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Routledge

New Titles and Key Backlist

Media, Film and TV

2009

www.routledge.com/media


www.routledge.com/media Welcome to the Routledge

Media, Film and TV Catalog New Titles & Key Backlist 2009

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COMPLETE CATALOG This catalog only includes a selection of our titles in Media, Film and TV. Our online catalog gives you the power to search for any book currently in print by title, ISBN or full text. All the entries have a description of the book’s content. www.routledge.com/media

THE EASY WAY TO ORDER Ordering online is fast and efficient, simply follow the on-screen instructions and your order will be sent to our distributors for immediate dispatch.

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Register your email address at www.tandf.co.uk/eupdates to receive information on books, journals and other news within your area of interest.

EBOOKS – MARKED AS ‘EBOOK’ IN THIS CATALOG Thousands of our titles are available as eBooks – in Adobe, Microsoft Reader and Mobipocket formats or available to browse online. www.eBookstore.tandf.co.uk

EXAMINATION COPIES Textbooks marked ‘Available as an Examination Copy’ can be sent to lecturers considering adopting them for relevant courses. See the order form at the back of the catalog for more information.

COMPLIMENTARY COPIES Select titles are available as complimentary and are marked, as such throughout the catalog. Please send a request on department letterhead, including the following information: professor's name, course name and number, expected enrollment, decision date, current text, and the requested text's title and ISBN number. Mail to: Taylor & Francis/Routledge Customer Service Group, Attn: Textbook Coordinator, 7625 Empire Drive, Florence, KY 41042; or call: 1-800-634-7064; or fax to: 1-800-248-4724

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CONTACTS

CONTENTS

EDITORIAL INQUIRIES

Media Studies . . . . . . . . . . . . . . .1 New Media and Cyberculture . .12 Videogames . . . . . . . . . . . . . . .16 Media Ethics . . . . . . . . . . . . . . .17 Media Management . . . . . . . . .18 Film Studies . . . . . . . . . . . . . . .19 American Film . . . . . . . . . . . .25 British Film . . . . . . . . . . . . . .27 Genre . . . . . . . . . . . . . . . . .28 World Cinema . . . . . . . . . . .29 TV Studies . . . . . . . . . . . . . . . .33 Index . . . . . . . . . . . . . . . . . . . .36 Order Form . . . . . . . . . . . . . . . .40

For USA, Canada, Latin America: Matt Byrnie Senior Editor, Media Studies Email: matthew.byrnie@taylorandfrancis.com

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E-UPDATES

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MEDIA STUDIES

NEW

DVD

3RD EDITION

Media Today

Companion Volume: Key Readings in Media Today • See Page 3 •

An Introduction to Mass Communication Joseph Turow, University of Pennsylvania, USA ”Media Today is the best textbook to understand the organization, economics, and emerging trends within the U.S. media sector. Its institutional focus and the level of detail and updated knowledge it provides in this regard makes it the best textbook for an introductory media course.” – Gisela Gil-Egui, Fairfield University, USA “Media Today engages students and serves as a helpful guide to our new media-saturated world. The writing is lively and concise, and the colorful illustrations are full of zest. Turow”s dry wit engages students in a conversational narrative that prompts them to connect what they read to their own experience of contemporary media trends.” – Edward M. Clift, Woodbury University, USA Media Today puts students at the center of profound changes in the twenty-first century media world – from digital convergence to media ownership – and gives them the skills to think critically about what these changes mean for the role of media in their lives. Completely revised with updated examples, case studies, and media resources, the third edition of this innovative mass communication textbook is built upon a media systems approach that gives students an insider’s perspective on how mass media industries operate. By making students more knowledgeable about the influences that guide media organizations, Media Today builds media literacy skills to make students sensitive to ways of seeing media content as a means of learning about culture. Joseph Turow emphasizes throughout the many ways in which media convergence has blurred distinctions between and among various media. Each chapter guides students through the essential history of media industries; examines the current forces shaping their creation, distribution and exhibition; and explores the impact of emerging trends in media and society from globalization to social networking to videogames. Comprehensive and engaging, Media Today features: a three-pronged media systems approach focused on media literacy, convergence, and emerging trends in today’s media culture; up-to-date coverage of the latest political, economic, technological, and cultural issues affecting media industries; exciting new resources including an enclosed DVD with media examples; and an interactive companion website featuring a full range of instructor and student materials including study podcasts at www.routledge.com/textbooks/mediatoday. Selected Contents: Preface. To the Student Part 1: Understanding the Nature of Mass Media 1. Understanding Mass Media and the Importance of Media Literacy 2. Making Sense of the Media Business 3. Formal and Informal Controls on Media Content: Government Regulation, Self-Regulation, and Ethics 4. Making Sense of Research on Media Effects and Media Culture Part 2: Media Giants and Cross-Media Activities 5. A World of Blurred Media Boundaries 6. Understanding the Strategies of Media Giants Part 3: The Print Media 7. The Book Industry 8. The Newspaper Industry 9. The Magazine Industry Part 4: The Electronic Media 10. The Recording Industry 11. The Radio Industry 12. The Motion Picture Industry 13. The Television Industry 14. The Internet and Video Game Industries Part 5: Advertising and Public Relations 15. The Advertising Industry 16. The Public Relations Industry. Epilogue. Notes. Credits July 2008: 279x216: 712pp Hb: 978-0-415-96058-8: $150.00 Pb: 978-0-415-96059-5: $85.00 eBook: 978-0-203-89534-4 • AVAILABLE AS A COMPLIMENTARY COPY

relevant and up-to-date case studies

£85.00

£47.99

helpful marginal notes

contemporary examples

Save 20% off the total price for your students when you order with Key Readings in Media Today! (See page 3) Visit the companion website at: www.routledge.com/textbooks/mediatoday E-mail: media_studies@routledge.com

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MEDIA STUDIES

4TH EDITION

The Media Student’s Book Gill Branston, Cardiff University, UK and Roy Stafford ”An indispensable text which no A Level or first year undergraduate student of media studies and communication studies can afford to ignore.” – Andrew Beck, Chief Examiner A Level Media Studies “Brilliantly updated. The best introduction to media studies I know.” – Professor Christine Geraghty, University of Glasgow, UK The Media Student’s Book is a comprehensive introduction for students of media studies. It covers all the key topics and provides a detailed, lively and accessible guide to concepts and debates. This fourth edition, newly in colour, has been thoroughly revised, re-ordered and updated, with many very recent examples and expanded coverage of the most important issues currently facing media studies. It is structured in four main parts, addressing key concepts, media practices, media debates, and the resources available for individual research. The authors are experienced in writing, researching and teaching across different levels of pre-undergraduate and undergraduate study, with an awareness of the needs of those students. The book is specially designed to be easy and stimulating to use with: • marginal terms, definitions, references (and even jokes), allied to a comprehensive glossary • follow-up activities, suggestions for further reading, useful websites and resources plus a companion website supporting the book at www.routledge.com/textbooks/0415371430 • references and examples from a rich range of media forms, including advertising, television, films, radio, newspapers, magazines, photography and the internet. Selected Contents: Part 1: Key Concepts 1. Interpreting Media. Case Study: Ways of Interpreting 2. Narratives. Case Study: CSI: Miami and Crime Fiction 3. Genres and Other Classifications. Case Study: J-Horror and the Ring Cycle 4. Institutions. Case Study: Television as Institution 5. Questions of Representation. Case Study: Images of Migration 6. Ideologies and Power. Case Study: News 7. Industries. Case Study: The Major Players in the Media Industries. Case Study: The Music Industry, Technology and Synergy 8. Audiences. Case Study: Selling Audiences 9. Advertising and Branding. Case Study: Celebrity, Stardom and Marketing Part 2: Media Practices 10. Research. Case Study: Researching Mobile Phone Technologies 11. Production Organisation 12. Production Techniques 13. Distribution. Case Study: Contemporary British Cinema Part 3: Media Debates 14. Documentary and ‘Reality TV’ 15. Whose Globalisation? 16. ’Free Choices’ in a ’Free Market’ Part 4: Reference 2006: 246x189: 576pp Hb: 978-0-415-37142-1: $150.00 Pb: 978-0-415-37143-8: $39.95 • AVAILABLE AS A COMPLIMENTARY COPY £75.00

£19.99

contemporary examples

packed full of student activities

The Media Student's Book companion website features: • useful web links, including topics such as representation, advertising and film • student essays and teacher assessment • follow-up activities • additional new case studies • updated case studies from previous editions, including science fiction, the western, and the films Psycho and Pulp Fiction • suggestions for further reading • extra web resources, including industry and technology updates.

Visit the companion website at: www.routledge.com/textbooks/0415371430

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MEDIA STUDIES

NEW

NEW

6TH EDITION

Key Readings in Media Today

3RD EDITION

Power Without Responsibility

MediaWriting

The Press and Broadcasting in Britain

Mass Communication in Contexts

Print, Broadcast, and Public Relations

James Curran and James Seaton

Edited by Brooke Erin Duffy and Joseph Turow, University of Pennsylvania, USA

W. Richard Whitaker, Janet E. Ramsey and Ronald D. Smith

By combining classic studies of mass communication with contemporary research on media, technology, and culture, Key Readings in Media Today helps students to make sense of the rapidly changing media environment. This collection is designed to supplement the third edition of Media Today: An Introduction to Mass Communication, but it can also be used independently. Key Readings in Media Today provides both historical and contemporary analysis of each of the major media industries: book, newspaper, magazine, sound recording/radio, motion picture, television, new media, advertising, and public relations. The volume places an emphasis on convergence, looking at the ways boundaries between these media industries are blurring in surprising new ways. Section introductions and headnotes for each article offer valuable critical and historical context, while review questions after each reading test students’ understanding of key concepts. Additional resources on a companion website are designed to spark classroom discussion and connect the readings to the latest media issues and controversies. Visit the companion website at www.routledge.com/textbooks/9780415992053 Selected Contents: Part 1: Understanding the Nature of Mass Media Part 2: The Print Media Part 3: The Electronic Media Part 4: The Digital Media Part 5: Advertising and Public Relations

Please visit www.routledge.com/media for a full table of contents November 2008: 254x178: 488pp Hb: 978-0-415-99204-6: $125.00 Pb: 978-0-415-99205-3: $45.00 • AVAILABLE AS A COMPLIMENTARY COPY £70.00

£24.99

Save 20% off the total price for your students when you order with Key Readings in Media Today! (See page 1)

Designed for those preparing to write in the current multimedia environment, MediaWriting: • explores the linkages between print, broadcast, and public relations styles • outlines the nature of good writing • synthesizes and integrates professional skills and concepts. Complete with interesting real-world examples and exercises, this textbook gives students progressive writing activities amid an environment for developing research and interviewing skills. Starting from a basis in writing news and features for print media, it moves on to writing for broadcast news media, then introduces students to public relations writing in print, broadcast, and digital media, as well as for news media and advertising venues. December 2008: 235x187: 368pp Pb: 978-0-8058-6295-9: $59.95 • AVAILABLE AS A COMPLIMENTARY COPY

Widely regarded as the standard book on the British media, this authoritative introduction to the history, sociology, theory and politics of media and communications studies has been substantially revised and updated to bring it up-to-date with developments in the media industry. Its three new chapters describe the battle for the soul of the internet, the impact of the internet on society and the rise of new media in Britain. In addition it examines the recuperation of the BBC, how international and European regulation is changing the British media and why Britain has the least trusted press in Europe. 2003: 234x156: 480pp Hb: 978-0-415-24389-6: $140.00 Pb: 978-0-415-24390-2: $37.95 eBook:978-0-203-38041-3 • AVAILABLE AS AN EXAMINATION COPY £70.00

£18.99

2ND EDITION

£34.99

Media, Gender and Identity An Introduction

NEW

David Gauntlett, University of Westminster, UK

2ND EDITION

This second edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender

Entertainment and Society Audiences, Trends, and Impacts Shay Sayre and Cynthia King, both at California State University Fullerton, USA This second edition introduces students to the ways that society shapes our many forms of entertainment and in turn, how entertainment shapes society. Entertainment and Society examines a broad range of types of entertainment covering new areas like sports, videogames, gambling, theme parks, travel, and shopping, as well as traditional entertainment media such as film, television, and print. The new edition features updated examples and pedagogical features throughout including text boxes, case studies, student activities, questions for discussion, and suggestions for further reading. September 2009: 246x174: 464pp Hb: 978-0-415-99806-2: $140.00 Pb: 978-0-415-99807-9: $59.95 eBook: 978-0-203-88293-1 £70.00

£30.00

• AVAILABLE AS AN EXAMINATION COPY

and sexuality. The book includes: • a comparison of gender representations in the past and today, from James Bond to Ugly Betty • an introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault • an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks • a website with extra articles, interviews and selected links at www.theoryhead.com. March 2008: 234x156: 336pp Hb: 978-0-415-39660-8: $110.00 Pb: 978-0-415-39661-5: $33.95 eBook: 978-0-203-93001-4 £65.00

£16.99

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MEDIA STUDIES

4

NEW

NEW

NEW

International Communication

Internationalizing Media Studies

A Reader

Impediments and Imperatives

International Media Communication in a Global Age

Edited by Daya K. Thussu, University of Westminster, UK

Edited by Daya K. Thussu, University of Westminster, UK

This comprehensive Reader brings together seminal texts in media and communication from both traditional as well as more recent scholarship.

Series: Internationalizing Media Studies This collection of essays by leading scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies – by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in major countries such as China.

Readings are drawn from an international range of scholars and organized to reflect the growing internationalization of the field, with clearly defined sections covering key aspects of global communication. In addition to the core academic readings, key policy documents are also included to demonstrate the development of the political, economic and technological infrastructure that underpins the global system of media and communication. Additional features include: • an annotated bibliography • a timeline of main events in global communication • URLs of relevant websites for further research. May 2009: 246x174: 640pp Hb: 978-0-415-44455-2: $135.00 Pb: 978-0-415-44456-9: $40.95

£70.00

£19.99

Edited by Daya K. Thussu, University of Westminster, UK

NEW

Series: Communication and Society ”An exemplary collection ... the breadth of the offerings is a salutary reminder of how much escapes our attention, no matter how gustatory our reading of the field ... As a primer for graduate students and academics, this book is exemplary. It would work perfectly as a text for undergraduate courses in international or global media.” – John Jirik, University of Texas, Austin, USA Combining a theoretical perspective on contra-flow of media with grounded case studies into one accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon. 2006: 234x156: 288pp Hb: 978-0-415-35457-8: $140.00 Pb: 978-0-415-35458-5: $37.95 £70.00

£65.00

£22.99

NEW

Edited by Gerard Goggin, University of Sydney, Australia and Larissa Hjorth, RMIT University, Australia

May 2009: 234x156: 256pp Hb: 978-0-415-45529-9: $125.00 Pb: 978-0-415-45530-5: $35.95

Global Flow and Contra-Flow

June 2009: 229x152: 328pp Hb: 978-0-415-99899-4: $130.00 Pb: 978-0-415-99900-7: $44.95

• internationalizing media research

• pedagogic parameters: internationalizing media syllabi.

Media on the Move

With contributions from leading scholars in the field of international media communication research this volume provides a comprehensive examination of key issues regarding global communication, focusing particularly on international news and strategic communication.

Mobile Technologies

• regional perspectives on internationalization

£22.99

Series: LEA’s Communication Series

The book is divided into four thematically coherent sections, each of which are introduced by the editor: • broadening the field of media studies

£75.00

Edited by Guy Golan, Seton Hall University, USA, Wayne Wanta, University of Missouri, Columbia, USA and Thomas Johnson, Texas Tech University, USA

Convergence Media History Edited by Janet Staiger and Sabine Hake, University of Texas at Austin, USA Convergence Media History explores the ways that digital convergence has radically changed the field of media history. This collection of eighteen new essays by leading media historians and scholars examines the issues today in writing media history and histories. Each essay addresses a single medium – including film, television, advertising, sound recording, new media, and more – and connects that specific medium’s history to larger issues for the field in writing multimedia or convergent histories. Among the volume’s topics are new media technologies and their impact on traditional approaches to media history; alternative accounts of film production and exhibition, with a special emphasis on film across multiple media platforms; the changing relationships between audiences, fans, and consumers within media culture; and the globalization of our media culture. July 2009: 229x152: 243pp Hb: 978-0-415-99661-7: $120.00 Pb: 978-0-415-99662-4: $32.95 eBook: 978-0-203-88343-3 £60.00

£18.99

From Telecommunications to Media

Series: Routledge Research in Cultural and Media Studies In light of emerging forms of software, interfaces, cultures of uses, and media practices associated with mobile media, this collection investigates the various ways in which mobile media is developing in different cultural, linguistic, social, and national settings. The collection is genuinely interdisciplinary, as well as international in its range, with contributors and studies from China, Japan, Korea, Italy, Norway, France, Belgium, Britain, and Australia. December 2008: 229x152: 317pp Hb: 978-0-415-98986-2: $110.00 £60.00

The Celebrity Culture Reader Edited by P. David Marshall, Northeastern University Boston, USA From the new celebrity culture that has emerged from reality television and the internet, to the paparazzi-filled endgame of Princess Diana and the bizarre trials and tribulations of Michael Jackson, The Celebrity Culture Reader documents the significant role that celebrities occupy in contemporary culture. Selected Contents: 1. Celebrity and Modernity: The Historical Pattern of Celebrity 2. The Textual and the Extra-Textual Dimensions of the Public Persona 3. Ascribed Celebrity: The Transformed Public Sphere 4. Transgression: Scandal, Notoriety and Infamy 5. The Body and Celebrity 6. Celebrity Culture: Narcissism, Fandom and the Will-to-Celebrity 7. Celebrity Nation: Celebrity in National Contexts 8. The Celebrity Industry: The Management of Fame. Conclusion: Surface and Depth: Celebrity in the ’Post-Celebrity’ Era 2006: 246x174: 872pp Hb: 978-0-415-33791-5: $150.00 Pb: 978-0-415-33792-2: $49.95 £75.00

£24.99

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MEDIA STUDIES

2ND EDITION

The Mediation of Power

NEW

A Critical Introduction

Militainment, Inc.

Aeron Davis, Goldsmiths College, University of London, UK

War, Media, and Popular Culture

Series: Communication and Society The Mediation of Power investigates how those in positions of power use and are influenced by media in their everyday activities. Each chapter examines this theme through an exploration of some of the key topics and debates in the field, including: • theories of media and power • media policy and the economics of information • news production and journalistic practice • public relations and media management • political communication and mediated politics • new and alternative media

Loving with a Vengeance Mass Produced Fantasies for Women

Roger Stahl Militainment, Inc. offers provocative, sometimes disturbing insights into the ways that war is presented and viewed as entertainment – or ’militainment’ – in contemporary American popular culture. Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary media examples to demonstrate the ways that war now invites audiences to enter the spectacle as an interactive participant through a variety of channels – from news coverage to online videogames to reality television. Stahl examines the challenges that this new mode of militarized entertainment poses for democracy, and explores the controversies and resistant practices that it has inspired. July 2009: 229x152: 224pp Hb: 978-0-415-99977-9: $95.00 Pb: 978-0-415-99978-6: $34.95 eBook: 978-0-203-87960-3

Tania Modleski, University of Southern California, USA Upon its first publication, Loving with a Vengeance was a groundbreaking study of women readers and their relationship to mass-market romance fiction. Tania Modleski brings to this second edition a review of the issues that have, in the intervening years, shaped and reshaped questions of women’s reading. With her trademark acuity and understanding of the power both of the mass-produced object, film, television, or popular literature, and the complex workings of reading and reception, she offers here a framework for thinking about one of popular culture’s central issues. This edition includes a new introduction, a new chapter, and changes throughout the existing text. 2007: 229x152: 176pp Pb: 978-0-415-97451-6: $22.95 £13.99

£60.00

• interest group communications • media audiences and effects. 2007: 234x156: 232pp Hb: 978-0-415-40490-7: $130.00 Pb: 978-0-415-40491-4: $36.95 eBook: 978-0-203-94582-7 £65.00

£18.99

Girls Make Media

£18.99

Mary Celeste Kearney

What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism Diane Negra, University College Dublin, Ireland

Media, War & Postmodernity Philip Hammond, Southbank University, London, UK Media, War & Postmodernity investigates how conflict and international intervention have changed since the end of the Cold War, asking why Western military operations are now conducted as hightech media spectacles, apparently more important for their propaganda value than for any strategic aims. Discussing the humanitarian interventions of the 1990s and the War on Terror, the book analyzes the rise of a postmodern sensibility in domestic and international politics, and explores how the projection of power abroad is undermined by a lack of cohesion and purpose at home. Drawing together debates from a variety of disciplinary and theoretical perspectives, Philip Hammond argues that contemporary warfare may be understood as ’postmodern’ in that it is driven by the collapse of grand narratives in Western societies and constitutes an attempt to recapture a sense of purpose and meaning.

From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, Runaway Bride sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self. August 2008: 234x156: 200pp Hb: 978-0-415-45227-4: $140.00 Pb: 978-0-415-45228-1: $39.95 £70.00

£19.99

2007: 234x156: 192pp Hb: 978-0-415-37493-4: $140.00 Pb: 978-0-415-37494-1: $34.95 eBook: 978-0-203-93417-3

Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency. Central to the book is an analysis of Riot Grrrl – a 1990s feminist youth movement from a fusion of punk rock and gender theory – and the girl power movement it inspired. The author also looks at the rise of girls-only media education programs, and the creation of girls’ studies. This book is essential reading for anyone seeking to understand contemporary female youth in today’s media culture. 2006: 229x152: 388pp Hb: 978-0-415-97277-2: $95.00 Pb: 978-0-415-97278-9: $29.95 £60.00

£15.99

2ND EDITION

Understanding Media Marshall McLuhan Series: Routledge Classics Understanding Media was written twenty years before the PC revolution and thirty years before the rise of the internet. Yet McLuhan’s insights into our engagement with a variety of media led to a complete rethinking of our entire society. 2001: 198x129: 400pp Hb: 978-0-415-25549-3: $120.00 Pb: 978-0-415-25397-0: $19.95

£70.00

£60.00

£18.99

£9.99

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MEDIA STUDIES

6

Sound Media From Live Journalism to Music Recording

CD

Lars Nyre, University of Bergen, Norway

Remaking Media

NEW

The Struggle to Democratize Public Communication

3RD EDITION

Robert Hackett and William Carroll

Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s.

Series: Communication and Society ”A meticulously researched work ... [which] is also absolutely timely in its analysis of the preconditions for successful media activism.” – Global Media and Communication

Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings. June 2008: 234x156: 240pp Hb: 978-0-415-39113-9: $130.00 Pb: 978-0-415-39114-6: $37.95

Taking an innovative approach, Robert Hackett and William Carroll pay attention to an emerging social movement that appears at the cutting edge of cultural and political contention, and ground their work in three scholarly traditions that provide interpretive resources for the study of democratic media activism:

£65.00

• political theories of democracy

£18.99

• critical media scholarship Remaking Media examines the democratization of the media and the efforts to transform the machinery of representation.

3RD EDITION

The Radio Handbook

£70.00

Series: Media Practice

• examples of programming, including nationwide and local BBC, commercial radio, community and student stations • real typescripts and case studies of current stations • a glossary of key terms and technical concepts. September 2009: 234x156: 256pp Hb: 978-0-415-44507-8: $130.00 Pb: 978-0-415-44508-5: $37.95 £65.00

£18.99

With contributions from some of the finest scholars in the discipline, Media Effects serves not only as a comprehensive reference volume for media effects study but also as an exceptional textbook for advanced courses in media effects. Covering the breadth of the media effects arena, this third edition provides updated material as well as new chapters focusing on effects of mobile media and other technologies. December 2008: 254x178: 640pp Hb: 978-0-8058-6449-6: $175.00 Pb: 978-0-8058-6450-2: $75.00 • AVAILABLE AS A COMPLIMENTARY COPY £40.00

NEW

Edited by Tilo Hartmann

Narrating Media History Edited by Michael Bailey, Leeds Metropolitan University, UK Foreword by Elihu Katz Series: Communication and Society Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives.

This third edition includes: • interviews with people working at all levels in the industry including programme controllers, news presenters and DJs

Series: LEA’s Communication Series

A Theoretical and Empirical Overview

£18.99

Featuring two entirely new chapters for this edition, You Radio and Sport on Radio, this text offers a thorough introduction to radio in the twenty-first century. Using new examples, case studies and illustrations, it examines the various components that make radio, from music selection to news presentation, and from phone-ins to sport programmes. Discussing a variety of new media such as podcasts, digital radio and web-linked radio stations, Carole Fleming explores the place of radio today, the extraordinary growth of commercial radio and the importance of community radio.

Edited by Jennings Bryant, University of Alabama, USA and Mary Beth Oliver, The Pennsylvania State University, USA

Media Choice

2006: 234x156: 256pp Hb: 978-0-415-39468-0: $140.00 Pb: 978-0-415-39469-7: $37.95

Carole Fleming, Nottingham Trent University, UK

Advances in Theory and Research

£85.00

• the sociology of social movements.

NEW

Media Effects

This collection brings together leading international media history scholars, not only to identify and contrast the various inter-relationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including liberalism, feminism, populism, nationalism, libertarianism, radicalism and technological determinism. August 2008: 234x156: 266pp Hb: 978-0-415-41915-4: $140.00 Pb: 978-0-415-41916-1: $39.95

This volume represents the next generation of research in media psychology, bridging selective exposure into a larger framework of choice in media usage. Considering the myriad media options available to use, this work seeks to answer such questions as: What mechanisms guide an individual’s exposure to/choice of media? How can researchers model them? The questions why and how people decide to use media offerings are key in current communication scholarship. Research on selective exposure has addressed this area in the past, but the term ’media choice’ is used here to represent any implicit/automatic/spontaneous or explicit/deliberate ’decisions’ of the users and subsequent behavioural consequences that lead to a contact with a media stimulus. May 2009: 229x152: 304pp Hb: 978-0-415-96456-2: $99.95 Pb: 978-0-415-96458-6: $39.95 £55.00

£22.99

Messages

£70.00

Free Expression, Media and the West from Gutenberg to Google

£19.99

Brian Winston 2005: 234x156: 448pp Hb: 978-0-415-23222-7: $120.00 Pb: 978-0-415-36457-7: $31.95 £60.00

£15.99

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MEDIA STUDIES

NEW

Western Media Systems

NEW

Immersed in Media

Jonathan Hardy, University of East London, UK

Iranian Media

Telepresence in Everyday Life Edited by Cheryl Campanella Bracken and Paul Skalski Series: LEA’s Communication Series

Series: Communication and Society

The Paradox of Modernity

Western Media Systems offers a critical introduction to media systems in North America and Western Europe. The book offers a wide-ranging survey of comparative media analysis addressing the economic, social, political, regulatory and cultural aspects of Western media systems.

Gholam Khiabany, London Metropolitan University Series: Routledge Advances in Internationalizing Media Studies Iranian Media provides an overview of the expansion of the Iranian communication system, examining the political economy of this process and arguing that the nature of Iranian media in general and the press in particular cannot be understood simply in terms of ‘Islamic ideology’ or the false dichotomy of ’modernity’ versus ’tradition’.

Immersed in Media highlights the growth and importance of the concept of telepresence within the field of mass communication, whilst considering popular media types and their effects on users. The extent to which media users feel ’in’ a media environment (spatial presence) or ’with’ mediated others (social presence) has significant implications. This volume explains how the experience of presence can be affected by several popular media technologies, such as television, videogames, film, computers, and the internet.

Jonathan Hardy takes a thematic approach, guiding the reader through critical issues and debates, introducing key concepts and specialist literature.

March 2009: 229x152: 192pp Hb: 978-0-415-96289-6: $95.00

April 2009: 229x152: 288pp Hb: 978-0-415-99339-5: $100.00 Pb: 978-0-415-99340-1: $39.95

June 2008: 234x156: 304pp Hb: 978-0-415-39691-2: $140.00 Pb: 978-0-415-39692-9: $37.95

Arab Media

£65.00

£22.99

£70.00

Series: CRESC This book brings together major and emerging international media analysts to consider key processes of media change, using a number of critical perspectives. Among the theoretical approaches and issues addressed are: • critical realism • post-structuralist approaches to media and culture

Edited by Makram Khoury-Machool Series: Internationalizing Media Studies

Media & Cultural Theory Edited by James Curran and David Morley Containing original surveys from leading international scholars, this reader uses contemporary media, film texts and case studies to address key issues and debates within global media and cultural studies.

This broad ranging resource introduces students to issues of politics, economics, religion and language within the region as well as dealing with censorship, class, race and sex within Arab media.

The Mass Media and Latino Politics

September 2009: 234x156: 256pp Hb: 978-0-415-44372-2: $120.00 Pb: 978-0-415-44373-9: $32.95

£65.00

£18.99

Studies of U.S. Media Content, Campaign Strategies and Survey Research: 1984–2004 Series: LEA’s Communication Series

Nick Couldry and Anna McCarthy

The Latin-American population has become a major force in American politics in recent years, with expanding influences in local, state, and national elections. Recognizing the rising influence of the Latino population in the United States, Federico A. SuberviVélez has put together this edited volume, examining various aspects of the Latino and media landscape, including media coverage in English- and Spanish-language media, campaigns, and survey research.

2003: 234x156: 320pp Hb: 978-0-415-29174-3: $140.00 Pb: 978-0-415-29175-0: $45.95

January 2008: 229x152: 448pp Hb: 978-0-8058-5704-7: $125.00 Pb: 978-0-8058-5705-4: $49.95

• theories of democracy, antagonism and difference. May 2008: 234x156: 312pp Hb: 978-0-415-44799-7: $170.00 Pb: 978-0-415-44800-0: $47.95 £85.00

£23.99

MediaSpace Place, Scale and Culture in a Media Age

£70.00

£22.99

£65.00

£17.99

Media Consumption and Everyday Life in Asia

Edited by Federico A. Subervi-Vélez

• public sphere theory – including post-Habermasian versions • actor network theory

Arab Media charts the evolution and ownership patterns of different media forms, from the emergence of the Arab press in the second half of the nineteenth century to the rise of radio, television and satellite channels in the twentieth century and the current growth of ICT and the international role of the Arab media following the Gulf War.

2005: 234x156: 288pp Hb: 978-0-415-31704-7: $130.00 Pb: 978-0-415-31705-4: $37.95

• Pierre Bourdieu and field theory

• Marxist and post-Marxist theories, including contemporary critical theory

NEW From the First Press to the New Media

£18.99

The Media and Social Theory Edited by David Hesmondhalgh, University of Leeds, UK and Jason Toynbee, The Open University, UK

£60.00

Edited by Youna Kim, London School of Economics and Political Science, University of London, UK Series: Routledge Advances in Internationalizing Media Studies This book considers the emerging consequences of media consumption in people’s everyday life at a time when the political, socio-economic, and cultural forces by which the media operate are rapidly globalizing in Asia. The book argues for the centrality of the media to Asian transformations in the era of globalization, and explores the way the profusion of the media today is reworking people’s identities at individual, national, regional, and global levels. June 2008: 229x152: 250pp Hb: 978-0-415-96245-2: $95.00

£70.00

£27.99

Media Rituals A Critical Approach Nick Couldry 2002: 234x156: 192pp Hb: 978-0-415-27014-4: $120.00 Pb: 978-0-415-27015-1: $35.95 £60.00

£17.99

E-mail: media_studies@routledge.com

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£60.00

7


MEDIA STUDIES

8

NEW

Global Media Discourse

NEW

Cities, Citizens, and Technologies

A Critical Introduction

3RD EDITION

Urban Life and Postmodernity

David Machin and Theo Van Leeuwen

Electronic Media Criticism

Featuring a wide range of exercises, examples, and images, this book provides a practical way of analyzing the discourses of the global media industries. Building on a comprehensive introduction to the history and theory of global media communication, specific case studies of lifestyle and entertainment media are explored with examples from films, global women’s magazines, Vietnamese news reporting and computer war games. Finally, this book investigates how global media communication is produced, looking at the formats, languages and images used in creating media materials, both globally and in localized forms.

Applied Perspectives

Paula Geyh, Yeshiva University, USA Series: Routledge Research in Cultural and Media Studies This book is about the contemporary city and those who live in it. It is thus also about the urban world of the post-modern era and specifically about how the postmodern city is changing under the impact of globalization and new information and communication technologies. January 2009: 229x152: 296pp Hb: 978-0-415-99172-8: $95.00 £60.00

The Handbook of Election News Coverage Around the World Edited by Jesper Strömbäck, Mid Sweden University, Sweden and Lynda Lee Kaid, University of Florida, USA Series: ICA Handbook Series

2007: 234x156: 200pp Hb: 978-0-415-35945-0: $110.00 Pb: 978-0-415-35946-7: $31.95 £65.00

The Handbook of Election News Coverage Around the World focuses on the news coverage of national elections in democracies around the globe. It brings together and compares election news coverage within a single framework, offering a systematic consideration of various factors. Considering the prominence and power of the press in the election process, this volume will offer unique breadth in its global consideration of the topic. June 2008: 254x178: 472pp Hb: 978-0-8058-6036-8: $200.00 Pb: 978-0-8058-6037-5: $70.00 £100.00

£35.00

£17.99

3RD EDITON

Communication, Cultural and Media Studies: The Key Concepts

NEW

Communication as Culture, Revised Edition

This is the third edition of an up-to-date, multidisciplinary glossary of the concepts you are most likely to encounter in the study of communication, culture and media, with new entries and coverage of recent developments. 2002: 216x138: 288pp Hb: 978-0-415-26888-2: $130.00 Pb: 978-0-415-26889-9: $29.95 £65.00

NEW

Edited by Nick Couldry, Andreas Hepp and Friedrich Krotz

Coverage

Series: Comedia

Media Spaces and Security after 9/11

Media Events in a Global Age provides an authoritative and innovative overview of this well-established but still fast-developing field within media and cultural research.

Lisa Parks, University of California, Santa Barbara, USA

£70.00

£21.99

£35.00

Series: Routledge Key Guides

Media Events in a Global Age

July 2009: 234x156: 224pp Hb: 978-0-415-47710-9: $140.00 Pb: 978-0-415-47711-6: $39.95

November 2008: 254x178: 560pp Hb: 978-0-415-99536-8: $200.00 Pb: 978-0-415-99537-5: $70.00

John Hartley

NEW

The collection is international in both its scope and scholarship, including well-known scholars from Europe, North America and Asia, as appropriate for a phenomenon that nowadays can only be understood on a ‘global level’.

Electronic Media Criticism introduces readers to a variety of critical approaches to audio and video discourse on radio, television and the internet. The book applies key aesthetic, sociological, philosophical, psychological, structural and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. It includes numerous critiques to illustrate the ways in which critical expression can be structured, providing readers with feasible and flexible tools for focused and rational analysis of electronic media product as well as enhanced understanding of the role and essential ingredients of criticism itself. These insights range from the perceptions of Plato and Aristotle to the research that motivates twenty-first century marketing and advertising. £100.00

£14.99

The essays have been organized around the developing themes – both conceptual and empirical – in this expanding field, and taken together they give readers a view of the ‘state of the art’ debates in this increasingly high-profile area of media and cultural research.

Peter B. Orlik

Lisa Parks explores the complex relations between media and security and uses the term ’coverage’ to develop a conceptual framework for understanding them. At the heart of this book’s argument is the way that seemingly benign media technologies such as PowerPoint, YouTube, and Google Earth – particularly these supporting technologies that are often behind the scenes of larger media systems such as television news – have been used to extend the security regime into the spaces of everyday life. Each chapter explores a different media through the lens of a post-9/11 security culture. This book offers a new understanding of how media technologies shape our perceptions of global space and power relations.

Essays on Media and Society James W. Carey Foreword by G. Stuart Adam James W. Carey maintains that communication is not merely the transmission of information; reminding the reader of the link between the words ’communication’ and ’community’, he broadens his definition to include the drawing-together of a people that is culture. This new edition includes a new critical foreword by G. Stuart Adam that explains Carey’s fundamental role in transforming the study of mass communication to include a cultural perspective and connects his classic essays with contemporary media issues and trends. This edition also adds a new, complete bibliography of all of Carey’s writings. September 2008: 229x152: 240pp Hb: 978-0-415-98975-6: $120.00 Pb: 978-0-415-98976-3: $29.95 eBook: 978-0-203-92891-2 • AVAILABLE AS A COMPLIMENTARY COPY £60.00

£18.99

September 2009: 229x152: 192pp Hb: 978-0-415-99981-6: $120.00 Pb: 978-0-415-99982-3: $34.95 eBook: 978-0-203-87964-1 £60.00

£18.99

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Fax 1-800-248-4724

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MEDIA STUDIES

NEW

Creative Explorations

5TH EDITION

New Approaches to Identities and Audiences

A Cognitive Psychology of Mass Communication

David Gauntlett Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett explores the ways in which researchers can embrace people’s everyday creativity in order to understand social experience.

Richard Jackson Harris In this fifth edition, Richard Jackson Harris continues his examination of how our experiences with media affect the way we acquire knowledge about the world, and how this knowledge influences our attitudes and behavior. Presenting theories from psychology and communication along with reviews of the corresponding research, this text covers a wide variety of media and media issues, ranging from sex, violence, and advertising, to lesser-studied topics, such as values, sports, and entertainment education. April 2009: 229x152: 528pp Hb: 978-0-415-99311-1: $150.00 Pb: 978-0-415-99312-8: $59.95 £75.00

£29.99

NEW

Environment, Media and Communication

Seeking an alternative to traditional interviews and focus groups, he outlines studies in which people have been asked to make visual things – such as video, collage, and drawing – and then interpret them. This leads to an innovative project in which Gauntlett asked people to build metaphorical models of their identities in Lego. This creative reflective method provides insights into how individuals present themselves, understand their own life story, and connect with the social world. £65.00

June 2009: 234x156: 256pp Hb: 978-0-415-42575-9: $150.00 Pb: 978-0-415-42576-6: $38.95 £75.00

£19.50

Audience Studies A Japanese Perspective Toshie Takahashi, Rikkyo University, Japan Series: Routledge Advances in Internationalizing Media Studies Focusing on the case of contemporary Japan, this book describes how people engage the full complement of today’s media, information, and communication technologies as routine practices of everyday life. The book comprehensively explores the concept of audience engagement using the findings and interpretations of Takahashi’s fieldwork on Japanese young people’s involvement with social networking sites and mobile phones in the Tokyo Metropolitan Area.

S. Elizabeth Bird, University of South Florida, USA The Audience in Everyday Life argues that a media audience cannot be studied in front of the television alone – their interaction with media does not simply end when the set is turned off. Instead, we must study the daily lives of audiences to find the undercurrents of media influence in everyday life. S. Elizabeth Bird provides a host of useful tools and methods for scholars and students interested in the ways media is consumed in everyday life. 2003: 229x152: 256pp Pb: 978-0-415-94258-4: $29.95 £17.99

Edited by Joseph Turow, University of Pennsylvania, USA and Matthew McAllister, Pennsylvania State University, USA

The Citizen Audience Crowds, Publics, and Individuals Richard Butsch In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship. 2007: 229x152: 200pp Hb: 978-0-415-97789-0: $95.00 Pb: 978-0-415-97790-6: $27.95 £60.00

£15.99

NEW

Living in a Media World

The Advertising and Consumer Culture Reader

£18.99

Series: Routledge Introductions to Environment

Offering a comprehensive introduction to theoretical approaches and models for the study of media and communication roles regarding the environment, and drawing on empirical research evidence and examples from Europe, America, Australia and Asia, the book will be of interest to students in media/communication studies, geography, environmental studies, political science and sociology as well as to environmental professionals and activists.

The Audience in Everyday Life

NEW

2007: 234x156: 208pp Hb: 978-0-415-39658-5: $130.00 Pb: 978-0-415-39659-2: $35.95 eBook: 978-0-203-96140-7

Anders Hansen Environment, Media and Communication examines the social, cultural and political roles of the media as a public arena for images, representations, definitions and controversy regarding the environment.

Winner of the International Communication Association Best Book Award 2004

The Audience Studies Reader

The Advertising and Consumer Culture Reader assembles the most important writings on advertising and society. Arranged thematically, approximately thirty essays provide readers with the some of the best-known and most provocative writings on the nature, process, and social implications of advertising and consumer culture for society. The contents of the collection are based on courses taught by the volume editors, making the volume ideal for classroom use. The book includes a jointly authored general introduction and brief introductions to every section. Each article is preceded by a paragraph that introduces the author and places the piece within the stream of the author’s writings. The articles are followed by a short list of questions that the student might consider about the piece. June 2009: 229x152: 400pp Hb: 978-0-415-96329-9: $120.00 Pb: 978-0-415-96330-5: $49.95 • AVAILABLE AS A COMPLIMENTARY COPY £60.00

£25.99

Edited by Will Brooker and Deborah Jermyn This book suggests new ways of looking at the relationship between media texts and those who receive, consume and interpret them. 2002: 246x174: 368pp Hb: 978-0-415-25434-2: $140.00 Pb: 978-0-415-25435-9: $43.95 £70.00

£21.99

June 2009: 229x152: 192pp Hb: 978-0-415-80013-6: $95.00 £60.00

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9


MEDIA STUDIES

10

NEW

Brands

NEW

3RD EDITION

Marcel Danesi

The Advertising Handbook

Series: Routledge Introductions to Media and Communications Marcel Danesi provides a clear guide to brands and brand identity, outlining their historical origins and their increasing centrality in contemporary consumer culture. He introduces:

Handbook of Spanish Language Media

Helen Powell, Jonathan Hardy, Sarah Hawkin and Iain MacRury Series: Media Practice The Advertising Handbook is a critical introduction to the practices and perspectives of advertising. It explores the industry and those who work in it and examines the reasons why companies and organizations advertise; how they research their markets; where they advertise and in which media; the principles and techniques of persuasion and their effectiveness; and how companies measure their success. It challenges conventional wisdom about advertising power and authority to offer a realistic assessment of its role in business and also looks at the industry’s future.

• the origins of brands • naming and brand image • how semiotic theory can be used to analyze brand image • brands and consumer culture • brands in the global village • the anti-brand movement.

• supplementary input from a range of contributors. May 2009: 234x156: 320pp Hb: 978-0-415-42312-0: $130.00 Pb: 978-0-415-42311-3: $37.95

2006: 216x138: 176pp Hb: 978-0-415-27997-0: $120.00 Pb: 978-0-415-27998-7: $33.95

NEW

NEW

Advertising

Language and Media

Iain MacRury, University of East London, UK

A Resource Book for Students

Series: Routledge Introductions to Media and Communications Advertising, once seen as ’the official art of capitalist society’ is an increasingly commonplace component of a characteristically promotional culture. Iain MacRury’s Advertising offers the means to explore and evaluate this transition with an introduction to advertising for the contemporary reader.

Alan Durant and Marina Lambrou

• fresh industry case studies • detailed profiles of and from advertising agencies and new media players

£65.00

£60.00

£18.99

Advertising provides a clear and easy guide to a changing cultural and commercial genre. It explores how advertising can be studied as a cultural industry, and as a sign system, and how adverts and the reception of adverts can be considered drawing on approaches from literary criticism, structuralism, post-structuralism, psychoanalysis and ethnography. December 2008: 216x138: 256pp Hb: 978-0-415-25125-9: $110.00 Pb: 978-0-415-25126-6: $30.95 £65.00

With the rise of Spanish language media around the world, no reference work is available that provides an overview of the field or its emerging issues. This book is a definitive source for scholars to provide background knowledge of the various issues and topics relevant to Spanish language media, and to establish directions for future research in this rapidly growing area. August 2009: 254x178 Hb: 978-0-415-99044-8: $150.00 Pb: 978-0-415-99101-8: $59.95 £85.00

£35.00

Key Words in Religion, Media and Culture

• advertising campaigns

Danesi shows how consumer products such as cars, perfume and even websites are sold to us through the creation of powerful brand images, and analyzes the advertising campaigns developed to promote brands such as Coca-Cola, McDonalds, Absolut Vodka, Apple, Gucci and Chanel. He also discusses the rise of the anti-brand movement, and its challenges to the dominance of global brands such as Gap and Nike.

This new edition includes:

Alan Albarran

£16.99

Edited by David Morgan, Christ College, Valparaiso University, USA Written by a team of contributors drawn from North America, Europe and Australia, the chapters in this book cover the core concepts in the field, from Aesthetics and Audiences through to Text and Touch. Each chapter explores a cluster of related terms, explaining their significance and relating them to those covered by other chapters. The introduction offers an overview of the field and its historiography, while the bibliography provides further resources for student use. June 2008: 234x156: 256pp Hb: 978-0-415-44862-8: $120.00 Pb: 978-0-415-44863-5: $34.95 eBook: 978-0-203-89407-1 £65.00

£19.99

Series: Routledge English Language Introductions Language and Media provides a comprehensive introduction to how language interacts with media, investigating a series of language and discourse categories that cut across different areas of media. It also covers four different dimensions of ‘language and media’: the forms of language found in media discourse; how patterns in such language use contribute to recognizable media genres; general issues about media language that follow from such use; and broader social themes and consequences. This book looks at a wide variety of media types that include: newspapers, radio, news, blogs, emails, marketing taglines, branding and PR. June 2009: 246x174: 256pp Hb: 978-0-415-47573-0: $120.00 Pb: 978-0-415-47574-7: $29.00 £60.00

£16.99

£16.99

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MEDIA STUDIES

NEW

Media/Theory

Comedia Series

Handbook of Emotions and the Mass Media

Thinking about Media and Communications

Edited by Katrin Doveling, Free University Berlin, Germany, Christian von Scheve, University of Hamburg, Germany and Elly A. Konijn

Shaun Moores draws on ideas from a range of disciplines, and provides an accessible yet challenging guide to ways of thinking about media and communications in modern life.

This Handbook provides a comprehensive overview of how mass media impacts on human emotions and vice versa. Multidisciplinary in scope, leading scholars analyze the various facets of this mutual influence, ranging from individual up to socio-cultural levels of analysis.

Shaun Moores

Media, Modernity and Technology The Geography of the New David Morley Clearly structured in five thematic sections this book presents a set of interlinked essays which discuss and examine the key debates in the fields of media and cultural studies.

September 2009: 234x156: 324pp Hb: 978-0-415-48160-1: $180.00 £95.00

2005: 234x156: 208pp Pb: 978-0-415-24384-1: $31.95

The Politics of Heritage The Legacies of Race Edited by Jo Littler and Roshi Naidoo 2005: 234x156: 272pp Pb: 978-0-415-32211-9: $39.95

NEW

From ’Perverts’ to ’Fab Five’ The Media’s Changing Depiction of Gay Men and Lesbians

2006: 234x156: 288pp Pb: 978-0-415-33342-9: $37.95

A Game of Two Halves Football Fandom, Television and Globalisation

Rodger Streitmatter, American University, USA From ’Perverts’ to ’Fab Five’ tracks the dramatic change in how the American media have depicted gay people over the last half-century. Individual chapters focus on major news stories, entertainment television programs, and mainstream motion pictures that captured the public imagination while, at the same time, sending powerful messages about gay men and lesbians. November 2008: 229x152: 232pp Hb: 978-0-7890-3670-4: $95.00 Pb: 978-0-7890-3671-1: $29.95 eBook: 978-0-203-88638-0 £60.00

£15.99

Cornel Sandvoss

Watching with The Simpsons

2003: 234x156: 224pp Pb: 978-0-415-31485-5: $43.95

Television, Parody, and Intertextuality Jonathan Gray Including primary audience research, this book focuses on how The Simpsons has been able to talk back to three of television’s key genres – the sitcom, adverts and the news – and on how it holds the potential to short-circuit these genre’s meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. 2005: 234x156: 216pp Pb: 978-0-415-36202-3: $35.95

NEW

Media and Middle Class Moms This book presents firsthand, ethnographic research from a study that examined, in the context of actual work/family choices, how middle class American parents received, processed, and sometimes resisted media messages about work and family. £70.00

Femininity and Masculinity at the Movies Christine Holmlund 2001: 234x156: 256pp Pb: 978-0-415-18576-9: $33.95

Culture after Humanism History, Culture, Subjectivity Iain Chambers 2001: 234x156: 240pp Pb: 978-0-415-24756-6: $37.95

For more information and other titles in the Comedia series, please go to www.routledge.com/media

Conrad Kottak, University of Michigan, USA and Lara J. Descartes, University of Connecticut, USA

February 2009: 229x152: 224pp Hb: 978-0-415-99308-1: $125.00 Pb: 978-0-415-99309-8: $25.95

Impossible Bodies

Assessing Media Education A Resource Handbook for Educators and Administrators

£16.99

Edited by William G. Christ, Trinity University, San Antonio, Texas, USA Series: LEA’s Communication Series Assessing Media Education provides guidelines for media educators and administrators in higher education media programs who are creating or improving student-learning assessment strategies. Covering the topics and categories established by the Accrediting Council on Education in Journalism and Mass Communications, this key resource guides readers through the steps of developing an assessment plan, establishing student learning outcomes in the various areas of the curriculum, and measuring those outcomes. 2006: 229x152: 600pp Hb: 978-0-8058-5225-7: $190.00 Pb: 978-0-8058-5226-4: $62.95 £112.00

£36.99

E-mail: media_studies@routledge.com

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11


NEW MEDIA AND CYBERCULTURE

12

NEW

Advertising and New Media

The Alternative Media Handbook

2ND EDITION

Christina Spurgeon

Kate Coyer, Tony Dowmunt and Alan Fountain

New Media

This comprehensive introduction explores the evolving relationship between new media, advertising and new media consumers. Tracing the shift from ’mass’ to ’my’ media, Advertising and New Media critically evaluates the social and cultural implications of increased interactivity and consumer creativity for the future of advertising, with examples drawn from the USA, the UK, Europe, Australia and China.

Series: Media Practice

A Critical Introduction Martin Lister, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly, all at the University of the West of England, UK New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which ’new media’ really are new, assesses the claims that a media and technological revolution has taken place, and formulates new ways for media studies to respond to new technologies.

2007: 234x156: 144pp Hb: 978-0-415-43034-0: $120.00 Pb: 978-0-415-43035-7: $30.95 eBook: 978-0-203-93552-1 £65.00

£16.99

The New Media Handbook Andrew Dewdney and Peter Ride Series: Media Practice

It includes a discussion of key concepts such as digital code, information, convergence, interactivity and interface; identifies key debates and locates the place of new media practice within contemporary culture.

At www.newmediaintro.com you will find: • additional international case studies with online references

• a new ‘Virtual Camera’ case study, with links to short film examples • useful links to related websites, resources and research sites • further online reading links to specific arguments or discussion topics in the book • links to key scholars in the field of new media. Selected Contents: Preface to Second Edition. Introduction. Part 1: New Media and New Technologies Part 2: New Media and Visual Culture Part 3: Networks Users and Economics Part 4: New Media in Everyday Life Part 5: Cyberculture: Technology, Nature and Culture December 2008: 246x189: 464pp Hb: 978-0-415-43160-6: $150.00 Pb: 978-0-415-43161-3: $43.95 eBook: 978-0-203-88482-9 £75.00

£21.99

2006: 234x156: 352pp Hb: 978-0-415-30711-6: $130.00 Pb: 978-0-415-30712-3: $37.95 £65.00

• specially created YouTube videos on machines and digital photography

2007: 234x156: 368pp Hb: 978-0-415-35966-5: $130.00 Pb: 978-0-415-35965-8: $37.95 £65.00

Through a series of edited interviews with new media practitioners including young web developers, programmers, artists, writers and producers, The New Media Handbook examines the essential diversity of new media by combining critical commentary and descriptive and historical accounts.

The authors introduce a wide variety of topics including: how to define the characteristics of new media; social and political uses of new media and new communications; new media technologies, politics and globalization; everyday life and new media; theories of interactivity, simulation, and the new media economy; cybernetics, cyberculture, the history of automata and artificial life. Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject.

’Alternative Media’ is the term used to describe non-mainstream media forms that are independently run and community focussed, such as zines, pirate radio, online discussion boards, community run and owned broadcasting companies, and activist publications such as Red Pepper and Corporate Watch. This book outlines the different types of alternative media and offers an overview of global alternative media activity, before moving on to provide information about alternative media production and how to get involved in it.

£18.99

New Media, Old Media A History and Theory Reader Edited by Wendy Hui Kyong Chun and Thomas Keenan

£18.99

The Language of New Media Design Theory and Practice Radan Martinec, London College of Communication, UK and Theo van Leeuwen, University of Technology, Sydney, Australia The Language of New Media Design presents methods on the design and analysis of a variety of non-linear texts, from websites to CD-ROMS. Integrating theory and practice, the book explores a range of models for analyzing and constructing multimedia products. For each model the authors outline the theoretical background and demonstrate usage from students’ coursework, commonly available websites and other multimedia products. July 2008: 234x156: 224pp Hb: 978-0-415-37257-2: $120.00 Pb: 978-0-415-37262-6: $35.95 £75.00

New Media, Old Media is a comprehensive anthology of original and classic essays that explore the tensions of old and new in digital culture. Leading international media scholars and cultural theorists interrogate new media like the internet, digital video, and MP3s against the backdrop of earlier media such as television, film, photography, and print. The many topics explored in this provocative volume include websites, webcams, the rise and fall of dotcom mania, internet journalism, the open source movement, and computer viruses. 2005: 254x178: 432pp Hb: 978-0-415-94223-2: $100.00 Pb: 978-0-415-94224-9: $45.00 £60.00

£21.99

£19.99

NEW

Letters, Postcards, and Email Technologies of Presence Esther Milne, Swinburne University, Australia Series: Routledge Research in Cultural and Media Studies Esther Milne moves between close readings of letters, postcards and emails on the one hand, and investigations of the material, technological infrastructures of these forms, on the other hand to answer the question: how does presence function as an aesthetic and rhetorical strategy within networked communication practices? As her work reveals, the relation between old and new communication systems is more complex than allowed in much contemporary media theory. September 2009: 229x152: 192pp Hb: 978-0-415-99328-9: $95.00 £60.00

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NEW MEDIA AND CYBERCULTURE

Digital Encounters Aylish Wood, University of Kent, UK Digital Encounters is a cross media study of digital moving images in animation, cinema, games, and installation art. Working with examples from The Incredibles, The Matrix, Tomb Raider: Legend and Bill Viola’s Five Angels for the Millennium, Aylish Wood considers how viewers engage with the diverse interfaces of digital effects cinema, digital games and time-based installations, and argues that technologies alter human engagement, distributing our attention across a network of images and objects. 2007: 234x156: 200pp Hb: 978-0-415-41065-6: $130.00 Pb: 978-0-415-41066-3: $37.95 £65.00

£18.99

NEW

Writing for Digital Media Brian Carroll, Berry College, USA This book teaches students how to write effectively for online audiences – whether they are crafting a story for the online face of a daily newspaper or a personal blog – while providing them with a solid understanding of the ways that the internet has blurred traditional roles of media producer, consumer, publisher, and reader. By understanding this new media audience and exploring how different media behave – their unique limits and possibilities – students are able to develop better content for digital formats and environments. This book focuses on writing primarily for journalism, public relations, marketing and advertising audiences. September 2009: 254x178: 240pp Hb: 978-0-415-99200-8: $120.00 Pb: 978-0-415-99201-5: $45.00 eBook: 978-0-203-89431-6 £60.00

£22.99

NEW

Media Convergence The Three Degrees of Network, Mass and Interpersonal Communication Klaus Jensen, University of Copenhagen, Denmark The public breakthrough of the internet and mobile telephones over the past decade has challenged received notions of both ‘media’ and ‘communication’. Traditional categories of ‘mass’ and ‘interpersonal’, ‘mediated’ and ‘unmediated’ communication, now appear untenable in the face of the World Wide Web, peer-to-peer communities, chat, and instant messaging. Divided into three parts, the book makes a distinction between three general types of media, or media of three degrees: the human body enabling communication in the flesh; the technically reproduced means of mass communication; and the digital technologies facilitating interaction one-to-one, one-to-many, as well as many-to-many.

Mediated Interpersonal Communication

13

NEW

Edited by Elly A. Konijn, Sonja Utz, Martin Tanis and Susan B. Barnes Mediated interpersonal communication is one of the most dynamic areas in communication studies, reflecting how individuals utilize technology more and more often in their personal interactions. Organizations also rely increasingly on mediated interaction for their communications. Responding to this evolution in communication, this collection explores how existing and new personal communication technologies facilitate and change interpersonal interactions. Chapters offer in-depth examinations of mediated interpersonal communication in various contexts and applications. Contributions come from well-known scholars based around the world. June 2008: 229x152: 416pp Hb: 978-0-8058-6303-1: $125.00 Pb: 978-0-8058-6304-8: $49.95

Truth, Lies and Trust on the Internet Monica Whitty, Queen’s University Belfast, Ireland and Adam Joinson, The Open University, UK This book offers a balanced view of the internet by presenting empirical data conducted by social scientists. It is the first book to develop a coherent model of the truth-lies paradox, with specific reference to the critical role of trust.

August 2008: 234x156: 184pp Hb: 978-1-84169-584-6: $44.95 £24.95

NEW 2ND EDITION

On the Internet Hubert L. Dreyfus, University of California, Berkeley, USA

£70.00

£29.99

Series: Thinking in Action

NEW

Internationalizing Internet Studies Beyond Anglophone Paradigms Edited by Gerard Goggin, University of Sydney, Australia and Mark McLelland, University of Wollongong, Australia Series: Routledge Advances in Internationalizing Media Studies This book offers a mapping of the internet as it has developed and is used internationally, providing a range of perspectives on the international internet, but also exploring the implications of such new knowledge and accounting for concepts, methods, and themes in internet studies. Of special interest is the book’s fresh and up-to-date coverage of the internet in perhaps the most dynamic region at present: Asia-Pacific.

Drawing on a diverse array of thinkers from Plato to Kierkegaard, On the Internet argues that there is much in common between the disembodied, free floating web and Descartes’ separation of mind and body. Dreyfus also shows how Kierkegaard’s insights into the origins of a media-obsessed public anticipate the web surfer, blogger and chat room. Drawing on studies of the isolation experienced by many internet users and the insights of philosopher such as Descartes and Kierkegaard, Dreyfus shows how the internet’s privatization of experience ignores essential human capacities such as trust, moods, risk, shared local concerns and commitment. The second edition includes a brand new chapter on Second Life and is revised throughout. October 2008: 198x129: 192pp Pb: 978-0-415-77516-8: $21.95 £11.99

October 2008: 229x152: 356pp Hb: 978-0-415-95625-3: $110.00 £60.00

Web Theory An Introduction Robert Burnett and David Marshall This book explores the key debates surrounding internet culture, from issues of globalization and regulation to ideas of communication, identity and aesthetics. 2002: 234x156: 256pp Hb: 978-0-415-23833-5: $130.00 Pb: 978-0-415-23834-2: $31.95 £65.00

£15.99

September 2009: 234x156: 224pp Hb: 978-0-415-48203-5: $140.00 Pb: 978-0-415-48204-2: $39.95 £70.00

£21.99

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NEW MEDIA AND CYBERCULTURE

14

Winner of The Association for Education in Journalism and Mass Communication Robert Picard Award for Media Management and Economics 2007 Webcasting Worldwide

2ND EDITION

Cyber-Bullying

The Cybercultures Reader

Issues and Solutions for the School, the Classroom and the Home

Edited by Barbara M. Kennedy, University of Staffordshire, UK and David Bell, University of Leeds, UK This updated and revised second edition includes specially selected contemporary articles by key thinkers in the expanding field of cybercultures studies.

CD

Business Models of an Emerging Global Medium Edited by Louisa S. Ha and Richard J. Ganahl III Series: LEA’s Media Management and Economics Webcasting Worldwide tackles one of the most timely topics in mass communication today – the delivery of audio and video content via the web, or webcasting – employing a global perspective to explore the subject. It is unique in providing a theoretical framework by which to analyze business models of emerging media, and also examines the business practices of leading webcasters in the world’s most developed broadband markets. The chapters relate the business practices of webcasting to the media market environment and established media industries, such as television and radio, as well as government and non-profit organizations. A CD-ROM accompanies the book, offering PowerPoint charts for use in training, education, and research, along with tables, graphs, screenshots, and hyperlinks. For updates about the book and the latest commentaries on topics related to webcasting business models, please visit the Webcasting Business Models Blog at http://webcastingworldwide.blogspot.com. 2006: 229x152: 464pp Hb: 978-0-8058-5915-7: $105.00 Pb: 978-0-8058-5916-4: $36.95 £61.99

With general and thematic section introductions, a full bibliography and user guide, this latest edition is an indispensable resource for all those interested in living with and thinking about new technologies. 2007: 246x174 Hb: 978-0-415-41068-7: $150.00 Pb: 978-0-415-41067-0: $45.95 £75.00

£22.99

An Introduction to Cyberculture David Bell A companion volume to The Cybercultures Reader, this book introduces students to all the major themes and concepts in this rapidly-growing field. 2001: 234x156: 256pp Hb: 978-0-415-24658-3: $130.00 Pb: 978-0-415-24659-0: $33.95 eBook: 978-0-203-19232-0

Shaheen Shariff, McGill University, Canada In this increasingly digital world cyber-bullying has emerged as an electronic form of bullying that is difficult to monitor or supervise because it often occurs outside the physical school setting and outside school hours on home computers and personal phones. Written by one of the few experts on the topic, Cyber-Bullying develops practical educational responses and guidelines for teachers, head teachers and administrators regarding the extent of their obligations to prevent and reduce cyber-bullying. The book also highlights ways in which schools can network with parents, police, technology providers and community organizations to provide support systems for victims (and perpetrators) of cyber-bullying. March 2008: 234x156: 328pp Pb: 978-0-415-42491-2: $35.95 eBook: 978-0-203-92883-7 £19.99

Codifying Cyberspace

£65.00

£16.99

Communications Self-Regulation in the Age of Internet Convergence

Cyberculture: The Key Concepts David J. Bell, Brian D. Loader, Nicholas Pleace and Douglas Schuler Series: Routledge Key Guides Fully cross-referenced and with suggestions for further reading, this is the only A–Z guide available on this subject, providing a wide-ranging, up-to-date overview of the fast-changing world of cyberculture.

Damian Tambini, Danilo Leonardi and Chris Marsden, University of Essex, UK This book is the first full-scale study of self-regulation and codes of conduct in these fast-moving new media sectors and offers a thorough exploration of the issues involved in self-regulation of the internet.

£21.99

2004: 216x138: 232pp Hb: 978-0-415-24753-5: $120.00 Pb: 978-0-415-24754-2: $26.95 £60.00

NEW

£14.99

2007: 234x156: 336pp Hb: 978-1-84472-145-0: $125.00 Pb: 978-1-84472-144-3: $35.95 eBook: 978-0-203-94706-7

Mobile Media in the Asia-Pacific

£65.00

Gender and the Art of Being Mobile

Cyberculture Theorists

Larissa Hjorth, RMIT University, Australia

Manuel Castells and Donna Haraway

Series: Asia’s Transformations/Asia.com

David Bell, University of Leeds, UK

This book locates the mobile phone not just as a symbol of lifestyle, but as a domestic technology that is very much subject to local nuances, treating the mobile phone as much as a cultural artefact as a functional technology.

October 2008: 234x156: 320pp Hb: 978-0-415-43809-4: $150.00 eBook: 978-0-203-88984-8 £75.00

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£19.99

Zero Comments

Series: Routledge Critical Thinkers This book surveys a cluster of works that seek to explore the cultures of cyberspace, the internet and the information society. It introduces key ideas, and includes detailed discussion of the work of two key thinkers in this area, Manuel Castells and Donna Haraway. Key topics include: life on the screen, network society, space of flows, and cyborg methods. 2006: 198x129: 176pp Hb: 978-0-415-32430-4: $100.00 Pb: 978-0-415-32431-1: $25.95 eBook: 978-0-203-35701-9

Blogging and Critical Internet Culture Geert Lovink, University of Amsterdam, the Netherlands Internationally renowned media theorist and ’net critic’ Geert Lovink upgrades worn out concepts about the internet and interrogates the latest hype surrounding blogs and social network sites. 2007: 234x156: 344pp Hb: 978-0-415-97315-1: $95.00 Pb: 978-0-415-97316-8: $27.95 £60.00

£13.99

£50.00

£12.99

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NEW MEDIA AND CYBERCULTURE

Blogging, Citizenship, and the Future of Media

Against Technology

Edited by Mark Tremayne, University of Texas at Austin, USA

Steven E. Jones, Loyola University, Chicago, USA

This collection of original essays addresses a number of questions seeking to increase our understanding of the role of blogs in the contemporary media landscape. It looks at how blogs are reshaping culture, media, and politics while offering multiple theoretical perspectives and methodological approaches to the study. 2006: 229x152: 240pp Hb: 978-0-415-97939-9: $100.00 Pb: 978-0-415-97940-5: $27.95 £60.00

£15.99

From the Luddites to Neo-Luddism Against Technology is not a history of the Luddites, but a history of an idea: how the activities of a group of British workers in Yorkshire and Nottinghamshire came to stand for a global anti-technology philosophy, and how an anonymous collective movement came to be identified with an individualistic personal conviction. Against Technology is, in other words, a book about representations, about the image and the myth of the Luddites and how that myth was transformed over time into modern neo-Luddism. 2006: 229x152: 288pp Hb: 978-0-415-97867-5: $100.00 Pb: 978-0-415-97868-2: $27.95

Routledge Studies in New Media and Cyberculture Series Decoding Liberation The Promise of Free and Open Source Software Samir Chopra and Scott Dexter, both at Brooklyn College, USA Focusing on five main themes – the emancipatory potential of technology, social liberties, the facilitation of creativity, the objectivity of computing as a scientific practice, and the role of software in a cyborg world – the authors ask, what are the freedoms of free software, and how are they manifested? 2007: 229x152: 232pp Hb: 978-0-415-97893-4: $95.00 eBook: 978-0-203-94214-7

£60.00

NEW

£15.99

Blogging the Political Political Participation in a Networked Society Antoinette Pole, Montclair State University, Rhode Island, USA In an era of depressed civic engagement, where access to the media by common citizens is limited, blogs have the power to change the political landscape. This book catalogues the individuals engaged in political blogging, explains why they started blogging, and examines what they hope to gain from it. April 2009: 229x152: 176pp Hb: 978-0-415-96341-1: $120.00 Pb: 978-0-415-96342-8: $25.95

Racing Cyberculture Minoritarian Art and Cultural Politics on the Internet

The Human Factor Revolutionizing the Way People Live with Technology

Christopher McGahan, Yeshiva University, USA

Kim Vicente, University of Toronto, Canada 2006: 229x152: 368pp Pb: 978-0-415-97891-0: $24.95 £14.99

Everyday eBay Culture, Collecting, and Desire Edited by Ken Hillis, Michael Petit and Nathan Scott Epley

£75.00

£16.99

Cyberactivism Online Activism in Theory and Practice Edited by Martha McCaughey and Michael D. Ayers 2003: 229x152: 320pp Hb: 978-0-415-94319-2: $105.00 Pb: 978-0-415-94320-8: $29.95 £60.00

£15.99

Bodies in Code Interfaces with Digital Media Mark B.N. Hansen, University of Chicago, USA

Everyday eBay is the first scholarly analysis of the internet marketplace that has become a global social, cultural and economic phenomenon. The eighteen new and classic essays gathered here examine eBay from a wide variety of perspectives as a bellwether of taste and material culture; as a rich site of cultural, racial, and sexual discourse and practice; as an emergent media form; and as a facilitator of global consumerism.

Racing Cyberculture explores new media art that challenges the ’race-blind’ myth of cyberspace, including Guillermo Gomez-Pena and Roberto Sifuentes, the UK new media arts collective Mongrel, the conceptual artist and composer Keith Obadike, and the multimedia artist Prema Murthy. The author looks at how works by these artists bring forward questions of racial and cultural identity as they intersect with information technology. 2007: 229x152: 232pp Hb: 978-0-415-97656-5: $95.00

The Internet in China Cyberspace and Civil Society Zixue Tai, Southern Illinois University, USA 2006: 229x152: 320pp Hb: 978-0-415-97655-8: $100.00

2006: 229x152: 328pp Hb: 978-0-415-97435-6: $100.00 Pb: 978-0-415-97436-3: $26.95 £60.00

£15.99

Bodies in Code explores how our bodies experience and adapt to digital environments. Mark B.N. Hansen draws upon recent work in visual culture, cognitive science, and new media studies, as well as examples of computer graphics, websites, and new media art, to show how our bodies are in some ways already becoming virtual. 2006: 229x152: 256pp Hb: 978-0-415-97015-0: $95.00 Pb: 978-0-415-97016-7: $29.95 £60.00

£15.99

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15


16

NEW MEDIA AND CYBERCULTURE

Routledge Studies in New Media and Cyberculture Series (cont.) NEW

Gaming Cultures and Place in Asia-Pacific Edited by Larissa Hjorth, RMIT University, Australia and Dean Chan, Edith Cowan University, Australia This collection explores Asia Pacific through the buoyant phenomena of gaming cultures. Housing key locations for global gaming production and consumption such as China, Japan and South Korea, as well as increasingly significant sites like Singapore and Australia, the Asia-Pacific region provides a wealth of divergent examples of the role of gaming as a socio-cultural phenomenon. Individual chapters touch on a diversity of topics including: case study analysis of specific games and game play; emerging and re-occurring productions of techno-nationalism; new media and experimental gaming; convergent technologies and the impact on established modes of game play; gendered consumption and production of games; technonational and government regulations and types of game play; pervasive (location-aware) gaming and the role of co-presence. March 2009: 229x152: 256pp Hb: 978-0-415-99627-3: $110.00

VIDEOGAMES

Understanding Video Games

The Meaning of Video Games

The Essential Introduction

Gaming and Textual Strategies

Simon Egenfeldt-Nielsen, Jonas Heide Smith and Susana Pajares Tosca, all at IT University of Copenhagen, Denmark

Steven E. Jones, Loyola University, Chicago, USA

From Pong to PlayStation 3 and beyond, Understanding Video Games is the first general introduction to the exciting new field of videogame studies. This book traces the history of videogames, introduces the major theories used to analyze games such as ludology and narratology, reviews the economics of the game industry, examines the aesthetics of game design, surveys the broad range of game genres, explores player culture, and addresses the major debates surrounding the medium, from educational benefits to the effects of violence. Extensively illustrated, Understanding Video Games is a comprehensive resource for those interested in the ways videogames are reshaping entertainment and society. A companion website (www.routledge.com/textbooks/9780415977210) features student resources including discussion questions for each chapter, a glossary of key terms, a videogame timeline, and links to other videogame studies resources for further study. April 2008: 254x178: 304pp Hb: 978-0-415-97720-3: $95.00 Pb: 978-0-415-97721-0: $29.95 • AVAILABLE AS A COMPLIMENTARY COPY

Queer Internets and Digital Creolization

NEW

Playing Video Games

Jillana B. Enteen, Northwestern University, USA

Motives, Responses, and Consequences

Virtual English examines English language communication on the World Wide Web, focusing on internet practices crafted by underserved communities in the USA and overlooked participants in several Asian Diaspora communities. Jillana B. Enteen locates instances where subjects use electronic media to resist popular understandings of cyberspace, computer-mediated communication, nation and community, presenting unexpected responses to the forces of globalization and predominate USA value systems.

February 2008: 229x152: 208pp Hb: 978-0-415-96055-7: $95.00 Pb: 978-0-415-96056-4: $29.95 • AVAILABLE AS A COMPLIMENTARY COPY £60.00

£16.99

Virtual English

Steven E. Jones demonstrates that textual studies – which grows historically out of ancient questions of textual recension, multiple versions, production, reproduction, and reception – can fruitfully be applied to the study of videogames. Citing specific examples such as Myst and Lost, Katamari Damacy, Halo, Façade, Nintendo’s Wii, and Will Wright’s Spore, the book explores the ways in which textual studies concepts – authorial intention, textual variability and performance, the paratext, publishing history and the social text – can shed light on videogames as more than formal systems. It treats videogames as cultural forms of expression that are received as they are played, out in the world, where their meanings get made.

£18.99

£60.00

NEW

The Meaning of Video Games takes a textual studies approach to an increasingly important form of expression in today’s culture. It begins by assuming that videogames are meaningful – not just as sociological or economic or cultural evidence, but in their own right, as cultural expressions worthy of scholarly attention.

The Videogames Handbook

Edited by Peter Vorderer and Jennings Bryant

David Surman, Newport School of Art, Media and Design, UK

Series: LEA’s Communication Series

Series: Media Practice

Playing videogames has become a social phenomena, and the increasing number of players that cross gender, culture, and age is on a dramatic upward trajectory. Playing Video Games integrates communication, psychology, and technology to examine the psychological and mediated aspects of playing videogames.

May 2009: 229x152: 224pp Hb: 978-0-415-97724-1: $125.00 Pb: 978-0-415-99429-3: $34.95 eBook: 978-0-203-87950-4

2006: 254x178: 480pp Hb: 978-0-8058-5321-6: $165.00 Pb: 978-0-8058-5322-3: $64.95 £95.00

Featuring contributions from leading figures in the videogames industry including the international games scholar Henry Jenkins; Simon and Andrew Oliver, directors of Blitz Games; and writer and broadcaster Aleks Krotoski; this book surveys both the theory and practice of this fast-growing, yet relatively new disciplinary area. Mapping the commercial process of videogame production from pre-production to games journalism, David Surman demystifies the language of technical production processes by offering the reader a review of key production roles, along with the skills required to fulfil them. Focusing on the distribution and reception of videogames as a cultural form, as well as offering broader perspectives on issues such as the place of games in education and domestic technology, Surman examines the critical perspectives that have emerged in the academic community.

£39.99

May 2009: 234x156: 320pp Hb: 978-0-415-38327-1: $130.00 Pb: 978-0-415-38353-0: $37.95 £65.00

£18.99

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MEDIA ETHICS

VIDEOGAMES

Playing with Videogames

NEW

NEW

James Newman, Bath Spa University College, UK

The Video Game Theory Reader 2

Controversies in Media Ethics

Edited by Bernard Perron, University of Montreal, Canada and Mark J.P. Wolf, Concordia University, Wisconsin, USA

A. David Gordon, University of Wisconsin Eau Claire, USA, John Michael Kittross, Emerson College, USA, John C. Merrill, University of Missouri, Columbia, USA, William Babcock, California State University, Long Beach, USA and Michael Dorsher, University of Wisconsin Eau Claire, USA

Playing with Videogames documents the richly productive, playful and social cultures of videogaming that support, surround and sustain this most important of digital media forms and yet which remain largely invisible within existing studies. James Newman details the rich array of activities that surround game-playing, charting the vibrant and productive practices of the vast number of videogame players and the extensive ’shadow’ economy of walkthroughs, FAQs, art, narratives, online discussion boards and fan games, as well as the cultures of cheating, copying and piracy that have emerged. Playing with Videogames offers the reader a comprehensive understanding of the meanings of videogames and videogaming within the contemporary media environment. June 2008: 234x156: 224pp Hb: 978-0-415-38522-0: $130.00 Pb: 978-0-415-38523-7: $35.95 £65.00

£17.99

The Video Game Theory Reader 2 picks up where The Video Game Theory Reader left off, with a group of leading scholars turning their attention to next-generation platforms – the Nintendo Wii, the PlayStation 3, the Xbox 360 – and to new issues in the rapidly expanding field of videogames studies. The contributors are some of the most renowned scholars working on videogames today including Henry Jenkins, Jesper Juul, Eric Zimmerman, and Mia Consalvo. While the first volume had a strong focus on early videogames, this volume also addresses more contemporary issues such as convergence and MMORPGs. The volume concludes with an appendix of nearly forty ideas and concepts from a variety of theories and disciplines that have been applied to the study of videogames.

Controversies in Media Ethics provides alternate perspectives on a variety of issues including those of greatest concern in the media: privacy, violence, pornography, and advertising content. July 2009: 229x152: 448pp Hb: 978-0-415-99247-3: $150.00 Pb: 978-0-415-96332-9: $69.95 £85.00

£40.00

The Handbook of Mass Media Ethics Edited by Lee Wilkins and Clifford G. Christians This Handbook encapsulates the intellectual history of mass media ethics over the past twenty-five years. Key features include: • up-to-date and comprehensive coverage of media ethics, one of the hottest topics in the media community

November 2008: 229x152: 456pp Hb: 978-0-415-96282-7: $125.00 Pb: 978-0-415-96283-4: $45.00 eBook: 978-0-203-88766-0 • AVAILABLE AS A COMPLIMENTARY COPY £65.00

Videogames

£22.99

James Newman Series: Routledge Introductions to Media and Communications This engaging introduction guides the reader through the world of videogaming, providing a history of the videogame, from its origins in the computer lab to its contemporary status as a global entertainment industry. 2004: 216x138: 208pp Hb: 978-0-415-28191-1: $110.00 Pb: 978-0-415-28192-8: $33.95 £55.00

£16.99

The Video Game Theory Reader Edited by Mark J.P. Wolf and Bernard Perron The Video Game Theory Reader explores the many ways videogames are reshaping the face of entertainment and our relationship with technology. Drawing upon examples from widely popular games ranging from Space Invaders to Final Fantasy IX and Combat Flight Simulator 2, the contributors discuss the relationship between videogames and other media; the shift from third- to first-person games; gamers and the gaming community; and the important sociological, cultural, industrial, and economic issues that surround gaming.

• ’one-stop shopping’ for historical and current research in media ethics

NEW

Joystick Soldiers The Politics of Play in Military Video Games Edited by Nina B. Huntemann, Suffolk University, USA and Matthew Thomas Payne, University of Texas at Austin, USA Joystick Soldiers is the first anthology to examine the reciprocal relationship between militarism and videogames. This collection features all new essays that explore how modern warfare has been represented in and influenced by videogames. The contributors explore the history and political economy of the ’Military-Entertainment Complex;’ present textual analyses of military-themed videogames such as Splinter Cell, Call of Duty, and Halo; and offer reception studies of gamers, fandom, and political activism within online gaming. July 2009: 229x152: 272pp Hb: 978-0-415-99659-4: $125.00 Pb: 978-0-415-99660-0: $39.95 eBook: 978-0-203-88446-1 £65.00

£22.99

• experienced, top-tier editors, advisory board, and contributors. July 2008: 254x178: 416pp Hb: 978-0-8058-6191-4: $150.00 Pb: 978-0-8058-6192-1: $60.00 £84.00

£35.00

3RD EDITION

Media Law and Ethics Roy L. Moore and Michael D. Murray This third edition provides an examination of the basic legal and ethical media concepts, paying special attention to key cases and related regulatory concerns over the influence of new media and various policy issues involving access to public information. It provides essential insights on media law, serving as a practical guide to key cases and related ethical decision-making. 2007: 254x178: 816pp Pb: 978-0-8058-5067-3: $80.00 £44.00

2003: 229x152: 320pp Pb: 978-0-415-96579-8: $40.00 ••AVAILABLE AS A COMPLIMENTARY COPY £22.99

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17


18

MEDIA ETHICS

MEDIA MANAGEMENT

Media Ethics and Social Change

4TH EDITION

Valerie Alia

Media Management

Using the USA and international case studies based on real-life experiences of journalists, newsmakers, policy makers, and consumers, Valerie Alia invites readers to examine the pressing ethical and moral questions faced by the media and develop strategies for ethical problem solving and decision-making.

A Casebook Approach

2004: 229x152: 224pp Pb: 978-0-415-97199-7: $32.95 £27.95

NEW

Crime and Media A Reader Edited by Chris Greer, City University, London, UK Crime and Media tackles a wide range of issues including: theoretical perspectives; research methods; media influence; crime news and fiction; media, criminal justice and social control; and new media and surveillance technologies.

NEW

Media Messages and Public Health A Decisions Approach to Content Analysis

George Sylvie, Jan LeBlanc Wicks, C. Ann Hollifield, Stephen Lacy and Ardyth Broadrick Sohn Series: Communication Series Media Management provides a detailed look at the major areas of responsibility that fall to the managers of media organizations, including leadership, motivation, planning, marketing, and strategic management. It provides media-based cases that promote the development of critical thinking and problem-solving skills. Addressing such topics as diversity, group cultures, progressive discipline, training, and market-driven journalism, this Casebook provides real-world scenarios that help students anticipate and prepare for experiences in their future careers. 2007: 229x152: 432pp Pb: 978-0-8058-6197-6: $50.00

Handbook of Media Management and Economics

Series: Media Management and Economics Series

£80.00

£23.99

£48.99

NEW NEW

Ian Marsh and Gaynor Melville, both at Liverpool Hope University, UK

Production Studies

Crime, Justice and the Media considers how crime and criminals have been portrayed by the media over time, applying different theoretical perspectives to the way crime, criminals and justice is reported. It focuses on a number of specific areas of crime and criminal justice in terms of media representation – these areas include moral panics over specific crimes and criminals, the media portrayal of victims of crime and criminals, and the way the media represent criminal justice agencies.

Edited by John Thornton Caldwell, University of California, Los Angeles, USA, Vicki Mayer, Tulane University, USA and Miranda Banks, Emerson College, USA

£65.00

White Victims, Black Villains Gender, Race, and Crime News in US Culture Carol A. Stabile, University of Wisconsin, USA

• use of content analysis across multiple media types • the potential for individual differences in audience interpretation of message content

The volume concludes with a set of guidelines for optimal content analysis research, and suggests ways in which the field can accommodate new technologies and new ways of using media.

Crime, Justice and the Media

£21.99

• measurement challenges posed by the broad range of media

• case studies that examine public health issues in the media to illustrate the decisions that are made when developing content analysis studies.

2005: 254x178: 750pp Hb: 978-0-8058-5003-1: $200.00 Pb: 978-0-8058-5004-8: $90.00 £120.00

December 2008: 246x174: 224pp Hb: 978-0-415-44489-7: $130.00 Pb: 978-0-415-44490-3: $43.95

Media Messages and Public Health addresses the full range of methodological and conceptual issues involved in content analysis research, specifically focused on public health-related messages and behaviours. Uniquely tailored to the challenges faced by content researchers interested in the study of public health topics, coverage includes: • conceptual and methodological foundations involved in the practice of content analysis research

£27.50

Edited by Alan B. Albarran, Sylvia M. Chan-Olmsted and Michael O. Wirth

December 2008: 246x174: 448pp Hb: 978-0-415-42238-3: $160.00 Pb: 978-0-415-42239-0: $47.95

Edited by Amy Jordan, University of Pennsylvania, USA, Dale Kunkel, University of Arizona, USA, Jennifer Manganello, University of Albany, SUNY, USA and Martin Fishbein, University of Pennsylvania, USA

Cultural Studies of Media Industries

Production Studies closely examines the texts, institutions, and practices of media industries to allow students to think more precisely and holistically about media production as a cultural activity. The book is comprised of all new essays exploring the cultures, social organization, work practices, and belief systems of media practitioners. Each section results from a combination of situated fieldwork, empirical or from-the-ground-up studies, and critical analysis. Individual chapters draw upon a diverse array of earlier production studies across a range of ethnographic, sociological, and critical material, and political-economic methodologies as each author presents their own contemporary research. May 2009: 229x152: 304pp Hb: 978-0-415-99795-9: $120.00 Pb: 978-0-415-99796-6: $38.95 eBook: 978-0-203-87959-7 £60.00

£19.99

White Victims, Black Villains traces how race and gender have combined in news media narratives about crime and violence in US culture. The book argues that the criminalization of African Americans in US culture has been most consistently and effectively legitimized by news media deeply invested in protecting and maintaining white supremacy.

October 2008: 229x152: 288pp Hb: 978-0-8058-6024-5: $125.00 Pb: 978-0-8058-6025-2: $39.95 £65.00

£19.99

NEW

Telecommunications and Business Strategy Richard A. Gershon, Western Michigan University, USA Telecommunications and Business Strategy explores the relationship and convergence patterns between the broadcast, cable television, telephony, and internet communication industries. Richard A. Gershon examines telecommunications industry structures and the management practices and business strategies affecting the delivery of information and entertainment services to consumers. Case studies supplement the main text and offer an invaluable perspective on management issues. October 2008: 229x152: 440pp Hb: 978-0-8058-6248-5: $125.00 Pb: 978-0-415-99353-1: $54.95 eBook: 978-0-203-87724-1 £70.00

£29.99

2006: 234x156: 256pp Pb: 978-0-415-37492-7: $39.95 £19.99

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FILM STUDIES

4TH EDITION

NEW

Introduction to Film Studies

3RD EDITION

Film: The Essential Study Guide Edited by Ruth Doughty and Deborah Shaw, both at University of Portsmouth, UK

Edited by Jill Nelmes Foreword by Bill Nichols This completely revised and updated fourth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including four new authors for the fourth edition. A wide range of films are analyzed and discussed. It is lavishly illustrated with 123 film stills and production shots, many of them in colour. Key features of the fourth edition are: • website resources including updated popular case studies from previous editions, a chapter on German Cinema and links to supporting sites • updated coverage of a wide range of concepts, theories and issues in film studies • in-depth discussion of the contemporary film industry • new chapters on Rediscovering Film; Ethnicity, Race and Cinema; Documentary; Film, Form and Narrative; British Cinema; Approaches to Cinematic Authorship

This succinct, accessible guide covers key topics such as: • using the library

• viewing skills • how to watch and study foreign language films • essay writing • presentation skills • referencing and plagiarism • practical filmmaking. Including exercises and examples, Film: The Essential Study Guide helps film students understand how study skills are applicable to their learning and gives them the tools to flourish in their degree.

2006: 216x138: 608pp Hb: 978-0-415-36781-3: $110.00 Pb: 978-0-415-36782-0: $29.95 £60.00

£14.99

Graeme Turner, University of Queensland, Australia This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films.

Film Studies: The Basics Amy Villarejo, Cornell University, USA Series: The Basics Addressing general questions about why and how to study film, topics discussed include:

• the history, the technology and the art of cinema

• who does what on a film set

• companion website: www.routledge.com/textbooks/9780415409285

£22.99

Covering an impressive range of key genres, movements, theories and production terms, this third edition includes a fully updated bibliography, and has been revised and expanded to include new topical entries such as: female masquerade, silent cinema, exploitation cinema, art direction, national cinema, and political cinema.

Film as Social Practice

£12.99

• marginal key terms, notes, cross-referencing

£75.00

“One of the most useful books ever published on the always expanding subject of cinema studies.” – Film Waves

4TH EDITION

October 2008: 198x129: 240pp Pb: 978-0-415-43700-4: $24.95

• the movie industry, from Hollywood to Bollywood

2007: 246x189: 512pp Hb: 978-0-415-40929-2: $150.00 Pb: 978-0-415-40928-5: $44.95

Susan Hayward, University of Exeter, UK Praise for the first edition:

“An ideal one-stop encyclopedia for students ... an authoritative and – more importantly – a highly accessible work.” – Film Review

• online research and resources

• new case studies on films such as Bamboozled, Wild Strawberries, Run Lola Run, Grey Gardens, Grizzly Man, Boy’s Don’t Cry, Love Actually, and many others

• suggestions for further reading, further viewing and a comprehensive glossary and bibliography.

Cinema Studies: The Key Concepts

• theories of stardom, genre and filmmaking. Including illustrations and examples from an international range of films drawn from over a century of moviemaking and a glossary of terms for ease of reference, Film Studies: The Basics is a must-have guide for any film student. 2006: 198x129: 184pp Hb: 978-0-415-36138-5: $100.00 Pb: 978-0-415-36139-2: $17.95 eBook: 978-0-203-01203-1

With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes: • new sections dealing with debates about spectacle and special effects • an extended treatment of sound and its contribution to cinema • film theory’s discussion of the representation of race and ethnicity • a thorough update of individual film references

£55.00

Memory Stick: Film Studies Includes: Film Studies: The Basics; Cinema Studies: The Key Concepts; Fifty Contemporary Filmmakers; The Basics of Essay Writing Routledge’s best-selling student guides in Film Studies are now available on a handy memory stick, with plenty of room for your own notes and essays.

Fifty Contemporary Filmmakers Edited by Yvonne Tasker

• new illustrations from contemporary popular cinema. 2006: 216x138: 272pp Hb: 978-0-415-37513-9: $110.00 Pb: 978-0-415-37514-6: $31.95 £55.00

£16.99

Series: Routledge Key Guides From Luc Besson to Quentin Tarantino, this up-to-date guide examines the work, career and influence of some of today’s most popular, original and influential cinematic voices. 2002: 216x138: 480pp Hb: 978-0-415-18973-6: $130.00 Pb: 978-0-415-18974-3: $26.95 £65.00

2007 Memory Stick: 978-0-203-85654-3: $44.95

• a revised applications chapter that includes new contemporary examples

£9.99

£14.99

The Film Cultures Reader Edited by Graeme Turner This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. 2001: 246x174: 544pp Hb: 978-0-415-25281-2: $150.00 Pb: 978-0-415-25282-9: $39.95 £75.00

£19.99

E-mail: media_studies@routledge.com

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19


FILM STUDIES

20

NEW

Video Production Techniques

NEW

2ND EDITION

Theory and Practice From Concept to Screen

Reel to Real

Scriptwriting for the Screen

Donald L. Diefenbach

Race, Sex and Class at the Movies

Charlie Moritz, Manchester Metropolitan University, UK

Series: LEA’s Communication Series

”If I was setting out as a screenwriter, this is the book I would read first and keep by me.” – Melanie Harris, Producer, Crosslab Productions “An excellent resource for students and teachers alike.” – In the Picture

This second edition has been updated to include new examples and an entirely new chapter on adaptation. There are examples of scripts from a wide range of films and television dramas such as Heroes, Brokeback Mountain, Coronation Street, The English Patient, Shooting the Past, Spaced, Our Friends in the North and American Beauty.

Signatures of the Visible Fredric Jameson Series: Routledge Classics

£12.99

Enjoy Your Symptom! Jacques Lacan in Hollywood and Out v

v

Slavoj Z iz ek, University of Ljubljana, Slovenia Series: Routledge Classics

• advice on how to visualize action and translate this into energetic writing

v

• tips on how to determine the appropriate level of characterization for different types of drama • practical exercises and examples which help develop technique and style

£16.99

v

Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.

• how to dramatize writing, use metaphor and deepen meaning

£65.00

”hooks ... makes a compelling case to filmmakers for creating progressive images that transform the culture we live in.” – Los Angeles Times

2007: 198x129 Pb: 978-0-415-77161-0: $23.95

Scriptwriting for the Screen includes:

September 2008: 234x156: 232pp Hb: 978-0-415-46518-2: $130.00 Pb: 978-0-415-46517-5: $33.95

Series: Routledge Classics

£39.99

In this book, one of America’s most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Fifteen years on from its original publication, this remains a piercing and original analysis of film. First published: 1992.

“This is one of the best guides to help screenwriters think visually that I have ever read.” – Creative Screenwriting

• a section on how to trouble-shoot and sharpen dialogue.

bell hooks

2007: 254x178: 416pp Hb: 978-0-8058-3703-2: $70.00

Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twentyfirst century.

Movies matter – that is the message of Reel to Real, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about. September 2008: 235x187: 320pp Pb: 978-0-415-96480-7: $23.95 £11.99

Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed Shohini Chaudhuri Series: Routledge Critical Thinkers This book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. 2006: 198x129: 160pp Hb: 978-0-415-32432-8: $100.00 Pb: 978-0-415-32433-5: $25.95 £50.00

Projecting a Camera

2007: 198x129: 280pp Pb: 978-0-415-77259-4: $21.95

£12.99

£11.99

Language-Games in Film Theory Edward Branigan, University of California, Santa Barbara, USA With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera offers insights rich in implications for our understanding of film and film studies. 2006: 229x152: 456pp Hb: 978-0-415-94253-9: $100.00 Pb: 978-0-415-94254-6: $27.95 £60.00

2ND EDITION

The Women Who Knew Too Much Hitchcock and Feminist Theory

The Actress Hollywood Acting and the Female Star Karen Hollinger, Armstrong Atlantic State University, USA

Tania Modleski This classic work in film theory and criticism consists of a theoretical introduction and analysis of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. This edition features a new chapter which considers the last fifteen years of Hitchcock criticism as it relates to the ideas in this landmark book.

This book investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress examines the major issues in studying film acting, stardom, and the Hollywood actress. 2006: 229x152: 272pp Hb: 978-0-415-97791-3: $100.00 Pb: 978-0-415-97792-0: $27.95 £60.00

£15.99

2005: 229x152: 200pp Pb: 978-0-415-97362-5: $24.95 £13.99

£15.99

ORDER NOW!

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Call toll free: 1-800-634-7064

Fax 1-800-248-4724

Visit the Routledge Media Website at: www.routledge.com/media


FILM STUDIES

Poetics of Cinema

Pastiche

David Bordwell, University of Wisconsin-Madison, USA

Richard Dyer, University of Warwick, UK Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.

Bringing together twenty-five years of work on what he has called the ‘historical poetics of cinema’, David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? 2007: 254x178: 512pp Hb: 978-0-415-97778-4: $110.00 Pb: 978-0-415-97779-1: $45.00 £70.00

£27.99

NEW

Jane Campion Deb Verhoeven, RMIT University, Australia

NEW

In this detailed account of Jane Campion’s career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors ’fashion’ themselves as auteurs – through their personal interactions with the media, in their choice of projects, in their emphasis on particular filmmaking techniques and finally in the promotion of their films.

£60.00

£14.99

2ND EDITION

Heavenly Bodies

• considers films as diverse as The Passion of the Christ, The Matrix, Star Wars and Groundhog Day.

Film Stars and Society

April 2009: 246x174 Hb: 978-0-415-44853-6: $215.00

Richard Dyer

£120.00

Richard Dyer’s classic study of movie stars and stardom, updated for a second edition, with a new introduction by the author discussing the rise of celebrity culture and developments in the study of stars.

£16.99

Edited by James Bennett, London Metropolitan University, UK and Tom Brown, University of Reading, UK

2006: 198x129: 208pp Hb: 978-0-415-28851-4: $110.00 Pb: 978-0-415-28852-1: $25.95 £55.00

£12.99

Edited by Jolyon Mitchell, University of Edinburgh, UK and S. Brent Plate, Texas Christian University, USA Edited by leading experts in the field, The Religion and Film Reader brings together over sixty interviews, essays and reviews from numerous directors, film critics and scholars. Topics covered include: • the birth of film theory: realism, formalism, and religious vision

£65.00

Film and Television after DVD

Considering in particular his treatment of gender and preoccupation with capital, both in his films and his filmmaking practice, Keller offers an overview of Cameron’s work and its significance within cinematic history.

The Religion and Film Reader

• the dawn of cinema: adherents and detractors

2003: 234x156: 224pp Hb: 978-0-415-31026-0: $130.00 Pb: 978-0-415-31027-7: $33.95

Alexandra Keller Featuring excerpts from interviews and frame-byframe analysis of important scenes from films such as Terminator, Aliens, True Lies, and Titanic, Alexandra Keller provides the first critical study of James Cameron as an auteur.

• studies religion-in-film, examining how the world’s major religions, as well as Postcolonial, Japanese and New Religions, are depicted by and within films

• analyzes religious themes in film, including Redemption, the Demonic, Jesus or Christ Figures, Heroes and Superheroes

James Cameron Series: Routledge Film Guidebooks

Divided into four parts, this book: • analyzes the history of the interaction of religion and film, through periods of censorship as well as appreciation of the medium

• uses diverse methodologies to explore religion and film, such as psychoanalytical, theological and feminist approaches, and audience reception

£60.00

Through analysis of key scenes from Campion’s films, such as The Piano; In the Cut; Sweetie; An Angel at My Table; and Holy Smoke, Deb Verhoeven introduces students to the key debates surrounding this controversial and often experimental director. December 2008: 198x129: 288pp Hb: 978-0-415-26274-3: $120.00 Pb: 978-0-415-26275-0: $26.95

Edited by John Lyden, Dana College, Nebraska, USA

2006: 234x156: 224pp Hb: 978-0-415-34009-0: $120.00 Pb: 978-0-415-34010-6: $33.95 £16.99

Series: Routledge Film Guidebooks

The Routledge Companion to Religion and Film

Series: Routledge Research in Cultural and Media Studies Film and Television after DVD brings together internationally renowned scholars to provide the first focused academic inquiry into these important technologies. From DVDs to downloading, peer-topeer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape.

• directors and critics: global perspectives – African and Middle-Eastern perspectives; Asian and Australasian perspectives; European perspectives; South and North American perspectives • theological and Biblical approaches to analyzing film • recent reflections on the relation between religion and film. 2007: 234x156: 496pp Hb: 978-0-415-40494-5: $140.00 Pb: 978-0-415-40495-2: $35.95

June 2008: 229x152: 212pp Hb: 978-0-415-96241-4: $95.00 £60.00

The Digital Film Event Trinh T. Minh-Ha In this book, Trinh T. Minh-Ha explores the way technology transforms our perception of reality, with an amalgam of feminism, Eastern philosophy, and practical understanding of filmmaking. 2005: 254x178: 232pp Pb: 978-0-415-97225-3: $35.00 £16.99

E-mail: media_studies@routledge.com

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£70.00

£21.99

21


FILM STUDIES

22

Film, History and Cultural Citizenship

NEW

History on Film Reader Edited by Marnie Hughes-Warrington

Sites of Production

Series: Routledge Readers in History

Edited by Tina Mai Chen and David S. Churchill

Thematically structured, this Reader offers an overview of the varying ways scholars see film as contributing to our understanding of history, from their relationship with written histories, to their particular characteristics and their role in education, indoctrination and entertainment. Selected Contents: Part 1: Introducing Historical Film Part 2: Shaping Historical Film Part 3: Historical Film and Identity Part 4: Historical Film as Reality, Documentary and Propoganda Part 5: Marketing and Receiving Historical Film. Filmography

NEW

Translation Goes to the Movies Michael Cronin, Dublin City University, Ireland September 2008: 234x156: 168pp

Series: Routledge Studies in Cultural History

Hb: 978-0-415-42285-7: $120.00 Pb: 978-0-415-42286-4: $35.95 eBook: 978-0-203-89080-6 • AVAILABLE AS AN EXAMINATION COPY

This book investigates the relationship of film to history, power, memory, and cultural citizenship and considers ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies. 2007: 234x156 Hb: 978-0-415-77117-7: $135.00 £70.00

Screening the Past Memory and Nostalgia in Cinema

2ND EDITION

Pam Cook

Philosophy Goes to the Movies From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture’s obsession with the past, offering searching and provocative analysis of a wide range of titles.

March 2009: 234x156: 448pp Hb: 978-0-415-46220-4: $135.00 Pb: 978-0-415-46219-8: $44.95 £75.00

£23.99

NEW

Consuming History Historians and Heritage in Contemporary Popular Culture

An Introduction to Philosophy Christopher Falzon 2007: 234x156: 280pp Hb: 978-0-415-35725-8: $120.00 Pb: 978-0-415-35726-5: $35.95 • AVAILABLE AS AN EXAMINATION COPY

Jerome de Groot, University of Manchester, UK Consuming History examines how society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. This book analyzes a wide range of cultural entities – from computer games to daytime television, from blockbuster fictional narratives such as The Da Vinci Code to DNA genealogical tools – to analyze how history works in contemporary popular culture.

2004: 234x156: 264pp Hb: 978-0-415-18374-1: $110.00 Pb: 978-0-415-18375-8: $35.95 £55.00

£17.99

Clive Marsh

James Wierzbicki, University of Michigan, USA

2007: 234x156: 208pp

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances.

£75.00

£22.99

William Guynn Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how film can function as a form of historical interpretation and representation. 2006: 229x152: 232pp Hb: 978-0-415-97923-8: $100.00 Pb: 978-0-415-97924-5: $26.95 £60.00

An Introduction to Critical Christian Thinking

Film Music: A History

October 2008: 234x156: 304pp Hb: 978-0-415-39946-3: $135.00 Pb: 978-0-415-39945-6: $41.95

Writing History in Film

Theology Goes to the Movies

NEW

Whereas most treatments of the subject are simply chronicles of ’great film scores’ and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry.

Hb: 978-0-415-38011-9: $120.00 Pb: 978-0-415-38012-6: $34.95 eBook: 978-0-203-08883-8

History Goes to the Movies Studying History on Film Marnie Hughes-Warrington 2006: 234x156: 230pp Hb: 978-0-415-32827-2: $95.00 Pb: 978-0-415-32828-9: $31.95

November 2008: 254x178: 288pp Hb: 978-0-415-99198-8: $110.00 Pb: 978-0-415-99199-5: $36.95 £60.00

£18.99

£15.99

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Visit the Routledge Media Website at: www.routledge.com/media


FILM STUDIES

Philosophers on Film Series

The Silent Cinema Reader

NEW

Edited by Lee Grieveson and Peter Kramer

The Routledge Companion to Philosophy and Film Edited by Paisley Livingston, Lingnan University, Hong Kong and Carl Plantinga, Calvin College, USA Series: Routledge Philosophy Companions The first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. This book features sixty specially commissioned chapters from international scholars and is divided into four clear parts: issues and concepts, authors and trends, genres, and film as philosophy.

NEW

Eternal Sunshine of the Spotless Mind

October 2008: 246x174: 704pp Hb: 978-0-415-77166-5: $190.00

Edited by Christopher Grau, Clemson University, USA

2ND EDITION

June 2009: 198x129: 186pp Hb: 978-0-415-77465-9: $90.00 Pb: 978-0-415-77466-6: $27.95

NEW

Memento Edited by Andrew Kania, Trinity University, USA June 2009: 216x138: 186pp Hb: 978-0-415-77473-4: $90.00 Pb: 978-0-415-77474-1: $27.95

Talk to Her Edited by A.W. Eaton, University of Illinois, Chicago, USA July 2008: 216x138: 128pp Hb: 978-0-415-77366-9: $90.00 Pb: 978-0-415-77367-6: $27.95

This comprehensive resource addresses filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences 2003: 246x174: 448pp Hb: 978-0-415-25283-6: $150.00 Pb: 978-0-415-25284-3: $43.95 £75.00

£21.99

NEW

Film After Jung Post-Jungian Approaches to Film Theory Greg Singh, Buckinghamshire New University, UK This book includes: • an introduction to film scholarship • applications of key Jungian concepts

£95.00

• post-Jungian film studies beyond film.

On Film Stephen Mulhall, New College, Oxford, UK ”The themes he identifies as central ... are explored convincingly, even brilliantly at times. Despite the amount of closely argued material which is packed into a relatively short book, the clarity and precision of the writing make it something of a page-turner.” – European Journal of Communication In this significantly expanded second edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. April 2008: 216x138: 288pp Pb: 978-0-415-44153-7: $29.95 eBook: 978-0-203-92852-3 £14.99

The Thin Red Line Edited by David Davies, McGill University, Canada July 2008: 216x138: 128pp Hb: 978-0-415-77364-5: $90.00 Pb: 978-0-415-77365-2: $27.95

It concludes with a forecast of the potential for Post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis. June 2009: 234x156: 248pp Hb: 978-0-415-43089-0: $90.00 Pb: 978-0-415-43090-6: $28.95 £55.00

£17.99

NEW

Film and Ethics Foreclosed Encounters Lisa Downing and Libby Saxton In recent years, film scholarship has become increasingly preoccupied by ethical questions and filmmakers have responded in a variety of ways to the challenge of adequately representing identity, difference and the relationship between self and other. This book sets out to address and redress this oversight in current thinking on cinema – a reluctance to view the moving image in explicitly ethical terms. On the one hand, the book revisits existing film theory in order to articulate its ethical content; on the other, it forges new connections between an eclectic corpus of films and recent strands of ethical thought by Lacan, Levinas, Derrida v and Zizek. v

June 2009: 234x156: 256pp Hb: 978-0-415-40926-1: $120.00 Pb: 978-0-415-40927-8: $33.95 £65.00

£18.99

To request a free copy of the Philosophers on Film series leaflet, please email media_studies@routledge.com

Screened Out Playing Gay in Hollywood from Edison to Stonewall Richard Barrios 2005: 229x152: 416pp Pb: 978-0-415-92329-3: $29.95 £15.99

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23


FILM STUDIES

24

NEW

In Focus: Routledge Film Readers Series

Lesbianism, Cinema, Space The Sexual Life of Apartments Lee Wallace, University of Auckland, New Zealand

Color, The Film Reader

Series: Routledge Advances in Film Studies

Edited by Angela Dalle Vacche and Brian Price

This book opens with a brief spatial history of lesbian culture in the twentieth century and concludes with an argument about the importance of the lesbian apartment for rethinking the relation of female homosexuality and lesbian sex cultures to private and public space. Through formal analyses of five lesbian apartment films, Lee Wallace demonstrates how the standard Hollywood repertoire of visual techniques and spatial devices are used to scaffold female sexual visibility and a lesbian diegesis. October 2008: 229x152: 214pp Hb: 978-0-415-99243-5: $95.00

”[This book] remains an important stepping-stone in film studies ... [and] can be considered an accomplishment.” – Film International This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: • the development of colour technology • how visual style was affected by the shift from black and white to colour

Hollywood and War, The Film Reader Edited by J. David Slocum Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: • the early formation of war cinema • the apotheosis of the Hollywood war film • the ascendancy of ambivalence • Hollywood and the war since Vietnam • war as a way of seeing. 2006: 234x156: 384pp Hb: 978-0-415-36779-0: $140.00 Pb: 978-0-415-36780-6: $35.95

£60.00

• colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima

Sport in Films Edited by Emma Poulton and Martin Roderick, both at University of Durham, UK Series: Sport in the Global Society This collection is one of the first of its kind to examine the ways in which sport has been used in films as a metaphor for other areas of social life.

2006: 234x156: 214pp Hb: 978-0-415-32443-4: $140.00 Pb: 978-0-415-32442-7: $39.95

Edited by Frank Krutnik

Edited by Ina Rae Hark

£75.00

Exhibition, The Film Reader explores the history, sociology and urban geography of the range of venues in which films have been shown in the course of film history.

NEW

Dynamics and Performativity of Imagination

2001: 234x156: 208pp Hb: 978-0-415-23517-4: $140.00 Pb: 978-0-415-23518-1: $39.95

The Image Between the Visible and the Invisible Edited by Bernd Huppauf, New York University, USA and Christoph Wulf, Free University, Berlin, Germany Series: Routledge Research in Cultural and Media Studies In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theatre, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary. £65.00

Hollywood Comedians, The Film Reader

Exhibition, The Film Reader

July 2008: 246x174: 288pp Hb: 978-0-415-44750-8: $140.00

December 2008: 229x152: 400pp Hb: 978-0-415-99093-6: $120.00

• colour in the films of Godard, Hitchcock, Almodóvar and many more.

2002: 234x156: 224pp Hb: 978-0-415-23551-8: $140.00 Pb: 978-0-415-23552-5: $39.95

Experimental Cinema, The Film Reader Edited by Wheeler Winston-Dixon and Gwendolyn Audrey Foster Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists. 2002: 234x156: 368pp Hb: 978-0-415-27786-0: $140.00 Pb: 978-0-415-27787-7: $39.95

Film Theory

Horror, The Film Reader

Critical Concepts in Media and Cultural Studies

Edited by Mark Jancovich

Edited by K.J. Shepherdson, Philip Simpson and Andrew Utterson

Combining classic and recent articles, this book provides a comprehensive resource for students of horror cinema. From The Cabinet of Dr. Caligari to The Blair Witch Project, it outlines the main critical debates and traces the development of horror film.

2003: 234x156 Set: 978-0-415-25971-2: $1300.00 £650.00

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Hollywood Musicals, The Film Reader Edited by Steven Cohan Articles examine the musical in relation to its generic form and conventions, the relationship between narrative and spectacle, gender and feminism, camp production and reception, stardom, and representations of race and ethnicity. 2001: 234x156: 224pp Hb: 978-0-415-23559-4: $140.00 Pb: 978-0-415-23560-0: $39.95

4-VOLUME SET

Series: Critical Concepts in Media and Cultural Studies

From Charlie Chaplin to Jim Carrey, this book brings together key writings on one of the most consistently popular genres of Hollywood cinema and looks at issues including genre, narrative, race, gender and class.

2001: 234x156: 208pp Hb: 978-0-415-23561-7: $140.00 Pb: 978-0-415-23562-4: $39.95

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FILM STUDIES

Movie Acting, The Film Reader Edited by Pamela Robertson Wojcik

Technology and Culture, The Film Reader

In addition to theoretical essays, contributors provide detailed analyses of specific actors such as Lillian Gish, Marlon Brando and Sidney Poitier. Styles of acting discussed include silent film pantomime, 1930s comedic acting, the Method and acting in avant-garde films. Articles are grouped into thematic sections, each with an introduction by the editor.

Edited by Andrew Utterson

2004: 234x156: 256pp Hb: 978-0-415-31024-6: $140.00 Pb: 978-0-415-31025-3: $39.95

2005: 234x156: 176pp Hb: 978-0-415-31984-3: $140.00 Pb: 978-0-415-31985-0: $39.95

Movie Music, The Film Reader

Transnational Cinema, The Film Reader

Edited by Kay Dickinson Bringing together material from the areas of documentary, fandom and animation, Movie Music, The Film Reader comprises an important first collection of writings about film music. 2002: 234x156: 208pp Hb: 978-0-415-28159-1: $140.00 Pb: 978-0-415-28160-7: $39.95

Queer Cinema, The Film Reader Edited by Harry M. Benshoff and Sean Griffin Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts.

Bringing together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.

American Film NEW

The Contemporary Hollywood Reader Edited by Toby Miller, University of California at Riverside, USA The Contemporary Hollywood Reader is a dynamic selection of scholarly writings on Hollywood from post-World War Two onwards, divided into three sections, each with contextualizing introductions from the editor. The sections address the major perspectives on Hollywood. Miller gives equal attention to the field from all major perspectives, in both thematic and disciplinary senses.

Edited by Elizabeth Ezra and Terry Rowden Providing an overview of the key concepts and debates within the developing field of transnational cinema, the editors bring together seminal essays from a wide range of sources, and the volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. 2005: 234x156: 224pp Hb: 978-0-415-37157-5: $150.00 Pb: 978-0-415-37158-2: $49.95

Please visit www.routledge.com/media for a full table of contents June 2009: 246x174: 640pp Hb: 978-0-415-45225-0: $135.00 Pb: 978-0-415-45226-7: $39.95 • AVAILABLE AS AN EXAMINATION COPY £75.00

£21.99

NEW

Fifty Key American Films Edited by John White, Anglia Ruskin University, UK and Sabine Haenni, Cornell University, USA Series: Routledge Key Guides Fifty Key American Films provides a chance to look at fifty of the best American films ever made such as The Big Sleep, High Noon and The Wizard of Oz, from a cultural studies perspective. As well as a raft of well-known examples from the big screen, the careers of America’s best known talent, such as Spielberg, Kubrick, Scorcese and Stone are defined and discussed.

2004: 234x156: 256pp Hb: 978-0-415-31986-7: $140.00 Pb: 978-0-415-31987-4: $39.95

Stars, The Film Reader Edited by Lucy Fischer and Marcia Landy From two distinguished academics, Stars: The Film Reader brings together key writings and new perspectives on stars and stardom in cinema including coverage of stars and star systems from Europe and Asia as well as Hollywood, such as Mario Lanza, Oprah Winfrey and Roseanne Barr.

March 2009: 216x138: 336pp Hb: 978-0-415-77296-9: $110.00 Pb: 978-0-415-77297-6: $26.95 • AVAILABLE AS AN EXAMINATION COPY £60.00

£14.99

2004: 234x156: 320pp Hb: 978-0-415-27892-8: $140.00 Pb: 978-0-415-27893-5: $39.95

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FILM STUDIES

26

American Film NEW

America First

The Persistence of Hollywood

Naming the Nation in US Film

Latin American Writers and the Rise of Hollywood Cinema

From Cinephile Moments to Blockbuster Memories

Edited by Mandy Merck

Jason Borge, Vanderbilt University, USA

This collection of critical essays examines some of the hundreds of US films that announce themselves as titularly ’American’. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed?

Series: Routledge Studies in Twentieth-Century Literature This book analyzes the initial engagement with Hollywood by key Latin American writers, examining the ways in which these writers seized the opportunity to reassert their relevance in the rapidly modernizing public sphere by actively – and often subversively – mediating encounters between Hollywood and local audiences.

Thomas Elsaesser, University of Amsterdam, the Netherlands In The Persistence of Hollywood, one of the most influential figures in the study of classical Hollywood cinema examines various paradigms for reading Hollywood and its cinema. In chapters on the great age of melodrama, the era of ’New Hollywood’, post-classical Hollywood, and the current culture of digital Hollywood, Thomas Elsaesser considers the applicability of classical film theory and alternatives to it. Bringing together some of Elsaesser’s classic texts along with many of his never-before-published essays, this volume explores a broad range of topics from cinephilia and auteurs – Nicholas Ray, Sam Fuller, Orson Welles, Alfred Hitchcock, among others – to melodrama, digital cinema, and even time-travel films.

The collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more. 2007: 234x156: 328pp Hb: 978-0-415-37495-8: $130.00 Pb: 978-0-415-37496-5: $34.95 £65.00

September 2009: 229x152: 336pp Hb: 978-0-415-96813-3: $95.00 Pb: 978-0-415-96814-0: $24.95

£18.99

£60.00

£16.99

Blaxploitation Films of the 1970s Blackness and Genre

Brand Hollywood

Novotny Lawrence

Selling Entertainment in a Global Media Age

Series: Studies in African American History and Culture This book examines a number of blaxploitation films – including Cotton Comes to Harlem (1970), Blacula (1972), and The Mack (1973) – and illustrates the manner in which ’blaxploitation’ came to be understood as a separate genre.

Paul Grainge, University of Nottingham, UK Branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. 2007: 234x156: 224pp Hb: 978-0-415-35404-2: $120.00 Pb: 978-0-415-35405-9: $34.95 £65.00

£18.99

Contemporary American Independent Film From the Margins to the Mainstream Edited by Christine Holmlund and Justin Wyatt From Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices.

June 2008: 229x152: 222pp Hb: 978-0-415-96478-4: $95.00 £60.00

NEW

Hollywood and Politics A Sourcebook Edited by Donald Critchlow and Emilie Raymond This book documents the entertainment industry’s participation in American politics on both the Left and the Right. Spanning from the 1920s through today, this volume provides a detailed history of Hollywood’s relationship to politics, celebrity and mass democracy, and money and politics. A general introduction and several section introductions buttress both visual and textual documents included in Hollywood and Politics, many of which have never before been published, in order to offer readers a rare insight into Hollywood activism. July 2009: 254x178: 336pp Hb: 978-0-415-96535-4: $125.00 Pb: 978-0-415-96536-1: $36.95 £60.00

£21.00

2007: 229x152: 146pp Hb: 978-0-415-96097-7: $95.00 £60.00

The Persistence of Whiteness Race and Contemporary Hollywood Cinema Edited by Daniel Bernardi The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema, examining ideologies of class, ethnicity, gender, nation and sexuality. Focusing on representations of Black, Asian, Jewish, Latina/o and Native American identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. 2007: 234x156: 416pp Hb: 978-0-415-77412-3: $125.00 Pb: 978-0-415-77413-0: $27.95 eBook: 978-0-203-93974-1 £65.00

£16.99

2004: 234x156: 320pp Hb: 978-0-415-25486-1: $140.00 Pb: 978-0-415-25487-8: $37.95 £70.00

£18.99

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FILM STUDIES

British Film

British Popular Cinema Series British Historical Cinema Edited by Claire Monk and Amy Sargeant From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, this book, with a wide range of contibutors, explores the ways in which British films have represented the past on screen.

2002: 234x156: 288pp Hb: 978-0-415-23809-0: $130.00 Pb: 978-0-415-23810-6: $35.95

British Horror Cinema Edited by Steve Chibnall and Julian Petley Going beyond the Hammer, this book investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.

2001: 234x156: 256pp Hb: 978-0-415-23003-2: $130.00 Pb: 978-0-415-23004-9: $35.95

British Science Fiction Cinema Edited by I.Q. Hunter This book explores the breadth of British sci-fi films through readings of key films, examining the factors that shaped them, and the concerns they reflect, through the post-war boom years to the more sporadic production of recent times. 1999: 234x156: 240pp Hb: 978-0-415-16867-0: $130.00 Pb: 978-0-415-16868-7: $35.95

British Crime Cinema Edited by Steve Chibnall and Robert Murphy Including interviews with key directors including Mike Hodges and Donald Cammel, this book analyzes films such as Shallow Grave, Brighton Rock and The Ladykillers.

NEW

Fifty Key British Films

British Women’s Cinema

Edited by Sarah Barrow and John White, both at Anglia Ruskin University, UK

Edited by Melanie Bell, University of the West of England, UK and Melanie Williams

Series: Routledge Key Guides In Fifty Key British Films, Britain’s best known films such as A Clockwork Orange, The Full Monty and Goldfinger are scrutinized for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film.

This collection of original essays examines the place of the ‘woman’s picture’ within British cinema history. Traditionally, discussion of the woman’s picture has tended to focus on Hollywood, with substantial critical attention paid to 1930s and 1940s films such as Stella Dallas and Now Voyager. Although there has been some work on the female-centred films made by Gainsborough studios, there has been a tendency for British films that might otherwise be categorized as women’s pictures to be siphoned off into other groupings: such as war films, heritage films, etc. This collection will redress the balance by reassessing key British films and cycles of film making through the critical lens of the woman’s picture, taking a fresh look at the female and the feminine realm in British film culture from the 1940s melodrama to the contemporary ‘chick flick’.

March 2008: 216x138: 272pp Hb: 978-0-415-43329-7: $110.00 Pb: 978-0-415-43330-3: $26.95

June 2009: 198x129: 176pp Hb: 978-0-415-46696-7: $130.00 Pb: 978-0-415-46697-4: $39.95

British Queer Cinema Edited by Robin Griffiths, University of Gloucestershire, UK British Queer Cinema draws together a diverse range of innovative new essays that explore, for the first time, the provocative history of lesbian, gay and queer representation in British cinema. From the early years of ‘Pre-Gay’ film, through to the social upheaval of post-war ‘permissiveness’, Gay Liberation and the ‘post-AIDS’ queer generation, contributors examine the shifting and complex nature of queer identity, desire and spectatorship across a number of classical and contemporary British popular film genres and traditions. Through case studies of key works such as The Killing of Sister George, Prick Up Your Ears and Beautiful Thing, a reappraisal of the films of Anthony Asquith, Terence Davies and Derek Jarman, to the ‘queerness’ of the heritage film, the homoerotic ‘New Wave’, or the star performances of Dirk Bogarde, Beryl Reid and Stephen Fry, this timely collection maps the relationship between contemporary queer sexuality and its socio-historical, national and critical contexts. 2006: 234x156: 264pp Hb: 978-0-415-30778-9: $130.00 Pb: 978-0-415-30779-6: $35.95

1999: 234x156: 264pp Hb: 978-0-415-16869-4: $130.00 Pb: 978-0-415-16870-0: $35.95 eBook: 978-0-203-97991-4

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£60.00

£14.99

27


FILM STUDIES

28

Genre Genre and Cinema

2ND EDITION

Ireland and Transnationalism

New Documentary

Edited by Yvonne Tasker

Edited by Brian McIlroy

Stella Bruzzi

Covering both Hollywood and also European and Asian action cinema, this exciting collection addresses action and adventure from the silent to the contemporary period exploring diverse questions of aesthetics, industry and ideology.

The Action and Adventure Cinema

New Documentary provides a contemporary look at documentary and ways of theorizing the non-fiction film. This second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries.

Series: Routledge Studies in Cultural History This volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. 2007: 229x152: 304pp Hb: 978-0-415-77089-7: $135.00 £70.00

2004: 246x174: 432pp Hb: 978-0-415-23506-8: $130.00 Pb: 978-0-415-23507-5: $35.95 £65.00

£17.99

Encyclopedia of Early Cinema Edited by Richard Abel

Genre and Hollywood

2004: 246x174: 704pp Hb: 978-0-415-23440-5: $300.00

2006: 234x156: 224pp Hb: 978-0-415-38525-1: $120.00 Pb: 978-0-415-38524-4: $33.95

£150.00

£60.00

Steve Neale

£16.99

Series: Sightlines

Queer Screen

1999: 234x156: 344pp Hb: 978-0-415-02605-5: $140.00 Pb: 978-0-415-02606-2: $37.95

A Screen Reader

3-VOLUME SET

£70.00

Encyclopedia of the Documentary Film

£18.99

NEW

Series: The Screen Readers Queer Screen brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.

Edited by Ian Aitken

The Documentary Handbook

2005: 279x216: 1968pp Set: 978-1-57958-445-0: $625.00

Peter Lee-Wright, Goldsmiths College, University of London, UK

£350.00

Series: Media Practice

Chick Flicks

From the cinematic releases of Michael Moore to the low-budget Video Nation and from educational works to Big Brother, The Documentary Handbook takes a thematic approach, charting the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media.

Contemporary Women at the Movies Edited by Suzanne Ferriss and Mallory Young With eleven original essays, this edited volume examines ’chick flicks’ from An Affair to Remember to Legally Blonde within the larger context of ’chick culture’ as well as women’s cinema. 2007: 229x152: 272pp Hb: 978-0-415-96255-1: $95.00 Pb: 978-0-415-96256-8: $29.95 eBook: 978-0-203-93555-2 £60.00

£16.99

The book considers a wide range of case studies including popular films such as Boys Don’t Cry, Alien Resurrection, Brief Encounter, Bound, and Rope, as well as experimental films and videos by artists such as Richard Fung, Ulrike Ottinger, Sheila McLaughlin and Derek Jarman. 2007: 234x156: 320pp Hb: 978-0-415-38430-8: $120.00 Pb: 978-0-415-38431-5: $41.95 £60.00

NEW

£21.99

The Documentary Handbook includes:

2ND EDITION

• interviews with documentary professionals

Understanding Animation

• case studies, examples and illustrations

Paul Wells, Animation Academy, Loughborough University School of Art and Design, UK

• a filmography of key works

Edited by Jackie Stacey and Sarah Street

This new edition of Paul Wells’ introduction to animation as a genre and a form, has been updated in response to developments in academic debate and the recent flourishing of the genre in cinema, on TV and in videogames.

• expert briefings giving clear technical advice. June 2009: 234x156: 272pp Hb: 978-0-415-43401-0: $130.00 Pb: 978-0-415-43402-7: $37.95 £65.00

£18.99

Unthinking Eurocentrism Multiculturalism and the Media Ella Shohat and Robert Stam Series: Sightlines 1994: 234x156: 432pp Hb: 978-0-415-06324-1: $150.00 Pb: 978-0-415-06325-8: $39.95 £75.00

£19.99

Film examples discussed include features such as The Incredibles, Belleville Rendezvous and Spirited Away. Shorts include ’Father and Daughter’, ’The Wolfman’, ’Mt. Head’ and ’The Last Words of Dutch Schultz’. June 2009: 234x156: 304pp Hb: 978-0-415-39729-2: $120.00 Pb: 978-0-415-39730-8: $33.95 £65.00

£18.99

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FILM STUDIES

Genre

29

World Cinema

NEW

Gothic Romanced

Film Noir

Consumption, Gender and Technology in Contemporary Fictions

Justus Nieland and Jennifer Fay, both at Michigan State University, USA

Fred Botting, Lancaster University, UK Gothic Romanced traces the history of gothic and romantic fiction from the eighteenth and nineteenth centuries to the present day.

Series: Routledge Film Guidebooks Film Noir provides a broad, accessible introduction to this popular genre, paying particular attention to the global circulation of film noir and the various local and national appropriations. It acquaints the reader with ways of thinking about film history and reception, national cinemas, the politics of cinephilia, and film’s broader relationship to the socio-economic dynamics of modernity.

National Cinemas Series

Fred Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek, presenting a fluid and extensive exploration of generic boundaries, that includes gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction.

Brazilian National Cinema Lisa Shaw and Stephanie Dennison This wide-ranging study traces the evolution of Brazilian film from the silent era, setting the context for a detailed study of more recent international box-office hits.

2007: 234x156: 240pp Hb: 978-0-415-33815-8: $140.00 Pb: 978-0-415-33816-5: $33.95

Key films studied include: Out of the Past (1947), Aventurera (1949), The Asphalt Jungle (1950), Army of Shadows (1967), and The Killers (1987).

June 2008: 216x138: 232pp Hb: 978-0-415-45089-8: $120.00 Pb: 978-0-415-45090-4: $35.95 eBook: 978-0-203-09071-8

September 2009: 198x129: 176pp Hb: 978-0-415-45812-2: $120.00 Pb: 978-0-415-45813-9: $29.95

NEW

British National Cinema

The Routledge Companion to Science Fiction

Sarah Street, University of Bristol, UK

£55.00

£65.00

£17.99

2ND EDITION

£14.99

NEW

Horror Brigid Cherry, St. Mary’s University College, UK Series: Routledge Film Guidebooks Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Horror examines the way these films construct psychological and cognitive responses and how they speak to audiences on an intimate personal level, addressing their innermost fears and desires. Brigid Cherry further explores the role of horror cinema in society and culture, looking at how it represents various identity groups and engages with social anxieties, and examining the way horror sees, and is seen by, society. A range of national cinemas both historical and recent are discussed, including canonical films such as: The Curse of Frankenstein, Night of the Living Dead, Ginger Snaps, Halloween, The Evil Dead, Candyman, Saw, Ringu, and Nosferatu. February 2009: 198x129: 192pp Hb: 978-0-415-45667-8: $110.00 Pb: 978-0-415-45668-5: $29.95 £55.00

£14.99

Edited by Mark Bould, University of the West of England, UK, Andrew M. Butler, Canterbury Christ Church University, UK, Adam Roberts, Royal Holloway, University of London, UK and Sherryl Vint, Brock University, Canada The Routledge Companion to Science Fiction outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study including history, theory, issues and challenges, and subgenres.

January 2009: 246x174: 560pp Hb: 978-0-415-45378-3: $170.00

With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman’s Contract, Prick Up Your Ears, Ratcatcher, This Is England and Atonement, British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. August 2008: 234x156: 296pp Hb: 978-0-415-38421-6: $140.00 Pb: 978-0-415-38422-3: $37.95

Canadian National Cinema

£85.00

Chris Gittings

NEW

Latsploitation, Latin America, and Exploitation Cinema Edited by Victoria Ruétalo, University of Alberta, Canada and Dolores Tierney, University of Sussex, UK Series: Routledge Advances in Film Studies This anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived ‘low’ cultural status. It argues that Latin American exploitation cinema makes an important aesthetic and social contribution to the larger body of Latin American cinema – often competing with Hollywood and more mainstream national cinemas in terms of popularity.

2001: 234x156: 352pp Hb: 978-0-415-14281-6: $140.00 Pb: 978-0-415-14282-3: $35.95

For more information and other titles in the National Cinemas Series, please go to www.routledge.com/media

March 2009: 229x152: 366pp Hb: 978-0-415-99386-9: $120.00 £65.00

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30

FILM STUDIES

World Cinema Chinese National Cinema

Irish National Cinema

Screening World Cinema

Yingjin Zhang

Ruth Barton

A Screen Reader

This introduction covers three ’Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time.

From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores films from and about Ireland.

Series: The Screen Readers Screening World Cinema brings together a selection of the best articles on the topic of world cinema published in the esteemed Screen journal. Themes addressed include: • the problem of defining ‘world cinema’

2004: 234x156: 224pp Hb: 978-0-415-27894-2: $140.00 Pb: 978-0-415-27895-9: $35.95

2004: 234x156: 344pp Hb: 978-0-415-17289-9: $140.00 Pb: 978-0-415-17290-5: $35.95

• the relationship between ‘first’ and ‘third’ cinema and criticism • issues of modernity and modernization

2ND EDITION

Mexican National Cinema

• questions of national and transnational cinema.

Andrea Noble

2006: 234x156: 248pp Hb: 978-0-415-38428-5: $120.00 Pb: 978-0-415-38429-2: $37.95 £60.00

From Amores Perros and Y Tu Mamá También, this books delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the ’Golden Age’ of the 1930s and 1940s and the ’nuevo cine’ of the 1960s, to the renaissance in Mexican cinema in the 1990s.

French National Cinema Susan Hayward This revised and updated edition offers a thorough and much-needed historical overview of French cinema at a time when it continues to grow in popularity with films such as Amélie and Belleville Rendez-vous. Brought wholly up-to-date to include political and social developments in French cinema in the 1990s, this book offers a further understanding of French cinema and its relationship with the French national identity.

2005: 234x156: 240pp Hb: 978-0-415-23009-4: $150.00 Pb: 978-0-415-23010-0: $37.95

A Guidebook to Popular Hindi Cinema Tejaswini Ganti Series: Routledge Film Guidebooks Anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. £14.99

Núria Triana-Toribio

Rethinking Third Cinema

2002: 234x156: 224pp Hb: 978-0-415-22059-0: $140.00 Pb: 978-0-415-22060-6: $35.95

Edited by Wimal Dissanayake and Anthony Guneratne

South African National Cinema

German National Cinema

Jacqueline Maingard, University of Bristol, UK

Sabine Hake, University of Texas at Austin, USA Sabine Hake traces German film’s relationship with other national cinemas and popular culture as a whole, and focuses on key themes including genre, audiences and stars. This fully revised and updated second edition will be required reading for everyone interested in German film and the history of modern Germany.

See Order Form on the last page

Bollywood

Spanish National Cinema

2ND EDITION

2007: 234x156: 288pp Hb: 978-0-415-42097-6: $125.00 Pb: 978-0-415-42098-3: $33.95

£18.99

2004: 198x129: 264pp Pb: 978-0-415-28854-5: $29.95

2005: 234x156: 408pp Hb: 978-0-415-30782-6: $140.00 Pb: 978-0-415-30783-3: $35.95

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Edited by Catherine Grant and Annette Kuhn, University of Lancaster, UK

South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004).

With case studies of the cinemas of India, Iran and Hong Kong, this important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations.

2003: 234x156: 256pp Hb: 978-0-415-21353-0: $120.00 Pb: 978-0-415-21354-7: $37.95 £60.00

£18.99

2007: 234x156: 240pp Hb: 978-0-415-21679-1: $140.00 Pb: 978-0-415-21680-7: $33.95

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FILM STUDIES

31

World Cinema Nation and Identity in the New German Cinema

Tamil Cinema

Homeless at Home

Edited by Selvaraj Velayutham, Macquarie University, Australia

Inga Scharf, German National Academic Foundation, Germany

The Cultural Politics of India’s other Film Industry

Series: Media, Culture and Social Change in Asia

Series: Routledge Advances in Film Studies

This book examines Tamil cinema, which has recently overtaken Bollywood in terms of annual output, outlining its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora.

In this original study, Inga Scharf investigates issues of national identity in films of the New German Cinema. Using a cultural studies analysis, Scharf argues that the conflict between this generation of critical filmmakers and their ‘German-ness’ translate into feature films that construct, and are pervaded by, a sense of ’homelessness’ at home. June 2008: 229x152: 250pp Hb: 978-0-415-96280-3: $95.00 £60.00

NEW

Post-War Italian Cinema American Intervention, Vatican Interests Daniela Treveri Gennari, Oxford Brookes University, UK

April 2008: 234x156: 224pp Hb: 978-0-415-39680-6: $150.00 £75.00

NEW

South Asian Cinema

Series: Routledge Advances in Film Studies

Gender, Justice, and Dissent

Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, this book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican.

Alka Kurian

December 2008: 229x152: 176pp Hb: 978-0-415-96287-2: $95.00

September 2009: 229x152: 208pp Hb: 978-0-415-96117-2: $95.00

Edited by Robert Burgoyne, Wayne State University, USA

£60.00

Texts and Contexts Edited by Alastair Phillips and Julian Stringer

June 2009: 234x156: 208pp Hb: 978-0-415-44740-9: $150.00 £75.00

NEW

Korea’s Occupied Cinemas Brian Yecies and Ae-Gyung Shim Series: Routledge Advances in Film Studies This project compares and contrasts the development of cinema in Korea during the Japanese occupation (1910–1945) and US Army Military (1945–1948) periods within the larger context of cinemas in occupied territories.

This collection of ten new essays traces the changing representation of African Americans on screen, from a rereading of Birth of a Nation as a horror film to an examination of black experimental film form and community. The impressive group of film scholars gathered here, including Carroll Parrott Blue, Terri Francis, Michael B. Gillespie, Ed Guerrero, Keith Harris, Paula Massood, Charlie Musser, Mark Reid, Charlene Regester, and Robert Stam, also explore the globalization of black cinema and the on-screen treatment of major themes in African American culture such as exile and diaspora.

NEW

Global Bollywood

This book offers a cultural and social analysis of contemporary Bollywood films over the past decade, exploring the ideas of nation, race, religion, gender and sexuality, cinema and public spaces, diaspora and globalization.

Edited by Manthia Diawara, New York University, USA and Mia Mask, Vassar College, USA

Using the lenses of post-colonial and feminist theory, Alka Kurian examines politically engaged, women-centred South Asian films.

NEW

Series: Routledge Contemporary South Asia

Black American Cinema Reconsidered

Series: Routledge Advances in Film Studies

Japanese Cinema

Rajinder Dudrah, University of Manchester, UK

NEW

September 2009: 229x152: 320pp Hb: 978-0-415-97454-7: $95.00 Pb: 978-0-415-97455-4: $27.95 eBook: 978-0-203-87956-6

£60.00

Culture, Diaspora and Border Crossings in Popular Hindi Cinema

AFI Film Readers Series

Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, HanaBi and Ring, this collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki.

The Epic Film With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. This volume explores the rebirth of the epic film genre in the contemporary period, a period marked by heightened and conflicting appeals to national, ethnic, and religious belonging. The original essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations. August 2009: 229x152: 272pp Hb: 978-0-415-99017-2: $95.00 Pb: 978-0-415-99018-9: $29.95 eBook: 978-0-203-92747-2

Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. 2007: 234x156: 384pp Hb: 978-0-415-32847-0: $140.00 Pb: 978-0-415-32848-7: $35.95 eBook: 978-0-203-37464-1 £70.00

£19.99

Celebrating 20 Years of AFI Film Readers

August 2009: 229x152: 192pp Hb: 978-0-415-99538-2: $95.00 £60.00

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FILM STUDIES

32

World Cinema NEW

NEW

Fabrications

Documentary Testimonies

European Film Theory

Costume and the Female Body

Global Archives of Suffering

Edited by Temenuga Trifonova, University of New Brunswick, Canada

Edited by Jane M. Gaines and Charlotte Herzog

Edited by Bhaskar Sarkar and Janet Walker, both at University of California, Santa Barbara, USA This volume examines documentary films and testimonies that take various forms, from unedited video recordings to one-on-one reminiscence to sitespecific public presentations and perambulations. The essays gathered here analyze questions regarding the usefulness and legitimacy of documentary testimony, with each chapter providing an in-depth study of an archive of social suffering tied to a particular locale. The contributors focus on the production and use of documentary testimony by public administrators and institutions, human rights activists and organizations, documentary and ethnographic filmmakers, and/or other individuals and groups with interest in environmental justice, human rights, social advocacy, and/or the commemoration and prevention of genocide. May 2009: 229x152: 288pp Hb: 978-0-415-99663-1: $120.00 Pb: 978-0-415-99664-8: $29.95 eBook: 978-0-203-88341-9

European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.

The standard analytical category of ’national cinema’ has increasingly been called into question by the category of the ’transnational’. This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation states. The three sections of the book cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. March 2009: 229x152: 320pp Hb: 978-0-415-97653-4: $95.00 Pb: 978-0-415-97654-1: $24.95 eBook: 978-0-203-88279-5

2002: 229x152: 328pp Hb: 978-0-415-93993-5: $110.00 Pb: 978-0-415-93994-2: $29.95

Edited by Manthia Diawara

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2006: 229x152: 376pp Hb: 978-0-415-97554-4: $100.00 Pb: 978-0-415-97555-1: $27.95

Masculinity

New Media Theories and Practices of Digitextuality

Psychoanalysis and Cinema

1993: 229x152: 336pp Pb: 978-0-415-90397-4: $32.95

Edited by E. Ann Kaplan

Black Women Film and Video Artists

1989: 256pp Pb: 978-0-415-90029-4: $32.95

Sound Theory/Sound Practice Edited by Rick Altman 1992: 229x152: 304pp Pb: 978-0-415-90457-5: $32.95

Edited by Henry Jenkins and Kristine Brunovska Karnick

The Persistence of History Cinema, Television and the Modern Event Edited by Vivian Sobchack

1994: 229x152: 440pp Pb: 978-0-415-90640-1: $35.95

1995: 229x152: 288pp Pb: 978-0-415-91084-2: $29.95

Edited by Warren Buckland, Stonehill College, USA

April 2009: 229x152: 368pp Hb: 978-0-415-96261-2: $120.00 Pb: 978-0-415-96262-9: $29.95 eBook: 978-0-203-03076-9

Edited by Martin Lefebvre, Concordia University, Canada

£60.00

Black American Cinema

Classical Hollywood Comedy

This book examines contemporary films (or small groups of films) that had a significant impact on movie audiences and reshaped contemporary American cinema. This volume offers a representative sampling of current research generated by both young and established film scholars from the different schools of thought currently being practiced in film studies.

Landscape and Film

2003: 229x152: 304pp Hb: 978-0-415-93995-9: $105.00 Pb: 978-0-415-93996-6: $29.95

1998: 229x152: 288pp Pb: 978-0-415-92042-1: $34.95

Film Theory and Contemporary Hollywood Movies

1998: 229x152: 256pp Pb: 978-0-415-91947-0: $32.95

Edited by Anna Everett and John T. Caldwell

Edited by Jacqueline Bobo

NEW

Edited by Hamid Naficy

2001: 229x152: 320pp Hb: 978-0-415-92323-1: $120.00 Pb: 978-0-415-92324-8: $29.95

Edited by David A. Gerstner and Janet Staiger

Edited by Natasa Durovicova and Kathleen E. Newman, both at University of Iowa, USA

Film, Media, and the Politics of Place

Edited by Peter Lehman

Authorship and Film

World Cinemas, Transnational Perspectives

Home, Exile, Homeland

Bodies, Movies, Culture

October 2008: 229x152: 384pp Hb: 978-0-415-96043-4: $120.00 Pb: 978-0-415-96044-1: $34.95 eBook: 978-0-203-89370-8

NEW

1990: 229x152: 244pp Pb: 978-0-415-90062-1: $31.95

Disney Discourse Producing the Magic Kingdom

The Revolution Wasn’t Televised

Edited by Eric Smoodin

Sixties Television and Social Conflict

1994: 229x152: 272pp Pb: 978-0-415-90616-6: $32.95

Edited by Lynn Spigel and Michael Curtin 1997: 229x152: 320pp Hb: 978-0-415-91121-4: $110.00 Pb: 978-0-415-91122-1: $32.95

East European Cinemas Edited by Anikó Imre 2005: 229x152: 288pp Hb: 978-0-415-97267-3: $100.00 Pb: 978-0-415-97268-0: $29.95

Call toll free: 1-800-634-7064

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FILM STUDIES

TV STUDIES

3RD EDITION 2ND EDITION

An Introduction to Television Studies Jonathan Bignell, University of Reading, UK In this second edition, Jonathan Bignell provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audience research, television history and broadcasting policy, and the analytical study of individual programmes. Features for the second edition include: • a glossary of key terms • key terms defined in margins • suggestions for further reading at the end of each chapter • activities for use in class or as assignments • new and updated case studies discussing advertisements such as the Guinness ‘Surfer’ ad, approaches to news reporting, television scheduling, and programmes such as Big Brother and Wife Swap.

Television Studies: The Basics

Critical Methods and Applications

Toby Miller, University of California at Riverside, USA

Jeremy G. Butler, University of Alabama, USA Series: LEA’s Communication Series Television explains how television programmes and commercials are made, and how they function as producers of meaning. Jeremy G. Butler demonstrates the ways in which cinematography and videography, acting, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. 2006: 254x178: 528pp Pb: 978-0-8058-5415-2: $59.95 £33.99

Series: The Basics Television Studies: The Basics examines the major theories and debates surrounding the production and reception of television over the years and considers the role and future of this powerful medium. Topics covered include: broadcasting history and technology, institutions and ownership, content, and audiences. July 2009: 198x129: 240pp Hb: 978-0-415-77423-9: $110.00 Pb: 978-0-415-77424-6: $23.95 £55.00

£9.99

2ND EDITION

Television Studies: The Key Concepts Series: Routledge Key Guides Bernadette Casey, Ben Calvert, Liam French and Justin Lewis

3RD EDITION

The Television Handbook

Key features covered:

Jonathan Bignell and Jeremy Orlebar

• theoretical perspectives which have shaped the study of television – Marxism; semiology; feminism

Series: Media Practice Featuring advice on many aspects of programme making, from initial ideas to post-production processes, and including profiles to give insight into how people in the industry think about their work, this book discusses:

£70.00

£18.99

The Television Studies Reader Edited by Robert C. Allen and Annette Hill

2003: 246x174: 656pp Hb: 978-0-415-28323-6: $150.00 Pb: 978-0-415-28324-3: $43.95

NEW

Television

2007: 246x174: 368pp Hb: 978-0-415-41917-8: $140.00 Pb: 978-0-415-41918-5: $35.95

This Reader brings together key writings in the expanding field of television studies, providing an overview of the discipline and addressing issues of industry, genre, audiences, production and ownership, and representation.

33

• the state of television today • how television is made and how production is organized • how new technology and the changing structure of the television industry will lead the medium in new directions

• concepts including narrative; representation; bias • television genres – soap opera; news; science fiction • methods used for understanding television – content analysis; audience research • relevant social, economic and political phenomena – ownership, social policy. 2007: 216x138: 360pp Hb: 978-0-415-37149-0: $110.00 Pb: 978-0-415-37150-6: $26.95 £60.00

£14.99

• the rise of new formats such as reality TV • how drama, sport and music television can be understood. 2005: 234x156: 336pp Hb: 978-0-415-34251-3: $130.00 Pb: 978-0-415-34252-0: $37.95

NEW

Global Television Formats

£65.00

£18.99

Circulating Culture, Producing Identity

£75.00

£21.99

Edited by Tasha Oren and Sharon Shahaf

NEW

Beyond Prime Time Television Programming in the Post-Network Era Edited by Amanda D. Lotz, University of Michigan, USA Beyond Prime Time brings together established television scholars reconsidering how programming forms other than prime-time series have been affected by the wide-ranging industrial changes instituted over the past twenty years. The chapters explore the relationship between textual and industrial changes in particular forms such as news, talk, sports, soap operas, syndication, children’s programming, made-for-television movies, public broadcasting, and local programming. In each chapter, authors address the specific industrial factors relevant to the programming form and construct arguments about how shifts in textual strategies and practices can be tied to changing institutional norms such as those related to technology, production practices, distribution, advertising, and audience measurement among others. July 2009: 229x152: 288pp Hb: 978-0-415-99668-6: $120.00 Pb: 978-0-415-99669-3: $32.95 eBook: 978-0-203-88450-8 • AVAILABLE AS AN EXAMINATION COPY

Global Television Formats aims to revise the place of the global in television studies. The essays gathered here explore the diversity of global programming and approaches, and ask how to theorize contemporary global formats and thus re-shape our understanding of television as at once a shared global and specific local text, an economic system, a socio-political institution, and a popular practice. The contributors explore a wide array of television programming from the Middle East, Western and Eastern Europe, South Asia, North America, Latin America, and Brazil, and represent a broad range of methodological and theoretical approaches from production ethnographies to post-structuralist analysis. February 2009: 229x152: 288pp Hb: 978-0-415-96544-6: $120.00 Pb: 978-0-415-96545-3: $34.95 eBook: 978-0-203-92865-3

£60.00

£60.00

£18.99

£16.99

E-mail: media_studies@routledge.com

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34

TV STUDIES

It’s Not TV

Olympic Media

NEW

Watching HBO in the Post-Television Era

Inside the Biggest Show on Television

Queer TV

Edited by Marc Leverette, Brian L. Ott and Cara Louise Buckley, all at Colorado State University, USA

Andrew C. Billings, Clemson University, USA

Theories, Histories, Politics

Series: Routledge Critical Studies in Sport This book examines the production, content, and potential effects of NBC’s Olympic telecasts. Interviews with key NBC Olympic producers and sportscasters (including NBC Universal Sports and Olympics President Dick Ebersol and primetime anchor Bob Costas) outline the inner workings of the NBC Olympic machine; content analyses from ten years of Olympic telecasts (1996–2006) examine the portrayal of nationality, gender, and ethnicity within NBC’s telecast; and survey analyses interrogate the extent to which NBC’s storytelling process affects viewer beliefs about identity issues.

Forword by Toby Miller It’s Not TV provides fresh insights into the ’post-television network’ by examining HBO’s phenomenally popular and pioneering shows, including The Sopranos, The Wire, Six Feet Under, Sex and the City as well as its failed series, such as K Street and The Comeback. The contributors also explore the production process itself and the creation of a brand commodity, along with HBO’s place as a market leader and technological innovator. April 2008: 229x152: 272pp Hb: 978-0-415-96037-3: $95.00 Pb: 978-0-415-96038-0: $29.95 eBook: 978-0-203-92886-8

January 2008: 234x156: 200pp Hb: 978-0-415-77250-1: $150.00 Pb: 978-0-415-77251-8: $42.95 eBook: 978-0-203-93335-0

£60.00

£16.99

£75.00

£22.99

NEW

Awarded CHOICE Outstanding Academic Titles Award 2008

Flow TV Television in the Age of Media Convegence Edited by Michael Kackman, Marnie Binfield, Matthew Thomas Payne, Allison Perlman and Bryan Sebok

Television Entertainment Jonathan Gray, Fordham University, USA Series: Communication and Society Is television entertainment art? Why do so many love it and so many hate or fear it? Does it offer a window to the world, or images of a fake world? How is it political and how does it address us as citizens? What powers does it hold, and what powers do we have over it? Or, for that matter, what is television these days, in an era of rapidly developing technologies, media platforms, and globalization? Jonathan Gray offers a thematically based overview with examples from recent and current television, including Lost, reality television, The Sopranos, The Simpsons, political satire, Grey’s Anatomy, The West Wing, soaps, and 24.

From viral videos on YouTube to mobile television on cell phones and beyond, Flow TV examines television in an age of technological, economic, and cultural convergence. The collection examines television through a range of critical approaches from formal and industrial analysis to critical technology studies, reception studies, political economy, and critiques of television’s transnational flows. This volume stems from the popular online journal Flow: A Critical Forum on Television and Media Culture (www.flowtv.org) and features a group of established and rising media scholars including Henry Jenkins, Jason Mittell, Heather Hendershot, John Corner, James Hay, and Jonathan Gray. The volume offers a companion website linked to the main Flow site that will allow students and scholars to connect the readings to the latest media developments. May 2009: 229x152: 272pp Hb: 978-0-415-99222-0: $120.00 Pb: 978-0-415-99223-7: $32.95 eBook: 978-0-203-87963-4 £60.00

£18.99

March 2008: 234x156: 224pp Hb: 978-0-415-77223-5: $120.00 Pb: 978-0-415-77224-2: $33.95 £65.00

£18.99

Genre and Television From Cop Shows to Cartoons in American Culture

4 VOLUME SET 2ND EDITION

Encyclopedia of Television

2004: 229x152: 256pp Hb: 978-0-415-96902-4: $100.00 Pb: 978-0-415-96903-1: $29.95 eBook: 978-0-203-64213-9 £55.00

Queer TV is the first book to explore television in all its scope and complexity – its industry, production, texts, audiences, pleasures and politics – in relation to queerness. With contributions from distinguished authors working in film and television studies and the study of gender and sexuality, it offers a unique contribution to both disciplines. Individual essays examine the relationships between queers, queerness, and television across the multiple sites of production, consumption, reception, interpretation and theorization, as well as the textual and aesthetic dimensions of television and the televisual. The book crucially moves beyond lesbian and gay textual analyses of specific TV shows that have often focussed on evaluations of positive/negative representations and identities. Rather, the essays in Queer TV theorize not just the queerness in/on television (the production personnel, the representations it offers) but also the queerness of television as a distinct medium. December 2008: 234x156: 208pp Hb: 978-0-415-45045-4: $140.00 Pb: 978-0-415-45046-1: $39.95 eBook: 978-0-203-88422-5 £70.00

£19.99

Pimpin’ Ain’t Easy Selling Black Entertainment Television Beretta E. Smith-Shomade, University of Arizona, USA Launched in 1980, cable network Black Entertainment Television (BET) has helped make blackness visible and profitable at levels never seen prior in the TV industry. This book explores the legacy of BET: what the network has provided to the larger US television economy, and, more specifically, to its target African-American demographic. The book examines whether the company has fulfilled its stated goals and implied obligation to African-American communities. Has it changed the way African-Americans see themselves and the way others see them? Does the financial success of the network – secured in large part via the proliferation of images deemed offensive and problematic by many black communities – come at the expense of its African-American audience? 2007: 229x152: 232pp Hb: 978-0-415-97678-7: $95.00 Pb: 978-0-415-97679-4: $24.95 eBook: 978-0-203-94186-7 £60.00

£14.99

Edited by Horace Newcomb

Jason Mittell

Edited by Glyn Davis, The Glasgow School of Art, UK and Gary Needham, Nottingham Trent University, UK

2004: 279x216: 2800pp

Understanding Reality Television

Set: 978-1-57958-394-1: $675.00 £375.00

Edited by Su Holmes and Deborah Jermyn

£16.99

2003: 234x156: 320pp Hb: 978-0-415-31794-8: $140.00 Pb: 978-0-415-31795-5: $39.95 £70.00

£19.99

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TV STUDIES

NEW

Living Without the Screen

Hitch Your Antenna to the Stars

Gendering Children’s Television

Causes and Consequences of Life Without Television

Early Television and Broadcast Stardom

Marina Krcmar

Hitch Your Antenna to the Stars is the first cultural and industrial history of early television stardom. Susan Murray argues that television stars were central to the growth and development of American broadcasting. Through profiles of wellknown performers including Milton Berle, Sid Caesar, Jackie Gleason, and Lucille Ball, she shows how the television industry gave birth to the idea of TV stars and established a system of star production and management notably different from the Hollywood star system of the studio era.

A View from Producers Around the World Dafna Lemish, Tel Aviv University, Israel Gendering Children’s Television offers readers an insight into the processes of change taking place in the television industry’s presentation of gender portrayals in productions oriented to young audiences. Through selections from interviews with ninety-nine producers from fifty-two countries around the world, Dafna Lemish investigates transformations in producers’ gender ideology and its extension into production practices. The book explores the inter-relationships between representations of gender and social reality. More specifically, Lemish focuses on the role children’s television may and could play in contributing to what has become a nearly universal concern for gender equality. June 2009: 234x156: 224pp Hb: 978-0-415-48205-9: $140.00 Pb: 978-0-415-48206-6: $39.95 £70.00

Living Without the Screen provides an in-depth study of those American families and individuals who opt not to watch television, exploring the reasons behind their choices, discussing their beliefs about television, and examining the current role of television in the American family. This volume provides a current, distinctive, and important look at how personal choices on media use are made, and how these choices reflect more broadly on media’s place in today’s society. August 2008: 229x152: 248pp Hb: 978-0-8058-6328-4: $120.00 Pb: 978-0-8058-6329-1: $39.95

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Sportscasters/Sportscasting

The Discourse of Broadcast News A Linguistic Approach

Principles and Practices

Martin Montgomery, University of Strathclyde, UK

Linda K. Fuller, Worcester State College, USA

Exploring the discourse of broadcast news, with a particular focus on TV and radio, this book examines the constraints under which the news is produced. Topical examples, such as the Andrew Gilligan case illustrate the text.

Sportscasters/Sportscasting explains all of the information essential to anyone looking to begin a career in sports media. This unique volume explores topics in print and broadcast media, sports psychology, technology issues, politics and legalities, ethics, and even the role of sports and sportscasting in society. Other topics discussed include the historical development and economics of sports and sportscasting, sports spectators, sports controversies, sociological perspectives, and sports journalism. Sportscasters/Sportscasting: Principles and Practices is filled with knowledge essential to the craft of sportscasting, including numerous appendices containing acronyms and biographic information about over 200 sportscasters, and a complete Instructor’s Manual with exercises to help guide students toward mastery of the topic. Please visit http://LKFullerSport.com for more information and to download the Instructor’s Manual. June 2008: 229x152: 392pp Hb: 978-0-7890-1825-0: $95.00 Pb: 978-0-7890-1826-7: $29.95 eBook: 978-0-203-88926-8 £60.00

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A National Joke Popular Comedy and English Cultural Identites Andy Medhurst, University of Sussex, UK

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Rerun Nation How Repeats Invented American Television Derek Kompare 2004: 229x152: 264pp Hb: 978-0-415-97054-9: $100.00 Pb: 978-0-415-97055-6: $29.95 £60.00

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Translation in Global News Esperanca Bielsa, Leicester University, UK and Susan Bassnett, University of Warwick, UK

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Television Studies After TV Understanding Television in the Post-Broadcast Era Edited by Graeme Turner and Jinna Tay Television Studies After TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets – such as Asia and Latin America – in order to accurately reflect the wide variety of structures, forms and content which now organize television around the world. September 2009: 234x156: 224pp Hb: 978-0-415-47769-7: $130.00 Pb: 978-0-415-47770-3: $39.95 £65.00

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Susan Murray

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Reality TV Factual Entertainment and Television Audiences Annette Hill 2004: 234x156: 240pp Pb: 978-0-415-26152-4: $37.95 £18.99

The mass media are of paramount importance in the formulation and transmission of messages about key developments of global significance, such as terrorism and the war in Iraq, yet the key mediating role of translation in the reception of speeches and addresses of figures like Osama Bin Laden and Saddam Hussein has remained largely invisible. Incorporating the results of extensive fieldwork in key global news organizations such as Reuters, Agence France Press and Inter Press Service, this book addresses central issues relating to the new pressures on translation arising from globalization, analyzing new texts from major news agencies as well as alternative media organisations. Co-written by Susan Bassnett, a leading figure in the field of translation studies, this book presents close readings of different English versions of key Arabic texts circulated in Western media to demonstrate the ways in which a cultural and religious Other is framed in different media. September 2008: 234x156: 168pp Hb: 978-0-415-40973-5: $100.00 Pb: 978-0-415-40972-8: $41.95 eBook: 978-0-203-89001-1 £55.00

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TV STUDIES

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INDEX

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Television and Public Policy

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Media Globalization and the Discovery Channel Networks

Change and Continuity in an Era of Global Liberalization

Action and Adventure Cinema, The .........................................28 Actress, The.............................................................................20

Edited by David Ward

Ole Mjos, University of Pennsylvania, USA Series: Routledge Advances in Internationalizing Media Studies This unique study is the first book-length look at the global media phenomenon Discovery, one of the world’s largest factual entertainment and documentary producers and distributors. Offering a thorough and accessible account of the global expansion of Discovery and its relationship with media globalization, Ole Mjos provides an exploration of how the processes of media globalization unfolds and develops, and attempts to trace some of the possible consequences. April 2009: 229x152: 256pp Hb: 978-0-415-99246-6: $95.00 £60.00

Abel, Richard ...........................................................................28

Television and Public Policy analyzes the current state of television systems in a selected group of countries, exploring the political, economic, and technological factors that have shaped the sector over the past two decades. By positioning the television sector within issues of media policy and the regulatory framework, the book questions what these trends mean for television, and the historical, political, and cultural role in our societies.

Adam, G. Stuart ........................................................................8 Advertising ..............................................................................10 Advertising and Consumer Culture Reader, The .........................9 Advertising and New Media.....................................................12 Advertising Handbook, The .....................................................10 AFI Film Readers Series ............................................................31 Against Technology..................................................................15 Aitken, Ian...............................................................................28 Albarran, Alan .........................................................................10 Albarran, Alan B. .....................................................................18 Alia, Valerie .............................................................................18 Allen, Robert C. .......................................................................33 Alternative Media Handbook, The ...........................................12 Altman, Rick ............................................................................32 America First............................................................................26

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Asia’s Transformations/Asia.com Series ....................................14

Production Management for Television

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Audience in Everyday Life, The ..................................................9

Leslie Mitchell, University of Stirling, UK

Television and the Legal System

Audience Studies .......................................................................9

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Barbara Villez, University of Paris, France

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Arab Media ...............................................................................7

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Assessing Media Education ......................................................11

Completely up-to-date with relevant information on digital technology and HD TV, this is the only title to provide a factual and theoretical framework for an understanding of television production management. It includes a reference directory of agencies and organizations, and addresses and contacts for training. Subjects covered include: • the main responsibilities of the production manager • routine procedures • health and safety issues • rights management • career structure and development for production managers • useful references and further information. This book is supported by a companion website: www.routledge.com/textbooks/9780415424813

Authorship and Film ................................................................32 Ayers, Michael D......................................................................15

B Babcock, William .....................................................................17 Banks, Miranda........................................................................18 Barnes, Susan B. ......................................................................13 Barrios, Richard........................................................................23 Barrow, Sarah ..........................................................................27

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Barton, Ruth ............................................................................30

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Television and Culture in Putin’s Russia

Bassnett, Susan........................................................................36

Basics Series, The...............................................................19, 34 Bell, David J. ............................................................................14 Bell, Melanie............................................................................27

Stephen Hutchings, University of Manchester, UK and Natalia Rulyova, University of Birmingham, UK

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Series: Routledge Studies in Law, Society and Popular Culture This book examines the American television legal series from its development as a genre in the 1940s to the present day. Barbara Villez demonstrates how the genre has been a rich source of legal information and understanding for Americans.

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Series: BASEES/Routledge Series on Russian and East European Studies This book examines television culture in Russia under the Putin government. It demonstrates how broadcasters have been enlisted in a national identity project to install a latter-day version of imperial pride in Russian military achievements, over which Putin’s government exerts a form of remote control. March 2009: 234x156: 240pp Hb: 978-0-415-41907-9: $160.00

Bennett, James ........................................................................21 Benshoff, Harry M. ..................................................................25 Bernardi, Daniel .......................................................................26 Beyond Prime Time ..................................................................33 Bielsa, Esperanca .....................................................................36 Bignell, Jonathan .....................................................................33 Billings, Andrew C. ..................................................................34 Binfield, Marnie .......................................................................34 Bird, S. Elizabeth........................................................................9 Black American Cinema ...........................................................32 Black American Cinema Reconsidered......................................31 Black Women Film and Video Artists........................................32

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Blaxploitation Films of the 1970s .............................................26

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Blogging the Political ...............................................................15 Blogging, Citizenship, and the Future of Media .......................15

Restyling Factual TV

Bobo, Jacqueline......................................................................32

Audiences and News, Documentary and Reality Genres

Bodies in Code ........................................................................15 Bollywood ...............................................................................30

Annette Hill, University of Westminster, UK

Bordwell, David .......................................................................21

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INDEX

Branston, Gill . . . . . . . . . . . . . . . . . . . . . . . . 2 Brazilian National Cinema . . . . . . . . . . . . . . 29 British Crime Cinema. . . . . . . . . . . . . . . . . . 27 British Historical Cinema . . . . . . . . . . . . . . . 27 British Horror Cinema . . . . . . . . . . . . . . . . . 27 British National Cinema. . . . . . . . . . . . . . . . 29 British Popular Cinema Series . . . . . . . . . . . 27 British Queer Cinema . . . . . . . . . . . . . . . . . 27 British Science Fiction Cinema . . . . . . . . . . . 27 British Women’s Cinema . . . . . . . . . . . . . . . 27 Broadrick Sohn, Ardyth . . . . . . . . . . . . . . . . 18 Brooker, Will . . . . . . . . . . . . . . . . . . . . . . . . . 9

Contemporary American Independent Film. . . . . . . . . . . . . . . . . . . 26

E

Ganti, Tejaswini. . . . . . . . . . . . . . . . . . . . . . 30

East European Cinemas. . . . . . . . . . . . . . . . 32

Gauntlett, David . . . . . . . . . . . . . . . . . . . . 3, 9

Contemporary Hollywood Reader, The . . . . . . . . . . . . . . . . . . . . . . . 25

Eaton, A.W. . . . . . . . . . . . . . . . . . . . . . . . . 23

Gendering Children’s Television . . . . . . . . . . 35

Controversies in Media Ethics . . . . . . . . . . . 17

Egenfeldt-Nielsen, Simon . . . . . . . . . . . . . . 16

Gennari, Daniela Treveri . . . . . . . . . . . . . . . 31

Convergence Media History . . . . . . . . . . . . . 4

Electronic Media Criticism . . . . . . . . . . . . . . . 8

Genre and Cinema . . . . . . . . . . . . . . . . . . . 28

Cook, Pam . . . . . . . . . . . . . . . . . . . . . . . . . 22

Elsaesser, Thomas . . . . . . . . . . . . . . . . . . . . 26

Genre and Hollywood . . . . . . . . . . . . . . . . . 28

Couldry, Nick . . . . . . . . . . . . . . . . . . . . . . 7, 8

Encyclopedia of Early Cinema . . . . . . . . . . . 28

Genre and Television . . . . . . . . . . . . . . . . . . 34

Coverage . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Encyclopedia of Television . . . . . . . . . . . . . . 34

German National Cinema . . . . . . . . . . . . . . 30

Coyer, Kate . . . . . . . . . . . . . . . . . . . . . . . . . 12

Encyclopedia of the Documentary Film . . . . . . . . . . . . . . . . . . 28

Gerstner, David A.. . . . . . . . . . . . . . . . . . . . 32

Creative Explorations. . . . . . . . . . . . . . . . . . . 9 CRESC Series . . . . . . . . . . . . . . . . . . . . . . . . . 7 Crime and Media . . . . . . . . . . . . . . . . . . . . 18

Gershon, Richard A. . . . . . . . . . . . . . . . . . . 18

Enjoy Your Symptom! . . . . . . . . . . . . . . . . 20

Geyh, Paula. . . . . . . . . . . . . . . . . . . . . . . . . . 8

Enteen, Jillana B.. . . . . . . . . . . . . . . . . . . . . 16

Giddings, Seth . . . . . . . . . . . . . . . . . . . . . . 12

Entertainment and Society . . . . . . . . . . . . . . 3

Girls Make Media . . . . . . . . . . . . . . . . . . . . . 5

Critchlow, Donald . . . . . . . . . . . . . . . . . . . . 26

Environment, Media and Communication . . . . . . . . . . . . . . . . . . . . . 9

Gittings, Chris . . . . . . . . . . . . . . . . . . . . . . . 29

Bryant, Jennings . . . . . . . . . . . . . . . . . . . 6, 16

Critical Concepts in Media and Cultural Studies Series. . . . . . . . . . . . . . . . . 24

Epic Film, The . . . . . . . . . . . . . . . . . . . . . . . 31

Buckland, Warren . . . . . . . . . . . . . . . . . . . . 32

Cronin, Michael . . . . . . . . . . . . . . . . . . . . . 23

Buckley, Cara Louise . . . . . . . . . . . . . . . . . . 34

Culture after Humanism . . . . . . . . . . . . . . . 11

Brown, Tom . . . . . . . . . . . . . . . . . . . . . . . . 21 Brunovska Karnick, Kristine . . . . . . . . . . . . . 32 Bruzzi, Stella . . . . . . . . . . . . . . . . . . . . . . . . 28

Crime, Justice and the Media . . . . . . . . . . . 18

Epley, Nathan Scott . . . . . . . . . . . . . . . . . . . 15 Eternal Sunshine of the Spotless Mind . . . . . . . . . . . . . . . . . . . . . 23

Global Bollywood . . . . . . . . . . . . . . . . . . . . 31 Global Media Discourse . . . . . . . . . . . . . . . . 8 Global Television Formats . . . . . . . . . . . . . . 34 Goggin, Gerard. . . . . . . . . . . . . . . . . . . . 4, 13

Burgoyne, Robert . . . . . . . . . . . . . . . . . . . . 31

Curran, James. . . . . . . . . . . . . . . . . . . . . . 3, 7

European Film Theory . . . . . . . . . . . . . . . . . 32

Golan, Guy . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Burnett, Robert . . . . . . . . . . . . . . . . . . . . . . 13

Curtin, Michael . . . . . . . . . . . . . . . . . . . . . . 32

Everett, Anna . . . . . . . . . . . . . . . . . . . . . . . 32

Gordon, A. David . . . . . . . . . . . . . . . . . . . . 17

Butler, Andrew M.. . . . . . . . . . . . . . . . . . . . 29

Cyberactivism . . . . . . . . . . . . . . . . . . . . . . . 15

Everyday eBay . . . . . . . . . . . . . . . . . . . . . . . 15

Gothic Romanced . . . . . . . . . . . . . . . . . . . . 29

Butler, Jeremy G.. . . . . . . . . . . . . . . . . . . . . 33

Cyber-Bullying . . . . . . . . . . . . . . . . . . . . . . . 14

Exhibition, The Film Reader . . . . . . . . . . . . . 24

Grainge, Paul . . . . . . . . . . . . . . . . . . . . . . . 26

Cyberculture Theorists. . . . . . . . . . . . . . . . . 14 Cyberculture: The Key Concepts . . . . . . . . . 14

Experimental Cinema, The Film Reader. . . . . . . . . . . . . . . . . . . . 24

Grant, Iain. . . . . . . . . . . . . . . . . . . . . . . . . . 12

Cybercultures Reader, The . . . . . . . . . . . . . . 14

Ezra, Elizabeth. . . . . . . . . . . . . . . . . . . . . . . 25

Butsch, Richard . . . . . . . . . . . . . . . . . . . . . . . 9

C Caldwell, John T.. . . . . . . . . . . . . . . . . . . . . 32

Grant, Catherine . . . . . . . . . . . . . . . . . . . . . 30 Grau, Christopher . . . . . . . . . . . . . . . . . . . . 23 Gray, Jonathan . . . . . . . . . . . . . . . . . . . 11, 34

Calvert, Ben . . . . . . . . . . . . . . . . . . . . . . . . 34

D

F

Greer, Chris. . . . . . . . . . . . . . . . . . . . . . . . . 18

Campanella Bracken, Cheryl . . . . . . . . . . . . . 7

Dalle Vacche, Angela . . . . . . . . . . . . . . . . . 24

Fabrications. . . . . . . . . . . . . . . . . . . . . . . . . 32

Grieveson, Lee . . . . . . . . . . . . . . . . . . . . . . 23

Canadian National Cinema . . . . . . . . . . . . . 29

Danesi, Marcel . . . . . . . . . . . . . . . . . . . . . . 10

Falzon, Christopher . . . . . . . . . . . . . . . . . . . 23

Griffin, Sean . . . . . . . . . . . . . . . . . . . . . . . . 25

Carey, James W. . . . . . . . . . . . . . . . . . . . . . . 8

Davies, David . . . . . . . . . . . . . . . . . . . . . . . 23

Fay, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . 29

Griffiths, Robin . . . . . . . . . . . . . . . . . . . . . . 27

Carroll, Brian. . . . . . . . . . . . . . . . . . . . . . . . 13

Davis, Aeron . . . . . . . . . . . . . . . . . . . . . . . . . 5

Feminist Film Theorists . . . . . . . . . . . . . . . . 20

Guneratne, Anthony . . . . . . . . . . . . . . . . . . 30

Carroll, William . . . . . . . . . . . . . . . . . . . . . . . 6

Davis, Glyn . . . . . . . . . . . . . . . . . . . . . . . . . 35

Ferriss, Suzanne . . . . . . . . . . . . . . . . . . . . . 28

Guynn, William . . . . . . . . . . . . . . . . . . . . . . 22

Casey, Bernadette . . . . . . . . . . . . . . . . . . . . 34

de Groot, Jerome . . . . . . . . . . . . . . . . . . . . 22

Fifty Contemporary Filmmakers . . . . . . . . . . 19

Celebrity Culture Reader, The . . . . . . . . . . . . 4

Decoding Liberation . . . . . . . . . . . . . . . . . . 15

Fifty Key American Films . . . . . . . . . . . . . . . 25

Chambers, Iain . . . . . . . . . . . . . . . . . . . . . . 11

Dennison, Stephanie . . . . . . . . . . . . . . . . . . 29

Fifty Key British Films. . . . . . . . . . . . . . . . . . 27

Ha, Louisa S. . . . . . . . . . . . . . . . . . . . . . . . . 14

Chan, Dean. . . . . . . . . . . . . . . . . . . . . . . . . 16

Descartes, Lara J. . . . . . . . . . . . . . . . . . . . . 11

Film After Jung . . . . . . . . . . . . . . . . . . . . . . 23

Hackett, Robert. . . . . . . . . . . . . . . . . . . . . . . 6

H

Chan-Olmsted, Sylvia M.. . . . . . . . . . . . . . . 18

Dewdney, Andrew. . . . . . . . . . . . . . . . . . . . 12

Film and Ethics . . . . . . . . . . . . . . . . . . . . . . 23

Haenni, Sabine . . . . . . . . . . . . . . . . . . . . . . 25

Chaudhuri, Shohini . . . . . . . . . . . . . . . . . . . 20

Dexter, Scott . . . . . . . . . . . . . . . . . . . . . . . . 15

Film and Television after DVD . . . . . . . . . . . 21

Hake, Sabine. . . . . . . . . . . . . . . . . . . . . . 4, 30

Chen, Tina Mai . . . . . . . . . . . . . . . . . . . . . . 22

Diawara, Manthia . . . . . . . . . . . . . . . . . 31, 32

Film as Social Practice . . . . . . . . . . . . . . . . . 19

Hammond, Philip . . . . . . . . . . . . . . . . . . . . . 5

Cherry, Brigid . . . . . . . . . . . . . . . . . . . . . . . 29

Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . 25

Film Cultures Reader, The . . . . . . . . . . . . . . 19

Handbook of Election News Coverage Around the World, The . . . . . . . . . . . . . . . 8

Chibnall, Steve . . . . . . . . . . . . . . . . . . . . . . 27

Diefenbach ,Donald L.. . . . . . . . . . . . . . . . . 20

Film Music: A History . . . . . . . . . . . . . . . . . 22

Chick Flicks . . . . . . . . . . . . . . . . . . . . . . . . . 28

Digital Encounters . . . . . . . . . . . . . . . . . . . . 13

Film Noir . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Chinese National Cinema . . . . . . . . . . . . . . 30

Digital Film Event, The. . . . . . . . . . . . . . . . . 21

Film Studies: The Basics. . . . . . . . . . . . . . . . 19

Chopra, Samir. . . . . . . . . . . . . . . . . . . . . . . 15

Discourse of Broadcast News, The. . . . . . . . 36

Film Theory . . . . . . . . . . . . . . . . . . . . . . . . . 24

Christ, William G. . . . . . . . . . . . . . . . . . . . . 11

Disney Discourse . . . . . . . . . . . . . . . . . . . . . 32

Christians, Clifford G. . . . . . . . . . . . . . . . . . 17

Dissanayake, Wimal . . . . . . . . . . . . . . . . . . 30

Film Theory and Contemporary Hollywood Movies. . . . . . . . . . . . . . . . . . . . 32

Chun, Wendy Hui Kyong . . . . . . . . . . . . . . 12

Documentary Handbook, The . . . . . . . . . . . 28

Churchill, David S.. . . . . . . . . . . . . . . . . . . . 22

Documentary Testimonies . . . . . . . . . . . . . . 32

Cinema Studies: The Key Concepts . . . . . . . 19

Film: The Essential Study Guide. . . . . . . . . . 19

Dorsher, Michael . . . . . . . . . . . . . . . . . . . . . 17

Cities, Citizens, and Technologies . . . . . . . . . 8

Fischer, Lucy . . . . . . . . . . . . . . . . . . . . . . . . 25

Doughty, Ruth. . . . . . . . . . . . . . . . . . . . . . . 19

Citizen Audience, The . . . . . . . . . . . . . . . . . . 9

Fishbein, Martin . . . . . . . . . . . . . . . . . . . . . 18

Doveling, Katrin . . . . . . . . . . . . . . . . . . . . . 11

Classical Hollywood Comedy . . . . . . . . . . . . 32

Fleming, Carole. . . . . . . . . . . . . . . . . . . . . . . 6

Dovey, Jon . . . . . . . . . . . . . . . . . . . . . . . . . 12

Codifying Cyberspace . . . . . . . . . . . . . . . . . 14

Flow TV. . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Dowmunt, Tony . . . . . . . . . . . . . . . . . . . . . 12

Cognitive Psychology of Mass Communication, A. . . . . . . . . . . . . . . . . . . 9

Foster, Gwendolyn Audrey . . . . . . . . . . . . . 24

Downing, Lisa . . . . . . . . . . . . . . . . . . . . . . . 23

Fountain, Alan . . . . . . . . . . . . . . . . . . . . . . 12

Cohan, Steven . . . . . . . . . . . . . . . . . . . . . . 24 Color, The Film Reader . . . . . . . . . . . . . . . . 24 Comedia Series . . . . . . . . . . . . . . . . . . . . 8, 11 Communication and Society Series . . . . . . . . . . . . . 4, 5, 6, 7, 34 Communication as Culture, Revised Edition . . . . . . . . . . . . . . . . . . . . . 8 Communication, Cultural and Media Studies: The Key Concepts . . . . . . . 8

Film, History and Cultural Citizenship. . . . . . . . . . . . . . . . . . . . . . . . 22

Dreyfus, Hubert L. . . . . . . . . . . . . . . . . . . . . 13

French National Cinema . . . . . . . . . . . . . . . 30

Dudrah, Rajinder . . . . . . . . . . . . . . . . . . . . . 31

French, Liam . . . . . . . . . . . . . . . . . . . . . . . . 34

Duffy, Brooke Erin . . . . . . . . . . . . . . . . . . . . . 3

From ’Perverts’ to ’Fab Five’ . . . . . . . . . . . . 11

Durant, Alan . . . . . . . . . . . . . . . . . . . . . . . . 10

Fuller, Linda K. . . . . . . . . . . . . . . . . . . . . . . 35

Durovicova, Natasa . . . . . . . . . . . . . . . . . . . 32

Handbook of Mass Media Ethics, The . . . . . 17 Handbook of Media Management and Economics . . . . . . . . . . . . . . . . . . . . . . . . 18 Handbook of Spanish Language Media . . . . . . . . . . . . . . . . . . . 10 Hansen, Anders. . . . . . . . . . . . . . . . . . . . . . . 9 Hansen, Mark B.N. . . . . . . . . . . . . . . . . . . . 15 Hardy, Jonathan . . . . . . . . . . . . . . . . . . . 7, 10 Hark, Ina Rae . . . . . . . . . . . . . . . . . . . . . . . 24 Harris, Richard Jackson . . . . . . . . . . . . . . . . . 9 Hartley, John . . . . . . . . . . . . . . . . . . . . . . . . . 8 Hartmann, Tilo . . . . . . . . . . . . . . . . . . . . . . . 6 Hawkin, Sarah. . . . . . . . . . . . . . . . . . . . . . . 10 Hayward, Susan . . . . . . . . . . . . . . . . . . 19, 30 Heavenly Bodies . . . . . . . . . . . . . . . . . . . . . 21 Heide Smith, Jonas . . . . . . . . . . . . . . . . . . . 16 Hepp, Andreas . . . . . . . . . . . . . . . . . . . . . . . 8 Herzog, Charlotte . . . . . . . . . . . . . . . . . . . . 32

Dyer, Richard. . . . . . . . . . . . . . . . . . . . . . . . 21

G

Dynamics and Performativity of Imagination . . . . . . . . . . . . . . . . . . . . . 24

Gaines, Jane M. . . . . . . . . . . . . . . . . . . . . . 32

Consuming History . . . . . . . . . . . . . . . . . . . 22

Handbook of Emotions and the Mass Media. . . . . . . . . . . . . . . . . . . . 11

Game of Two Halves, A. . . . . . . . . . . . . . . . 11

Hesmondhalgh, David . . . . . . . . . . . . . . . . . . 7 Hill, Annette . . . . . . . . . . . . . . . . . . . . . 33, 36 Hillis, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Gaming Cultures and Place in Asia-Pacific . . . . . . . . . . . . . . . . . 16

History Goes to the Movies . . . . . . . . . . . . . 23

Ganahl III, Richard J. . . . . . . . . . . . . . . . . . . 14

History on Film Reader . . . . . . . . . . . . . . . . 22 Hitch Your Antenna to the Stars . . . . . . . . . 36

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37


INDEX

38

Hjorth, Larissa . . . . . . . . . . . . . . . . . . 4, 14, 16

Key Readings in Media Today . . . . . . . . . . . . 3

Mask, Mia. . . . . . . . . . . . . . . . . . . . . . . . . . 31

Morgan, David . . . . . . . . . . . . . . . . . . . . . . 10

Hollifield, C. Ann . . . . . . . . . . . . . . . . . . . . 18

Key Words in Religion, Media and Culture . 10

Mass Media and Latino Politics, The . . . . . . . 7

Moritz, Charlie . . . . . . . . . . . . . . . . . . . . . . 20

Hollinger, Karen . . . . . . . . . . . . . . . . . . . . . 20

Khiabany, Gholam. . . . . . . . . . . . . . . . . . . . . 7

Mayer, Vicki . . . . . . . . . . . . . . . . . . . . . . . . 18

Morley, David . . . . . . . . . . . . . . . . . . . . . 7, 11

Hollywood and Politics . . . . . . . . . . . . . . . . 26

Khoury-Machool, Makram . . . . . . . . . . . . . . 7

McAllister, Matthew . . . . . . . . . . . . . . . . . . . 9

Movie Acting, The Film Reader . . . . . . . . . . 25

Hollywood and War, The Film Reader . . . . . 24

Kim, Youna . . . . . . . . . . . . . . . . . . . . . . . . . . 7

McCarthy, Anna . . . . . . . . . . . . . . . . . . . . . . 7

Movie Music, The Film Reader. . . . . . . . . . . 25

Hollywood Comedians, The Film Reader . . . 24

King, Cynthia . . . . . . . . . . . . . . . . . . . . . . . . 3

McCaughey, Martha . . . . . . . . . . . . . . . . . . 15

Mulhall, Stephen. . . . . . . . . . . . . . . . . . . . . 22

Hollywood Musicals, The Film Reader . . . . . 24

Kittross, John Michael . . . . . . . . . . . . . . . . . 17

McGahan, Christopher . . . . . . . . . . . . . . . . 15

Murphy, Robert. . . . . . . . . . . . . . . . . . . . . . 27

Holmes, Su . . . . . . . . . . . . . . . . . . . . . . . . . 35

Kompare, Derek . . . . . . . . . . . . . . . . . . . . . 36

McIlroy, Brian . . . . . . . . . . . . . . . . . . . . . . . 28

Murray, Michael D. . . . . . . . . . . . . . . . . . . . 17

Holmlund, Christine . . . . . . . . . . . . . . . 11, 26

Konijn, Elly A. . . . . . . . . . . . . . . . . . . . . 11, 13

McLelland, Mark . . . . . . . . . . . . . . . . . . . . . 13

Murray, Susan . . . . . . . . . . . . . . . . . . . . . . . 36

Home, Exile, Homeland. . . . . . . . . . . . . . . . 32

Korea’s Occupied Cinemas . . . . . . . . . . . . . 31

McLuhan, Marshall . . . . . . . . . . . . . . . . . . . . 5

N

hooks, bell . . . . . . . . . . . . . . . . . . . . . . . . . 20

Kottak, Conrad . . . . . . . . . . . . . . . . . . . . . . 11

Meaning of Video Games, The . . . . . . . . . . 16

Horror. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Kramer, Peter . . . . . . . . . . . . . . . . . . . . . . . 23

Medhurst, Andy . . . . . . . . . . . . . . . . . . . . . 35

Naficy, Hamid . . . . . . . . . . . . . . . . . . . . . . . 32

Horror, The Film Reader . . . . . . . . . . . . . . . 24

Krcmar, Marina . . . . . . . . . . . . . . . . . . . . . . 36

Media & Cultural Theory . . . . . . . . . . . . . . . . 7

Naidoo, Roshi . . . . . . . . . . . . . . . . . . . . . . . 11

Hughes-Warrington, Marnie . . . . . . . . . 22, 23

Krotz, Friedrich . . . . . . . . . . . . . . . . . . . . . . . 8

Media and Middle Class Moms . . . . . . . . . . 11

Narrating Media History . . . . . . . . . . . . . . . . 6

Human Factor, The . . . . . . . . . . . . . . . . . . . 15

Krutnik, Frank . . . . . . . . . . . . . . . . . . . . . . . 24

Media and Social Theory, The . . . . . . . . . . . . 7

Nation and Identity in the New German Cinema . . . . . . . . . . . . . . . . . 31

Huntemann, Nina B. . . . . . . . . . . . . . . . . . . 17

Kuhn, Annette . . . . . . . . . . . . . . . . . . . . . . 30

Media Choice . . . . . . . . . . . . . . . . . . . . . . . . 6

Hunter, I.Q. . . . . . . . . . . . . . . . . . . . . . . . . . 27

Kunkel, Dale . . . . . . . . . . . . . . . . . . . . . . . . 18

Huppauf, Bernd . . . . . . . . . . . . . . . . . . . . . 24

Kurian, Alka . . . . . . . . . . . . . . . . . . . . . . . . 31

Media Consumption and Everyday Life in Asia . . . . . . . . . . . . . . . . . 7 Media Convergence . . . . . . . . . . . . . . . . . . 13

Neale, Steve . . . . . . . . . . . . . . . . . . . . . . . . 28

L

Media Effects . . . . . . . . . . . . . . . . . . . . . . . . 6

Needham, Gary. . . . . . . . . . . . . . . . . . . . . . 35

Hutchings, Stephen. . . . . . . . . . . . . . . . . . . 37

National Cinemas Series . . . . . . . . . . . . . . . 29 National Joke, A . . . . . . . . . . . . . . . . . . . . . 35

Lacy, Stephen . . . . . . . . . . . . . . . . . . . . . . . 18

Media Ethics and Social Change . . . . . . . . . 18

Negra, Diane. . . . . . . . . . . . . . . . . . . . . . . . . 5

ICA Handbook Series . . . . . . . . . . . . . . . . . . 8

Lambrou, Marina . . . . . . . . . . . . . . . . . . . . 10

Media Events in a Global Age . . . . . . . . . . . . 8

Nelmes, Jill . . . . . . . . . . . . . . . . . . . . . . . . . 19

Immersed in Media . . . . . . . . . . . . . . . . . . . . 7

Landscape and Film. . . . . . . . . . . . . . . . . . . 32

Media Globalization and the Discovery Channel Networks . . . . . . . . . . . . 36

New Media . . . . . . . . . . . . . . . . . . . . . . 12, 32

I

Impossible Bodies . . . . . . . . . . . . . . . . . . . . 11

Landy, Marcia . . . . . . . . . . . . . . . . . . . . . . . 25

Imre, Anikó . . . . . . . . . . . . . . . . . . . . . . . . . 32

Language and Media . . . . . . . . . . . . . . . . . 10

New Documentary . . . . . . . . . . . . . . . . . . . 28

Media Law and Ethics . . . . . . . . . . . . . . . . . 17

New Media Handbook, The . . . . . . . . . . . . 12

Media Management . . . . . . . . . . . . . . . . . . 18

New Media, Old Media . . . . . . . . . . . . . . . . 12

In Focus: Routledge Film Readers Series . . . 24

Language of New Media Design, The . . . . . 12

International Communication . . . . . . . . . . . . 4

Latin American Writers and the Rise of Hollywood Cinema . . . . . . . . . . . . 26

Media Messages and Public Health . . . . . . . 18

Newcomb, Horace . . . . . . . . . . . . . . . . . . . 34

Media on the Move . . . . . . . . . . . . . . . . . . . 4

Newman, James . . . . . . . . . . . . . . . . . . . . . 17

Latsploitation, Latin America, and Exploitation Cinema. . . . . . . . . . . . . . . . . 29

Media Practice Series . . . . . . . . . . . . . 6, 10, 12, 16, 28, 33

International Media Communication in a Global Age . . . . . . . . 4 Internationalizing Internet Studies . . . . . . . . 13 Internationalizing Media Studies . . . . . . . . . . 4

Lawrence, Novotny . . . . . . . . . . . . . . . . . . . 26

Media Rituals . . . . . . . . . . . . . . . . . . . . . . . . 7

Internationalizing Media Studies Series . . . 4, 7

LEA’s Communication Series . . . . . . . . . 4, 6, 7, 11, 16, 18, 20, 33

Media Skills Series. . . . . . . . . . . . . . . . . . . . 36

Internet in China, The . . . . . . . . . . . . . . . . . 15 Introduction to Cyberculture, An. . . . . . . . . 14

LEA’s Media Management and Economics Series . . . . . . . . . . . . 14, 18

Media Student’s Book, The . . . . . . . . . . . . . . 2

Newman, Kathleen E. . . . . . . . . . . . . . . . . . 32 Nichols, Bill . . . . . . . . . . . . . . . . . . . . . . . . . 19 Nieland, Justus . . . . . . . . . . . . . . . . . . . . . . 29 Noble, Andrea. . . . . . . . . . . . . . . . . . . . . . . 30 Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Media Today . . . . . . . . . . . . . . . . . . . . . . . . . 1 Media, Culture and Social Change in Asia Series . . . . . . . . . . . . . . . . . 31

Introduction to Film Studies . . . . . . . . . . . . 19

LeBlanc Wicks, Jan . . . . . . . . . . . . . . . . . . . 18

Introduction to Television Studies, An . . . . . 33

Lee-Wright, Peter . . . . . . . . . . . . . . . . . . . . 28

Media, Gender and Identity . . . . . . . . . . . . . 3

Iranian Media . . . . . . . . . . . . . . . . . . . . . . . . 7

Lefebvre, Martin . . . . . . . . . . . . . . . . . . . . . 32

Media, Modernity and Technology . . . . . . . 11

O Oliver, Mary Beth . . . . . . . . . . . . . . . . . . . . . 6 Olympic Media . . . . . . . . . . . . . . . . . . . . . . 34 On Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Irish National Cinema . . . . . . . . . . . . . . . . . 30

Lehman, Peter. . . . . . . . . . . . . . . . . . . . . . . 32

Media, War & Postmodernity . . . . . . . . . . . . 5

It’s Not TV. . . . . . . . . . . . . . . . . . . . . . . . . . 34

Lemish, Dafna . . . . . . . . . . . . . . . . . . . . . . . 35

Media/Theory . . . . . . . . . . . . . . . . . . . . . . . 11

J

Leonardi, Danilo . . . . . . . . . . . . . . . . . . . . . 14

MediaSpace . . . . . . . . . . . . . . . . . . . . . . . . . 7

Lesbianism, Cinema, Space . . . . . . . . . . . . . 24 Letters, Postcards, and Email . . . . . . . . . . . . 12

Mediated Interpersonal Communication . . . . . . . . . . . . . . . . . . . . 13

Orlik, Peter B. . . . . . . . . . . . . . . . . . . . . . . . . 8

Leverette, Marc . . . . . . . . . . . . . . . . . . . . . . 34

Mediation of Power, The . . . . . . . . . . . . . . . . 5

Ott, Brian L. . . . . . . . . . . . . . . . . . . . . . . . . 34

James Cameron. . . . . . . . . . . . . . . . . . . . . . 21 Jameson, Fredric . . . . . . . . . . . . . . . . . . . . . 20 Jancovich, Mark . . . . . . . . . . . . . . . . . . . . . 24 Jane Campion . . . . . . . . . . . . . . . . . . . . . . . 21 Japanese Cinema . . . . . . . . . . . . . . . . . . . . 31 Jenkins, Henry. . . . . . . . . . . . . . . . . . . . . . . 32 Jensen, Klaus . . . . . . . . . . . . . . . . . . . . . . . 13 Jermyn, Deborah. . . . . . . . . . . . . . . . . . . 9, 35 Johnson, Thomas . . . . . . . . . . . . . . . . . . . . . 4 Joinson, Adam . . . . . . . . . . . . . . . . . . . . . . 13 Jones, Steven E. . . . . . . . . . . . . . . . . . . 15, 16 Jordan, Amy . . . . . . . . . . . . . . . . . . . . . . . . 18

Lewis, Justin . . . . . . . . . . . . . . . . . . . . . . . . 34

MediaWriting . . . . . . . . . . . . . . . . . . . . . . . . 3

Lister, J., Martin. . . . . . . . . . . . . . . . . . . . . . 12

Melville, Gaynor . . . . . . . . . . . . . . . . . . . . . 18

Littler, Jo . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Memento . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Living Without the Screen . . . . . . . . . . . . . . 36

Memory Stick: Film Studies . . . . . . . . . . . . . 19

Livingston, Paisley . . . . . . . . . . . . . . . . . . . . 22

Merck, Mandy. . . . . . . . . . . . . . . . . . . . . . . 26

Loader, Brian D. . . . . . . . . . . . . . . . . . . . . . 14

Merrill, John C. . . . . . . . . . . . . . . . . . . . . . . 17

Lotz, Amanda D.. . . . . . . . . . . . . . . . . . . . . 33

Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Loving with a Vengeance . . . . . . . . . . . . . . . 5

Mexican National Cinema . . . . . . . . . . . . . . 30

Lovink, Geert . . . . . . . . . . . . . . . . . . . . . . . 14

Militainment, Inc. . . . . . . . . . . . . . . . . . . . . . 5

Lyden, John. . . . . . . . . . . . . . . . . . . . . . . . . 21

Joystick Soldiers . . . . . . . . . . . . . . . . . . . . . 17

K Kackman, Michael. . . . . . . . . . . . . . . . . . . . 34 Kaid, Lynda Lee. . . . . . . . . . . . . . . . . . . . . . . 8 Kania, Andrew . . . . . . . . . . . . . . . . . . . . . . 23 Kaplan, E. Ann . . . . . . . . . . . . . . . . . . . . . . 32 Katz ,Elihu. . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Kearney, Mary Celeste. . . . . . . . . . . . . . . . . . 5 Keenan, Thomas . . . . . . . . . . . . . . . . . . . . . 12 Keller, Alexandra . . . . . . . . . . . . . . . . . . . . . 21 Kelly, Kieran . . . . . . . . . . . . . . . . . . . . . . . . 12 Kennedy, Barbara M.. . . . . . . . . . . . . . . . . . 14

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M

Minh-Ha, Trinh T. . . . . . . . . . . . . . . . . . . . . 21

Machin, David. . . . . . . . . . . . . . . . . . . . . . . . 8

Mitchell, Jolyon . . . . . . . . . . . . . . . . . . . . . . 21

MacRury, Iain . . . . . . . . . . . . . . . . . . . . . . . 10

Mitchell, Leslie . . . . . . . . . . . . . . . . . . . . . . 36

Maingard, Jacqueline . . . . . . . . . . . . . . . . . 30

Mittell, Jason. . . . . . . . . . . . . . . . . . . . . . . . 34

Manganello, Jennifer. . . . . . . . . . . . . . . . . . 18

Mjos, Ole . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Marsden, Chris . . . . . . . . . . . . . . . . . . . . . . 14

Mobile Media in the Asia-Pacific . . . . . . . . . 14

Marsh, Clive . . . . . . . . . . . . . . . . . . . . . . . . 23

Mobile Technologies . . . . . . . . . . . . . . . . . . . 4

Marsh, Ian. . . . . . . . . . . . . . . . . . . . . . . . . . 18

Modleski, Tania . . . . . . . . . . . . . . . . . . . . 5, 20

Marshall, David . . . . . . . . . . . . . . . . . . . . . . 13

Monk, Claire . . . . . . . . . . . . . . . . . . . . . . . . 27

Marshall, P. David . . . . . . . . . . . . . . . . . . . . . 4

Montgomery, Martin . . . . . . . . . . . . . . . . . . 36

Martinec, Radan . . . . . . . . . . . . . . . . . . . . . 12

Moore, Roy L. . . . . . . . . . . . . . . . . . . . . . . . 17

Masculinity . . . . . . . . . . . . . . . . . . . . . . . . . 32

Moores, Shaun . . . . . . . . . . . . . . . . . . . . . . 11

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P Pajares Tosca, Susana . . . . . . . . . . . . . . . . . 16 Parks, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Pastiche . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Payne, Matthew Thomas. . . . . . . . . . . . . . . 34 Perlman, Allison . . . . . . . . . . . . . . . . . . . . . 34 Perron, Bernard. . . . . . . . . . . . . . . . . . . . . . 17 Persistence of History, The. . . . . . . . . . . . . . 32 Persistence of Hollywood, The. . . . . . . . . . . 26 Persistence of Whiteness, The . . . . . . . . . . . 26 Petit, Michael . . . . . . . . . . . . . . . . . . . . . . . 15 Petley, Julian . . . . . . . . . . . . . . . . . . . . . . . . 27 Phillips, Alastair . . . . . . . . . . . . . . . . . . . . . . 31 Philosophers on Film Series . . . . . . . . . . . . . 23 Philosophy Goes to the Movies . . . . . . . . . . 23 Pimpin’ Ain’t Easy . . . . . . . . . . . . . . . . . . . . 35 Plantinga, Carl . . . . . . . . . . . . . . . . . . . . . . 22 Plate, S. Brent . . . . . . . . . . . . . . . . . . . . . . . 21 Playing Video Games . . . . . . . . . . . . . . . . . 16 Playing with Videogames . . . . . . . . . . . . . . 17 Pleace, Nicholas . . . . . . . . . . . . . . . . . . . . . 14 Poetics of Cinema . . . . . . . . . . . . . . . . . . . . 21

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INDEX

Pole, Antoinette . . . . . . . . . . . . . . . . . . . . . 15

and Cyberculture Series . . . . . . . . . . . . . . 15

Politics of Heritage, The . . . . . . . . . . . . . . . 11

Routledge Studies in Twentieth-Century Literature Series . . . . . . . . . . . . . . . . . . . . 26

Post-War Italian Cinema . . . . . . . . . . . . . . . 31 Poulton, Emma . . . . . . . . . . . . . . . . . . . . . . 24

Rowden, Terry . . . . . . . . . . . . . . . . . . . . . . . 25

Powell, Helen . . . . . . . . . . . . . . . . . . . . . . . 10

Ruétalo, Victoria . . . . . . . . . . . . . . . . . . . . . 29

Power Without Responsibility . . . . . . . . . . . . 3

Rulyova, Natalia . . . . . . . . . . . . . . . . . . . . . 37

Price, Brian . . . . . . . . . . . . . . . . . . . . . . . . . 24 Production Management for Television . . . . . . . . . . . . . . . . . . . . . . 36

S Sandvoss, Cornel . . . . . . . . . . . . . . . . . . . . 11

Production Studies . . . . . . . . . . . . . . . . . . . 18

Sargeant, Amy . . . . . . . . . . . . . . . . . . . . . . 27

Projecting a Camera . . . . . . . . . . . . . . . . . . 20

Sarkar, Bhaskar . . . . . . . . . . . . . . . . . . . . . . 32

Psychoanalysis and Cinema . . . . . . . . . . . . . 32

Saxton, Libby . . . . . . . . . . . . . . . . . . . . . . . 23 Sayre, Shay . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Q

Scharf, Inga. . . . . . . . . . . . . . . . . . . . . . . . . 31

Queer Cinema, The Film Reader . . . . . . . . . 25

Schuler, Douglas . . . . . . . . . . . . . . . . . . . . . 14

Queer Screen . . . . . . . . . . . . . . . . . . . . . . . 28

Screen Readers Series, The . . . . . . . . . . 28, 30

Queer TV . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Screened Out . . . . . . . . . . . . . . . . . . . . . . . 23 Screening the Past . . . . . . . . . . . . . . . . . . . 22

R

Screening World Cinema. . . . . . . . . . . . . . . 30

Racing Cyberculture . . . . . . . . . . . . . . . . . . 15

Scriptwriting for the Screen. . . . . . . . . . . . . 20

Radio Handbook, The . . . . . . . . . . . . . . . . . . 6

Seaton, James . . . . . . . . . . . . . . . . . . . . . . . . 3

Ramsey, Janet E. . . . . . . . . . . . . . . . . . . . . . . 3

Sebok, Bryan. . . . . . . . . . . . . . . . . . . . . . . . 34

Raymond, Emilie . . . . . . . . . . . . . . . . . . . . . 26

Shahaf, Sharon . . . . . . . . . . . . . . . . . . . . . . 34

Reality TV . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Shariff, Shaheen . . . . . . . . . . . . . . . . . . . . . 14

Reel to Real. . . . . . . . . . . . . . . . . . . . . . . . . 20

Shaw, Deborah . . . . . . . . . . . . . . . . . . . . . . 19

Religion and Film Reader, The . . . . . . . . . . . 21

Shaw, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Remaking Media . . . . . . . . . . . . . . . . . . . . . . 6

Shepherdson, K.J. . . . . . . . . . . . . . . . . . . . . 24

Renov, Michael . . . . . . . . . . . . . . . . . . . . . . 33

Shim, Ae-Gyung . . . . . . . . . . . . . . . . . . . . . 31

Rerun Nation. . . . . . . . . . . . . . . . . . . . . . . . 36

Shohat, Ella. . . . . . . . . . . . . . . . . . . . . . . . . 28

Restyling Factual TV . . . . . . . . . . . . . . . . . . 36

Sightlines Series . . . . . . . . . . . . . . . . . . . . . 28

Rethinking Third Cinema. . . . . . . . . . . . . . . 30

Signatures of the Visible . . . . . . . . . . . . . . . 20

Revolution Wasn’t Televised, The. . . . . . . . . 32

Silent Cinema Reader, The. . . . . . . . . . . . . . 23

Ride, Peter . . . . . . . . . . . . . . . . . . . . . . . . . 12

Simpson, Philip . . . . . . . . . . . . . . . . . . . . . . 24

Roberts, Adam . . . . . . . . . . . . . . . . . . . . . . 29

Singh, Greg. . . . . . . . . . . . . . . . . . . . . . . . . 23

Robertson Wojcik, Pamela. . . . . . . . . . . . . . 25

Skalski, Paul . . . . . . . . . . . . . . . . . . . . . . . . . 7

Roderick, Martin . . . . . . . . . . . . . . . . . . . . 24,

Slocum, J. David . . . . . . . . . . . . . . . . . . 24, 33

Routledge Advances in Film Studies Series . . . . . . . . . . . . 24, 29, 31

Smith, Ronald D.. . . . . . . . . . . . . . . . . . . . . . 3

Routledge Advances in Internationalizing Media Studies Series . . . . . . . . . 7, 9, 13, 36

Smith-Shomade, Beretta E. . . . . . . . . . . . . . 35 Smoodin, Eric . . . . . . . . . . . . . . . . . . . . . . . 32

Routledge Classics Series. . . . . . . . . . . . . 5, 20

Sobchack, Vivian . . . . . . . . . . . . . . . . . . . . . 32

Routledge Companion to Philosophy and Film, The . . . . . . . . . . . . . 22

Sound Media . . . . . . . . . . . . . . . . . . . . . . . . 6

Routledge Companion to Religion and Film, The . . . . . . . . . . . . . . . 21

T

W

Tai, Zixue. . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Walker, Janet . . . . . . . . . . . . . . . . . . . . 32, 33

Takahashi, Toshie. . . . . . . . . . . . . . . . . . . . . . 9

Wallace, Lee . . . . . . . . . . . . . . . . . . . . . . . . 24

Talk to Her . . . . . . . . . . . . . . . . . . . . . . . . . 23

Wanta, Wayne . . . . . . . . . . . . . . . . . . . . . . . 4

Tambini, Damian . . . . . . . . . . . . . . . . . . . . . 14

Warburton, Nigel . . . . . . . . . . . . . . . . . . . . 37

Tamil Cinema . . . . . . . . . . . . . . . . . . . . . . . 31

Ward, David . . . . . . . . . . . . . . . . . . . . . . . . 37

Tanis, Martin . . . . . . . . . . . . . . . . . . . . . . . . 13

Watching with The Simpsons . . . . . . . . . . . 11

Tasker, Yvonne . . . . . . . . . . . . . . . . . . . 19, 28

Web Theory . . . . . . . . . . . . . . . . . . . . . . . . 13

Tay, Jinna . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Webcasting Worldwide . . . . . . . . . . . . . . . . 14

Technology and Culture, The Film Reader . . 25

Wells, Paul . . . . . . . . . . . . . . . . . . . . . . . . . 28

Telecommunications and Business Strategy . . . . . . . . . . . . . . . . . . . 18

Western Media Systems . . . . . . . . . . . . . . . . 7 Westerns. . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Television . . . . . . . . . . . . . . . . . . . . . . . . . . 33

What a Girl Wants? . . . . . . . . . . . . . . . . . . . 5

Television and Culture in Putin’s Russia . . . . 37

Whitaker, W. Richard . . . . . . . . . . . . . . . . . . 3

Television and Public Policy . . . . . . . . . . . . . 37

White Victims, Black Villains . . . . . . . . . . . . 18

Television and the Legal System . . . . . . . . . 37

White, John . . . . . . . . . . . . . . . . . . . . . 25, 27

Television Entertainment . . . . . . . . . . . . . . . 34

Whitty, Monica . . . . . . . . . . . . . . . . . . . . . . 13

Television Handbook, The . . . . . . . . . . . . . . 33

Wierzbicki, James . . . . . . . . . . . . . . . . . . . . 22

Television Studies After TV . . . . . . . . . . . . . 36

Wilkins, Lee . . . . . . . . . . . . . . . . . . . . . . . . 17

Television Studies Reader, The . . . . . . . . . . . 33

Williams, Melanie . . . . . . . . . . . . . . . . . . . . 27

Television Studies: The Basics . . . . . . . . . . . 34

Wirth, Michael O. . . . . . . . . . . . . . . . . . . . . 18

Television Studies: The Key Concepts. . . . . . 34

Winston, Brian . . . . . . . . . . . . . . . . . . . . . . . 6

Theology Goes to the Movies . . . . . . . . . . . 23

Winston-Dixon, Wheeler . . . . . . . . . . . . . . . 24

Theorizing Documentary . . . . . . . . . . . . . . . 33

Wolf, Mark J.P. . . . . . . . . . . . . . . . . . . . . . . 17

Thin Red Line, The . . . . . . . . . . . . . . . . . . . 23

Women Who Knew Too Much, The . . . . . . 20

Thinking in Action Series. . . . . . . . . . . . . . . 13

Wood, Aylish . . . . . . . . . . . . . . . . . . . . . . . 13

Thomas Payne, Matthew. . . . . . . . . . . . . . . 17

World Cinemas, Transnational Perspectives . 32

Thornton Caldwell, John . . . . . . . . . . . . . . . 18

Writing for Digital Media . . . . . . . . . . . . . . 13

Thussu, Daya K. . . . . . . . . . . . . . . . . . . . . . . 4

Writing History in Film . . . . . . . . . . . . . . . . 22

Tierney, Dolores . . . . . . . . . . . . . . . . . . . . . 29

Wulf, Christoph . . . . . . . . . . . . . . . . . . . . . 24

Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . 7

Wyatt, Justin . . . . . . . . . . . . . . . . . . . . . . . . 26

Translation Goes to the Movies . . . . . . . . . . 23 Translation in Global News . . . . . . . . . . . . . 36

Yecies, Brian . . . . . . . . . . . . . . . . . . . . . . . . 31

Tremayne, Mark . . . . . . . . . . . . . . . . . . . . . 15

Young, Mallory . . . . . . . . . . . . . . . . . . . . . . 28

Trifonova, Temenuga . . . . . . . . . . . . . . . . . . 32 Truth, Lies and Trust on the Internet . . . . . . 13

Zero Comments . . . . . . . . . . . . . . . . . . . . . 14

Turow, Joseph . . . . . . . . . . . . . . . . . . . . 1, 3, 9

Zhang, Yingjin. . . . . . . . . . . . . . . . . . . . . . . 30 v

Sound Theory/Sound Practice . . . . . . . . . . . 32

Understanding Animation . . . . . . . . . . . . . . 28

South African National Cinema . . . . . . . . . . 30

Understanding Media . . . . . . . . . . . . . . . . . . 5

South Asian Cinema . . . . . . . . . . . . . . . . . . 31

Understanding Reality Television . . . . . . . . . 35 Understanding Video Games. . . . . . . . . . . . 16

Routledge Contemporary South Asia Series . . . . . . . . . . . . . . . . . . . . . . . . 31

Sport in Films . . . . . . . . . . . . . . . . . . . . . . . 24

Unthinking Eurocentrism. . . . . . . . . . . . . . . 28

Sport in the Global Society Series . . . . . . . . 24

Utterson, Andrew . . . . . . . . . . . . . . . . . 24, 25

Routledge Critical Studies in Sport Series. . . 34

Sportscasters/Sportscasting . . . . . . . . . . . . . 35

Utz, Sonja . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Routledge Critical Thinkers Series . . . . . 14, 20

Spurgeon, Christina . . . . . . . . . . . . . . . . . . 12

Routledge English Language Introductions Series. . . . . . . . . . . . . . . . . . . 10

Stabile, Carol A. . . . . . . . . . . . . . . . . . . . . . 18 Stacey, Jackie . . . . . . . . . . . . . . . . . . . . . . . 28

Van Leeuwen, Theo . . . . . . . . . . . . . . . . 8, 12

Routledge Film Guidebooks Series . . . . . . . . . . . . . . . . . . . . . 21, 29, 30

Stahl, Roger . . . . . . . . . . . . . . . . . . . . . . . . . 5

Velayutham, Selvaraj . . . . . . . . . . . . . . . . . . 31

Staiger, Janet . . . . . . . . . . . . . . . . . . . . . 4, 32

Verhoeven, Deb . . . . . . . . . . . . . . . . . . . . . 21

Routledge Introductions to Environment Series . . . . . . . . . . . . . . . . 9

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Vicente, Kim . . . . . . . . . . . . . . . . . . . . . . . . 15

V

Routledge Introductions to Media and Communications Series. . . . . . . . 10, 17

Stars, The Film Reader. . . . . . . . . . . . . . . . . 25

Video Game Theory Reader 2, The . . . . . . . 17

Street, Sarah . . . . . . . . . . . . . . . . . . . . . 28, 29

Video Game Theory Reader, The . . . . . . . . . 17

Routledge Key Guides Series . . . . . . . . . . . . . 8, 14, 19, 25, 27, 34

Streitmatter, Rodger . . . . . . . . . . . . . . . . . . 11

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Videogames . . . . . . . . . . . . . . . . . . . . . . . . 17

Routledge Research in Cultural and Media Studies Series . . . . . . . . . . . 4, 8, 12, 21, 24 Routledge Studies in Cultural History Series. . . . . . . . . . . . . . . . . . . 22, 28 Routledge Studies in Law, Society and Popular Culture Series. . . . . . . . . . . . 37

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Ziz ek, Slavoj . . . . . . . . . . . . . . . . . . . . . . . . 20

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Spigel, Lynn . . . . . . . . . . . . . . . . . . . . . . . . 32

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Routledge Companion to Science Fiction, The . . . . . . . . . . . . . . . . . 29

Routledge Philosophy Companions Series . . 22

Y

Transnational Cinema, The Film Reader . . . . 25

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Studies in African American History and Culture Series . . . . . . . . . . . . . . 26

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Vint, Sherryl . . . . . . . . . . . . . . . . . . . . . . . . 29

Surman, David . . . . . . . . . . . . . . . . . . . . . . 16

Violence and American Cinema. . . . . . . . . . 33

Sylvie, George . . . . . . . . . . . . . . . . . . . . . . . 18

Virtual English . . . . . . . . . . . . . . . . . . . . . . . 16 von Scheve, Christian . . . . . . . . . . . . . . . . . 11

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