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Monday-Friday 7am - 8pm / Saturday 8am - 5pm / Sunday 10am - 5pm
CONTACT US
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10075 Commons Street, Lone Tree, CO 80124 Box Office: 720.509.1000 www.LoneTreeArtsCenter.org
PRODUCING PARTNERS Scott Leonhart and Maggie Eichenlaub Betty A. and Don E. Winslow
SEASON SPONSORS
EDUCATION SPONSORS
The Tappan Foundation
SENSORY FRIENDLY SPONSORS
SENIOR SPONSOR
Douglas County Developmental Disabilities Mill Levy Grant
PATRON SPONSOR Linda Bjelland
PRESENTING PARTNERS Janet and Joel Kaufman
SPARK! ALLIANCE SERIES SPONSOR
Lone Tree City Council Mayor Jacqueline A. Millet Mayor Pro Tem Susan Squyer Councilmember Cathie Brunnick Councilmember Jay Carpenter Councilmember Wynne Shaw
Lone Tree City Management The Lone Tree Arts Center is owned and operated by the City of Lone Tree.
City Manager Seth Hoffman Deputy City Manager Steve Hebert Assistant City Manager Kristin Baumgartner
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LONE TREE ARTS CENTER
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LONE TREE STAFF LISTINGS
Lisa Rigsby Peterson, Executive Director,
and Communications for the Flynn Center for the Performing Arts in Burlington, Vermont for eight years. Leigh grew up outside of New York City and is a graduate of Cornell University.
helped open the Lone Tree Arts Center in 2011 as its first Executive Director. Over her 32 year career in performing arts management, she has been a part of many of Colorado’s leading cultural organizations—including The Denver Center for the Performing Arts, Curious Theatre Company, and PHAMALY; served on multiple arts and cultural boards and committees, and also worked abroad. A Colorado resident since 1975, Lisa is a graduate of the University of Colorado and the Yale School of Drama.
Elaine Caras, Events Manager
Paul Ackerman, Production Manager,
Chris Husted, Audio Visual Manager
is a native of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology. Paul joined the team at LTAC prior to its opening in 2011 after serving as the Senior General Manager of Production for Blue Man Group.
Courtney Ozaki Moch, Operations and Business Director, returned to her home state of Colorado after residing in New York City, where she received her MFA degree in Performing Arts Management from Brooklyn College. As a producer and arts manager in NYC, she worked with cultural and interdisciplinary institutions, including the inaugural PROTOTYPE festival, Brooklyn Academy of Music, Brooklyn Center for the Performing Arts, and The Joyce Theater. Her prior experience includes work with the Aspen Music Festival, as well as the Boulder Chamber Orchestra.
Allissa Dailey, Events Manager Kathy Denzer, Administrative Assistant Adrien Hoff, Marketing Specialist
Jen Kiser, Assistant Technical Director Katie Konishi, Marketing Specialist Don Post, Lead Stage Technician Robin Scurto, Annual Giving Manager Michelle Sosa-Mallory, Corporate and Foundation Manager Ashley Vander Weg, Box Office Manager
Technical Staff: Mallory Hart, Randy St. Pierre, Elizabeth Woods, Meagan Holdeman, Kathryn Gunderson, James Bryant, Rick Thompson
Front of House Staff: Jean Chavez, Ken Fisher, Bonnie Kobzoff, Jim Murphy, Christina Roberts, Thaddeus Valdez
Bar Staff: Leigh Chandler, Marketing Director, joined the Lone Tree Arts Center staff in the fall of 2015, when she moved to Colorado. Prior to her move, she served as the Director of Marketing
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LONE TREE ARTS CENTER
Richard Davis, Elena De Prado, Marcia Gray, Michelle Hendershott, Nicole Hubbell, Charine Lung, Nicole Mills, Josh Molina, Natasha Molina, Roberta Seifert, Kami VerWoert
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LTAC POLICIES & PROCEDURES
At Your Service The House Manager is responsible for the overall front-of-house operation. Ushers (dressed in white and black with green scarves/ ties) can direct patrons who have questions or concerns to the House Manager.
Late arrivals will be seated at a suitable break in the performance, and at the discretion of the house manager and/or artist. Late seating may not be possible in some cases. In consideration of all theater-goers, please arrive in plenty of time for the scheduled curtain.
Cameras and recording devices are not allowed in the theater. The taking of photos during a performance may violate our contract with the performers and producers. In addition it can distract performers and negatively affect their safety and the show. Pre- and post-show photography also is not permitted. Cell phones and any other electronic devices may not be used in the theater. The use of a laser pointer at any time by any patron subjects that patron to expulsion from the theater without a ticket refund.
Children
Smoking
Children are welcome in our theater, but bringing infants to a performance is highly discouraged, as they can become a distraction to performers and other audience members. Each individual must be ticketed to enter the theater and no babes-in-arms will be permitted without a ticket. The Arts Center may deny entry to any person accompanied by another who may become a disruption to the performers or audience, and may likewise remove disruptive patrons from the audience. Occasionally, individual productions may have recommended age limits. Refunds are at the discretion of the Lone Tree Arts Center Box Office.
The Lone Tree Arts Center is a smoke-free facility. Smoking e-cigarettes is not permitted inside the building.
Late Arrivals
Refreshments Food is not allowed in the theater. Drinks purchased at our concessions stand are permitted in the theater. At most performances, you may pre-order a drink to avoid intermission lines.
Restrooms Restrooms are located in the center of the lobby near the front entrance, as well as on the north side of the lobby near the north entrance, across from the Event Hall. Wheelchair accessible restrooms are located near the north entrance.
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Cameras, Tape Recorders, Pagers, and Cell Phones
LONE TREE ARTS CENTER
Parking The Lone Tree Arts Center has a large, free on-site parking lot as well as a convenient drop-off point at the front entry. The parking lot can be found on the south side of the building. Patrons are also permitted to park across Sky Ridge Avenue in the Target parking lot.
Hearing Assistance The Lone Tree Arts Center has installed an inductive hearing loop. The loop system broadcasts directly into hearing aids that are equipped with a T-coil switch (tele-coil or telephone switch). For hearing aids with a T-coil switch, simply turn that switch and sound is broadcast directly to the hearing aid. For hearing aids without a T-coil switch, wireless headset receivers are also available free of charge at the Box Office.
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PROFILE
AUGUST WILSON’S AUGUST WILSON All About
August Wilson, who wrote our upcoming production of Fences, is one of the most revered contemporary playwrights, and for good reason. His groundbreaking American Century Cycle encompasses ten plays chronicling the African-American experience in the 20th century, each set in a different decade. Two won Pulitzer Prizes for Drama, including Fences. The entire American Century Cycle has been produced only a handful of times, including at the Denver Center for the Performing Arts, directed by the late Israel Hicks. Wilson used his childhood in Pittsburgh as the basis for his writing. During the early part of his childhood, Wilson lived in the Hill District of Pittsburgh, an economically depressed neighborhood. When his mother divorced his father and remarried, Wilson moved to a predominantly white workingclass neighborhood where he experienced bouts of racism that would later inform his work. Wilson cofounded Black Horizons Theatre in Pittsburgh in the late 1960s; he began to direct plays there despite not having any directorial experience. While his early writing focused on poetry, he didn’t begin to work on playwrighting until he moved to Minnesota in the late ‘70s; he wrote his first play, Jitney, in 1979.
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LONE TREE ARTS CENTER
During the 1980s, Lloyd Richards, the artistic director of Yale Repertory Theatre, recognized Wilson’s talent, and he helped Wilson nurture and refine the plays in the American Century Cycle. In 1987, Fences was produced on Broadway, earning Wilson a Tony Award and his first Pulitzer Prize. Three years later, The Piano Lesson earned him his second Pulitzer. Wilson had a clear vision about how his work should be produced. He famously refused to give the rights to make Fences into a film unless a black director was chosen; he believed that because the film was written from the African-American perspective, a white person would not be able to accurately reflect its intent. It took nearly thirty years for Fences to be filmed, with Denzel Washington directing and starring; the film earned numerous awards and received four Academy Award nominations, including Best Adapted Screenplay. Wilson’s estate continues to be strict in its allowance of the rights to his plays, with a rigorous request process. Along the same lines, Wilson ignited an industry-wide controversy when he said that he believed “colorblind” casting in the theatre was nonsense, because plays written for white actors focused on the
AUGUST WILSON’S white experience, and plays written for African-American actors were written for the black experience. While Wilson didn’t live to see the Academy Award-winning version of Fences¸ nor any of the Tony Award-winning revivals of his plays on Broadway, his eloquent, lyrical plays have taken their place in the pantheon of great American writing. Perhaps playwright Tony Kushner summed up Wilson’s importance the best when, upon Wilson’s death, he said, “The playwright’s voice in American culture is perceived as having been usurped by television and film, but he reasserted the power of drama to describe large social forces, to explore the meaning of an entire people’s experience in American history. For all the magic in his plays, he was writing in the grand tradition of Eugene O’Neill and Arthur Miller, the politically engaged, direct, social realist drama. He was reclaiming ground for the theater that most people thought had been abandoned.”
Photo: David Cooper Photography
Make sure you join us for
August Wilson’s Fences April 5—21
w w w. L o n eT r e e A r t s C e n t e r. o r g
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Come Sing with Us! 2017–18 Highlights
Black Violin
We want to meet children in 2nd-5th grades who love to sing and perform! ChildrensChorale.org/Audition No previous musical experience is required and financial assistance is available.
September 28–29 at 7:30 pm
Martha Graham Dance Company October 7 at 7:30 pm
A New World: Intimate Music from Final Fantasy October 20 at 7:30 pm
Erth’s Dinosaur Zoo Live
November 11 at 2:00 and 7:30
The King’s Singers
November 19 at 2:00 pm
Spanish Harlem Orchestra December 7 at 7:30 pm
Join us in Boettcher Concert Hall at the Denver Performing Arts Complex CHRISTMAS WITH THE CHILDREN’S CHORALE Saturday, December 2 • 1:00 pm Sunday, December 3 • 6:00 pm SPRING WITH THE CHILDREN’S CHORALE Saturday, April 21 • 1:00 pm Tickets $14 - $80 ChildrensChorale.org/Tickets
Spectrum Dance Theater
January 26, 2018 at 7:30 pm
Sarah Chang
March 13, 2018 at 7:30 pm
Single tickets on sale now! Visit newmantix.com or 303.871.7720.
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PROFILE
Grammy Award Winners
SFJAZZ COLLECTIVE Seeing the SFJAZZ Collective perform is the chance to see masters at work, on a few levels. First, the members are contemporary jazz super-stars in their own right, with multiple Grammy awards and nominations. Combined, they form a supergroup, the likes of which are rarely seen. The icing on the cake? In addition to performing their own compositions, they also honor a jazz master, with new arrangements of familiar pieces. When the SFJAZZ Collective performs in Lone Tree this April, they will be honoring the one and only Miles Davis—the king of cool. Davis transformed the world of jazz in the late 40s/early 50s with his album Birth of Cool, which was the start of experimentation and the development
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LONE TREE ARTS CENTER
of new kinds of jazz music. The SFJAZZ Collective explores Davis’ music with new interpretations of his most famous compositions, including “So What,” “Tutu,” “Milestones,” and “Bitches Brew.” In addition, we’ll hear new compositions by members of the SFJAZZ Collective inspired by Davis, including pieces by alto saxophonist Miguel Zenon, vibraphonist Warren Wolf, trombonist Robin Eubanks, and tenor saxophonist David Sanchez.
SFJAZZ Collective Wednesday, April 25 at 7:30pm
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Pradhanica Saturday, March 3 at 8pm
Artistic Director, Choreographer, Dancer: Jin Won Tabla: Mike Lukshis Djembe: Kaumil Shah Cajรณn: Vincent Smith Sitar: Indrajit Roy-Chowdhury
Sponsored by:
Hospitality Sponsor
Denver/South-Ridgegate
ABOUT PRADHANICA: Pradhanica Dance and Music, led by Artistic Director and Choreographer Jin Won, explores the sonic and narrative possibilities of rhythm through dance and music. While the foundations of Pradhanica’s explorations are the Indian classical dance form of Kathak and North Indian classical music, the ensemble’s works expand beyond Indian classical arts. For more information about Pradhanica Dance and Music, please visit jinkathak.com. Taraan The first work by Pradhanica, "Taraan" takes the beauty of Kathak’s abstract movements and lines and complex Indian classical rhythmic structures outside of the framework of a single rhythmic cycle and traditional instrumentation. The essence of the dance and rhythm come together through time cycles of 6, 7, 8, and 10 in a continuous flow. Composed by Indian rhythm maestro Pandit Divyang Vakil, the compositions blend the unique qualities of hand drums from around to world to create a dynamic soundtrack for this piece. “Taraan” premiered at the Drive East Festival in New York City in August 2013. Rasa If the world is nothing but vibrations, can emotion be expressed only through rhythm? If drums could speak, how would they express emotions? Composed by Pandit Divyang Vakil, “Rasa” shares joy, sorrow, anger, and peace. Special thanks to Mrs. Sandhya Desai for her mentorship in creating the choreography for this work. “Rasa” premiered at the Princeton Festival in June 2015. Indian Classical Raga on Sitar—Tabla Duet Raga is the classical way of a melodic framework for improvisation and composition. The musician becomes an artist creating a beautiful painting using a palette of musical notes. The raga Kafi is the principal one, which essentially describes the nature of one of the ten different logical groups, called Thaats in Indian classical music. It is a sampoorna or heptatonic raga. This raga has a direct lineage with the folk music of India. Folk music in Tappa, Hori, Dadra, Kirtan, and Bhajans from different parts of India have been composed in this raga. Jhankar A Kathak dancer can be as much a dancer as a percussionist. “Jhankar” takes traditional Kathak compositions and sets them to world percussion, while also sharing the vocal language of Indian classical dance and rhythm. Hallmarks of Kathak—intricate footwork using over 100 bells on each foot, dizzying spins, and delicate hand gestures all take center stage, in addition to the conversations between the dancer and musicians. BIOGRAPHIES: Pandit Divyang Vakil (Composer) is a maestro of tabla and rhythm, renowned for his teaching excellence and intricate rhythm compositions; and a teacher of philosophy.
In his expansive music teaching career of over 35 years, he has produced innumerable music professionals. A prolific rhythm expert, his work as a composer extends well beyond tabla. As a tabla composer, he has given shape to a contemporary form of classical tabla playing through his body of work that numbers in the tens of thousands of compositions. As a rhythm composer, he has created works for a variety of instruments including African djembe, Korean janggu, drum kit, zen tambour, dholak, and more. Jin Won (Artistic Director, Choreographer, Dancer) is praised by New York Times as “An exuberant dancer whose musicality transformed her dancing into something primal.” A rhythm artist, Won explores the sonic and visual possibilities of rhythm through dance and music. An accomplished Kathak dancer and tabla player of South Korean origin, Won spent over 15 years in India training in Indian classical percussion and dance under Pandit Divyang Vakil and Shrimati Shubha Desai, respectively. While equally adept at traditional and contemporary presentations of Kathak and tabla, Won’s latest endeavors are explorations of rhythm as a unifier across cultural expressions. Since moving to the United States in early 2010s, Won has collaborated with Korean and Arabic traditional artists and incorporated a multitude of percussion instruments from around the world into her work. Mike Lukshis, a native resident of New Jersey, has dedicated his life to absorbing and spreading the art of tabla. For the last ten years, he has been studying and living with Pt. Divyang Vakil in a Gurukul style of training. In addition to his accomplishments as a solo and accompanying tabla player in the U.S. and abroad, Mike is a full-time teacher and manager of the Taalim School of Indian Music in New Jersey and New York City. Vincent Pierce Smith is a multi-instrumentalist, teacher, recording engineer, and composer born in New Jersey. Vincent started playing drum set professionally at the age of 14 and received his bachelor's degree in music at Rutgers University. In addition to having touring internationally and accompanied modern and African dance, he has studied tabla for 13 years with tabla guru Pandit Divyang Vakil, and has applied this knowledge to drum set and cajón. Ahmedabad native Kaumil Shah’s identity is shaped by tabla. Prior to joining the Taalim School, he was a tabla teacher and performing artist with Rhythm Riders in India. A disciple of Pandit Divyang Vakil, Kaumil has travelled the world performing tabla with celebrated ensemble Talavya and as a multi-percussionist with Taan. In Pradhanica, Kaumil has adapted his decades of tabla skills to playing the djembe with unusually unique and fast rhythms. Indrajit Roy-Chowdhury is a disciple of the sitar maestro Pandit Subroto RoyChowdhury. Groomed in the Veen-kar style of the Senia Gharana, he strives to innovate while keeping a firm connection with tradition. While completing his undergraduate studies at Duke University, Indrajit received the Bennenson Award for the Arts to further his study of Indian classical music. Since then he has taken the profession of a full-time sitarist and has performed on stages across the world.
The Temptations Monday, March 5 at 8pm Tuesday, March 6 at 8pm
For more than fifty years, The Temptations have prospered, propelling popular music with a series of smash hits and sold-out performances throughout the world. “The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater.” The history of The Temptations is the history of contemporary American pop. An essential component of the original Motown machine, that amazing engine invented by Berry Gordy, The Temps began their musical life in Detroit in the early sixties. It wasn’t until 1964 however, that the Smokey Robinson written-and-produced “The Way You Do the Things You Do” turned the guys into stars. An avalanche of hits followed, many of which, ”My Girl,” for instance, attained immortality. “It’s Growing,” “Since I Lost My Baby,” “Get Ready,” “Ain’t Too Proud to Beg,” “Beauty Is Only Skin Deep,” “I Wish It Would Rain”...the hits kept coming. The classic lineup was Otis Williams, Melvin Franklin, Paul Williams, Eddie Kendricks, and David Ruffin. Beyond the fabulous singing, The Temptations became known for smooth stepping and flawless presentations. The Temptations Walk became a staple of American style. Flair, flash, and class. Millions of fans saw The Temptations as cultural heroes. When the sixties and seventies turned political, The Temptations got serious. They changed their tone, dress, and music. Producer Norman Whitfield led the way. His Temptations hits, many featuring Dennis Edwards who had replaced David Ruffin, burned with intensity. “Runaway Child,” “Cloud Nine,” “I Can’t Get Next to You,” “Papa Was a Rolling Stone,” and “Psychedelic Shack” still smolder.
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Other stellar singers, Richard Street, Ali-Ollie Woodson, and Theo Peoples, joined and added their luster to the group’s growing fame. No matter the change in personnel, The Temptations remained true to The Temptations tradition. They survived the whims of fashion, whether disco or techno, and stuck to their guns. “Great singing,” says Otis, “will always prevail.” In the eighties, The Temptations prevailed with smashes like the Otis Williams penned “Treat Her Like A Lady.” Then in the nineties, another Temptation explosion: It began with their appearance on Motown 25 in 1983; it continued with the NBC miniseries that chronicled the group’s history, a ratings triumph over two nights in prime time. An Emmy Award followed. Then came a series of acclaimed records: Temptations Miniseries,1998—Number one rated for two nights. Nominated for five Emmys, including best miniseries, and winner of one. For Lovers Only, a collection of love standards termed an instant classic by critics, and remains among the most cherished of all Temptations recordings. Phoenix Rising went through the roof, a platinum-plus mega-hit featuring “Stay,” the Narada Michael Walden produced song that topped the charts. Ear-Resistible nailed a Grammy and a legion of new fans. Awesome, released in 2001, is The Temptations at their freshest, strongest, and most appealing. Reflections was released in 2005, nominated for a Grammy, and brought to the world The Temptations versions of some of Motown’s greatest songs. Get Ready, the DVD released in 2006, is one of the largest selling music DVDs ever. The Temptations Musical, the 2016 musical based on Otis Williams’s book and miniseries. The current lineup consists of Otis Williams, Ron Tyson, Terry Weeks, Larry Braggs, and Willie Greene Jr. “The more we change,” says veteran Ron Tyson, “the more we stay true to ourselves. We’re about singing straight-up soul. It’s a style that will live on forever.” “The Temptations have always been known for great lead singers,” says Williams. “Today we have four of the greatest leads in the proud history of the group.” The soaring voice of Philadelphia born and raised Ron Tyson, is perhaps the best
high tenor in the business. Terry Weeks grew up in Alabama and spent eight years in the Air Force before his chance encounter with Otis. After an a capella audition on a Hollywood street corner, Otis was so impressed and brought him into The Temptations family. Larry Braggs is passionate, powerful, and very spiritual. These are also the amazing attributes of the voice of this two-time Grammy nominated artist. Cut from the same cloth as some of the world’s greatest vocalists, Larry has one of the most notable voices in the business. With a vocal range over three octaves and a command of the stage like no other, Larry has become one of the most electrifying entertainers on tour. This has gained him the respect and praise of his peers and fans all over the world. Willie Greene is a bass vocalist who was born in Birmingham, Alabama. In the early sixties, Willie first saw The Temptations on The Lloyd Thaxton Show. They sang “The Way You Do The Things You Do” and “Get Ready.” He says, “even though I was just a child… I knew that I was a ‘Temptation Forever!’ Throughout my career, I have had the honor, privilege, and pleasure of recording and performing with Lyle Lovett, Ry Cooder, Dolly Parton, John Fogerty, George Harrison (The Beatles)....This opportunity to become a part of the Great Temptations Legacy is truly God’s greatest musical gift to me! I would like to thank Mr. Otis Williams for his tenacity in keeping the group together and granting me this opportunity!” “Our challenge,” says Williams, “is to live in the present while respecting the past. Our past is filled with riches only a fool would discard. At the same time, we thrive on competition. As a Motown-er, I grew up in the most competitive musical atmosphere imaginable. But we also understand that for a group with history, no matter how glorious that history might be, reinvention is the name of the game.” “When I tell people we are God’s group,” says Otis, a remarkably modest man, “I don’t mean it arrogantly. It’s just that we have been tested time and again and keep coming back. We have suffered the death of so many legendary singers...Paul Williams, David Ruffin, Eddie Kendricks, and Melvin Franklin. Others like Dennis Edwards, Richard Street, Ali-Ollie Woodson, and Theo Peoples have left, and yet our unity is tighter, our sound brighter, and our popularity greater. Someone has watched over this group. Someone has protected our integrity. Someone has said...just go on singing and it’ll get better.” And so The Temptations go on.......and on.....and on........
Mandy Gonzalez: Fearless
Sunday, March 18 at 7pm
Musical Director, piano, vocals: John Deley Guitar: Oscar Rodriguez Bass: Richard Hammond Drums: Abe Fogle
Sponsored by Hospitality Sponsor
Mandy Gonzalez possesses one of the most powerful and versatile contemporary voices of our time. Currently starring in the megahit Hamilton as Angelica Schuyler, Mandy also originated and starred as Nina Rosario in the Tony Award-winning Broadway musical In The Heights, for which she received a Drama Desk Award. She has starred as Elphaba in the Broadway production of Wicked, blowing the roof off of New York’s Gershwin Theatre each night as she belted out the signature song, “Defying Gravity,” and for which she was honored with a Broadway.com Award for Best Replacement. Other Broadway roles include Princess Amneris in the Elton John and Tim Rice musical, Aida, and Lennon, where she portrayed Beatles icon, John Lennon. Mandy made her Broadway debut in Jim Steinman’s Dance of the Vampires, starring opposite Michael Crawford. Mandy received an OBIE Award and overwhelming critical praise for her performance in the Off-Broadway production of Eli’s Comin’, directed by Diane Paulus, and based on the music and lyrics of singer-songwriter Laura Nyro. Television viewers have the pleasure of seeing Mandy in the recurring role of Lucy Knox on the hit CBS drama, Madam Secretary. Mandy also appeared as Agent Susan Combs on the hit series Quantico, as well as guest appearances on Doubt, White Collar, and The Good Wife, among others. Equally at home on the big and small screen, she has appeared in Across the Universe, directed by Julie Taymor; After, starring opposite Pablo Schreiber; and Man on a Ledge with Sam Worthington. Mandy can also be heard as the voice of Mei in Disney’s Mulan 2. A frequent concert soloist, she has performed with symphony orchestras including Cleveland Orchestra, Philly Pops, Naples Philharmonic, Fort Worth, Jacksonville, Indianapolis, Baltimore, Arkansas, Anchorage, Edmonton, Ottawa, and the Youngstown Symphonies, among many others. Mandy released her debut album, Fearless, with Warner Music, which debuted at #13 on the iTunes charts. Her album—hailed as “a genre-defying, highly-personal, daring, and brilliant debut” (Pop Bytes)—delivers new, original songs from some of the most accomplished writers in the music industry, including Lin-Manuel Miranda, Jennifer Nettles, Bill Sherman, and Tom Kitt. Phamaly Theatre Company: Denver’s award-winning Phamaly Theatre Company produces professional plays and musicals that exclusively feature actors with all nature of disabilities: physical, cognitive, intellectual, and emotional. Phamaly’s mission is to inspire people to re-envision disability through professional theatre. The company is well-known for re-envisioning classic favorites with innovative approaches where disabilities serve as creative assets and adaptive skills. Phamaly Theatre Company Performers: Jenna Bainbridge, Elizabeth Bouchard, Maria Ciobanu, Don Gabenski, Mark Howd, Adam Johnson, Phillip Lomeo, Megan McGuire, Lucy Roucis, Kathleen Shannon, Charlie Snow, James Thompson.
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PROFILE
MANDY GONZALEZ Straight from Broadway’s Hamilton, Mandy Gonzalez is returning to LTAC for a solo concert, after her appearance alongside Marcus Paul James, Robin de Jesús, and Adam Pascal in 2014’s concert Seasons of Broadway. Taking a break from starring as Angelica Schuyler in Hamilton, Mandy brings her show “Raise the Roof” to the Arts Center on Sunday, March 18. Mandy and her powerhouse voice debuted on Broadway alongside the legendary Michael Crawford in Jim Steinman’s Dance of the Vampires, but the role that she is probably best known for is Nina Rosario in Lin-Manuel Miranda’s In The Heights. She created the role in the original Broadway production and was with the company until January 2010. She’s also starred on Broadway in Wicked as Elphaba, where she brought down the house each night with “Defying Gravity.” She took over her current role of Angelica Schuyler in Hamilton
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LONE TREE ARTS CENTER
from original cast member Renée Elise Goldsberry. She’s also recently released her first studio album, Fearless. Even if you don’t make it to the Great White Way as much as you’d like, you still would recognize Mandy. She’s also known for her television work, most recently as Lucy Knox on Madam Secretary and Agent Susan Coombs on Quantico. She’s also appeared in White Collar, The Good Wife, and the feature film Across the Universe. After experiencing Mandy’s dynamic vocals, capable of making you cry and sending shivers down your spine all in one song, you’ll no doubt want to become a member of her #FearlessSquad, a group of fans that got their name from her album.
Mandy Gonzalez Sunday, March 18 at 7pm
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Exciting Rehearsals with New Friends
Sing with us!
Come
Extraordinary Performance Opportunities
Friendly Auditions for Singers age 7-16
Through the generosity of Charlie and Judy McNeil, we are pleased to place a new bronze sculpture named Transcendence by Scy Caroselli in the Sky Ridge Hospital Healing Garden.
youngvoices.org 303.797.7464
LONE TREE
CULTURAL ARTS FOUNDATION
We are pleased to support the purchase and placement of Michele Gutlove’s Light Play, a visual metaphor for stage lights and theatrical performance [at the Lone Tree Arts Center].
The Lone Tree Cultural Arts Foundation supports and promotes the arts in Lone Tree and surrounding neighborhoods.
www.lonetreearts.org
We can see your future and it’s fabulous!
Discover the peace-of-mind that comes with worry-free living at Holly Creek. Enjoy resort-like amenities, spacious apartments and cottages and a full calendar of programs, activities and social gatherings—all in a warm, welcoming community as vibrant as Colorado itself. Drop in to see for yourself! Open Door Wednesdays — 10am–2pm
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Christian Living Communities
DONOR PROFILE
Terry Virts National Geographic Live: View from Above
Bellco is both passionately dedicated to your financial success and to contributing to the quality of life in the communities we serve. We donate funds and employee volunteer hours to many Denver-metro and Western Slope area organizations, including youth and family programs provided at Lone Tree Arts Center. Bellco takes great pride in giving back to the communities that have made us successful for more than 80 years. The Denver metro area is composed of many diverse neighborhoods that present unique opportunities for Bellco to make a difference on a local level. We appreciate that our members and employees frequently suggest ways we can connect with local programs, nonprofits, and events that support the communities we serve.
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LONE TREE ARTS CENTER
Our commitment is to ensure that programs which impact our communities, like those offered at the Lone Tree Arts Center, continue to flourish. We are proud to be entering our sixth year of helping to make these programs a reality. Stop by our branch located in Lone Tree at 9220 Park Meadows Drive to learn about Bellco, and to get more information on how Bellco serves your community. Bellco is Federally Insured by NCUA.
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Expert faculty trained in gifted education
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lexible, differentiated curriculum F designed around the whole child
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Preschool through 8th grade
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Schedule a tour at Ricks
303.871.3715
ricksctr@du.edu 2040 S. York St., Denver
Explore
Ronald Litvak
Timothy Mehrtens
Diane Carlton
Lawrence Litvak
Barbara Jensen
Paula Smith
John Haas
Luke Abraham
We are proud and humbled to be singled out as leading advocates in Colorado Family Law, both by our peers and our clients. You'll see our lawyers featured prominently in all ratings of lawyers that can't be bought. We receive honors from our peers all the time. But our greatest honor? Our clients are grateful for our tireless, and thoughtful counsel, advocacy, judgment and discretion.
DONOR PROFILE
Even before the Arts Center opened, the LTAC Guild was ready to help. Donating time and resources, this group of motivated women and men work behind the scenes to fundraise and bring awareness about LTAC. One of the most important ways they support LTAC is by underwriting children’s access to theater by providing ticket fees and bus fees for hundreds of students to attend live theater at LTAC. It’s exciting to see their faces light up when an actor comes on the stage—and the Guild makes that happen! The Guild also uses its fundraising reach for other projects at LTAC, such as providing booster seats for
children in the Main Stage Theater and paying for the installation of a permanent bar in the Terrace Theater. This dynamic group works hard year-round with fundraisers, including an opening night Gala and spring fashion show. They also host events and “friend-raisers” with behind-thescenes tours and other unique activities. The Guild’s annual holiday community tradition of a tree lighting Holiday Kick-Off has now become part of the new City of Lone Tree Merry Days. Sound like too much fun to miss? Join this dynamic group today by visiting lonetreeartscenterguild.org.
LONE TREE COUTURE
SPRING COLLECTION Thursday, May 17, 2018 at 6pm Lone Tree Arts Center Hors d’oeuvres | Drinks | Fashion Tickets $50 Presented by the LTAC Guild Contact: Lynn Pender, 303-517-4831 Tickets: lonetreeartscenterguild.org
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LONE TREE ARTS CENTER
Donors at 2017 Gala
Photo by Danny Lam
Susan Adams Brent and Marie Bailey Carol and Todd Barrington Guida and Wayne Bellinger Ben and Shirley Benton Cheryl and Kent Brown Greg and Yolanda Bruce Cathie and Leo Brunnick Charlie Butler Richard and Lynn Cavaliero Luella Chavez d’Angelo Dave and Betty Jo Cottrell Maggie Eichenlaub and Scott Leonhart Carrie Evans Tonya Fallows Emily and Nick Goodenow Guy Gunther Debi and Tom Haning Janet Hanna Michael Harris and Charlotte Min-Harris
2017 Table Sponsors
Gala Committee
City of Lone Tree
Tonya Fallows, Chair
Tonya Fallows, ReMax Professionals
Marie Bailey
Lone Tree Cultural Arts Foundation
Audrey Fisher
Janet Morley, Nova Home Loans Cathy Murphy Park Meadows Retail Resort
Sandi Hewins and Tom Jensen
Live Auction Sponsors
Seth and Sara Hoffman
Algodon Wine Estates
Arlene Johnson
Richard and Lynn Cavaliero
Pamela and Jim Kelly
Lone Tree Arts Center
Bruce and Mary Lou Laubach
Lone Tree Arts Center Guild
Joyce and William Lew
Lone Tree Golf Club and Hotel
Cathy Murphy
Tom Martino
Terry and Linda Porter
Leslie and Jeff Modesitt
Daphyne Reiff
Daphyne Rieff
Wynne Shaw
Additional Sponsors
Janice Sinden
Auctioneer Sponsor— Doug Tisdale
Bill Steen Susan Stiff Allen and Becky Takeda-Tinker Jim and Gail Wilson Don and Betty Winslow Susan Wright
Lori Maddox Leslie Modesitt Margie O’Boyle Ann Pounds
Lone Tree Arts Center Guild 2017 Board Susan Stiff, President Tonya Fallows, President Elect Susan Riehl, Treasurer Leslie Modesitt, Recording Secretary Margie O’Boyle, Communication Secretary Lori Maddox, Member at Large
Terry Reiff
Bernie and Elaine Spivak
Lynn Cavaliero
Nancy Yueh, Member at Large
Décor Sponsor—Park Meadows Retail Resort Dessert Sponsor—Seasons 52 Dinner Sponsor— Richmond American Homes Music Sponsor—Stan Lhotak and Mike Rich Wine and Champagne Sponsor—Ninety + Cellars
w w w. L o n eT r e e A r t s C e n t e r. o r g
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Advanced Audiology, Inc. Hearing & Tinnitus Center
Physician’s Choice for Hearing & Tinnitus Care
More than 100 Physicians & Healthcare Providers have referred their patients to us.
Dr. Barbara Jenkins Dr. Matt Gebing, Dr. Tonya Genazzi, AuD, BCABA AuD, BCABA AuD, BCABA
All of our Doctors of Audiology are Board Certified by the American Board of Audiology. Advanced Audiology won the 2015 Small Business BBB Torch Award for Ethics and Integrity, and the National Humanitarian Practice Award from Sivantos Aspire.
get to know the history of your own back yard. Schweiger Ranch has been restored as an historic nonprofit and cultural ranch for Lone Tree and Douglas County. It’s open to the public on weekend afternoons and hosts free community events year round. Just south of RidgeGate Parkway on the east side of I-25. schweigerranch.org.
303-649-2122
AdvancedAudiology.com Centennial, Colorado 80112
We take Your Hearing Seriously
Now enrolling ages 3 years old through 12th grade
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Going out, yes. Going out of style, never. While a lot of things change over the years, some things don’t. And getting older doesn’t mean you have to stop doing what you love. So we encourage our residents to keep on doing their thing while we take care of the rest.
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DONOR PROFILE
Classic Albums Live: Rumours
FUNDRAISING LEADERSHIP COUNCIL Kent Clark Founded in 2002, Century Communities, Inc. (NYSE: CCS) is one of the nation’s largest U.S. homebuilders, engaged in all aspects of homebuilding, including the acquisition, entitlement and development of land and the construction, marketing and sale of quality homes designed to appeal to a wide range of homebuyers.
David A. DeFore Jim Gunning Susan Hicks Seth Hoffman Joel and Janet Kaufman Peter Loeffler
The Colorado-based Company operates in 10 states across the West, Mountain, Texas and Southeast regions, and offers title and lending services in select markets through its Parkway Title and Inspire Home Loan subsidiaries.
Jackie Millet Charlotte Min-Harris Pamela Schenck-Kelly Keith Simon
To learn more about Century Communities, please visit www.centurycommunities.com
Linda Watson Betty A. and Don E. Winslow
COMMUNITY FUNDRAISING ADVISORY BOARD Carole and Bob Adelstein Sheryl Gurrentz Mel Semrad Betsy Schutte Sharon VanRamshorst
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LONE TREE ARTS CENTER
BRASS, BAGPIPES & CO: OFF KILT-ER March 16-18 Newman Center for the Performing Arts
A Destination Artisan Bakery
Buy One Get One Free Breakfast Item Mention Lone Tree Arts Center View Magazine
BRASS OF THE CARIBBEAN APRIL 21-22 Bethany Lutheran Church
BUY YOUR TICKETS TODAY 303-832-HORN (4676) denverbrass.org newmantix.com/denverbrass Ask about our ďŹ rst time listener discounts!
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PARTNERS & SUPPORTERS
This list includes donors to the Lone Tree Arts Center from November 15, 2016 to February 10, 2018. If we have inadvertently omitted your name, please contact the Development Department at 720-509-1009 so that we can correct our listings. Thank you for your support.
$20,000+
$5,000-$9,999
SCFD: Scientific and Cultural Facilities District
Charles Schwab Foundation
Bellco Credit Union
CliftonLarsonAllen LLP
Lone Tree Arts Center Guild
D.A. Davidson Fixed Income Capital Markets
National Endowment for the Arts
David A. DeFore
Park Meadows Business Improvement District
Developmental Pathways
U.S. Bank
Hampton Inn and Suites Denver/
$10,000-$19,999
Merrick & Company
Andrews Winslow Foundation
Ralph and Trish Nagel
Century Communities, Inc.
Thrive Home Builders
Charles Schwab and Company
U.S. Bank Foundation
Douglas County Developmental Disabilities
$2,500-$4,999
Mill Levy Grant In Memory of Heidi Kaufman Janet and Joel Kaufman
South-RidgeGate
Berkeley Homes and Harvard Communities—Bellwether
RidgeGate
Linda Bjelland
Scott Leonhart and Maggie Eichenlaub
Denver Marriott South at Park Meadows
Sky Ridge Medical Center and Rocky Mountain
Nancy Gary
Hospital for Children
Michael R. Harris and Charlotte Min-Harris
Xcel Energy Foundation
Leaffer Law Group
Betty A. and Don E. Winslow
Peter and Virginia Loeffler McGeady Becher P.C.
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LONE TREE ARTS CENTER
MorningStar Senior Living at RidgeGate
Rainold Family Foundation
Robinson Waters & O’Dorisio, P.C.
Lisa Rigsby Peterson
Betsy Schutte
Robin and Chris Scurto
Sierra
Wynne Shaw
The Tappan Foundation
Sheila and Paul Shepherd
Brenda and Charles Vitaska
Susan and Bill Smith
Western States Arts Federation (WESTAF)
Gayle M. and Richard J. Spelts
$1,000-$2,499
Debra and Roland Stubblefield Heather Van Dusen
Carole and Bob Adelstein
Leon and Alla Veremeychik
Albert Vein Institute
James and Barbara Wightman
Drs. Stephen and April Block Greg and Yolanda Bruce - BYG, Inc.
$250-$499
Leo and Cathie Brunnick
A-B&C Enterprises, Inc.
Matt and Greta Calkins
Harold and Ada Anderson
Jay and Melissa Carpenter
Anonymous (3)
Dave and Betty Jo Cottrell
Dr. Delfina Ashley-Baisden
Donald E. Dillard and Janeen Kendall
Dennis and Melissa Blair
FirstBank
Nora and Rod Boschee
In Memory of Roy H. Goodearl
Jim and Tabby Briggs
Jim and Amy Gunning
Shelley and Greg Bryant
Sheryl and Andy Gurrentz
Linda and Fernando Castaneda
Hudick Excavating, Inc.
Marilyn and George Dockery
Fred Kaserman and Diane Webster
Mike and Linda Gusha
Launch Advertising
Janet Hanna
Carl Mattson and Susan Alworth
Dennis and Margaret Holman
Dr. and Mrs. Robert Mickelsen, II
Dr. Weston Johnson
Jack and Margie O’Boyle
In Memory of David James Kolstad
Regency RidgeGate
Bruce and Mary Lou Laubach
Richard and Jill Rogers
Kim Laudenslager
M.J. “Mel” and Virginia Semrad
Helene and David Lawful
Paul and Susan Squyer
Joyce and William Lew
Ken Waugh
Michelle and Carson Mallory
Hugh and Liz Whitmore
Bobbie and David Marfitano
Elton and Patsy Winters
Mary M. Mathews
$500-$999
Norman C. and Florence R. Miller Jackie Millet and David Johnson
Anonymous
Leslie and Jeff Modesitt
Brent and Marie Bailey
Michael and Sharon Modiz
Wes and Terry Colburn
Becky and Brett Narlinger
Katy Dole
Kent and Linda Osborn
Judy K. Hall
Bess and Dale Pahl
Don and Susan Hicks
Col. Frank Romano
Becky Leibman and John Hoskins
Amy and Jay Sage
Hurley and Claire Mitchell
Keith and Victoria Simon
Robert Murphy and Kathleen Kelly
Kathy Taigen and Jim Saracino
w w w. L o n eT r e e A r t s C e n t e r. o r g
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$100-$249 Paul Ackerman Anonymous (6) Carla Augenstein Crista M. Bailey Bob and Candy Birch Julie and Michael Britti Jerry and Beth Burroughs Vincent and Penza Calarco Shirley and Roland Calhoun Angela Chan and George Chin Leigh Chandler Ron and Marilyn Cutler Jack P. Duvall In Honor of Arthur Fairclough David and Nancy Fairclough Tonya Fallows - ReMax Professionals Milton and Janice Ferry Ken and Bunny Fisher Eileen Flanigan Karen and C. Dale Flowers Jeff and Paula Fox Gene and Janet Francisco Tara Friedman and Jeff Milheiser Gary and Barbara Godden Donald Hagengruber and Antoinette Macaluso Denise Hawkins Gloria E. Heyer Ruth Hiebert Michael and Marsha Jaroch In Memory of Don Johnson In Memory of Marvin Johnson Michelle Kelloff Hans and Evelyn Kriek Stuart and Janet Kritzer In Memory of Col. Joseph A. Kuhn Bob and Jean Lind Jack Lutz
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LONE TREE ARTS CENTER
Dr. Bill and Billie Kay Maniatis Mary McMillan Courtney and Shannon Moch The Monark Family Douglas Moore and Rebecca Beall-Moore Bill and Sue Morgan Martin and Barbara O’Brien Nancy Patton Ron and Linda Patton In Memory of Rev. Stanley Perea and Josie Perea Colonel Richardson Stuart and Janice Sanderson Jane and Glenn Schnepel Marta G. Shaw In Memory of J. G. Linwood Smith Susan Stiff Sandy and John Stokely Kevin and Jennifer Stromberg Joseph Tatarka Whitney and Ann Thomas Roger and Ellen Vacco In Memory of Lee Van Ramshorst Rita Walensa Clarence and Eva Williams Jerry and Carol Wilson Barb Wisler Howard and Theresa Wissemann Norma and Eli Zackroff Michael Zumwalt
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MAKE A REMARKABLE IMPACT From music to dance; theatricals to student matinees; timeless classics to world premieres— see, hear, and experience it all! Your tax-deductible financial support makes remarkable happen.
Many ways to give: • Monthly Recurring Gift
We were proud to be awarded three Henry Awards last summer for our production of EVITA, and we share this prestigious honor with you— THANK YOU for helping us make remarkable programming happen.
• Annual Gift
SHARE THE ARTS BY JOINING OUR FAMILY OF DONORS TODAY.
Please consider LTAC during your estate planning. Your generous contribution is tax-deductible to the extent permitted by law.
Visit LoneTreeArtsCenter.org/give or contact Robin Scurto at 720-509-5009.
• Tribute Gift • Seat Plaque • Planned Gift
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