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Panayiotis KOKORAS Delirium for flute, piano and violoncello

2008


Panayiotis KOKORAS Delirium

for amplified flute, piano and violoncello

Thessaloniki, 2008

Commissioned by Tirio IAMA

Awarded the  First  Prize  at  the   5th  Edition  Musici  Mojanesi  International  Composition   Competition  in  Treviso,  Italy Released by "PRESENT PERFECT" vol.1 (Greek contemporary music) | CD 2010 | Dissonance Records | recorded by Trio IAMA, Thessaloniki/ Greece Published by Ars Publica Musical Editions, Italy

Full Score Duration approx. 8’ minutes

<draft revised copy> Originally published by Ars Publica Musical Editions in June 2012


for Trio IAMA

Score

Delirium i 

Flute

wind blow wind blow

Piano

4

Fl.

balsa trem                

k

Pno.

Vc.

the IV string should be muted



 

       

      

        

 

                 k

 7

Fl.

I II III

proportional notation

i

Pno.

Vc.

i

k

                

        balsa

Violoncello

water glass glass trem

k

Panayiotis A. KOKORAS

paper pipe extention

 

i

Delirium



i  i k

glass ball

        

 |

  

|

                                water glass

            k

1

2

   

3

4

(c) 2008 Panayiotis KOKORAS, All Rights Reserved


open and close the key momentarily

2 10

Fl.

Pno.

  

i      i k

 



  

  

[t] [q]

 

                                  3      

              k measured notation

Vc.

 

Fl.

Pno.

A

i    

13

 

[t]

i

[t-k]

 

  

5

Pno.

Vc.



[q]

5

[t-k]

   k

...

i 

  

 

III

 

5

    

3            k                       

16

Fl.

     

only water glass 3

measured notation pizz bartok

Vc.

[q]

   

 

            I      balsa trem

balsa trem

 



 

i k             5

  k   

I

                  

       

3

   


i                 

Fl.

i

Pno.

Vc.

6

k

 3                

k

Pno.

[q]  i      

Vc.

C Fl.

Pno.

Vc.

3

i

k k

25

  

      

3 4



   

   

  

             

      

tremolo between G fingering and B key at sixtuplet speed

wobble trem 

          

6

6

6

3

Flutter 

           2

5

        3 

5

  

3

                      5

                 

   

i     i

          

                          6

     

22

Fl.

B

 

[q]

19

wobble trem

    

 glass trem  BB glass strum   k   FB                  sweep with glass ball longitudinal   from treble bridge to bass bridge glass ball produce a heavy and thick sound  acc-down trem with emphasis on the downbow frog tip xSP ST xSP ST k        accel. rit. a tempo    IV  

3


play without pressing the octave keys. as a result

4

i 

28

Fl.

i

Pno.

play the 2nd finger left hand wind blow it will be produced a micro-intervallic sonority wobble trem wobble trem  

wobble trem                                     

                   

k

Vc.

k

Fl.

Vc.



ST

wind blow wobble trem 

remove balsa

 

play without pressing the octave keys. as a result it will be produced a micro-intervallic sonority

wobble trem           

glass ball

glass  water glass trem FB  glass vb slide  k                  

k  IV

i  



 

          6



wobble trem E   wobble trem                    

k      

6

     

i

k

BB glass strum        

touch the E note with the thumb and slap with the middle hammering on the G

frog

tip ST 

34

Pno.



 

i

Pno.

Fl.

glass oscilation BB

 

with emphasis on the downbow

D   i          

31

Vc.

glass vb slide

FB

 produce a heavy and thick sound

acc-down trem xSP 

glass strum

 



        BB

acc-down trem

xSP

IV



FB

glass oscilation

 

 

 frog ST



BB

  

BB

glass vb slide

ord.

 


i 

37

Fl.

Pno.

wobble trem         

i k 

Vc.

40

Fl.

Pno.

Vc.

i 

k

Pno.

Vc.



   

BB





i k   k 

FB

   ST

xSP

wobble trem F Thimble                 

  

plectrum slice

        IV   

scratch bow SP

 

 

              SP        

plectrum harp-gliss trem

       BB        6  xSP  acc-down trem



ord.

plectrum slice FB

ST

 

plectrum



glass vb slide

i        

43

Fl.

i k

produce a heavy and thick sound with emphasis on the downbow

   



FB

xSP 



wobble trem 

strum glass  FB     



glass vb slide

acc-down trem

k

  

 

          wobble trem

     

           

plectrum harp-gliss trem



xSP

I

  

gliss

5


6

  i 

46

Fl.

i

Pno.

Vc.



plectrum longtitudinal trem

k  k



FB



thimble slice

   

   

SP scratch bow

IV

thimble slice            5    



I

III

 G i         

49

Fl.

wobble trem



    

wobble trem

play longtitunal the string

     

BB

             



IV

    

i

Pno.

slice [note B0] 6   thimble                        6 6   SP scratch bow    k         III  II 

k

Vc.

i   

52

Fl.

Pno.

Vc.

i k k

 

wind blow overtones

 FB glass vb slide      

glass stop

 

 bow slide

  

  

i

    I 

slice 6  thimble               6  BB

snap with fingernail at the top side of the cello's body (close to join with fingerboard)

 

 

H  wind blow               

wobble trem

hit with thimble on the piano's metal frame

strike the string with the right hand above the bow and slide with it

    xSP   I 

[note A0]

acc-down trem

k IV

 


55

Fl.

Pno.

Vc.

i 

[t] [t]

     

i k



i  

Pno.

Vc.

I 

wind blow

i

            

scratch bow

SP

IV

place balsa at the ord. position

                  

wobble trem 

3

3

  

3

    

 

3

3

    

3

glass strum

J   wind blow                wobble trem

 i  i k

glass vb slide                thimble slice               [note F0] glass strum 

thimble slice

  [note A#3] SP      

[note G0]

Vc.

  

   

  thimble slice         thimble slice                                                                    k                    6 6 6  6 6 3  acc-down trem scratch bow pizz bartok ST xSP SP    k                    

61

Pno.

  

 Fl.

thimble slice

 

hit with flat of neil

58

Fl.

  

k 



7

I II III



 

acc-down trem



glass vb slide FB

        

 


8

 i

64

Fl.

Pno.

[continues inside piano]

i k





reedy bowing

Vc.

 

i

i

67

Fl.

Pno.

Vc.

  

FB

k  I II III

Pno.



 FB

    Vc.

i

I II III

          

glass vb slide

spectrum variations

wind blow

 

glass vb slide

BB



 

 BB  



Old Elevator

K i  

k

glass stop

BBFB

70

Fl.

FB

proportional notation

[SP-ST]

I II III

glass stop

   BB         

BB

bow by changing string following the contour

col legno



 

 FB glass vs slide BB        glass stop

glass vb slide

    reedy bowing



BB

 



  

FB

balsa trem

  

glass stop glass vs slide

excite the balsa by hiting on its right side whilst bowing

  


     

73

Fl.

Pno.

Vc.

i 

 k

 

Pno.

Vc.

i k

BB

I II III





Pno.

  

   

  

  

glass vb slide BB

BB FB

 

 i    

 



glass stop glass vs slide

    

FB

BB

I II III

 

 

xSP

 

 

glass stop

M

aeolian wind blow

 

     

k

 

Slide

FB

remove balsa

BB

  

   

glass vb slide

 

 [fft!]

i k

  

balsa trem col legno

col legno

   

FB



 

glass vs slide

   

FB

aeolian wind blow

 BB    

remove paper extention

   

Vc.

 

col legno battuto

79

Fl.

  

glass stop glass vs slide

 



reedy bowing

L  i 

  



76

Fl.



i

I II III

 

9



glass vb slide

 

BB

LH pizz - slide with bow stick screw and pad

bow slide

gliss


10

 i  

82

Fl.

Pno.

Vc.

  

k

Pno.

Vc.

Fl.

Pno.

Vc.

 

  

FB

k

i

  

aeolian wind blow



     

glass circular motion

k 

 

glass vs slide

    

 

LH pizz - slide with bow stick screw and pad

bow slide

BB

II

    



 

k

  

stick screw and pad bow slide gliss

 

glass stop FB



 

 



 BB

 

 

  

wind blow overtones

  

glass oscilation            BB

bow slide



col legno circular

II III IV

glass stop

  k      

II  

  



    

IV

BB

LH pizz - slide with bow

 

 

O wind blow overtones        

glass stop

  

k  

i 

  

 

   

    

col legno circular



aeolian wind blow

         

i

88

     

 BB

  

i 

N      

glass oscilation FB

85

Fl.

i

II III IV

  

      

aeolian wind blow

      3


 i 

Fl.

Pno.

91

 

P

     

k 

 

I



   

glass vs slide



glass stop



IV



  

   i          wobble trem

i 



         

plectrum

k 

place the ball on top of the F# and play the same strings with a plectrum

glass ball trem play tremolo by sliding the ball on the F# strings and the neighbors F and G

BB

  



 

 

fast bowing





  LH oscilation  k     

II

change sound spectrum

i 

wind blow



 





 



    

[hi] [lo]

        

Pno.

i   k

  





  k     [xSP] [SP ]

Vc.

11

continuou trill with F#

97

Fl.

ord trill

[xSP] [SP ]

Vc.

Drone Fantasy

glass ball

Pno.

 FB  BB FB    k       

94

Fl.

i

bow slide

Vc.

wind blow wobble trem


12

wobble trem    i     

Fl.





Q 



100

place the ball on top of the F# and play the same strings with a plectrum play tremolo by sliding the ball on the F# strings and the neighbors F and G



no plectrum           

Pno.

i

k



 



   k     [xSP] [Ord]

Vc.

i 

Pno.

k

  k  

  

I

wind blow      i    

106

Fl.

          

[SP] [ST]

Vc.

                

place the ball on top of the F# and play the same note on the keyboard play tremolo by sliding the ball only on the F# strings

i

    

wind blow overtones

103

Fl.









3



      

Pno.

i   k



lv

   

[SP] [ST]

Vc.

k


R String Chimes 

109

Fl.

Pno.

Vc.

i 

i k

|

|



FB

Vc.

Pno.

Vc.



FB

           

    

   

 

      

     i         k   k



  

i    i   k k



     



    

         

 



three voices timbre counterpoint among the whistling tones, the tapped sounds and the C drone itself. You can freely leave the low C of the flute to resonate in between the harmonic tones.

 i 

115

Fl.



          xSP slow bow       k  

BB

sweep the glass ball and with other hand pluck with plectrum

Pno.

       

tap sound

glass ball sweep

strike the string with glass ball

glass vb slide

112

Fl.

 

wind blow overtones

     



  

          



        

 

 

      

          

      

   [SP] [ST]

13


S

14 118

Fl.

i 

 

    

  

                             play notes on keyboard  continue sweeping at the same register

Pno.

 i  

Vc.

k

 

k



xSP

| slow bow

 T

Muffled Sorrow

wind blow            i                        Hold the keys down                             i  wobble trem 

wind blow overtones

121

Fl.

|

  

 wobble trem                         

   

5

Pno.

Vc.

k k

 

  

I II III IV

Pno.

i 

i

k

[ord ] [fngb]

  

muffled

    

lv

 

wind blow

 

 



i

      

 

 

 balsa

Vc.

|

LH glissando

bow motion

124

Fl.

|

3

  

 



balsa pizz

I II III

lv


 

wind blow overtones

i 

127

Fl.

Pno.



i

k

  



balsa pizz

Vc.

i

I II III

lv

Fl.

Pno.

Vc.

i

k

i 

 

Fl.

Pno.

Vc.

k

i

[hi] [lo]

   

 

 

 

     

 

 



 



 



  



 





   







  

       

 

      

 

wind blow overtones

paper pipe extention

 

pizz balsa trem balsa     

 

 

 

i

lv

 

i 





  

 

   

 

133

 



130



[hi] [lo]



   i  

 

U 

   

4:5

 







  

   

        

15


16

i     

136

Fl.

k

Pno.

Vc.



i  

 



 

k

 

 

  



 

 

 3



         

 

Pno.

k  

Vc.

i

muffled

   

  





 

 



 



 

 

 

clang the spires of the string with a plectrum or fingerneil

clang spire

BB

FB

           

 



 

 

 

i     i

 

142

Fl.

balsa pizz  lv

    



   

  

 

wind blow

i

i

V  

i

139

Fl.

i

Pno.

Vc.

 

   

 


Delirium  

For full score and performance materials please visit: http://www.panayiotiskokoras.com/en/works.html

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