tough question as I have had quite a few moments when I have felt a little star struck. I have had the opportunity to perform with Alfie Boe, Russell Watson and Paul Potts and have performed in some fantastic concert halls with great orchestras. Recently I have been involved in concerts which involved celebrity guests and stars from the stage and screen which have been great moments and have given me memories that I hope to share with my own children one day.” One of her personal highlights was a recent Christmas concert with Julian Fellowes, writer of Downton Abbey. ”He is the ultimate gentleman and so very down to earth, which is something I really admired about him. He is very intelligent and shared with me a lot of knowledge about the industry. I was also delighted and very humbled when he openly stated, “The night belonged to Margaret. What a talented young lady”. That will stay with me forever. It’s such a tough industry but when someone of that caliber takes the time to mention you in that way it makes it all worthwhile.” Although most widely recognized for her classical crossover efforts, Margaret has a special place in her heart for musical theater. “I grew up watching all the musicals with my grandfather and I suppose I began to look up to the original musical stars like Julie Andrews
and Kathryn Grayson. My style icon was always Audrey Hepburn and I particularly loved the film version of ‘My Fair Lady’. Although Audrey Hepburn’s singing voice was dubbed by Marni Nixon I loved to watch her for the sheer grace and elegance that she brought to the role.” Dream roles include Christine in “Phantom of the Opera” and the title role of the magical nanny in “Mary Poppins.” In addition to her musical activities, Margaret has been invited to model. “I am first and foremost a singer and performer but sometimes I am asked to model or wear a brand for a particular event or magazine publication.” Margaret enjoys the fashion side but admits, “It can take a little getting used to.” Her focus is clear. “For me, as a singer, it is always firstly about the voice. For a recording artist, people will listen for the voice first and probably look at your appearance and image secondly. Image is a very personal thing. The style of singing that I perform probably suits a more classic look. When people hear a classical voice they more than likely relate it to long, flowing dresses. It really depends on the individual but in this industry, we are constantly reminded of the term “the full package” so I suppose, particularly in concert settings, it can be