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Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.

Josephine Cardin

Vincent Bourilhon

Jeremy Clausse

Francesco Romoli

Antonio Mora

Martin Rak

Laurent Chehere

2010-2014 Š PhotographizeMag | all rights reserved

Editor,founder,publisher and Art Director : Andrea Costantini Follow me: web: www.photographize.org email: photographizemag@gmail.com Cover : Š Antonio Mora


MAY 2015

3

15

27

39

51

63

75

pag 3

pag

pag

pag

pag

pag

pag

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.

Josephine Cardin

Vincent Bourilhon

Jeremy Clausse

Francesco Romoli

Antonio Mora

Martin Rak

Laurent Chehere

2010-2014 Š PhotographizeMag | all rights reserved

Editor,founder,publisher and Art Director : Andrea Costantini Follow me: web: www.photographize.org email: photographizemag@gmail.com Cover : Š Antonio Mora


For his series 'Flying Houses', photographer Laurent Chehere turns mundane suburban residences into fantastical, aerial still lifes. The images instantly remind us on Pixar’s film Up, just take away the balloons and swap animation for some seriously believable photo manipulation. Sporting washing lines, window flowers and even one burning building, the inspiration for the suburban town houses comes straight from the homes he came across in poorer neighborhoods in Paris. So whimsical and imaginative, if only they were real.

The linen which dries Š Laurent Chehere

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

4


For his series 'Flying Houses', photographer Laurent Chehere turns mundane suburban residences into fantastical, aerial still lifes. The images instantly remind us on Pixar’s film Up, just take away the balloons and swap animation for some seriously believable photo manipulation. Sporting washing lines, window flowers and even one burning building, the inspiration for the suburban town houses comes straight from the homes he came across in poorer neighborhoods in Paris. So whimsical and imaginative, if only they were real.

The linen which dries Š Laurent Chehere

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Mc Do © Laurent Chehere

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Missing Street © Laurent Chehere

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Mc Do © Laurent Chehere

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Missing Street © Laurent Chehere

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Red © Laurent Chehere

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Who are you? © Laurent Chehere

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Red © Laurent Chehere

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Who are you? © Laurent Chehere

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Caravan © Laurent Chehere

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Circus © Laurent Chehere

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Caravan © Laurent Chehere

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Circus © Laurent Chehere

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Le Petit Journal © Laurent Chehere

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Still Life © Laurent Chehere

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Le Petit Journal © Laurent Chehere

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Still Life © Laurent Chehere

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Gainsbourg Š Laurent Chehere

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w w w. a n d r e a c o s t a n t i n i . o r g

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My name is Martin Rak. I was born there all my life. I got my first six and I have been interested in only been photographing seriously digital SLR camera.

in 1984 in Prague, and have been living camera from my grandfather when I was photography since then. However, I have since 2007, when I bought my first

I enjoy traveling and being outside, therefore I mostly do fine art landscape photography. My favorite place is the Saxon-Bohemian Switzerland which lies on the boarder between the Czech Republic and Germany. Most of my images are from there.

It is a beautiful feeling to stand on a cliff in the morning silence, above the endless sea of clouds and to be there when the first light touches the landscape. I try to capture this atmosphere with my camera and share it with you.

Šachovnice © Martin Rak

I have recently been more attracted to black and white photography, which especially together with long exposures allow me to drift away from the real world and realize my creative intention.

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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My name is Martin Rak. I was born there all my life. I got my first six and I have been interested in only been photographing seriously digital SLR camera.

in 1984 in Prague, and have been living camera from my grandfather when I was photography since then. However, I have since 2007, when I bought my first

I enjoy traveling and being outside, therefore I mostly do fine art landscape photography. My favorite place is the Saxon-Bohemian Switzerland which lies on the boarder between the Czech Republic and Germany. Most of my images are from there.

It is a beautiful feeling to stand on a cliff in the morning silence, above the endless sea of clouds and to be there when the first light touches the landscape. I try to capture this atmosphere with my camera and share it with you.

Šachovnice © Martin Rak

I have recently been more attracted to black and white photography, which especially together with long exposures allow me to drift away from the real world and realize my creative intention.

15

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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Moritzburg © Martin Rak

Město duchů © Martin Rak

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Moritzburg © Martin Rak

Město duchů © Martin Rak

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Kmeny © Martin Rak

Les © Martin Rak

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Kmeny © Martin Rak

Les © Martin Rak

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Crab © Martin Rak

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Runaway © Martin Rak

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Crab © Martin Rak

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Runaway © Martin Rak

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Lapeny © Martin Rak

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Cyklista © Martin Rak

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Lapeny © Martin Rak

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Cyklista © Martin Rak

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Gondolas & Santa Maria della Salute Š Martin Rak

http://silastheintruder.tumblr.com 25

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Gondolas & Santa Maria della Salute Š Martin Rak

http://silastheintruder.tumblr.com 25

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Antonio Mora is an experienced creative Spanish who after an extensive career like designer and art director, ends finally in the art to give free rein to his inexhaustible fantasy, to his eager expressive needs. He describes himself as someone who makes cockails, realizes from images found in blogs, magazines, and fusing them together, works of great forcefulness and expressive force that do not leave anybody indifferent. They disturb. His originality takes root in the merger, in finding combinations that leave in the palate of our conscience flavors of evocation and mystery. Images that open a crack in our collective memory allowing us to watch, though only it is an instant the hybrid beings who populate our deepest dreams.

Central Park Š Antonio Mora

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28


Antonio Mora is an experienced creative Spanish who after an extensive career like designer and art director, ends finally in the art to give free rein to his inexhaustible fantasy, to his eager expressive needs. He describes himself as someone who makes cockails, realizes from images found in blogs, magazines, and fusing them together, works of great forcefulness and expressive force that do not leave anybody indifferent. They disturb. His originality takes root in the merger, in finding combinations that leave in the palate of our conscience flavors of evocation and mystery. Images that open a crack in our collective memory allowing us to watch, though only it is an instant the hybrid beings who populate our deepest dreams.

Central Park Š Antonio Mora

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The Door © Antonio Mora

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The Queen © Antonio Mora

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The Door © Antonio Mora

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The Queen © Antonio Mora

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Man in Venetia © Antonio Mora Arquitectures © Antonio Mora

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Man in Venetia © Antonio Mora Arquitectures © Antonio Mora

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Arboleda © Antonio Mora

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The Bridge © Antonio Mora

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Arboleda © Antonio Mora

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The Bridge © Antonio Mora

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The Bridge © Antonio Mora African Cyclops © Antonio Mora

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Magic Bridge © Antonio Mora

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The Bridge © Antonio Mora African Cyclops © Antonio Mora

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Magic Bridge © Antonio Mora

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Champ Wave Š Antonio Mora

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Champ Wave Š Antonio Mora

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Francesco Romoli was born in Pisa in 1977. Always interested in expressive forms of any type at age 14 he began to study guitar and music theory. He falls in love in computers in 1998 and started to work on hacking and net-art. He graduated in 2004 in Pisa in computer science. In 2010 begins to use photoshop for his creations, halfway between graphic design and photography. In 2012 he began studying at the center of contemporary photography Fondazione Studio Marangoni, Florence. His other passions include skydiving and travel.

Postcards from the future The Three Laws of Robotics:

© Francesco Romoli

1: A robot may not injure a human being or, through inaction, allow a human being to come to harm; 2: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law; 3: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law; The Zeroth Law: A robot may not harm humanity, or, by inaction, allow humanity to come to harm. ― Isaac Asimov, I, Robot

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Francesco Romoli was born in Pisa in 1977. Always interested in expressive forms of any type at age 14 he began to study guitar and music theory. He falls in love in computers in 1998 and started to work on hacking and net-art. He graduated in 2004 in Pisa in computer science. In 2010 begins to use photoshop for his creations, halfway between graphic design and photography. In 2012 he began studying at the center of contemporary photography Fondazione Studio Marangoni, Florence. His other passions include skydiving and travel.

Postcards from the future The Three Laws of Robotics:

© Francesco Romoli

1: A robot may not injure a human being or, through inaction, allow a human being to come to harm; 2: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law; 3: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law; The Zeroth Law: A robot may not harm humanity, or, by inaction, allow humanity to come to harm. ― Isaac Asimov, I, Robot

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© Francesco Romoli

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© Francesco Romoli

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© Francesco Romoli

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© Francesco Romoli

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© Francesco Romoli © Francesco Romoli

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© Francesco Romoli © Francesco Romoli

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44


© Francesco Romoli

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© Francesco Romoli

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© Francesco Romoli

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Francesco Romoli

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© Francesco Romoli © Francesco Romoli

Imaginary towns Ruined buildings, lost in some desert beyond reality. Reflections of what was. Characters living in houses that no longer exist. A world cast beyond the frontiers of our own, where the adventures of fragile beings, who ignore why they were born, are shared. Beings for whom two thousand years will not be enough time to grow.

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48


© Francesco Romoli © Francesco Romoli

Imaginary towns Ruined buildings, lost in some desert beyond reality. Reflections of what was. Characters living in houses that no longer exist. A world cast beyond the frontiers of our own, where the adventures of fragile beings, who ignore why they were born, are shared. Beings for whom two thousand years will not be enough time to grow.

47

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

48


Š Francesco Romoli

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60


Š Francesco Romoli

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60


WELCOME IN THE GEOGRAPHY OF THE VARIABLE-GEOMETRY EXILE. HE WILL NOT TELL YOU WHERE FROM HE GOES, HE WILL NOT TELL YOU WHERE HE GOES… DIFFICULT IN THESE CASES THERE TO PRESENT HE.

To present him would give him an outline, a shape, a limit, a partition…collision! Release itself, here is the quest of this dreamer in the intuitions – unrealistic – infractions! His practice builds itself around mirages, around appearances, which get married label fusion. The idea: explore the potential of the dark camera. Of his trip in the heart of an illusion, a pilgrimage in his fiction, in the fatal breast, the penetration, he sees the beautiful of his passion… the fault to whom ? Fault in the written forms. Author French photographer, feet on Earth and the head in stars, the three eyes are opened to seize the Beauty which surrounds us. His photography – tinged with ecstasy and with fury – of dreams, falls, the truth of a found essence…its truth aims to be to create a footbridge, a link in the Other one. Born in the North of France in 1977, I'm a young fine art photographer. The camera began to accompany my journeys in 2001 but it is only in 2008 when I was interested in the power of the photo, what she can convey and allows to share. Anaïs Nin said ” the internal rooms of the soul are as the darkroom of the photographer. We cannot stay there for a long time, otherwise it becomes the cell of the neurotic. ” I enough agree with this quotation.

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

No image text can be reproduced, edited, © copied or distributed without the LA 51TERRE NEor TOURNE PAS ROND Jeremy Clausse

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WELCOME IN THE GEOGRAPHY OF THE VARIABLE-GEOMETRY EXILE. HE WILL NOT TELL YOU WHERE FROM HE GOES, HE WILL NOT TELL YOU WHERE HE GOES… DIFFICULT IN THESE CASES THERE TO PRESENT HE.

To present him would give him an outline, a shape, a limit, a partition…collision! Release itself, here is the quest of this dreamer in the intuitions – unrealistic – infractions! His practice builds itself around mirages, around appearances, which get married label fusion. The idea: explore the potential of the dark camera. Of his trip in the heart of an illusion, a pilgrimage in his fiction, in the fatal breast, the penetration, he sees the beautiful of his passion… the fault to whom ? Fault in the written forms. Author French photographer, feet on Earth and the head in stars, the three eyes are opened to seize the Beauty which surrounds us. His photography – tinged with ecstasy and with fury – of dreams, falls, the truth of a found essence…its truth aims to be to create a footbridge, a link in the Other one. Born in the North of France in 1977, I'm a young fine art photographer. The camera began to accompany my journeys in 2001 but it is only in 2008 when I was interested in the power of the photo, what she can convey and allows to share. Anaïs Nin said ” the internal rooms of the soul are as the darkroom of the photographer. We cannot stay there for a long time, otherwise it becomes the cell of the neurotic. ” I enough agree with this quotation.

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

No image text can be reproduced, edited, © copied or distributed without the LA 51TERRE NEor TOURNE PAS ROND Jeremy Clausse

52


THE WHOLE WORLD IS A CACTUS © Jeremy Clausse

PLEASE CONNECT ME © Jeremy Clausse The camera just like the human mind possesses secret one thousand which it is necessary to learn to tame. What I appreciate in this way of expression, it is the possibility that allows the photography to take the imagination and the spirit “somewhere else” beyond some centimeters of the support of exit. 53

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The alchemy which allows this one to be born. Once again several quotations express better my relationship in the photo than me could not make him : - ” A photography, it is a cardiac arrest of a fraction of a second. ”(Pierre Movila) - ” A photography, it is the fragment of time that will not return. ” (Martine Franck) - ” Any photo is an intelligence which exhausts a light. ” (Denis Roche) And finally because a frame is certainly necessary for all this and because i needs to honor masters : ” To photograph it is to put on the same line of sight the head, the eye and the heart. ” (Henri Cartier-Bresson).

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THE WHOLE WORLD IS A CACTUS © Jeremy Clausse

PLEASE CONNECT ME © Jeremy Clausse The camera just like the human mind possesses secret one thousand which it is necessary to learn to tame. What I appreciate in this way of expression, it is the possibility that allows the photography to take the imagination and the spirit “somewhere else” beyond some centimeters of the support of exit. 53

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

The alchemy which allows this one to be born. Once again several quotations express better my relationship in the photo than me could not make him : - ” A photography, it is a cardiac arrest of a fraction of a second. ”(Pierre Movila) - ” A photography, it is the fragment of time that will not return. ” (Martine Franck) - ” Any photo is an intelligence which exhausts a light. ” (Denis Roche) And finally because a frame is certainly necessary for all this and because i needs to honor masters : ” To photograph it is to put on the same line of sight the head, the eye and the heart. ” (Henri Cartier-Bresson).

54


RATIONALITY LESS IS MORE © Jeremy Clausse I used photo manipulation to create another world of image which shows the human being and of his report to the world. At present, I work on several projects of which an entitled series “GAIA”. Gaia is the personification of the Earth in the cosmogony of Hésiode – She is the maternal ancestor of the divine races and the monsters. To Latin we find the equivalent Was in hiding there to Terra Mater or Tellus. The only one is Gaia, the earth. According to the narrative of Hésiode, it seems good that Gaia, who is a goddess in the well defined lines, the principle where from any things went out, was 55

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PEACE 9 POINTS, WAR 6 POINTS SO STOP © Jeremy Clausse the big divinity of the primitive Greeks. As the Aegean, as the peoples of Asia, the Greeks doubtless had to adore originally the Earth-mother, in whom they saw the goddess-mother. Gaia ” goddess in the wide breast “, was a time the supreme goddess, of whom the majesty was not only imperative upon the men, but upon the gods. As first divinity, Gaïa is, in a way, the guard of the divine power: it is her who causes the rebellion of Cronos against Ouranos and that of his grandson Zeus against Cronos, in a certain quest of the perfect sovereign; but she also raises her monstrous sons, the Giants and Typhoon, against Zeus, doomed to failure mutinies.

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RATIONALITY LESS IS MORE © Jeremy Clausse I used photo manipulation to create another world of image which shows the human being and of his report to the world. At present, I work on several projects of which an entitled series “GAIA”. Gaia is the personification of the Earth in the cosmogony of Hésiode – She is the maternal ancestor of the divine races and the monsters. To Latin we find the equivalent Was in hiding there to Terra Mater or Tellus. The only one is Gaia, the earth. According to the narrative of Hésiode, it seems good that Gaia, who is a goddess in the well defined lines, the principle where from any things went out, was 55

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

PEACE 9 POINTS, WAR 6 POINTS SO STOP © Jeremy Clausse the big divinity of the primitive Greeks. As the Aegean, as the peoples of Asia, the Greeks doubtless had to adore originally the Earth-mother, in whom they saw the goddess-mother. Gaia ” goddess in the wide breast “, was a time the supreme goddess, of whom the majesty was not only imperative upon the men, but upon the gods. As first divinity, Gaïa is, in a way, the guard of the divine power: it is her who causes the rebellion of Cronos against Ouranos and that of his grandson Zeus against Cronos, in a certain quest of the perfect sovereign; but she also raises her monstrous sons, the Giants and Typhoon, against Zeus, doomed to failure mutinies.

56


In my serie to approach between the Here is the world.

"(All) chimie photographik et Temps moderne", I try the movements of the society and the relationship human beings and the ownership. approach : an invitation, to whom will linger in its

UNDER PRESSURE © Jeremy Clausse

In this way, the Greeks doubtless wanted to represent both aspects of the nature: capable of creating the harmonious beauty, but also capable of making reappear the original chaos. You will find through this series an interpretation which is singular me and to return honor to Mother Nature In parallel, I also work on the infinitesimal.

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VOODOO CHILD © Jeremy Clausse 58


In my serie to approach between the Here is the world.

"(All) chimie photographik et Temps moderne", I try the movements of the society and the relationship human beings and the ownership. approach : an invitation, to whom will linger in its

UNDER PRESSURE © Jeremy Clausse

In this way, the Greeks doubtless wanted to represent both aspects of the nature: capable of creating the harmonious beauty, but also capable of making reappear the original chaos. You will find through this series an interpretation which is singular me and to return honor to Mother Nature In parallel, I also work on the infinitesimal.

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VOODOO CHILD © Jeremy Clausse 58


PROTECT YOUR INTIMITY © Jeremy Clausse

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MAESTRO MUSIC © Jeremy Clausse

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PROTECT YOUR INTIMITY © Jeremy Clausse

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MAESTRO MUSIC © Jeremy Clausse

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STARMAN Š Jeremy Clausse

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STARMAN Š Jeremy Clausse

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72


Fine art photographer Vincent Bourilhon expresses his dreams of a dynamic, vibrant world through enchantingly whimsical images. The Paris-based creative, who first first picked up a camera at the age of 16, combines photography and digital manipulation for stunningly surreal results that invite viewers to get lost in otherworldly scenes and visual narratives. Since we last shared Bourilhon's work in 2013, the photographer has continued to surprise and stun with fresh, imaginative concepts. Some familiar motifs, such as airplanes, rainclouds, and magical jars, are reinterpreted in different ways, while other images explore new ideas and worlds. As always, Bourilhon's work is beautifully cinematic, with each shot resembling a still from a film filled with magic, adventure, and self-discovery.

Throwback Thursday, Super Vincenzo Bros Š Vincent Bourilhon

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64


Fine art photographer Vincent Bourilhon expresses his dreams of a dynamic, vibrant world through enchantingly whimsical images. The Paris-based creative, who first first picked up a camera at the age of 16, combines photography and digital manipulation for stunningly surreal results that invite viewers to get lost in otherworldly scenes and visual narratives. Since we last shared Bourilhon's work in 2013, the photographer has continued to surprise and stun with fresh, imaginative concepts. Some familiar motifs, such as airplanes, rainclouds, and magical jars, are reinterpreted in different ways, while other images explore new ideas and worlds. As always, Bourilhon's work is beautifully cinematic, with each shot resembling a still from a film filled with magic, adventure, and self-discovery.

Throwback Thursday, Super Vincenzo Bros Š Vincent Bourilhon

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Graphic Games © Vincent Bourilhon The Way to Paris © Vincent Bourilhon

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Graphic Games © Vincent Bourilhon The Way to Paris © Vincent Bourilhon

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Poursuite © Vincent Bourilhon Crying Hand © Vincent Bourilhon

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Poursuite © Vincent Bourilhon Crying Hand © Vincent Bourilhon

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My real Bestfriend © Vincent Bourilhon

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Superficial © Vincent Bourilhon

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My real Bestfriend © Vincent Bourilhon

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Superficial © Vincent Bourilhon

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Personal Festivity © Vincent Bourilhon

Plantations © Vincent Bourilhon 71

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Personal Festivity © Vincent Bourilhon

Plantations © Vincent Bourilhon 71

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Catch the Moon Š Vincent Bourilhon 73

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Catch the Moon Š Vincent Bourilhon 73

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Born in Santo Domingo, Dominican Republic, Josephine Cardin is a fine arts photographer who grew up in South Florida, and is now living and working in Rochester, NY. Presently, Cardin has been developing her contemporary figurative work, inspired by music, dance, and the human themes of loneliness, isolation, fear, and transformation. Cardin works primarily in self-portraiture to illustrate scenes that bewitch and explore our human sensibilities through abstract stories with a visual dialogue between the subject and the artist created through harmonic gestures and magnetic artistry.

© García de Marina All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

No image or Cardin text can be reproduced, ©75Josephine

Cardin's work has been published/featured in Hi-Fructose, InPrint, Digital Camera, Photo+, BLUR, Adore Chroma, The Spoiler’s Hand, Lucy’s, beau BU, F-Stop, Dark Beauty, and Dance Magazines; among many others. She has exhibited with the Menier Gallery in London, ArtMeet Gallery in Milan, Spectrum Gallery in Rochester, NY, The Professional Woman Photographers, and The Boca Raton Museum of Art Juried Exhibition. Most recently Cardin received and honorable mention for the 2014 Julia Margaret Cameron Awards, was selected as a finalist for the Photographer’s Forum Magazine’s The Best of Photography 2014, and was selected as a finalist for the PhotoNola/International House Mary Magdalene Exhibit in New Orleans. She has done work for the Boston Ballet, Rochester City Ballet, Arts Ballet Theater, and The Broward Center for the Performing Arts; as well as work for corporate clients. Additionally she earned an artistic grant from the state of Florida, prior to her move to Boston. 76


Born in Santo Domingo, Dominican Republic, Josephine Cardin is a fine arts photographer who grew up in South Florida, and is now living and working in Rochester, NY. Presently, Cardin has been developing her contemporary figurative work, inspired by music, dance, and the human themes of loneliness, isolation, fear, and transformation. Cardin works primarily in self-portraiture to illustrate scenes that bewitch and explore our human sensibilities through abstract stories with a visual dialogue between the subject and the artist created through harmonic gestures and magnetic artistry.

© García de Marina All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

No image or Cardin text can be reproduced, ©75Josephine

Cardin's work has been published/featured in Hi-Fructose, InPrint, Digital Camera, Photo+, BLUR, Adore Chroma, The Spoiler’s Hand, Lucy’s, beau BU, F-Stop, Dark Beauty, and Dance Magazines; among many others. She has exhibited with the Menier Gallery in London, ArtMeet Gallery in Milan, Spectrum Gallery in Rochester, NY, The Professional Woman Photographers, and The Boca Raton Museum of Art Juried Exhibition. Most recently Cardin received and honorable mention for the 2014 Julia Margaret Cameron Awards, was selected as a finalist for the Photographer’s Forum Magazine’s The Best of Photography 2014, and was selected as a finalist for the PhotoNola/International House Mary Magdalene Exhibit in New Orleans. She has done work for the Boston Ballet, Rochester City Ballet, Arts Ballet Theater, and The Broward Center for the Performing Arts; as well as work for corporate clients. Additionally she earned an artistic grant from the state of Florida, prior to her move to Boston. 76


Always an artist in some capacity, Cardin started out as a ballet dancer, then earning her B.A. in Art History from Florida Atlantic University, followed by an M.A. in Communications from Lynn University. She went on to hold several professional jobs in the arts, while continuing to produce personal and professional photography projects as a freelancer. In 2010 Cardin focused on pursuing her fine arts career full-time.

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©79Josephine Cardin

© Josephine Cardin 78


Always an artist in some capacity, Cardin started out as a ballet dancer, then earning her B.A. in Art History from Florida Atlantic University, followed by an M.A. in Communications from Lynn University. She went on to hold several professional jobs in the arts, while continuing to produce personal and professional photography projects as a freelancer. In 2010 Cardin focused on pursuing her fine arts career full-time.

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

©79Josephine Cardin

© Josephine Cardin 78


© Josephine Cardin

© Josephine Cardin 79

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© Josephine Cardin

© Josephine Cardin 79

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© Josephine Cardin

© Josephine Cardin 81

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© Josephine Cardin

© Josephine Cardin 81

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© Josephine Cardin 83

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© Josephine Cardin 84


© Josephine Cardin 83

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© Josephine Cardin 84


Laurent Chehere

3

www.laurentchehere.com

Martin Rak www.martinrak.cz

Antonio Mora www.mylovt.com

Francesco Romoli www.russelaid.com

Jeremy Clausse www.claussejeremy-photography.com

Vincent Bourilhon

www.vincent-bourilhon.com

Josephine Cardin Š Josephine Cardin

85

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www.cardinphotography.com

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Laurent Chehere

3

www.laurentchehere.com

Martin Rak www.martinrak.cz

Antonio Mora www.mylovt.com

Francesco Romoli www.russelaid.com

Jeremy Clausse www.claussejeremy-photography.com

Vincent Bourilhon

www.vincent-bourilhon.com

Josephine Cardin Š Josephine Cardin

85

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www.cardinphotography.com

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E | MAGAZINE

Photographize Magazine | Issue 26 may 2015  

In this Issue: Laurent Chehere, Martin Rak, Antonio Mora, Francesco Romoli, Jeremy Clausse, Vincent Bourilhon, Josephine Cardin.

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