ROHIT JAIN part
<conceptualist> I love in act of creating something by thinking,and in inventing or contriving an idea or explanation and formulating it mentally.
designer I love in designing of space for different users,graphic designing and designing of panel and logo.
JEC O R P / IGNS
JAIN ROHIT SE, OU MAL H OAD E E R H 601/S STATION R 62 IUMBA 5 M , ) T (WES 986779884 GAON E . R O G ail.com m g @ 3 in160 rohitja
umbai m f o y it h the c ow patterns g u o r h t d apping through sha M _ 9 0 hanism c e m 2008a vising ring ﬂoods. e d d n und a n it du o o r e g v i e o surv ove th llation a t s n 6ft ab r a human t i ENTS M re_ u E t V a fo n E . n ACHI ttern i ousing a h p d e n c a tre rgen called a e n e m o h i E t t _ i s t t t 0 e i compe f mumbai, di_stre ala and y e 2009-1 a h g s e w l t l m e r o Kh unit tory o d place. d in c s of dha m e t a a m a e n o r i p l i c a l n Partic rakhata,te d seco ied the ng for sherpa o d o u t t . s t y S i r _ d i h a s 1 an 012, n libr ban c 2 o u s a s i a 2010-1 culture_hu d s n i d e to davi p box a n . t o o i c st priz s s e r l j n l ﬁ o e u r n p b o c Ext d bli d in re india,and w ip to austria e een_pu t w a t p . e i L b c e in id tr arti MAL es in m a P c i T p t a E p t y E s l s l R _ r T st as a fu held ﬁ arket_S _Cataly m 2 1 u h 1 u fJ 201 ment o GHTS p o l N S e E v E e R C d T e N S R IE . EXPER solver r o f m e R l b O T ro , DIREC d and able,P T h c R isation a l A . o a t r o u s p t o s p p a w A e y Bolly d as an erson, ms d conc tages, p n n a s o e g l m n p i Worke years in man ollywood ﬁl d Peo design collages an d verbally. T 3 p o h s work reating raphically an c C A A . I 0 oCAD, e g 1 t h _ 0 u t 2 n a n r o i i k a t s d a ate in ye autode illustrator, resent l _ p a s l l particip n city fringes m i r k o s f o on in dobe nical a d h , e c ﬃce. p s e o 1 o a T 1 b s h 0 s p 2 m o o , r t h o a ho in ye orks dobe p sketch up,rh joint w all universityin a hing. c e t r e u t k c s e l n u r r goog with co shell st ADID g n n o i s p u o o H h sh in work AA and ZAHA r 2012 TIVE d C e E t J a p B a i y c e i O b y Part cale re in signer. at 1;1 s s at bangalo e d t s e t c Be a b archite
U D I V I IND
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y of t i c e h gh t u o r h t terns g t n a i p p p w _Ma hado 9 s 0 h g 8 u 0 20 ai thro b nism a m u h c m e gam n i ods. s i o v ďŹ‚ e g d n i d nd an ve on it dur u o r g urvi s e the v o o t b n a a ure_ m t 6ft u a h n a n i for ttern a p tion a e l l c a n t e s in merg E _ 0 1 2009ing. s u o h and e r t a e et th e r t s _ i ad d its n w t a e a l h a K rmsh a ity h n d u f o m a m pa co he are r t e d h e s i r d _Stu ing fo s 1 u 1 h _ 0 ary. e r r b i u l t l 201 n u o c sass d i v a d ion to s n e ject. t o x r p E c i l _pub n e e w t L. in be L s A e c M a T p TREE lyst_s S a _ t t a e C k _ r 2 u ma h u J f 2011-1 o pment o l e v e Red
THE FOLLOWING IMAGES SHOWS THE INSTALLATION BUILD At HUMAN SCALE BASED ON THE CONCEPT OF EMERGENCE WHERE NATURE AND BEHAVIOUR OF SAND DUNES WAS StUDIED,WHICH WAS FURTHER EXECUTED AS INSTALLTION, WHICH WAS PROGRAMTICALLY USEAD AS A CANOPY AND SITING PLACE IN THE CORRIDOR OF BSSA,NAMELY CORRIDOR OF FAME FAME.
MAPPING THROUGH SHADOWS.
The corresponding diagram is my observation which shows that as shadows of the object overlaps each other,the object losses its identity thus forming masses and pocket of sunlight which acts as void. Obstruction of light caused due to object casts shadows. Different shadows formed due to the combination of surfaces. As the shadows of the object overlaps each other, thus forming the masses resulting into the loss of identity. it also contains small of pockets which acts as the void. As the intensity of mass is directly proportional to the intensity of shadows that is how layering of shadows was my further study topic.
The above model represents various conditions of shadows overlapping each other, here I have represented the shadows in the 3-d form.which shows how the intensity of shadows,increases with the layering.
The final model shows the study of space, when shadows are created within shadows.
SOAP BUBBLE AND SOAP FOAM
Thousands of simple bubble interact with each other to form a complex structure known as foam.
Bubble is formed by the simple interaction Walls of bubbles meet each other between soap and water molecule that at 120 angle,which emerges organise themselves to produce as a hexagonal pattern. a spherical shape governed by the rule of minimal surface.
The mysterious nature of bubbles and foam is an example of emergence on both molecular and macroscopic level.
The following geometry resembles the closed packed structure of foam (filling up all the spaces)
TRANSLATIONAL UNIT (STRUCTURE OF FOAM)
Showing Economic Interdependency of people (working on land and sea) through a constant factor or membrane as â€œfishâ€?. Which acts as a medium of exchanging economy.
Highlight portion shows the area which entirely depends or apires upon marine economy for their livelihood.
1-Oceangraphy and economist centre 2-Maritime ancillary services 3-Frontier marine resources 4-Aquaculture
Any trigger in marine trade,in terms of demand or supply of fishes etc would affect the fishing village (as it is comletely depended upon marine economy)thus changing the entire pattern.
The Reasearch centre designed is ‘MARINE TRADE RESEARCH CENTRE’ whose area of focus are ports,maritime ancillary services,aqua culture and frontier marine resources,economists and ocenography.
SECTION AA’ 1:50
FIRST LEVEL PLAN 1:50
SECTION BB 1:50
SECOND LEVEL PLAN 1:50
s t r e e K h t t e h e a tw t r e
a i_ n d
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s i n
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SECTION ORGANISED MARKET
VISUALLY MAKING IT CHAOTIC BUT IN WAY TO STILL TO BE ORGANISED
The project was about redevlopment about the existing juhu market so my take or approach was to make it more public in nature bt simple ideas like getin the existng street into market, making into more porous,bt stil maintaining thescale and variety of the existing programs which helped it to sustaion so many years .
FOLLOWING PLAN SHOWS THE POSTIVE THINGS OR THE CHARACTER THATS WORKIN FOR THE EXISTING JUHU MARKET
1.Range/Variety of Retail 2.Character of shops opening to the street. SITE PLAN
steps involved in process 1.site study 2.observations(different scales and variety of programs 3.inferences_change of axis and circulation pattern and placement of programs 4.Designing IDEACHANGE THE LINEARITY AND MAKE IT MORE EXPRIENCIAL
AXIS-LINEAR IN NATURE,WHICH TENDS TO MAKE EXPRIENCE MONOTONOUS FOR THE USER.
IDEATo pull the interior out of the existing site or make it recieving to the user.
Cataylst_Spaces in between
CATALYST_SPACES IN BETWEEN
S E C N XPERIE
R for O T C E T DIR R and A . d t s o s o a w Bolly d as an y e n lms k a ďŹ r o d m o W n i o Tollyw 3 years kshoP r o w C e IAA h t 2010 n r i a d e e y t a n i particip n city fringes o ormal f n i n o ased b 011 p 2 o r h a s e k y r o joint w all universityin orn c h t i w housing cture u r t s l l on she DID p A o h H s A k r H in wo d ZA n d a e 012 t 2 A a r A p a i y c e i b y t Par cale re in at 1;1 s s at bangalo . ct e t i h c r a n tall o n o i t peti m ide o c w ( d H l r U o B in CT s an w a d e w gai. t ) n t a a a p i t h i c s i b t t Par an ha eld a b h r n u o i g t n i t buildi compe
One of the recent project i
Past 3 years,i had been working at an asst.Art director, and was part of many bollywood films which include Tere naal love ho gaya,Paathshala, Kismat konnection as well as Tollywood film like Badrinath and many song sets.and was part of these projects from Conceptualisation to Designing to Execution on site.
AUTOVILLE Daily activities of the riskshaw driver = programs in the building.
Placement of courtyards to allow continous ﬂow of wind
WATER HARVESTING Being an open wate is harvested to its maximum potentials and can b stored in underground tanks hence tyhe building is completely sustainable
Measure of windﬂow in the vertical axis using Vasari Wind
Auto rickshaws play a vital and vibrant role in Mumbai’s urban transport systems, but their increase in nubers has resulted in overcrowding and congestion creating a chaos especially near stations and junctions.
CNG STATION RICKSHAW STAND CNG STATION
They are integral to to mumbai’s street scape, and we have tried to convert their street scape into a part of Mumbai’s skyline. Thus the idea of stacking rickshaws germinated.
PICK-UP AND DROP-OFF
PICK-UP AND DROP-OFF
Y S TAT I
The programmatic distribution of the skyscraper program, where the frequency is inversely propo ing has more frequent visits to the CNG stations shows a major disconnect between the RTOn and the circulation of the skyscraper is governed by a APPROACH RAMP
PLAN FOR HOUSING
n of the building showing r courtyards accessible from all ďŹ‚oors
Red-> Blue : velocity of Wind: proving the access and ventilation
depends upon the frequency of activites of the rickshaw driver with each ortional to the height of the building. For eg. the owner of the family housthan the RTO , hence the progrrams have been placed in such a way that d family housing while the CNG station is right next to it. a set of primary and secondary cores that connects between two programs.
ZHA CODE +AA VISITING SCHOOL INDIA ‘13
S T N E EVEM
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The following project was an winning entry to the competion held in college(bssa) named as urban chitrakhata (telling a story of mumbai) where the behaviour of traffc signal and activities were studied and interaction that takes place at that node.
RED BULL SOAP BOX 2013
The Red Bull Soap box race is an event for all those who love adventure racing,with sense of homor and are insipred and interested in showing off thier skills and creativity in inventions.Teams compete on speed,creativity,showmanship and the range of speed this event has been conducted ,in over 70 cities and its the first time this event took place in india..Our entryâ€™THE DABBAWALASâ€™ bagged the first place while competing with 53 other selcted entries out of over 700 designs submitted..
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selected undergraduate works from 2008-2012.