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r, Kapslap, ad Party Favo h ve e’ w r fa also y a & others. We wanted to tr lin e o w ar C so e h n at ai of that, Bre e Street Heat ng, over ag ment called th rding, produci ifferent. On top g d co se g re a in s o h d ay et w m c al so si nsigned were y styles of mu we pick an u g all our music. an e n m er ri h o te w to as ix m ve M d lo an r way e e mixing it on air. It’s ou to making th ound with w y s ar la ve p g el n d si rs an u es o g m n it so and lim We started e community ver again. We o th l with our to d o to o an h k r sc ac ve b h o e ig g iv h same son erent to g rs and DJs recording in ming produce and eventually ge artists of diff co er rs p m te u u to p p el d m h te co an w ke . Along old PC g to be heard to try and ta professional n d yi n er tr u h e et so g ar to to at s an th d the enre things beg a section calle usic in some error. That g o m d d e ce an w , l an at ia d tr th f ic h o n h electro ething wit ically a song from years ds-on approac s. There’s som ix which is bas n M an o h ti ey r n ec u o ir o , d M id sa ew rd n being since ut the reco st Know! and recording cohesive abo we feel is a Mu ry ve ey rn u s u to production jo e a av s you on of our career g though. It take eing ic the beginning n o f different tr ec el g How does b : g a creatin M ad spectrum o p u ro r b g e a le v h a ve it R si in w as group’s had am towards the at’s what we e also began th rk W o d w c. an si s io u d tr n m u a r dance tists so ng music? . I think ou for other ar hen making it tage in produci n w va d in ad rd m o ch e , doing remixes iv g sd f songwritin which made u general style o what . n around 2008 e’re a io ct u d ro d production is onic p We’re lucky w an tr , : g ec h s in el a ix C to m , in h se s er u a C deep ted to we all shine m.  r remixes star unify the albu oduction wise s Pr p . el io h tr c Eventually, ou si u m ll voids in t areas and fi ce our original en en u er fl iff in d ly in t w u o e o sl ar vocals, ills. I shine on ll  us a little ab to where we sk Te s : ’s u g er s a th M ad o le r e ch h v ea x’s h Ra whic ngwriting. Ale io channel, Cas d so ra d M X an s , u g ri in Si edit your today. s, keyboard . oints are chord io p g ad n R h ro st as C e ign, etc. m the outsid gs, sound des o in Fr th : d g a te M la re r n ts, and Rave Cash Radio o ith drums, bea that you enjoy h s w as m at C ee re : g  s h it s ’s , a m C in looking Hip- Cash to sort Sa duction. We rall track pro at way for us with R&B and re ve n g o o a ti st ra is ju o b s PM lla B er at co n e mixing gether on th sic and let liste frequently. Wh u to ly m ir rk fa o ew s n w st h l ti g al u ar ro great Hop hich makes a r as what we’re out that style th w fa ab g as n is ri d it rl te o k as w in m r r th u & o do you group. As fo ur musical into adio is a very e R yo . th h to it g w in l in el n ic w te lis so am currently that works at having ng live dyn we realized th et than playi tl … u g o n ri t u en to er r? o DJing iff d ore flav us on the road r us to play m f fo o e ay re w a th l ’s al it arm d g doing more h y wanted an . just amazin el as it vs w n s y efi g tl d n e an so st W n g : Cash Cash ly diverse album and amazin tracks. We also do a lot of co good. Not enough original at than drops or getting to make a real pe interviews th remixes were ting with Hip ty ” ra r o st o b ti c ar lla si n u co o t m at is nger “art on knew th was taking lo a must. So inside scoop it e e b th d s ld an u er o n e w n te o s lis Hop artist eral. So d the give and DJs use our lives in gen rs d ce an u d s g ro n p so y man r and g features ove same soundin

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ravermag

Raver Magazine - 016 (August)  

RAVER MAGAZINE 016 (August) Read this month's issue of Raver Magazine featuring interviews with Cash Cash, Ferry Corsten, Alexx Antaeus and...

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