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Rebecca Hempel Interior Design Portfolio


Rebecca Hempel I a m a n I n t e r i o r D e s i g n G ra d u a t e f ro m To r re n’s U n i ve r s i t y M e l b o u r n e , A u s t ra l i a . I h a v e a l w a y s b e e n a n a d m i r e r o f u n i q u e s p a c e s a n d d ra w n t o h i s t o r i c a l b u i l d i n g s a n d o b j e c t s , I f i n d u n c ove r i n g t h e p a s t t o b e i m m e n s e l y i n s p i r i n g . M y l ove f o r i n t e r i o r d e s i g n h a s d eve l o p e d ov e r t h e ye a r s t h ro u g h my c re a t i ve p e r s o n a l i t y a n d my a b i l i t y t o s e e i n t e r i o r d e s i g n a s a v i t a l c o m p o n e n t t o p e o p l e’s l i ve s . M y c u r i o s i t y a n d p a s s i o n f o r d e s i g n w i l l c o n t i n u e t o g row a s I l e a r n m o r e a b o u t t h e w o r l d o f i n t e r i o r s a n d h ow i t c a n h a ve a p o s i t i ve i m p a c t o n o u r l i ve s .

0401 26 75 05 re b e c c a h e m p e l 8 @ g m a i l . c o m w w w. l i n ke d i n . c o m / i n /re b e c c a - h e m p e l - 7 7 2 0 3 a 1 9 4 / w w w. i n s t a g ra m . c o m / l o u i e _ s t u d i o /


Projects 01. Tati’s & Cellar Door Restaurant design

02. Australian Traveller Office Office Design

03. T2 Store

Retail Design

04. Harper Retreat Apartment design

05. South Sea Bar Design

06. Elouera Installation Installation design


01. Tati’s & Cellar Door Restaurant design

Ty p e : H o s p i t a l i t y L o c a t i o n : M o rd i a l l o c , M e l b o u r n e S o f t w a re : R e v i t , I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 9

This is a hospitality project located in the c o a s t a l s u b u r b o f M o r d i a l l o c 3 0 k i l o m e t e r s S o u t h Ea s t o f Melbourne. The brief was to address the existing cellar door and to revitalize it. A part of the brief was to add on a s e p a r a t e e a t e r y n e x t d o o r. Ta t i ’s i s t h e q u i r k y n e i g h b o u r t h a t e m b o d i e s a p l a y f u l p e r s o n a l i t y. T h e i d e a w a s t o h a v e ‘ m o m e n t s’ i n t h e d e s i g n o f f e r i n g d i f f e r e n t s p o t s f o r c u s t o m e r s to dine. The limestone custom bar and the joinery finishes reflect the local coastal elements and the weathered boats in the nearby creek.

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Ta t i ’s I t a l i a n Pa s t a B a r

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Ta t i ’s Pa s t a B a r

Project

Cellar door Ta t i ’s Pa s t a B a r 7

T h i s h o s p i t a l i t y p ro j e c t i n c l u d e s a n a d d i t i o n a l s e p a r a t e d i n i n g s p a c e n e x t d o o r w h i c h e n c o m p a s s e s i t s ow n b ra n d e d i d e n t i t y. T h e s e t wo s p a c e s a re i n t e rc o n n e c t e d t h ro u g h t h e s p a t i a l l a yo u t a n d a l s o a c t a s t wo ve n u e s t h a t a r e i n c o n t ra s t t o o n e a n o t h e r. T h e re a re p l a y f u l elements such as the door that entices customers to o p e n a n d s e e w h a t s n e x t d o o r a n d t h e ro u n d w i n d ow that lets customers see into the neighboring space. The l a yo u t h a s b e e n d e s i g n e d t o o f f e r c u s t o m e r s a n a r ra y o f seating options depending on the occasion. These h o s p i t a l i t y ve n u e s a r e h e a v i l y c o n n e c t e d t o t h e s u r ro u n d i n g s u b u r b a n d s i t s w i t h i n t h e c o m m u n i t y a c t i n g a s a n i n c l u s i ve ve n u e f o r a l l .

1. Entry 2. Sitting 6

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3. Bar 4 . Wa s h a r e a

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5 . U n i - S e x A c c e s s i b l e W.C 6. Kitchen 4 5

Cellar Door 1. Entry 2 . Fr o n t s i t t i n g a r e a 2

3. Bar

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3 4

4. Wine storage & seating 5. Back of house sitting area 6. Male accessible toilet 7 . Fe m a l e a c c e s s i b l e t o i l e t

1 1 1

2

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“Weathered through time� Inspired by the historical elements that is captured from the weathered boats in the nearby creek. Taking cues from the worn out exteriors which have aged over time from the salty air, water and wind. The idea of this concept was to tell a story of the past and to create an interior that reflects these local boats and the natural elements from the surrounding coastline.

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1

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The initial concept development focused on understanding the location in w h i c h t h e p r o p o s e d s i t e w a s s i t u a t e d . I t o o k i n s p i ra t i o n f ro m t h e n a t u ra l e l e m e n t s t h a t w e r e d o t t e d a l o n g t h e b e a c h a n d u s e d t h e a g i n g b o a t s f o r my m a i n s o u r c e o f i n s p i r a t i o n . T h e we a t h e re d b o a t s h e l p e d m e c re a t e a s t o r y a n d l e a d m e t o my c o n c e p t . A p a r t o f t h i s s t o r y w a s p a y i n g t r i b u t e t o a l o c a l b o a t b u i l d e r w h o s e f a m i l y m i g r a t e d f ro m S i c i l y i n t h e e a r l y 2 0 t h c e n t u r y. T h i s t h e n l e a d m e t o t h e i d e a o f a n I t a l i a n re s t a u ra n t t h a t wo u l d s e a m l e s s l y c o e x i s t i n M o r d i a l l o c a n d a d j o i n i n g o n t o t h e e x i s t i n g c e l l a r d o o r. I m a g e s 1 a n d 2 a re c o n c e p t d e v e l o p m e n t s ke t c h e s . B e l ow i m a g e s a re p h o t o’s t a ke n a t t h e n e a r b y c r e e k a n d t h e b e a c h a n d t h e s ke t c h o n t h e l e f t i s t h e i n i t i a l d ra w i n g o f c u s t o m b a r i n Ta t i ’s .

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V i e w o f t h e c u s t o m l i m e s t o n e b a r i n Ta t i ’s

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Materiality T h e i d e a f o r Ta t i ’s m a t e r i a l i t y w a s t o h o n e i n t h e w e a t h e re d b o a t c o n c e p t a n d s h owc a s e a v a r i e d p a l e t t e f u l l o f p a l e b l u e s a n d g re e n s re m i n i s c e n t o f t h e b o a t s . T h e s e c o l o u r s a l s o c a p t u re d t h e p l a y f u l e s s e n c e o f Ta t i ’s i d e n t i t y. S o m e o f m a t e r i a l s f e a t u r e d b e l ow i n c l u d e , ( 1 ) Ec o Outdoors indoor crazy paving for the flooring, (2) l i m e s t o n e f o r t h e c u s t o m b a r, ( 3 ) we a t h e re d wo r n o u t paint pale blue wall finish and (4) Khaki aluminum custom w a l l f e a t u re . I m a g e b e l ow m a t e r i a l s i s t h e l i n e d ra w i n g o f t h e c u s t o m l i m e s t o n e b a r.

Section A1

Section A2

1

Tati’s

Tati’s

Branding Ta t i ’s b r a n d i n g i d e n t i t y s t e m s f r o m t h e p l a y f u l n a t u r e o f t h e i n t e r i o r r e f l e c t i n g t h e b r a n d a s a p e r s o n a l i t y. T h e n a m e Ta t i c r e a t e s t h i s s e n s e o f c h a r a c t e r a n d brings in a personal touch. The man on the logo acts a Ta t i h i m s e l f, a q u i r k y c h a r a c t e r w h i c h c o n n e c t s t o t h e i n t e r i o r.

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Ta t i ’s Pa s t a B a r

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4

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Materiality T h e m a t e r i a l s c h o s e n f o r T h e C e l l a r d o o r re f l e c t s t h e e x i s t i n g e s t a b l i s h m e n t a n d p l a y s i n c o n t ra s t t o t h e u n i q u e p l a y f u l p a s t a b a r n e x t d o o r. T h e s p a c e w a s d e s i g n e d t o r e s e m b l e a n u n d e rg ro u n d c e l l a r d o o r c re a t i n g a n a t m o s p h e r i c i n t e r i o r. S o m e m a t e r i a l s f e a t u re d i n c l u d e ( 1 ) l e a t h e r u p h o l s t e r y f ro m Pe l l e l e a t h e r s , ( 2 ) n a t u ra l o f f c u t s t o n e p i e c e s f o r t h e b a r f a c a d e , ( 3 ) A r t e d o m u s n a t u ra l s t o n e f o r b e n c h t o p s , ( 4 ) w a l l f i n i s h f ro m B i s h o p s , ( 5 ) G r e y i ro n - b a r k t i m b e r f o r j o i n e r y.

Section A3

Section A4

CELLAR DOOR.

CELLAR DOOR.

1

Branding

2

The branding for the Cellar Door focused on a simple design, similar to the material palette, it acted as a c o n t r a s t d e s i g n t o t h e b r a n d e d i d e n t i t y o f Ta t i ’s . T h e Cellar door brand is pared back and refined which reflects the interior and the simplicity of the concept.

C o n c e p t s ke t c h

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T h e f ro n t o f Ta t i ’s Pa s t a B a r a n d T h e C e l l a r D o o r

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02. Australian Traveller Head Office Office design

Ty p e : C o m m e rc i a l L o c a t i o n : S y d n e y, A u s t ra l i a S o f t w a re : R e v i t , I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 9

T h i s p r o j e c t i s a n o f f i c e f i t - o u t f o r t h e A u s t r a l i a n Tr a v e l l e r M a g a z i n e’s H e a d o f f i c e . T h e m a g a z i n e’s n e w o f f i c e h a s re-located to be in the highly sustainable building at n u m b e r 1 B l i g h S t r e e t S y d n e y, i n t h e c e n t r a l b u s i n e s s d i s t r i c t . I d e s i g n e d t h e f u l l l a yo u t f o r a l l s t a f f a n d v i s i t o r s o n l e v e l 2 3 o f t h i s b u i l d i n g . Fo r t h e c o n c e p t I t o o k i n s p i r a t i o n f r o m t h e c l i e n t ’s t r a v e l b a c k g r o u n d a n d t h e A u s t r a l i a n l a n d s c a p e . T h e concept is Urban Landscape, taking cues from the natural Australian landscape and putting them into a urban context, b r i n g i n g t o u c h e s o f e nv i r o n m e n t a n d a b o l d c o l o u r p a l e t t e with soft hues reminiscent of the Australian outback.

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Reception Area

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Client:

1 Bligh Street Sydney 2000

Revisions

9

A u s t ra l i a n Tra ve l l e r M a g a z i n e O f f i c e

No.01 Date: 03.04.2019 Description: DA Drawings Ver App'd: RH

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1 . Wa i t i n g a r e a

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Do not scale drawings. Use figured dimensions on site prior commencement of any work, the preparation of drawings or the fabrication of components. This drawing is copyright and can not be reproduced without written consent.

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2. Storage

8. Collaboration

3 . Fo r m a l m e e t i n g

9. Break out lounge

Project

4 . BRIEF Te a b rTWO eak spot IDC303A

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Project Number

4

5

1 0. I n f o r m a l m e e t i n g

5 . Wo r k s t a t i o n s

11. Quiet working area

6. Reception

12. Meeting pods

2019.002

1

7 . Pr i n t i n g r o o m

Drawing Title

LEVEL 23 FLOOR PLAN

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Drawing Status

DA DRAWINGS NOT FOR CONSTRUCTION

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11

Scale:

1:100 Drawing Number

DA01 Issue

01 Date

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03.04.2019 Drawn by

REBECCA HEMPEL

True North

N

1

UPDATED PLAN 1 : 100

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Billy Blue College of Design 196 Flinders Street Melbourne VIC 3000, Australia 03 9670 4026

1 B l i g h S t re e t S y d n ey


“Urban Landscape” T h e c o n c e p t i s U r b a n L a n d s c a p e , t a k i n g c u e s f ro m n a t u ra l A u s t ra l i a n l a n d s c a p e a n d p u t t i n g t h e m i n t o a u r b a n c o n t e x t , b r i n g i n g t o u c h e s o f e nv i ro n m e n t a n d a b o l d c o l o u r p a l e t t e w i t h s o f t h u e s re m i n i s c e n t o f t h e A u s t r a l i a n o u t b a c k .

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B u b b l e D i a g ra m

Spatial planning The spatial planning for this office fit out begun by defining the type of working space it would be. As this office is for a m a g a z i n e c o m p a ny, I d e s i g n e d t h e s p a c e a s a n o p e n o f f i c e l a y o u t w i t h n o h i e r a r c hy b e t w e e n s t a f f. I wo r ke d o n c re a t i n g a n u m b e r o f s p a t i a l l a yo u t s , w h i c h i n c l u d e d d i f f e r e n t o p t i o n s . P i c t u r e d o n t h e r i g h t i s my c h o s e n l a y o u t s h o w n a s a b u b b l e d i a g r a m a n d a zo n i n g p l a n . T h i s o p t i o n i n c l u d e d t h e i d e a o f s e p a r a t e w o r k i n g s p a c e s , a b r e a k o u t a re a i n b e t w e e n a n d t h e r e c e p t i o n a r e a c l o s e s t t o t h e e n t r a n c e . P i c t u r e d a b o v e i s t h e b r e a k o u t s p a c e

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Zo n i n g P l a n


Materiality + Furniture 1

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T h e o f f i c e f i t o u t f e a t u r e s a b o l d m a t e r i a l p a l e t t e t h a t re f l e c t s t h e Australian outback. Some materials used for the office include (2) N a t u r a l B l a c k wo o d Ve n e e r f o r t h e t i m b e r b a t t e n i n g , ( 4 ) C u r t a i n u p h o l s t e r y f r o m Kv a d r a t ( 5 ) Ta n n o t i G r e e n N a t u ra l S t o n e f o r t h e B e n c h To p a n d s p l a s h b a c k f r o m S i g n o r i n o , ( 6 ) Pe l l e L e a t h e r f o r b a n q u e t u p h o l s t e r y. Fe a t u r e d f u r n i t u r e t o t h e r i g h t i n c l u d e ( 7 ) t h e 3 0 0 0 c h a i r f r o m Ze n i t h , ( 8 ) T h e L i n g a r m c h a i r f ro m S p a c e . ( 9 ) T h e B u z z i P i c N i c Ta b l e f r o m Ze n i t h . P i c t u r e d b e l o w i s t h e w a i t i n g a re a .

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Reception Design

R e c e p t i o n E l ev a t i o n

Reception desk development

Blackbutt Australian Hardwood for table top, timber battening for table base. 750 table height for an accessible seating option.

Rammed earth: Reception Materiality and Blackbutt v e n e e r f o r d e s k a n d d r a w j o i n e r y.

R e c e p t i o n d e s i g n s ke t c h

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Working space T h e w o r k i n g a re a s i n t h i s o f f i c e e x p l o re t h e i d e a o f a c o m b i n a t i o n o f c o l l a b o ra t i ve a n d q u i e t s p a c e s w h i c h o f f e r s t a f f m e m b e r s a ra n g e o f p l a c e s t o wo r k i n . To p i m a g e i s t h e c o l l a b o ra t i o n r o o m w h i c h i n c l u d e s a l o u n g e s p a c e t o d i s c u s s t h e m o n t h l y p a g e l a yo u t which is set up on the wall. Bottom image is the quiet w o r k i n g s p a c e w h i c h i s c l o s e d o f f f ro m t h e o f f i c e a l l o w i n g s t a f f t o q u i e t l y wo r k . T h i s s p a c e i s d e s i g n e d t o b e a c a l m i n g a re a w i t h a c o l o u r p a l e t t e o f s o f t blues and light timbers, acoustic paneling has also b e e n a p p l i e d t o w a l l s t o p reve n t s o u n d t ra ve l l i n g .

C o l l a b o ra t i ve s p a c e

Q u i e t wo r k i n g s p a c e

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03. T2 Store Retail design

Ty p e : C o m m e rc i a l L o c a t i o n : M e l b o u r n e , A u s t ra l i a S o f t w a re : 3 d s M a x , R e v i t , I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 8

T h i s p r o j e c t i s a n r e t a i l f i t o u t d e s i g n f o r t h e b r a n d T 2 . Fo r t h e concept of this store, I took inspiration from Japanese M i n i m a l i s m a n d b r o u g h t i n t o u c h e s o f t h e b r a n d ’s i d e n t i t y, f ro m a p p l y i n g A u s t r a l i a n m a t e r i a l s s u c h a s h a r d w o o d s , n a t u r a l stone and fabrics. Through the layering of subtle yet bold materiality it seamlessly connected back to concept and the brand of T2.

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Fr o n t o f T 2 S t o r e

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1 3 2

T2 Store 1 . Po i n t o f S a l e 2. Display 3 . Wa l l d i s p l a y 1 4 . Wa l l D i s p l a y 2 5 . Te a t a s t i n g f e a t u r e 6 . Te a R o o m

4

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7. Back of house

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Fro n t o f s t o re e l ev a t i o n

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“Minimalism� T h e c o n c e p t f o r t h e T 2 s t o re f o c u s e s o n a p p l y i n g e l e m e n t s o f M i n i m a l i s m . To c o n n e c t t h i s m ove m e n t t o t h e b ra n d o f T 2 , I d eve l o p e d a J a p a n e s e a e s t h e t i c t h a t b l e n d e d i n t h ro u g h t h e i d e a o f t e a c e re m o n i e s a n d v i s u a l l y a p p l i e d m a t e r i a l i t y t h a t g i ve s t h i s s p a c e a n atmospheric feel, honing in the peaceful p l e a s u re o f t a s t i n g t e a .

A b ove : I n s p i ra t i o n i m a g e s b y o t h e r, b e l ow S e c t i o n A 2

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Materiality

1

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T h e m a t e r i a l i t y f o r T 2 c o n s i s t s o f a ra w a n d re f i n e d p a l e t t e w h i c h c o m b i n e s A u s t r a l i a n m a t e r i a l s w i t h a J a p a n e s e i n f l u e n c e . B y s h owc a s i n g A u s t r a l i a n t i m b e r s , f a b r i c a n d s t o n e s i t d e m o n s t ra t e s t h e ro o t s o f T 2 ’s h u m b l e b e g i n n i n g s i n M e l b o u r n e . S o m e f e a t u re d m a t e r i a l s i n c l u d e ( 1 ) C h a r r e d t i m b e r, ( 2 ) L o c a l l y s o u rc e d B l u e s t o n e p a v e r ’s , ( 3 ) C o n c re t e P l a s t e r w a l l f i n i s h , ( 4 ) A u s t r a l i a n N a t u ra l l i n e n a n d ( 5 ) R a w g ra n i t e . A s s h ow n i n n u m b e r ( 9 ) , I h a v e i n c o r p o ra t e d e l e m e n t s s u c h a s t e a l e a ve s a n d d e t a i l s o f t h e t e a m a k i n g p ro c e s s , f e a t u re d a s a n a u d i o v i s u a l e x p e r i e n c e . T h i s i s s e t u p t h r o u g h a p ro j e c t o r t h a t c a s t s i m a g e s o n t o t h e s h e e r l i n e n . T h i s e l e m e n t h a s b e e n i n c l u d e d t o v i s u a l l y e x p l a i n h ow t e a i s created, which has shown to be an important part of T2 stores.

Section A1

Raw granite for the point of sale counter

Sheer linen for tea t a s t i n g f e a t u re

C h a r re d t i m b e r f o r wall unit

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C o n c re t e p l a s t e r wall finish


Tea Tasting feature

Side elevation

Te a t a s t i n g f e a t u re highlighted on plan

Inside tea tasting walkway

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T h e t e a t a s t i n g f e a t u re i s d e s i g n e d t o e n h a n c e the customers experience of tea tasting at T2. The design is a simple walkway which immerses y o u i n a l l o f t h e t e a f l a vo r s T 2 h a s t o o f f e r. T h e linen fabric is inspired by Japanese curtains a n d f e a t u re l i g h t i n g h a s b e e n a d d e d t o c re a t e an atmospheric experience. This focal point has b e e n s p e c i f i c a l l y p l a c e d t o d ra w p e o p l e i n a s y o u c a n y o u s e e t h i s f e a t u re f ro m t h e e n t ra n c e . I m a g e a b ove i s a n i n s p i ra t i o n p h o t o b y o t h e r.


T h e i m a g e s o n t h e l e f t s h o w c a s e t h e t e a ro o m w h i c h i s l o c a t e d b a c k o f t h e s t o r e . T h i s i s w h e r e c u s t o m e r s c a n o rd e r T 2 t e a a n d s m a l l b i t e s . A b ove i s t h e front of the store, displaying the point of sale counter and the tea tasting feature.

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Fr o n t v i ew o f t e a t a s t i n g f e a t u r e

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04. Harper Retreat Apartment design

Ty p e : A p a r t m e n t D e s i g n L o c a t i o n : S y d n e y A u s t ra l i a S o f t w a re : R e v i t , I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 9

This project is a residential design for a double s t o r y a p a r t m e n t i n S y d n e y. I t i s p a r t o f a n e w b u i l d i n g t o re p l a c e B l u e s Po i n t Towe r, c l o s e t o N o r t h S y d n e y. I h a v e d e s i g n e d t h i s a p a r t m e n t f o r my c l i e n t , C a r l a H a r p e r. S h e m ov e d t o S y d n e y f r o m D e n m a r k , t o pursue her career in fashion. Apart of this design brief was to present an explanation for each space in the apartment, this gave me the opportunity to add in a personal exploration w h i c h p r ov i d e d a t h o r o u g h r e f l e c t i o n o f t h e c l i e n t . I h a v e t a ke n i n s p i r a t i o n f r o m h e r D a n i s h b a c k g r o u n d a n d a l s o t a ke n c u e s f ro m S y d n e y ’s n a t u r a l l a n d s c a p e . B r i n g i n g i n t o u c h e s o f b o l d blues and beige tones reminiscent of the surrounding coastline.

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Living area

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HARPER RE T REAT

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“Coastal Elements� The Harper Retreat reflects both the clients identity and the coastal landscape of Sydney, it is a textural juxtaposition of a raw and refined material palette that creates an uplifting living environment. Each space in the apartment encapsulates a feeling and fulfills a specific purpose which caters to the clients needs. The aim for this space was to automatically feel at ease and relaxed once stepped inside. Images below are inspiration photos by other and top image is my concept sketch.

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Spatial planning T h e s p a t i a l l a y o u t f owww.autodesk.com/revit r this apartment was crucial to s u p p o r t t h e n e e d s o f t h e c l i e n t . I t w a s d e c i d e d t h a t we f o c u s t h e g r o u n d f l o o r b e i n g t h e l i v i n g a re a’s s u c h a s t h e k i t c h e n a n d m a i nConsultant l i v i n g ro o m . LConsultant eve l 1 f o c u s e d o n i t b e i n g Address Address Address a retreat for the m a s t e r b e d ro oAddress m , a s e c o n d b e d ro o m a n d Phone Phone s e p a r a t e s t u d y a rFax e a s f o r b o t h hFax usband and wife who e-mail e-mail work from home.

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Materiality Chosen materiality reflects the surrounding n a t u r a l e nv i r o n m e n t , b r i n g i n g i n t h e f e e l i n g o f being outside. Some materials specified were ( 1 ) S p o t t e d G u m t i m b e r v e n e e r, ( 7 ) B l u e s t o n e , (2) dark natural stone reflecting the waves crashing into the ice bergs, (3) & (9) s a n d s t o n e a n d t r a ve r t i n e w h i c h t a ke s c u e s from the sandstone clif fs. Pictured on the right is the kitchen, this space is the warmth of the home. In the morning this space fills with the morning sunshine which m a ke s i t a n i nv i t i n g s p a c e w h e n yo u f i r s t w a ke up.

Kitchen

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The master bedroom and ensuite encapsulates the harsh beauty of the ocean hitting the wondrous sandstone cliffs in Sydney’s Bondi Beach. The bedroom takes cues from the meeting of the water and the land, bringing in deep blues and neutral shades of beige. The ensuite takes the rough edged element of the sandstone cliffs and travertine is used to cover the surfaces making the space feel warm and inviting. Pictured on the top right is the master bedroom, this space is associated with sleep and meditation and a place of pure relaxation.

Pictured below is the master ensuite with concept sketch. on the left. The master ensuite is your own place to rejuvenate, indulge and unwind after long days. This hideaway should be your own peaceful space of ritual and retreat. Morning light dapples through and highlights the natural stone.

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Pictured above is the the living area which fills with natural sunlight all morning. It is a space that can be enjoyed in morning through to the night, you can watch the sky change over the harbor at dusk to take advantage of this large floor to ceiling window. The dining area in this home radiates a sense of family and friends, mornings are perfect here as the sun dapples onto the table. This dining space has a custom designed joinery upholstered bench as another seating option.

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05. South Sea Bar design

Ty p e : H o s p i t a l i t y Location: Beaumaris, Melbourne S o f t w a re : R e v i t , I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 7

This is a hospitality project, located in the coastal suburb of B e a u m a r i s 2 0 k i l o m e t e r s S o u t h Ea s t o f M e l b o u r n e . T h e b r i e f was to address the existing restaurant and create a suitable d e s i g n t h a t wo u l d r e f l e c t t h e l o c a l d e m o g r a p h i c a n d a r e a . S o u t h S e a B a r i s a m o d e r n i s t t a ke o n c o n t e m p o r a r y hospitality design featuring elements that reflect the local mid c e n t u r y a r c h i t e c t u r e . T h e i n t e r i o r t a ke s c u e s f r o m t h e n e a r b y c o a s t a l r e d b l u f f c l i f f s , s h owc a s i n g m a t e r i a l i t y t h a t i s re m i n i s c e n t o f a d e s e r t l a n d s c a p e . E l e m e n t s a r e d r a w n t o g e t h e r to encapsulate the meeting of water and land, reflecting the c o a s t l i n e o f B e a u m a r i s B a y.

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South Sea Bar

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“Desert meets the sea� South sea bar encapsulates the raw and earthy combination of water meeting land, and the strong mid century architecture that still has a presence in the location of Beaumaris.

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Materiality S o u t h S e a’s M a t e r i a l i t y e n c o m p a s s e s a r a n g e o f w a r m e a r t hy h u e s t h a t a i m t o r e f l e c t t h e r e d b l u f f s f r o m t h e n e a r b y c o a s t l i n e . T h e m a t e r i a l p a l e t t e t a ke s i n s p i ra t i o n f ro m t h e m i d c e n t u r y h o m e s t h a t r e s i d e i n t h e l o c a l a r e a a n d t h e r e a r e h i n t s o f a d e s e r t l a n d s c a p e w h i c h t a ke s c u e s f ro m t h e a re a o f Pa l m S p r i n g s . T h e re i s a l s o t o u c h e s o f b l u e s a n d g r e e n s w h i c h a r e r e m i n i s c e n t o f t h e w a t e r c r a s h i n g o n t o t h e r u g g e d c l i f f s d o w n a t B e a u m a r i s B a y. S o m e f e a t u re d m a t e r i a l s i n c l u d e ( 1 ) t h e e x i s t i n g Te r r a c o t t a t i l e s , ( 2 ) N a t u r a l s t o n e c r a z y p a v i n g f o r t h e w a l l , ( 3 ) Pa l e g r e e n s t u c c o p l a s t e r f o r t h e w a l l f i n i s h u n d e r s t a i r s a n d b e h i n d b a r, ( 4 ) a n d Te r ra c o t t a t i l e s f o r t h e g r o u n d f l o o r b a r.

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Back of house seating and wine cellar under stairs. South Sea logo pictured on the top right.

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Pale green plaster for wall finish, timber shelves & pendant lighting from Mobilia.

Above: Ground floor bar elevation. Right: Perspective of upstairs bar

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Ground Floor Bar

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06. Elouera Installation design

Ty p e : P u b l i c L o c a t i o n : B i r ra r u n g M a r r, M e l b o u r n e S o f t w a re : I n d e s i g n a n d P h o t o s h o p Ye a r : 2 0 1 8

Elouera is the name of this installation design located in B i r r a r u n g M a r r. E l o u e r a i s a n I n d i g e n o u s w o r d m e a n i n g ‘ P l e a s a n t P l a c e .’ T h i s p r o j e c t f o c u s e s o n a n i s s u e a n d a n a d v o c a c y. T h e i s s u e r e s e a r c h e d w a s C l o s i n g t h e G a p i n A b o r i g i n a l Ed u c a t i o n and the Advocacy chosen was the educational mentoring p r o g r a m , A I M E . To a c h i e v e t h e f i n a l d e s i g n , c o n c e p t development was explored through the exploration of emotions. S ke t c h e s a n d p r o t o t y p e s we r e c r e a t e d b e f o r e a f i n a l p hy s i c a l model was delivered.

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The Elouera installation

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Advocacy AIME is educational volunteer based mentoring program. It consists of university students mentoring young indigenous people guiding them towards future studies a n d e m p l oy m e n t . ( A i m e M e n t o r i n g , 2 0 1 8 ) .T h e s t u d e n t s being mentored are gaining the support they need and the mentors are also gaining insight and appreciation from the individuals background and culture, which e n h a n c e s a d e e p e r u n d e r s t a n d i n g f o r e a c h o t h e r. (Aime Mentoring, 2018)

Closing the gap in Aboriginal education The significant inequality between non-indigenous and i n d i g e n o u s A u s t r a l i a n s i s s t i l l p r e v a l e n t t o d a y. T h i s i s k n o w n a s t h e ‘ G a p’ , m e a n i n g i n d i g e n o u s A u s t r a l i a n s a r e at a disadvantage compared to the rest of Australians. Some disadvantages include healthcare, employment, e a r l y c h i l d c a r e a n d e d u c a t i o n . I n i t i a l s ke t c h e s p i c t u r e d on the right.

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Mood board

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A b ov e i s t h e m o o d b o a r d f o r t h e E l o u e r a I n s t a l l a t i o n a n d t o t h e r i g h t i s s ke t c h e s f r o m t h e concept development stage. The mood board reflects the emotion of Hope, this emotion is derived from the issue of Closing the Gap. The idea was to create a space that encompasses varied emotions that lead to a positive outcome and a nod to the idea that there is light at t h e e n d o f t h e t u n n e l . D u r i n g my e x p l o r a t i o n , I w a s i n f l u e n c e d b y t h e v e r t i c a l i t y o f R i c h a r d S e r r a’s i n s t a l l a t i o n s ( 1, 2 , 3 ) , t h e m o v e m e n t o f w a t e r i n t h e n e a r b y Ya r r a r i v e r a n d t h e v i s i o n o f t h e s k y i n d i c a t i n g h o p e a n d c h a n g e . T h e s ke t c h e s t o t h e r i g h t e x p l o r e e m o t i o n s w h i c h s t a r t to develop into the idea of a walk through design. This design has the emphasis of going on a n e m o t i o n a l j o u r n e y, w h i c h c r e a t e s a s e n s e o f p o s i t i v i t y o n c e y o u r e a c h t h e e n d o f t h e w a l k through installation

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The Elouera Installation T h e E l o u e r a I n s t a l l a t i o n i s l o c a t e d d i re c t l y o n a n e l ev a t e d p a r t o f B i r r a r u n g M a r r, f a c i n g n o r t h . T h e i n s t a l l a t i o n i t s e l f c a n b e s e e n f ro m t h e Ya r r a R i ve r a n d e a s i l y a c c e s s e d f ro m Fe d e ra t i o n S q u a re , F l i n d e r ’s S t re e t S t a t i o n o r M e l b o u r n e C B D. T h e n a r row d e s i g n re f l e c t s a s e n s e o f s t r u g g l e , h o w e v e r a s y o u w a l k yo u t h e i n s t a l l a t i o n i t b e g i n s t o o p e n u p a n d e x p a n d t o w a r d s t o t h e s k y re f e re n c i n g t h e e m o t i o n o f h o p e . S i t e m a p p i c t u r e d b e l o w.

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Materiality T h e c h o s e n m a t e r i a l i t y i s re c yc l e d p l a s t i c i n y e l l ow a n d p i n k t o n e s re f e re n c i n g b r i g h t a n d h a p p y c o l o u r s t h a t re f l e c t b a c k t o t h e p o s i t i ve e m o t i o n o f h o p e . T h e re c yc l e d p l a s t i c w a s a n a p p ro p r i a t e m a t e r i a l , a s i t e m b o d i e d a n e g a t i ve i d e a t h a t re s o l ve s i n t o s o m e t h i n g p o s i t i ve a n d b e a u t i f u l .

R e c yc l e d p l a s t i c w i t h a p i n k h u e

R e c yc l e d p l a s t i c w i t h a ye l l ow h u e

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Profile for Rebecca Hempel

Rebecca Hempel Interior Design Portfolio  

Rebecca Hempel Interior Design Portfolio  

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