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E | MAGAZINE

January 2014


JANUARY 2014

83 pag

Logan Zillmer

71 pag

Ben Zank

59 pag

Ronnie Baxter

47 pag

Vanessa Paxton

27 pag

David Stewart

15 pag

Aneta Ivanova

3 Fabrice Silly

pag 3

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved Editor,founder,publisher and Art Director : Andrea Costantini Follow me:

web: www.photographize.org email: photographizemag@gmail.com Cover : Š Vanessa Paxton


JANUARY 2014

83 pag

Logan Zillmer

71 pag

Ben Zank

59 pag

Ronnie Baxter

47 pag

Vanessa Paxton

27 pag

David Stewart

15 pag

Aneta Ivanova

3 Fabrice Silly

pag 3

Photographize is an independent electronic magazine, downloadable FREE, that involves any kind of art regardless of technique or period such as illustration, painting, digital art, photography, sculpture, graphics. Wants to be a virtual place based on the immediacy, where the images are presented in their pure beauty have the ability to capture and captivate the viewer All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved Editor,founder,publisher and Art Director : Andrea Costantini Follow me:

web: www.photographize.org email: photographizemag@gmail.com Cover : Š Aneta Ivanova


FABRICE SILLY If one of Fabrice Silly’s shots happens to appear on a «wall» of photographs, your eye will immediately be attracted to it as if replying to a call. Apart from the typical effect of the long exposure resulting in a distension of time, it is above all the “almost nothing”, the subtle emptiness that are appealing. Appealing, questioning, secretly echoing our existential obsessions. The evidence in these “compositions”, where a human figure seems to be lost, facing an environment reduced to its basic elements. “Compositions” since spatial landmarks are rubbed out and tracks are covered : a topographical deconstruction and reconstruction completing the distension of time (explained above). The basic “ time and space” element revisited and purified , so as to magnify it in a piece of personal work, marching forward to weightlessness. To better describe this, music, with its ethereal spirals, seems to be closer than words weighed down by real life. Emanating from his imaginary world, Fabrice Silly’s works are aesthetic proposals calling on our own imagination. He does not intend to make us travel, but to carry us away. The challenge succeeds, for the spell also works in the urban snapshots. Revisited megalopolis, becoming illusions at the risk of wounding the pride of the highest tower, reminding us that man is ephemeral in a floating world. Silence and desert sand will eventually take over the welcoming oasis. In his work the tireless quest for an uncluttered style, aesthetically ideal, persevering and, though still discreet, easily recognizable, enables Fabrice Silly to be acknowledged as a real artist.

© Fabrice Silly

3

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

4


FABRICE SILLY If one of Fabrice Silly’s shots happens to appear on a «wall» of photographs, your eye will immediately be attracted to it as if replying to a call. Apart from the typical effect of the long exposure resulting in a distension of time, it is above all the “almost nothing”, the subtle emptiness that are appealing. Appealing, questioning, secretly echoing our existential obsessions. The evidence in these “compositions”, where a human figure seems to be lost, facing an environment reduced to its basic elements. “Compositions” since spatial landmarks are rubbed out and tracks are covered : a topographical deconstruction and reconstruction completing the distension of time (explained above). The basic “ time and space” element revisited and purified , so as to magnify it in a piece of personal work, marching forward to weightlessness. To better describe this, music, with its ethereal spirals, seems to be closer than words weighed down by real life. Emanating from his imaginary world, Fabrice Silly’s works are aesthetic proposals calling on our own imagination. He does not intend to make us travel, but to carry us away. The challenge succeeds, for the spell also works in the urban snapshots. Revisited megalopolis, becoming illusions at the risk of wounding the pride of the highest tower, reminding us that man is ephemeral in a floating world. Silence and desert sand will eventually take over the welcoming oasis. In his work the tireless quest for an uncluttered style, aesthetically ideal, persevering and, though still discreet, easily recognizable, enables Fabrice Silly to be acknowledged as a real artist.

© Fabrice Silly

3

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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© Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Fabrice Silly

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Š Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Š Fabrice Silly

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

12


My name is Aneta Ivanova and I am 21-years old photographer born in Varna, Bulgaria. I started doing photography when I was 13 and have never stopped since then. I began by shooting experimental self-portraiture in my home, then discovered Fine art and fashion photography. I’m open for all kinds of projects and collaborations.

Š Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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My name is Aneta Ivanova and I am 21-years old photographer born in Varna, Bulgaria. I started doing photography when I was 13 and have never stopped since then. I began by shooting experimental self-portraiture in my home, then discovered Fine art and fashion photography. I’m open for all kinds of projects and collaborations.

Š Aneta Ivanova

15

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Š Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Š Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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© Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Aneta Ivanova

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Š Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Š Aneta Ivanova

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

26


David Stewart, Great-Britain, 1958, is a photographer that uses a lot of humour in his photographs, this is also visible in the playfull design of his website. In 2009 his latest book Thrice Removed was published. It is a collection of images that work like an observation on relationships and life in general. On his website one can find the category Stuff. Various humorous images dealing with the darker side of life like suicide.

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David Stewart, Great-Britain, 1958, is a photographer that uses a lot of humour in his photographs, this is also visible in the playfull design of his website. In 2009 his latest book Thrice Removed was published. It is a collection of images that work like an observation on relationships and life in general. On his website one can find the category Stuff. Various humorous images dealing with the darker side of life like suicide.

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Š David Stewart

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Š David Stewart

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Š David Stewart

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Š David Stewart

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Š David Stewart 40


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Š David Stewart 40


"Every child is born blessed with a vivid imagination. But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if [s]he ceases to exercise it." - Walt Disney I grew up in a rural part of Jamaica reading Lewis Carroll and watching every Walt Disney film ever created. My mum owned a video store so I had endless access to all the beautiful worlds conjured up by adults who never lost their imagination, and occasionally some who had. I had a very isolated childhood because of where my dad built his house. It was a large house miles from the main road. We, in my family, call it ‘the house on the hill’ and it’s regarded with a swarm of emotions. There wasn’t much else for me to do but play dress up and make believe with myself. Invent scenarios, go on adventures, and get lost on the Green Island mountainside. I can say with certainty that this has contributed to the aesthetic and subject matter in my early work, as well as the way that I still prefer to shoot: alone. I once believed in magic. I honestly believed it was possible to fly. I chased that feeling for a long time until recently. As my work evolves and as I mature I see myself headed in a more psychological direction. I’m being steered toward uncovering the darkness that had been silently waiting; the film that played out and looped over and over again all the while I was off playing princess. 47

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

"Lorde" of the flies II © Vanessa Paxton

48


"Every child is born blessed with a vivid imagination. But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if [s]he ceases to exercise it." - Walt Disney I grew up in a rural part of Jamaica reading Lewis Carroll and watching every Walt Disney film ever created. My mum owned a video store so I had endless access to all the beautiful worlds conjured up by adults who never lost their imagination, and occasionally some who had. I had a very isolated childhood because of where my dad built his house. It was a large house miles from the main road. We, in my family, call it ‘the house on the hill’ and it’s regarded with a swarm of emotions. There wasn’t much else for me to do but play dress up and make believe with myself. Invent scenarios, go on adventures, and get lost on the Green Island mountainside. I can say with certainty that this has contributed to the aesthetic and subject matter in my early work, as well as the way that I still prefer to shoot: alone. I once believed in magic. I honestly believed it was possible to fly. I chased that feeling for a long time until recently. As my work evolves and as I mature I see myself headed in a more psychological direction. I’m being steered toward uncovering the darkness that had been silently waiting; the film that played out and looped over and over again all the while I was off playing princess. 47

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

"Lorde" of the flies II © Vanessa Paxton

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The Color Project - Green © Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

The Color Project - Brown © Vanessa Paxton

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The Color Project - Green © Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

The Color Project - Brown © Vanessa Paxton

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Outlet © Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

Relapse © Vanessa Paxton

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Outlet © Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

Relapse © Vanessa Paxton

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Wasteland I © Vanessa Paxton

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Wasteland II © Vanessa Paxton

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Wasteland I © Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

Wasteland II © Vanessa Paxton

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Wasteland I © Vanessa Paxton

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Wasteland II © Vanessa Paxton

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Wasteland I © Vanessa Paxton

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Wasteland II © Vanessa Paxton

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Untitled Š Vanessa Paxton

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Untitled Š Vanessa Paxton

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

56


I’ve always had a fascination for the sea and how it crafts the land. For the last few years I’ve spent time walking areas of the Central East Coast of Scotland and NE England photographing the natural and the man-made elements that have demanded my attention. Working as a commercial photographer for too many years to mention and not always being the master of what I can shoot, being able to spend time on this personal project has been immensely therapeutic and fun and I intend to continue developing this series. Currently my time is split between commercial photography, running One2One landscape workshops and lecturing in photography at Edinburgh College.

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ronnie Baxter

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I’ve always had a fascination for the sea and how it crafts the land. For the last few years I’ve spent time walking areas of the Central East Coast of Scotland and NE England photographing the natural and the man-made elements that have demanded my attention. Working as a commercial photographer for too many years to mention and not always being the master of what I can shoot, being able to spend time on this personal project has been immensely therapeutic and fun and I intend to continue developing this series. Currently my time is split between commercial photography, running One2One landscape workshops and lecturing in photography at Edinburgh College.

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ronnie Baxter

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© Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ronnie Baxter

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© Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ronnie Baxter

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ronnie Baxter © Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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Š Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Š Ronnie Baxter

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

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Ben Zank was born in Bronx, New York. At the age of 18, he began taking photographs for fun after he discovered a Pentax ME Super in his grandmother's attic. His self-portraits aim to stretch the viewer's imagination and express his feelings when words fail. I didn’t go to school for photography. Instead I majored in journalism. As a journalist in school, you find that your own words end up being silenced and in place are an objective and almost robotic narrative that is constantly regurgitated. Consequentially, I found myself bad at expressing my emotions through words. I was good at the rant, but any real meaning about myself was locked deep inside. My photographs are a way for me to abstractly speak my opinion and bring my emotions into light. My photographs represent my current and past emotions. Being in control, being powerless, stuck, being free again, etc. Think of it like a power struggle.

© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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Ben Zank was born in Bronx, New York. At the age of 18, he began taking photographs for fun after he discovered a Pentax ME Super in his grandmother's attic. His self-portraits aim to stretch the viewer's imagination and express his feelings when words fail. I didn’t go to school for photography. Instead I majored in journalism. As a journalist in school, you find that your own words end up being silenced and in place are an objective and almost robotic narrative that is constantly regurgitated. Consequentially, I found myself bad at expressing my emotions through words. I was good at the rant, but any real meaning about myself was locked deep inside. My photographs are a way for me to abstractly speak my opinion and bring my emotions into light. My photographs represent my current and past emotions. Being in control, being powerless, stuck, being free again, etc. Think of it like a power struggle.

© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

Š Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 Š PhotographizeMag | all rights reserved

Š Ben Zank

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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© Ben Zank © Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ben Zank © Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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© Ben Zank

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2014 © PhotographizeMag | all rights reserved

© Ben Zank

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I am a 28 year old conceptual photogarpher from the Midwest. I have been interested in photography ever since I was in high school, however, until this year I was really only concerned with documentary style photography. I am a film school graduate, and have spent the few years since my graduation trying to get films made. The frustrations of that are what led me to do this project. I needed something that I could do entirely on my own, without having to rely on anyone else for anything that could make or break the project. I had a lot of energy built up from these frustrations trying to get films made and it needed an outlet and fast. So, I decided if I was going to do this project, my goal was to find the voice in myself that wanted to get out. I banished all pre-conceived notions about what kind of photography I thought I should be doing and just started making things, whatever my imagination came up with. It became pretty quickly evident that my imagination is not made for doc style, and that conceptual photography is where my true voice is.

Š Logan Zillmer

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All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2013 Š PhotographizeMag | all rights reserved

84


I am a 28 year old conceptual photogarpher from the Midwest. I have been interested in photography ever since I was in high school, however, until this year I was really only concerned with documentary style photography. I am a film school graduate, and have spent the few years since my graduation trying to get films made. The frustrations of that are what led me to do this project. I needed something that I could do entirely on my own, without having to rely on anyone else for anything that could make or break the project. I had a lot of energy built up from these frustrations trying to get films made and it needed an outlet and fast. So, I decided if I was going to do this project, my goal was to find the voice in myself that wanted to get out. I banished all pre-conceived notions about what kind of photography I thought I should be doing and just started making things, whatever my imagination came up with. It became pretty quickly evident that my imagination is not made for doc style, and that conceptual photography is where my true voice is.

Š Logan Zillmer

83

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84


Š Logan Zillmer

83

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84


Š Logan Zillmer

83

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© Logan Zillmer

87

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© Logan Zillmer

88


© Logan Zillmer

87

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© Logan Zillmer

88


© Logan Zillmer

89

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© Logan Zillmer

90


© Logan Zillmer

89

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© Logan Zillmer

90


© Logan Zillmer © Logan Zillmer

91

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© Logan Zillmer © Logan Zillmer

91

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© Logan Zillmer

93

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© Logan Zillmer

94


© Logan Zillmer

93

All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2010-2013 © PhotographizeMag | all rights reserved

© Logan Zillmer

94


Fabrice Silly

3

www.fabricesillyphotography.com

Aneta Ivanova www.anetaivanova.com

David Stewart www.davidstewwwart.com

/art/photography/creative/

Vanessa Paxton www.vanessapaxton.com

Ronnie Baxter www.ronniebaxter.co.uk

Ben Zank

www.benzank.com

Logan Zillmer www.loganzillmer-photography.tumblr.com


Fabrice Silly

3

www.fabricesillyphotography.com

Aneta Ivanova www.anetaivanova.com

David Stewart www.davidstewwwart.com

/art/photography/creative/

Vanessa Paxton www.vanessapaxton.com

Ronnie Baxter www.ronniebaxter.co.uk

Ben Zank

www.benzank.com

Logan Zillmer www.loganzillmer-photography.tumblr.com


All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright. No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 2014 Š PhotographizeMag

E | MAGAZINE

Photographize Magazine | Issue 18 - January 2014  

In this Issue: Fabrice Silly, Aneta Ivanova, David Stewart, Vanessa Paxton, Ronnie Baxter, Ben Zank, Logan Zillmer

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