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narrative as a means of aestheticising the body, including all of those narrative tropes. For those confused, or unable to understand why I reference David & Goliath in this capacity it is for the simple reason that: Christian and near eastern

narrative do not distinctly differ from either classical mythologies,

we see the same structure within Petronius’

Satyricon as we do with the Biblical “Paul & Thecla”.

So thus I begin:

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Caravaggio: The Pleasure/Pain principle  

Caravaggio: The Pleasure/Pain principle  

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