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CONTENTS

Introduction

0//08

09//52

Indie Screen Guide

Art-House Theater

53//88

89//90

Bibliography


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Saturday night FILM REVIEWING at the water reader theater


INTRODUCTION

AS MANY OF THE ENTRIES AND THE FILMMAKERS FOCUSED UPON HERE SHOW, ECONOMIC INDEPENDENCE AND AESTHETIC INDEPENDENCE CAN, BUT NEED NOT NECESSARILY BE, MUTUALLY EXCLUSIVE. AS A TERM, “INDEPENDENCE” IS OPEN TO MULTIPLE REINTERPRETATIONS.


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


2008.12.04 ANTHOLOGY FIM ARCHIVE, SHOOT BY MARIA FREEMAN

Marco Grieco, art director, film in Anthology film archive. 2008


earlier film maker with 18MM camera shootimg on the street.1918


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Nitehawk Cinema in Williamsburg. Itâ&#x20AC;&#x2122;s a combination of a restaurant, living room, and theater.


SCREEN QUIDE

Some of the best films that come out are indie films. These are films produced by independent film makers and they are often low budget films. this is a list of 10 Indie films of all time. I personally vouch that each and every one of these films is outstanding.


PINK FLAMINGOS !"#$%&'()*+% YQZ45[\Z5N9MKQ$$$$$$$$$$$$$$$$$$$$


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PINK FLAMINGOS DIR:JOHN WATERS/PROD:JOHN WATERS/SCR:JOHN WATERS/DOP:JOHN WATERS/EDITOR:JOHN WATERS/SCORE:UNCEDITE/MAIN CAST:DIVINE,DAVID LOCHARY,MINK STOLE,MARY VIVIAN PEARCE.


02 Shadows John Cassavetes, 1959


little fugitive in coney island

LITTLE *',-"$.%'/*'+#01$

YQZ45Ng$ZC69MKQ$$$$$$$$$$$$$$$$$$$$$


LITTLE DIR:RAYMOND ABRASHKIN /PROD:MORRIS ANGEL /SCR:RAYMOND/ABRASHKIN/ DOP:MORRIS ANGEL/EDITOR:RAYMOND ABRASHKIN,RUTH ORKIN,LESTER TROOB SCORE:UNCEDITE/MAIN CAST:RICHARD BREWSTER,WINIFRED CUSHING,CHARLIE MOSS,JAY WILLIAMS,TOMMY DECANIO.


ttle fugitive in coney island

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ttZ


OPENING SCENE FOR MOVIE SHADOW: THE FILM YOU HAVE JUST SEEN WAS AN INPROVISION.

SHADOWS !"#$%2'++'3)()+

YQZ45N5ZC[9MKQ


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STRANGER THAN PARADISE DIR:JIM JARMUSCH/PROD:SARA DRIVER/SCR:JIM JARMUSCH/DOP:TOM DICILLO/EDITOR:JIM JARMUSCH,MELODY LONDON/SCORE:JOHN LURIE/MAIN CAST:JOHN LURIE,RICHARD EDSON,ESZTER BALINT,CACILLLIAN STARK.


CLERKS 0)31$%+-1(# YQZ455gZ569MKQ

Rose Lowder with Gordon Nelson and Bradley Eros before the screening at Anthology Film Archives


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SWOON DIR:TOM KALIN/PROD:TOM KALIN,CHRISTINE VACHON/SCR:TOM KALIN,HILTON ALS/ DOP:ELLEN KURAS/EDITOR:TOM KALIN/SCORE:JAMES BENNET/MAIN CAST:DANIEL SCHLACHET,CRAIG CHESTER,RON VAWTER,MICHAEL KIRBY.


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D R.S T R A N G E L O V E DIR:STANLEY KUBRICK/PROD:STANLEY KUBRICK/SCR:STANLEY KUBRICK/ DOP:PETER GEORGE/EDITOR:PETER GEORGE,TERRY SOUTHERN,STANLEY KUBRICK/SCORE:JAMES BENNET/MAIN CAST:PETER SELLERS,SLIM PICKENS,GEORGE SCOTT,STERLING HAYDEN,JAMES JONES.


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S Y N E C D O C H E, N E W Y O R K DIR:CHARLIE KAUFMAN/PROD:ANTHONY BREGMAN,CHARLIE KAUFMAN,SPIKE JONZE, SIDNEY KIMMEL/SCR:CHARLIE KAUFMAN/DOP:FREDERICK ELMES/EDITOR:ROBERT FRAZEN/SCORE:JON BRION/MAIN CAST:PHILIP SEYMOUR HOFFMAN,SAMANTHA MORTON, MICHELLE WILLIAMS,CATHERINE KEENER,EMILY WATSON.


ART HOUSE THEATER

ART FILM PRODUCERS USUALLY PRESENT THEIR FILMS AT SPECIALTY THEATRES (REPERTORY CINEMAS, OR IN THE U.S. “ARTHOUSE CINEMAS”) AND FILM FESTIVALS. ART FILMS HAVE SMALL INITIAL INVESTMENT COSTS, THEY ONLY NEED TO APPEAL TO A SMALL PORTION OF THE MAINSTREAM VIEWING AUDIENCES TO BECOME FINANCIALLY VIABLE.HERE IS A LIST OF 5 ARTHOUSE CINEMAS IN NYC.


IFC CENTER :;:%<(#%'3)=%$)&%,"*0 ^\4\_$5\iV[[[4$777?*)00#+'#%?0&/Z*+,#R


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ESSENTIAL FILMS IFC CENTER !"#$M`;$;#+'#%$2#+#)*'($'"#$)*./$*+,8('%<$)&%$-.1<*+E$+#7$ *+,#-#+,#+'$)&%#*E+A$1+,$,&08/#+'1%<$)#1'8%#(?$!"#$1.(&$ "#.,$U##3#+,$;.1((*0($#G#+'$)%&/$`%*,1<$'&$Q8+,1<A$*'$ -%&G*,#($(&/#$0.1((*0($)*./($&)$'"#$'*/#?$!"#%#$*($1+&'"#%$ #G#+'$01..#,$U1G#%.<$9*,+*E"'($7"*0"$-.1<($'"#$08.'$/&G*#$ #G#%<$7##3#+,?$!"*($/13#($M`;$1$8+*T8#$/*,+*E"'$G#+8#$ )&%$+#7$<&%3#%(?$H#)&%#$&%$1)'#%$'"#$("&7*+EA$7#$01+$0"#03$ '"#$:&('#%*'1'*$c1..#%<$1'$M`;$;#+'#%$$17$7#..?$M'$#R"*2*'*&+($ &)$G*+'1E#$/&G*#$-&('#%($)%&/$1%&8+,$'"#$E.&2#?


FILM FORUM ;>?%&%#"4+("$%+(=%$)&%,"*0 ^\4\_$[\[VC446$$777?)*./)&%8/?&%EZ


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ABOUT FILM FORUM `*./$`&%8/$2#E1+$*+$45[6$1($1+$ 1.'#%+1'*G#$(0%##+*+E$(-10#$)&%$ *+,#-#+,#+'$)*./(?$M'J($'"#$&+.<$ 18'&+&/&8($+&+-%&)*'$0*+#/1$*+$ K#7$k&%3$;*'<$1+,$&+#$&)$'"#$)#7$*+$ '"#$Y+*'#,$Q'1'#($&)$S/#%*01?$!"#$ (800#(($&)$*'($,*('*+0'*G#$-&(*'*&+$ *($#G*,#+0#,$2<$'"#$i6V<#1%$'#+8%#A$ ,8%*+E$7"*0"$)*./$)&%8/$-%&E%1/($ 1+,$)*(01.$%#(&8%0#($"1G#$E%&7+$ ('#1,*.<?$!"*($71($,8%*+E$1$-#%*&,$

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FOREIGN/INDIE FILM FILM FORUM `*./$`&%8/$-%#(#+'$'7&$,*('*+0'A$0&/-.#/#+'1%<$)*./$ -%&E%1/($m$Kk;$'"#1'%*01.$-%#/*#%#($&)$S/#%*01+$ *+,#-#+,#+'($1+,$)&%#*E+$1%'$)*./(A$-%&E%1//#,$2<$ ;&&-#%$1+,$9*3#$91EE*&%#P$1+,A$(*+0#$45C[A$%#-#%'&%<$ (#.#0'*&+($*+0.8,*+E$)&%#*E+$1+,$S/#%*01+$0.1((*0(A$E#+%#$ 7&%3(A$)#('*G1.($1+,$,*%#0'&%(J$%#'%&(-#0'*G#(A$-%&E%1//#,$ 2<$H%80#$c&.,('#*+?$!"#$$'"*%,$(0%##+$*($,#,*01'#,$'&$ #R'#+,#,$%8+($&)$-&-8.1%$(#.#0'*&+($)%&/$2&'"$-%&E%1/(A$ 1($7#..$1($+#7$)*./($)&%$.&+E#%$#+E1E#/#+'(?


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ANTHOLOGY FILM ARCHIVES :;%;$.%'3)%=%$)&%,"*0 ^\4\_$N6NVN4C4$777?1+'"&.&E<)*./1%0"*G#(?&%E


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ABOUT ANTHOLOGY FILM ARCHIVES S+'"&.&E<$`*./$S%0"*G#($#G&.G#,$ )%&/$%&&'($1+,$G*(*&+($'"1'$E&$2103$ '&$'"#$#1%.<$45a6(A$7"#+$L&+1($ 9#31(A$'"#$,*%#0'&%$&)$'"#$`*./V 913#%(J$;*+#/1'"#T8#A$1$("&701(#$ )&%$1G1+'VE1%,#$)*./(A$,%#1/#,$&)$ #('12.*("*+E$1$-#%/1+#+'$"&/#$ 7"#%#$'"#$E%&7*+E$+8/2#%$&)$+#7$ *+,#-#+,#+'Z1G1+'VE1%,#$)*./($ 0&8.,$2#$("&7+$&+$1$%#E8.1%$21(*(?$ M'J($+&7$1+$*+'#%+1'*&+1.$0#+'#%$

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FILM P R ES E R VAT I O N ANTHOLOGY FILM ARCHIVES S+'"&.&E<$"&.,($&+#$&)$'"#$7&%.,J($/&('$ #R'#+(*G#$1+,$*+G1.812.#$0&..#0'*&+($&)$ 1G1+'VE1%,#$/&G*#(A$"&8(*+EA$-%&'#0'*+EA$ 1+,$-%#(#%G*+E$7&%3($&+$gN//A$4a//A$ 1+,$W#E8.1%V$1+,$Q8-#%VC//$)*./A$ 1+,$&+$G1%*&8($G*,#&$)&%/1'(A$1($7#..$ 1($)*./$('*..($1+,$18,*&$%#0&%,*+E(?


SPECIAL SCREENINGS ANTHOLOGY FILM ARCHIVES S+'"&.&E<$1.(&$-%&G*,#($1$(-10#$)&%$ '"#$-%#(#+'1'*&+$&)$1$G1('$1%%1<$&)$ 0&+'#/-&%1%<$1+,$0.1((*01.$7&%3$ '"1'$&'"#%7*(#$"1($.*/*'#,$#R-&(8%#?$ `&%$8(A$'"#$G1.8#$&)$0*+#/1'*0$1%'$*($ 1.71<($%#1.*O#,$'"%&8E"$1$0&/2*+1'*&+$ &)$-%#(#+'1'*&+$1+,$-%#(#%G1'*&+P$ %#('%*0'*+E$#))&%'($'&$&+#$&%$'"#$&'"#%$ 01+$&+.<$.#1,$'&$,*(1--#1%1+0#?


FILM SOCIETY LINCOLN CENTER @AA<%/*"'.&',=%$)&%,"*0 ^\4\_$[N[V\\C6$777?.*+0&.+-.1O10*+#/1(?0&/


ABOUT FILM SOCIETY LINCOLN CENTER S/#%*01J($-%#V#/*+#+'$)*./$ -%#(#+'1'*&+$&%E1+*O1'*&+A$!"#$ `*./$Q&0*#'<$&)$b*+0&.+$;#+'#%$ 71($)&8+,#,$*+$45a5$'&$0#.#2%1'#$ S/#%*01+$1+,$*+'#%+1'*&+1.$ 0*+#/1A$'&$%#0&E+*O#$1+,$(8--&%'$ +#7$)*.//13#%(A$1+,$'&$#+"1+0#$ 171%#+#((A$100#((*2*.*'<$1+,$ 8+,#%('1+,*+E$&)$'"#$1%'$1/&+E$ 1$2%&1,$1+,$,*G#%(#$)*./$E&*+E$ 18,*#+0#?S($1+$*+,#-#+,#+'$

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FILM FESTIVAL FILM SOCIETY LINCOLN CENTER !"#$`*./$Q&0*#'<$*($2#('$3+&7+$)&%$'7&$7&%.,V 0.1(($*+'#%+1'*&+1.$)#('*G1.($m$'"#$K#7$k&%3$ `*./$`#('*G1.$^'"#$/&('$)1/&8($1+,$-%#('*E*&8($ *+$'"#$0&8+'%<_A$1+,$K#7$B*%#0'&%(ZK#7$`*./($ ^0#.#2%1'*+E$+#7$0*+#/1'*0$1%'*('(_?$M'$%8+($1$ ('1'#V&)V'"#V1%'$<#1%V%&8+,$0*+#/1A$'"#$U1.'#%$ W#1,#$!"#1'#%$^01-10*'<j$\aC_A$1+,$-82.*("#($ '"#$0&8+'%<J($/&('$%#(-#0'#,$0*+#/1'*0$D&8%+1.A$ `*./$;&//#+'?$>10"$<#1%$'"#$&%E1+*O1'*&+$ -%#(#+'($*'($1++81.$c1.1$!%*28'#$"&+&%*+E$ .#E#+,1%<$('1%($1+,$*+,8('%<$.#1,#%($&)$&8%$ E#+#%1'*&+$1'$b*+0&.+$;#+'#%J($S.*0#$!8..<$I1..?$ S'$G1%*&8($'*/#($&)$'"#$<#1%$'"#$`*./$Q&0*#'<$ -1%'+#%($7*'"$I&..<7&&,$('8,*&($'&$-%#(#+'$ -%#/*#%#($1+,$(-#0*1.$.*G#$1--#1%1+0#(?


BIBLIOGRAPHY

http://en.wikipedia.org/wiki/Wiki http://www.flickr.com/ http://www.imdb.com/ http://www.moviefone.com/ http://anthologyfilmarchives.org/ http://www.filmforum.org/ http://www.ifccenter.com/ http://www.filmlinc.com/ http://mubi.com/ http://mike0123783.pixnet.net/blog http://www.pbs.org/independentlens/ 100 American Independent Films by Jason Wood


type 2: Art House Theater Book