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Myslivecek's L'Olimpiade at the National Theatre in Prague with Vaclav Luks and Collegium 1704 and then on tour in Dijon and Luxembourg; Mozart’s Requiem (Levin ed.) in Altenberg and Dortmund; Haydn’s La Vera Costanza with Andreas Spering at the Haydn Festival Augustusburg (recorded by WDR); Bach’s Cantata BWV 131 in Wroclaw (Wratislavia Cantans) under Giovanni Antonini; Myslivecek’s Sub olea pacis et palma virtutis with Collegium 1704 and Václav Luks in Prague and Herne. Mr. Adam recently performed Rossini’s La pietra del paragone (Giocondo) at the Théâtre du Châtelet in Paris under Jean-Christophe Spinosi; Monteverdi’s Vespro della Beata Vergine with the Monteverdi Choir and John Eliot Gardiner in Cambridge, Versailles and Barcelona; Haydn’s Philemon und Baucis in Montecarlo with Europa Galante and Fabio Biondi; Myslivecek’s L’Olimpiade, with Collegium 1704 and Václav Luks at the Theater an der Wien; Bach’s Matthäus-Passion with the Akademie für Alte Musik in Berlin and Munich; Zelenka’s Te Deum at the Wratislavia Cantans Festival and on tour with Václav Luks; Il Trionfo del Tempo e del Disinganno in Versailles with La Risonanza and Fabio Bonizzoni. Future plans include: include L’Orfeo (title role and Pastore I) and Vespro della Beata Vergine with the Monteverdi Choir and John Eliot Gardiner on tour in the U.S. (New York, San Francisco, Washington, Costa Mesa, Chapel Hill) and then in London (BBC Proms) and Versailles; Le nozze di Figaro (under Antonio Pappano) at the Covent Garden; Il Re Pastore at the Théâtre du Châtelet under Jean-Christophe Spinosi and L’occasione fa il ladro at the Théâtre des Champs-Elysées under Enrique Mazzola; Die Zauberflöte at the Opéra Royal de Wallonie in Liège; Bach’s B-minor Mass at the Maggio Musicale in Florence under Stefano Montanari; Respighi’s Lauda per la natività del Signore with the Rundfunk Sinfonie Orchester in Berlin.


mariana FloreS , Soprano Argentinian soprano Mariana Flores studied lyric arts at the University of Cuyo and the Schola Cantorum; she has since established herself as a renown interpret of Baroque repertoire. Mariana has performed in staged productions of Cavalli’s Ercole Amante (Bourg en Bresse, Reims, Vichy, Paris), Vivaldi’s Montezuma (Ciudad de Teatro de México), Jacquet de la Guerre’s Céphale et Procris (Markgräfliches Opernhaus Bayreuth), Monteverdi's Orfeo (Sarrebourg Festival, Festival of Kloster Eberbach), Purcell’s Dido and Aeneas (Grand Théâtre de Genève), Antonia Bembo’s Ercole Amante (Stadt Casino Basel), Bontempi’s Paride (Musikfestspiele Potsdam/Innsbrucker Festwochen der Alten Musik), Zamponi’s Ulisse (Liège), Cavalli’s Egisto (Opera Comique, Paris and Rouen Opera), Cavalli’s Elena (Aix-enProvence Festival, Lille Opera, Gulbenkian Foundation in Lisbon, Angers-Nantes Opera, Opéra de Rennes) She works regularly with Leonardo García Alarcón, and has previously worked with Daniela Dolci, Gabriel Garrido, Michael Form, Manfred Kraemer, Martin Gester, Andreas Stoehr, Christina Pluhar, Vincent Dumestre, Teodor Currentzis. With them, Mariana has made a number of acclaimed recordings, and performed in festivals such as Ambronay Festival, Barcelona Greek Festival, Festival de Ubeda y Baeza, Sablé Festival and Festival of Saint-Michel in Thiérache, among others. Mariana also regularly performs in recital with lutenist Hopkinson Smith. niCholaS mUlroy, tenor Nicholas Mulroy studied Modern Languages at Clare College Cambridge and Music at the Royal

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Lorfeo Program  

Lorfeo Program  

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