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2013 European Art Study Tour

When one door closes another door opens‌


I had prepared well. Loaded my phone. Tools to translate, to track my journey, to photograph, video, record, journal, meditate, to listen to music. Most importantly I could contact loved ones anytime. I was ready, set for whatever lay ahead...except…for the event of losing my phone!    


First stop Wurzberg. I really wanted to turn around and go home. What was I thinking?    I was thrown into the deep end with a bunch of people I didn’t know. Totally out of my comfort zone and totally disconnected from my loved ones!  


Eleven days later sitting in the garden of the Gabrielli Hotel, I couldn’t think of anywhere else I would want to be.    


The experience of the virgin traveller. Expectations for the journey ahead. I attempted to park, my expectations, and stay on the road less travelled….that of intentions. To learn, to look and to pleasure myself in all things art!        


“Un-tourist the Tourist”  


Ben Huie, author of, Untourist Brisbane, explains how the un-tourist has a “shared dislike of touristy places. Some may prefer opera to bird-watching, or silk pillows to camping, but they will all seek out the ‘authentic’ environments”.  


Huie continues on further by saying, “untourists’ seek simplicity rather than pretension, style rather than luxury”. For the ‘tourist’ visiting another culture it is about ‘the to do list’. Knowing one has been there and done that’.


I don’t search for landmarks, I don’t search for the local cuisine, I don’t have a ‘to do list’.  I attempted, on this ‘Grand Tour’ to ‘untourist’ the tourist.  


Beyond the tourist you see characters and personalities reflecting each city and its art. I needed to see beyond the tourists, see beyond myself.  


“Tourists not Allowed Real Travellers And Native Venetians Only”

Visual Public Service


“The Road Less Travelled” (Or Not)

Dr. M. Scott Peck


“A good traveler has no fixed plans and is not intent on arriving.”

Lao Tzu


“It’s about getting comfortable with the unknown”

Anonymous


“There are artists who don’t know they are artist”

Visual Public Service


“I mean, I just think people are just so god damn interesting….”

Anonymous


“you must know with intuition when to click the camera…The moment! Once you miss it, it is gone forever.”

Henri Cartier-Bresson


“How I see what I see is with a fresh set of eyes.” Anonymous


“It is more important to click with people than to click the shutter.�

Alfred Eisenstaedt


“If your photos aren’t good enough, then you’re not close enough” Robert Capa


“The process we need to move along needs to perform the values by which we live�

Olafur Eliasson


“Threading myself across the landscape as subtle and gentle as I can”.

John Wolsley


“Art washes away from the soul the dust of everyday life”   Pablo Picasso


“The Wonderful Thing About Not Knowing is about Being Open to Knowing”

Anonymous


“All material has its own history�

Robert Rauschenberg


“Seeing is not enough, you have to feel what you photograph”

Andre Kertesz


“All children are born artists, the problem is to remain an artist as we grow up.” Pablo Picasso


“Drawing is about mark making”

Anonymous


“Nothing is destroyed it is just transformed�

Visual Public Service


“Arrange whatever pieces come your Way�

Virginia Wolf


“The work doesn’t belong to anyone. It just grows of itself”

Gabriella Mangano


“And light goes on for ever, so the work is infinite”

Bill Culbert


I am not alone in leaving my ‘Grand Tour’ until later in life. Many artists before have done so. Wright of Derby began painting volcanic eruptions of Mount Vesuvius on his ‘Grand Tour’ in 1773 at age 39. I attempted to ‘un-tourist’ the tourist. To bring a focus to my travels that would be something different from the tourist methodically working through his or her ‘to do list’. It was about ‘doing’ but doing intuitively.    


I was looking forward to visiting the Peggy Guggenheim Museum. I had no idea how many old friends I would meet. Wassilly Kandinsky, Henry Moore, the list was endless.


Peggy Guggenheim! What an inspiration! As a young woman she empowered herself, learning about everything art. Not an artist herself, but her love of it immense! That’s the thing about artists they absorb so much, and they give so much. They become a part of you.


  Meeting with Sol Lewitt,   Yoko Ono, in the garden of the Peggy Guggenheim, was by far one of my highlights of this Grand Tour. I sat in the garden with Yoko and Sol. A quiet and respectful time. I thanked Sol for all he had done and made a commitment to continue my path. Many years ago, Sol, sent a letter to a friend, Eva Hesse. A friend sent me that exact letter. This is that letter.


Dear Eva, It will be almost a month since you wrote to me and you have possibly forgotten your state of mind (I doubt it though). You seem the same as always, and being you, hate every minute of it. Don’t! Learn to say “Fuck You” to the world once in a while. You have every right to. Just stop thinking, worrying, looking over your shoulder wondering, doubting, fearing, hurting, hoping for some easy way out, struggling, grasping, confusing, itchin, scratching, mumbling, bumbling, grumbling, humbling, stumbling, numbling, rumbling, gambling, tumbling, scumbling, scrambling, hitching, hatching, bitching, moaning, groaning, honing, boning, horseshitting, hair-splitting, nit-picking, piss-trickling, nose sticking, assgouging, eyeball-poking,


finger-pointing, alleyway-sneaking, long waiting, small stepping, evileyeing, back-scratching, searching, perching, besmirching, grinding, grinding, grinding away at yourself. Stop it and just DO!# From your description, and from what I know of your previous work and your ability; the work you are doing sounds very good “Drawing-cleanclear but crazy like machines, larger and bolder… real nonsense.” That sounds fine, wonderful – real nonsense Do more. More nonsensical, more crazy, more machines, whatever – make them abound with nonsense. Try and tickle something inside you, your “weird humor.” You belong in the most secret part of you. Don’t worry about cool, make your own uncool. Make your own, your own world. If you fear, make it work for you – draw & paint your fear and anxiety.


And stop worrying about big, deep things such as “to decide on a purpose and way of life, a consistent approach to even some impossible end or even an imagined end” You must practice being stupid, dumb, unthinking, empty. Then you will be able to DO! I have much confidence in you and even though you are tormenting yourself, the work you do is very good. Try to do some BAD work – the worst you can think of and see what happens but mainly relax and let everything go to hell – you are not responsible for the world – you are only responsible for your work – so DO IT. And don’t think that your work has to conform to any preconceived form, idea or flavor. It can be anything you want it to be. But if life would be easier for you if you stopped working – then stop. Don’t punish yourself.


However, I think that it is so deeply engrained in you that it would be easier to DO! It seems I do understand your attitude somewhat, anyway, because I go through a similar process every so often. I have an “Agonizing Reappraisal” of my work and change everything as much as possible and hate everything I’ve done, and try to do something entirely different and better. Maybe that kind of process is necessary to me, pushing me on and on. Maybe you need your agony to accomplish what you do. And maybe it goads you on to do better. But it is very painful I know. It would be better if you had the confidence just to do the stuff and not even think about it. Can’t you leave the “world” and “ART” alone and also quit fondling your ego.


I know that you (or anyone) can only work so much and the rest of the time you are left with your thoughts. But when you work or before you work you have to empty your mind and concentrate on what you are doing. After you do something it is done and that’s that. After a while you can see some are better than others but also you can see what direction you are going. I’m sure you know all that. You also must know that you don’t have to justify your work – not even to yourself. Well, you know I admire your work greatly and can’t understand why you are so bothered by it? But you can see the next ones and I can’t. You also must believe in your ability. I think you do. So try the most outrageous things you can – shock yourself. You have at your power the ability to do anything… Much love to you,

Sol.

Sol


On this ‘Grand Tour’ I attempted to ‘un-tourist’ the tourist. Continually I would turn to my intentions. To immerse myself in all things art. To tread carefully. To observe the world.    


“There’s no place like home”

Dorothy Gale


Image Sources

Sourced from my own personal photographs

Music

Moshlo & Marko Deferri – Doyna Freitog Nock’n Tzimmis Siluetta Portena Guardia Nueva La Cumparsita Tango Pour Claude

References

Huie, B 1998, Untourist Brisbane, UnTourist Co Pty Ltd, Balmain, Sydney


Corrie Furner - 2013 Art Theory Study Tour