A Conversation with the Playwright About the Playwright David E. Tolchinsky is the Chairman of Northwestern University’s Department of Radio-TVFilm and Founder/Director of Northwestern University School of Communication’s MFA in Writing for Screen+Stage. Some of his work centers on teen subcultures, particularly in relation to social decay. He is also interested in horror, mental illness, and psychiatrists. He has been commissioned by such studios as Touchstone/Disney, MGM, and Ivan Reitman’s Montecito Pictures to write screenplays, and his feature film Girl (screenwriter, associate producer) is distributed by Sony/ITunes. He has designed the sound for interactive computer environments and video installations seen internationally, and was nominated in 2003 for a Motion Picture Sound Editors Guild Golden Reel Award for his sound design for Dolly. He has cocurated gallery exhibits including The Horror Show in 2009 at Dorsky Gallery Curatorial Programs in New York City which explored horror in film, video, installation, photography, sculpture and painting and which was featured as a “Voice Choice for Art” in The Village Voice and on their blog, and which was accompanied by a 32-page catalog. He co-produced Debra Tolchinsky’s 2011 feature documentary, Fast Talk which investigated the accelerated speed of argumentation in college debate and which is available on iTunes. More recently, he published “Where’s the Rest of Me?” a reflective essay about Spalding Gray and monologue writing in Paraphilia Magazine and cocurated The Presence of Absence sponsored by the Contemporary Arts Council at Hairpin Arts Center, Chicago. Most recently, he was ranked #14 on New City’s Film 50: Chicago’s Screen Gems 2013, was the recipient of a 2014 Illinois Arts Council Artist Fellowship in Literature (Poet-
ry, Prose, Scriptworks) and made his premiere as a playwright and theatrical director at the 2015 Strawberry One-Act Play Festival, Hudson Guild Theatre, New York City, with Where’s the Rest of Me?, an adaptation of his essay. His play was nominated for Best Play and he was named Best Director. He is a graduate of Yale (BA, magna cum laude) and USC School of Cinematic Arts (MFA). Read more at Davidetolchinsky.com. What was your inspiration for this play? I was thinking about ambivalence. What is it exactly? To like something and not to like something at the same time. And I was thinking about clarity, that I’d like to be clear in my own life and writing. And I was wanting to write something contained and therefore cheap to produce, with no special effects, no flying demons or giant stadium crowd scenes or implications of child abuse, elements that have led some of my earlier screenplays to attract interest from all kinds of studios, producers, and directors, but at the same time have made them difficult to get produced. Also, my dad was a psychiatrist and a professor of psychiatry (see my essay and play “Where’s the Rest of Me?” for more about him) so we’d have a lot of psychiatrists hanging around at the house when I was a kid. So while not an inspiration for this particular play, in general psychiatrists tend to show up in my work. What do you want the audience to come away with? To quote Maximus (as written by David Franzoni, John Logan, and William Nicholson) after he slaughters a bunch of guys in Gladiator: “Are you not entertained?” And after they’ve Fall 2015 Proscenium 83
Published on Sep 7, 2015
Proscenium Journal is the first free literary journal for publishing plays. Proscenium's Third Issue includes five plays: "Pericles Wet" by...