Page 1

Panayiotis KOKORAS Paranormal for three amplified snare drums

2003


Panayiotis KOKORAS Paranormal A holophonic approach

for three amplified snare drums

Score Duration approx. 07:30 minutes

All Rights Reserved Katerini, 2003


to Sungji Hong

Paranormal "a holophonic approach" for three amplified snare drums

q»¶™ Tremble

snares on LH jazz rake

Snare Drum 1

ã4 4

Panayiotis Kokoras

Tremble the brush with some press on top of the drum head

&.

       

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

¥¥¥¥¥

Snare Drum 2

&

P

> ¿ & ã4 4

snares on LH jazz rake

Snare Drum 3

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

P

p

snares off LH jazz rake

ã4 4

}&

   

}7 Hit with flat brush and sweep

ç

}&

Œ

7 7 77        7                      Ó P7

}&

}&

P

A

7. ã

ã Ó.

4

S.Dr. 1

S.Dr. 2

ã

S.Dr. 3

ã} &.

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¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

¥¥¥¥¥¥

P

> &¿

ç ‰ x .x } & f p

}& ©2003 Panayiotis A. Kokoras, All Rights Reserved


2

7

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã

&}.

}&

p

&

ãæ P

p

P

S.Dr. 1

ã

S.Dr. 2

ã& æ

S.Dr. 3

ãÓ

j x

>

7¿

ß

&.

¥¥

& æ

Ó

       

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æ F

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P

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p

&

}7

Œ

¥¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ ¥

B 10

¥

¥¥¥¥¥¥¥¥

p

ã Á7 ‰ . Œ ß

æ

              }&

change gradually

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&æ.

&

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¥¥¥¥¥

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¥

p

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P

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¥ ¥¥¥ ¥¥¥

p

¥


3

S.Dr. 1

S.Dr. 2

S.Dr. 3

}

}&

ã&

13

ä ä ä ä ä ä ä ä

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¥¥¥

}

ã&

} &

}&

P

}&

}&

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P

S.Dr. 1

& } ã5 4 .

S.Dr. 2

¥ ¥¥ ¥

ã5 & 4} R.H.

S.Dr. 3

ã5 4

}&

} &

Ó

}&

} &

P

bars 18-23 create a kind of diminuendo

C 16

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¥¥¥¥¥

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

Wavy ¥¥ ¥¥

¥¥ ¥¥

¿&7 . 3} 4> L.H. ß

RH dreadlock

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¥ ¥¥ ¥

Œ

Œ

Œ

&. 3} 4 f

} &.

} &. Œ

&

p Œ

RH jazz rake

}7

Hold on the brush from the wires vertical down to the drumhead and sweep by pressing

}7

3 &. 4} R.H.

F

}& . &.

L.H.


4

} &

19

S.Dr. 1

ã6 4

S.Dr. 2

} & ã6 4 Œ Œ &.

S.Dr. 3

ƒ

&

ã6 4

}&

& 4} 4 f

} & Œ

4 4

} &

4} & 4

} &

}&

} &

F

} &

} 7 Œ

P

} &

Ó

p

D Reduce gradually the part of brushwires that

L.H. hit the drumhead until you hit only the rim

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LH jazz rake

22

S.Dr. 1

S.Dr. 2

S.Dr. 3

P

ã&

& ã}

P

6& & 4}

Ó. 6 7Á 4 6 6 6 6 Œ Œ Œ 77     4                          ß F high / tip

6 7Á‰ Œ 4 F

R.H. change to dreadlock

&.

7Á‰ 4 4

ç

&

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

F

r 7   77              7Á‰ ‰ 4 ¿7 4 Œ Ó F ß ç 3

6Ó 4

Increase volume from mixer (for sound engineer)

6

6

¥¥¥¥¥


5

E ã      Œ

25

6

S.Dr. 1

5 Ó. 4

Ó

S.Dr. 2

S.Dr. 3

ã ã

&& } 4 4 |

}

to reduce the amplitue, slide away of the mic position of the SD's rim

RH dreadlock

Ó

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

‰ 7

|

}

Metallic, Sweepy

¥

F

}& }„ 7 4 4

F

Ó

low / frog

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LH change to dreadlock

}&

5 4∑

R.H. change to dreadlock

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

}&

5 4

¥¥

move the dreadlock's wires lightly and as close as possible to the rim in order to produce the swepping effect

4 4

&

P

}&

}&

}

}

}&

& }

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S.Dr. 1

ã

high / tip

S.Dr. 2

ã

S.Dr. 3

ã

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

f

}&


6

31

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã ã

}&

}& f

LH change to dreadlock

}

}.

}&

}&

ã

&. }

ã6 4 Ó

S.Dr. 2

ã6 4

S.Dr. 3

ã6 4

Œ

}.

Ó

&

Π7

F

} &.

}&&

4 4

f

& }

| high / tip

low / frog

&

Ó

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¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

Œ

¥¥¥¥¥¥¥¥¥¥

}&

F

¥¥¥¥¥¥¥¥¥¥¥¥

middle

low / frog

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

34

S.Dr. 1

}&

}

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4 4 & F f | 4 4

}&

F

Ó

} &

P


7

37

S.Dr. 1

ã

S.Dr. 2

ã

}& F

G

} &

}&

}

}

}&

}&

low / frog

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S.Dr. 3

ã

F

}&

}

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

F

} &

H

to reduce the amplitue, slide away of the mic position of the SD's rim

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}&

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S.Dr. 1

ã ã

}

}

high/ tip

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S.Dr. 2

S.Dr. 3

ã

}&

}

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

P ≤

&

P

back n forth


8

I 43

S.Dr. 1

ã3 4

4 4 |

}.

&

4 4

}„

4 4

&>¿

low / frog

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S.Dr. 2

S.Dr. 3

ã3 4 ã3 4

} &≥.

& }

F

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

Œ

æ

ß

gradually change from scrached to bouncy, the drlck should jump off rim middle

} „ „ „ „ „ „ „ „ æ

|

f

}& p

46

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã ã

}&

} &

}& p

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}@ . Ó

ãŒ

Œ>

¿7

Œ

& .≤

ß

Œ

&.≤

back n forth

}&

Balance volume from mixer

}& middle

}

Ó

P high

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F

&≤

P


9

J j

¿7

49

S.Dr. 1

ã6 4} &.

&¿

j

4 4} &. ß

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

S.Dr. 2

S.Dr. 3

ã6 4

S.Dr. 2

&}. ≥

ã6 4 &≤.

ã

ã ≤ } &. P

ã

}„ & ≤

¥¥¥¥¥

ßP

3 4

&¿ .

ß Œ

3 4} 7

4 4

¿& 4 ≤ 4} &

ß Œ

4 4} &≥

ß

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ß P

3 4 }.

F

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

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ßP

Œ

5 4} 7

∑ ∑

5 4

&¿ .

&¿

j

¿7

middle

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&≥ 4 ≤ ≥ 7¿ 4 }&

j

low / frog

S.Dr. 3

}7

P

52

S.Dr. 1

}&

Œ

¿7

sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement

5 4

7¿ ≤ }7 } &.

ß

ç

l. v.


10

55

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã4 4 ã4 4 ã4 4

K Lilting

&¿

¿. & ≈7 }

change both hands to rock rake

Ó

ß

&¿ä

ß

change both hands to jazz rake

Œ

Ó

ß

&¿ ≤

Ó

ß

ß

¿3. ¿3}&&¿

Ó

change both hands to rock rake

7¿

ß ß

7¿7¿         ≈Ó 6

6

¿7. ¿7 ‰7¿ 7¿ }7 }7. ¿7}& &. }

¿& Ó. ß

ß ßß

ß

L Ó & ¿ ≈7¿ . ã5 4Œ Ó. ß F

S.Dr. 1

S.Dr. 2

S.Dr. 3

Ó. . ¿ & 6 5 ¿7 4 Œ Œ Œ ‰ 7¿ ‰ 7¿ ≈7¿ . 4 6 ß f F

Œ

58

frog

6

j ¿>. } 7 7¿ 7 7¿} 7 Ó ã5

4

ßß

¿7äää                           f

6

>7¿ Ó . ‰. 7 5 4 Œ ‰ 7¿                    

6

6 4

ß

tip

tip

6

7¿

> ‰ ‰ 7¿ Ó

tip

7 7 Œ Œ ¿ Œ 7 Œ 6 ã5 4 ¿7        ‰ . ¿7            4 f f ß 6

Œ

¿& . 7¿ } & 7. }7 } ß ß

5

5

5

5

5

5

f 7                                   6

5 4

7

7

p

6

6

6

7

7

7


11

¿7 ã3 4 f

Œ

61

S.Dr. 1

S.Dr. 2

S.Dr. 3

6

6

7             7¿> 7

oo

play with the fingers of both hands near the adge

¿&æ

Ó

‰ . 7 4 7Á‰ . Ó . 4 ß

7Á ≈ ‰ Œ ã3 4 ß ã3 4

 4 æ 4 &¿ P

4} 7 4

ß

7

snares off

Ó.

snares off

M hit the rim, for the accented notes hit the same time near the adge (like rimshot)

Œ

64

ã 7¿¿7 7 ¿7¿7¿77¿ ¿77¿ ¿77¿¿7¿7 > > > >> P 7

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã ã

frog

7¿

ß &¿

ß

Œ

7

tip

7

|

} &7¿@ .

6

F

P ß

¿7        ‰ . P 5

F

6

6

5

Ó

Œ

2Ó 4 |

frog

7@

7¿

≈7¿

> ¿ & 2

Œ

tip

Œ

Œ Œ

7¿

4

ß

ß frog

tip

7 7 2 ¿7      4 >7¿         ¿7 ¿7¿7 7¿7¿ 5


12

Œ ã4 4 ‰ 7¿           7¿ ‰ P

3 11 Œ 4 >¿7¿7          F

67

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã4 4 ã4 4

S.Dr. 2

7>¿

ß

.Œ ã5 4 7¿ ‰ P

S.Dr. 3

ã5 4 ã5 4

Œ

7

ß

Œ . ‰ 7¿         F 6

Ó. 7¿            P 6

6

6

7

7

7

Œ

6

7

7

7

12 3 ‰ . 7¿               4 7¿            Ó > 6

Œ ¿7 P> 7

tip

7

6

Œ

7¿

7

4 4 ¿7 ß

‰ . 7¿ ≈7¿‰ . 7¿ 4 ‰ j 4 ¿ Œ ¿7 . ¿77¿> > > ¿ >7¿7             7 > frog

3 7 Œ ¿77¿ ¿7¿77¿7¿ 7¿7¿  7¿7¿ 4 ¿77¿     7¿ > > > > > > P 7

70

S.Dr. 1

3Π4

Ó ¿7             >P

frog

tip

frog

7 Ó 4 7 4 7¿             

4 Ó. 4

¿7       

3 6 6 6 4 ‰. Ó. 4 7¿                  4 7¿ P 3 4

4 6 6 6 Œ 4 7¿                 


13

N 73

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã

Ó. ‰    

ã

7¿

Œ

ß

Œ

ã ¿ 7> ß

˘

snares on

Ó

snares on

˘

7¿

ß

11

11

∑ Ó

Œ ≈ ‰ ¿7       ääääääääääääääääääääääääääääääääää   >7¿ ß f 11

Œ

11

ß

tip

frog

snares on

¿7       ääääääääääääää 11

>&¿

11

f

O as fast as possible 76

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã

j

3 ¿7 7 ≈ Œ 4 ƒ>

ã

. & 3 @

ã

3 &. 4

4

f

6

strumming

Œ

4 4

4 4

7Á≈ ‰ Œ 4} 4 ß

Ó

strumming


14

P Scratchy

˘

dampered

ã7

≈≈Ó

79

S.Dr. 1

F

S.Dr. 2

f |

5

5

ã Œ 7                        F

7

7

7

7

ã ¿&

5

5

5

5

|

ΠΠ7

Ó Œ 5 7R

strumming

> ƒ

3

Ó

ß

as fast as possible

&

Ó press vertically

as fast as possible

S.Dr. 3

7¿ ≈ ‰ Œ

7

æ f

3

7         7 ‰ Œ ‰ ≈Œ

7

5

5

5

5

play with the fingers of both hands near the adge

4 7Á‰ . Ó . 4 ß

82

S.Dr. 1

ã3 4 &.

S.Dr. 2

& ã3 4

S.Dr. 3

Œ ≈Œ

ã3 4 5

Œ

5 Ó. 4

4 4

&

4 æ 4 ƒ

 &æ P

5 ‰ . 7                 ‰ . Œ 4 f 6

as fast as possible

5 4

7 Œ

6

6

&.

p

6


15

Q LH change to dreadlock

ã4 7æ 4}

85

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã4 4

Ó

7

Ó.

7                          &

f

&

}&

&

as fast as possible

ƒ as fast as possible

                          

æ

}7Á≈‰ Œ ã4 4 ß

88

S.Dr. 1

Œ

oo

& f

7

7

&

                                                          

ãæ

p o c o a p o c o r i t.

S.Dr. 2

S.Dr. 3

ã

                                          Œ

}&

ãæ ƒ

p

p o c o a p o c o r i t.

Ó

                                               p o c o a p o c o r i t.


16

                3  ã5 4 4

91

S.Dr. 1

P

Ó

∑ press vertically

S.Dr. 2

ã5 4

S.Dr. 3

        ã5 4

3 &. 4

3 4

} &. f

F

Œ

Œ

Ó.

j 7

R RH rock rake

94

S.Dr. 1

S.Dr. 2

S.Dr. 3

&

ã4 4 æ6 P

}7Á≈‰ Œ ã4 4 }& ã4 4Ó p

}& change both hands to dreadlock

LH dreadlock

} &.

Ó

Œ

&

}&

Œ

&.

p Ó

7

Œ

7 ‰ 7 }


17

S }7

97

S.Dr. 1

ã3 4&

&. }

frog

S.Dr. 2

S.Dr. 3

ã3 4

LH fingers RH rock rake

} &.

4 }7Á ‰ . Ó 4

ƒ

sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement

ß

µ 7 ã3 4 f

}7Á≈ Œ

&.

F

4 4

7

π

&¿

ß

4} 4&

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

p

place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

ã} & p

} &

100

S.Dr. 1

S.Dr. 2

ã&

S.Dr. 3

ã} &

¥¥¥¥¥¥¥¥¥

& }

& }

¥¥¥¥¥¥¥¥¥¥

P

¥¥¥¥¥ ¥¥¥¥¥

} &

} &

& }

}7

P

} &

Œ

Ó Ó


18

T

Granular

ã3 &. 4} p

} &.

103

S.Dr. 1

S.Dr. 2

ã3 4

S.Dr. 3

ã3 4

S.Dr. 1

ã} &

S.Dr. 2

ã

RH jazz rake LH fingers

place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

&

Ó

7

7 }& . 4} 4µ P

}7 ∑

7

p

}&

} &.

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced

RH rock rake LH fingers

ã Ó.

& 4} 4 P

}&

106

S.Dr. 3

4} 4&

}&


19

109

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã} &

}& .

ã&

           

¥¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

¥¥¥¥¥

P

¥¥¥

p

} &.

¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

}&

¥¥¥¥¥¥¥¥¥¥

P

ã} & p

}7

¥¥¥

¥¥¥¥¥¥¥¥¥

Ó

}&

}&

U ã} & p

112

S.Dr. 1

¥

¥¥¥¥ ¥¥¥¥¥¥¥

S.Dr. 2

ãŒ

S.Dr. 3

ã} &

‰ 7 } & p

       

¥¥¥¥¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥

¥¥¥ ¥¥

P

} & }& .

¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥

}&

¥ ¥¥ ¥¥

Ó

¥ ¥¥ ¥

}&

P

}7

¥¥¥

¥¥¥

p

¥

} &.

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥


20

115

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã

}&

&

p

P

& ã}

}&

ã} & p

}&

}&

V Tremble

ã} & p

118

S.Dr. 1

S.Dr. 2

ã Ó.

S.Dr. 3

ã} &

}&

}&

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

}&

& ‰ 7 } p }&

¥¥ ¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥¥

P

     

¥¥¥¥¥¥¥¥¥¥¥¥

}&

¥¥

P


21

W }&

ã} &

121

S.Dr. 1

S.Dr. 2

}&

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

& } &. ã       } P place the brush angled to the drumhead

¥¥

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

S.Dr. 3

ãÓ

124

&

p

place the brush angled to the drumhead and move back n forth from the centre to the adge of the drumhead

Œ

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥

and move back n forth from the centre to the adge of the drumhead

}&

S.Dr. 1

ã

S.Dr. 2

& ã}

}&

S.Dr. 3

& ã}

}&

Ó

&

p

}&

}& ∑


22

X ãÓ

127

S.Dr. 1

S.Dr. 2

S.Dr. 3

ã ã

}&

&

p

wave with your fingertips

}&

U ∑

}&

U ∑

&

p

Ó wave with your fingertips

U

}&

FINE


Paranormal  

For full score and performance materials please visit: http://www.panayiotiskokoras.com/en/works.html

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