n e as

but t h e m t h e n f i n e , b u t ~ ‰ m l e p l e lots

w h i c h h a s a {l mp t l ‰ q ~ ‰ m to it. But y o u

y o u t o pull o n y o u l h o l i d a y , in t h e h o p e

o f t h e m a n d c h o o s i n g t h e lt{‰ t

one

c a n o f t e n b e a p a i n in t h e pl | e s i n c e

1

j ~ ‰ l m e m i x e s , o n e a l l e g e d l y by J u d g e

the othel two mixes.

A n a w f u l ~lpyŠ ,

pl e s i m p l y lost in Evans' s k u v m l j w l v o c a l s

w h i c h y o u s h o u l d a v o i d . It's o n l y u s e is

~‰mq¦l e g o i n g t o h a v e ~l p yŠ s o n t h e m

a n d that's w h a t lmpoo y m a k e s t h e ~lpyŠ .

as a n l m | m u t f o l s o m e o n e y o u

The single c o m e s with ~‰lme mixes, the

hate.

w h i c h y o u will hate.

a l b u m } m l | tk n ( w h i c h is t h e best mix), a n

T h e b i g g e s t { l k w p o f C D ' s that

come

o u t pl e t h e o n e s that m e n t i o n I b l z a in thei l n a m e s , b u t o n e { l k w p o f C D s that

pl e d e f i n i t e l y s k l ~ h c h e c k i n g o u t , is t h e C a f e D e l M a l | ml t m| . ˆ ‰ m l e p l e ~ ‰ l m e o f t h e m in t h i s npl ~tywopl |m l tm | , a n d J o s e

pl e

É

lmpoo y

u| ~ l wm u~ p l Êpolt{‰ t if y o u like t h e s of t ÎÏ t if y o u just

t u n e ) a n d a n a c e p p e l l a ËÌ Í

w a n t to h e a l Faith!). T h e t u n e j m p ~ w l m s P u f f D a d d y a n d t h e ~lpt n | n k ~ ~ m l s m i g h t m


s

4

8

e , s äüĂ? Ă&#x2122;Ă&#x2014;Ă&#x2122; Ă&#x161; t b e i n g Ăł Ă&#x2122; ĂĽ Ă&#x2122; Ă&#x2014; Ă&#x153; Ă? Ă&#x2122; d b y t h e

 fo ĂŤ Episode 1 w h i c h was s h o w i n g at s e l e c t e d

cinemas

Ă&#x2014;Ă&#x2122; ĂĄ Ă&#x2122;ĂĽĂ?Ă&#x17E;ø . M o s t o f t h e g a m e s h a v e Ă&#x2014; Ă&#x2122; Ă&#x17E; Ă&#x2122; Ă&#x153; Ă&#x161; Ă&#x2122; d at b u d g e t (o ĂŤ at been

ĂľĂ&#x2014;ä ĂĄ Ă&#x2122;Ă&#x161; , a n d in o n e Ă&#x2014; Ă&#x2014;Ă&#x2122;Ăž ä óó Ă&#x2122; d t o t a k e o t w o cases Ă&#x2014; advantage of mino innovations Ă&#x2014; äĂ&#x2014;Ă&#x2122; ĂĄ Ă?  . In s u c h as  D ĂĄĂ&#x153; Ă&#x2DC; s a n d Ă&#x203A; least      )

Ă&#x2014; b e l o v e d G a m e s Edito Ă&#x2014; like s t o Ă&#x2DC; Ă&#x2014; Ă&#x2122; Ă&#x161; s Ă&#x2014;Ă? Ă&#x2014; Ă&#x2014; Ă&#x2014;Ă&#x2122;Ă&#x17E; u p as Ă&#x203A;Ă&#x153; h V a d e - in fact h e ' s Ă&#x153; y h a p -

Ou

o n e case s o m e additional (and exclusive)

missions

have

been

put

Ă&#x2122;üâĂ&#x2014;his v i s a g e , w h i l s t m a n h a n d l i n g a n Ă? Ă Ă&#x2014; âÌ ĂŚ ä ĂĽ g w e a p o n . But e n o u g h o f mous

Ă&#x2014; Ă&#x2014;Ă&#x2122;Ă&#x17E;Ă&#x2122;Ă&#x153;Ă&#x161;Ă&#x2122;. t o g e t h e solely fo ĂŤ this Ă&#x2014; Ă&#x2122; Ă&#x17E; Ă&#x2014; At t h i s p o i n t I'd b e t t e Ă&#x2DC; ĂĄ Ă&#x153; e a n äüĂ?Ă&#x2122;Ă&#x2014; Ă&#x2122;Ă&#x161; t -1 a m a Sta    s f a n . A s a k i d I Üä áĂ&#x2014;Ă&#x2122; had the Ăł s a n d m a n y o f t h e ships. Ă&#x2014; I'd h a v e t h e m still h a d m y m o t h e n o t

that...

s o l d t h e m f o ĂŤ a m e a s l y five q u i d . W h i l e

g a m e s s h o p in t h e last f i v e ç è Ê ês (in fact

films (the

Ă&#x;

pie t h a n w h e n c l a d in tight b l a c k

Ă&#x17E;Ă&#x2122; Ă&#x153; Ă?Ă Ă&#x2122;Ă&#x2014; ,

with a n e n c l o s i n g black m a s k å â ã

Ă&#x2122;Ă&#x2014;äüg

Ă&#x2014; A n y o n e w h o ' s b e e n in a c o m p u t e

almost a n y o n e 'of a ĂĄ

Ă&#x2122;Ă&#x2014;Ă?Ă&#x153;ä n a g e ' w h o

hasn't a c t u a l l y b e e n d e a d f o ĂŤ t h e last

Ă°

five ĂŹĂ­ĂŽ ĂŻ ) w i l l b e f a m i l i a

Ă&#x2014; w i t h t h e X-

I'm n o t totally b l i n d t o t h e faults in t h e

áüüĂ&#x2122;ĂĄĂ&#x2122;Ă&#x161;Ă&#x161;Ă&#x153;Ă&#x2014;äĂ&#x17E;y l o n g dialoguey Ă&#x2122;ä à äĂ&#x2014; áĂ? Ă&#x161; , Ă˝ á Ăż e S k y w a l k e Ă&#x2014; fullbits, Ă˝ Ă&#x153;  s Ă&#x153; ĂĄ

stop), I shall b e a m o n g s t t h o s e q u e u i n g

Ă&#x2014; â á ĂĽ d t h e b l o c k In t h e Ă&#x161; á Ă´ Ă´ Ă&#x2122; Ă&#x2014; , a t e n n e Ă&#x2014;

Ă&#x2014;Ă&#x153; Ă&#x17E;Ă&#x17E;ø ) a Ă&#x2014; Ă&#x2122; ĂŚ Ă&#x2122; l Ă&#x161;Ă? Ă&#x153; Ă&#x2014; Ăś ä Ăł Ă Ă?Ă&#x2122;Ă&#x2014; pilot, a n d ĂśĂ&#x2014; âm the

g e t to fly all t h e s h i p s

f i l m s - X-Wing, Y-Wing,

Ă&#x2014;

A-Wing

Ă&#x17E;

a n d B-Wing. Ăť âĂ&#x153;Ă&#x2DC; y s p e a k i n g t h e missions f o l l o w t h e films, a n d y e s , y o u d o g e t t h e c h a n c e t o fly

Ă&#x2122;%áĂ&#x153;Ă?âĂ&#x2014;äĂ&#x153;l Ă?Ă&#x2014;Ă&#x2122;ĂĽĂĄ h of øâáĂ&#x2014;e g o o d

along the

t h e D e a t h Sta  - if

Ă&#x2014;

Ă&#x2014;Ă&#x2122; Ă&#x17E;Ă&#x2122; Ă&#x153; Ă&#x161; e it's b e e n Ă&#x2014; Ăľ à ä ĂĄ s in c l e a n e d u p a bit, t h e Ăł Ă&#x153; &'()*+,-'( b e i n g á Ăľ Ăł Ă&#x2014; Ă&#x153; Ă&#x2DC; Ă&#x2122; d t o t a k e a d v a n áĂ&#x2014;Ă&#x2014;Ă&#x2122;ĂĽt t e c h n o l o g y . tage of ĂĄ It a l s o e n o u g h . Fo this

includes t h e t w o e x p a n s i o n packs, a n d may well be you

Ă&#x2014; only chance of getting

ò Ă&#x2122; ĂŁ Ă&#x2122; Ă&#x2014; , d e s p i t e t h e á Ăľ Ăł Ă&#x2014; Ă&#x153; Ă&#x2DC; Ă&#x2122; , it's them. .â now

definitely

showing

its

age.

Ă&#x2014; w a s X-Wing's s e q u e l , Ă&#x2014; a l t h o u g h it's Ă´ â e o f a c o m p a n i o n p i e c e . Ă&#x2014;äĂ?ä ĂĄ äĂ&#x161; Ă´ s l e v e l l e d at O n e of the biggest ĂĄ Tie

fighte

X-Wing w a s that,

Ăľ Ă&#x153; Ă&#x2014;Ă?ä ĂĄ áĂ&#x17E; Ă&#x153; Ă&#x2014;Ă&#x17E; y o n t h e final

m i s s i o n s , it b e c a m e w e l l n i g h i m p o s s i b l e .

Ă&#x2014;

Ă&#x2014; Ă&#x2122; Ă&#x161; Ă&#x161; Ă&#x2122; d this b y h a v i n g Ă?Ă Ă&#x2014; Ă&#x2122; e Ă&#x2122; ĂĽ Ă&#x161; á Ă&#x2014; ä ĂĽ g that e v e n difficulty settings,

Tie Fighte Ă&#x153; Ă&#x2DC; Ă&#x2DC;

Ă&#x161;Ă&#x2122;Ă&#x2014; äĂ&#x2122;Ă&#x161; . In fact Ă? Ă Ă&#x2122; Ă&#x2014; e m a y b e t h o s e Ă?Ă Ă&#x2122;Ă&#x2014;e thinking "Hang o n , of y o u out

Ăś Ă&#x2014;ò Ă&#x2014; â Ă&#x153; d t o it, a n d I'm n o t a s h a m e d . O h

t h e s e g a m e s h a v e b e e n o u t f o ĂŤ at least

y e s , t h e g a m e s . Right, t h e flight s i m s , X-

ing cutscenes.

w i n g , Tie fighte

te t h a n X-Wing, p l u s y o u g e t t h e a d d e d

Wing

Ă?Ă Ă&#x2014; Ă&#x2122; e çèÊ ĂŞs - w h y t h e h e l l Ăą ĂŤ e t h e y b e i n g Ă&#x2014;Ă&#x2122;ãäĂ&#x2122;òĂ&#x2122; d now?" N o t to put t o o fine a p o i n t o n it, t h e last c o u p l e o f w e e k s

Ă&#x2014; Ă?Ă Ă&#x2122;Ă&#x2014; f a l l o w f o ĂŤ P C Ăł Ă&#x153; Ă´ Ă&#x2122; Ă&#x2014; Ă&#x161; . have b e e n Ă&#x153; Ă&#x2014; Ă&#x2014;Ă&#x2122;Ă&#x17E;Ă&#x2122;Ă&#x153;Ă&#x161;Ă&#x2122;s have b e e n M o s t o f t h e majo Ă&#x161;ĂľĂ&#x2014;äüg schedules, w h i c h saved fo ĂŤ t h e

in m y d a m p , s w e a t y p a l m .

    

I'm l o o k i n g

Ă&#x2014; a n d X-Wing vs Tie

n o n - e n t i t i e s like m e c o u l d s e e t h e c l o s -

Ă&#x2014;

It w a s in /0/ 1y w a y b e t -

, collec-

tively

bonus of flying

2 the Ă&#x2122;ôþäĂ&#x2014;Ă&#x2122;. Ă&#x161;Ă? â Ă&#x2014; øĂ&#x17E;ä ĂĽ e h a s The

known

fo

as t h e X-Wing

! "#$

.

also

3456789:

X - W i n g

been ,

with

äüĂ?Ă&#x2014;ä Ăł áäü g s u b -

m e a n s that w e h a v e t o fill i n w i t h c o m -

has

pilations a n d a ĂĄ

k n o c k i n g

plot d e a l i n g w i t h

about fo ĂŤ quite

a

some

within

Ă&#x2122; Ă&#x2014;Ă? Ă&#x153; ä n a m o u n t o f g o s s i p ,

Ăś Ă&#x2014; Ă?áü Ă? Ă&#x2122; Ă&#x17E;ø â Ă&#x153; , a c o u p l e o f t h e g a m e s pubĂ&#x2122; Ă&#x2014; Ă&#x161; Ă? Ă&#x153; ĂĽ d this a n d h a v e Ă&#x2014; Ă&#x2122; Ă&#x17E;Ă&#x2122; Ă&#x153; Ă&#x161;Ă&#x2122; d !khÂŁ>Ăš i Ă´Ă&#x2DC; Ă&#x2014; Ă?Ă Ă&#x2122;Ă&#x2014; g o o d c o m p i l a t i o n s t o h e l p some Ă&#x153; s

Ă&#x2014; P C Ăş Ă&#x153; Ă´ Ă&#x2122; Ă&#x2014; s Ă&#x161;áĂ&#x2014; ĂŁ ä ĂŁ Ă&#x2122; . Ăť Ă&#x17E; ä Ăź Ăź Ă&#x153; Ă&#x2014; d Ăą ĂŤ e á Ă&#x161; Ă&#x2014;Ă? o n e ( s e e last i s s u e ) , a n d Ă˝ ĂĄĂ&#x153; Ă&#x153; s ( b l e s s (heft c o t t o n s o c k s ) ùÍ e Ă&#x153; ĂĽ â Ă? Ă Ă&#x2122; Ă&#x2014; . us p o o

Ă˝ á ĂĄĂ&#x153; Ă&#x161; Ă&#x153; Ă&#x2014;Ă? s h a v e Ă&#x2014; Ă&#x2122; Þþ Ă&#x153; ĂĄ ĂżĂ&#x153; Ăł Ă&#x2122; d a n d ĂŤ   Ă&#x2014; s g a m e s in i e i e a s e d all o f t h e i Sta 

the last m o n t h o ĂŤ s o . T h i s m a y n o t b e



y unconnected with the flood o f

an

been

time

fifth

column

been

á Ăľ Ăł Ă&#x2014; Ă&#x153; Ă&#x2DC; Ă&#x2122; d

g a m e I actually went out a n d b o u g h t w i t h m y o w n m o n e y . It's best s u m m e d u p as t h e b e s t bits

ĂśĂ&#x2014;

âm the

f i l m s - n a m e l y t h e f i g h t s . Y o u ùÍ e ( n a t u -

a n d i n c l u d e s t h e e x p a n s i o n pack. It is t h e most enjoyable of the games

in t h i s

pack,

much.

although

. âòĂ&#x2122;ĂŁĂ&#x2122;Ă&#x2014; , the g a m e lacked a åâà Ă&#x2122;Ă&#x2014;Ă&#x2122;ĂĽ t Ăś á Ă&#x161; Ă&#x2014;Ă? Ă&#x2014;Ă&#x2122;Ă&#x17E;Ă&#x2122; Ă&#x161;Ă&#x2122; ĂĄĂ&#x153; Ă&#x153; s Ă&#x153; d

set o f m i s s i o n s , a n d s o

Ă&#x161;Ă&#x2122;Ă&#x2014;äĂ&#x2122; s o f ĂľĂ&#x2014;Ă&#x2122;ÞþĂ&#x17E; Ă&#x153; ĂĽĂĽĂ&#x2122; d Ă&#x2014; Ăľ Ă&#x2014;Ă?Ă&#x17E; s i n g l e p l a y e m i s s i o n s . It w a s o n l y Ă&#x153; y Ă&#x2122;Ă&#x2014; Ă&#x17E;Ă&#x17E; s u c c e s s f u l , a n d â ĂŁ Ă&#x153; , X - w i n g vs T i e B a l a n c e o f ABC , a

Ă&#x2014; F i g h t e w a s n o t q u i t e as g o o d a s T i e Dä Ă Ă?Ă&#x2122;Ă&#x2014; Ă&#x2014; Ă&#x2122; Ă&#x153; Ă&#x161; â ĂĽ , ýáåĂ&#x153;Ă&#x161;Ă&#x153;Ă&#x2014;Ă?s . Fo ĂŤ s o m e Ăł

h a v e n ' t i n c l u d e d B a l a n c e o f P o w e E in this p a c k (o ĂŤ if t h e y h a v e , t h e y ' v e h i d d e n it w e l l ) , i n s t e a d p l u m p i n g f o ĂŤ s o m e

Ă&#x2122; F Ă?Ă&#x2014; a

"exclusive" missions. All in all, this is

tial

ĂľĂ&#x2014;Ă&#x2122;Ă?Ă? y m u c h a n e s s e n -

Ăľ á Ă&#x2014; ĂĄ Ă Ă&#x153; Ă&#x161; e if y o u h a v e n ' t Ă&#x153; Ă&#x17E; Ă&#x2014; Ă&#x2122; Ă&#x153; Ă&#x2DC; y g o t

t h e g a m e s . If y o u h a v e , t h e n y o u h a v e

W i n g : A l l i a n c e . They'll a l s o ĂŤ G n o n l o w e

also

t

Ăž ĂľĂ&#x2122; Ă&#x2014; Ă&#x153; Ă?ä ĂŁ e o ĂŤ head-to-head play. Ă&#x2014; Ăľ à ä ĂĄ s Ăą ĂŤe t h e b e s t o f t h e Ă? Ă  Ă&#x2014; Ă&#x2122; e ĂĽĂ?Ă&#x2014; â l is e x c e l l e n t . g a m e s , a n d t h e flight åâ

m u c h as X-Wing)

distinction

of

Ă&#x2014;

e i t h e åâ â The Ăł Ă&#x153;

(although not as

; < = > ? ; . This h a s

Ăś äĂ&#x2014;Ă&#x161;

Ă&#x2014; w a s Ă˝ á ĂĄĂ&#x153; Ă&#x161; Ă&#x153; Ă&#x2014;Ă? s a t t e m p t t o Ă&#x153; Ă&#x2DC; Ă&#x2DC; Ă&#x2014; Ă&#x2122; Ă&#x161; s t h i s Ăľ Ă&#x2014; â ĂŚ Ă&#x17E; Ă&#x2122; Ă´ . Y o u c a n fly a s Ă&#x2014; Ăľ Ă&#x2122; Ă&#x2014; ä Ă&#x153; l o ĂŤ R e b e l p i l o t s a n d in eithe @Ă´

vs T i e F i g h t e

Ă&#x2014; oĂŤnot á Ăľ Ăł Ă&#x2014; Ă&#x153; Ă&#x2DC; Ă&#x2122; s ùÍ e ò â Ă&#x2014; Ă? h s p l a s h Ă&#x2014; ing out even ôâ e money. The games Ă&#x2014; Ă&#x153; e still a j o y t o play o f ĂĄ â á Ă&#x2014; Ă&#x161; Ă&#x2122; , a n d t h e s e á Ăľ Ăł Ă&#x2014; Ă&#x153; Ă&#x2DC; Ă&#x2122; s w i l l h e l p fill o u t t h e w a i t f o ĂŤ X-

the

n o w . It h a s t h e

being the

Ăś Ă&#x2122; Ă?á Ă&#x2014; Ă&#x153; e that b o t h X-Wing a n d Tie Ă&#x2014; F i g h t e l a c k e d w a s t h e abilit y t o b l o w Ă&#x2014; Ăś Ă&#x2014; ä Ă&#x2122; ĂĽ Ă&#x2DC; s i n t o a t h o u s a n d p i e c e s in a you Ă&#x2014; Ă&#x2122; ĂĽ ĂŁ ä Ă&#x2014; â ĂĽ Ă´ Ă&#x2122; ĂĽ Ă? . X-Wing decent multiplaye One

not

by

to m a k e t h e c h o i c e as to w h e t h e the additional

Ă&#x2014;

%áĂ&#x153;Ă&#x2DC;Ă&#x2014;âü, spec machines than Rogue H Ă&#x2122; ĂĽ Ă&#x2122; Ă&#x2014; Ă&#x153; Ă&#x17E; Ă&#x17E; y betteĂ&#x2014; g a m e s . a n d Ăą ĂŤ e (I t h i n k ) Ăł Danny

h Ă&#x2014; Ă&#x161;Ă? Ă&#x153; ĂĽ Ă&#x2DC;Ă&#x153; Ă&#x2014; Ă&#x2DC; s 2 Ă&#x2014; Ă&#x2014; fo t h e s p a c e f i g h t e s i m u l a t o s c e n e , XĂ&#x2014; Ă&#x2014; þþ Ă&#x2122; d the batton, W i n g Vs T i e Fighte Ă&#x2DC; â If X-Wing a n d Tie f i g h t e set t h e

Ă&#x2122;Ă&#x2014; ò ĂĽ Ă&#x2122; Ă&#x2014; Ă&#x2122; d o f f foĂ&#x2014; a kip fell âã , a n d t h e n Ă&#x153; Ă&#x2DC; á Ă&#x161; I Ă&#x2014;Ă? s Ă? Ă&#x2014;äĂ&#x2122; d b e h i n d t h e h i g h j u m p pit. Ă˝ ĂĄĂ&#x153; Ă&#x161; Ă&#x2014;

to â t o u t thei

Ă&#x2014; ĂľĂ&#x2014; â ĂŚĂ&#x17E; Ă&#x2122; m child with a n e w

(

pai o f

Ă&#x2014; á ĂĽ ĂĽ ä ĂĽ g s h o e s ( B a l a n c e o f JKL è ĂŞM ,

b u t in a c l a s s i c c a s e o f t o o little t o o late, the Decent -

DĂ&#x2014;Ă&#x2122;Ă&#x2122;Ă&#x161;Ăľ

Ă&#x153;ĂĄe team sneaked

into the lead.

Ă˝ á ĂĄĂ&#x153; Ă&#x161; I Ă&#x2014;Ă? s h a s n o t g i v e n u p that e a s Ă&#x2014; p l a n s t o Ă&#x161;ĂľĂ&#x2014;äü t b a c k i n t o t h e

ily a n d t h e i lead

with

t h e lates t

Ă&#x2014;Ă&#x2122;Ă&#x17E;Ă&#x2122;Ă&#x153;Ă&#x161;e

A l l i a n c e Ăą ĂŤe a l m o s t c o m p l e t e .

You

might

have

involves

flying

some

Ă&#x2014; Ă&#x2122; Ă&#x153; Ă&#x17E; ä Ă&#x161; Ă&#x2122; d that t h i s p a t h Ăś ĂĄĂ&#x2014;Ă&#x153; Ă?.

NĂ&#x2014;Ă&#x153;ĂĽĂ&#x161;þâĂ&#x2014;Ă?s Ă&#x2014;Ă&#x2014;Ă&#x2122;Ă&#x17E;Ă&#x17E;äĂ&#x153;n s u c h as t h e Qâ Ă?Ă&#x2014;Ă&#x153;ĂĽĂ&#x161;þâĂ&#x2014;Ă?s and the new

X-Wing

f a m o u s M i l l e n i u m Fal-

Rathe

c o n (Yes f o ĂŤ o n c e y o u

Ă&#x2014;

Ă&#x161;Ă? Ă&#x153; Ă&#x2014; Ă? äü g o f f a fully f l e d g e d R e b e l Ă&#x161;Ă? Ă&#x2014; Ă Ă&#x2014; Ă?Ă&#x2122;Ă&#x2014; Ăś Ă&#x2014; â m pilot, y o u Ă&#x153; t a s a l o w l y ĂĄ Ă&#x153; Ă&#x153; ĂĄ Ă&#x2014; ĂĽĂ&#x161;Ăľ Ă&#x2014; â t b u s i n e s s . O P Ee y o u the family's N Ă&#x153; than

Ă&#x161;Ă? Ă&#x153; Ă&#x2014; t b y f l y i n g Ă? Ă&#x2014; Ă&#x153; ĂĽĂ&#x161;Ăľ â Ă&#x2014; t a n d Ă&#x2122; Ă&#x161; ĂĄ â Ă&#x2014; t m i s ĂľĂ&#x2014; Ă?Ă&#x2122; Ă?Ă&#x2014; ĂĽĂ&#x161;Ăľ â Ă&#x2014;Ă? s Ăś Ă&#x2014; â m Ă&#x2014;ä ĂŁĂ&#x153; Ă&#x17E; s sions to â ĂĄt the Ă&#x153; ĂśĂ&#x2014;äĂ&#x2122;ĂĽ Ă&#x2014; Ă&#x2DC; s in t h e Ă&#x2122; Ă´ Ăľ ä Ă&#x2014; Ă&#x2122; . T h e p a t h a n d thei Ă&#x2014;Ă&#x2122; Ă?ĂĽ Ă&#x2122;Ă&#x161; s ĂľĂ&#x2014;â ĂłĂ&#x2014; Ă&#x2122;Ă&#x161; Ă&#x161; Ă&#x2122; s to t h e Ă&#x161;Ă&#x2122;ĂĄĂ&#x2014;Ă&#x2122;t to Ăł Ă&#x153; Ă?Ă&#x2014;Ă&#x153;äüäüg ĂłĂ&#x2014;âáü Ă&#x2DC; s ĂŚĂ&#x2122;ÜâĂ&#x2014;e y o u Alliance

too

can

D Ă&#x2014; â Ă&#x2DC;R .

The

be

.Ă&#x153;Ă&#x2014;Ă&#x2014;äĂ&#x161;ân

ĂłĂ&#x2014;Ă&#x153;þà äås a n d

sound

s i n c e X Vs T i e

have

been

slightly

ĂĄĂ Ă&#x153;Ă&#x2014; ĂłĂ&#x2122; d up, but what Ă&#x2014; w ill d e c i d e w h e t h e it m a n a g e s t o blast the o p p o s i t i o n into t h e col d v a c u u m o f

ò â Ă&#x2014; k with a Ăł Ă&#x2014; â á p o f ĂśĂ&#x2014;äĂ&#x2122;ĂĽĂ&#x2DC;s but w a s a ĂľĂ&#x2122;Ă&#x2014;Ă&#x161;ân c o m p l e t e p a i n t o play in s i n g l e

finally m a k e it just in t i m e f o ĂŤ t h e battle

s p a c e is t h e s i n g l e playe

mode. The

against the s e c o n d Ă&#x2DC; Ă&#x153;

vs Tie w a s a d e l i g h t t o play o v e

Ă&#x2122; Ă? Ă Ă&#x161;Ă? Ă&#x153; Ă&#x2014; .

Ă&#x2014; g a m e play. X Ă&#x2014; a net-

Ă&#x161;Ă? â Ă&#x2014; y a n d fifty m i s s i o n s w i l l

h e l p , a n d s o w e wait...and wait..and wait.


iCU S


8

t

6 N

d o w n . It w a s felt that h e w a s g o i n g t o edmne e at t h e e n d

T

o f this s e a s o n (as it j c c d j e d d last s e a s o n t o o ) b u t afte e

VWXY [\]^_` ^ U nZ e

y

his m a t c h w i n n i n g c d e z g e | j o v d , it is n ov e dj l no k i y likely that h e w i l l

T h e a b c d e f g h i , t h e ijekdl t a n n u a l l c g e m n o g e v e n t i n t h e

The Atlanta Falcons, c o u l d n o t have b e e n a | g e e

pqrst, c a p p e d off o n e o f t h e most exciting seasons o f u NF f o o t b a l l i n edv do t wdj el . A s is s o o f t e n t h e c a s e ,

unlikely c h o i c e as a b c d e f g h l v g o m d o ‚ d e s t w o s e a s o n s a g o , a n d e v e n t h i s s e a s o n n o o n e c o u l d h a v e c ed -

a b c d e f g h l xx , p l a y e d i n M i a m i , w a s a d i s a p p o i n t i n g

d i c t e d t h e i e s u c c e s s . This s e a s o n s o u n d s like a typical

anti-climax. T h e D e n v e e y e g o v g l , t h e e d m j n o n o g c h a m -

v g e o y H o l l y w o o d l cg em s m o v i e . A t e a m that h a s b e e n

p i o n s a n d l m e g o g z j { gbe nmd l , v g | z g e m j f i y d e f e a t e d t h e

t h e j o k e t e a m in t h e l e a g u e s i n c e t h e i e z g e | j m n g o , w i t h

D e n v e e lmjemd d t h e s e a s o n i n m e d | d o ‚ g b s ƒ „ … † .

t h e i e ceg f gh l ¼ b j e m d e f j v k h a s p l a y e d f o  6 N F ” t e a m s ;

T h e y just k e p t w i n n i n g a n d ‡deedi l D a v i s , t h e e b o o n o g

Jamal  o ‚ d e l g o , t h e 2 n d best e b o o n o g bac k in t h e

}~€} e N F C C h a m p i o n s , t h e A t l a n t a F a l c o n s .

a t e a m full o f p l u c k y ed½ dvm s ¿À“en s Á v“ j o‚ di n de ' À“jo ‚ide ,

—

back, just k e p t ˆ ‰ Š ‹ Œ  Ž . Fo  m o s t o f t h e s e a s o n t h e talk

l e a g u e w a s a 7th e g b o d ‚ejz t pick) a n d b o ‚ d e e j m d d ÃÄÅ -

was about whethee Denvee could match t h e 7 2 M i a m i

f e s s i o n a l s d e f i e d t h e o d d s t o b e a t t h e S a n Æejovnl o

ÇÈ

D o l p h i n s a s t h e o n l y t e a m s t o w i n  ‘  ’y m a t c h o f t h e

de s t w i c e . T h e y a l s o b e a t t h e M i n n e s o t a V i k i n g s , t h e

s e a s o n . T h e y b e c a m e o n l y t h e m“ n e d t e a m in t h e “nlmge y

b e s t t e a m i n t h e l e a g u e w i t h o n l y o n e c e d{ n g b s d e f e a t ,

o f t h e NF ” t o g o •

in M i n n e s o t a , z e g m b e h i n d . T h e i e h e a d c o a c h ( D a n

–—

0 (1 x w i n s , 0 l o s s e s ) a n d a m“ en i in o g

b o ‚ d e k g d s a ¼ b j ‚ e b c i e “dje t b y p a s s g c d e j -

match w a s in an ticipatio n o n t h e p e n u l t i m a t e w e e k o f

Reeves)

t h e edkbije s e a s o n a t . . . M i a m i . ˜ g h d { d e , in t h e m a t c h

t i o n afte e a g a m e a n d c o m e s b a c k o n l y a f e w w e e k s

f d z g e e t h i s ( t h e 14th g a m e ) D e n v e e l be c en ln o ki y lost t o

ijmde . D a n R e e v e s c o a c h e d t h e D e n v e e y e g o v g s t o

t h e N e w ™g e k G i a n t s . T h e y d i d l o s e t o M i a m i a s w e l l ,

m “ e d e a b c d e f g h l d e f e a t s i n t h e 1980s, a n d zn ed d M i k e

a n d f o  a w h i l e D e n v e e lost t h e i e t i m e i n t h e s p o t l i g h t .

S h a n a h a n ( t h e v bee do t D e n v e e c o a c h ) f o  n o l b f g e ‚ n o j -

But, t h e y ‚ d l m e g w d d all o p p o s i t i o n in t h e p l a y o f f s , b e a t -

t i o n , f d z g e e b e i n g s a c k e d h i m s e l f h e l p e d b y c edl l b e e

i n g t h e N e w ™ge k Jets in t h e A F C C h a m p i o n s h i p m a t c h ,

z e g m J o h n Elway. T h e v“ jen l|j mn c Á©nem y yne‚lÁ , as t h e Falc o n s call t h e m s e l v e s , l o o k e d s e t t o a Álb ec en ld ' {nvmge y

a n d w i n n i n g theie s e c o n d s u c c e s s i v e a b c d e f g h i . T h e

š

m a i n f a c t o e f o t h e i e s u c c e s s w a s t h e z g e m o f ‡deedi l

Denvee

J o h n Elway s h o w s o f f t h e

abcdefghl megc“y

Davis. M a n y b e l i e v e h e c o u l d b e c o m e t h e k edjmdl t › œ  n i n g b a c k d{de , a n d h e v g o z n e | d d t h i s b y w i n n i n g t h e

ɗ

in this lmgew . ˜ g h d { d e , t h e plot t o o k a n • w h e n t h e night fdzge e Supee Sunday,

Ê

ejmd d twist

Eugene 'the

eg c “ d m ' R o b i n s o n , t h e A t l a n t a safety, u p s t a n d i n g f a m š the

¤ š l e a g u e M V P ž Ÿ ž d ( b a s i c a l l y Playe ¡ o f t h e ¢£ ’ . Fo

wje‚ s p e  vjeew . T h e o t h e e b i g lmge y edi jmn o g D e n v e e w a s

almost t h e w h o l e s e a s o n Davis w a s in sight o f t h e

thei e { dmdej n ¼ b j e m d e f j v ª½ g “ n Elway, o n e o f t h e all-time

edvge d fo e wje‚ s e b l “ d d i n o n e s e a s o n ( h e l d b y ¥ ¦§c Dick-

kedjml . A l t h o u g h h e w a s no½ bed d f o  cjem s o f t h e s e a s o n ,

j eedl md d f o  s o l i c i t i n g a n b o ‚ d e v g { d e p o l i c e w o m a n f o š

ily À“ enl mnj n m a n a n d t h e w i n n e e o f a n ž Ÿ ž d f o

m o s t | g ej l f o o t b a l l playe e o n l y a f e w “ gb e s djeinde , w a s

d el g n ). A l t h o u g h h e m i s s e d t h i s , h e d i d b e c o m e o n l y

a n d w a s n o t in his b e s t z g e m w h e n fit, his c e d l d o v e a s

gej l s e x ( D ' o h l ) . O n t h e a b c d e f g h i , t h e F a l c o n s cde -

t h e z gb em h p l a y e e t o ebl h f o  2 0 0 0 w je‚ s i n o n e s e a s o n

a t a l i s m a n w a s n | c g em j o m . H i s d i s p l a y in t h e a b c d e f g h l

(the g m “ d e s ¨ e © n v ª d e l g o , O.J. S i m p s o n a n d «¬ ­­y

d j e o d d h i m t h e M V P ž Ÿ ž d w i t h o v e e

z g e | d d w e l l b e l o w theie c a p a b i l i t y a n d R o b i n s o n m a d e ɾ— the deege w h i c h g a v e D e n v e e a n wje d t o u c h d o w n that

š

®

°± ž ¯ s (last ² ³ ´ µ¶ ¶ , w i t h a n n o v e d ‚ n f i e · ¸ ¹ º· » e o f f i v e

–¾

0 wj e‚ s p a s s -

ing, o n e m“egh n t o u c h d o w n a n d o n e cdelgojl t o u c h -

e f f e c t i v e l y s e a l e d t h e m a t c h f d z g e e half-time.

G

O e O u e znel t m a t c h i n o v e e t w o m o n t h s a n d

Mad

D o g didn't

even

get a

point

a l o w m b e o g b t l e d t o a h g e e w n o g mej{d l t o

j h j e ‚d d against h i m - not b a d foš N o .

Southampton.

4 i n t h e v g b o m ew . Foil l v g e d : IC 9 - 0

Ou

š ljfee a n d e p e e

teams only consisted of M o " M  A n i m a l "

Ë

Southampton.

jolggei and Rob"Big Daddy" Ìbdeo-

By t h i s p o i n t t h e m a t c h w a s j i edj ‚ y

f de g edlcdvmn{diw , t h u s m e a n i n g that w e

w o n , s o w e d e c i d e d that t h e t a l e n t s o f

w o u l d ed¼ b n e e t w o n o n - s p e c i a l i s t s bat-

M e A n i m a l Ô Õ Öe N E E D E D in t h e e p e e t o

t l i n g it o u t i n t h e s e w e a p o n s a n d a s t u n -

a d d t o o u skill m “ d e d . H e lmj emd d o f f

n i n g c d e z g e | j o v e in t h e f o i l . A n d t h e y ÍÎÏÐÑÎÒÎÍ

f e n c i n g a g a i n s t thei e best e p e e i s t Æedov“ -

W e lmjemd d w i t h t h e l j f e d , w i t h t h e

w o n (his o n l y fight - Ý . A n i m a l w a s

.

o p e n i n g fight w i t n e s s i n g s o m e o f t h e

hgel t l j f e e e d z d e d d n o g s e e n f o š a l o n g

š

b o y ( c l o s e z en do d o f Jailba.it). Æ e d o v “ f g y

š

obviously giving an o l d nomdeojmngojl team-mate a chance), but t h e n Ó . A n i -

t i m e (well d o n e D a v e ) - z g e m b o j m d i y Ó  .

m a l w a s s l i g h t l y b e a t e n q u i t e b y all t h e i e

A n i m a l still w o n , a n d w e n t o n t o w i n all

e p e e t e a m . B i g D a d d y a n d C a p ' n Fyll

his f i g h t s i n h i s u s u a l f a s h i o n ! D a v e

zjed d m u c h fdmmde , w i n n i n g all thei e fights

" C a p ' n Fyll" H u g h e s a n d ˜ d o e y " M a d

with consummate

Dog"

b o y s . E p e e l v g e d : IC 6 - Þ S o u t h a m p t o n .

Ë Ë v g e m g n d i d well fo  t h e foilists

they Ô Õ Ö e b o t h w i n n i n g t w o o u t o f m “ ed e fights. ×Ø Ù Ú e l v g e d : IC 7 - 2 S o u t h a m p -

ease. G o o d

show

I h o p e t h e l a d i e s w i l l b e n o l c n ed d b y this

OFVA

RDS,

RED ROSE

LY BEARS,

ß à á â ã á ä s I C U {nvmgew , a n d e m u l a t e this

GORILLAS,

success. M a n y thanks t o Tim fo  ‚en {n o g

ton. N e x t w a s t h e foil, w i t h o u e t a l e n t s o f

( w e all l o v e y o u ! ) , Ü j ej gª e A P K f o  Ã Ä Å -

D a v e ÛÜj ej gª e A P K " D a v i d g e , a l o n g w i t h

v i d i n g t h e p o s t - m a t c h in-flight d o m d e -

C a p ' n Fyll a n d M a d D o g . A l l i n a l l , t h e y

tainment, a n d M

d i d n ' t d o t o o b a d l y , bmmdei y ‚ d l m e g w n o g

holding out fo  the w h o l e match.

š A n i m a l s ' f e d d v “ d s fo 

theie o p p o s i t i o n a n d n o t ‚ e g c c n o g a fight. T h e o n l y | d e n m n o g t h i n g w a s that

I C U F C 22-5 S o u t h a m p t o n

1

& MICE


7

t

8

Y

ü H o w e v e è in t h i s è Ê  ï Î ó h w e

C

çèe

m a t c h e d t h e K i n g ' s Í ç   Ê è s in

t

than

C

C

   y

Î èÏ e a s p e c t o f f o o t b a l l , ïòïè t á è ç m t h o s e ïèÞôêÎçn

W e f a c e d a n u n k n o w n c h a l l e n g e b u t it

f a t .  ß Ê è  í Î ù  Î h is

w a s quite a pleasant day. Pete ß èç ÏÌ t

Well, w h a t c a n w e say? R e d u c e d t o t e n

little n e c e s s i t i e s o f luck, g o o d á çè ÎÏ ê ï Î Ê ,

The W e l s h p e o p l e c a m e to

men following a ÌçèèÊêÍçÏs challenge

a n d o f ó ç Ï è í Ê , a " h o m e " s t u d e n t èÊá ÊèÊ e

and they

o n o n e o f o u è íÎïèí , S t e p h e n ð Ê ù ï è , t h i s

w h o gave

game w as òÊèÌïòs the ó èçù ê ôê g point

team.

úÝ of o u è þ Ü U s e a s o n s o áïè . øÚ e S t e p h e n

   y

ô  ò çèÎïê t d e c i s i o n t o his

was èÏíÌÊd to hospital, a n d thankfully as

o u è òÞï  Êè s w a s  ç è e skilful,

nothing was ßèçýÊê, he should b e back

mined and

p l a y i n g in a f e w w e e k s t i m e .

óçÏêÎÊèòïèÎí. Kings

O u è j u n g l e skills á Þ ç ù Ê è Ê d u n d e è t h e

çèe

çèe

ÍÊÎÊè -

c o m m i t t e d that thei è

ó ç  á ç è Î ï ß Þ y at

 e

the top o f the division, s o w e c a n s e e n o

e

  y

t h e b i g g e s t p i e á ïó Îçè y in W a l e s a n d sheep

M a n f o  m a n ,    y s i n g l e o n e o f

the main ôêèÊÍôÊêÎ.

 e

The

W e l s h h a d t w o íÊóèÊ t w e a p o n s . A s kickoff ï ò ò è ç ï ó Ì Ê Í , 2  Ê  ß Ê è s o f the t e a m

è Ê  ç  Ê d thei è hats t o èÊ  Êï l thei è g i n g e è !"#

.

 ÏóýôÞ y

$%&'%())(*

it d i d n ' t èïôê . A s t h e g a m e c l e a è that t h e

, it b e c a m e

his v i d e o ó ï  Ê è a t o film s o m e Ìï è Í

óçèe action, but ÏêáçèÎÏêïÎÊÞy w e o n the èÊóÊôôêg e n d . W e got a 234567

e

1    e

g i n s t e a d , yet w e h e l d o u è e n d s fo 

t h e áôèí t half. Thei è n a t i o n a l íÎïêÍïè d a n d i m m e n s e size m a d e us :;<=

. O u  èÊïè

Ïïèd

 8 9, w

and

action held dignity

ÿ  m s k y a s o u  á ç Ï è Î h w i n o n t h e Îèç t

è Ê ï í ç n w h y w e can't g o t h e èÊí t o f t h e

Êê Îô è e t e a m

ï ó ó ÊÞ Êèï Î Ê d u s i n t o ÎÌô è d p l a c e , j u s t o n e

s e a s o n u n d e f e a t e d , a n d thus finish t h e

sheepish look to them.

spot o f f a u t o m a t i c ò è ç  ç Î ô ç ê . S p e c i f i -

s e a s o n ò è ç  ç Î Ê d a s e i t h e è èÏêêÊèí  Ïò ,

o b v i o u s Í Ê á çè  ô Î ô Ê í , t h e i è d e f e n c e c o n -

òÊêÊÎèïÎôçn by t h e opposition w e gave

cally, t h e t o u c h o f t h e e l e p h a n t

lastadon

o è ò Ê è Ì ï ò í , C h a m p i o n s . A n d a l s o ÎÌ Ê èÊ s

tained n o "leeks" (Ok, n o w y o u pushing

way

w a s n o t in o u  èïêý s t o d a y . N i c k , B o l a ,

B U S A ; lets b e a t R e a d i n g , a n d òèï y w e g e t

it - + òçèÎ s Ed).



e èÊÞïÎÊd a n d h a d a

,ÊèÌïòs

D e s p i t e theiè

the highlight o f

f o m o s t o f t h e áôèí t half.

çùÊÊè,

>?@ A

a n d y i e l d e d to theiè

advances.

e at t h i s t i m e 5 - 0 .

been

Í è ï ù n a w a y t o Bath- h o w I'd l a u g h , h o w

t h e g a m e w a s M a t t " t h e s e í Ì çè Î s c a n ' t

Afteè

b l e s s e d w i t h t h e skill o f t h e è ï ó ç ç ê , a n d

t h e o l d b o y s w o u l d l o v e it! -1 w o n d e è if

c o n t a i n m y ï èí Ê " C o c k a y s t a m p i n g o n

pounded ahead even though w e

o u è Ê  Êè  íçÞô d d e f e n c e w i t h t h e c o n s i s -

t h e i è U n i o n is a s s h * t e a s it u s e d t o b e . . .

Welshman's

D a v e , J o h n a n d Elliot

h a d all

- è ï èÊ ß ô Î - ,

and then

c e e d i n g t o f l o p o v e è f o  a Îè  .

t e n c y o f a yak. T h e áôèí t g o a l w a s ß ç èê - a

B a c k t o t h e g a m e , IC d o m i n a t e d ,

vivid, j o y f u l c o m b i n a t i o n Î Ê è  ô ê ï Î Ê d w i t h

w e h a d loads o f chances, s o m e badly

nately whilst w e

missed, çÎÌÊès well saved. Kings í óçèÊ d

t h e f a m i l y ÎèÊÊ , t h e

í ó ç è Ê d a f e w ÎèôÊí .

goat t h e n set w e l l i n , è Ê ò Þ ï ó Ê d at t i m e s

all

w e don't want t h e m anyway.

with t h e stealth o f t h e Þ Ê ç òï è d a n d t h e

Í Ê í Ê è  Ê d g e t t i n g a equaliseè w i t h five

low c u n n i n g o f the fox. O u t e a m í Ï è Ê d

m i n u t e s t o g o    d ó èç í í ô ê g t o t h e back-

T h e s t a m i n a o f t h e m o u n t a i n billy-

stopped.

Again

we

dominated

.êáçèÎÏ-

e Îè  ôê g t o ù ç è k o u t

afte è o n e o f thei è òÞï  Êè s h a n d l e d a n d w e

a clinical f i n i s h .

òèç-

/èu

0 èôê g

íÏòòçèÎÊès

o n devolution,

afte è

s o m e playful behaviouè a n d p u n i s h i n g

half

time

constantly aching.

èÊáèÊíÌÊêÎ,

we

e

T h a n k s t o Bully's

t e c h n i q u e w e h a d o u  balls c o n s t a n t l y at theiè f e e t . M e a n w h i l e G o o d O l d J i m - íÏ ò Êè  í ò Ê ÊÍ " Soppeè íó çèÊ d a

B y

that w a s t h e h i g h -

light o f t h e m a t c h .



á çèù ï è d like a Ì Ê è d o f b u f f a l o a n d ç  Êè -

p e g a n d theiè d e f e n d e è b u n g l i n g t h e

came the Shenley Scum. A n d then the

b a l l h o m e u n d e è m u c h ò èÊí íÏ èÊ  . B u t

s e c o n d goal w a s óèÊïÎÊÍïê d also a

t h e n in t h e last m i n u t e a íÎèÊïý y óèçí s

ÎÌ ôèÍ    èç m Î Ì Ê è e w e h e l d f a s t l i k e a

f o u n d its w a y t o a n Ï ê  ï è ý Ê d íÎèôýÊè 20 o u t . H e s m a s h e d it o n t o t h e óèçí s

C C

Ì Êè e

 e

DEFGHIJK

s o m e óÊèÎïô êÎôÊ s in life - t h e 0 ôèÎÌ ,

M L V

R ST R

, d a m a g e ß è ç ý e Î Ì è ç Ï  h eventually,

a n d t h e n w i t h ó Ìï èïó ÎÊèôí Îô c ó ç  çèÍ ô êï -

b a b o o n c o l o n y a n d w a i t e d patiently fo 

 ï èÍ s

t h e final w h i s t l e , w i t h u n s h a k e a b l e c o n -

ßïè , d o w n t o o u  sta è d e f e n d e è Elliot,

f i d e n c e . Fo  t h e è Êó çè Í , t w o o f t h e g o a l s

w h o , in Îè  ôê g t o m a k e a full ó Þ Ê ï è ï ê ó e

w a s u n u s u a l w a s that t h e pull o f this áôèí t

line...leading to G u t m o u n d diving oveè

N;<OPQ

,

Death a n d a

team

g 5mins ßÊáçèe th e match! What

tion,

linked

with

the

ÊêÎôèe

T h e èÊí t o f t h e

e íóçèÊ d by A i d e n , a n d t h e otheè by

w a s s o u n l u c k y t o s e e t h e ball è Ê ß ç Ï ê d

B U S A c u p k n o c k o u t m a t c h h a d ïÎÎèïóÎÊ d

fo

J o h n , a n d t h u s t h e íòôèô t o f P h a e d o n ,

o f f t h e b e m u s e d íÎèôýÊè  s c h e s t i n t o t h e

èÊí Êè  Ê s a n d lots o f t h e m !

g a m e w a s s i m p l e to-ing a n d

t h e m i g h t y m o n g o o s e , lives o n . T h a n k s

goal.

chief.

d

 ĂŻĂŹ  ĂŚ  ,

O u è o p p o s i t i o n ù Ê è Ê , áèïêýÞ  ,

w e êÊïèÞ y ó è ô ÊÍ .

 èôÎÎÊ d

N o t o n e w a s u n d e è 6'2" o  7 s t o n e . W e ,

exiles í ó ç è Ê d theiè t w o p o i n t s .

o n t h e o t h e è h a n d , t o a m a n , lithe, slight

T h e èÊíÏÞ t w a s a t e s t a m e n t t o i n t e l l i g e n t

W e d n e s d a y ïáÎÊèêççê , t w o playing foot-

a n d í  ïèÎ . T h e m a t c h íÎïèÎÊ d a n d afte è

play o u t w i t t i n g fat-bags w i t h f o o t b a l l

ball a n d o n e w a t c h i n g . O n e èÏÞ e fo è o n e ,

s o m e c l u m s y play b y t h e o p p o s i t o n , w e

IQ's!

o n e f o  ï ê ç Î Ì Ê è ? -nice, I C U .

h a d a í ó è Ï m - w e h a d little c h a n c e a n d

o n but

dicked on

e Í èô  Ê n ba c k .

W e soon ùç èýÊ d to

U t t e è óè ï p èÊïÞÞ y a s w e çèe

e shat

fun than saying "we got - OH"

t h e w e a k n e s s e s o f t h e s e í ÎÊ è ç ô d m o n -

t e e t h , that " t h e y

e just that little bit t o o í Î è ç ê g f o  u s " .

d CAG:

Tools

fo 

Siv J a n s s o n :

S e l f ICU C i n e m a

Reliance, B a s e m e n t o f

O u t o f Sight

Beit Q u a d

The

6pm

\ ]^_

Wed 10

Tues 9

Mon 8

6 p m o n Film,

gÊçÎôïÎçèdefòm

hiji

`

 ôßèïè y k e f ò m

The Negotiatoè O u t o f Sight

i 12

B U N A C stall in ICU f o y e è

á ô Î Ê è ï Î Ï è e ICU C i n e m a

/ Êê Îèï l

l 2

_

s 11

12.15-1.45pm

6pm 8.45pm

V a l e n t i n e ' s S h a f t - ICU b

UVWXYZ[,

u n t i l , just ß Ê á ç è e t h e f i n a l w h i s t l e , t h e

O n í Ê ò ï è ï Î e n o t e , it w a s ô ê ÎÊ èÊí Î ô ê g

Kings w o n b y Î ÌèÊ e g o a l s t o o n e , I ù è ç ÎÊ ,

points.

t o s e e Î Ì è Ê e u n i o n s a b b a t i c a l s o n that

W h e n t h e s e t w o t e a m s m e t last Î Ê è m albeit Î Ì è ç Ï  h

ÊèóÏÞÊïê !

u only

back

ê  ô è ç ê  Êê Î ï l S o c i e t y - STA V a l e n t i n e ' s c

Physics Ăś 2

Q u i z C l u b XS, ICU, FREE

9pm-1am m e n t

6 p m Night - DaVinci's 8 p m England CAG: Soup

ICU C i n e m a The

, èÊÍ ïÎçè

S n a k e Eyes

6pm ment defòm

Hall

C A G : S o u p R u n , B a s e - ÂŁ1

v

n op lm e

Kitchen, Weeks

i n Hall

8pm

Run, Base- DaVinci's

Kitchen, Weeks 8pm

Valentine's

Cocktail

Night, DaVinci's 5-11 p m The

b

ÞÊóÎèô c C a f e in d B ' s

9pm-2am

Sat 1

a

Sun 14


8

t

8

Y

q

A

0

C i We

{svd

o f f in a

gifting t h e m

b a d style

t„ƒ~sv)

the w h o l e c o m p e t i t i o n J a s t yeas a n d

m i n u t e s left. J a m i e s l o t t e d a ball

Žs}tˆh

vs}ts

h a b i t o f g i v i n g t h e m t h e ball

wx y

Until

to h i m a n d A l e x f i n i s h e d it o f f S p a n i s h

tŠ{sŠ y

c o n t i n u e d f o … t h e n e x t 20 m i n s

came

style.

until 11 + d e c i d e d t o h u m i l i a t e t h e o p p o -

e

z{|}ts~vs

rstuvi

to w i n again.

W e d n e s d a y that w a s w h e n t h e y {€s}s the ‚ vd by ous

boots,

m i g h t y IC

z~s t

rstuv~,

XI.

captai n Jamie, p l a y i n g in o d d

IC p u t t o g e t h e s a

ƒvsz}s„{u€e

that w i l l b e t a l k e d a b o u t f o … come. ‹

‡vˆ{s‰Švs

vvƒvs,

and

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style.

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rs~ug

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Keynes!

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long caged wink.

in a g o o d

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o f mind?

ƒ{~s ?

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o u s c o n s e q u e n c e s ? (8)

(8) ‚ ‹ ~ e stvs?

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ÂÃÄ Á )

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) ‚

a

À ¢ ÍÎ ÎÏ ÎÏ ÎÐ )

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26 Q u i e t

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(10)

a w a y . (6) 24

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(6)

A l g e t s i n b l o o d y m e s s a p l e n t y . (6)

(6) {se

†}ts?

m y d i o d e lit fist!

f i n d i n g a i d ' s g o n e . (8)

22 H i g h e x p l o s i v e

o n t h e wall?

5,21 A d m i s s i o n o f s u i c i d e b y m e a n s o f

20 M i n u t e s p o t s q u e e z e d f o … U S a d m i È ÉÊ .

’s~vn

In s i g n o n m a i n

4

(6)

}{n

is

l o g o . (8)

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T e n p o s e s in  { Š Š s } } m

15 18

up

(8)

s ˆ { u ~  v s ¿ust€~}u .

¹… t

S o m e t h i n g suitable could b e

2 …¹ t s k i e s .

vˆÌƒ~ n

(10)

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)

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‚

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ƒvsz}s„{u€e

2 - 0 ICI

wx y

sv€

put anothes

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n a t i o n a l l e a g u e I ƒ Š { † v s s Essex lis

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them.

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6-1 Q M W I

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ƒsv|{~Šv‰.

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HOCKEY

Ž v s } ~ c vzz}s .

, Blue

half h a d f i n i s h e d w i t h IC „}se

kick-off. IC IC I

half

but in t h e e n d skill –—˜™š›

an

t„ƒ~s~ug

T h e s e c o n d half

D

€Šv{sŠ y

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angle. Some of the

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|~€}s†.

g o o d possession but lacked ideas o f

In t h e

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  ! Having spent a yea   g the   , I joined Van   den " #h Foods as a technical  e - making %   ! My & 't one and a half ( s )*+ e $#  essentially  g posts, allowing me to finish my   MPDS and gain ,-  d Status with the IMechE. / 0     Jobs  # d & m . t enginee  in a  & y  0 (edible oil), to Quality Enginee  in a $# e &  y   in 1 $ ( , to Commissioning Enginee  installing a 0 ÂŁ2.2m packing line in the main &  ( .  My & 't management position was in 2 3' . , as / 0 the 4 t 56..  t Manage  fo  setting up the / 0 0 Chicken Tonight &  ( . This was a ÂŁ4m . t which  we had 7 months to install and commission a 7 d 0 0   0 new &  ( ,  6 t and  n a  3&  e to 6n the 0 ! 0 &  y and get the . 6 t to the shelves. M y next 0  's Development Manage  - a 6l post was as 4   89:;9<==>:n & m the . 6s job, enabling me to  0  6 d on the Chicken help ' t out any . 7 $ s  Tonight ? .    0 I am now the @   l ? # ' s Manage  fo  the EF  0  0  A# e &  y BC D e I ' d out). I  l all      g the site and the palletising goods leaving and  of the cases of $# e onto pallets. I have G0   people who   k fo  me, dispatch .. H $ y  0 1,000,000 tubs of $# e a day, and  e the        $   s to make that each day. I am  '. ' 7 e      $  s within my  a including fo 9 ongoing $. / 0  s such as Automatic Guided Vehicle many #e . implementation and installation of compute  systems 0  such as SAP. The &  y  -  e I   k was voted the 0 best &  y in the UK last yea  - not bad fo  a food 0 &  ( .  So, I have been with Unileve  fo  5 ( ', had 6 !    !   &&  t jobs,  3 d on G &&  t sites and have   doubled my ' g ' ( . What next? I joined Unileve  to go 7  d and expect my next posting to be in a technical function outside the UK.

j k l k m n i l

  Afte  the $ 3  6 d I j o i n e d the Unileve  , .  e  0     A 6& 6 g and I #  g 1  6p ( C M E G )     based i n 4 t Sunlight, nea  ? . In my & 't ten .     months I was  '. ' 7 e fo  the movement of a new    0 @  # d 4 's Design ' & e tool & m ! 0  development into . 6  n use at ou  offices i n 4 t  Sunlight and H o l l a n d . As . t of my  # , I also   attended JK  d and L. 7  y studies of toothpaste 0 plants, and visited &7  '.  !  I then moved to "  s Eye Wall's i n ?  ' &, East Anglia. I spent 6 months i n thei  technical '6..  t / 0 0    , doing # $  6s site . s including   designing a new leading edge effluent  $ t Q   plant, utilities #  g and MNOP NRPOS , and pea     & K  development. I moved into the 7 &76#  0   &  y fo  4 months and was a Shift A # ,   TUVWXYVZ[\e fo  ] .  g lines and 40 people, doing 12 hou  day and night shifts. It was a change    of lifestyle but # t fun and I  t loads. 

I then spent a 4 month placement  3 g as the  Assistant "   d Manage  fo  Vaseline Intensive , e ! !    t at Elida ^7 #e i n Kingston, and Dove  _ ` a b ` a . I looked at multilingual packs fo  I6 . ,      was  '. ' 7 e fo  the . $  n of Vaseline deo, !  ! 0  t . 6  n which included and was involved i n  going to the shoot at Pinewood studios! This was my c def   y t taste of a non-technical  e and it was !    &&  t to what I was used to, # t fun and lots o f    showbiz . '. At the end of last yea  I  6 d to  0  the Unileve  , .  e A 6& 6 g and Supply C h ain Technolgy (MAST) 1 6 p i n 4 t Sunlight i n   my & 't management position,  3 g on shampoo / 0 0g0        m . s fo  h i s $ # g and      $3 s all ove  the   d and value #  g   studies i n many .  g companies.





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CsAgTER.

  0   T h e  y of H.  s that Unileve  has &&  d  me have been y enjoyable as well as challenging. A l l the people I have met along the way have   been y '6..  e and I think the company    && s exciting &66 e .. 6  ' .

l

xyz z|} vw { ~

My "gut feel" was that I would fit in with y |z  Â&#x192;zx| Â&#x2026;Â&#x2026;z| Â&#x2021;Â&#x2C6;Â&#x2C6;Â&#x2030;Â&#x160; Â&#x2039; Â&#x20AC; Â&#x20AC; Â&#x201A; so I accepted Â&#x201E; of a place on the Â&#x2020; z|Â? Â&#x192;  Â&#x192;zx|  |Â&#x17D; x zz with Van den Â&#x152; Foods, on management w Â&#x2026; | Â&#x192;z| Â&#x2026; z| z| Â? Â&#x2019;Â&#x201C; Â&#x2018; 1 Â&#x201D;Â&#x2022;Â&#x2013;Â&#x201C;Â&#x2014; Â&#x2DC; scheme which I Â&#x20AC;wÂ? Â&#x201E;Â&#x201E; a Â&#x20AC; 2 Â&#x2026;  |x z| |z~Â&#x; ~ x yz Â&#x2019;Â&#x201C; Â&#x2122;Â&#x161;Â&#x203A;Â&#x153;Â? as a Shift Â&#x17E;Â&#x17D; wÂ&#x20AC; Â&#x17D;  Â&#x20AC; wÂ? Â&#x17E;Â&#x17D; wÂ&#x17D;Â? Â&#x201E;w Â&#x2018; Â&#x; z|Â&#x17D;  xwÂ? 20 Â&#x; |Â&#x201E;Â?Â&#x20AC; xÂ&#x201E;w lines in the 98 employees Â&#x201E; |Â?Â&#x17D; |x z ¢£¤¼Œ§  | Â&#x2026;z||z x  z| Â&#x2026;Â&#x17D;  |Š Â&#x17D; ¨ I was Â&#x17D; w~ Â&#x17E; w ÂĄ Â? to a ~ ~  Â&#x201E; at Ž¯¯°¹ zÂ&#x17D; | z|z |z~Â&#x; ~ x xyx xz~ ­ my initial ÂŞ w ²Â&#x201E;wÂ?Â&#x201E;wÂł ´ Â&#x201E;w z  z| Â&#x;| Âś z  included being a Âľ Âľ of the Â&#x201E;  team that Â&#x2026;  |x |z Â&#x2026;xÂ? |z |zÂ&#x17D; ~ ~Â&#x; Â&#x201E;w Â&#x20AC; Â? the edible fat Â? ÂľÂ&#x17D; wÂ&#x20AC; Â&#x17D;  Â&#x20AC; wÂ? capabilities to meet the changing needs of the business. Â&#x2014;¸ Â&#x153;Â? The task took ¡ Â&#x2122;Â&#x161;Â&#x203A; and ÂŁ16m to complete and consisted of the specification, design, and commissioning  Â? z Â&#x192;z| Â&#x201E; of new plant and equipment with the Â&#x2026; |  x associated šº and Management systems. Âźw Â&#x201E; ÂľÂ&#x17D; Â&#x201E;w |z Â&#x17D; x ~½ xyz z|} vw { ~ On completion the site was (and Âľ w Â&#x2026;Â&#x17D;  |Š yÂ&#x17D; |Â? z~  Ă&#x20AC;Ă Ă&#x201A;Ă&#x192; Then I became edible fats  Â&#x201E; in the ž¿ z| | x Â&#x17D; Â&#x17D;Â? ~ one of the two Plant Â&#x17E; w Â&#x20AC;ww wÂ? the day to day Â&#x2026; z|  x  | z|  x Â&#x201E;Â&#x; Â&#x17D; Â&#x201E;w of the Â&#x17D;  Â&#x201E; Š which was Â&#x201E;Â&#x; Â&#x17D; wÂ? 7 days Ă&#x201E;Â&#x2022;Â&#x201C;  Â&#x192;| Â? Â&#x192;   Â&#x192;zx| Ă&#x2C6; week, Â&#x201E;Â&#x20AC; Â&#x201E;Â&#x20AC; the Â&#x201D;Â&#x2022;Â&#x2013;Â&#x201C;Ă&#x2026; with 220 people in Ă&#x2020;Ă&#x2021; Ă&#x2020; |z~Â&#x; ~ x xyx Š Âł Â&#x201E;w of

 |Â&#x17D; ~ Â&#x2026;z||z z Â&#x192;z|yÂ&#x17D; ~ |Â? w Â? to The Ă&#x2030; wÂ? to Ă&#x160;Â&#x201E; in a | |z x yz |  x z Â? Â&#x201E;Â&#x20AC;Â&#x; ~Â&#x; Â&#x201E;w~ Â&#x2018;Â&#x2019;Â&#x201C; the identification of Best Ă&#x2039; Â&#x17D;   in Â&#x17D; Â&#x2026;Â&#x17D;  |z and the  |Â&#x17D; w~ Â&#x2026;z| of this edible fats Âľ wÂ&#x20AC;  Â&#x20AC; |y x z |zyz{Â&#x17D;  xyz z| z|  x to all knowledge Ă&#x160;Â&#x201E; Â?Ă&#x152;Ă&#x160; Â? w vw { Â&#x201E;Â&#x; Â&#x17D; wÂ? |z | z | companies. In 19961 Â&#x20AC; w Â? to Ă&#x2039;Â&#x201E; Sunlight in the UK Â&#x201C;Ă?Ă&#x17D; the Supply Chain Ă?  |Â&#x17D;  zÂ?Š Team within and now xyz z|} | |  z Â? |Â&#x201E;Â&#x20AC;Â&#x; Âł The Â? |Â&#x201E;Â&#x20AC;Â&#x; }~ supply chain vw { ~ Â&#x201E; Â&#x; Â&#x201E; Â&#x17D; Â&#x2026;  |x  |Â&#x17D; ~ Â&#x2026;z| zÂ&#x17D; x Â? |Â&#x17D;  x z w ² Â? w Ă&#x2039;   in Â&#x17E;Â&#x17D; wÂ&#x20AC; Â&#x17D;  Â&#x20AC; wÂ? mission is to xyz{z|}~ and Supply Chain to vw businesses.

I d a h s y

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In 19921

xyz z| |Â? to Ă&#x160;Â&#x201E; within the supply vw { | yz |zÂ&#x17D; yx~ x Â? chain will have a key Â&#x201E; to play in w the |zÂ&#x17D;  x Â&#x2019;Â&#x201C; Â&#x201E;w that exists within significant potential Â&#x2018; value  z|Â&#x17D;  x Â&#x; this Ă&#x2018;Ă&#x2019;Ă&#x201C;Ă&#x2018;Ă&#x201D; Efficient design and Â&#x201E; Â&#x201E;w of the supply Â&#x17D;Âś | ~  z| chain has a Âľ Â&#x201E; impact on the meeting of Â&#x20AC; Â&#x201E;Âľ ~ z| needs and  Â&#x192;z|zÂ&#x2026;Â&#x201E;|z and Â&#x201E;w Â&#x20AC;Âľ Â&#x; z|Â&#x2026;Â&#x201E;|ÂľÂ&#x17D; wzÂł The on business ^^^^^^^^^^

e s n s l e f e , y n

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http://www.felixonline.co.uk/archive/IC_1999/1999_1135_A  

http://www.felixonline.co.uk/archive/IC_1999/1999_1135_A.pdf