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Auction 11 April 2019


17. Ugo Rondinone


9. Oscar Murillo


26. Katarina Grosse


New Now London, 11 April 2019

20th Century & Contemporary Art Department Contact

Auction & Viewing Location

Head of Sale Simon Tovey +44 20 7318 4084 stovey@phillips.com

Auction

Cataloguer Louise Simpson +44 20 7901 7911 lsimpson@phillips.com

4 – 11 April 2019 Monday – Saturday 10am-6pm Sunday 12pm-6pm

Administrator Olivia Taylor +44 20 7318 4082 otaylor@phillips.com

30 Berkeley Square London W1J 6EX

11 April 2019, 2pm

Viewing

Sale Designation When sending in written bids or making enquiries please refer to this sale as UK010319 or New Now.

Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com


Our Team. Executives. Ed Dolman

Cheyenne Westphal

Chief Executive Ofcer

Chairman

+1 212 940 1241 edolman@phillips.com

+44 20 7318 4044 cwestphal@phillips.com

Š Brigitte Lacombe

20th Century & Contemporary Art. Jean-Paul Engelen

Robert Manley

Worldwide Co-Head of 20th Century & Contemporary Art, Deputy Chairman

Worldwide Co-Head of 20th Century & Contemporary Art, Deputy Chairman

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

Senior Advisors. Hugues Jofre

Arnold Lehman

Ken Yeh

Senior Advisor to the CEO

Senior Advisor to the CEO

Senior International Specialist

+44 207 901 7923 hjofre@phillips.com

+1 212 940 1385 alehman@phillips.com

+1 212 940 1257 kyeh@phillips.com

Deputy Chairmen.

Svetlana Marich

Jonathan Crockett

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman

Deputy Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

Deputy Chairman, Head of Private Sales

+44 20 7318 4010 smarich@phillips.com

+852 2318 2023 jcrockett@phillips.com

+44 20 7901 7943 mheiden@phillips.com

+44 20 7318 4063 psumner@phillips.com

Alexander Payne

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Deputy Chairman, Europe, Worldwide Head of Design

Deputy Chairman, Americas, Worldwide Head of Photographs

+44 20 7318 4052 apayne@phillips.com

+1 212 940 1243 vhallett@phillips.com

Deputy Chairman, Americas, Head of Business Development, Americas

Deputy Chairman, Europe Senior Specialist, 20th Century & Contemporary Art

+1 212 940 1392 vpfeifer@phillips.com

+32 3257 3026 mhoet@phillips.com


28. Julian Opie


23. Ai Weiwei


Phillips Division of

20th Century & Contemporary Art London.

Dina Amin Senior International Specialist +44 20 7318 4025 damin@phillips.com

Nathalie Zaquin-Boulakia International Specialist +44 20 7901 7931 nzaquin-boulakia@ phillips.com

Matt Langton

Henry Highley

Rosanna WidĂŠn

Tamila Kerimova

Senior Specialist

Senior Specialist

Head of Evening Sale

Head of Day Sale

+44 20 7318 4074 mlangton@phillips.com

+44 20 7318 4061 hhighley@phillips.com

+44 20 7318 4060 rwiden@phillips.com

+44 20 7318 4065 tkerimova@phillips.com

Kate Bryan

Simon Tovey

Lisa Stevenson

Charlotte Gibbs

Louise Simpson

Clara Krzentowski

Head of Evening Sale, October

Head of New Now Sale

Cataloguer

Cataloguer

Cataloguer

Researcher/Writer

+44 20 7318 4084 stovey@phillips.com

+44 20 7318 4093 lstevenson@phillips.com

+44 20 7901 7993 cgibbs@phillips.com

+44 20 7901 7911 lsimpson@phillips.com

+44 20 7318 4064 ckrzentowski@phillips.com

+44 20 7318 4050 kbryan@phillips.com


20th Century & Contemporary Art. New York. Scott Nussbaum

Rachel Adler Rosan

Kevie Yang

Takako Nagasawa

Amanda Lo Iacono

John McCord

Head of Department

Senior Specialist

Senior Specialist

International Specialist

Head of Evening Sale

Head of Day Sale, Morning

+1 212 940 1354 snussbaum@phillips.com

+1 212 940 1333 radlerrosan@phillips.com

+1 212 940 1254 kyang@phillips.com

+1 212 940 1353 tnagasawa@phillips.com

+1 212 940 1278 aloiacono@phillips.com

+1 212 940 1261 jmccord@phillips.com

Rebekah Bowling

Sam Mansour

Katherine Lukacher

Annie Dolan

Head of New Now Sale

Head of Online Sales

Jeannette van Campenhout

Patrizia Koenig

Head of Day Sale, Afernoon

Associate Specialist

Cataloguer

+1 212 940 1279 pkoenig@phillips.com

+1 212 940 1288 adolan@phillips.com

Specialist

+1 212 940 1250 rbowling@phillips.com

+1 212 940 1219 smansour@phillips.com

+1 212 940 1215 klukacher@phillips.com

Carolyn Mayer

Maiya Aiba

Avery Semjen

Martin Fox

Cataloguer

Cataloguer

Cataloguer

Researcher/Writer

+1 212 940 1206 cmayer@phillips.com

+1 212 940 1387 maiba@phillips.com

+1 212 940 1207 asemjen@phillips.com

+1 212 940 1312 mfox@phillips.com

Isaure de Viel Castel

Charlotte Raybaud

Danielle So

Delissa Handoko

Head of Department, Asia

Head of Day Sale

Cataloguer

Cataloguer

+852 2318 2025 isauredevielcastel @phillips.com

+852 2318 2026 craybaud@phillips.com

+852 2318 2027 dso@phillips.com

+852 2318 2000 dhandoko@phillips.com

+1 212 940 1391 jvancampenhout@phillips.com

Hong Kong.

Business Development. Europe.

Americas.

Guy Vesey

Vivian Pfeifer

Head of Business Development & Marketing, Europe

Deputy Chairman, Americas, Head of Business Development, Americas

+44 20 7901 7934 gvesey@phillips.com

+1 212 940 1392 vpfeifer@phillips.com

Client Advisory. Europe. Yassaman Ali

Vera Antoshenkova

Client Advisory Director

Client Advisory Manager

+44 20 7318 4056 yali@phillips.com

+44 20 7901 7992 vantoshenkova@ phillips.com

Giulia Campaner Mendes Associate Client Advisory Manager +44 20 7318 4058 gcampaner@phillips.com

Americas.

Margherita Solaini Business Development Associate +39 02 83642 453 msolaini@phillips.com

Asia.

Philae Knight

Jennifer Jones

Liz Grimm

Jasmine Yan

Iori Endo

Client Advisory Director

Director of Trusts, Estates & Valuations

Business Development Associate

Client Advisory Director

Client Advisory Manager

+1 212 940 1272 jjones@phillips.com

+1 212 940 1342 egrimm@phillips.com

+852 2318 2015 jasmineyan@phillips.com

+44 20 7318 4039 iendo@phillips.com

+1 212 940 1313 pknight@phillips.com


International Specialists & Regional Directors. Europe. Laurence Calmels

Clara Rivollet

Maria Cifuentes

Laurence Barret-Cavy

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

+33 686 408 515 lcalmels@phillips.com

+33 6 42 09 97 39 crivollet@phillips.com

+33 142 78 67 77 mcifuentes@phillips.com

Carolina Lanfranchi

Maura Marvao

Kalista Fenina

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

+39 338 924 1720 clanfranchi@phillips.com

+351 917 564 427 mmarvao@phillips.com

Dr. Nathalie Monbaron Regional Director, Geneva

+33 633 12 32 04 lbarret-cavy@phillips.com

+41 22 317 81 83 nmonbaron@phillips.com

Dr. Alice Trier Specialist, 20th Century & Contemporary Art, Germany +49 173 25 111 69 atrier@phillips.com

+7 905 741 15 15 kfenina@phillips.com

Americas. Cândida SodrÊ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, Miami

+55 21 999 817 442 csodre@phillips.com

+1 773 230 9192 cehlers@phillips.com

+1 310 922 2841 lauren.peterson@phillips.com

+1 917 657 7193 mdekoning@phillips.com

+1 323 383 3266 bkoh@phillips.com

+1 917 583 4983 vgarcia@phillips.com

Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

+52 1 55 5413 9468 crayclafan@phillips.com

+1 508 642 2579 maurasmith@phillips.com

+1 206 604 6695 scwaltner@phillips.com

Kyoko Hattori

Jane Yoon

Sujeong Shin

Wenjia Zhang

Alicia Zhang

Cindy Yen

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, Shanghai

Associate Regional Representative, Shanghai

+82 10 7305 0797 sshin@phillips.com

+86 13911651725 wenjiazhang@phillips.com

+86 139 1828 6589 aliciazhang@phillips.com

Senior Specialist, Watches & Jewellery, Taiwan

Asia.

+81 90 2245 6678 khattori@phillips.com

+82 10 7389 7714 jyy@phillips.com

Meiling Lee

Christine Fernando

Sandy Ma

International Specialist, Taiwan

Associate Regional Representative, Singapore

International Specialist, South East Asia

+886 908 876 669 mlee@phillips.com

+65 9128 6277 christinefernando @phillips.com

+852 2318 2025 sma@phillips.com

+886 2 2758 5505 cyen@phillips.com


1. Tomoo Gokita

b. 1969

Quackery signed, titled and dated ‘“Quackery” Tomoo Gokita 2006’ on the reverse acrylic on paper 71.6 x 54 cm (28 1/4 x 21 1/4 in.) Executed in 2006. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance ATM Gallery, New York Acquired from the above by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


2. Katharina Grosse

b. 1961

Untitled (2000/20415) signed, titled and dated ‘2000/20415 2000 Katharina Grosse’ on the reverse acrylic on aluminium 62.1 x 41.8 cm (24 1/2 x 16 1/2 in.) Executed in 2000. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Conrads, Dusseldorf Acquired from the above by the present owner in 2004

3. Lesley Vance

b. 1977

Untitled signed and dated ‘Lesley Vance 2011’ on the reverse watercolour on paper 23 x 16.8 cm (9 x 6 5/8 in.) Executed in 2011. Estimate £8,000-12,000 $10,600-15,900 €9,300-14,000 plus Buyers Premium and VAT*

Provenance David Kordansky Gallery, Los Angeles Acquired from the above by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


4. George Condo

b. 1957

Untitled signed and dated ‘Condo ‘85’ on the reverse watercolour on paper 28 x 20.6 cm (11 x 8 1/8 in.) Executed in 1985. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Le Case D’Arte, Milan Private Collection Christie’s, South Kensington, 23 September 2015, lot 313 Private Collection Auctionata, online, 5 December 2016, lot 21 Acquired at the above sale by the present owner

5. KAWS

b. 1974

Three works: (i) Small Lie (Brown); (ii) Small Lie (Black); (iii) Small Lie (Grey) (i-iii) printed with the artist’s name, date, fabricator and title ‘KAWS..17 SMALL LIE MEDICOM TOY CHINA’ on the underside painted vinyl, in original Medicom packaging (i-iii) 12.9 x 12.2 x 27.5 cm (5 1/8 x 4 3/4 x 10 7/8 in.) (i-iii) Executed in 2017, this work is from a limited edition fabricated by Medicom Toy, Japan. Estimate £1,000-1,500 $1,300-2,000 €1,200-1,800 plus Buyers Premium and VAT*

Provenance Yorkshire Sculpture Park, Wakefeld Private Collection, London

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


6. Math Bass

b. 1981

Newz! gouache on canvas 96.5 x 91.5 cm (37 7/8 x 36 in.) Painted in 2014. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 plus Buyers Premium and VAT*

Provenance Overduin & Co., Los Angeles Acquired from the above by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


7. Eddie Peake

b. 1981

Blood Spurt Over PPL signed and dated ‘Eddie Peake 2013’ on the reverse enamel paint on polished stainless steel 99.8 x 139.9 cm (39 1/4 x 55 1/8 in.) Executed in 2013. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Peres Projects, Berlin Goldhurst Art Advisory, London Acquired from the above by the present owner

8. Aaron Garber-Maikovska

b. 1978

Jewel signed, signed with the artist’s initials and dated ‘AARON GARBER-MAIKOVSKA AM 2013’ on the reverse ink on archival gator board 241.2 x 119.4 cm (94 7/8 x 47 in.) Executed in 2013. Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 plus Buyers Premium and VAT*

Provenance Greene Exhibitions, Los Angeles Private Collection Phillips, New York, 14 November 2014, lot 116 Acquired at the above sale by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


9. Oscar Murillo

b. 1986

Postures (New Years resolution 2011-12 series) oil stick, oil, graphite and tape on paper 194 x 183 cm (76 3/8 x 72 in.) Executed in 2011- 2012. Estimate £40,000-60,000 $53,100-79,600 €46,800-70,200 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Galerie Isabella Bortolozzi, Berlin Gifed from the above to the present owner

In his desire to truly inhabit all realities of his environment, Murillo’s Postures (New Years resolution 2011-12 series) combines a deeply expressive use of materials with a process of sedimentation. Lef to fester on the studio foor, his paintings accumulate not only dust but alternative signifcance, their possible histories and futures coalescing in this state of productive stasis. With its untidy, fractious appearance,

Postures (New Years resolution 2011-12 series) appears to have risen to the surface during the course of this accretion. Its very title is suggestive of Murillo’s performative process, in which the act of walking around his studio materially impacts his work. The word ‘Yoga’, here emblazoned in gold, has reappeared throughout Murillo’s practice for its formal qualities, but here it takes on a specifc resonance in relation to the title. The artist uses language for its cultural implications and associations, asking what repressed histories words can call up. Here, underlined and beside an excised ‘10’, ‘Yoga’ registers a double performative act. Murillo’s paintings always refer outside themselves to the social activities which make up his wider practice. In its urgent use of materials and composite form Postures (New Years resolution 2011-12 series) embodies the synthesis of historical and personal, formal and performative characteristic of Murillo’s work.

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


10. Korakrit Arunanondchai

b. 1986

Untitled (White Temple Painting) signed with the artist’s initials and dated ‘K. A 2013’ on the reverse denim, burnt denim and gold foil on digital printed canvas 230 x 142.2 cm (90 1/2 x 55 7/8 in.) Executed in 2013. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100

Provenance Bill Brady Gallery, Kansis City Private Collection, New York Sotheby’s, New York, 15 May 2014, lot 405 Acquired at the above sale by the present owner Exhibited Kansas City, Bill Brady Gallery, Korakrit Arunanondchai: Painting with history in a room flled with men with funny names 2, 13 September - 19 October 2013

plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


11. Sanford Bigers

b. 1970

Sag, Harbor Honeystuckle signed and dated ‘Sanford Biggers ‘13’ on the reverse fabric collage, treated acrylic, metallic acrylic and glitter on re-purposed quilt 178.3 x 197.5 cm (70 1/4 x 77 3/4 in.) Executed in 2013.

Provenance Massimo De Carlo, London Acquired from the above by the present owner in 2014

Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 plus Buyers Premium and VAT*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


12. Tal R

b. 1967

Title, Year, Name signed and dated ‘23.02.06 23.02.06 TAL TAL R’ centre; further signed ‘TAL R’ lower right; further signed, titled and dated ‘Tal R 06 Title yeaR Name’ on the stretcher; further signed, titled and dated ‘Tal R 06 Title year name’ on the reverse oil on canvas 250.5 x 250.5 cm (98 5/8 x 98 5/8 in.) Painted in 2006. Estimate £40,000-60,000 $53,000-79,500 €46,800-70,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin (acquired directly from the artist) Acquired from the above by the present owner Exhibited Moscow, Gary Tatintsian Gallery, Inc., Tal R: House of Prince, 3 February - 4 April 2006 London, Victoria Miro, Tal R: Minus, 13 May - 23 June 2006 Moscow, Gary Tatintsian Gallery, Inc., Create Your Own Museum, 24 January - 1 March 2007, pp. 70-71 (illustrated, p. 71) Humlebæk, Louisiana Museum of Modern Art; Maastricht, Bonnefantenmuseum; London, Camden Arts Centre, TAR R. THE SUM, 7 September 2007 - 29 June 2008, p. 86 (illustrated, n.p.)

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


13. Tal R

b. 1967

Roads and Ruin signed and dated ‘Tal R 05’ on the stretcher; further signed, titled and dated ‘Tal R 05 “Roads and Ruin”’ on the reverse oil on canvas, in artist’s frame 123.5 x 123.5 cm (48 5/8 x 48 5/8 in.) Painted in 2005. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ♠

Provenance Contemporary Fine Arts, Berlin (acquired directly from the artist) Acquired from the above by the present owner Exhibited Moscow, Gary Tatintsian Gallery, Inc., Tal R. House of Prince, 3 February - 4 April 2006 Moscow, Gary Tatintsian Gallery, Inc., Create Your Own Museum, 24 January - 1 March 2007, pp. 72-73 (illustrated, p. 73)

plus Buyers Premium and VAT, ARR applies*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


14. Gert and Uwe Tobias

b. 1973/1973

Untitled signed, numbered and dated ‘2/2 2012 Gert and Uwe Tobias’ on the reverse coloured woodcut on canvas 240.7 x 200.3 cm (94 3/4 x 78 7/8 in.) Executed in 2012, this work is number 2 from an edition of 2. Estimate £15,000-20,000 $19,900-26,500 €17,500-23,400 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Team Gallery, New York Acquired from the above by the present owner in March 2012 Exhibited New York, Team Gallery, Gert & Uwe Tobias, 21 February - 30 March 2013 (another exampled exhibited)

15. Gert and Uwe Tobias

b. 1973/1973

Untitled signed, numbered and dated ‘2013 1/2 Gert and Uwe Tobias’ on the reverse coloured woodcut on canvas 201 x 168.4 cm (79 1/8 x 66 1/4 in.) Executed in 2013, this work is number 1 from an edition of 2. Estimate £12,000-18,000 $15,900-23,900 €14,000-21,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


16. Shozo Shimamoto

1928-2013

Proof of Peace AU 31 signed ‘S Shimamoto’ lower right acrylic, gold paint, fabric, cardboard and glass on canvas 106.2 x 96.1 cm (41 3/4 x 37 7/8 in.) Executed in 2008. Estimate £40,000-60,000 $53,000-79,500 €46,800-70,200 plus Buyers Premium and VAT*

Provenance Galleria d’arte contemporanea Centro Arti Visive, Cremona Private Collection (acquired from the above in 2011) Christie’s, London, 30 June 2016, lot 205 Acquired at the above sale by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


17. Ugo Rondinone

b. 1964

achtundzwanzigsterjulizweitausendundelf signed, titled and dated ‘Ugo Rondinone 2011 “achtundzwanzigsterjulizweitausendundelf”’ on the reverse acrylic and glitter on polyester, with silkscreen on Plexiglas plaque 200 x 500 x 4 cm (78 3/4 x 196 7/8 x 1 5/8 in.) Executed in 2011.

Provenance Private Collection, Europe Exhibited Brussels, Almine Rech Gallery, Ugo Rondinone. New Horizon, 18 November 2011 - 14 January 2012, pp. 30-31, 218 (illustrated, pp. 30-31)

Estimate £50,000-70,000 $66,200-92,700 €58,500-81,900 ‡ plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


18. Peter Halley

b. 1953

The Color Wheel signed and dated ‘2011 Peter Halley Peter Halley’ on the reverse acrylic, day-glo acrylic and Roll-A-Tex on canvas 200 x 190 cm (78 3/4 x 74 3/4 in.) Executed in 2011. Estimate £60,000-80,000 $79,600-106,000 €70,200-93,600 plus Buyers Premium and VAT*

Provenance Galerie Xippas, Paris Acquired from the above by the present owner in 2015 Exhibited Geneva, Galerie Xippas, Peter Halley, 17 November 2011 - 3 March 2012 CAPC Musée d'Art Contemporain de Bordeaux, La Sentinelle, 28 February - 8 December 2013

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


19. Anish Kapoor

b. 1954

Monochrome (Lilac) signed and dated ‘A. M Kapoor 2015’ on the reverse fbreglass and paint 90 x 90 x 48 cm (35 3/8 x 35 3/8 x 18 7/8 in.) Executed in 2015. Estimate £180,000-250,000 $238,000-331,000 €211,000-293,000 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Kamel Mennour, Paris Acquired from the above by the present owner

Building a minutely crafed oeuvre that orbits around notions of space, depth, and physical absorption, Anish Kapoor has created works that seem to retreat into the horizon, melt into the foor and disappear into the wall, disturbing perceived senses of physical and spatial reality. Sensual, poetic, and unsettling, Monochrome (Lilac), 2015, is emblematic of the artist’s body of circular concave structures that investigate the phenomenology of experience. Enticing the viewer into another dimension through an improbable marriage of form and texture, Monochrome (Lilac) liquifes all possible sense of refection and plunges the eye into boundless depth, playing on the illusion of the sculpture’s sensual curvature. The matte and immaculate quality of the object demonstrates Kapoor’s commitment to eradicating all evidence of the artist’s hand through strict, geometric fabrication; a process akin to that of minimalist artists before him. Kapoor’s cycle of monochrome voids, begun in the 1990s, is at once intimate and imposing, implicating viewers as they become participants within the work’s undulating landscape. A wondrous example from the series, Monochrome (Lilac) exudes a soothing quality that functions as a mirror to the object’s physical smoothness.

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


20. Daniel Richter

b. 1962

Three works: i) Ohne Titel; ii) Ohne Titel; iii) Ohne Titel i) signed and dated ‘D. Richter 05 1/05’ on the reverse ii) signed and dated ‘D. Richter 4/06’ on the reverse iii) signed and dated ‘D. Richter 2005 11/05’ on the reverse each: oil on canvas i) 50 x 40.5 cm (19 5/8 x 15 7/8 in.) ii) 50.5 x 40.4 cm (19 7/8 x 15 7/8 in.) iii) 50.4 x 40.6 cm (19 7/8 x 15 7/8 in.) i) Painted in 2005. ii) Painted in 2006. iii) Painted in 2005. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin Acquired from the above by the present owner Exhibited Zurich, Galerie Haas, Daniel Richter: Imitators be there, 11 December 2009 – 29 January 2010, pp. 11, 18, 21 (illustrated, pp. 11, 18, 21)

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


21. Franz West

1947-2012

Naktstuhl metal and wood chair, partially overworked with plaster and dispersion on Masonite, on painted MDF platform chair 83.3 x 46 x 54 cm (32 3/4 x 18 1/8 x 21 1/4 in.) platform 1.3 x 70.3 x 70.3 cm (01/2 x 275/8 x 275/8 in.) Executed in 1996, this work is number 7 from an edition of 10 and is accompanied by a certifcate of authenticity signed by the artist. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Bärbel Grässlin, Frankfurt Acquired from the above by the present owner Encapsulating Franz West’s humorous artistic commentary, this work is accompanied by a certifcate of authenticity signed by the artist in which he notes ‘If you want to make sense out of this example 7/10, sit in the chair naked.’

22. Franz West

1947-2012

Two works: i) Onkel-Stuhl; ii) Onkel-Stuhl i) woven synthetic textile bands and steel ii) woven synthetic textile bands and steel with rubber feet i) 87.2 x 49 x 54 cm (34 3/8 x 19 1/4 x 21 1/4 in.) ii) 86.9 x 47.6 x 50 cm (34 1/4 x 18 3/4 x 19 5/8 in.) Executed in 2002, these works are from an open edition (2001-2010) and are individually designed. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Bärbel Grässlin, Frankfurt Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


23. Ai Weiwei

b. 1957

Oil Spills glazed porcelain, in 10 parts part 1) 3 x 100.5 x 95 cm (1 1/8 x 39 5/8 x 37 3/8 in.) part 2) 3 x 73.5 x 69 cm (1 1/8 x 28 7/8 x 27 1/8 in.) part 3) 2 x 96 x 89.5 cm (0 3/4 x 37 3/4 x 35 1/4 in.) part 4) 2.5 x 95 x 95 cm (0 7/8 x 37 3/8 x 37 3/8 in.) part 5) 3 x 98 x 101 cm (1 1/8 x 38 5/8 x 39 3/4 in.) part 6) 2 x 46 x 39 cm (0 3/4 x 18 1/8 x 15 3/8 in.) part 7) 2.5 x 46 x 47.5 cm (0 7/8 x 18 1/8 x 18 3/4 in.) part 8) 2 x 94.5 x 96 cm (0 3/4 x 37 1/4 x 37 3/4 in.) part 9) 3 x 97 x 92 cm (1 1/8 x 38 1/4 x 36 1/4 in.) part 10) 4.8 x 130.5 x 130.5 cm (17/8 x 513/8 x 513/8 in.) Executed in 2006.

Provenance Ivorypress, Madrid Private Collection Phillips, London, 15 October 2015, lot 200 Acquired at the above sale by the present owner Exhibited New York, Grey Art Gallery, Landscapes afer Ruskin: Redefning the Sublime, 17 April - 17 July 2018

Estimate £70,000-90,000 $92,700-119,000 €81,900-105,000 plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


A compelling and ominous example of Ai Weiwei’s ceramic production, Oil Spills, 2006, presents a collection of oil puddles in glistening black porcelain, scattered directly on the foor. Alluding to environmental pollution and oil spills at sea, the blown-up blots bear a portentous presence that is only heightened by the porcelain’s three-dimensionality and shimmer. Though porcelain may appear an unlikely material to represent the obscurity and heaviness of oil, Ai’s decision was all but coincidental. Transcending its associations to history and aesthetic delicacy, the ceramic in this work takes on political undertones: sculpted,

glazed, coloured, and fred in a kiln in Jingdezhen, – China’s porcelain manufacturing centre – the black pools are transformed into hazardous phenomena through shape and name, adopting the appearance of crude oil and thus eschewing the pristine evocations of immaculate porcelain. Trailing across the foor, the ten oil puddles are emblematic of the tone and purpose that Ai Weiwei carried throughout his career in media such as sculpture, photography, installation and performance. They serve as a commentary on the nature and efects of consumerist culture, namely the dire environmental hazards entailed by excessive oil usage.

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


24. Urs Fischer

b. 1973

The Grass Munchers cast aluminum, pigments, pins, wax and hair 56 x 62 x 44 cm (22 x 24 3/8 x 17 3/8 in.) Executed in 2007, this work is number 1 from an edition of 2 plus 1 artist’s proof and is accompanied by a certifcate of authenticity signed by the artist. Estimate £100,000-150,000 $132,000-199,000 €117,000-176,000 plus Buyers Premium and VAT*

Provenance Galerie Eva Presenhuber, Zurich Acquired from the above by the present owner Exhibited Zurich, Galerie Eva Presenhuber, Urs Fischer: Large, Dark & Empty, 8 September - 17 November 2007 Berlin, Burger Collection, Zimmerstrasse 90-91, Conflicting Tales: Subjectivity (Quadrilogy, Part 1), 4 September - 13 December 2009 Venice, Palazzo Grassi, Madame Fischer, 15 April - 15 July 2012 (another edition exhibited) Los Angeles, The Museum of Contemporary Art, Urs Fischer, 21 April - 19 August 2013 (another edition exhibited) New York, The Met Breuer, Like Life: Sculpture, Color, and the Body, 21 March - 22 July 2018 Literature Bice Curiger, Massimiliano Gioni and Jessica Morgan, Urs Fischer: Shovel in a Hole, New York, 2009, pp. 76, 227, 383 (another example illustrated, pp. 76, 383)

In The Grass Munchers, 2007, Urs Fischer has moulded his own arms and clavicle in aluminium, imparting the result with sporadic additions of hair and pigments. Three wax hands, variably hued and disembodied, clench either side of the replicated upper body, seemingly supporting or pulling it in diferent directions. A traditional motif in the history of art and a frequent element in Fischer’s oeuvre, hands are here spatially disruptive and disturbing. Floating mid-air like loose claws, they invoke a sentiment of uncanniness that is proper to the vision of false limbs and damaged bodies. This corporeal scene, profoundly unnatural yet realistically rendered, brilliantly encapsulates the crux of the artist’s oeuvre, and echoes the idea that ‘when fesh is still attached to bone in Fischer’s work, the body is placed under attack: it is melting, fractured, decapitated, and penetrated’ (Jessica Morgan, ‘If You Build Your House on a Bed of Rotting Vegetables,’ Urs Fischer: Shovel in a Hole, New York, 2009, p. 46). Enigmatic and open-ended, The Grass Munchers prescribes and even shuns a simple, complete narrative. In it, Fischer’s contemporary take on realism references a wealth of brilliant moments in art history, from classical Greek sculpture and ancient fragmented statuary, to Robert Gober’s loose, truncated legs.

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


25. Tomás Saraceno

b. 1973

302P/L-P Darcon, carbon fbre, fshing line, metal, mirror foil, eyelets, nylon Dacron and Carbonfaser sculpture 75 x 120 x 120 cm (29 1/2 x 47 1/4 x 47 1/4 in.) overall hanging length 105 x 120 x 120 cm (41 3/8 x 47 1/4 x 47 1/4 in.) Executed in 2014.

Provenance Esther Schipper, Berlin Laurence Dreyfus Art Consulting, Paris Acquired from the above by the present owner in 2016

Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ♠ plus Buyer’s Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


26. Katharina Grosse

b. 1961

Untitled (2006/8027 M) acrylic on wood 111 x 111 x 30.5 cm (43 3/4 x 43 3/4 x 12 in.) Executed in 2006.

Provenance GalerÍa Helga De Alvear, Madrid Acquired from the above by the present owner

Estimate £40,000 - 60,000 $53,100-79,600 €46,800-70,200 ♠

Exhibited Madrid, GalerÍa Helga De Alvear, Katharina Grosse: Faux Rocks, 21 September - 11 November 2006

plus Buyer’s Premium and VAT, ARR applies*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


27. Jason Martin

b. 1970

Carrasquiera signed, inscribed and dated ‘Jason Martin 2010 ‘Motorcycle engine grease painting.’’ on the reverse pigment on aluminum 203 x 171.5 x 20.3 cm (79 7/8 x 67 1/2 x 7 7/8 in.) Executed in 2010.

Provenance Galerie Maurice, Palm Beach Private Collection, Florida (acquired from the above in January 2013) Sotheby’s, New York, 12 November 2015, lot 572 Private Collection Phillips, New York, 28 February 2017, lot 126 Acquired at the above sale by the present owner

Estimate £25,000-35,000 $33,100-46,400 €29,300-41,000 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


28. Julian Opie

b. 1958

Sam, schoolboy. signed ‘Julian Opie’ on the overlap vinyl on wooden stretcher 192.3 x 153.5 x 3.4 cm (75 3/4 x 60 3/8 x 1 3/8 in.) Executed in 2001. Estimate £30,000-50,000 $39,700-66,200 €35,100-58,500 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gerhardsen Gerner, Berlin/Oslo Private Collection Beyaz Müzayede, Istanbul, 17 January 2016, lot 71 Acquired at the above sale by the present owner Literature Daniel Kurjakovic, Julian Opie: Portraits 1997-2002, Zurich, 2003, n.p. (illustrated)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


29. Simon Moretti

1974

Remix neon transformer 20 x 75.4 cm (7 7/8 x 29 5/8 in.) Executed in 2003, this work is number 1 from an edition of 3. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Chez Valentin, Paris Acquired from the above by the present owner Exhibited Munich, Sprueth Magers, Thank You For The Music, 24 November 2005 - 11 February 2006 (another example exhibited)

30. Mark Handforth

b. 1969

English Rose fuorescent lights and fxtures 177 x 165.5 x 16.8 cm (69 5/8 x 65 1/8 x 6 5/8 in.) Executed in 1996. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 plus Buyers Premium and VAT*

Provenance Galerie Eva Presenhuber, Zurich Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


31. Julian Opie

b. 1958

Modern Tower No. 10. signed and titled ‘Julian Opie. MODERN TOWER No. 10.’ on the underside vinyl and paint on wood 228 x 43.8 x 43.8 cm (89 3/4 x 17 1/4 x 17 1/4 in.) Executed in 2001, this work is from an edition of 3. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Private Collection (acquired from the above in 2005) Christie’s, London, 1 July 2010, lot 148 Acquired at the above sale by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


32. Damien Hirst

b. 1965

Transportation signed, titled, inscribed, dedicated and dated ‘2014 for Anne ‘Transportation’ Damien Hirst Fuck em all!’ on the reverse; further signed and stamped with the artist’s studio stamp ‘Damien Hirst’ on the stretcher signwriting paint on canvas 115.6 x 137.2 cm (45 1/2 x 54 in.) Painted in 2014. Estimate £100,000-150,000 $133,000-199,000 €117,000-175,000 ♠ plus Buyers Premium and VAT*

Provenance Private Collection

Re-imagining the corporate brand logos with which we come into everyday contact, Transportation, 2014, reflects Damien Hirst’s uniquely irreverent artistic practice, whereby boundaries between tradition and commerce, nature and culture, are perpetually investigated and blurred. Although moving past the artist’s usual subject matters – spots, butterflies, skulls, pills – Transportation lays the coloured logos out in a grid-like arrangement similar to the artist’s Spot Paintings. Hirst continues his exploration of what underpins human culture and society, reiterating his pervasive claim that humanity, in the face of life and death, is sustained by the notion of transience. Reflecting on the consumer habits that define modern lifestyles and identities, Transportation aligns with Hirst’s series of Medicine and Pill Cabinets, which through the rigorous arrangement of pills and medicinal components, equally presents a commentary on contemporary consumerism. ‘In terms of consumerism and all that sort of stuf, art has been in a constant battle for hundreds of years with every other kind of image-making’, the artist writes (Damien Hirst, quoted in a 2008 interview with Hans Ulrich Obrist, reproduced on damienhirst.com). A stellar example of the artist’s inventive, almost clinical visual repertoire, Transportation straddles a number of social and existential concepts that are of utmost relevance today.

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


33. Rachel Whiteread

b. 1963

Black Box painted bronze 30.2 x 31 x 24.2 cm (11 7/8 x 12 1/4 x 9 1/2 in.) Executed in 2005, this work is from an edition of 3 plus 1 artist’s proof. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gagosian Gallery, London Acquired from the above by the present owner in October 2005 Exhibited London, Gagosian Gallery, Rachel Whiteread: Sculpture, 19 October - 3 December 2005, pp. 55, 88 (illustrated, p. 55) New York, Luhring Augustine, Rachel Whiteread. Bibliography, 17 February - 1 April 2006

34. Sarah Lucas

b. 1962

One's nob (iii) cigarettes, adhesive and beer cans 11.4 x 23.2 x 14.5 cm (4 1/2 x 9 1/8 x 5 3/4 in.) Executed in 2006. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Sadie Coles HQ, London (acquired directly from the artist) Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


35. Sarah Lucas

b. 1962

Self Portrait Mobile signed and dated ‘Sarah LUCAS 1993’ on the reverse of the lower right photograph four cut out photographs, string and metal including full length of string 90 x 22 cm (35 3/8 x 8 5/8 in.) Executed in 1993. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, London

36. Sarah Lucas

b. 1962

Self Portrait Mobile signed and dated ‘SARAH LUCAS 1993’ on the reverse of the lef photograph three cut out photographs, string and metal including full length of string 53.4 x 26 cm (21 x 10 1/4 in.) Executed in 1993. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, London

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


37. Martin Creed

b. 1968

Work No. 1615 acrylic on canvas 49.7 x 40 cm (19 5/8 x 15 3/4 in.) Painted in 2013. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleria Lorcan O’Neill, Rome Acquired from the above by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


38. Mark Francis

b. 1962

Mission signed, titled and dated ‘M. Francis 2014 MISSION’ on the overlap; further signed, titled and dated ‘M. Francis MISSION ‘MISSION’ 2014’ on the reverse acrylic and oil on canvas 135.2 x 134.8 cm (53 1/4 x 53 1/8 in.) Painted in 2014. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Beyaz Müzayede, Istanbul, 22 November 2015, lot 124 Acquired at the above sale by the present owner

39. Matthew Ritchie

b. 1964

Where I’m Coming From oil and marker on canvas 252 x 307 cm (99 1/4 x 120 7/8 in.) Executed in 2003. Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Andrea Rosen Gallery, New York Acquired from the above by the present owner Exhibited Paris, Palais de Tokyo, GNS: Global Navigation System, 5 June - 7 September 2007 Contemporary Arts Museum Houston; North Adams, Massachusetts Museum of Contemporary Arts, Matthew Ritchie: Proposition Player, 12 December 2003 - 14 March 2004, pp. 64, 67 (illustrated, p. 67) in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


40. Ian Davenport

b. 1966

Untitled signed, inscribed, numbered, titled and dated ‘B98129 I. Davenport 2005 Untitled Circle Painting Blue/ Grey Mauvé/ Blue’ on the reverse household paint on board 60.2 x 60.4 cm (23 3/4 x 23 3/4 in.) Executed in 2005. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Slewe Gallery, Amsterdam Acquired from the above by the present owner in 2005

41. Ian Davenport

b. 1966

Untitled signed and dated ‘I. Davenport 1995’ on the reverse cellulose paint on MDF board mounted on panel 27.9 x 33.1 cm (10 7/8 x 13 in.) Painted in 1995. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Waddington Galleries, London Acquired from the above by the present owner in 1995

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


42. David Shrigley

b. 1968

Give me your honest opinion signed with the artist’s initials and dated ‘DS.00’ on the reverse acrylic on paper 46 x 41.5 cm (18 1/8 x 16 3/8 in.) Executed in 2000. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleri Nicolai Wallner, Copenhagen Acquired from the above by the present owner Exhibited Vestfossen Kunstlaboratorium, For all, 10 May - 28 September 2003, p. 250

43. David Shrigley

b. 1968

What did you do today? signed with the artist’s initials and dated ‘DS 00’ on the reverse acrylic on canvas 50.9 x 40.4 cm (20 x 15 7/8 in.) Painted in 2000. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleri Nicolai Wallner, Copenhagen Acquired from the above by the present owner Exhibited Vestfossen Kunstlaboratorium, For all, 10 May - 28 September 2003, pp. 163, 250 (illustrated, p. 163)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


All hammer proceeds will go towards Migrate, a restricted fund operating under the auspices of Prism the Gif Fund, Charity no. 1099682

Multicolour, a new project from Migrate Art and My ArtBroker. is fundraising to support those afected by the global refugee crisis. Some of the most signifcant names in contemporary art have created works using pencils and crayons salvaged from the Calais Jungle refugee camp, formerly home to a community of approximately 10,000 refugees, demolished in 2016. When Migrate Art visited the site of the Calais Jungle in the afermath of its destruction, they found a fattened wasteland where there had once been so much life. From the rubble and dirt of a former school, a number of coloured pencils and crayons were salvaged. Continuing the Migrate Art ethos of developing positive fundraising responses to the global refugee crisis, these pencils and crayons were collected and brought back to London. They were then sent to leading artists, including Anish Kapoor, Michael Craig-Martin, Rachel

Whiteread, Sean Scully and Raqib Shaw, to create an artwork with them in whatever way they wish – drawing with them, photographing them, incorporating them into sculpture or breaking them apart. Migrate Art was born in 2016 from a desire to help those affected by the global migrant crisis. Since then Migrate Art has raised tens of thousands of pounds to help individuals and communities who have been displaced by war. In an industry full of red tape and bureaucracy, the aim is to keep things simple – raise money and donate it to groups who can use it most effectively and help those most in need. 90% of profts from the sale of these works will be donated equally to Migrate’s key charity partners – RefuAid, Refugee Community Kitchen, The Lotus Flower and The Worldwide Tribe. 10% will go towards future Migrate Art projects.

Multicolour: A Migrate Art Project Lots 44 – 75

Multicolour: A Migrate Art Project Lots 44 – 75


Multicolour: A Migrate Art Project Lots 44 – 75

44. Idris Khan

b. 1978

45. Sean Scully

b. 1945

Trace signed and dated ‘Idris Khan 19’ lower right charcoal, chalk, white pencil and watercolour on card 50.4 x 70.9 cm (19 7/8 x 27 7/8 in.) Executed in 2019.

12.4.18 signed, titled and dated ‘Sean Scully 12.4.18’ upper edge watercolour and pencil on paper 22 x 18 cm (8 5/8 x 7 1/8 in.) Executed in 2018.

Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠

Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠

plus Buyer’s Premium and VAT, ARR applies*

plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art

Provenance Gifed by the artist to Migrate Art

Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


Multicolour: A Migrate Art Project Lots 44 – 75 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


Multicolour: A Migrate Art Project Lots 44 – 75

46. Rachel Whiteread

b. 1963

House titled “House” lower centre; further signed, dedicated and dated ‘For Migrate Art. R Whiteread 2018’ on the reverse collaged coloured wooden pencils, gouache and coloured pencil on paper 15.2 x 11.1 cm (5 7/8 x 4 3/8 in.) Executed in 2018.

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


Multicolour: A Migrate Art Project Lots 44 – 75

47. Michael Craig-Martin

b. 1941

Migrate signed and dated ‘Michael Craig Martin 2019’ lower right; further titled ‘Migrate’ lower lef digital drawing 42 x 29.7 cm (16 1/2 x 11 3/4 in.) Executed in 2019, this work is unique.

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


Multicolour: A Migrate Art Project Lots 44 – 75

48. Richard Deacon

b. 1949

Change Of State # l signed, titled and dated ‘Richard Deacon. Change of State #1. 2019’ on the reverse epoxy, sawdust and coloured crayon on prepared board 25.7 x 49.2 cm (10 1/8 x 19 3/8 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Four small crayons, salvaged from the destruction in Calais, were not wreckage. They still worked. The challenge was to make something of them that both respected their history and transformed their potential. It was an honour to be given the opportunity. Richard Deacon

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

49. Richard Deacon

b. 1949

Change Of State #2 signed, titled and dated ‘Richard Deacon. Change of State #2. 2019’ on reverse epoxy, sawdust and coloured crayon on prepared board 26.5 x 51.1 cm (10 3/8 x 20 1/8 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1964

tile for migrate art inscribed ‘Finding is the frst act The second, loss’ to the centre; further signed, dedicated and dated ‘Edmund de Waal for migrate art 2018’ on the reverse porcelain tile with platinum gilding 9.5 x 23.3 x .2 cm (3 3/4 x 9 1/8 x 0 1/8 in.) Executed in 2018, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

51. Zhang Huan

b. 1965

Incense Brick signed and dated ‘Zhang Huan [in Chinese] 2018.8’ at one end Tibetan Incense, plant powder and graphite 14 x 30.9 x 6.8 cm (5 1/2 x 12 1/8 x 2 5/8 in.) Executed in 2018. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 plus Buyers Premium and VAT*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

50. Edmund de Waal


Multicolour: A Migrate Art Project Lots 44 – 75

52. Ron Arad

b. 1951

Signed for signed and dated ‘R. Arad 19’ upper right edge; further signed and inscribed ‘FAO: RON ARAD 62 CHALK FARM ROAD LONDON NW1 8AN’ on the postal label to the centre paper envelope, screws, foam, enamel paint, coloured pencils, graphite pencil, plastic covered wire, postage stamps and enamel paint on address label 19.5 x 21.5 x 25 cm (7 5/8 x 8 1/2 x 9 7/8 in.) Executed in 2019. Estimate £1,000-1,500 $1,300-2,000 €1,200-1,800 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

53. Kevin Francis Gray

b. 1972

Greek Girl (Pencils) plaster with coloured and graphite pencils on bronze pin and wooden base 57.5 x 28 x 26 cm (22 5/8 x 11 x 10 1/4 in.) Executed in 2019. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1963

Butterfy Flame colour pencil and wire on butterfy net 125.5 x 3.5 x 3.5 cm (49 3/8 x 1 3/8 x 1 3/8 in.) Executed in 2019, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 plus Buyers Premium and VAT*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

55. Gary Hume

b. 1962

Adrif signed, titled and dated ‘ADRIFT HUME 2019’ lower right acrylic wash, coloured pencil and gloss paint on paper 76.5 x 56.5 cm (30 1/8 x 22 1/4 in.) Executed in 2019. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

54. Nari Ward


Multicolour: A Migrate Art Project Lots 44 – 75

56. Annie Morris

b. 1978

Bed with Colour signed ‘A. MORRIS’ lower right edge; further signed ‘A. MORRIS’ on the reverse machine embroidered thread on cotton with a further drawing in pen on the reverse 50.9 x 98.5 cm (20 x 38 3/4 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

57. Annie Kevans

b. 1972

Liberté, Egalité, Fraternité oil on paper mounted on board 40 x 30 cm (15 3/4 x 11 3/4 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1969

Anna Freud signed, titled and dated ‘‘Anna Freud’ Chantal Jofe 2019’ on the reverse coloured pencil on paper 29.7 x 21.1 cm (11 3/4 x 8 1/4 in.) Executed in 2019. Estimate £1,500-2,500 $2,000-3,300 €1,800-2,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 Migrate Art would like to thank Victoria Miro for their introduction to Chantal Jofe enabling this kind donation.

59. Jonathan Yeo

b. 1970

Portrait Study signed ‘YEO’ lower right pencil on paper 29.3 x 21 cm (11 1/2 x 8 1/4 in.) Executed in 2019. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

58. Chantal Jofe


Multicolour: A Migrate Art Project Lots 44 – 75

60. Raqib Shaw

b. 1974

Childhood from the Four Seasons signed, titled and dated ‘“Childhood” from The Four Seasons Raqib Shaw 2018.’ lower right pencil and enamel on paper 30 x 42.2 cm (11 3/4 x 16 5/8 in.) Executed in 2018. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Whether or not today’s refugees are feeing from political or economical trouble, I identify with, and have great empathy for the sense of displacement they must feel. The only way I can express my true feelings is through my art - as a means of release and escapism - so I am happy to be contributing to the Migrate project in aid of this worthwhile cause. Raqib Shaw

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

61. Conrad Shawcross Study for Asymmetric Rope Machine II signed with the artist’s initial ‘S’ lower lef; further signed ‘Conrad Shawcross’ lower right wax crayon on paper 42 x 29.7 cm (16 1/2 x 11 3/4 in.) Executed in 2018. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1954

Untitled signed and dated ‘Anish Kapoor 2018’ lower right wax crayon on paper 29.5 x 21 cm (11 5/8 x 8 1/4 in.) Executed in 2018. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

63. Richard Woods

b. 1966

Blue House signed, titled and dated ‘‘BLUE HOUSE’ Richard Woods 2018’ on the reverse wax crayon on paper 59.5 x 84 cm (23 3/8 x 33 1/8 in.) Executed in 2018. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

62. Anish Kapoor


Multicolour: A Migrate Art Project Lots 44 – 75

64. Paola Pivi

b. 1971

Untitled inscribed ʻWhere are the 70 thousand children Lost in Europe WHERE ARE THE 70 THOUSAND CHILDREN LOST IN EUROPE WHERE ARE THE 70ʼ to the centre; further signed and dated ʻPaola Pivi 2/19/19ʼ on the reverse coloured pencil on paper 14 x 21.6 cm (5 1/2 x 8 1/2 in.) Executed on 19 February 2019. Estimate £800-1,200 $1,100-1,600 €940-1,400 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 Migrate Art would like to thank Perrotin, New York for their assistance with this kind donation.

65. Jeremy Deller

b. 1966

Farage in Prison titled ʻFARAGE IN PRISONʼ to the centre; further signed ʻJeremy Dellerʼ on the reverse coloured pencil and pencil on paper 21 x 29.7 cm (8 1/4 x 11 3/4 in.) Executed in 2019. Estimate £500-700 $660-930 €590-820 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1948

The Journey - God’s Blessings Abound signed, titled and dated ‘God’s Blessings Abound [in Chinese] YAHON ‘18’ lower right ink and pencil on canvas, in artist’s frame 28 x 39.3 cm (11 x 15 1/2 in.) Executed in 2018. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 plus Buyers Premium and VAT*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

67. Sara Shamma

b. 1975

Alien: Two Heads signed, inscribed and dated ‘Sara Shamma London 2019 Sara Shamma’ on the reverse oil on canvas 149.9 x 75.1 cm (59 x 29 5/8 in.) Painted in 2019. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

66. Yahon Chang


Multicolour: A Migrate Art Project Lots 44 – 75

68. Mark Wallinger

b. 1959

Lucy in the Sky with Diamonds signed and dated ‘M Wallinger 2019’ on the backboard Plasticine on board, in artist’s frame 24.7 x 33.6 cm (9 3/4 x 13 1/4 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

69. Keith Coventry

b. 1958

Nemo Estate signed and dated ‘K. Coventry 2018’ lower right; further signed and dated ‘Keith Coventry 2018’ on the backboard coloured pencil and oil stick on paper mounted on paper, in artist’s frame 36.5 x 31 cm (14 3/8 x 12 1/4 in.) Executed in 2018. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1945

2019 signed, titled and dated ‘Hambling 2019’ lower lef ink, acrylic and pencil on paper 65.4 x 55 cm (25 3/4 x 21 5/8 in.) Executed in 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 ‘2019’ presents a direct graphic response to the migrant crisis and the continuing tragedy of migrants being drowned at sea, the subject of my oil painting ‘2016’ which is held in Tate collection. The titles, ‘2016’ , and in this work, ‘2019’, act like a zoom lens, telescopically focusing our attention onto the immediate facts of the image - a particular boat on a doomed journey - and then widening out into symbols, a microcosm of the events that took place, and continue to take place, in the years in which these works were made. Isolated and beref of coordinates, the boat is an island on the brink of sinking but remains afoat; its inhabitants on the edge of destruction. Maggi Hambling

71. Robert Montgomery

b. 1972

Untitled inscribed ʻYOU DON'T GET ON A RUBBER BOAT WITH YOUR CHILDREN AND TRY TO CROSS AN OCEAN UNLESS YOU HAVE CRIED OUT YOUR HEART EVERY NIGHT AND ARE IN FEAR OF YOUR LIFE EVERY DAY.ʼ to the centre; further signed, signed with the artist's initials and stamped with the artist's studio stamp ʻR Montgomery, RWʼ lower right graphite on paper 58.8 x 41.7 cm (23 1/8 x 16 3/8 in.) Executed in 2019. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

70. Magi Hambling


Multicolour: A Migrate Art Project Lots 44 – 75

72. Conor Harrington

b. 1980

Masters of Money and Mirrors (Study) coloured pencil, oil and oil pastel on paper 73.3 x 101 cm (28 7/8 x 39 3/4 in.) Executed in 2019. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

73. The Connor Brothers

b. 1975 and b. 1978

All She Wanted Was to be Someone’s Most Precious Person signed and dated ‘Connor Brothers 19’ lower right; further signed ‘Connor Brothers’ on the artist’s label afxed to the backing board hand embellished pigment print with silkscreen, oil pastel and coloured pencil 88.6 x 63.5 cm (34 7/8 x 25 in.) Executed in 2019. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1977

Rayuela signed and dated ‘PEJAC 2019’ on the reverse charcoal, pencil, acrylic and a stone on pressed wood 67.4 x 60.1 cm (26 1/2 x 23 5/8 in.) Executed in 2019, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

75. Swoon

b. 1978

Tužka i) signed ‘SWOON’ towards tip of coloured pencil ii) signed ‘SWOON’ towards tip of graphite pencil i) paper collage and pen on coloured pencil ii) paper collage on graphite pencil i) 17.5 x 4 x 3.4 cm (6 7/8 x 1 5/8 x 1 3/8 in.) ii) 17.2 x 3 x 1.5 cm (6 3/4 x 1 1/8 x 0 5/8 in.) Executed in 2019. Estimate £1,000-1,500 $1,300-2,000 €1,200-1,800 plus Buyers Premium and VAT*

Provenance Gifed by the artist to Migrate Art Exhibited London, Cork Street Galleries, Multicolour: A Project by Migrate Art, 20-31 March 2019

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Multicolour: A Migrate Art Project Lots 44 – 75

74. Pejac


76. Garth Weiser

b. 1979

Dad’s Doodles signed, titled and dated ‘G Weiser 2009 “DAD’S DOODLES”’ on the reverse acrylic on canvas 160 x 139.5 cm (62 7/8 x 54 7/8 in.) Painted in 2009. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 plus Buyers Premium and VAT*

Provenance Casey Kaplan Gallery, New York Acquired from the above by the present owner Exhibited New York, Casey Kaplan Gallery, Garth Weiser, 12 February - 21 March 2009 (titled, Again with the Eyes)

77. Garth Weiser

b. 1979

Cannondale signed, titled and dated ‘Garth Weiser 2008 “CANNONDALE”’ on the reverse acrylic on canvas 226 x 216 cm (88 7/8 x 85 in.) Painted in 2008. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Casey Kaplan Gallery, New York Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


78. Dan Walsh

b. 1960

Accessory signed and dated ‘Dan Walsh 2006’ on the reverse acrylic on canvas 101.8 x 190.5 cm (40 1/8 x 75 in.) Painted in 2006. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 plus Buyers Premium and VAT*

Provenance Paula Cooper Gallery, New York Patrick De Brock Gallery, Knokke Private Collection Christie’s, London, 12 October 2012, lot 275 Acquired at the above sale by the present owner

79. John Bauer

b. 1971

Mi Propio Color signed ‘John Bauer!’ lower centre; further signed and dated ‘John Bauer 2008’ on the stretcher; further signed, titled and dated ‘John Bauer 2008 MI PROPIO COLOR’ on the overlap oil and enamel on canvas 229 x 178 cm (90 1/8 x 70 1/8 in.) Executed in 2008. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 † plus Buyers Premium and VAT*

Provenance Maruani Mercier, Brussels

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


80. Jean-Baptiste Bernadet

b. 1978

Untitled (Fugue IX) signed, titled and dated ‘Jean Baptiste BERNADET Untitled (Fugue IX) 2013’ on the reverse oil on canvas 199.8 x 180.1 cm (78 5/8 x 70 7/8 in.) Painted in 2013. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Exhibited Paris, Valetin Gallery, Oh my gosh! it’s amazing, 28 November 2013 - 4 January 2014

81. Kerstin Brätsch

b. 1969

Blacky Blocked Radiant Sunbathed Mylar from Glow Rod Tanning Series oil on mylar, in three parts part 1) 178.1 x 123.1 cm (70 1/8 x 48 1/2 in.) part 2) 167.7 x 123 cm (66 x 48 3/8 in.) part 3) 176.5 x 121.9 cm (69 1/2 x 47 7/8 in.) overall 178.1 x 123.1 cm (70 1/8 x 48 1/2 in.) Executed in 2012. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gavin Brown’s enterprise, New York Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


82. Christian Rosa

b. 1982

Untitled enamel paint, charcoal, oil stick, oil and tape on canvas 179.8 x 199.7 cm (70 3/4 x 78 5/8 in.) Executed in 2013. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Brand New Gallery, Milan Acquired from the above by the present owner Exhibited Milan, Brand New Gallery, THIS IS THE STORY OF AMERICA. EVERYBODY’S DOING WHAT THEY THINK THEY’RE SUPPOSED TO DO, 21 November 2013 - 11 January 2014 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


83. Jonathan Horowitz

b. 1966

Beyonce / Polar Bears (144 Cans) UV ink on vinyl 216.4 x 277.1 cm (85 1/4 x 109 1/8 in.) Executed in 2014. Estimate £8,000-10,000 $10,600-13,200 €9,400-11,700 plus Buyers Premium and VAT*

Provenance Gavin Brown's enterprise, New York Acquired from the above by the present owner

84. Peter Sutherland

b. 1976

Born in the Hamptons signed and dated ‘Peter Sutherland 2014’ on the reverse inkjet print on perforated vinyl and matte medium on OSB 91.7 x 60.6 cm (36 1/8 x 23 7/8 in.) Executed in 2014. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 † plus Buyers Premium and VAT*

Provenance Galerie Rodolphe Janssen, Brussels Private Collection, London Exhibited Ixelles, Galerie Rodolphe Janssen, Peter Sutherland: Reversed Efort, 25 October - 22 November 2014 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


85. Josh Smith

b. 1976

Untitled mixed media on panel 121 x 91.4 cm (47 5/8 x 35 7/8 in.) Executed in 2008. Estimate £6,000-8,000 $8,000-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Luhring Augustine, New York Acquired from the above by the present owner in 2010

86. Josh Smith

b. 1976

Untitled mixed media on panel 152.4 x 121.9 cm (60 x 47 7/8 in.) Executed in 2008. Estimate £6,000-8,000 $8,000-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Luhring Augustine, New York Acquired from the above by the present owner in 2010

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

87. Nikolas Gambarof

SILO TO CANVAS EDGE ADD DROP SHADOW SILO TO CANVAS EDGE ADD DROP SHADOW

b. 1979

Two works: i) Untitled; ii) Untitled i) signed and dated ‘N. Gambarof 2010’ on the reverse ii) signed and dated ‘Gambarof 2012’ on the reverse i) paper collage and acrylic on canvas ii) newsprint collage and acrylic on canvas i) 51.6 x 40.6 cm (20 3/8 x 15 7/8 in.) ii) 121.9 x 91.4 cm (47 7/8 x 35 7/8 in.) i) Executed in 2010. ii) Executed in 2012. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 • ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance i) White Cube, London Leo Koenig Inc., New York Acquired from the above by the present owner ii) Overduin and Kite, Los Angeles Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


This lot is sold with no reserve

88. Nikolas Gambarof

b. 1979

Untitled signed and dated ‘Gambarof 2011’ on the reverse paper collage and acrylic on honeycomb paperboard mounted to aluminium board 50.6 x 35.6 cm (19 7/8 x 14 in.) Executed in 2011. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 • ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance White Cube, London Leo Koenig Inc., New York Acquired from the above by the present owner

89. Mike Bouchet

b. 1970

Cloudy Nympho Mom 2 (Burger chicken Chase) signed, signed with the artist’s initial’s, titled and dated ‘“Cloudy Nympho Mom 2 (Burger chicken Chase) 2014 Mike Bouchet Cloudy Nympho Mom 2 (Burger chicken Chase) MB’ on the reverse oil on canvas 210.3 x 150 cm (82 3/4 x 59 in.) Painted in 2014. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 † plus Buyers Premium and VAT*

Provenance Peres Projects, Berlin Private Collection, London

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

90. Walead Beshty

b. 1976

TWO SIDED PICTURE (YG), NOVEMBER 21ST 2007, LOS ANGELES, CALIFORNIA, KODAK SUPRA ENDURA colour photographic paper 207 x 126.7 cm (81 1/2 x 49 7/8 in.) Executed in 2008. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 • ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance China Art Objects Galleries, Los Angeles Acquired from the above by the present owner

91. Kon Trubkovich

b. 1979

Portrait (History) signed and dated ‘Trubkovich 2010’ on the reverse oil on linen 69 x 61.1 cm (27 1/8 x 24 in.) Painted in 2010. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 plus Buyers Premium and VAT*

Provenance Marianne Boesky Gallery, New York Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


92. Lucien Smith

b. 1989

Untitled (blue padding) signed ‘Lucien Smith’ on the overlap vinyl, foam and plywood, in artist’s frame 154.9 x 124.5 cm (60 7/8 x 49 in.) Executed in 2011. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 plus Buyers Premium and VAT*

Provenance Ritter/Zamet, London Private Collection, Europe

93. Nate Lowman

b. 1979

Three Works: i) Scratcher; ii) Strapping on; iii) Thank the Bank xerox transfer on paper i) 91.4 x 173.5 cm (35 7/8 x 68 1/4 in.) ii) 91.3 x 142.3 cm (35 7/8 x 56 in.) iii) 91.3 x 175 cm (35 7/8 x 68 7/8 in.) Each executed in 2004. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Ritter/Zamet, London Acquired from the above by the present owner Exhibited i) London, Ritter/Zamet, Re: Re: Re: Produce, 6 November-18 December 2004 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


94. Nate Lowman

b. 1979

H8RS GONNA H8 signed and dated ‘2012 Nate Lowman’ on the overlap alkyd on canvas 183.5 x 305.3 cm (72 1/4 x 120 1/4 in.) Executed in 2012. Estimate £30,000-50,000 $39,700-66,200 €35,100-58,500 plus Buyers Premium and VAT*

Provenance Massimo De Carlo, Milan Acquired from the above by the present owner Exhibited Milan, Massimo De Carlo, Nate Lowman: Swiss Cheese and the Doors: A One Night Stand, 11 April - 12 May 2012

95. Angel Otero

b. 1981

SKS002 signed, inscribed, titled, numbered and dated ‘SKS002 “Imperial” Angel Otero 2012 13/20’ on the reverse oil paint and oil paint skins collaged on canvas 25.6 x 28.8 cm (10 1/8 x 11 3/8 in.) Executed in 2012. Estimate £2,500-4,500 $3,300-6,000 €2,900-5,300 plus Buyers Premium and VAT*

Provenance Lehmann Maupin Gallery, New York Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


96. Leo Gabin

b. 1980

Catching a Fade signed, titled and dated ‘Leo Gabin 2014 CATCHING A FADE’ on the reverse acrylic, lacquer, enamel paint and silkscreen on canvas 204.5 x 150.3 cm (80 1/2 x 59 1/8 in.) Executed in 2014. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Peres Projects, Berlin Acquired from the above by the present owner

97. Ayan Farah

b. 1978

Carmel signed, titled and dated ‘Carmel Ayan Farah 2014’ on the stretcher alcohol, vinegar and fabric dye on cotton silk 170 x 120 cm (66 7/8 x 47 1/4 in.) Executed in 2014. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Vigo Gallery, London Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


98. Mark Hagen

b. 1972

Kepler-186f signed and dated ‘MARK HAGEN 5/2014 MARK HAGEN 5/2014’ on the overlap acrylic on burlap laid on panel 162.7 x 162.7 cm (64 x 64 in.) Executed in 2014. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ‡ plus Buyers Premium and VAT*

Provenance Almine Rech Gallery, Paris Acquired from the above by the present owner

99. Jack Lavender

b. 1983

Now and Then It Comes Back 9 glass, paint, aluminium, tape, sand, glue, paper, stickers, metal, toner and mixed media 180.4 x 90.3 cm (71 x 35 1/2 in.) Executed in 2014, this work is accompanied by a certifcate of authenticity signed and dated by the artist. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance The Approach, London Private Collection Phillips, London, 9 March 2018, lot 268 Acquired at the above sale by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


100. Jim Lambie

b. 1964

Everythings Gone Green (Eyelash Red) powder coated aluminium and silver necklaces 180 x 175 x 27.2 cm (70 7/8 x 68 7/8 x 10 3/4 in.) Executed in 2003. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance The Modern Institute, Glasgow Acquired from the above by the present owner

101. Jim Lambie

b. 1964

Make Up titled in print ‘MAKE UP’ on the reverse yarn and glue on Disque vinyl 33T diameter 30.6 cm (12 in.) Executed in 2001. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance The Modern Institute, Glasgow Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

102. Richard Pettibone

b. 1938

Portrait of Jack Benny signed and dated ‘Richard Pettibone 1972’ on the overlap synthetic polymer and silkscreen inks on canvas 91.5 x 122.4 cm (36 x 48 1/4 in.) Executed in 1972. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 • plus Buyers Premium and VAT*

Provenance O.K. Harris Gallery, New York Corporate Collection, Des Moines Private Collection Christie’s, New York, online, 17-29 July 2014, lot 60 Acquired at the above sale by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


103. Stuart Semple

b. 1980

Bombs To Make You Blow signed ʻStuart Semple. ʻ05ʼ on the reverse enamel paint, acrylic and charcoal on canvas 120.7 x 120 cm (47 1/2 x 47 1/4 in.) Executed in 2005. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Exhibited London, SKIT, Post Pop Paradise, 9-23 September 2005

104. Jonathan Meese

b. 1970

OH HERBST DU lef part) signed, inscribed, titled and dated ‘links J Meese 07 OH, Herbst, Du lebst, wie SAU, DANKE IHR TYRANNISchen J Meese 07’ on the reverse centre part) signed, inscribed, titled and dated ‘ J Meese 07 mitte OH, Herbst, DU LEBST, WIE SAU, DANKE IHR TYRANNISchen J Meese 07’ on the reverse right part) signed, inscribed, titled and dated ‘ OH, HERBST, DU LEBST, WIE SAU, DANKE IHR TYRANNISCHEN J Meese 07 J Meese 07 rechts’ on the reverse oil, photo, card and paper collage, found object and wax crayon on canvas triptych, in artist’s frame 272.2 x 557.4 cm (1071/8 x 2191/2 in.) Executed in 2007.

Estimate £25,000-35,000 $33,100-46,400 €29,300-41,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin (acquired directly from the artist) Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


SILO TO CANVAS EDGE ADD DROP SHADOW

105. Stephan Balkenhol

b. 1957

Temple painted wood in relief, diptych overall 199.7 x 197.3 cm (78 5/8 x 77 5/8 in.) Executed in 2004. Estimate £30,000-50,000 $39,700-66,200 €35,100-58,500 ♠

Provenance Acquired directly from the artist by the present owner Exhibited Moscow, Gary Tatinstian Gallery, Stephan Balkenhol, 28 April - 8 August 2010

plus Buyer’s Premium and VAT, ARR applies*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


106. Stephan Balkenhol

b. 1957

Male Portrait signed and dated ‘Stephan Balkenhol 2003’ on the reverse paint, graphite and pen on wood in relief 140.2 x 99.2 x 2.6 cm (55 1/4 x 39 x 1 in.) Executed in 2003. Estimate £30,000-50,000 $39,700-66,200 €35,100-58,500 ♠

Provenance Acquired directly from the artist by the present owner Exhibited Moscow, Gary Tatintsian Gallery, We can do it!, 10 February - 15 May 2005, pp. 16-17 (illustrated, p.17, titled Male Portret) Moscow, Gary Tatintsian Gallery, Persona Gata, 1 March - 21 April 2010

plus Buyer’s Premium and VAT, ARR applies* in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


107. Anton Henning

b. 1964

Blumenstilleben No 115 signed with the artist’s initials and dated ‘AH02’ lower right; further titled, numbered and dated ‘02 022 Blumenstilleben No 115’ on the reverse oil on canvas 94.5 x 94.5 cm (37 1/4 x 37 1/4 in.) Painted in 2002. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Acquired directly from the artist by the present owner in 2004

108. Anton Henning

b. 1964

La rencontre, No 3 signed with the artist’s initials and dated ‘AH02’ lower right; further signed with the artist’s initials, titled, numbered and dated ‘AH2002-113 La rencontre, No 3’ on the stretcher oil on canvas 173 x 186.6 cm (68 1/8 x 73 1/2 in.) Painted in 2002. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Arndt & Partner, Berlin (acquired directly from the artist) Private Collection Christie’s, New York, 16 November 2006, lot 385 Acquired at the above sale by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


109. Hermann Nitsch

b. 1938

Untitled acrylic on hessian 200.5 x 303.3 cm (78 7/8 x 119 3/8 in.) Painted in 2009. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection

110. Jan Voss

1936

Untitled signed and dated ‘VOSS 2000’ on the reverse oil on canvas, in artist’s frame 132.1 x 196.7 cm (52 x 77 1/2 in.) Painted in 2000. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


111. Norbert Schwontkowski

1949-2013

die Geliebte von drüben signed and dated ‘Schwontkowski 2006’ on the reverse oil on canvas 50.5 x 40.1 cm (19 7/8 x 15 3/4 in.) Painted in 2006. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Produzentengalerie, Hamburg Acquired from the above by the present owner

112. Norbert Schwontkowski

1949-2013

der innere Garten signed and dated ‘Schwontkowski 2006’ on the reverse oil on canvas 50.5 x 40.1 cm (19 7/8 x 15 3/4 in.) Painted in 2006. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Produzentengalerie, Hamburg Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


113. Raimund Girke

1930-2002

Ohne Titel signed and dated ‘GIRKE 89’ on the overlap oil on canvas 120 x 100 cm (47 1/4 x 39 3/8 in.) Painted in 1989. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Berlin Exhibited Berlin, Galerie Fahnemann, Raimund Girke, 14 November - 16 December 2017

114. Thomas Grünfeld

b. 1956

Eye painting signed, numbered and dated ‘Grünfeld 00 00/23’ on the reverse glass and resin on panel 100 x 100 x 7.7 cm (39 3/8 x 39 3/8 x 3 in.) Executed in 2000. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Acquired directly from the artist by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


115. Bjarne Melgaard

b. 1967

Untitled oil on canvas 100 x 100.5 cm (39 3/8 x 39 5/8 in.) Painted in 2009. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Christie’s, Amsterdam, 20 May 2009, lot 102 Acquired at the above sale by the present owner

116. Markus Linnenbrink

b.1961

Multicolor klein signed, titled and dated ‘Markus Linnenbrink 1999 Multicolor klein’ on the reverse epoxy resin and pigments on canvas 40 x 25 cm (15 3/4 x 9 7/8 in.) Painted in 1988-1999. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Singel 74, Amsterdam Acquired from the above by the present owner in 1999

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


117. Ella Bergmann-Michel

1896-1971

Den Flüchtlingen Europa’s gewidmet signed and dated ‘E. Bergmann 45’ lower right; further titled and dated ‘Den Flüchtlingen Europa’s gewidmet 1945 (Plakah)’ lower lef; further signed, titled and dated ‘Den Flüchtlingen Europa’s gewidmet 1945 Ella Bergmann-Michel’ on the reverse ink, graphite and watercolour on paper 50.4 x 63.1 cm (19 7/8 x 24 7/8 in.) Executed in 1945. Estimate £2,500-3,500 $3,300-4,600 €2,900-4,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Annely Juda Fine Art, London Acquired from the above by the present owner Exhibited Hanover, Sprengel Museum, Ella Bergmann-Michel 1895-1971, 13 May - 24 June 1990, no. 148, pp. 90-91 (illustrated, p. 91)

118. Kaari Upson

b. 1972

Charcoal Tablet 28 charcoal and Aqua-Resin 242.4 x 121.4 cm (95 3/8 x 47 3/4 in.) Executed in 2012. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ‡ plus Buyers Premium and VAT*

Provenance Overduin and Kite Gallery, Los Angeles Private Collection, New York

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


119. Alberto Biasi

b. 1937

Ottico dinamico signed, titled and dated ‘alberto biasi “ottico-dinamico” 1967’ on the reverse ribbon strips on painted wooden board, in artist’s aluminium frame 144 x 144 cm (56 3/4 x 56 3/4 in.) Executed in 1967, this work is accompanied by a certifcate of authenticity and is registered at the Archivio Alberto Biasi under no. CO 203.

Provenance Galleria Dep Art, Milano Private Collection (acquired from the above in 2013) Christie’s, Milan, 5 April 2016, lot 2 Acquired at the above sale by the present owner

Estimate £50,000-70,000 $66,200-92,700 €58,500-81,900 ♠ plus Buyer’s Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


120. Agostino Bonalumi

1935-2013

Rosso signed ‘Bonalumi’ lower right acrylic on extruded paper 30 x 30 cm (11 3/4 x 11 3/4 in.) Executed in 1995, this work is accompanied by a certifcate of authenticity and is recorded in the Archivio Bonalumi under the archive number 95-009C. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Milan Acquired from the above by the present owner Literature Elena Pontiggia and Giorgio Chierici, Agostino Bonalumi: opere dal 1960 al 1995: estrofessioni, progetti, fogli di studio, San Polo di Reggio Emilia, 1995, p. 35 (illustrated)

121. Alighiero Boetti

1940-1994

Senza Titolo (Correre e discorrere) signed, inscribed and titled ‘ALIGHIERO BOETTI CORRERE DISCORRERE LAQUINTA’ to the centre; further signed ‘Alighiero Boetti’ lower centre paper collage and graphite on card 77.3 x 56.3 cm (30 3/8 x 22 1/8 in.) Executed circa 1985, this work is accompanied by a certifcate of authenticity provided by the Archivio Alighiero Boetti, Rome, and is registered under number 7048. Estimate £8,000-10,000 $10,600-13,200 €9,400-11,700 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Asta Boetto, Genova, 19 April 2016, lot 240 Acquired at the above sale by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


122. Mimmo Rotella 1918-2006 La Benedizione signed and dated ‘Rotella /63’ lower right; further titled and dated ‘”la benedizione” 1963’ on the reverse cardboard and paper mounted on canvas 65 x 125 cm (25 5/8 x 49 1/4 in.) Executed in 1963. Estimate £50,000-60,000 $66,400-79,600 €58,500-70,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleria JZ Art Trading, Milan Acquired from the above by the present owner in 2008 Exhibited Ravenna, Logetta Lombardesca, Arte Santa, 11 May – 31 August 1986, pp. 52, 119 (illustrated, p. 52) Paris, Galerie J, Rotella Vatican IV, 1965, 2 April 1965, n.p. (illustrated)

Rome, Palazzo delle Espozioni, Tutte le strade portano a Roma?, 11 March – 26 April 1993, p. 163 (illustrated) Pisa, Palazzo Lanfranchi, MIMMO ROTELLA antologica, 19 May – 19 August 2001, p. 103 (illustrated) London, Ben Brown Fine Arts, Mimmo Rotella Early Works 1954-67, 1 March - 21 April 2007, no. 20, pp. 56-57, 68 (illustrated, pp. 56-57) Literature Umanesimo, Disumanesimo nell'arte europea 1890/1980, exh. cat., Palagio di Parte Guelfa, Florence, 1980, p. 103 (illustrated) Germano Celant, Mimmo Rotella, Milan, 2007, no. 243, pp. 246, 547 (illustrated, p. 246) Alice Berton and Rafaella Perna, Mimmo Rotella et la Galerie J, Milan, 2012, p. 43

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


123. Sandro Chia

b. 1946

Untitled signed ‘CHiA’ lower right oil on canvas 158 x 127.4 cm (62 1/4 x 50 1/8 in.) Painted in 1986. Estimate £10,000-15,000 $13,300-19,900 €11,700-17,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleria JZ Art Trading, Milan Acquired from the above by the present owner in 2008 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


124. Mario Schifano

1934-1998

Senza Titolo signed ‘Schifano’ lower right; further signed and inscribed ‘X Simoni Schifano QUESTA OPERA PROVIENE DIRETTAMENTE DALL’ ARTISTA, TRAMITE SIMMI STEFANO DI ROMA, PERTANTO É ASSOLUTAMENTE AUTHENTICA - MI IMPEGNO, SU RICHIESTA DI ZAMPI ORESTE, IA QUALSIASI MOMENTO, A FAR EFFETTUARE LA RIAMTEUTICA DA PARTE DEL PITTORE - Melliete li 11-12-981’ on the reverse oil and enamel on canvas 60.6 x 80.4 cm (23 7/8 x 31 5/8 in.) Executed in 1979-81, this work is registered in the Archivio Generale dell’ Opera di Mario Schifano under no. 3077160213 and is accompanied by a certifcate of authenticity. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleria Simoni-Arte Cornici, Rome Private Collection, Bologna Acquired from the above by the present owner

125. Bernard Aubertin

1934-2015

Tableau Clous signed and dated ‘Bernard Aubertin 1968’ on the reverse acrylic and nails on board 40 x 40 cm (15 3/4 x 15 3/4 in.) Executed in 1968, this work is accompanied by a confrmation of authenticity from the Archivio Opere Bernard Aubertin, Brescia, March 2018. The work is registered under the archive no. TCLR86-1000186323. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galleria Centro, Brescia Private Collection, Monte Carlo Private Collection, Zurich Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


126. Philippe Cognée

b. 1957

Etoile pour Folie no. 2 signed, titled and dated ‘P. Cognée 08 ““Etoile pour Folie no 2”’ on the reverse Encaustic paint on canvas mounted on panel 153.2 x 175.2 cm (60 3/8 x 68 7/8 in.) Executed in 2008. Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection

127. Fabrice Hyber

b. 1961

Metéo signed, titled and dated ‘Hyber ... 2008 2009 Metéo’ on the reverse oil, charcoal and epoxy on canvas 100.2 x 150.2 cm (39 1/2 x 59 1/8 in.) Executed in 2008 - 2009. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Jérôme de Noirmont, Paris Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


128. Philippe Pasqua

b. 1965

Visage Irina gros plan signed, dedicated and dated ʻPhilippe Pasqua 2013 A IRINA etudeʼ on the reverse oil on canvas, in artist's frame 209.1 x 158.6 x 7.5 cm (823/8 x 621/ 2 x 27/8 in.) Painted in 2013. Estimate £40,000-60,000 $53,000-79,500 €46,800-70,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Switzerland *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


129. Philippe Pasqua

b. 1965

Vanité aux papillons butterfies and acrylic on resin on board, with artist's plinth overall with plinth 170 x 50 x 50 cm (667/8 x 195/8 x 195/8 in.) Executed in 2011. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Switzerland

in in the the Buyer’s Buyer’s Guide Guide online online or or in in this this catalogue. catalogue. Buyer’s Buyer’s Premium Premium is is payable payable at at aa maximum maximum of of 25%. 25%. VAT, VAT, where where applicable, applicable, is is payable payable at at 20% 20% on on the the Buyer’s Buyer’s Premium. Premium.


Works on Paper 130. Jannis Kounellis

1936-2017

Untitled signed and dated ‘Kounellis 83’ lower right oil and pencil on paper 34 x 24.5 cm (13 3/8 x 9 5/8 in.) Executed in 1983. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Anthony d’Ofay, London (acquired directly from the artist) Private Collection Sotheby’s, London, 26 October 2000, lot 184 Private Collection, Monaco Acquired from the above by the present owner

131. Jean Tinguely

1925-1991

Untitled signed, inscribed and dated ‘15 May 1973 I hope it’s NOT to LAte? Dear Teddy thanks FOR invAitinG me Kollek: Jes I am ARRivinG to JeRuSaleM the 17 of June 1973 & I am Ready to pARticipAte At the meetinG & salutAtioNS amicAle & Respective Jean TinGuely. TiNGuEly’ on the front; further inscribed ‘P.S. I am bAck in FRance (soisy s. Ecole) the 4 June’ on the reverse biro pen, pen, cellotape, paper collage, graphite and watercolour on paper 35.5 x 25.2 cm (13 7/8 x 9 7/8 in.) Executed on 15 May 1973. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Estate of Tamar and Teddy Kollek, Jerusalem (acquired directly from the artist) Tiroche, Israel, 21 June 2014, lot 34 Acquired at the above sale by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


132. Andy Warhol

1928-1987

Brandon de Wilde Smokes Camels because they are so Mild titled ‘Brandon de Wilde smokes camels because they are so mild’ upper lef; further stamped with Andy Warhol Art Authentication Board, Inc. stamp and numbered ‘A123.969’ on the reverse ink on paper 27.9 x 21.5 cm (10 7/8 x 8 1/2 in.) Executed circa 1980. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Cary Leibowitz, New York (acquired directly from the artist) Private Collection Christie’s, online, 17 - 29 July 2014, lot 101 Acquired at the above sale by the present owner

133. Andy Warhol

1928-1987

Punch Recipes inscribed ‘Punch’ lower centre and further inscribed with punch recipes; further stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts stamp and numbered ‘ARD431.010’ on the reverse graphite on paper 47.6 x 30.7 cm (18 3/4 x 12 1/8 in.) Executed circa 1955. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Estate of Andy Warhol Andy Warhol Foundation for the Visual Arts, New York Andy Warhol @ Christie’s: A Christmas Thing, online, 2 - 11 December 2013, lot 38 Acquired at the above sale by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


134. Louise Bourgeois

1911-2010

Untitled signed with the artist’s initials and inscribed ‘BAT. LB’ lower lef ballpoint pen on paper 27 x 22 cm (10 5/8 x 8 5/8 in.) Executed circa 1998. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Paris Artcurial, Paris, 1 June 2010, lot 216 Private Collection Artcurial, Paris, 4 April 2017, lot 177 Acquired at the above sale by the present owner This drawing has been executed on the frst page of a book by Harry Jancovici, editor of engraving portfolios

135. Luc Tuymans

b. 1958

Untitled watercolour on paper 39.7 x 29.8 cm (15 5/8 x 11 3/4 in.) Executed in 2014. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Drawing Room, London, Drawing Biennial 2015, online auction, 16 - 30 April 2015 Acquired at the above sale by the present owner Exhibited London, Drawing Room, Drawing Biennial 2015: Exhibition & online auction of over 200 unique works on paper, 5 March - 30 April 2015

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


136. Antony Gormley

b. 1950

Hypertrophy signed with the artist’s initials, titled and dated ‘HYPERTROPHY A. M. D G ‘97 A. M. D. G ‘97’ on the reverse organic soya oil, shellac, pigment and linseed oil on paper 29 x 38 cm (11 3/8 x 14 7/8 in.) Executed in 1997.

Exhibited Annandale-on-Hudson, Hessel Museum of Art, Calendar 2000, 26 September - 17 December 1999, no. 13 This work was created for the CCS Bard as part of a series of calendars for Calendar 2000, in which 184 artist’s contributed an original work on paper to create 15 calendars whose proceeds supported the exhibition programs of the CCS Museum and Art for Art’s Sake. This work was the month of August in the 13th calendar.

Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Donated by the artist to The Center for Curatorial Studies and Art for Art’s Sake, New York Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


137. Hernan Bas

b. 1978

The Nook in the Brook signed with the artist’s initials and dated ‘HB 05’ lower lef acrylic, watercolour, ink, graphite and neon paint on paper 76.5 x 57 cm (30 1/8 x 22 1/2 in.) Executed in 2005. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 plus Buyers Premium and VAT*

Provenance Victoria Miro Gallery, London Acquired from the above by the present owner

138. Hernan Bas

b. 1978

The Last Song signed with the artist’s initials and dated ‘HB 05’ lower right gouache, acrylic, metallic acrylic, charcoal, pastel, graphite, ink and neon paint on paper 76.2 x 57.7 cm (30 x 22 3/4 in.) Executed in 2005. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Victoria Miro Gallery, London Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


139. Norbert Schwontkowski

1949-2013

Untitled signed and dated ‘Schwontkowski 1993’ lower right oil on photocopied paper 29.6 x 41.9 cm (11 5/8 x 16 1/2 in.) Executed in 1993. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin Acquired from the above by the present owner in 2008

140. Norbert Schwontkowski

1949-2013

Untitled signed and dated ‘Schwontkowski 03’ lower right oil and charcoal on paper 42.9 x 30.5 cm (16 7/8 x 12 in.) Executed in 2003. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Contemporary Fine Arts, Berlin Acquired from the above by the present owner in 2008

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


141. Nigel Cooke

b. 1973

Projects 1 signed, titled and dated ‘NIGEL COOKE ‘PROJECTS 1’ 2007 N. Cooke’’ on the reverse oil and pastel on paper 122 x 152 cm (48 x 59 7/8 in.) Executed in 2007. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Stuart Shave/Modern Art, London Acquired from the above by the present owner

142. Darren Almond

b. 1971

Plan 5 printed ‘Almond’ lower lef; further signed ‘Almond’ lower right gouache and pencil on paper 72 x 72 cm (28 3/8 x 28 3/8 in.) Executed in 1999. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Max Hetzler, Berlin Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


143. René Daniëls

b. 1950

Leda en de zwaan indistinguishably inscribed lower edge; further inscribed and dedicated ‘Leonie Hanteligle gefeliciteerd van 2 verliefde jonge mensen die zich niet in het openbaar mogen vertonen’ on the reverse watercolour and charcoal on paper 26.5 x 54.5 cm (10 3/8 x 21 1/2 in.) Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection (acquired directly from the artist) Sotheby’s, Amsterdam, 7 December 2005, lot 185 Acquired at the above sale by the present owner

144. Diana Thater

b. 1962

Two works: i) White is the Color ii) Zwirner & Wirth Exhibition Drawing 1/4 ii) signed, inscribed and dated ‘DIANA THATER 2005!! DRAWING FOR Z + W EXHIBITION’ on the reverse i) two digital projectors, two DVD players, two DVDs, two remote controls and fuorescent lighting fxture ii) Mylar with ink, graphite, pantone flm and ink jet prints i) dimensions variable ii) 64.8 x 55.2 cm (25 1/2 x 21 3/4 in.) i) Executed in 2002. ii) Executed in 2005.

© Diana Thater, Courtesy the artist, Hauser & Wirth, David Zwirner, London/New York, and 1301PE, Los Angeles

Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Zwirner & Wirth, New York Acquired from the above by the present owner Please fnd extended cataloguing for this lot online.

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


145. Sam Francis

1923-1994

Untitled signed and dated ‘Sam Francis 1989’ on the reverse acrylic on paper 38 x 27.8 cm (14 7/8 x 10 7/8 in.) Executed in 1989.

Provenance Gallery Delaive, Amsterdam (acquired directly from the artist) Guy Pieters Gallery, Belgium Private Collection Acquired from the above by the present owner

Estimate £15,000-20,000 $19,900-26,500 €17,500-23,400

Exhibited Osthaus Museum Hagen, Collectie de Leeuwenhoeve, 20 May - 3 August 2014, p. 27 (illustrated)

plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


146. Keith Tyson

b. 1969

Studio Wall Drawing: MAY 2003/ APR 2004 - Designs for Chicago Hyatt Centre acrylic, collage and pen on watercolour paper 150.5 x 121 cm (59 1/4 x 47 5/8 in.) Executed in 2005. Estimate £6,000-8,000 $8,000-10,600 €7,000-9,400 ♠ plus Buyers Premium and VAT*

Provenance Haunch of Venison, London Acquired from the above by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


Carney’s Community

Working in a unique partnership, the artist Barry Reigate and the youth of Carney’s Community, supported by Bikelife and MATCHESFASHION.COM, have created these six vibrantly expressive painted doors with proceeds being donated to Carney’s Community. Founded in London, Carney’s Community works with disadvantaged and excluded youths to keep them of the street, away from a life of crime and despair by giving them skills, disciplines and self-respect through boxing and art. The funds raised in this sale will go specifcally towards a programme that will send teenagers from disadvantaged backgrounds to train in boxing.

i) verso

ii) verso

i) recto

ii) recto

147. Barry Reigate with the kids of Carney’s Community Two works: i) Sticks & Stones & Rainbow; ii) Crocodile Sun i) enamel paint, household paint, oil pastel, acrylic and varnished paper collage on wooden door ii) enamel paint, household paint, acrylic, varnished paper collage, wood collage, oil pastel, pen, chalk pastel and screws on wooden door i) 198 x 76.2 x 3.4 cm (77 7/8 x 30 x 1 3/8 in.) ii) 198 x 76 x 4 cm (77 7/8 x 29 7/8 x 1 5/8 in.) Executed in 2019.

Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to MATCHESFASHION.COM to beneft Carney’s Community Exhibited London, 5 Carlos Place, MATCHESFASHION.COM, An Artist Takeover: Barry Reigate X Carney’s Community, 4 - 30 March 2019

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


Two works: i) Bikes Up Knives Down, ii) Claw Skyline each enamel paint, metallic enamel paint, varnished paper collage, household paint, pen, coloured pencil and oil pastel on wooden door with wooden struts each 198 x 76 x 4 cm (77 7/8 x 29 7/8 x 1 5/8 in.) Executed in 2019. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to MATCHESFASHION.COM to beneft Carney’s Community Exhibited London, 5 Carlos Place, MATCHESFASHION.COM, An Artist Takeover: Barry Reigate X Carney’s Community, 4 - 30 March 2019 Please fnd additional images for this lot online.

149. Barry Reigate with the kids of Carney’s Community Two works: i) Slime WTF ii) Figure Snake Door each enamel paint, metallic enamel paint, varnished paper collage, household paint, pen, coloured pencil and oil pastel on wooden door with wooden struts each 198 x 76 x 4 cm (77 7/8 x 29 7/8 x 1 5/8 in.) Executed in 2019. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gifed by the artist to MATCHESFASHION.COM to beneft Carney’s Community Exhibited London, 5 Carlos Place, MATCHESFASHION.COM, An Artist Takeover: Barry Reigate X Carney’s Community, 4 - 30 March 2019 Please fnd additional images for this lot online. in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Carney’s Community

148. Barry Reigate with the kids of Carney’s Community


150. SEEN (Richard Mirando)

b. 1961

Untitled signed and dated ‘SEEN! 2018’ on the reverse enamel paint on canvas painting 152.1 x 152.7 cm (59 7/8 x 60 1/8 in.) canvas 162.1 x 162.1 cm (63 7/8 x 63 7/8 in.) Painted in 2018. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

151. Scott Campbell

b. 1977

Tableau - Only God Can Judge Me In Dollars cut and uncut paper and board mounted on board dollar sheet 54 x 63.5 cm (21 1/4 x 25 in.) backing board 61.1 x 68.6 cm (24 x 27 in.) Executed in 2010. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 plus Buyers Premium and VAT*

Provenance Galerie Gismondi Pastor, Monaco Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


152. Futura 2000

b. 1955

Untitled signed, titled and dated ‘.Futura .2000. FEBRUARY 1983. “UNTITLED”’ on the reverse enamel paint and acrylic on canvas 137.5 x 183 cm (54 1/8 x 72 in.) Painted in 1983. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 plus Buyers Premium and VAT*

Provenance Galerie Baronian-Lambert, Ghent Acquired from the above by the present owner

This lot is sold with no reserve recto

153. Gardar Eide Einarsson

verso

b. 1976

Blue Target inkjet on plywood panel, double sided 200 x 120 cm (78 3/4 x 47 1/4 in.) Executed in 2008. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Team Gallery, New York Acquired from the above by the present owner Exhibited New York, Whitney Museum of American Art, Whitney Biennial 2008, 6 March – 1 June 2008, p. 255

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


154. Aaron Young

b. 1972

Focus on the four dots… acrylic and silkscreen ink on canvas 109 x 152.4 cm (42 7/8 x 60 in.) Executed in 2010. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ‡ plus Buyers Premium and VAT*

Provenance Bortolami Gallery, New York Acquired from the above by the present owner

155. Aaron Young

b. 1972

ARC LIGHT (Moscow, single) motor oil, burnt rubber and acrylic on aluminium 200.7 x 149.9 cm (79 x 59 in.) Executed in 2008. Estimate £10,000-15,000 $13,300-19,900 €11,700-17,500 plus Buyers Premium and VAT*

Provenance Gagosian Gallery, New York Private Collection Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


156. Zak Raton The Golden Calves signed ‘ZAK RATON’ lower lef; further signed, titled and dated ‘ZAK RATON THE GOLDEN CALVES 2014’ on the stretcher acrylic, graphite on burnt wood and copper wire on canvas, in artist’s frame 164.7 x 134.4 cm (64 7/8 x 52 7/8 in.) Executed in 2014. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Acquired directly from the artist by the present owner

157. Billy Childish

b. 1959

chrysanthemums signed with the artist’s monogram and dated ‘14’ lower lef oil and charcoal on linen 122 x 91.5 cm (48 x 36 in.) Executed in 2014. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance neugerriemschneider, Berlin Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


Sculpture

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


158. Charming Baker

b. 1964

Nine works: i) All I Want Can Only Be Accomplished By Ignoring What You Need (black) ii) All I Want Is For Times To Change Until I Hit Some Good Ones (black) iii) All I Want Is For You Not To Speak Unless You Can Improve On The Silence (black) iv) All I Want Is Love, Attention and Permission To Fail (black) v) All I Want Is My Caravan Parked in Eden (black) vi) All I Want Is The Courage To Hide Behind My Own Sense of Self Belief (black) vii) All I Want Is To Avoid That Bridge Between Uncertainty And Outright Disappointment (black) viii) All I Want Is To Not Know Now What I Didn’t Know Then (black) ix) All I Want Is To Remain Ignorant Of All The Good I’ll Never Do (black) each stamped with the artist’s signature, inscribed, numbered and dated ‘CHARMING BAKER 2011 3/9 MELTDOWNS’ on the underside each patina and polished bronze i) 35.7 x 33 x 29.5 cm (14 x 12 7/8 x 11 5/8 in.) ii) 29.8 x 31 x 25 cm (11 3/4 x 12 1/4 x 9 7/8 in.) iii) 30 x 29 x 19 cm (11 3/4 x 11 3/8 x 7 1/2 in.) iv) 29 x 29.5 x 26 cm (11 3/8 x 11 5/8 x 10 1/4 in.)

v) 31 x 32 x 25 cm (12 1/4 x 12 5/8 x 9 7/8 in.) vi) 28 x 31 x 23 cm (11 x 12 1/4 x 9 in.) vii) 31 x 31 x 21 cm (12 1/4 x 12 1/4 x 8 1/4 in.) viii) 31.5 x 31 x 22 cm (12 3/8 x 12 1/4 x 8 5/8 in.) ix) 32 x 31 x 20.5 cm (12 5/8 x 12 1/4 x 8 1/8 in.) Each executed in 2011, this work is number 3 from an edition of 9. Estimate £40,000-60,000 $53,000-79,500 €46,800-70,200 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance Acquired directly from the artist by the present owner Exhibited London, Mercer Street Studios, Charming Baker: Every Thing Must Go, 7 - 31 July 2011 (another edition exhibited) London, Fortnum and Mason’s, Fortnum’s X Frank, 10 September - 20 October 2016, pp. 29, 32-33 (illustrated, pp. 32-33) New York, 11 Hanover Hotel, The Blond Bar (another edition on permanent display)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


159. Arman

1928-2005

Eros, Inside Eros signed ‘arman’ lower right; further stamped with the foundry mark and numbered ‘EA 2/3’ lower lef bronze 85.1 x 44.5 x 47 cm (33 1/2 x 17 1/2 x 18 1/2 in.) Executed in 1986, this work is artist's proof 2 from an edition of 5 plus 3 artist's proofs and is recorded in the Arman Paris Archives from Denyse Durand-Ruel under no. 3596 and the Arman Studio Archives, New York under no. 8301.86.006. Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ‡ ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Lewis M. Kaplan Associates Ltd., London Private Collection, Europe (acquired from the above in 1987) Sotheby’s, London, 14 October 2011, lot 175 Acquired at the above sale by the present owner Exhibited Marisa Del Re Gallery, New York, ARMAN GODS AND GODDESSES, 7 October - 15 November 1986, n.p. (another edition exhibited and illustrated)

160. Cildo Meireles

b. 1948

FONTES parts 1) 2) stamped with the artist’s initials, titled and dated ‘FONTES CM 92’ at one end parts 3) 4) stamped with the artist’s initials, titled and dated ‘FONTES CM 92’ at either end wood rulers with metal hinges, in 4 parts each 200 x 1.8 cm (78 3/4 x 0 3/4 in.) Executed in 1992. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 plus Buyers Premium and VAT*

Provenance Gifed from the artist to the present owner Exhibited London, Tate Modern; Museu d’Art Contemporani de Barcelona; The Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Art Gallery of Ontario, Cildo Meireles, 14 October 2008 27 June 2010 (another example exhibited) *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


161. Andreas Slominski

b. 1959

Windmühle signed with the artist’s thumbprint to the reverse of one of the windmill blades; further signed with the artist’s thumbprints to the underside of the base painted wood, painted metal, coloured tape and coloured foil 100 x 84.5 x 26.5 cm (39 3/8 x 33 1/4 x 10 3/8 in.) Executed in 1996.

Provenance Private Collection (acquired directly from the artist) Private Collection, Baden-Württemberg Kunsthaus Lempertz, Berlin, 28 November 2015, lot 960 Acquired at the above sale by the present owner

Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


162. Guyton\Walker

b. 1972/1969

Coconut lamp coconuts, wires, light bulbs and three paint cans with digital inkjet prints coconuts, wires and light bulbs 42 x 60 x 45 cm (16 1/2 x 23 5/8 x 17 3/4 in.) paint cans each 19.1 x 16.7 x 16.7 cm (7 1/2 x 6 5/8 x 6 5/8 in.) overall 61.1 x 60 x 55 cm (24 x 23 5/8 x 21 5/8 in.) Executed in 2005.

163. Jean-Michel Othoniel

b. 1964

Sans titre Murano glass and steel Murano glass 85.5 x 14.5 x 14.5 cm (33 5/8 x 5 3/4 x 5 3/4 in.) full installed length 165 x 14.5 x 14.5 cm (64 7/8 x 5 3/4 x 5 3/4 in.) Executed in 2007.

Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200

Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 ♠

plus Buyers Premium and VAT*

plus Buyer’s Premium and VAT, ARR applies*

Provenance Greene-Nafali Gallery, New York Acquired from the above by the present owner

Provenance Gifed from the artist to the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


164. Phyllida Barlow

b. 1944

Untitled cement, plaster, expanding foam, wire, spray enamel and sealant 20 x 12 x 10.5 cm (7 7/8 x 4 3/4 x 4 1/8 in.) Executed in 2011. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Studio Voltaire, London Acquired from the above by the present owner in 2008

165. James B. Webster

b. 1978

Head of a Martyr signed with the artist’s initials and indistinctly numbered ‘JBW “JB #2’ to the lower right of the porcelain porcelain and cement on a steel plate 52.5 x 26 x 26 cm (20 5/8 x 10 1/4 x 10 1/4 in.) Executed in 2018, this work is unique plus 1 artist’s proof. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection Exhibited London, Tomasso Brothers Fine Art, MARTYRS: James Webster, 3 - 20 October 2018 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


166. Pamela Rosenkranz

b. 1979

Bow Human aluminium, rescue blanket, AcrylCast, vaseline and iron 56 x 127 x 90 cm (22 x 50 x 35 3/8 in.) Executed in 2010, this work is unique. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Karma International, Zurich Private Collection, North Rhine-Westphalia Exhibited Liverpool, Cunard Building, Liverpool Biennial 2012, 15 September - 25 November 2012

167. Thomas Grünfeld

b. 1956

“Misft” (faisan & chevreau) taxidermy 24.2 x 28.5 x 22.1 cm (9 1/2 x 11 1/4 x 8 3/4 in.) Executed in 1998. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Acquired directly from the artist by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


168. Rob Pruitt

b. 1964

Un carton d’Evian (open) glitter and enamel paint on cardboard box 38.5 x 52 x 47 cm (15 1/8 x 20 1/2 x 18 1/2 in.) Executed in 2002. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Provenance Air de Paris, Paris Acquired from the above by the present owner

Property from an Important Private European Collection

169. Gregor Schneider

b. 1969

Grabmal signed, titled and dated ‘GRABMAL G. SCHNEIDER ‘99’ on the side of the central element painted breeze blocks, plaster and concrete, in 3 parts overall 113.6 x 61 x 61 cm (44 3/4 x 24 x 24 in.) Executed in 1999. Estimate £3,500-6,500 $4,600-8,600 €4,100-7,600 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Luis Campaña, Cologne Acquired from the above by the present owner in 2000

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


170. Oscar Tuazon

b. 1975

Another Thing steel, fuorescent lamp and electronic material 231.2 x 124.5 x 70 cm (91 x 49 x 27 1/2 in.) Executed in 2011-2012. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 † plus Buyers Premium and VAT*

Provenance Galerie Eva Presenhuber, Zurich Acquired from the above by the present owner Exhibited Zurich, Galerie Eva Presenhuber, OSCAR TUAZON: MANUAL LABOR, 13 January - 18 February 2012

This lot is sold with no reserve

171. Tatiana Trouvé

b. 1968

Untitled, Cable (5) metal, caoutchouc, plastic and metal screws, in 5 parts overall 205 x 164 x 140 cm (803/ 4 x 645/8 x 551/8 in.) Executed in 2007. Estimate £18,000-22,000 $23,800-29,100 €21,100-25,800 • ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance König Galerie, Berlin Acquired from the above by the present owner Exhibited Nice, Villa Arson, Tatiana Trouvé, 24 November 2007 - 9 February 2008 Berlin, Konig Galerie, Tatiana Trouvé: Density of Time, 2 May - 14 June 2008 Literature Maria Muhle, Tatiana Trouvé, Cologne, 2008, p. 185 (illustrated) in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


Photographs 172. Rashid Johnson

b. 1977

Green Belt spray enamel on Lambda print, in artist’s frame 164.8 x 130.8 cm (64 7/8 x 51 1/2 in.) Executed in 2009, this work is artist's proof 1 from an edition of 5 unique variants plus 2 artist's proofs.

Provenance Galerie Guido W. Baubach, Berlin Private Collection, Switzerland Acquired from the above by the present owner

Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ‡ plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


173. Mickalene Thomas

b. 1971

Portrait of Qusuquzah signed, numbered and dated ‘M. Thomas 2008 AP1’ on the reverse c-print 177.5 x 142.5 cm (69 7/8 x 56 1/8 in.) Executed in 2008, this work is artist’s proof number 1 from an edition of 5 plus 2 artist’s proofs. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ‡ plus Buyers Premium and VAT*

Provenance Lehmann Maupin, New York Galerie Nathalie Obadia, Paris Acquired from the above by the present owner Exhibited New York, Aperture Gallery, Muse: Mickalene Thomas Photographs and Tête-à-Tête, 28 January - 17 March 2016 (another example exhibited)

174. Albert Watson

b. 1942

Kate Moss in torn veil, Marrakech, for German Vogue signed, titled, numbered and dated ‘A Watson 4/10 KATE MOSS IN TORN VEIL, MARRAKECH, 1993. (COLOR)’ on accompanying label archival pigment print, mounted on Diabond image 111.2 x 87.8 cm (43 3/4 x 34 5/8 in.) sheet 130 x 106.5 cm (51 1/8 x 41 7/8 in.) Executed in 1993, this work is number 4 from an edition of 10. Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance Maruani Mercier, Brussels

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


175. Douglas Gordon

b. 1966

Blind Star series: Black Blind Grace cut photograph 22.6 x 18.5 cm (8 7/8 x 7 1/4 in.) Executed in 2002. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Gagosian Gallery, New York Acquired from the above by the present owner in 2003

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


176. Douglas Gordon

b. 1966

Blind Star series: Black Blind Gregory signed and dated ‘Douglas Gordon 2002’ on a gallery label afxed to the the backing board cut photograph 22.5 x 18 cm (8 7/8 x 7 1/8 in.) Executed in 2002. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Yvon Lambert, Paris Acquired from the above by the present owner in 2003 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


177. Rineke Dijkstra

b. 1959

Induction Center, Tal- Hashomer, Israel April 12, 1999 (C) signed ‘Rineke Dijkstra’ on a label afxed to the backing board c-print, in artist’s frame 125.3 x 106.1 cm (49 3/8 x 41 3/4 in.) Executed in 2001, this work is number 2 from an edition of 10. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Sommer Contemporary Art, Tel Aviv Acquired from the above by the present owner

178. Carlos Amorales

b. 1970

Julian Pistolero signed ‘Carlos Amorales.’ on a gallery label afxed to the backing board digital print 99.5 x 150 cm (39 1/8 x 59 in.) Executed in 1999, this work is number 2 from an edition of 3. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Yvon Lambert Gallery, Paris Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


179. Andres Serrano

b. 1950

The Morgue, John Doe Baby II signed, titled and numbered ‘Andres . S The Morgue (John Doe Baby II) 1/7’ on the reverse cibachrome print 81.2 x 100.6 cm (31 7/8 x 39 5/8 in.) Executed in 1992, this work is number 1 from an edition of 7. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Yvon Lambert Gallery, Paris Acquired from the above by the present owner

180. Thomas Struth

b. 1954

Huanghe Lu, Shanghai signed, titled, numbered and dated ‘Huanghe Lu (Die Freßgasse) Shanghai 1997. 6/10 + 3AP Thomas Struth print: 1999’ on the reverse c-print sheet 50.5 x 60.8 cm (19 7/8 x 23 7/8 in.) image 45.7 x 55.6 cm (17 7/8 x 21 7/8 in.) Conceived in 1997 and printed in 1999, this work is number 6 from an edition of 10 plus 3 artist’s proofs. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Robert Miller Gallery, New York Zwirner and Wirth, New York Schönewald Fine Arts, Dusseldorf Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

181. Anri Sala

b. 1974

Untitled signed with the artist’s initials ‘AS’ on a gallery label afxed to the reverse colour photograph on aluminium 107 x 160 cm (42 1/8 x 62 7/8 in.) Executed in 2005, this work is number 1 from an edition of 5 plus 2 artist’s proofs. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 • plus Buyers Premium and VAT*

Provenance Hauser & Wirth, London Acquired from the above by the present owner Literature Mark Godfrey, Hans Ulrich Olbrist and Liam Gillik, Anri Sala, London, 2006, pp. 110, 111, 158 (another example illustrated, pp.110-111)

182. Olaf Breuning

b. 1970

Cavewoman signed ‘Olaf’ on a gallery label afxed to the reverse laminated c-print mounted on aluminium 121.4 x 154 cm (47 3/4 x 60 5/8 in.) Executed in 2000, this work is number 3 from an edition of 3 plus 2 artist’s proof. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Air de Paris, Paris Acquired from the above by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


183. Klara Lidén

b. 1979

Untitled (Dumpster Dino) inkjet print 69.6 x 100 cm (27 3/8 x 39 3/8 in.) Executed in 2011, this work is number 3 from an edition of 3 plus 2 artist’s proofs. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Neu, Berlin Acquired from the above by the present owner Exhibited Berlin, Galerie Neu, Klara Lidén, 28 October - 10 December 2011

This lot is sold with no reserve

184. Robin Rhode

b. 1976

Rough Cut digital print mounted on museum board, in twelve parts each 38.4 x 58.4 cm (15 1/8 x 22 7/8 in.) Executed in 2007, this work is number 4 from an edition of 5 plus 2 artist’s proofs. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 • plus Buyers Premium and VAT*

Provenance Carlier Gebauer, Berlin Acquired from the above by the present owner Exhibited Munich, Haus der Kunst, Walk Of, September 2007 - January 2008 (another example exhibited) London, Hayward Gallery, Who Saw Who: Robin Rhode, 7 October - 7 December 2008, p. n.p. (another example illustrated, pp. 78 - 79) Melbourne, National Gallery of Victoria, Robin Rhodes: The Call of Walls, 17 May to 15 September 2013 (another example exhibited)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


185. Olaf Breuning

b. 1970

11.8.99 signed ‘Olaf’ on a gallery label afxed to the reverse c-print mounted on aluminium 32 x 40 cm (12 5/8 x 15 3/4 in.) Executed in 1999, this work is artist's proof 1 from an edition of 10 plus 2 artist's proofs. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Air de Paris, Paris Acquired from the above by the present owner

186. Olaf Breuning

b. 1970

Bully signed ‘Olaf’ on a gallery label afxed to the reverse c-print mounted on aluminium 79.5 x 99.5 cm (31 1/4 x 39 1/8 in.) Executed in 2000, this work is number 5 from an edition of 5 plus 2 artist’s proofs. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 plus Buyers Premium and VAT*

Provenance Air de Paris, Paris Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


187. Nobuyoshi Araki

b. 1940

Two works: i) Shiki-in (Color Eros); ii) Shiki-in (Color Eros) each signed ‘Nobuyoshi AraKI’ on the reverse each acrylic and gelatin silver print on baryt paper each 35.6 x 43.2 cm (14 x 17 in.) Each executed in 2005. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 † plus Buyers Premium and VAT*

Provenance Jablonka Galerie, Cologne Maruani Mercier, Brussels Exhibited Knokke, Maruani Mercier, Nobuyoshi Araki Painted Photographs, 18 December 2014 -20 January 2015 Literature Hisako Motoo, ed., SHIKI IN Nobuyoshi Araki, Tokyo, 2005, n.p. (illustrated)

188. Nobuyoshi Araki

b. 1940

Two works: i) Shiki-in (Color Eros); ii) Shiki-in (Color Eros) each signed ‘Nobuyoshi ArAKI’ on the reverse each acrylic and gelatin silver prints on baryt paper i) 35.6 x 43.3 cm (14 x 17 in.) ii) 35.7 x 43.2 cm (14 x 17 in.) Executed in 2005. Estimate £4,000-6,000 $5,300-7,900 €4,700-7,000 † plus Buyers Premium and VAT*

Provenance Jablonka Galerie, Cologne Maruani Mercier, Brussels Exhibited Knokke, Maruani Mercier, Nobuyoshi Araki Painted Photographs, 18 December 2014 - 20 January 2015 Literature Hisako Motoo, ed., SHIKI IN Nobuyoshi Araki, Tokyo, 2005, n.p. (illustrated) in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

189. James Welling

b. 1951

1, 2005 signed, signed with the artist’s initials and titled ‘JW 1, 2005 James Welling James Welling’ lower edge c-print, mounted to Plexiglas 71.9 x 102 cm (28 1/4 x 40 1/8 in.) Executed in 2005, this work is unique. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • plus Buyers Premium and VAT*

Provenance Donald Young Gallery, Chicago Acquired from the above by the present owner

This lot is sold with no reserve

190. James Welling

b. 1951

5, 2005 signed, signed with the artist’s initials, titled and dated ‘JW 05, 2005 James Welling’ lower edge c-print, mounted to Plexiglas 79.5 x 101.6 cm (31 1/4 x 40 in.) Executed in 2005, this work is unique. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • plus Buyers Premium and VAT*

Provenance Donald Young Gallery, Chicago Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


191. Vik Muniz

b. 1961

Jolly Good Fellow (from Pictures of Chocolate) signed and dated ‘VIK MUNIZ 1999’ on a gallery label afxed to the reverse c-print 122 x 163 cm (48 x 64 1/8 in.) Executed in 1999, this work is number 3 from an edition of 3 plus 3 artist’s proofs. Estimate £18,000-25,000 $23,800-33,100 €21,100-29,300 plus Buyers Premium and VAT*

Provenance Brent Sikkema, New York Elizabeth Fiore Contemporary Art, New York Acquired from the above by the present owner in February 2002 Literature Pedro Corrêa do Lago, ed., Vik Muniz Obra Completa 1987-2009, São Paulo, 2009, pp. 259, 705 (another example illustrated, p. 259)

192. Vik Muniz

b. 1961

Don Quixote in his Study, afer William Lake Price c-print 222.7 x 182.8 cm (87 5/8 x 71 7/8 in.) Executed in 2004, this work is from an edition of 6. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 ‡ plus Buyers Premium and VAT*

Provenance Gary Tatintsian Gallery, Moscow Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


193. Paruyr Davtyan

b. 1976

Untitled, from the “Waiting Room” series signed, titled and dated ‘Davtyan Paruyr 2016 from the “Waiting Room” series [in Cyrillic]’ on the reverse acrylic on canvas 196 x 196 cm (77 1/8 x 77 1/8 in.) Painted in 2016. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

194. Vladimir Potapov

b. 1980

Brothers acrylic and carving on plywood 152 x 152 cm (59 7/8 x 59 7/8 in.) Executed in 2018. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 plus Buyers Premium and VAT*

Exhibited Kunstalle Rostock, Vladimir Potapov: Only History Ahead, 18 May - 5 June 2018 Literature Anna Kiyachenko, Vladimir Potapov and Georgy Sokolov, Interview with Vladimir Potapov: History for me is the foundation for understanding what is happening today, 12 July 2018, Art Knot, online (illustrated)

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


195. Roman Minin

b. 1981

Super Game printed ‘minin’ lower right; further signed, titled, numbered and dated ‘SUPeR GAMe Minin 2018 4/6’ on the reverse UV print on foam cardboard, in artist’s frame 96.3 x 69.3 x 4.7 cm (37 7/8 x 27 1/4 x 1 7/8 in.) Executed in 2018, this work is number 4 from an edition of 6. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 plus Buyers Premium and VAT*

Provenance New Now Gallery, Kiev Acquired from the above by the present owner

196. Vinny Reunov

b. 1963

Bouquet signed, titled and dated ‘bouquet 2004 M Vinny’’ on the reverse oil on canvas 78.3 x 64.3 cm (30 7/8 x 25 3/8 in.) Painted in 2004. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ‡ plus Buyers Premium and VAT*

Provenance Abramovych Art, Kiev Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


197. Nikolay Koshelev

b. 1987

S1/17 signed, titled and dated ‘Nikolay Koshelev. 2017. S1/17.’ on the reverse oil, acrylic and tempera on canvas 120.1 x 99.9 cm (47 1/4 x 39 3/8 in.) Executed in 2017. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

198. Oleg Kedria

b. 1968

Warrior’s Shadow signed, numbered and dated ‘KEDRIA 2018 3/15’ front leg; further signed and dated ‘KEDRIA 2018’ lower inside of shield bronze painted on a quartzite base 119 x 65 x 37 cm (46 7/8 x 25 5/8 x 14 5/8 in.) Executed in 2018, this work is number 3 from an edition of 15. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ‡ plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


199. Nikita Zigura

b. 1987

Black Diamond signed, numbered and dated ‘Nikita Zigura [in Cyrillic] 2/8 2016’ to the base of the apple acrylic, airbrush and Thermochromic on yellow metal base 39 x 33 x 32 cm (15 3/8 x 12 7/8 x 12 5/8 in.) Executed in 2016, this work is number 2 from an edition of 8 and is accompanied by a certifcate of authenticity signed by the artist. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ‡ plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

200. Petr Sklyar b. 1986 Five works: i) Practice Makes Perfect; ii) East or West Home is Best; iii) All Good Things Come to an End; iv) Life is not all Cakes & Ale; v) The Soul of Another is a Dark Place i) ii) printed with the artist's signature 'Sklyar [in Cyrillic]' lower right iii) v) printed with the artist's signature 'Sklyar [in Cyrillic]' lower lef iv) printed with the artist's signature 'Sklyar [in Cyrillic]' centre lef each letter press on paper each 43 x 32 cm (16 7/8 x 12 5/8 in.) i) Executed in August 2018. ii) Executed in June 2018. iii) Executed in May 2018. iv) v) Executed in January 2019. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 Provenance Acquired directly from the artist by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


201. Wei Ligang

b. 1964

Neigh signed, stamped with the artist’s signature and dated ‘Wei Ligang 2010’ lower right ink and acrylic on Xuan paper, mounted on paper 99.6 x 184.5 cm (39 1/4 x 72 5/8 in.) Executed in 2010. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 plus Buyers Premium and VAT*

Provenance Michael Goedhuis, London Acquired from the above by the present owner

202. Haegue Yang

b. 1971

Trustworthy X # 138 titled ‘Trustworthy X # 138’ on the backboard paper collage and envelope security pattern collage on grid paper 100 x 70 cm (39 3/8 x 27 1/2 in.) Executed in 2012. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Galerie Chantal Crousel, Paris Private Collection, London Acquired from the above by the present owner Literature Yilmaz Dziewior, ed., Haegue Yang: ETA 1994–2018, Cologne, 2018, no. 492, p. 169 (illustrated)

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


203. Takuro Kuwata

b. 1981

Bowl with handle glazed porcelain 7.5 x 10.5 x 8 cm (2 7/8 x 4 1/8 x 3 1/8 in.) Executed in 2015. Estimate £1,500-2,500 $2,000-3,300 €1,800-2,900 plus Buyers Premium and VAT*

Provenance Mori Arts Centre, Tokyo Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


204. Kazuo Shiraga

1924-2008

Four works: i) ii) iii) iv) Untitled i) signed with the artist’s monogram lower lef; further inscribed by the artist [in Japanese] and stamped on the reverse ii) signed with the artist’s monogram and dated ‘64’ lower lef; further inscribed by the artist [in Japanese] and stamped on the reverse iii) signed with the artist’s monogram lower right; further inscribed by the artist [in Japanese] and stamped on the reverse iv) signed with the artist’s monogram and dated ‘1969’ lower lef; further inscribed by the artist [in Japanese] and stamped on the reverse each watercolour on postcard i) 10.3 x 15 cm (4 x 5 7/8 in.) ii) 9.3 x 14.4 cm (3 5/8 x 5 5/8 in.) iii) 9.3 x 14.1 cm (3 5/8 x 5 1/2 in.) iv) 14.9 x 10.3 cm (5 7/8 x 4 in.) ii) Executed in 1964. iii) Executed in 1966. iv) Executed in 1969. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ‡ plus Buyers Premium and VAT*

Provenance Private Collection, Japan

205. Ayako Rokkaku

b. 1982

Untitled signed ‘Ayako Rokkaku [in Japanese]’ lower lef acrylic on cardboard 98 x 40.5 cm (38 5/8 x 15 7/8 in.) Executed in 2007. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 plus Buyers Premium and VAT*

Provenance Gallery Delaive, Amsterdam Galerie Moderne, Silkeborg Private Collection, Denmark Living Auctions, Vejle, 25 February 2010, lot 140 Acquired at the above sale by the present owner Exhibited Amsterdam, Gallery Delaive, Walking Around Clouds, 3 - 27 February 2007 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


206. Yang Shaobin

b. 1963

Untitled signed and dated ‘2007-3 YANG SHAOBIN’ lower right oil on canvas 140.4 x 110 cm (55 1/4 x 43 1/4 in.) Painted in 2007.

Provenance Alexander Ochs Private, Berlin Acquired from the above by the present owner in 2007

Estimate £18,000-25,000 $23,800-33,100 €21,100-29,300 plus Buyers Premium and VAT* in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


207. Karel Appel

1921-2006

Composition signed ‘appel’ lower edge oil on paper laid on canvas 29.4 x 33.4 cm (11 5/8 x 13 1/8 in.) Executed circa 1965. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Kunsthandel Lambert Tegenbosch, Heusden Private Collection, Europe Sotheby’s, London, 20 March 1997, lot 8 Acquired at the above sale by the present owner

208. Tomas Rajlich

b. 1940

Untitled signed and dated ‘T. RAJLICH 72’ on the reverse acrylic on board 75 x 75 cm (29 1/2 x 29 1/2 in.) Painted in 1972. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Private Collection, Sweden

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


209. Antonio Seguí

b. 1934

Sortie signed, titled and dated ‘Seguí 82 “SORTIE”’ on the reverse oil, acrylic, charcoal and varnish on newspaper laid on canvas 50.1 x 149.7 cm (19 3/4 x 58 7/8 in.) Executed in 1982.

Estimate £7,000-9,000 $9,300-11,900 €8,200-10,500 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Opera Gallery, Monaco Acquired from the above by the present owner in 2011

This lot is sold with no reserve

210. Piotr Uklański

b. 1968

Untitled (Bubbles) c-print, fush-mounted on aluminium and face-mounted to Plexiglas 84.3 x 65.3 cm (33 1/4 x 25 3/4 in.) Executed in 1997, this work is number 5 from an edition of 5 plus 1 artist’s proof. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 • ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Galerie Emmanuel Perrotin, Paris Private Collection Phillips, London, 30 June 2008, lot 512 Acquired at the above sale by the present owner Exhibited Basel, Kunsthalle Basel, Piotr Uklański: earth, wind and fre., 17 June - 22 August 2004, pp. 99, 236 (illustrated, p. 99) in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


211. Marius Bercea

b. 1979

Elegant Rationalism signed, titled and dated ‘m bercea 2. 11 “Elegant rationalism”’ on the reverse oil on canvas 132.4 x 144 cm (52 1/8 x 56 3/4 in.) Painted in 2011. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Blain Southern, London Acquired from the above by the present owner Exhibited London, Blain Southern, Marius Bercea: Remains of Tomorrow, 8 September - 1 October 2011 Literature Marius Bercea: Hypernova, exh. cat., Blain Southern, London, 2014, pp. 44, 110 (illustrated, p. 44)

212. Enoc Pérez

b. 1967

Fontainebleau, Miami signed, titled and dated ‘Enoc Pérez March 2013, Fontainebleau, Miami Beach’ on the reverse oil on canvas 152.6 x 203.5 cm (60 1/8 x 80 1/8 in.) Painted in 2013. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ‡ plus Buyers Premium and VAT*

Provenance Galerie Nathalie Obadia, Paris Acquired from the above by the present owner Exhibited Paris, Galerie Nathalie Obadia, Enoc Perez: Paris mon amour, 17 May - 27 July 2013 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


213. Bill Jacklin

b. 1943

Before the Hurricane. Regent Street. signed and dated ‘Jacklin 88.’ lower right; further signed, titled and dated ‘‘Before the Hurricane’. Regent Street. Jacklin 88.’ on the reverse oil on canvas 199 x 199 cm (78 3/8 x 78 3/8 in.) Painted in 1988. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Malborough Fine Art, London Acquired from the above by the present owner Exhibited London, Malborough Fine Art, Bill Jacklin Urban Portraits, 18 May - 25 June 1988, no. 18, pp. 29, 34 (illustrated, p. 29) London, Royal Academy of Arts, Summer Exhibition 1989, 10 June - 20 August 1989, no. 32, p. 15

214. Ged Quinn

b. 1963

Love Drives Evil Away (For Paul Virilio) signed, titled and dated ‘Ged Quinn ‘LOVE DRIVES EVIL AWAY (FOR P.V)’ 2006.’ on the stretcher oil on linen 36.4 x 41.2 cm (14 3/8 x 16 1/4 in.) Painted in 2006. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyer’s Premium and VAT, ARR applies*

Provenance Wilkinson Gallery, London Stephen Friedman Gallery, London Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


215. Franz Erhard Walther

b. 1939

Säulenfragment signed, titled and dated ʻSäulenfragment. Kopf-Form. 1981 Waltherʼ lower edge of sheet cotton fabric and watercolour and graphite on paper, in 2 parts sculpture 30 x 24.5 cm (113/4 x 95/8 in.) framed sheet 29.5 x 21 cm (115/8 x 81/4 in.) Executed in 1981, this work is the prototype for an edition of 30. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance WIELS Museum, Brussels, Annual Beneft Gala Auction, 25 November 2014, lot 14 Private Collection, London

216. Joana Vasconcelos

b. 1971

Bonbonnière signed, titled and dated ‘bomboniere, 2014 Joana Vasconcelos’ on the reverse ceramic washbasin, handmade crochet wool, plastic ornaments, wire, sequins and polyester 110 x 89.4 x 24.5 cm (43 1/4 x 35 1/4 x 9 5/8 in.) Executed in 2014. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 ♠ plus Buyers Premium and VAT*

Provenance Galerie Nathalie Obadia, Paris Acquired from the above by the present owner Literature Enrique Juncosa and Crispin Sartwell, Joana Vasconcelos: Material World, Oxford, 2015, p. 302

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


217. Jorge Queiroz

b. 1966

Untitled signed and dated ʻJORgE QUEiROZ 2006ʼ on the reverse gouache, acrylic, oil, pastel, coloured pencil, crayon, charcoal, watercolour, ink and graphite on paper 151 x 130 cm (59 1/2 x 51 1/8 in.) Executed in 2006. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 ♠ † plus Buyer’s Premium and VAT, ARR applies*

Provenance Thomas Dane Associates, London Acquired from the above by the present owner in March 2007

218. Robert Moskowitz

1935-2001

Flatiron signed with the artist’s initials and dated ‘RM 2000’ lower lef pastel on paper 127 x 61.7 cm (50 x 24 1/4 in.) Executed in 2000. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 ‡ plus Buyers Premium and VAT*

Provenance Peter Blum, New York Acquired from the above by the present owner

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

219. Sophie von Hellermann

b. 1975

Goth on the Phone signed and dated ‘S. V. Hellermann 99’ on the stretcher acrylic on canvas 184.5 x 154.5 cm (72 5/8 x 60 7/8 in.) Painted in 1999. Estimate £3,000-5,000 $4,000-6,600 €3,500-5,900 • ♠ plus Buyers Premium and VAT*

Provenance Vilma Gold, London Acquired from the above by the present owner

220. Marcin Maciejowski

b. 1974

636274358 (..John Wesley Harding” B. Dylan’s vinyl) titled ‘636274358’ lower lef; further signed, titled and dated ‘636274358 (..John Wesley Harding” B. Dylan’s vinyl) M. MACIEJOWSKI 09.’ on the reverse acrylic on canvas 50.1 x 61.1 cm (19 3/4 x 24 in.) Executed in 2009. Estimate £5,000-7,000 $6,600-9,300 €5,900-8,200 ♠ plus Buyers Premium and VAT*

Provenance Galerie Meyer Kainer, Vienna Acquired from the above by the present owner in 2008

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


This lot is sold with no reserve

221. Carsten Höller

b. 1961

Punktebilder (Dot Paintings) oil on canvas 110.2 x 74.3 cm (43 3/8 x 29 1/4 in.) Painted in 2004. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 • ♠ plus Buyers Premium and VAT*

Provenance Galerie Micheline Szwajcer, Brussels Acquired from the above by the present owner

222. Atul Dodiya

b. 1959

Fallen Leaves - A Stroll #1 oil on dried leaf, powder coated mild steel and auto body solder and red oxide overall 121.5 x 151.5 x 4.2 cm (47 7/8 x 59 5/8 x 1 5/8 in.) Executed in 2006. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 plus Buyers Premium and VAT*

Provenance Arario Gallery, Beijing Acquired from the above by the present owner Exhibited Cheonan, Arario Gallery, ARARIO COLLECTION EXHIBITION: Banana and I, 7 March - 26 May 2013 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


This lot is sold with no reserve

223. Inka Essenhigh

b. 1969

White Rain signed, titled and dated ‘Inka Essenhigh 2000 “White Rain”’ on the reverse oil enamel on canvas mounted on board 187.8 x 182.8 cm (73 7/8 x 71 7/8 in.) Painted in 2000. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 • plus Buyers Premium and VAT*

Provenance Victoria Miro Gallery, London Acquired from the above by the present owner in 2001

224. Katrin Fridriks

b. 1974

Mothernature N56 signed, titled and dated ‘“Mothernature 56” FRIDRIKS 2011’ on the reverse acrylic on canvas 102 x 102 cm (40 1/8 x 40 1/8 in.) Painted in 2011. Estimate £2,500-3,500 $3,300-4,600 €2,900-4,100 ♠ plus Buyers Premium and VAT*

Provenance Private Collection, Germany Phillips, London, 28 June 2016, lot 280 Acquired at the above sale by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


225. David Kim Whittaker

b. 1964

Varnished Lines signed, signed with the artist’s initials, titled and dated ‘“VARNISHED LINES,” Whittaker DKW 2010.’ on the reverse oil and acrylic on canvas, in artist’s frame 100.3 x 100.3 cm (39 1/2 x 39 1/2 in.) Painted in 2010. Estimate £20,000-30,000 $26,500-39,700 €23,400-35,100 ♠ plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

226. David Kim Whittaker

b. 1964

The Whitstable Head signed, signed with the artist’s initials, titled, inscribed and dated ‘HER HEART WAITS BEYOND HAMMER HORROR GATES FOR YOU PETER. Whittaker DKW 2013 TITLE “THE WHITSTABLE HEAD,” 2013.’ on the reverse oil, acrylic, collage and graphite on panel, in artist’s frame 100.5 x 100.5 cm (39 5/8 x 39 5/8 in.) Executed in 2013. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyers Premium and VAT*

Provenance Gallery Diferent, London Acquired from the above by the present owner in May 2015 Exhibited London, Gallery Diferent, GLIMPSE, 14 - 18 April 2015 in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


227. Hassan Hajjaj

b. 1961

Waterman signed, signed with the artist’s initials, titled, numbered and dated ‘“WATERMAN” HASSAN HAJJAJ HJ 2000 3/7 “WATERMAN” HASSAN HAJJAJ [in Arabic] HJ 1420 3/7’ on the reverse digital c-print mounted on board and aluminium cans, all inset in artist’s walnut frame 136 x 93.5 cm (53 1/2 x 36 3/4 in.) Executed in 2000, this work is number 3 from an edition of 7. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 ♠ plus Buyers Premium and VAT*

Provenance Third Line Gallery, Dubai Acquired from the above by the present owner

228. Liz Deschenes

b. 1966

Shif/ Rise #35 signed, titled and dated ‘Liz Deschenes Shif/ Rise #35 2012’ on the reverse laminated silver-toned Photogram mounted on aluminium 152 x 50.7 cm (59 7/8 x 19 7/8 in.) Executed in 2012, this work is unique. Estimate £8,000-12,000 $10,600-15,900 €9,400-14,000 plus Buyers Premium and VAT*

Provenance Private Collection

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


229. Lita Cabellut

b. 1961

Roxanne signed, titled and dated ‘Lita Cabellut Roxanne 2007’ on the reverse mixed media on canvas, in artist’s frame 141.6 x 111.3 cm (55 3/4 x 43 7/8 in.) Executed in 2007. Estimate £10,000-15,000 $13,200-19,900 €11,700-17,600 ♠ plus Buyers Premium and VAT*

Provenance Acquired directly from the artist by the present owner

This lot is sold with no reserve

230. Richard Phillips

b. 1962

Mickey Jines inscribed and titled ‘Mickey Jines (LONDON)’ on the stretcher oil on canvas 213.4 x 161.3 cm (84 x 63 1/2 in.) Painted in 2005. Estimate £6,000-8,000 $7,900-10,600 €7,000-9,400 • ‡ plus Buyers Premium and VAT*

Provenance White Cube, London Private Collection, Palm Beach Acquired from the above by the present owner Exhibited London, White Cube, Richard Phillips: Michael Fried, 9 December 2005 - 14 January 2006, n.p. (illustrated)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


231. Stanley Casselman

b. 1963

Luminor 1-30 signed, titled and dated ‘STANLEY CASSELMAN “LUMINOR-1-30” 2014’ on the reverse oil on canvas 165.5 x 165.2 cm (65 1/8 x 65 in.) Painted in 2014. Estimate £15,000-20,000 $19,900-26,500 €17,600-23,400 ‡ plus Buyers Premium and VAT*

Provenance 212 Gallery Aspen, Colorado (acquired directly from the artist) Acquired from the above by the present owner *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


232. Stanley Casselman

b. 1963

LUMINOR 2-14 signed, titled and dated ‘STANLEY CASSELMAN “LUMINOR-2-14” 2014’ on the reverse acrylic on canvas 124.7 x 124.7 cm (49 1/8 x 49 1/8 in.) Painted in 2014. Estimate £12,000-18,000 $15,900-23,800 €14,000-21,100 plus Buyers Premium and VAT*

Provenance Brintz Gallery, Palm Beach Acquired from the above by the present owner in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


No Reserve Lots 233 – 247

233. Gilbert & George

b. 1943 and b. 1942

Three works: i) Gentlemen (Postal Sculpture); ii) Eight part Postal Sculpture: Pink Elephants; iii) Eight part Postal Sculpture: Red Boxers i) postcard ii) set of eight lithographic greetings cards with envelopes, published by Art for All, London iii) set of eight greetings cards on wove card with envelopes, published by Art for All, London i) 13.9 x 8.9 cm (5 1/2 x 3 1/2 in.) ii) each envelope 13.3 x 20.7 cm (5 1/4 x 8 1/8 in.) each folded greetings card: 20.2 x 12.7 cm (7 7/8 x 5 in.) iii) each envelope 13.4 x 21 cm (5 1/4 x 8 1/4 in.) each folded greetings card: 20.4 x 12.9 cm (8 x 5 1/8 in.) i) Executed in 1972, from the unknown edition size. ii) Executed in 1973, from the unknown edition size. iii) Executed in 1975, from the unknown edition size. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • ♠ plus Buyers Premium and VAT*

Provenance i) ii) Private Collection Sotheby’s, Olympia, 24 June 2004, lot 468 Acquired at the above sale by the present owner iii) Private Collection Sotheby’s, Olympia, 24 June 2004, lot 469 Acquired at the above sale by the present owner Please fnd extended cataloguing for this lot online.

234. Stuart Cumberland

b. 1970

John Surtees signed, inscribed, numbered and dated ‘Stuart Cumberland DEC 2010 NEW CROSS LONDON RD162-2010-ONE Stuart Cumberland’ on the overlap; further signed and numbered ‘RD162-2010-ONE Cumberland’ on the stretcher oil on linen 162.2 x 130.2 cm (63 7/8 x 51 1/4 in.) Painted in 2010. Estimate £1,500-2,000 $2,000-2,600 €1,800-2,300 • ♠ † plus Buyers Premium and VAT*

Provenance Maruani Mercier, Brussels *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


No Reserve Lots 233 – 247

235. Karl Norin

b. 1982

10814 signed with the artist’s initials and dated ‘K N K N 14’ on the reverse enamel paint on aluminium stretcher, in artist’s frame 152.2 x 201 cm (59 7/8 x 79 1/8 in.) Executed in 2014.

Provenance Carl Kostyál, London Acquired from the above by the present owner Exhibited London, Carl Kostyál, Meet Your Maker, 28 August - 28 September 2014

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 • ♠ plus Buyers Premium and VAT*

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.


No Reserve Lots 233 – 247

236. Jack Smith

1928-2011

TO THE LEFT OF SILENCE signed, titled and dated ‘Jack Smith 1989 TO THE LEFT OF SILENCE’ on the reverse oil on canvas, in artist’s frame 104.7 x 104.7 cm (41 1/4 x 41 1/4 in.) Painted in 1989. Estimate £1,000-1,500 $1,300-2,000 €1,200-1,800 • ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Flowers East, London Acquired from the above by the present owner Exhibited London, Flowers East, Jack Smith, 16 January - 11 February 1990, n.p. (illustrated)

237. Ethan Cook

b. 1983

Untitled (Blue) #07 signed with the artist’s initials and dated ‘EFC 2013’ on the stretcher handwoven cotton canvas, in artist’s frame 52.3 x 42 cm (20 5/8 x 16 1/2 in.) Executed in 2013. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • plus Buyers Premium and VAT*

Provenance Private Collection, Europe Sotheby’s, London, 15 March 2016, lot 96 Galerie Jeanroch Dard, Paris Acquired from the above by the present owner

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1966

R.E. (bubble) lef part signed, titled, numbered and dated ‘1 lef “R.E. (bubble)” Thomas Zipp 05’ on the reverse; right part titled and numbered ‘2 right “R.E.” on the reverse lef part graphite and pastel on paper, in artist’s frame; right part acrylic, oil and metal pins on canvas, in 2 parts lef part) 32.7 x 26.7 cm (12 7/8 x 10 1/2 in.) right part) 55.4 x 45.5 cm (21 3/4 x 17 7/8 in.) Executed in 2005. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Alison Jacques Gallery, London Acquired from the above by the present owner Exhibited London, The Saatchi Gallery, Germania, London, 2008, p. 102 (illustrated)

239. Spencer Sweeney

b. 1973

Sungazer oil on canvas 61.2 x 51.2 cm (24 1/8 x 20 1/8 in.) Painted in 2014. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 • † plus Buyers Premium and VAT*

Provenance Gavin Brown’s enterprise, New York Private Collection, London

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

No Reserve Lots 233 – 247

238. Thomas Zipp


No Reserve Lots 233 – 247

240. Oliver Osborne

b. 1985

The Pig signed and dated ‘Oliver Osborne 2015’ on the stretcher oil and silkscreen on linen, in 3 parts, in artist’s frame 213.8 x 161.1 cm (84 1/8 x 63 3/8 in.) Executed in 2015. Estimate £800-1,200 $1,100-1,600 €940-1,400 • ♠ † plus Buyers Premium and VAT, ARR applies*

Provenance Bastide Projects, Brussels Private Collection, London

241. Oliver Osborne

b. 1985

Fish (Geriihrt) signed and dated ‘Oliver Osborne 2015’ on the stretcher oil and silkscreen on linen, in 2 parts, in artist’s frame 213.5 x 161.2 cm (84 x 63 1/2 in.) Executed in 2015. Estimate £800-1,200 $1,100-1,600 €940-1,400 • ♠ † plus Buyers Premium and VAT, ARR applies*

Provenance Bastide Projects, Brussels Private Collection, London

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


b. 1958

Sobbing Girl signed ‘HOWSON’ lower right graphite and watercolour on paper 29.7 x 21 cm (11 3/4 x 8 1/4 in.) Executed in 1989. Estimate £500-700 $660-930 €590-820 • ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Flowers East, London Acquired from the above by the present owner

243. Peter Howson

b. 1958

Muslim Fighter on Drugs signed ‘Howson’ lower lef chalk pastel on paper 42 x 29.6 cm (16 1/2 x 11 5/8 in.) Executed in 1993-1994. Estimate £300-500 $400-660 €350-590 • ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Angela Flowers Gallery, London Acquired from the above by the present owner Exhibited London, Imperial War Museum, Peter Howson: Bosnia, 15 September - 13 November 1994, no. 33, pp. 33, 45 (illustrated, p. 33)

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

No Reserve Lots 233 – 247

242. Peter Howson


No Reserve Lots 233 – 247

244. Sarah Jones

b. 1959

The Park (Beech) III signed, titled, numbered and dated ‘The Park (Beech) III 3/10. Sarah Jones 2003.’ on the reverse c-print 61 x 50.6 cm (24 x 19 7/8 in.) Executed in 2003, this work is number 3 from an edition of 10. Estimate £400-600 $530-790 €470-700 • ♠ plus Buyers Premium and VAT*

Provenance Private Collection, London

245. Juergen Teller

b. 1964

Lola with Nits c-print 101.4 x 67.5 cm (39 7/8 x 26 5/8 in.) Executed in 2005. Estimate £800-1,200 $1,100-1,600 €940-1,400 • ♠ plus Buyers Premium and VAT*

Provenance Private Collection, London Exhibited New York, Lehmann Maupin, Juergen Teller: Nürnberg, 13 January - 11 February 2006, n.p. (another example exhibited)

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price


Un train peut en cacher un autre signed, numbered and dated ‘7/20 Oorebeek 2017’ lower right digital print with title on printed paper 44.6 x 63 cm (17 1/2 x 24 3/4 in.) Executed in 2017, this work is number 7 from an edition of 20 plus 5 artist’s proofs. Estimate £800-1,200 $1,100-1,600 €940-1,400 • ♠ † plus Buyers Premium and VAT*

Provenance WIELS Museum, Brussels, Annual Beneft Gala Auction, 17 January 2017 Private Collection, London

247. Folkert de Jong

b. 1972

Von Dutch signed, titled, numbered and dated ‘“Von Dutch” Folkert de Jong 2006-2012 2/2’ on the underside of the base styrofoam, glue, twine and copper 118 x 36 x 32.3 cm (46 1/2 x 14 1/8 x 12 3/4 in.) Executed in 2006-2012, this work is number 2 from an edition of 2. Estimate £2,000-3,000 $2,600-4,000 €2,300-3,500 • ♠ plus Buyers Premium and VAT*

Provenance Peres Projects, Los Angeles Private Collection Sotheby’s, New York, 22 September 2011, lot 277 Acquired at the above sale by the present owner Exhibited Los Angeles, Peres Projects, Golden Dawn, 29 October - 17 December 2005

in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

No Reserve Lots 233 – 247

246. Willem Oorebeek


UK Auction Buyer’s Guide The following pages are designed to offer you information on how to buy at auction at Phillips. Our staff will be happy to assist you. The Conditions of Sale and Authorship Warranty published on our website at https://phillips.com also govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips, the seller and the buyer and describe the terms upon which items are bought at auction. A) Before The Auction Catalogues & Catalogue Entries Our catalogues provide information on the lots for sale at the auction and are available on our website at www.phillips.com and in hard copy. Lot details can also be viewed on the Phillips App. If you would like to purchase a hard copy catalogue for a Phillips auction, please visit our website or contact us at catalogues@ phillips.com. Catalogue entries may include the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive. In some cases we may not disclose the identity of previous owners where we are not authorised to do so. Please note that all dimensions of the property set out in the catalogue entry are approximate. Pre-auction viewings are open to the public and free of charge. The dates and times are published on our website at https:// phillips.com. Our specialists are available to give advice and condition reports at viewings or by appointment. Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Pre-sale estimates do not include the buyer’s premium or VAT. Where ‘Estimate on Request’ appears, please contact the specialist department for further information. As estimates can be subject to revision we suggest contacting us closer to the time of the auction. Estimates in non-local currencies Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction catalogues may also be printed in other currencies. These estimates are approximate and provided as a courtesy to our clients. The exchange rates used are those applying on the last practical date before printing the catalogue. The rates may have changed between the time of printing the catalogue and the auction. Condition Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references,

though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding. Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer. Symbols Used In The Catalogue You may see the following symbols referenced in the catalogue. O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the third-party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the third-party guarantor is the successful bidder Phillips will report the purchase price net of any fees paid to the third-party guarantor. ∆ Property in which Phillips has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.


No Reserve •Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low presale estimate. ∑ Endangered Species

Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Calculating the Total Purchase Price If you are the successful bidder on a Lot, the total purchase price you pay is made up of the following elements:

Hammer Price

Buyer’s Premium

VAT on Buyer’s Premium and/or Hammer Price (If applicable)

Artist’s Resale Royalty (ARR) (If applicable)

The Hammer Price: This is the final, highest bid which the auctioneer accepts by bringing down the auctioneer’s hammer. Buyer’s Premium: This is the commission Phillips charges the successful highest bidder and buyer of the lot. The Buyer’s premium is calculated on the hammer price of the lot at the following rates on a cumulative basis: • 25% on the portion of the hammer price up to and including £300,000; and • 20% on the portion of the hammer price above £300,000 up to and including £3,000,000 and • 13.5% on the portion of the hammer price above £3,000,000. Where VAT is payable on the Buyer’s premium the VAT inclusive Buyer’s Premium rates are 30%, 24% and 16.2% respectively. VAT Most items we sell are sold under UK Auctioneer’s Margin Scheme rules. This means that VAT is charged at 20% on the buyer’s premium and will not be shown separately on the invoice. UK Auctioneer’s Margin Scheme lots have no VAT symbol. Where the lot has a †, ‡ or Ω symbol against it, VAT may be charged on a different basis. For full details, including how to claim VAT refunds, please see the VAT & Tax Guide in this Auction Buyer’s Guide and on our website ♠ Artist’s Resale Royalty (ARR) The laws in certain countries entitle qualifying artists or their estates to a royalty when the artist’s works are re-sold for a hammer price of EUR 1,000 or more. Lots subject to ARR are marked with the symbol ♠. The ARR is calculated as a percentage of the hammer price on a cumulative basis as follows and is payable as part of the purchase price:

Portion of the Hammer Price (in EUROS) From 0 to 50,000 From 50,000.01 to 200,000 From 200,000.01 to 350,000 From 350,000.01 to 500,000 Exceeding 500,000

Royalty Rate 4% 3% 1% 0.5% 0.25%

The total charge for ARR on any single lot cannot exceed Euros 12,500. To calculate the ARR, we use the pounds sterling/euro reference exchange rate quoted on the date of the auction by the European Central Bank. Example To illustrate how the purchase price is calculated, please see the below example: UK Auctioneer’s Margin Scheme lot Hammer Price: £350,000 Buyer’s Premium including VAT @20% £102,000: 25% of first £300,000 of the hammer price = £75,000 + 20% on the balance of £50,000 = £10,000 Total BP = £85,000 VAT @ 20% on the total BP of £85,000 = £17,000 B) At The Auction Bidding Bids may be executed during the auction in person, by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of government-issued identification will be required, as will an original signature and proof of address. We may also require that you furnish us with a bank reference. Undisclosed agreements between bidders to bid or abstain from bidding on lots are illegal. Please note that Phillips monitors its sales and bidding records to ensure that bidding is transparent and fair and will take appropriate action in the event of any suspected breach of this requirement. In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staff member immediately. At the end of the auction, please return your paddle to the registration desk. By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multilingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least £500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are unable to reach you by telephone.


Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at https://phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate firewalls may cause difficulties for online bidders. Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. UK£50 to UK£1,000 UK£1,000 to UK£2,000 UK£2,000 to UK£3,000 UK£3,000 to UK£5,000

by UK£50s by UK£100s by UK£200s by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) UK£5,000 to UK£10,000 by UK£500s UK£10,000 to UK£20,000 by UK£1,000s UK£20,000 to UK£30,000 by UK£2,000s UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 UK£50,000 to UK£100,000 by UK£5,000s UK£100,000 to UK£200,000 by UK£10,000s above UK£200,000 at the auctioneer’s discretion The auctioneer may vary the increments during the course of the auction at his or her own discretion. Conditions Of Sale The auction is governed by the Conditions of Sale and Authorship Warranty which are available on our website. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement. Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor

of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive And Responsive Bidding; The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. No Reserve Lots If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. C) After The Auction Payment Payment is due immediately following the auction, unless other arrangements have been agreed with Phillips in writing in advance of the sale. Interest will be charged on late payment at the rate of 12% per annum. Payments must be made by the invoiced party in pounds sterling and may be sent by wire transfer directly to: Bank of Scotland, Gordon Street, Glasgow G1 3RS For the account of Phillips Auctioneers Ltd Account no. 00440780 Sort code: 80-54-01 SWIFT BIC: LOYDGB2LXXX IBAN: GB36BOFS 8054 0100 4407 80 Please reference the relevant invoice number. Alternatively, payment can be made: • For invoices of £30,000 or less by credit card. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). • It is our corporate policy not to make or accept single or multiple payments in cash in excess of £5,000 for all purchases in any calendar year. Title to each lot will not pass until the buyer has made full payment of the Purchase Price plus any applicable Artist Resale Royalty and all applicable taxes. Collection Once Phillips has received full and cleared payment of the total purchase price for the lot and any other amounts the buyer owes to Phillips, lots will be released for collection. To collect paid for


lots buyers (or their authorised representatives) must provide proof of identity. Authorised Representatives should also bring a copy of a letter signed by the buyer authorising them to collect. Smaller items may be collected from our London gallery on the day of the auction. Please check with our staff when making payment. After the auction, lots will be transferred to offsite fine art storage facilities. The buyer information pack you will receive after the auction will confirm details of the storage facility where your lot is held for collection. Please contact us to make arrangements for collection. Storage Charges Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to you in the buyer information pack you will receive after the auction. Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven (7) days following the auction. Transport and Shipping We will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips. Please refer to Paragraph 7 of the Conditions of Sale for more information. As a free service for buyers, Phillips will wrap purchased lots which are for hand carry only. We do not provide packing, handling or shipping services directly. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required

documentation. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at https://phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips’ premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third-party websites and applications.


Important Notices

VAT & Tax Guide

Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC”) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK.

VAT Depending on the status of the lot, and your status as a buyer, VAT may be charged on the hammer price, the buyer’s premium or both.

• Where the buyer is a non-EU business, Phillips requires evidence of the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. • Where the buyer is an EU VAT registered business, Phillips requires the business’s VAT registration number. These details can be scanned and emailed to us, or alternatively they can be faxed or mailed. If these requirements are not met, we will be unable to cancel/ refund any applicable VAT. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

UK Auctioneer’s Margin Scheme Most items we sell are second-hand goods, so we sell them under UK Auctioneer’s Margin Scheme rules. Lots falling into this category have no VAT symbol and are treated as follows: No symbol

UK Auctioneer’s Margin Scheme sale

20% VAT charged on the buyer’s premium. (The invoiced buyer’s premium will include the VAT).

Special VAT Treatment If the Lot has one of the below symbols, the VAT treatment will be as follows: VAT Symbol

Basis

Treatment

Standard UK VAT rules

20% VAT charged on both the hammer price and buyer’s premium

Imported lot under Temporary Admission (Low rate)

5% import VAT on the hammer price and 20% VAT on the buyer’s premium

Imported lot under Temporary Admission (High rate)

20% import VAT on the hammer price and 20% VAT on the buyer’s premium

Lots sold outside the Auctioneer’s Margin Scheme If the buyer is a relevant business person in the EU (non-UK) or is a relevant business person in a non-EU country then no VAT will be charged on the buyer’s premium. This is subject to Phillips receiving evidence of the buyer’s VAT registration number in the relevant Member State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium. Exports from the European Union The following types of VAT may be cancelled or refunded by Phillips on exports made within three months of the sale date if strict conditions are met: • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol). • The VAT on the hammer price for property sold under normal VAT rules (i.e., with a † symbol). The following type of VAT may be cancelled or refunded by Phillips on exports made within 30 days of the payment date if strict conditions are met:


• The import VAT charged on the hammer price and an amount in lieu of VAT on the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω symbol) under the Auctioneer’s Margin Scheme. In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or before the time of invoicing, the buyer instructs Phillips to export the property from the EU. This will require acceptance of an export quotation provided by Phillips. If such instruction is received after payment, a refund of the VAT amount will be made.

this manner are limited to businesses located outside the UK and may be considered for example for Import VAT charged on the hammer price for lots sold under temporary admission. If you are located in an EU member state other than the UK you will need to apply for a refund of UK VAT directly to your local tax authority. This is done via submission of an electronically based claim form which should be accessed through the website of your local tax authority. As a result, your form may include VAT incurred in a number of member states. Time limits for claiming VAT refunds

Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips will charge the VAT amount due as a deposit and refund it if the lot has been exported within the timelines specified below and either of the following conditions are met: • For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, Phillips is provided with appropriate original documentary proof of export from the EU within three months of the date of sale. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department to facilitate this process. • For lots sold under temporary admission, Phillips is provided with the original correct paperwork duly completed and stamped by HMRC which shows the property has been exported from the EU via the UK within 30 days of the payment date. It is essential for shippers acting on behalf of buyers to collect copies of original import papers from our Shipping Department. HMRC insist that the correct customs procedures are followed and Phillips will not be able to issue any refunds where the export documents do not exactly comply with governmental regulations. Property subject to temporary admission must be transferred to another customs procedure immediately if any restoration or repair work is to be carried out. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department, for which a charge of £20 (plus any applicable VAT) will be made. The VAT refund will be processed once the appropriate paperwork has been returned to Phillips. Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU private residents unless the lot is subject to temporary admission and the property is exported from the EU within 30 days of the payment date. We can only process VAT refunds where the VAT to be refunded is £50 or more per shipment. There will be a processing fee of £20 (plus any applicable VAT). Buyers intending to export, repair, restore or alter lots under temporary admission should notify the Shipping Department before collection. Failure to do so may result in the import VAT becoming payable immediately and Phillips being unable to refund the VAT charged on deposit. VAT Refunds from HM Revenue & Customs Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible to seek repayment from HMRC . Repayments in

• If you are located in an EU member state other than the UK: Any claim must be made on a calendar year basis and submitted no later than 30 September in the following calendar year (e.g., for VAT incurred in the year 1 January to 31 December 2019 you should make a claim to your local tax authority no later than 30 September 2020). Once you have submitted the electronic form to your local tax authority it is their responsibility to ensure that payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest on the unpaid amounts. • If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC. Claim forms are available from the HMRC website. https://www.gov.uk. You should submit claims for VAT to HMRC no later than six months from the end of the 12-month period ending 30 June (e.g., claims for the period 1 July 2019 to 30 June 2020 should be made no later than 31 December 2020). Please note that refunds of VAT will only be made where VAT has been incurred for a business purpose. Any VAT incurred on articles bought for personal use will not be refunded. Sales and Use Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of lots following purchase. Buyers should consult their own tax advisors.


30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

In-person Absentee Bidding Telephone Bidding

Paddle Number

• If you cannot attend the sale, we can execute bids confdentially on your behalf.

As a private individual On behalf of a company Sale Title

Sale Number First Name

Sale Date

Surname Account Number

Company (if applicable)

• Company Purchases: We require a copy of government-issued identifcation (such as the certifcate of incorporation) to verify the status of the company. This should be accompanied by an ofcial document confrming the company’s EU VAT registration number, if applicable, which we are now required by HMRC to hold. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale available online at phillips.com,. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

Title

• Private Purchases: Proof of identity in the form of governmentissued identification will be required.

• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including £300,000, 20% of the portion of the hammer price above £300,000 up to and including £3,000,000 and 13.5% of the portion of the hammer price above £3,000,000. • “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

VAT number (if applicable)

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable VAT. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specifed, if less than 50% of the low estimate.

Address

City

State/Country

Post Code Phone

Mobile

Email

Fax

• Your bid must be submitted in the currency of the sale and will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. • If we receive identical bids, the frst bid received will take precedence.

Phone number to call at the time of sale (for Phone Bidding only) 1.

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

2.

Please complete the following section for telephone and absentee bids only Lot number

Brief description

In Consecutive Order

Maximum pound sterling price* Absentee Bids Only

• Please submit your bids to the Bid Department by email to bidslondon@phillips.com or by fax at +44 20 7318 4035 at least 24 hours before the sale. You will receive confrmation by email within one business day. To reach the Bid Department by phone please call +44 20 7318 4045. • If you have not bid and bought with us before, please provide a bank reference • Payment for lots must be made by the invoiced party in pound sterling by wire transfer, credit card (up to £30,000) using Visa, American Express, Mastercard or Union Pay (Union Pay for in person transactions only), or cash (up to £5,000 for all purchases in any calendar year). • Lots cannot be collected until payment has cleared and all charges have been paid. • You will not have the right to cancel the sale of any lot purchased by you under the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips.com or available by emailing dataprotection@phillips.com.

* Excluding Buyer’s Premium and VAT

Signature

Date

By ticking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

• Phillip’s premises and sale and exhibition venues may be subject to video surveillance and recording. Telephone calls (e.g. telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy. Please tick this box to receive emails about upcoming sales, exhibitions, and special events ofered by members of the Phillips group, as referenced in our Privacy Policy available on our website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.


Photographs. London, 16 May 2019 Public viewing 10–16 May 2019 30 Berkeley Square, London, W1J 6EX Enquiries +44 207 318 4087 photographslondon@phillips.com

Jean-Michel Basquiat Self-Portrait with friend, n.d. Unique gelatin silver photo-booth strip with spray paint.

Visit us at phillips.com


16.

Shozo Shimamoto


David Hammons Untitled mixed media as installed 102 x 84 x 10 in. (259.1 x 213.4 x 25.4 cm.) Executed in 2008. Š 2019 David Hammons

20th Century & Contemporary Art Day Sale 15 May 2019 New York

Visit us at phillips.com

Public viewing 3-14 May at 450 Park Avenue Enquiries Rebekah Bowling rbowling@phillips.com John McCord jmccord@phillips.com


Index Almond, D. 142

Fischer, U. 24

Meireles, C. 160

Shawcross, C. 61

Amorales, C. 178

Francis, M. 38

Melgaard, B. 115

Shimamoto, S. 16

Appel, K. 207

Francis, S. 145

Minin, R. 195

Shiraga, K. 204

Arad, R. 52

Fridriks, K. 224

Montgomery, R. 71

Shrigley, D. 42, 43

Araki, N. 187, 188

Futura 2000 152

Moretti, S. 29

Sklyar, P. 200

Arman 159

Gabin, L. 96

Morris, A. 56

Slominski, A. 161

Arunanondchai, K. 10

Gambarof, N. 87, 88

Moskowitz, R. 218

Smith, J. 236

Aubertin, B. 125

Garber-Maikovska, A. 8

Muniz, V. 191, 192

Smith, J. 85, 86

Baker, C. 158

Gilbert & George 233

Murillo, O. 9

Smith, L. 92

Balkenhol, S. 105, 106

Girke, R. 113

Nitsch, H. 109

Struth, T. 180

Barlow, P. 164

Gokita, T. 1

Norin, K. 235

Sutherland, P. 84

Bas, H. 137, 138

Gordon, D. 175, 176

Oorebeek, W. 246

Sweeney, S. 239

Bass, M. 6

Gormley, A. 136

Opie, J. 28, 31

Swoon 75

Bauer, J. 79

Gray, K. F. 53

Osborne, O. 240, 241

Tal R 12, 13

Bercea, M. 211

Grosse, K. 2, 26

Otero, A. 95

Teller, J. 245

Bergmann-Michel, E. 117

Grünfeld, T. 114, 167

Othoniel, J. M. 163

Thater, D. 144

Bernadet, J. B. 80

Guyton\Walker 162

Pasqua, P. 128, 129

The Connor Brothers 73

Beshty, W. 90

Hagen, M. 98

Peake, E. 7

Thomas, M. 173

Biasi, A. 119

Hajjaj, H. 227

Pejac 74

Tinguely, J. 131

Biggers, S. 11

Halley, P. 18

Pérez, E. 212

Tobias, G. & U. 14, 15

Boetti, A. 121

Hambling, M. 70

Pettibone, R. 102

Trouvé, T. 171

Bonalumi, A. 120

Handforth, M. 30

Phillips, R. 230

Trubkovich, K. 91

Bouchet, M. 89

Harrington, C. 72

Pivi, P. 64

Tuazon, O. 170

Bourgeois, L. 134

Henning, A. 107, 108

Potapov, V. 194

Tuymans, L. 135

Brätsch, K. 81

Hirst, D. 32

Pruitt, R. 168

Tyson, K. 146

Breuning, O. 182, 185, 186

Höller, C. 221

Queiroz, J. 217

Uklański, P. 210

Cabellut, L. 229

Horowitz, J. 83

Quinn, G. 214

Upson, K. 118

Campbell, S. 151

Howson, P. 242, 243

Rajlich, T. 208

Vance, L. 3

Casselman, S. 231, 232

Huan, Z. 51

Raton, Z. 156

Vasconcelos, J. 216

Chang, Y. 66

Hume, G. 55

Reigate, B. 147, 148, 149

von Hellermann, S. 219

Chia, S. 123

Hyber, F. 127

Reunov, V. 196

Voss, J. 110

Childish, B. 157

Jacklin, B. 213

Rhode, R. 184

Wallinger, M. 68

Cognée, P. 126

Jofe, C. 58

Richter, D. 20

Walsh, D. 78

Condo, G. 4

Johnson, R. 172

Ritchie, M. 39

Walther, F. E. 215

Cook, E. 237

Jones, S. 244

Rokkaku, A. 205

Ward, N. 54

Cooke, N. 141

Kapoor, A. 19, 62

Rondinone, U. 17

Warhol, A. 132, 133

Coventry, K. 69

KAWS 5

Rosa, C. 82

Watson, A. 174

Craig-Martin, M. 47

Kedria, O. 198

Rosenkranz, P. 166

Webster, J. B.

Creed, M. 37

Kevans, A. 57

Rotella, M. 122

Weiser, G. 76, 77

Cumberland, S. 234

Khan, I. 44

Sala, A. 181

Weiwei, A. 23

Daniëls, R. 143

Koshelev, N. 197

Saraceno, T. 25

Welling, J. 189, 190

Davenport, I. 40, 41

Kounellis, J. 130

Schifano, M. 124

West, F. 21, 22

Davtyan, P. 193

Kuwata, T. 203

Schneider, G. 169

Whiteread, R. 33, 46

de Jong, F. 247

Lambie, J. 100, 101

Schwontkowski, N. 111, 112,

Whittaker, D. K. 225, 226

de Waal, E. 50

Lavender, J. 99

139, 140

Woods, R. 63

Deacon, R. 48, 49

Lidén, K. 183

Scully, S. 45

Yang, H. 202

Deller, J. 65

Ligang, W. 201

SEEN 150

Yeo, J. 59

Deschenes, L. 228

Linnenbrink, M. 116

Seguí, A. 209

Young, A. 154, 155

Dijkstra, R. 177

Lowman, N. 93, 94

Semple, S. 103

Zigura, N. 199

Dodiya, A. 222

Lucas, S. 34, 35, 36

Serrano, A. 179

Zipp, T. 238

Einarrson, G. E. 153

Maciejowski, M. 220

Shamma, S. 67

Essenhigh, I. 223

Martin, J. 27

Shaobin, Y. 206

Farah, A. 97

Meese, J. 104

Shaw, R. 60

165


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Sale Information New Now Sale

Sale Department

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Head of Sale Simon Tovey +44 207 318 4084 stovey@phillips.com

Auction 11 April 2019, 2pm Viewing 4 – 11 April 2019 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK010319 or New Now Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 Susanna Brockman +44 20 7318 4041 Rebecca Gathercole +44 20 7901 7927 Anne Flick +44 20 7318 4089 bidslondon@phillips.com Front cover Anish Kapoor, Monochrome (Lilac), 2015, lot 19 © Anish Kapoor. All Rights Reserved, DACS 2019. Back cover Urs Fischer, The Grass Munchers, 2007, lot 24 © Urs Fischer. Courtesy of the artist and Galerie Eva Presenhuber, Zurich.

Auctioneers Rebecca Tooby-Desmond Susanna Brockmann

Cataloguers Louise Simpson +44 20 7901 7911 lsimpson@phillips.com

Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com £22/€25/$35 at the gallery

Administrator Olivia Taylor +44 20 7318 4082 otaylor@phillips.com

Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914

Property Manager James Ryan +44 7552 545357 jryan@phillips.com

Jason King, Client Accounting, Director +44 20 7318 4086

Photographers Jean Bourbon Alex Braun Charlie Sheldon Marta Zagozdzon Creative Services Ben Marcus, Creative Services Manager Moira Gil, Graphic Designer Grace Neighbour, Graphic Designer

Buyer Accounts Carolyn Whitehead +44 20 7318 4020 Seller Accounts Surbjit Kaur +44 20 7318 4072 Heather Welham +44 20 7901 2982 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Kyle Buchanan +44 20 7318 4081 Rita Matos +44 20 7901 7906 LucÍa Núñez +44 7901 7920


83. Jonathan Horowitz


18. Peter Halley


18. Tim Noble and Sue Webster


32. Damien Hirst


phillips.com

Profile for PHILLIPS

NEW NOW [Catalogue]  

Phillips presents New Now on 11 April 2019.

NEW NOW [Catalogue]  

Phillips presents New Now on 11 April 2019.