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E | MAGAZINE

MAY 2016


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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

87


85

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

87


MAY 2016

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.

Editor,founder,publisher and Art Director : Andrea Costantini

Karen Knorr

Eduard Gordeev

Kindra Nikole

Chris Kovacs

2010-2014 Š PhotographizeMag | all rights reserved

Simon McCheung

Alexander Yakovlev

3 David Talley

pag 3

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer

Follow me: web: www.photographize.org email: photographizemag@gmail.com Cover : Š Alexander Yakovlev


MAY 2016

15

27

39

51

63

75

pag

pag

pag

pag

pag

pag

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.

Editor,founder,publisher and Art Director : Andrea Costantini

Karen Knorr

Eduard Gordeev

Kindra Nikole

Chris Kovacs

2010-2014 Š PhotographizeMag | all rights reserved

Simon McCheung

Alexander Yakovlev

3 David Talley

pag 3

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer

Follow me: web: www.photographize.org email: photographizemag@gmail.com Cover : Š Alexander Yakovlev


David Talley believes in a necessary resolution. An internationally recognized photographer and educator operating out of Portland, his work exhibits the darkest moment before an explosion of light. His imagery is marked by a story broken, but changed for the better, and the ability to transform the present problem in to a prospering future.

Of mass and matter Š David Talley

3

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

4


David Talley believes in a necessary resolution. An internationally recognized photographer and educator operating out of Portland, his work exhibits the darkest moment before an explosion of light. His imagery is marked by a story broken, but changed for the better, and the ability to transform the present problem in to a prospering future.

Of mass and matter Š David Talley

3

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

4


Rose and might © David Talley

Poison © David Talley Of mass and matter © David Talley

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6


Rose and might © David Talley

Poison © David Talley Of mass and matter © David Talley

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Beckon © David Talley

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One,self © David Talley

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Beckon © David Talley

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One,self © David Talley

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The american dream © David Talley

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Proxy © David Talley

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The american dream © David Talley

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Proxy © David Talley

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Untitled © David Talley

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You fall © David Talley

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Untitled © David Talley

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You fall © David Talley

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Igniting nightmares Š David Talley

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Š Kylli Sparre

13

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Studio-dance photographer Alexander Yakovlev makes his images of professional dancers come alive by adding dynamic elements like exploding flour. The Moscow resident is a graduate from the faculty of law at the Russian State University For the Humanities, but it’s clear from his work here that rhetoric isn’t his only specialty. Yakovlev’s photos span a wide spectrum of dance styles, from ballet to break-dancing, but it was his flour-filled photo “Big bang theory” that has garnered the most recent attention.

© Alexander Yakovlev

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16


Studio-dance photographer Alexander Yakovlev makes his images of professional dancers come alive by adding dynamic elements like exploding flour. The Moscow resident is a graduate from the faculty of law at the Russian State University For the Humanities, but it’s clear from his work here that rhetoric isn’t his only specialty. Yakovlev’s photos span a wide spectrum of dance styles, from ballet to break-dancing, but it was his flour-filled photo “Big bang theory” that has garnered the most recent attention.

© Alexander Yakovlev

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16


© Alexander Yakovlev

© Alexander Yakovlev

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18


© Alexander Yakovlev

© Alexander Yakovlev

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© Alexander Yakovlev © Alexander Yakovlev

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© Alexander Yakovlev © Alexander Yakovlev

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© Alexander Yakovlev

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© Alexander Yakovlev

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© Alexander Yakovlev

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© Alexander Yakovlev

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© Alexander Yakovlev © Alexander Yakovlev

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24


© Alexander Yakovlev © Alexander Yakovlev

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24


Š Alexander Yakovlev

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w w w. a n d r e a c o s t a n t i n i . o r g


Š Alexander Yakovlev

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w w w. a n d r e a c o s t a n t i n i . o r g


Simon McCheung came from a small town called Grimsby, UK. Which he later attended Surrey Institute of Art and Design to study animation film. He is now currently working in London as a graphic designer for video games developer, Rocksteady/Warner Bros. However his photography career only started in 2012 which lead to exhibiting some of his work at the Saatchi Gallery in London and he continues to coexists his passion for photography with his full time job. McCheung began to use self-portrait as a means to self teach himself the technical aspects of photography, which quickly grew into one of the main subject matters of his now current fine art journey. The evolution came about when he was seeking ways to engage his self created stories and to express his own psyche.

An underwater spell Š Simon McCheung

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The goal was to imprint memorible stories to his viewers which even though the images are of a single frame into his world. He invites the

viewer to create a story of their own by encouraging them to fill in the voids of the beginning and end.

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Simon McCheung came from a small town called Grimsby, UK. Which he later attended Surrey Institute of Art and Design to study animation film. He is now currently working in London as a graphic designer for video games developer, Rocksteady/Warner Bros. However his photography career only started in 2012 which lead to exhibiting some of his work at the Saatchi Gallery in London and he continues to coexists his passion for photography with his full time job. McCheung began to use self-portrait as a means to self teach himself the technical aspects of photography, which quickly grew into one of the main subject matters of his now current fine art journey. The evolution came about when he was seeking ways to engage his self created stories and to express his own psyche.

An underwater spell Š Simon McCheung

27

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

The goal was to imprint memorible stories to his viewers which even though the images are of a single frame into his world. He invites the

viewer to create a story of their own by encouraging them to fill in the voids of the beginning and end.

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Discovering Grace © Simon McCheung

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Origin © Simon McCheung

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Discovering Grace © Simon McCheung

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Origin © Simon McCheung

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Escape from Wonderland © Simon McCheung I Dream of Solitude © Simon McCheung

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Escape from Wonderland © Simon McCheung I Dream of Solitude © Simon McCheung

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Spells © Simon McCheung Honeymoon © Simon McCheung

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Spells © Simon McCheung Honeymoon © Simon McCheung

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34


Mondays © Simon McCheung Somewhere that Matters © Simon McCheung

The Bridge © Antonio Mora

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Mondays © Simon McCheung Somewhere that Matters © Simon McCheung

The Bridge © Antonio Mora

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Perspective Š Simon McCheung

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Island Š Leszek Bujnowski

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(1976) Born in Edmonton, Alberta, Canada. Chris Kovacs is an award winning photographer best known for his multiple exposure black-and-white photography. Chris is fascinated with science, particularly with quantum mechanics and the possibility of a multiverse, or multiple, parallel universes, which also sets the stage for his style of photographic works. Chris is also interested in exploring dreams, the subconscious mind and memory. Chris' photography focuses primarily on scenes containing elements of architecture and people. Chris captures "in camera" multiple-exposures of the same scene from different angles and later combines several multiple-exposure photographs together to form a single image. When asked about his photographic style Chris responds “It’s Multiplexualization.” Multiplexualization is a term Chris has coined. It is the digital layering of many different multiple-exposure photographs to form a single image which deliberately depicts a dreamlike quality. Multiplex, in this case, means: many elements in a complex relationship, where ualization represents the single, final image–the deliberate dreamlike visual. Drive Through, New York City, USA. © Chris Kovacs

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(1976) Born in Edmonton, Alberta, Canada. Chris Kovacs is an award winning photographer best known for his multiple exposure black-and-white photography. Chris is fascinated with science, particularly with quantum mechanics and the possibility of a multiverse, or multiple, parallel universes, which also sets the stage for his style of photographic works. Chris is also interested in exploring dreams, the subconscious mind and memory. Chris' photography focuses primarily on scenes containing elements of architecture and people. Chris captures "in camera" multiple-exposures of the same scene from different angles and later combines several multiple-exposure photographs together to form a single image. When asked about his photographic style Chris responds “It’s Multiplexualization.” Multiplexualization is a term Chris has coined. It is the digital layering of many different multiple-exposure photographs to form a single image which deliberately depicts a dreamlike quality. Multiplex, in this case, means: many elements in a complex relationship, where ualization represents the single, final image–the deliberate dreamlike visual. Drive Through, New York City, USA. © Chris Kovacs

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© Baptiste Fallon

Vessel, Venice, Italy © Chris Kovacs

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Right Where It Belongs Venice, Italy © Chris Kovacs

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© Baptiste Fallon

Vessel, Venice, Italy © Chris Kovacs

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Right Where It Belongs Venice, Italy © Chris Kovacs

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The Mark Has Been Made Venice, Italy © Chris Kovacs

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Submergence, Venice, Italy © Chris Kovacs

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The Mark Has Been Made Venice, Italy © Chris Kovacs

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Submergence, Venice, Italy © Chris Kovacs

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Beside You In Time Zagreb, Croatia © Chris Kovacs

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Real Estate & Bike Rovinj, Croatia © Chris Kovacs

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Beside You In Time Zagreb, Croatia © Chris Kovacs

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Real Estate & Bike Rovinj, Croatia © Chris Kovacs

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© Baptiste Fallon

Grand Central & Chrysler New York City, USA © Chris Kovacs

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Woodwards Building Vancouver, Canada © Chris Kovacs

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© Baptiste Fallon

Grand Central & Chrysler New York City, USA © Chris Kovacs

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Woodwards Building Vancouver, Canada © Chris Kovacs

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We're In This Together Venice, Italy Š Chris Kovacs

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60


Stockify Š Flora Borsi

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60


Kindra Nikole is a Seattle-based mixed-media artist whose work draws on natural settings to create surreal, otherworldly images. Kindra manifests fantastical realities in her images, oftentimes with a hint of dark allure. Her works tend toward vibrant, rich colors and typically feature a solitary figure immersed in nature. Kindra creates many of the sets, props, and costumes seen in her images. She then captures the intricacy of the moment with her trusty camera, Sir Didymus, and spends a great deal of time editing the image on her computer. The image is then printed onto giclÊe paper and treated as her underpainting layer, which is mounted onto a wood panel. Kindra then embellishes the piece with acrylics and sometimes metal-leaf techniques, creating a unique, beautiful painting. Finally, Kindra glazes the entire piece with a resin coating, creating a lustrous, glasslike presentation which also seals and protects the image. As a native to the Pacific Northwest and avid lover of the great outdoors, Kindra's profound admiration of nature is harnessed as a foundation in all of her work. Kindra believes that the mystery and magic of nature is a boundless well of inspiration. Outside her passionate pursuit of art, Kindra enjoys yoga, snowboarding, longboarding, hiking with her dog Ziggy, and reading. Poof Š Kindra Nikole

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

52


Kindra Nikole is a Seattle-based mixed-media artist whose work draws on natural settings to create surreal, otherworldly images. Kindra manifests fantastical realities in her images, oftentimes with a hint of dark allure. Her works tend toward vibrant, rich colors and typically feature a solitary figure immersed in nature. Kindra creates many of the sets, props, and costumes seen in her images. She then captures the intricacy of the moment with her trusty camera, Sir Didymus, and spends a great deal of time editing the image on her computer. The image is then printed onto giclÊe paper and treated as her underpainting layer, which is mounted onto a wood panel. Kindra then embellishes the piece with acrylics and sometimes metal-leaf techniques, creating a unique, beautiful painting. Finally, Kindra glazes the entire piece with a resin coating, creating a lustrous, glasslike presentation which also seals and protects the image. As a native to the Pacific Northwest and avid lover of the great outdoors, Kindra's profound admiration of nature is harnessed as a foundation in all of her work. Kindra believes that the mystery and magic of nature is a boundless well of inspiration. Outside her passionate pursuit of art, Kindra enjoys yoga, snowboarding, longboarding, hiking with her dog Ziggy, and reading. Poof Š Kindra Nikole

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

52


Pillar © Kindra Nikole The Last of Her Fading Power © Kindra Nikole

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Pillar © Kindra Nikole The Last of Her Fading Power © Kindra Nikole

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Germination © Kindra Nikole

Alice's Secret © Kindra Nikole

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Germination © Kindra Nikole

Alice's Secret © Kindra Nikole

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Turning tides and silvered shores © Kindra Nikole Shallow Drowned © Kindra Nikole

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58


Turning tides and silvered shores © Kindra Nikole Shallow Drowned © Kindra Nikole

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58


Whispers of the Nothing © Kindra Nikole

Stockify © Flora Borsi

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Orðian © Kindra Nikole

Stockify © Flora Borsi

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Whispers of the Nothing © Kindra Nikole

Stockify © Flora Borsi

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Orðian © Kindra Nikole

Stockify © Flora Borsi

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Stockify © Flora Borsi

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Of Withering Abundance © Kindra Nikole 62


Stockify © Flora Borsi

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Of Withering Abundance © Kindra Nikole 62


St. Petersburg-based Russian photographer Eduard Gordeev captures delicate cityscape scenes by taking photos in the rain. Flowing rain drops blur the colors and diffuse light, resulting in photos that have a strong resemblance to Impressionist oil paintings. Though the series mostly features Russia’s St. Petersburg and its widely recognized landmarks, some captivating shots from Lisbon can be found there as well. Nothing gloomy about the rain here, just pure Russian romance.

© Eduard Gordeev

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2013 © PhotographizeMag | all rights reserved

64


St. Petersburg-based Russian photographer Eduard Gordeev captures delicate cityscape scenes by taking photos in the rain. Flowing rain drops blur the colors and diffuse light, resulting in photos that have a strong resemblance to Impressionist oil paintings. Though the series mostly features Russia’s St. Petersburg and its widely recognized landmarks, some captivating shots from Lisbon can be found there as well. Nothing gloomy about the rain here, just pure Russian romance.

© Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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© Eduard Gordeev

© Eduard Gordeev

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© Eduard Gordeev

© Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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© Eduard Gordeev © Eduard Gordeev

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Š Eduard Gordeev

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Š Jack Savage

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Karen Knorr was born in Frankfurt am Main, Germany and was raised in San Juan, Puerto Rico in the 1960s. She finished her education in Paris and London. Karen has taught, exhibited and lectured internationally, including at Tate Britain, Tate Modern, The University of Westminster, Goldsmiths, Harvard and The Art Institute of Chicago. She studied at the University of Westminster in the mid-1970s, exhibiting photography that addressed debates in cultural studies and film theory concerning the ‘politics of representation’ practices which emerged during the late 1970s qnd early 1980s. She is currently Professor of Photography at the University for the Creative Arts in Farnham, Surrey. Karen Knorr produced Belgravia (1979-1981) a series of black and white photographs with ironic and humorous texts that highlighted aspirations, lifestyle and the British class system under the neo liberalist Thatcher era in the late 70’s and early 80’s. Her most well known work called G entlemen (1981-1983) was photographed in Saint James’s clubs in London and investigated the patriarchal conservative values of Britain during the Falklands war. Karen ’s work developed a critical and playful dialogue with documentary photography using different visual and textual strategies to explore her chosen subject matter that ranges from the family and lifestyle to the animal and its representation in the museum context. In 1986 her work Connoisseurs used colour to explore connoisseurship regarding authenticity, heritage and art in England. Here she introduced elements and staged events in the architectural interiors of Chiswick House, Osterley Park House and the Dulwich Picture Gallery. The use of text and captioning appeared as a device to slow down consumption of the image and to comment on the received ideas of fine art in museum culture. These strategies still appear in her photography today with digital collage of animals, objects and social actors in museums and architecture challenging the authority and power of heritage sites in Europe and more recently in India. The Battle Gallery [Château Chantilly] © Karen Knorr

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Karen Knorr was born in Frankfurt am Main, Germany and was raised in San Juan, Puerto Rico in the 1960s. She finished her education in Paris and London. Karen has taught, exhibited and lectured internationally, including at Tate Britain, Tate Modern, The University of Westminster, Goldsmiths, Harvard and The Art Institute of Chicago. She studied at the University of Westminster in the mid-1970s, exhibiting photography that addressed debates in cultural studies and film theory concerning the ‘politics of representation’ practices which emerged during the late 1970s qnd early 1980s. She is currently Professor of Photography at the University for the Creative Arts in Farnham, Surrey. Karen Knorr produced Belgravia (1979-1981) a series of black and white photographs with ironic and humorous texts that highlighted aspirations, lifestyle and the British class system under the neo liberalist Thatcher era in the late 70’s and early 80’s. Her most well known work called G entlemen (1981-1983) was photographed in Saint James’s clubs in London and investigated the patriarchal conservative values of Britain during the Falklands war. Karen ’s work developed a critical and playful dialogue with documentary photography using different visual and textual strategies to explore her chosen subject matter that ranges from the family and lifestyle to the animal and its representation in the museum context. In 1986 her work Connoisseurs used colour to explore connoisseurship regarding authenticity, heritage and art in England. Here she introduced elements and staged events in the architectural interiors of Chiswick House, Osterley Park House and the Dulwich Picture Gallery. The use of text and captioning appeared as a device to slow down consumption of the image and to comment on the received ideas of fine art in museum culture. These strategies still appear in her photography today with digital collage of animals, objects and social actors in museums and architecture challenging the authority and power of heritage sites in Europe and more recently in India. The Battle Gallery [Château Chantilly] © Karen Knorr

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The Maharaja’s Apartment, Udaipur City Palace, Udaipur © Karen Knorr

Academies (1994- 2001), a series of colour photographs taken in academies and museums across Europe, reflects on the relationship between the production of western fine art, its transmission and consumption. The work continues a critical dialogue with conceptual art, visual culture, feminism and animal studies reflecting an engaged interest in theory and its relation to photographic practice. In 1995 the Academies project included video and installation with wall text transfers in order the explore the relationship between art and science in the staging of transgressive performative events and gestures in museums. 77

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A Place like Amravati 2, Udaipur City Palace, Udaipur © Karen Knorr

Being for Another (1995), an 18 minute video records a young man caressing an 18th century sculpture by Canova in the Victoria and Albert Museum and three lifeclass models enact the lifeclass on the dissecting table of the anatomy theatre of Uppsala University in Lessons (2002). The introduction of a sound glass sculpture with recorded birdsong responded to the furniture and art collection of The Wallace Collection in 2001 synthesizing a 1960’s Pete Seeger song with an actual blackbird’s sound. 78


The Maharaja’s Apartment, Udaipur City Palace, Udaipur © Karen Knorr

Academies (1994- 2001), a series of colour photographs taken in academies and museums across Europe, reflects on the relationship between the production of western fine art, its transmission and consumption. The work continues a critical dialogue with conceptual art, visual culture, feminism and animal studies reflecting an engaged interest in theory and its relation to photographic practice. In 1995 the Academies project included video and installation with wall text transfers in order the explore the relationship between art and science in the staging of transgressive performative events and gestures in museums. 77

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

A Place like Amravati 2, Udaipur City Palace, Udaipur © Karen Knorr

Being for Another (1995), an 18 minute video records a young man caressing an 18th century sculpture by Canova in the Victoria and Albert Museum and three lifeclass models enact the lifeclass on the dissecting table of the anatomy theatre of Uppsala University in Lessons (2002). The introduction of a sound glass sculpture with recorded birdsong responded to the furniture and art collection of The Wallace Collection in 2001 synthesizing a 1960’s Pete Seeger song with an actual blackbird’s sound. 78


The Witness, Humayun's Tomb, Delhi © Karen Knorr

In her series Fables (2004-2008) photographs mixes analogue and digital photography playfully reconfiguring tales (Ovid, Aesop La Fontaine) with popular culture (Disney and Attenborough) in museums and heritage sites which include Carnavalet Museum, the Museum of Hunt and Nature in Paris, Chambord Castle and the Conde Museum in Chantilly Castle. The visuality of these photographs is rich with reference to the baroque. In the last © Carla DLM section of the work, Knorr interrogated the free flowing space of modern architecture in Corbusier’s Villa Savoye reintroducing life into the modernist aesthetic of a building. Since her life changing journey to Rajasthan, India in 2008, Karen Knorr’s work continues to explore Rajput and Mughal cultural heritage and its relationship to questions of feminine subjectivity and animality. 79

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The Queen's Room, Zanana Palace, Udaipur © Karen Knorr

India Song, a series of carefully crafted photographs explores the past and its relation to India’s contemporary heritage sites across Rajasthan. Since 2012 Knorr has been visiting Japan to reflect on tradition within contemporary Japan referencing Ukiyo-e prints and folktales connected to Shinto and Buddhist heritage sites.Her first series entitled Monagatari, places animals and humans in temple sites found in Nara, Kyoto, Tokyo and Ohara. Her second related series Karyukai is inspired by the Kano’s 36 portraits of poets also referencing “bijinga” prints of the 17th century. Women photographed by Karen Knorr were asked to compose waka and haiku reflecting on their life and dreams. © Carla DLM 80


The Witness, Humayun's Tomb, Delhi © Karen Knorr

In her series Fables (2004-2008) photographs mixes analogue and digital photography playfully reconfiguring tales (Ovid, Aesop La Fontaine) with popular culture (Disney and Attenborough) in museums and heritage sites which include Carnavalet Museum, the Museum of Hunt and Nature in Paris, Chambord Castle and the Conde Museum in Chantilly Castle. The visuality of these photographs is rich with reference to the baroque. In the last © Carla DLM section of the work, Knorr interrogated the free flowing space of modern architecture in Corbusier’s Villa Savoye reintroducing life into the modernist aesthetic of a building. Since her life changing journey to Rajasthan, India in 2008, Karen Knorr’s work continues to explore Rajput and Mughal cultural heritage and its relationship to questions of feminine subjectivity and animality. 79

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

The Queen's Room, Zanana Palace, Udaipur © Karen Knorr

India Song, a series of carefully crafted photographs explores the past and its relation to India’s contemporary heritage sites across Rajasthan. Since 2012 Knorr has been visiting Japan to reflect on tradition within contemporary Japan referencing Ukiyo-e prints and folktales connected to Shinto and Buddhist heritage sites.Her first series entitled Monagatari, places animals and humans in temple sites found in Nara, Kyoto, Tokyo and Ohara. Her second related series Karyukai is inspired by the Kano’s 36 portraits of poets also referencing “bijinga” prints of the 17th century. Women photographed by Karen Knorr were asked to compose waka and haiku reflecting on their life and dreams. © Carla DLM 80


© Carla DLM © Loïc Remy - ELREM Corridor [Carnavalet] © Karen Knorr

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© Carla DLM The Green Room [Carnavalet] © Karen Knorr

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© Carla DLM © Loïc Remy - ELREM Corridor [Carnavalet] © Karen Knorr

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© Carla DLM The Green Room [Carnavalet] © Karen Knorr

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Ledoux's Reception [Carnavalet] © Karen Knorr Bhakti, The Path of Sants, Shiva Temple, Hampi © Karen Knorr

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Ledoux's Reception [Carnavalet] © Karen Knorr Bhakti, The Path of Sants, Shiva Temple, Hampi © Karen Knorr

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Awakened to Emptiness, Hosen-in Temple, Ohara Š Karen Knorr 86


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Awakened to Emptiness, Hosen-in Temple, Ohara Š Karen Knorr 86


Dancers Š Elicia Edijanto

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David Talley

3

www.davidtalley.io

Alexander Yakovlev

www.ayakovlev.com

Simon McCheung www.mc-cheung.com

Chris Kovacs www.chriskovacsphotography.com Kindra Nikole

www.kindranikole.com

Eduard Gordeev

www.500px.com/egordeev

Karen Knorr www.karenknorr.com

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2016 Š PhotographizeMag

E | MAGAZINE

Photographize Magazine | Issue 31 May 2016  

In this issue: David Talley, Alexander Yakovlev, Simon McCheung, Chris Kovacs, Kindra Nikole, Eduard Gordeev, Karen Knorr.

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