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Too Loud a Sollitude The Dissolusion of the Common Ground

PETER MEARS -

mears.peter@live.com 00447534955856

MArch/16

THESIS

C.V THESIS & SAMPLE WORKS


PETER MEARS

EDUCATION:

mears.peter@live.com

UNIVERSITY OF APPLIED ARTS VIENNA / DIE ANGEWANDTE/STUDIO HANI RASHID

C.V

2012-2016 First-Class Honours M.Arch. UNIVERSITY OF BRIGHTON 2008-2011 2.1 BA(HONS) Interior Architecture FALMOUTH COLLEGE OF ART 2007-2008 Graduation with Distinction Art Foundation

FULL TIME PROFESSIONAL WORK: MARTA NOWICKA & CO DESIGN AND DEVELOPMENT 2012 | Jan - Sept | London

Working for a niche agency on contemporary deigns for commercial and residential projects for clients that include Framestore, Micheal Landy and Gillian Wearing. Roles involved concept design, site survey, strong client relationship, design development, planning application, construction drawings, site experience material and fabrication. Platform5 Architects 2010 | Aug - Sept | London

One month work experience. Residential involvement, site experience and physical model of their Book Tower House for client use and the BMW Eurostyle Tour.

COMMISSIONS: ANNEXE 2012-15 | Codford

Successfully won a design project for 120 square meter dwelling in Wiltshire. Lead a small design team developing multiple design solutions for an ambitions client, gaining full planning application for a contemporary design solution in a rural area. Extensive exposure to the full design and planning process. GARDEN DESIGN 2016 | Ongoing | London

Successfully won a small project to deliver a hard scape garden solution to a rural property. Terracing 180sqm site to accommodate terrace, social fire-pit and water feature across a 2m downward slope.

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COLLABORATIONS:

EXHIBITIONS/ PUBLICATIONS:

CONSTANTIN LUSER 2013 | Ongoing | Vienna

Continued Sculpture collaboration with Austrian artist Constantin Luser. Exhibitions included Kunsthalle Krems

ARCHIPRIX CENTRAL EUROPE BIENNALE

RUPERT ZELMAN|MADAME ARCHITECTS

THE ESSENCE

2014 | Jun-Jul | Vienna

2016 | Slovenia Thesis Project

Ljubljana, Slovenia 2014,15 | Vienna Studio Project

Concrete tilling design solution and Künstlerhaus Wien | Vienna, Austria manufacturing -

SKILLS: 3D MODELING Rhinoceros, 3ds Max,Grasshopper, Vektorworks GRAPHICS Illustrator, InDesign, Photoshop, After Effects VISUALIZATION Vray FABRICATION Laser Cutting, CNC milling, 3dprinting, Vacuum Forming

THE ESSENCE 2013 | Vienna Studio Project

MAK Museum of Applied Arts na, Austria

| Vien-

PAST & PRESENT Ceramics 2008 | London

The Gallery Cork Street | LONDON


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001 TOO LOUD A SOLITUDE THE DISSOLUSION OF THE COMMON GROUND A STUDY IN DRAWINGS London

THESIS

Thesis MArch/ 16 Universität Für Angewandte Kunst Wein

Using drawings to question the permanency of the developers line, to bleed from one mark to another

MArch/16

BLUR AND THE FROZEN MOMENT


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Footprint Composition A continued study in drawings potential inuence to the 3 dimensional space. A re-interpretation within the composition of a drawing to deďŹ ne sets and subsets layered and pixeled within the whole. Both an excavation of site and the building of new through the abstraction of drawing composition.

The Earls Court Development, west London, signals the end of the 120 year old Earls Court Exhibition Centre. The proposal is set in the current model of London developments, seeming to focuses on a rigid role of housing and retail. The loss of the event holds a greater impact on the community, losing one of is sole attractors and impactors on the temporal shifts in daily routine. There is a fear of asset housing and potential ghost communities, with high-street retail pressing against a street leaves little to no porosity opportunity for internal growth. Instead a proposals could look to collide inflated influence of the Premier Leagues on LondonÂ’s stadium growth to affect and be effected by large scale developments, increased in localities connected infrastructure improvements. An approach of the English garden and the trodden path.

THESIS

Housing, the Development & the Future Stadium

MArch/16

|1 Site |2 London Football stadiums & recent/projected moves/expansions |3 Current London developments in tangent with cross-rail & infrastructure works |4 Program centres - market place and culture centres across site |5 Drawing compositional abstraction to Inform porosity and density distribution across site


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THESIS THESIS CREDITS MArch/16

The extremities between the continuous battle England has between restricted sites of heritage and the political policy toward large scale development. The vision is to focus on the imediate use and periffery of Stamford Bridge, home of Chelsea Football Club, to impose a new type of stadium. A variant porosity of connection with a new landscape. Its community interaction, both the temporal and long term, will provide a wider variety of space and inhabiting characters. The tiers will provide a point of departure, springboarding off the commercial wealth to form a catalyst for community and housing to grow. The project will look to use the stadium as a footing for its own inhabitation and impact on the site. -


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Houseing Itteration housing tower interpretation from drawing compositional abstract. Subset interpretation remains part of the whole

Compositional Study Level layer intergration.

THESIS

Towers and landscape and structure.

MArch/16

16


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1 Perforation 2 Roof Panels 3 Structure 4 Green Area 5 Offices 6 Hospitality 7 Stadium 8 Public Plaza/Street Level 9 Houseing 10 Market Space 11 Cultural Centre


|01|06 THESIS MODEL AND COMPOSITIONAL STUDIES

MArch/16

PROPOSAL


MArch/16

THESIS

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|01|07 THESIS

CORRIDOR LANDSCAPE

LANDSCAPE POCKETS AND SUBSETS

POCKETS A MArch/16

CORRIDOR


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E-WASTE MARKET LAGOS

MArch/16

WS|2014

WS MArch/ 14 Studio Hani Rashid Universität Für Angewandte Kunst Wien


MArch/16

WS|2014

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MArch/16

WS|2014

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WS|2014

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ANNEXE

003 ANNEXE

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COMMISSION 2012/ 15 CODFORD

ANNEXE COMMISSION

COMMISSION

ANNEXE

COMMISSION 2012/ 15 CODFORD


COMMISSION

ANNEXE

03|02


MARTA NOWICKA & CO DESIGN AND DEVELOPMENT

PROFESIONAL WORK RESIDENTIAL SAMPLE 2012 LONDON


PROFESSIONAL WORK

2012

03|02


MUSEUM EDGE OF IMPACT AND A QUESTIONED PERMANENCY OF THE PLANNED LINE A STUDY IN DRAWINGS Frankfurt

MArch/16

SS|2015

Pre-Thesis MArch/ 15 Universität Für Angewandte Kunst Wien


05|02

Bleeding light and moments of us

Museum to bleed its use through a drawn landscape, its introduction a catalyst to ‘overexpose’ the development. An artisan fade from museum, artist studios, small to medium gallery pockets and an artisan public landscape.

MArch/16

SS|2015

Landscape Composition Study


05|03 SS|2015 MArch/16

Meuseums moments of use, the puplic face of the exhibit, perminent, temporal, and the hiden vacuume of the vault. A lit conection to the greater scope of the meuseum footprint, through the walls and floors of the extended vault.


05|04 SS|2015 MArch/16

COMPOSITIONAL STUDY model


05|05 SS|2015 MArch/16

COMPOSITIONAL STUDY model


Peter Mears Thesis & Selected Works