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SEPTEMBER | 2011

VOLUME 3 ISSUE 1


Buck Wild 8 & % / & 4 % ": 4 $1 DRAFT $2 REDBULL $3 HIBALLS $4 EVERYTHING ELSE


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Now accepting students for evening courses.

Welcome back

the lifestyle caffĂŠ

celebrating life for 5 years 8738-109 street dacapocaffe.com

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MARCUS CUNNINGHAM

GLYNIS MILNE

JOEL VAILLANCOURT

EYOBE MELKETSADIK

GENEVIEVE RENOIR

NEEDLES TO VINYL

DEAN PHATCAT

PATRICK SWAN

CAMERON JEFFERIES

PUBLISHER SCOTT FRANCIS WINDER

ART DIRECTOR MATTHIAS EDWIN SMALE

CONTACT STICKS & STONES Suite 200, 10306 112 St. NW Edmonton AB, T5J 1N1 EMAIL PHONE

OPERATIONS JORDAN MATTHEW WATSON

PHOTOGRAPHER BEVAN ALEKSANDER SAUKS

JR. EDITOR JORDAN DAVID BLOEMEN

DISTRIBUTION S A R G E

FAX

sticks@andstones.ca 780 801 0909 866 634 5344

twitter.com-!"#$%&&'(#)*#) facebook.com-!"#$%&&'(#)*#) !"#$%&&'(#)*#)+,#( andstones.ca PROFILE ME !"#$%&&'(#)*#)+,#(-(& AD INQUIRIES ads@andstones.ca

Cert o. nSW -COC-208 3


MARCUS CUNNINGHAM I’VE SORT OF DEVELOPED A REPUTATION AS THE GREY BEARD


For those who don’t know—what is the decathlon?

I understand you had to take a break from decathlon?

.*/01*&)1&2&)*01#2&"1*3#1'45014)'1*6&5/"&14%34501,#)*&0*&'17)1*6&1 04(&1#"'&"+186&1$"0*1'451701*6&19::1(&*"&;1%#)<1=>(!;106#*1!>*;167<61 =>(!14)'1*6&1?::1(&*"&+186&10&,#)'1'451701*6&199:1(&*"&16>"'%&0;1 '70,>0;1!#%&124>%*;1=42&%7)14)'1*6&19@::1(&*"&+

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You end with the 1500 metre? That sounds a little rough. .*/01A7)'1#B167%4"7#>0+186&1'&,4*6%#)17010#"*1#B1*6&14)*7C0!&,*4*#"10!#"*1 4017*1*4A&01*3#136#%&1'4501*#1,#(!%&*&+186&"&/0164"'%514)5#)&136#1 34*,6&01*6&136#%&1*67)<136#170)/*14)14*6%&*&1#"141!4"&)*1#"141,#4,6+1 86&1#)&1&2&)*1*6&1DED14%345017)24"74F%5106#301>!1B#"1701*6&19@::1 (&*"&G367,617014%34501*6&13#"0*1&2&)*1B#"14)51'&,4*6%&*&+1H&1">)1 7*10#10%#3%5+1."#)7,4%%5;1*6&1<>51*64*137)01*6&136#%&1'&,4*6%#)13#)/*1 >0>4%%51">)1*64*10*"#)<1#B1419@::+1

The Jeff Bridges, the Mickey Rourke? 86&1<"7OO%&'12&*1*"57)<1*#1(4A&141,#(&F4,AG642&1#)&1%40*1A7,A1 4*1*6&1,4)1F&B#"&1.1"&*7"&+1./2&10#"*1#B1'&2&%#!&'141"&!>*4*7#)1401*6&1 <"&51F&4"'1#B1*6&1*"4,A1*&4(+1.1'#)/*1(7)'16427)<141F&4"'1400#,74*&'1 with me. !"#$#%&$#%'#()*+#,-%./$0#%+"*)10%+/%"&2#%&00/3*&+#'%.*+"%-/45%6/.% ,/)1%"&2#%-/4%7##)%$/38*)1%+"&+9

You’re in school at the U of A as well? ./(1'#7)<1(51I6J17)1'&2&%#!(&)*4%1)&>"#!6507#%#<5+1H&/"&1 7)*&"&0*&'17)1*6&13451*64*1*6&1F"47)1'&2&%#!0+186&1!%4)14B*&"1*6&1I6J1 701*#1<&*17)*#1(&'7,7)&14)'1&2&)*>4%%51F&,#(&141!6507,74)+1.1"&4%%51 '#1%7A&1"&0&4",6+18"47)7)<1B#"1*"4,A1340141F7<1!4"*1#B13651.1*##A1*6&1 "&0&4",61"#>*&17)0*&4'1#B1=>(!7)<10*"47<6*17)*#1(&'7,7)&+1K"4'10,6##%1 70141F7*1B"&&"17)17*01B#"(+1L01%#)<14015#>/"&1<&**7)<15#>"13#"A1'#)&15#>1 ,4)1<&*14345137*61(#"&+

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I understand you run? .1">)14)1#F0,&)&14(#>)*+ What constitutes an obscene amount? .1*"47)1B#"1@M010#14F#>*14)16#>"1&2&"5'45+1P#0*1 !&#!%&1*67)A1*64*/01!"&**51"#><6+1./(1<#7)<1*#1 F&1">))7)<14*1K"4)*1P4,Q34)1401(51#%'1,#4,61 from the U of A coaches there now. Your last degree was in textiles and clothing— I’m imagining your choice to study that must "&2#%7##)%7/$)%/<%&)%*)+#$#0+%*)%<&0"*/)9 .)1=>)7#"167<613&13#"&1>)7B#"(014)'1*6&10,6##%1 '&$)7*&%51<42&1>0141F7*1#B141B&(7)70*1&'>,4*7#)+1 .1F&,4(&17)*&"&0*&'17)1*6&134513#(&)1>0&1 ,%#*67)<17)1*6&7"1%72&01*#1,"&4*&1(&4)7)<14)'1 364*1*6#0&1,%#*6&01,4)10451*#1#*6&"1!&#!%&+1 H64*15#>13&4"17)R>&),&01*6&134515#>/"&1 treated in society. So it’s an interest in fashion from a 34,+4$&,%@#$0@#3+*2#9 .1*67)A1*6&134513#(&)1'"&001"&4%%51'#&014BB&,*1 *6&7"1%72&01#)141!"&**51!"#B#>)'1%&2&%+1.*1'#&0G =>0*1%##A14*1"&%7<7#>01'"&00+1 And you’re going back to school in the fall? ./(1<#7)<1*#1F&14*1K"4)*1P4,Q34)17)1*6&1B4%%1 '#7)<141F4,6&%#"1#B1,#((&",&+1L0141,67%'17)1 !"&0,6##%1(51(#*6&"13401*#%'1*64*1.13401F#0051 4)'1*64*17*1340141F7*1#B141!"#F%&(+1S"4)A%51*6&1 07*>4*7#)1640)/*1"&4%%517(!"#2&'1(>,6+1 Let’s get to the heart of this—the =/0+%*=@/$+&)+%*004#%/<%&,,A%B&2/4$*+#% mythical creature? T)7,#")0+1.1,4)/*1&2&)1F&<7)1*#1'&0,"7F&16#31 (>,61.1%#2&1*6&(+1.1">)1!40*141B4"(1&2&"5'451 4)'1.1642&141B&&%7)<141%4"<&1!4"*1#B1*64*1701=>0*10#1 .1,4)12707*1*6&1!#)7&0+1./(1*6&1&U>724%&)*1#B141$2&1 5&4"1#%'1<7"%136&)17*1,#(&01*#1*64*+ Is it the horn or the whole idea of a magical horse? .1*67)A17*/01*6&1B4,*1*64*17*/01(4<7,4%+186&"&/0141 '&&"17)1Q>"#!&1*64*16401#)&107)<%&16#");14)'1 *64*/01!"&**51,##%1*##+ C"-%'/);+%:%"&2#%+"$##%/<%+"#=9


GLYNIS MILNE

I BECAME INTERESTED IN THE WAY WOMEN USE CLOTHING IN THEIR LIVES TO CREATE MEANING


JOEL VAILLANCOURT I’VE LED SOMETHING OF A LOCAL GOON MOVEMENT


YouTube has become a pretty huge presence in @#/@,#;0%,*2#0D74+%*+;0%#&0-%+/%</$1#+%"/.%-/4)1% *+%&3+4&,,-%*05%C"#)%'*'%-/4%0+&$+%=&8*)1%2*'#/09 ./2&1F&&)1(4A7)<127'&#0107),&1.13401B#>"15&4"01#%'+1 E>")7)<1*#510#%'7&"0137*6141(4<)7B57)<1 <%400G4(4*&>"1=4,A4001A7)'1#B10*>BB+1./'1F&&)1 34*,67)<127'&#01#)1V#>8>F&1F>*1.1'7')/*10*4"*1 !#0*7)<1>)*7%1W::X+1.*13401!"#F4F%51*6&1)&"'7&0*1 27'&#1./2&1&2&"1!#0*&'+1.1=>0*1$%(&'1364*127'&#1 <4(&01.1#3)&'+1.10*4"*&'1<&**7)<1)#*7,&'1B#"141 K&4"01#B1H4"1(#)*4<&+ E/=#%@#/@,#%"&2#%=&)&1#'%+/%,#2#$&1#% YouTube success into serious careers. Is that what youâ&#x20AC;&#x2122;re trying to do? .1*67)A15#>1)&&'1*#1,#)07'&"17*1%&0014014)1700>&1#B1 F&,#(7)<1YF7<Z1#)1V#>8>F&;1F>*1"4*6&"1F&,#(7)<1 F7<;137*61V#>8>F&10&"27)<140141(&'7>(+1864*/01 &[4,*%51364*1.134)*1*#1'#+1V#>8>F&1701=>0*141"&4%%51 F7<16&%!+ :%)/+*3#'%,//8*)1%&+%-/4$%3"&))#,%+"&+%-/4;2#% been focusing more on music. ./2&14%34501F&&)141"4!!&"+1.1>0&'1*#1'#1B"&&0*5%&1 F4**%&014)'1*64*/010#"*1#B136&"&1(>07,14)'16>(#"1 0*4"*&'1*#1(&06+1.1,#>%'1<#17)14)'10451"&4%%51,">'&1 *67)<014F#>*10#(&#)&/01(#(14)'1*>")1*64*17)*#1 410#)<+1.*13401"&4%%51B>)+1N#31*6#><61./(1*"57)<1 *#1*4A&1(51(>07,1*#1*6&1)&[*1%&2&%+186&1%40*1B&31 (#)*601642&1F&&)1<"7)'1(#'&+11./2&1"&,#"'&'1 0#(&1*"4,A014*141%#,4%10*>'7#+1 What kind of music? .*/0141(&061#B1F4514"&4165!651F&4*0137*61%5"7,01./'1 '&0,"7F&140\<##)5+1 Goony? Q2&)1'&0,"7F7)<141<##)1701*"7,A5+1N#*1*#1F&1 ,#),&7*&';1F>*1.1%7A&1*#1*67)A1#B1(50&%B1401*6&1 &00&),&1#B1<##)+1./2&1%&'10#(&*67)<1#B141%#,4%1<##)1 (#2&(&)*\*64*1.1,4%%1*6&1K##)1I%4*##)+1.*/01F&7)<1 5#>"0&%B+1.*/01F&7)<1,#)$'&)*+1.*/01F&7)<1&)&"<&*7,;1 *6"7%%&'14)'1!4007#)4*&14F#>*1364*15#>/"&1'#7)<+1 .*/01"&4%%51364*1.1*67)A14F#>*1&2&"51*7(&1.1(4A&141 27'&#+1.1<&*1,"4O5+1.1<&*1<##)5+ more info @

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6/.%'*'%-/4%1#+%*)2/,2#'%.*+"%+"#%E+4'#)+%F00/3*&+*/)% at Grant MacEwan? .10*4"*&'13#"A7)<1B#"1*6&1K"4)*1P4,Q34)1]*>'&)*1 L00#,74*7#)14B*&"1(515&4"14F"#4'+1.1"&4%%5134)*&'1*#1 3#"A137*617)*&")4*7#)4%10*>'&)*014B*&"16427)<1*64*1 &[!&"7&),&1(50&%B+1.*10#"*1#B10)#3F4%%&'1B"#(1*6&"&+1V#>1 0*4"*140A7)<13651*67)<014"&1*6&13451*6&514"&+1Q2&)*>4%%51.1 34)*&'1*#1<&*17)2#%2&'14)'1&BB&,*1,64)<&1B#"10*>'&)*0+ I could see it being a pretty rewarding experience in that sense. .10*4"*&'1"&4%7O7)<1*64*1*6&1(#"&17)2#%2&'15#>1<&*17)1 >)72&"07*5G*6&1(#"&15#>1!>*17)G5#>1<&*1*&)1*7(&01F4,A+1 .*/0141%#*1(#"&1*64)1F4A&104%&0+1.*/01,##%1*#1A)#31*6&"&/01 *670136#%&1*&4(14,"#001L%F&"*41$<6*7)<1B#"10*>'&)*0+1 There’s something intriguing about that—the idea /<%0+4'#)+0%&3+*2#,-%#=7&$8*)1%/)%@$/G#3+0%/4+0*'#% of the classroom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tudent Association? I’m the president of the Student Association. I work with a team of three executives—the VPs of Campus Life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ind of like a bridge between the students and the faculty? .1%7A&1*#10&&17*140141*"&&1*64*1F"4),6&014)'1,#))&,*01 students with the different parts of MacEwan. We’re *6&"&1*#10&"2&14014'2#,4*&014)'1*64*1(&4)01F&7)<1 7)2#%2&'14*1&4,61%&2&%+1


EYOBE MELKETSADIK

WE’RE THERE TO SERVE AS ADVOCATES


How did you end up working in real estate? ]&%%7)<1)&316#(&014)'1,#)'#010*4"*&'1#BB1401413451*#1 (4A&1(#)&51367%&17)10,6##%;1F>*1.1642&1'&2&%#!&'141"&4%1 7)*&"&0*17)1%&4")7)<1401(>,61401.1,4)14F#>*1*6&17)'>0*"5+1 ./'1%7A&1*6&10A7%%014)'1A)#3%&'<&1*64*1./(14,U>7"7)<1)#31 *#16&%!1(&1'&2&%#!1(51#3)1!"#=&,*0+1.1'"&4(1#B1#)&1 '4516427)<1(51#3)1,#(!4)51*64*13#>%'1B#,>01#)1*6&1 "&0*#"4*7#);1"&'&2&%#!(&)*;14)'1,#)2&"07#)1#B1 670*#"7,4%1F>7%'7)<0+1 And what kind of work are you doing now? ./(13#"A7)<14014104%&01400#,74*&1B#"141"&07'&)*74%1F>7%'&"'&2&%#!&"17)1*6&107)<%&CB4(7%51'72707#)+1 E/=#%@#/@,#%"&2#%&%$/41"%+*=#%=&*)+&*)*)1%+"&+% 7&,&)3#%7#+.##)%./$8%&)'%03"//,5%6&2#%-/4%7##)%&7,#% to walk that line? I spend most of my time in the show home. The hours 4%%#31(&1*#13#"A1B>%%1*7(&14)'1<#1*#10,6##%1B>%%1*7(&+1.1 0*>'51!67%#0#!65G%7*&"4%%51(&4)7)<1*6&1%#2&1#B1370'#(+1 .*/01*6&1,#)0*4)*1,"7*7,4%1!>"0>7*1#B1A)#3%&'<&+ 6&2#%-/4%7##)%&7,#%+/%&@@,-%."&+%-/4;$#%,#&$)*)1%+/% where you’re working? .)14%%16#)&0*5;1*6&10A7%%014"&1,#(!%&*&%51"&%&24)*17)1"&4%1 %7B&+1.14%0#1642&141(7)#"17)14"*1670*#"5+186&1%40*1)4(&1 (4A&01!&#!%&1!"&0>(&1.1A)#3141*67)<1#"1*3#14F#>*14"*1 4)'1./'164*&1*#1'704!!#7)*+1.13401#F0&00&'137*61<&**7)<141 '&<"&&17)1(4"A&*7)<14*1$"0*14)'1.134014,*>4%%514,,&!*&'1 7)*#1*6&1!"#<"4(+1N#31./(1<#7)<1*#1$)7061!67%#0#!651 $"0*+1.*10*4)'01#>*1#)14)14!!%7,4*7#)15#>1A)#3_1I%>01 <&**7)<14)1PEL1%##A01B>)+ Big plans for the future?

GENEVIEVE RENOIR IT’S THE CONSTANT CRITICAL PURSUIT OF KNOWLEDGE

]*&!1#)&G<&*1416>)'"&'1(7%%7#)1'#%%4"01042&'1>!1*#1 $)4),&10#(&1"&0*#"4*7#)0+1D>""&)*%51(51070*&"14)'1.14"&1 3#"A7)<1#)1!%4)01B#"1#>"16#%'7)<01,#(!4)5G`&[427&1 a#%'7)<01`8J+1H&1,>""&)*%51#BB&"1*"47)7)<1B#"1!&#!%&1 36#14"&17)*&"&0*&'17)1%&4")7)<14F#>*1*6&10*#,A1(4"A&*1 4)'1(4)4<&1413&F107*&14)'1)&30%&**&"1*64*1'&%72&"01 0*#,A1!7,A01'&"72&'1B"#(1*&,6)7,4%10,4)0+1.1642&)/*1 4F4)'#)&'1(51#"7<7)4%1!%4)1#B13#"A7)<17)141(4"A&*7)<1 &)27"#)(&)*137*614)1>%*7(4*&1<#4%1#B1F&7)<141,"&4*72&1 '7"&,*#"1(4A7)<14'1,4(!47<)0+1.*/%%1=>0*1F&1#)&1#B1*6#0&1 Y%7B&/0141=#>")&5;1)#*141'&0*7)4*7#)Z1A7)'01#B1*67)<0+ more info @

333+F>5O#)&"&27&3+,#(


Edmonton’s music scene seems to be pretty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almost become a niche in the city? H&/"&1410*"47<6*1>!1"#,A1F4)'1F>*1F5127"*>&1#B1*6&1 B4,*1*64*1Q'(#)*#)/01(>07,10,&)&1701,64)<7)<10#1 (>,613&1F&,#(&1>)7U>&1F51'&B4>%*+1 What makes you guys ‘straight up rock?’ N#105)*6&07O&"0;1)#1<4)<12#,4%0;1)#164)',%4!0;1)#1 3670*%7)<+1N#*1*64*1*6#0&14"&1F4'1*67)<0+1H&1,#>%'1 642&1*3#1#*6&"1<>7*4"1!%45&"0;14)1#"<4)1!%45&";1 4)'14104[1!%45&";14)'17*1,#>%'10#>)'1'5)4(7*&G F>*13&1'#)/*+186&"&14"&1B#>"1#B1>014)'1>%*7(4*&%51 3&/"&1*"57)<1*#1#BB&"1*6&104(&1*67)<1401]*#)&1 8&(!%&1I7%#*01#"1]4(1b#F&"*0+186&"&14"&141%#*1#B1 0*"47<6*B#"34"'1"#,A1F4)'01F>*1F&5#)'1!%457)<1%72&1 *6&"&/01)#36&"&1*#1<&*15#>"1(>07,16&4"'+1.*/01)#*1 *64*1*6&"&170)/*1*6&17)*&"&0*1*6#><6+ C*+"/4+%+"&+%)/2#,+-%3&)%*+%7#%+/41"9 .*/0164"'1*#1<"4F1!&#!%&/014**&)*7#)+1.13401*4%A7)<1 *#1*6701<>514*1*6&1!43)106#!14)'16&1'&0,"7F&'1 S4,&F##A1B#"1F4)'014010*4)'7)<17)1410#%'1#>*14"&)41 #B1$B*&&)1*6#>04)'1!&#!%&137*61&2&"5#)&106#>*7)<1 *6&7"1F4)'/01)4(&1*"57)<1*#1<&*16&4"'+ How do you guys approach song writing—knowing +"&+%-/4%.&)+%+/%=&*)+&*)%+"&+%'$*2#% and simplicity? `#*01#B1!&#!%&1#>*1*6&"&14"&10#)<3"7*&"0;14)'1 *6&514%%1&[!"&001*6&7"10#)<3"7*7)<17)1'7BB&"&)*1 3450+1H&1'&$)7*&%514%%1,#)07'&"1#>"0&%2&01!%45&"0G so when we write we write with the intention of !%457)<1*6&10#)<01%72&+1Q2&"5#)&17)1*6&1F4)'1701 4F#>*1*64*10#13&1'#)/*1"&4%%51,4"&14F#>*1!>**7)<1 &BB&,*01#)1&2&"5*67)<1F&,4>0&13&/"&1(#"&1 ,#),&")&'137*61!%457)<+ more info @

333+(50!4,&+,#(-)&&'%&0*#27)5%


NEEDLES TO VINYL NICK MARTIN, DAVE STULTS, GRAHAM SLAVIK, HUSKS CARTER

EDMONTON’S

OLDEST BEER

REBORN WE’RE MORE CONCERNED WITH PLAYING

www.yellowheadbrewery.com 10229 105st[zƒ…„Š…„BWX©MNFDJHIDIIII


H2#$-/)#%:;2#%0@/8#)%+/%."/%./$80%*)%)*1"+,*<#%"&0% some seminal experience that got them started. What’s the story? .13401"&4%%517)*#1!>)A1"#,A136&)1.134014F#>*1$B*&&)+1.1 B&31#B1(51B"7&)'0164'1F&&)1*#141"42&G*#%'1(&1.164'1*#1 ,6&,A17*1#>*+1]6#"*%514B*&"1*6&51*##A1(&1*#1#)&14)'1.1 3401!"&**51&)4(#"&'137*61*6&1Jc+186&136#%&1*67)<G*6&1 36#%&1!"#,&001#B1364*&2&"16&13401'#7)<1F&67)'1*6&1 *4F%&0134017)*"7<>7)<1*#1(&+186&1(>07,1*64*1"&4%%51<#*1 (&17)*#17*13401'">(14)'1F400+1.*1340)/*1*6&1(#0*1A)#3)1 B#"(;1F>*17*1*>")&'1#>*1*#1F&1416><&1!"&,>"0#"1*#1*6&1 (>07,1*64*/01!#!>%4"1)#3+1864*136#%&14)<%&1#B1'>F10*&!1 4)'164"';1F40016&4251(>07,+1 What took you from DJing to producing? C*+"%IJ*)1%-/4%0+&$+%+/%$#&,*K#%*+;0%)/+%2#$-%=43"5% You start asking, where’s the rest? It’s natural to start thinking, well I’m listening to it. I’m playing it. I’m DJing it. The next step is to start making it. I didn’t "&2#%=43"%/<%&%=40*3&,%7&381$/4)'5%L,&-#'%2*/,*)%&% ,*++,#%7*+%."#)%:%.&0%&%8*'%74+%)/+%=43"5%:%<##,%,*8#%:;2#% hit my stride with my production now. It’s a good time too. Dance music seems to be going through another peak in popularity. Now you go on the Internet and see that there are +.#,2#?-#&$?/,'%8*'0%*)%M$/&+*&%=&8*)1%+"#%$4'#0+D =/0+%+#3")*3&,D3$&K-%'&)3#%=40*3%-/4;2#%#2#$%"#&$'5% E/=#/)#%1&2#%+"*0%8*'%=40*3%0/<+.&$#%."#)%"#%.&0% #*1"+%-#&$0%/,'>%&)'%"#%G40+%0&+%/)%N/4!47#%.&+3"*)1% &%=*,,*/)%2*'#/0%&)'%(14$#'%/4+%"/.%+/%'/%#2#$-%,*++,#% thing. There’s a lot of help now, but it was kind of cool <4=7,*)1%&$/4)'%&0%-/4%(14$#'%*+%/4+%/)%-/4$%/.)5%!"#% mystery is kind of gone. Future Roots—your label/promotions company—seems to be going strong in the city. How did that take off?

DEAN PHATCAT I FEEL LIKE I’VE HIT MY STRIDE WITH MY PRODUCTION NOW

:%$#&,*K#'%:%)##'#'%+/%#2/,2#%7#-/)'%G40+%IJ*)1%&)'% production. I’d been a part of this culture for so long and it was time for me to put something of my own into it. Future Roots was my attempt at a brand that $#&,,-%0@/8#%+/%=#5%:%,/2#%03*?(%&)'%<4+4$*0=>%74+%:;=% &,0/%8*)'%/<%&%3$/+3"#+-%/,'%=&)%.*+"%=-%/,'?03"//,% =40*3%&)'%=-%/,'?03"//,%.&-0D0/%+"#%)&=#%0&*'% #2#$-+"*)1%:%.&)+#'%+/5%!"#%=40*3%*0%<$#0"%&)'%)#.% .*+"%&%($=%<//+%*)%+"#%@&0+5%:+;0%&%7*+%/<%&%.*)8%&)'%&% )/'%+/%/,'%03"//,%'&)3#%=40*3%+"&+%.&0%&=&K*)1%#2#)% though it was so poorly made. more info @

www.futurerootsrecords.com.


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6/.%'*'%-/4%()'%-/4$%.&-%*)+/%@/#+$-9 8#1F&16#)&0*17*1!"#F4F%510*4"*&'137*61*6701#F0&007#)137*61 c7(1P#""70#)1.164'136&)1.134015#>)<&"+1N#31.1%##A1F4,A14*1 *64*14)'1.1*67)A17*/01A7)'1#B1B>))51F&,4>0&1(#0*1#B167010*>BB1701 4,*>4%%51A7)'1#B1*&""7F%&G,&"*47)%51)#*1*6&1F&0*13"7**&)10*>BB+1 L*1*6&1*7(&1*64*/01364*1<#*1(&17)*#17*1*6#><6+ :%+"*)8%@#/@,#%"&2#%&%,/+%/<%@$#3/)3#*2#'%)/+*/)0%+"&+%+"#-% load into their understanding of what a ‘poet’ is. Is it tricky talking to people about what you do? .*/01416><&1!"#F%&(1.1B4,&G41%#*1#B1!#&*010&&(1*#+1V#>1 0451Y./(141!#&*Z14)'15#>1<&*141%#*1#B1&5&C"#%%7)<+1V#>/2&1 <#*1*#10&&17*+ :;2#%0##)%-/4%@#$</$=%&)'%*+;0%)/+%."&+%=/0+%@#/@,#% would expect. ^"7<7)4%%5141%#*1#B17*13401(#"&14F0*"4,*+1.*1,4(&1#>*1#B1412&"51 0*"&4(C#BC,#)0,7#>0)&001A7)'1#B1!%4,&+186&10*">,*>"&1.1B#%%#31 )#3136&)1.1!&"B#"(1%72&1&2#%2&'1#>*1#B1,#(!&*7)<14)'1 !&"B#"(7)<17)1!#&*"510%4(01F4,A17)1d4),#>2&"+1 So you consider performing when you write? .1*67)A17*/01'&$)7*&%5136&"&1.1B#>)'1*6&10*">,*>"&1#B16#31.134)*1 *#1'#10*>BB+1H6&)1./(13"7*7)<17*17)1(516&4'1.16&4"1*6&13451.1 34)*17*1*#10#>)'1#>*1%#>'G&2&)17B1.1)&2&"1!&"B#"(17*+1 Where do you play around town? ./2&1B#>)'1(5134517)*#1*6701,7",%&1#B1#!&)7)<1B#"1F4)'0+1 ]#(&*7(&01.1'#1*6&0&106#30137*61F4)'01*64*1A)#317)1 4'24),&1*64*1*6&"&/0141!#&*1#!&)7)<1B#"1*6&(+186&51,4)1F&1 41%7**%&14!!"&6&)072&1F>*14B*&"34"'01*6&51"&4%7O&17*1340)/*1 &[4,*%51364*1*6&513&"&1&[!&,*7)<+ Is this purely for pleasure or could you see yourself doing +"*0%</$%&%,*2*)19

PATRICK SWAN YOU’VE GOT TO SEE IT

./(1*"57)<1*#1$)'1*64*1F4%4),&+1.'&4%%51./'1%#2&1*#1F&14F%&1*#1 (4A&141%727)<1'#7)<1*670G36&*6&"1*6"#><61!>F%7067)<1#"1 !&"B#"(7)<+1L*1#*6&"1*7(&01.1$)'1(50&%B13#)'&"7)<17B1.106#>%'1 =>0*1'#17*14017*1,#(&014)'1*"51*#1F&164!!514)'1F%46;1F%46;1F%46+1 Patrick will be performing on September 17th at Pawnshop .*+"%O*7$&$-%P/*3#0%&)'%!"#%L$/2*)3*&,%F$3"*2#05


AND WE!LL SHOW YOU THE CASH!  $750 Tuition Voucher, $200 UofA Bookstore Textbook  Voucher & a $100 Cookies By George Gift Card  ($1050 Value ! Compliments of HUB Merchants, the UofA  Bookstore & Cookies By George)  $750 Tuition Voucher & a $150 Subway Gift Card  ($900 Value ! Compliments of HUB Merchants & Subway)  $200 The Stylistics Hair Group Shopping Spree, $100  Cookies By George Gift Card, $150 Hudsons Gift Certificate,  a Digital Photo Frame & a $25 Wellspring Health Centre  Gift Certificate  ($600 Value ! Compliments of The Stylistics Hair Group,  Cookies By George, Hudsons, HUB Merchants & Wellspring  Health Centre)  $150 Subway Gift Card, $150 Hudsons Gift Certificate, $125  Bijan Optical Eyewear Package $ a $50 La Pasta Trattoria  Gift Certificate  ($475 Value ! Compliments of Subway, Hudsons, Bijan  Optical & La Pasta Trattoria)  $170 Hudsons Gift Certificate, $125 Bijan Optical Eyewear  Package, Deluxe Poker Set & a $25 A&W Gift Certificate  ($400 Value ! Compliments of Hudsons, Bijan Optical, Coca  Cola & A&W)    CONTEST RUNS SEPTEMBER 15 ! 30, 2011  Contest open to any full‐time UofA students.   Entry forms can be picked up in Room 209, HUB Administration !  Monday to Friday between 10:00am ! 2:00pm. Limit of two (2)   entries per person.   Contest closes on September 30, 2011, at 2:00pm sharp.  Prize must be accepted as awarded and cannot be traded for cash.  Call 780‐492‐5609 for more information or go to  www.ualberta.ca/hubmall/  

!"#$%&''  !"#$%#&%#'(!)*+,-(./"++&#0 


6/.%'*'%/3#&)%3/)0#$2&+*/)%<*$0+%#)'%4@%/)%-/4$%$&'&$9 I spent every summer out on the coast with my knees in the #,&4)1%##A7)<17)1*7'&1!##%0+186#0&124%>&01<#*17)0*7%%&'17)1(&1 F51(51!4"&)*0+1.)167<610,6##%;1.10*4"*&'1<&**7)<17)*&"&0*&'17)1 (4"7)&1F7#%#<5+ How did you focus your scope on sharks? .)1%4310,6##%;1.10*4"*&'1B#,>07)<1#)1364%&14)'1064"A1 ,#)0&"24*7#)+186#0&1*67)<014%34501"&4%%514**"4,*&'1(&+1./2&164'1 (51&4"1*#1*6&1<"#>)'1#)1*6&0&1700>&01B#"1*6&1F&**&"1!4"*1#B141 '&,4'&1)#3+1`40*15&4";17)1c>%5;1*67)<01"&4%%510*4"*&'164!!&)7)<1 7)1*&"(01#B1064"A1,#)0&"24*7#)+1L1!7&,&1#B1%&<70%4*7#)13401 !400&'17)1a434771*64*1F4))&'1*6&1!#00&007#)1#B1064"A1$)014B*&"1 *6&17)*&")4*7#)4%1,#((>)7*51,6#0&1)#*1*#1!"#*&,*1$2&1(#"&1 species. It has taken off from there. :%3&);+%0##%"/.%/)#%3/4,'%&'2/3&+#%&1&*)0+%@$/+#3+*)1%&%0@#3*#05% It seems like a tough sell. 86&107*>4*7#)1"&4%%5170141*"4<&'51#B1*6&1,#((#)0G)#1#)&1 person owns the ocean, so everyone can take sharks out of it >)*7%1*6&"&/0141*#*4%1,#%%4!0&+186&"&/0141,#((&",74%107'&14)'141 ,>%*>"4%107'&+186&"&14"&1,#>)*"7&01*64*1642&164'1064"A1#)1*6&7"1 (&)>01B#"1412&"51%#)<1*7(&+ :%3&);+%0&-%:;2#%#2#$%0##)%0"&$8%/)%&%=#)45% .*/01410*4*>0105(F#%+1I&#!%&14"&1%##A7)<14*10>F0*7*>*&01F>*1*6&"&/01 )#1)>*"7*7#)4%124%>&1*#1064"A1$)+1.*/01=>0*1,4"*7%4<&+1V#>1&)'1>!1 37*61410#>!1*64*/01R42#>"&'137*61,67,A&)1#"1F&&B10*#,A+1V#>1&)'1 >!137*61%7**%&1F7*01#B1$)1*64*14''141*&[*>"&14)'1*6&0&1$)01,4)10&%%1 for up to $1000. N/4;2#%7##)%./$8*)1%+/%$&*0#%&.&$#)#00%&7/4+%+"#%*004#%*)% the city?

CAMERON JEFFERIES THIS IS AN EASILY IDENTIFIABLE PROBLEM

867017014)1&407%517'&)*7$4F%&1!"#F%&(137*614)17'&)*7$4F%&1 0#%>*7#)+186&"&/01<#7)<1*#1F&10#(&1,>%*>"4%1F4,A%4061F>*1.1*67)A1 >%*7(4*&%517*/014)1&'>,4*7#)1700>&+1.*/0141"&4%7*51#B1#>"1*7(&1*64*1 *67)<014"&164!!&)7)<14*141(4<)7$&'1"4*&+1H64*1(7<6*1)#*1642&1 F&&)141!"#F%&(1*3&)*51#"1*67"*515&4"014<#1701)#3164!!&)7)<14*1 0>,6141(40072&10,4%&1*64*17*1F&,#(&014)1700>&+186&10*4*>01U>#1 comes head to head with whatâ&#x20AC;&#x2122;s needed to create a 0>0*47)4F%&1B>*>"&+1 How is the process going? ./2&1B#>)'10#(&1%#,4%1%7A&C(7)'&'1!&#!%&16&"&14)'13&/2&1 0*4"*&'1#"<4)7O7)<14)'14<<"&<4*7)<1#>"1&BB#"*0+11./'1%7A&1*#10&&141 !"#27),74%1F4)1#)1064"A1$)0+1H&/2&1"&4,6&'1#>*1*#1*6"&&1#"1B#>"1 %&<70%4*#"014*1*6&1!"#27),74%1%&2&%14)'164'1*4%A0137*6141B&31,7*51 ,#>)0&%#"0+1H&/"&16#!7)<1*#1A&&!1(#27)<1>!1*6&1%&2&%0+1H&/'1 %#2&1*#1<&*14)1Q'(#)*#)1"&0*4>"4)*1#)1F#4"'136#13#>%'14<"&&1 to take this off of their menu.


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Profile Edmonton - Volume 3 Issue 1  

Profile Edmonton - Volume 3 Issue 1

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