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Design Evening & Day Sales New York, 13 December 2018


19. Scott Burton


23. Jun Kaneko


Executives.

Ed Dolman

Cheyenne Westphal

Chief Executive Ofcer +1 212 940 1241 edolman@phillips.com

Chairman +44 20 7318 4044 cwestphal@phillips.com

Š Brigitte Lacombe

Los Angeles.

Worldwide Head.

New York.

Alexander Payne

Cordelia Lembo

Kimberly Sørensen

Emily FitzGerald

Meaghan Roddy

Worldwide Head of Design & Deputy Chairman, Europe +44 20 7318 4052 apayne@phillips.com

Head of Department clembo@phillips.com +1 212 940 1265

Specialist ksorensen@phillips.com +1 212 940 1259

Cataloguer eftzgerald@phillips.com +1 212 940 1267

Senior International Specialist, Americas mroddy@phillips.com +1 267 221 9152

London.

Domenico Raimondo

Madalena Horta e Costa Marcus McDonald

Head of Department, Europe & Head of Sale International Specialist Senior International Specialist mhortaecosta@phillips.com mmcdonald@phillips.com draimondo@phillips.com +44 20 7318 4019 +44 20 7318 4095 +44 20 7318 4016

Sofa Sayn-Wittgenstein Nicola Krohman

Caroline Pedote

Senior Specialist ssayn-wittgenstein@ phillips.com +44 20 7318 4023

Senior Cataloguer nkrohman@phillips.com +44 20 7901 7926

Cataloguer cpedote@phillips.com +44 20 7901 4096

Deputy Chairmen.

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Jonathan Crockett

Peter Sumner

Worldwide Deputy Chairman +44 20 7318 4010 smarich@phillips.com

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art +1 212 940 1390 jpengelen@phillips.com

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art +1 212 940 1358 rmanley@phillips.com

Deputy Chairman, Asia, Head of 20th Century & Contemporary Art, Asia +852 2318 2023 jcrockett@phillips.com

Deputy Chairman, Europe +44 20 7318 4063 psumner@phillips.com

Miety Heiden

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Deputy Chairman, Head of Private Sales +44 20 7901 7943 mheiden@phillips.com

Deputy Chairman, Americas, Worldwide Head of Photographs +1 212 940 1243 vhallett@phillips.com

Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Deputy Chairman, Europe, Senior Specialist, 20th Century & Contemporary Art +32 3257 3026 mhoet@phillips.com


Design Evening & Day Sales New York, 13 December 2018

Auction and Viewing Location 450 Park Avenue New York 10022

Design Department

Auctions 13 December 2018

Worldwide Head Alexander Payne apayne@phillips.com

Day Sale Auction 2pm Lots 101–214

Senior International Specialist Meaghan Roddy mroddy@phillips.com

Evening Sale Auction 5pm Lots 1–29

Head of Department, New York Cordelia Lembo clembo@phillips.com

Viewing 9 – 13 December Monday – Saturday 10am – 6pm Sunday 12pm – 6pm

Specialist Kimberly SØrensen ksorensen@phillips.com

Sale Designation When sending in written bids or making enquiries please refer to this sale as NY050218 or Design Day Sale and NY050318 or Design Evening Sale. Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Cataloguer Emily FitzGerald eftzgerald@phillips.com Administrator Georgina Walsh gwalsh@phillips.com


Business Development. Americas.

Europe.

Asia.

Vivian Pfeifer

Guy Vesey

Lilly Chan

Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Head of Business Development & Marketing, Europe +44 20 7901 7934 gvesey@phillips.com

Managing Director, Asia, Head of Business Development, Asia +852 2318 2022 lillychan@phillips.com

Client Advisory. New York.

Europe.

Philae Knight

Jennifer Jones

Liz Grimm

Yassaman Ali

Vera Antoshenkova

Client Advisory Director +1 212 940 1313 pknight@phillips.com

Director of Trusts, Estates & Valuations +1 212 940 1272 jjones@phillips.com

Business Development Associate +1 212 940 1342 egrimm@phillips.com

Client Advisory Director +44 20 7318 4056 yali@phillips.com

Client Advisory Manager +44 20 7901 7992 vantoshenkova@ phillips.com

Giulia Campaner Mendes Associate Client Advisory Manager +44 20 7318 4058 gcampaner@phillips.com

Margherita Solaini Business Development Associate +39 02 83642 453 msolaini@phillips.com


International Specialists & Regional Directors. Americas. Cândida SodrÊ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Kaeli Deane

Valentina Garcia

Regional Director, Consultant, Brazil +55 21 999 817 442 csodre@phillips.com

Regional Director, Specialist, Photographs, Chicago +1 773 230 9192 cehlers@phillips.com

Regional Representative, Chicago +1 310 922 2841 lauren.peterson @phillips.com

Senior Specialist, 20th Century & Contemporary Art, Denver +1 917 657 7193 mdekoning@phillips.com

Regional Director, Los Angeles +1 323 383 3266 bkoh@phillips.com

Head of Latin American Art, Los Angeles +1 212 940 1352 kdeane@phillips.com

Specialist, Miami +1 917 583 4983 vgarcia@phillips.com

Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Regional Director, Consultant, Mexico +52 1 55 5413 9468 crayclafan@phillips.com

Regional Director, Palm Beach +1 508 642 2579 maurasmith@phillips.com

Regional Director, Seattle +1 206 604 6695 scwaltner@phillips.com

Laurence Calmels

Maria Cifuentes

Laurence Barret-Cavy

Carolina Lanfranchi

Maura Marvao

Specialist, 20th Century & Contemporary Art, France +33 142 78 67 77 mcifuentes@phillips.com

Specialist, 20th Century & Contemporary Art, Paris +33 633 12 32 04 lbarretcavy@phillips.com

Dr. Nathalie Monbaron

Dr. Alice Trier

Regional Director, France +33 686 408 515 lcalmels@phillips.com

Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Specialist, 20th Century & Contemporary Art, Germany +49 173 25 111 69 atrier@phillips.com

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy +39 338 924 1720 clanfranchi@phillips.com

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain +351 917 564 427 mmarvao@phillips.com

Kalista Fenina

Julia Heinen

Specialist, 20th Century & Contemporary Art, Moscow +7 905 741 15 15 kfenina@phillips.com

Specialist, 20th Century & Contemporary Art, Regional Director, Zurich +41 79 694 3111 jheinen@phillips.com

Europe.

Asia. Kyoko Hattori

Jane Yoon

Sujeong Shin

Wenjia Zhang

Alicia Zhang

Cindy Yen

Meiling Lee

Regional Director, Japan +81 90 2245 6678 khattori@phillips.com

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea +82 10 7389 7714 jyy@phillips.com

Associate Regional Representative, Korea +82 10 7305 0797 sshin@phillips.com

Regional Director, Shanghai +86 13911651725 wenjiazhang@phillips.com

Associate Regional Representative, Shanghai +86 139 1828 6589 aliciazhang@phillips.com

Senior Specialist, Watches & Jewellery, Taiwan +886 2 2758 5505 cyen@phillips.com

International Specialist, Taiwan +886 908 876 669 mlee@phillips.com

Iori Endo

Christine Fernando

Regional Representative, Japan +44 20 7318 4039 iendo@phillips.com

Associate Regional Representative, Singapore +65 9128 6277 christinefernando @phillips.com


145. Jean Royère


Design Day Sale Lots 101–214, 2pm


115. Piero Fornasetti


Property from an Important East Coast Collection

101. Max Ingrand

1908-1969

Illuminated mirror, model no. 1657 circa 1958 Chiseled and carved glass, mirrored glass, brass, painted aluminum. 25 x 20 x 2 1/2 in. (63.5 x 50.8 x 6.4 cm) Manufactured by Fontana Arte, Milan, Italy. Estimate $18,000-24,000 Provenance Galerie Jacques Lacoste, Paris, 2003 Christie’s, New York, “Important 20th Century Decorative Art & Design,” December 17, 2011, lot 292 Acquired from the above by the present owner Literature Edoardo Paoli, “Specchiere e specchi: appesi, nel mobile e tecnici,” Quaderni vitrum, no. 8, Milan, 1966, p. 119 Pierre-Emmanuel Martin-Vivier, Max Ingrand, Du verre à la lumière, Paris, 2009, p. 217 Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fg. 429


102. Venini Pair of wall lights, model no. 802.5 circa 1955 Glass, aluminum. Each: 12 1/4 x 7 7/8 x 9 3/8 in. (31.1 x 20 x 23.8 cm) Produced by Venini & C., Murano, Italy. Estimate $5,000-7,000 Provenance Private collection, Milan Literature Franco Deboni, Venini Glass: Its history, artists and techniques, Volume 1, Turin, 2007, p. 252 for a similar example


103. Gio Ponti

1891-1979

Pair of armchairs circa 1936 Beech, fabric. Each: 30 x 27 x 29 in. (76.2 x 68.6 x 73.7 cm) Together with a certifcate of expertise from the Gio Ponti Archives. Estimate $12,000-18,000 Provenance Private collection, Turin

Literature “Un’abitazione dimostrativa alla VI Triennale,” Domus, Milan, no. 103, July 1936, pp. 15, 17, 19 Lisa Licitra Ponti, Gio Ponti: The Complete Works 1923-1978, London, 1990, pp. 80-83 Laura Falconi, Gio Ponti: Interiors, Objects, Drawings, 1920-1976, Milan, 2004, pp. 111-12 Ugo La Pietra, ed., Gio Ponti, New York, 2009, pp. 102-103

The present model armchair was exhibited in the VI Milan Triennale, 1936.


104. Angelo Lelii

1915-1979

Rare ceiling light, model no. 12776 circa 1959 Painted metal, brass, glass. 27 in. (68.6 cm) drop, 22 in. (55.9 cm) diameter Manufactured by Arredoluce, Monza, Italy. Underside with manufacturer’s label printed with logo and MADE IN ITALY/ARREDOLUCE MONZA. Estimate $12,000-18,000 Provenance Private collection, Arizona Acquired from the above by the present owner Literature Anty Pansera, Arredoluce: Catalogue Raisonné 1943–1987, Milan, 2018, p. 325

The present lot has been registered in the Arredoluce Archives, Italy, as number 3186734.


105. Gio Ponti

1891-1979

Pair of armchairs circa 1950 Stained walnut, fabric. Each: 38 1/4 x 26 3/4 x 34 5/8 in. (97.2 x 67.9 x 87.9 cm) Together with a certifcate of expertise from the Gio Ponti Archives. Estimate $10,000-15,000

Provenance Private collection, Milan Phillips, London, “Design,” April 28, 2016, lot 196 Acquired from the above by the present owner Literature Paolo Piccione, Gio Ponti: le navi: il progetto degli interni navali, 1948-1953, Viareggio, Italy, 2007, pp. 40, 43, 61, 63 for similar examples Ugo La Pietra, ed., Gio Ponti: L’arte si innamora dell’industria, New York, 2009, p. 203 for a similar example


106. Gio Ponti

1891-1979

Corner sofa circa 1950 Stained walnut, fabric. 39 3/8 x 86 1/4 x 47 1/4 in. (100 x 219.1 x 120 cm) Together with a certifcate of expertise from the Gio Ponti Archives. Estimate $15,000-20,000 Provenance Private collection, Milan Phillips, London, “Design,� April 28, 2016, lot 196 Acquired from the above by the present owner


107. Stilnovo Pair of wall lights circa 1950 Brass, painted metal. Each: 13 x 19 3/4 x 4 1/2 in. (33 x 50.2 x 11.4 cm) Manufactured by Stilnovo, Milan, Italy. Estimate $4,000-6,000 Provenance Private collection, Genoa Literature Stilnovo: apparecchi per l’illuminazione, sales catalogue, 1960s, p. 127 for a similar example


108. Arteluce Pair of illuminated coat racks circa 1941 Painted wood, beech, glass, nickel-plated metal. 29 5/8 x 10 5/8 x 15 3/4 in. (75.2 x 27 x 40 cm) Manufactured by Arteluce, Milan, Italy. Estimate $7,000-9,000 Provenance Private collection, Arezzo Literature Guido Frette, “Illuminazione nella casa moderna,� Domus, no. 161, May 1941, p. 43 for a similar example


109. Stilnovo Ceiling light circa 1950 Brass, painted metal. 42 in. (106.7 cm) drop Manufactured by Stilnovo, Milan, Italy. Estimate $5,000-7,000 Provenance Private collection, Florence


110. Mario Quarti

1901-1974

Dining table and eight chairs circa 1930 Walnut, fabric, steel nailheads. Table: 31 1/8 (79.1 cm) high, 102 3/4 in. (261 cm) diameter Each armchair: 35 1/8 x 22 x 20 1/2 in. (89.2 x 55.9 x 52.1 cm) Each chair: 35 1/8 x 19 5/8 x 20 1/2 in. (89.2 x 49.8 x 52.1 cm) Produced by Eugenio Quarti, S.A., Milan. Together with two leaves and a copy of a period photograph of the present design stamped by Eugenio Quarti S.A. Estimate $10,000-15,000 Provenance Wright, “Design,� Chicago, December 8, 2006, lot 270

A period photograph of the present design stamped by Eugenio Quarti S.A. on the reverse.


Σ

111. Ico Parisi

1916-1996

Pair of armchairs, model no. 869 circa 1960 Brazilian rosewood, fabric. Each: 32 1/8 x 31 5/8 x 31 1/8 in. (81.5 x 80.3 x 79 cm) Manufactured by Cassina, Meda, Italy. Estimate $10,000-15,000 Provenance Private collection, Belgium Acquired from the above Acquired from the above by the present owner Literature “In un albergo a Grosseto: studio La Ruota, di Ico e Luisa Parisi,” Domus, no. 385, December 1961, p. 46 Giampiero Bosoni, Made in Cassina, New York, 2009, p. 177 Roberta Lietti, Ico Parisi Catalogue Raisonné, 1936-1960, Milan, 2017, p. 543

Phillips would like to thank Roberta Lietti of the Archivio del Design di Ico Parisi for her assistance cataloguing the present lot.


Σ

112. Ico Parisi

1916-1996

Estimate $12,000-18,000

Literature “In un albergo a Grosseto: studio La Ruota, di Ico e Luisa Parisi,” Domus, no. 385, December 1961, p. 46 Giampiero Bosoni, Made in Cassina, New York, 2009, p. 177 Roberta Lietti, Ico Parisi Catalogue Raisonné, 1936-1960, Milan, 2017, p. 543

Provenance Private Collection, Belgium Acquired from the above Acquired from the above by the present owner

Phillips would like to thank Roberta Lietti of the Archivio del Design di Ico Parisi for her assistance cataloguing the present lot.

Sofa, model no. 869 circa 1960 Brazilian rosewood, fabric. 32 1/2 x 79 3/8 x 30 3/4 in. (82.5 x 201.5 x 78 cm) Manufactured by Cassina, Meda, Italy.


113. Gio Ponti

1891-1979

Pair of armchairs, model no. 1811 circa 1953 Stained walnut, fabric, rubber. Each: 33 x 24 1/4 x 39 1/2 in. (83.8 x 61.6 x 100.3 cm) Manufactured by Altamira, New York. Together with a certifcate of expertise from the Gio Ponti Archives. Estimate $40,000-60,000 Provenance Private collection, Milan Literature Irene de Guttry and Maria Paola Maino, Il Mobile Italiano Degli Anni ‘40 e ‘50, Bari, 1992, p. 41


114. Gio Ponti

1891-1979

Set of six garden chairs and one armchair circa 1940 Painted metal. Each chair: 34 1/2 x 18 1/8 x 19 1/8 in. (87.7 x 46 x 48.7 cm) Armchair: 35 1/2 x 22 1/2 x 20 1/4 in. (90.3 x 57.3 x 51.4 cm) Produced by Casa e Giardino, Milan, Italy. Together with a certifcate of expertise from the Gio Ponti Archives. Estimate $5,000-7,000 Provenance Private collection, Lake Como Literature Laura Falconi, ed., Gio Ponti: Interiors, Objects, Drawings, 1920-1976, Milan, 2010, p. 178 for a drawing of a similar example of the garden chair

115. Piero Fornasetti

1913-1988

“Belle di notte� writing table 1960s Painted metal-covered wood, brass. 29 1/8 x 47 3/8 x 19 3/4 in. (74 x 120.3 x 50.2 cm) Together with a certifcate of authenticity from Barnaba Fornasetti. Estimate $7,000-9,000 Provenance Giuseppe de Stefano, Milan, 1960s Acquired from the above by the present owner Literature Barnaba Fornasetti, ed., Fornasetti: The Complete Universe, New York, 2010, p. 389 for a similar example


116. Flavio Poli

1900-1984

Set of four wall lights 1950s Glass with gold leaf inclusions, painted metal. Each: 25 1/2 x 11 1/2 x 7 1/8 in. (64.8 x 29.2 x 18.1 cm) Produced by Seguso Vetri d’Arte, Murano, Italy. Estimate $18,000-24,000 Provenance Private collection, Rome


117. Piero Fornasetti

1913-1988

Two occasional tables 1950s Lithographic transfer-printed wood and metal, painted wood, rubber-coated steel, brass-covered wood, brass. Taller: 15 in. (38.1 cm) high, 14 1/4 in. (36.2 cm) diameter Estimate $4,000-6,000 Provenance Private collection, Milan Literature Barnaba Fornasetti, ed., Fornasetti: The Complete Universe, New York, 2010, p. 384 for a similar model

The table illustrated on the lef displays the “Giano” pattern and is lithographic transferprinted metal top with painted wood, brass-plated wood and brass legs. The table illustrated on the right displays the “Corona di Conchiglie” pattern and is a lithographic transfer-printed wood top with rubber-coated steel and brass legs.


118. Angelo Lelii

1915-1979

Ceiling light circa 1955 Painted metal, brass, glass. 19 1/4 in. (48.9 cm) drop, 21 in. (53.3 cm) diameter Manufactured by Arredoluce, Monza, Italy. Estimate $7,000-9,000 Provenance Private collection, Rome Literature Anty Pansera, Arredoluce: Catalogue RaisonnÊ 1943–1987, Milan, 2018, p. 297


119. Stilnovo Set of three ceiling lights circa 1960 Brass, glass. Each: 56 in. (142.2 cm) drop, 28 5/8 in. (72.7 cm) diameter Manufactured by Stilnovo, Milan, Italy. Estimate $12,000-18,000 Provenance Private collection, Milan Literature “Apparecchi per l’illuminazione: lighting and fttings,” Stilnovo sales catalogue, Milan, p. 21 for a similar example


120. Max Ingrand

1908-1969

Table lamp circa 1955 Brass, glass. 24 in. (61 cm) high Manufactured by Fontana Arte, Milan, Italy. Estimate $20,000-30,000 Literature Pierre-Emmanuel Martin-Vivier, Max Ingrand, Du verre à la lumière, Paris, 2009, p. 221 Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fg. 358


Σ

121. Ico Parisi

1916-1996

Pair of wall-mounted console tables circa 1949 Brazilian rosewood-veneered wood, ebonized walnut. Each: 28 3/4 x 44 5/8 x 12 7/8 in. (73 x 113.3 x 32.7 cm) Manufactured by ArteCasa, Cantù, Italy. Estimate $15,000-20,000 Literature Franco Grigioni, Arredamento: mobili, ambienti, Milan, 1956, fg. 48 Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 61 Irene de Guttry and Maria Paola Maino, Il Mobile Italiano degli Anni ‘40 e ‘50, Rome, 2010, p. 217 Roberta Lietti, Ico Parisi Catalogue Raisonné, 19361960, Milan, 2017, pp. 201, 308-9

Phillips would like to thank Roberta Lietti of the Archivio del Design di Ico Parisi for her assistance cataloguing the present lot.


122. Carlo Scarpa

1906-1978

Ceiling light, model no. 5417 1931-1935 Filigrana glass, brass. 44 1/4 in. (112.4 cm) drop, 16 in. (40.6 cm) diameter Produced by Venini & C., Murano, Italy. Estimate $12,000-18,000 Provenance Private collection, Novara Literature Anna Venini Diaz de Santillana, Venini Catalogue RaisonnĂŠ 1921-1986, Milan, 2000, p. 256 Franco Deboni, Venini Glass: Its History, Artists and Techniques, Catalogue 1921-2007, Volume 1, Turin, 2007, The Blue Catalogue (appendix), pl. 138


123. Angelo Lelii

1915-1979

Wall light, model no. 12738 circa 1985 Brass, painted aluminum, glass, acrylic. 19 3/8 x 9 7/8 x 10 5/8 in. (49.2 x 25.1 x 27 cm) Manufactured by Arredoluce, Monza, Italy. Estimate $4,000-6,000 Provenance Private collection, Milan Literature Anty Pansera, Arredoluce: Catalogue RaisonnÊ 1943–1987, Milan, 2018, pp. 207, 320


124. Jean Prouvé

1901-1984

S.C.A.L. bed, model no. 450 circa 1951 Painted steel, fabric, oak-veneered wood. 22 3/4 x 75 x 31 1/4 in. (57.8 x 190.5 x 79.4 cm) Manufactured by Les Ateliers Jean Prouvé, France and issued by Steph Simon, Paris, France. Estimate $15,000-25,000 Provenance Claude Viseux, France Acquired from the above by the present owner Literature Peter Sulzer, Jean Prouvé: Œuvre Complète / Complete Works, Volume 3: 1944-1954, Basel, 2005, p. 167 Galerie Patrick Seguin, Jean Prouvé, Volume 1, Paris, 2017, pp. 352, 355, 359


125. Jacques Quinet

1918-1992

Table lamp 1972 Chromium-plated steel, fabric shade. 22 3/4 in. (57.8 cm) high Estimate $7,000-9,000

Provenance Niels Onstad, Neuilly-sur-Seine, 1972 Kameran Khosrovani, Paris Acquired from the above, 2010 Phillips, London, “Design,” April 29, 2016, lot 164 Acquired from the above by the present owner Exhibited “Jacques Quinet, La recherche de la forme pure,” Galerie Arcanes, Paris, September 17-October 30, 2010 Literature Guitemie Maldonado, Jacques Quinet, Paris, 2000, p. 66 for the apartment interior, illustrated p. 186 Jacques Quinet 1918-1992: La recherche de la forme pure, exh. cat., Galerie Arcanes, Paris, 2010, illustrated p. 10


Property from a Private French Collection

126. Jean Prouvé

1901-1984

“Semi-metal” chair, model no. 305 1950-1969 Oak-veneered plywood, painted steel, aluminum, rubber. 32 x 16.5 x 18.75 in. (81.3 x 41.9 x 47.6 cm) Manufactured by Les Ateliers Jean Prouvé, France and issued by Steph Simon, Paris, France. Estimate $6,000-8,000

Provenance Galerie 54, Paris Acquired from the above by the present owner Literature Peter Sulzer, Jean Prouvé: Œuvre complète / Complete Works, Volume 3: 1944-1954, Basel, 2005, pp. 208-11, 268


Property from an Important East Coast Collection

127. Jean Prouvé

1901-1984

“Semi-metal” chair, model no. 305 1950-1969 Painted steel, oak-veneered plywood, rubber. 32 x 16 1/2 x 18 3/4 in. (81.3 x 41.9 x 47.6 cm) Manufactured by Les Ateliers Jean Prouvé, France and issued by Steph Simon, Paris, France. Estimate $6,000-8,000 Literature Peter Sulzer, Jean Prouvé: Œuvre complète / Complete Works, Volume 3: 1944-1954, Basel, 2005, pp. 208-11, 268


Property from a Private Miami Beach Collection

128. Pierre Jeanneret

1896-1967

Pair of “Easy� armchairs, model no. PJ-SI-29-A 1955-1956 Teak, cane. Each: 29 x 21 1/8 x 23 in. (73.7 x 53.7 x 58.4 cm) Estimate $18,000-24,000 Provenance Punjab University, Chandigarh Galerie Patrick Seguin, Paris Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, pp. 342-43, 352-55, 375, 563


Property from a Private Miami Beach Collection

129. Jean Prouvé

1901-1984

“Cité” bed, model no. 10 circa 1932 Painted steel, oak, leather. 24 1/2 x 93 1/8 x 33 1/4 in. (62.2 x 236.5 x 84.5 cm) Manufactured by Les Ateliers Jean Prouvé, France. Estimate $40,000-60,000 Provenance Cité Universitaire, Nancy, 1932 Galerie Patrick Seguin, Paris Literature Peter Sulzer, Jean Prouvé: Œuvre complète / Complete Works, Volume 2: 1934-1944, Basel, 2000, p. 105 for technical drawings and an Ateliers Jean Prouvé prospectus Galerie Patrick Seguin, Jean Prouvé, Volume 2, Paris, 2007, pp. 354, 358-59


130. Jean Prouvé

1901-1984

“Dactylo” pivoting chair, model no. CD 11 circa 1944 Oak-veneered plywood, painted aluminum. 32 5/8 x 15 3/4 x 20 1/8 in. (82.9 x 40 x 51.1 cm) Manufactured by Les Ateliers Jean Prouvé, France. Estimate $50,000-70,000 Provenance Galerie Patrick Seguin, Paris Literature Peter Sulzer, Jean Prouvé: Œuvre complète / Complete Works, Volume 2: 1934-1944, Basel, 2005, p. 309 Galerie Patrick Seguin, Jean Prouvé, Volume 1, Paris, 2017, pp. 154-57, 162

Ateliers Jean Prouvé, drawing for the pivoting chair, circa 1946 by J.M. Glatigny. © Galerie Patrick Seguin


131. Jean Prouvé

1901-1984

Wardrobe, model no. AP 11 circa 1945 Oak, painted steel, painted aluminum. 63 x 61 3/4 x 22 1/2 in. (160 x 156.8 x 57.2 cm) Manufactured by Les Ateliers Jean Prouvé, France and issued by Steph Simon, Paris, France. Estimate $40,000-60,000

Provenance Jean Prouvé’s former collaborator, Nancy Galerie Patrick Seguin, Paris Literature Peter Sulzer, Jean Prouvé: Œuvre complète / Complete Works, Volume 3: 1944-1954, Basel, 2005, p. 175 Galerie Patrick Seguin, Jean Prouvé, Volume 1, Paris, 2017, pp. 400-01, 415


∆

132. Pierre Jeanneret

1896-1967

Desk and chair, model no. PJ-SI-54-A circa 1960 Teak, leather, cane, steel. Desk: 27 3/4 x 40 1/8 x 25 3/4 in. (70.5 x 101.9 x 65.4 cm) Chair: 28 3/8 x 15 x 17 1/2 in. (72.1 x 38.1 x 44.5 cm) Estimate $35,000-45,000 Provenance Punjab University, Chandigarh Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, p. 570 for the chair Galerie Patrick Seguin, Le Corbusier, Pierre Jeanneret: Chandigarh, India, Paris, 2014, pp. 208, 285 for the chair


Property from an Important East Coast Collection

133. Mathieu Matégot

1910-2001

“Perfo-lux” foor light circa 1953 Painted aluminum, brass. 62 1/8 in. (157.8 cm) high Manufactured by Ateliers Matègot, France. Estimate $5,000-7,000 Provenance Galerie Matthieu Richard, Paris, 2005 Acquired from the above by the present owner Literature Patrick Favardin, Mathieu Matégot, Paris, 2014, pp. 135, 148, 194


134. Denise Gatard

1921-1992

Table lamp 1950s Glazed earthenware, paper shade. 25 1/2 in. (64.8 cm) high Estimate $10,000-15,000 Provenance Galerie Chastel-Maréchal, Paris Acquired from the above by the present owner Literature Patrick Favardin, Les Décorateurs des Années 50, Paris, 2012, p. 149


Property from a Private Miami Beach Collection

135. Pierre Jeanneret

1896-1967

Pair of “Committee” armchairs, model no. PJ-SI-30-A 1953-1954 Teak, hide. Each: 32 7/8 x 23 1/2 x 22 in. (83.5 x 59.7 x 55.9 cm) Estimate $25,000-35,000 Provenance Punjab University, Chandigarh Galerie 54, Paris Phillips, London, “Design,” October 1, 2015, lot 9 Acquired from the above by the present owner

Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, pp. 232-33, 563 Galerie Patrick Seguin, ed., Le Corbusier, Pierre Jeanneret: Chandigarh, India, Paris, 2014, pp. 158-59, 161-62, 283


Property from a Private Miami Beach Collection

136. Le Corbusier and Pierre Jeanneret 1887-1965, 1896-1967 Pair of “Advocate and Press� armchairs, model no. LC/PJ-SI-41-A circa 1955 Teak, hide. Each: 35 3/8 x 25 5/8 x 24 in. (89.9 x 65.1 x 61 cm) Estimate $45,000-55,000

Provenance Punjab University, Chandigarh Galerie Patrick Seguin, Paris Acquired from the above by the present owner Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, p. 567 Galerie Patrick Seguin, Le Corbusier, Pierre Jeanneret: Chandigarh, India, Paris, 2014, pp. 136-39, 282, 323


137. Mado Jolain

b. 1921

Vase circa 1960 Glazed earthenware. 11 in. (27.9 cm) high, 12 3/4 in. (32.4 cm) diameter Underside incised MJ. Estimate $6,000-8,000

138. Mado Jolain

b. 1921

Vase circa 1960 Glazed earthenware. 9 1/8 in. (23.2 cm) high, 10 1/2 in. (26.7 cm) diameter Estimate $4,000-6,000


139. Pierre Jeanneret

1896-1967

“Public bench,” model no. PJ-SI-37-B circa 1960 Teak, hide. 34 7/8 x 55 3/8 x 25 1/2 in. (88.6 x 140.7 x 64.8 cm) Estimate $35,000-55,000 Provenance High Court, Chandigarh Galerie Patrick Seguin, Paris Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, pp. 162-63, 566 Galerie Patrick Seguin, Le Corbusier, Pierre Jeanneret: Chandigarh, India, Paris, 2014, pp. 156-57


140. Pierre Jeanneret

1896-1967

Set of eight “Committee” armchairs, model no. PJSI-30-A circa 1959 Teak, leather. Each: 35 1/4 x 23 x 24 1/4 in. (89.5 x 58.4 x 61.6 cm) Estimate $100,000-150,000 Provenance High Court, Chandigarh Galerie Patrick Seguin, Paris Literature Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret, The Indian Adventure: Design-ArtArchitecture, Paris, 2010, pp. 232-33, 563 Galerie Patrick Seguin, Le Corbusier, Pierre Jeanneret: Chandigarh, India, Paris, 2014, pp. 158-59


Important Design from a Private New York Collection

141. Georges Jouve

1910-1964

Large mirror circa 1945 Glazed stoneware, mirrored glass. 33 1/2 x 25 x 4 3/4 in. (85.1 x 63.5 x 12.1 cm) Estimate $25,000-35,000 Provenance Wright, Chicago, “Modern + Contemporary Design,� March 28, 2006, lot 533 Acquired from the above by the present owner Literature Philippe Jousse and Galerie Jousse Entreprise, Georges Jouve, Paris, 2005, p. 180


Property from an Important East Coast Collection

142. Jean Miotte

1926-2016

“Muse� table lamp 1952 Glazed ceramic, paper shade. 24 in. (61 cm) high Estimate $1,500-2,000 Provenance Galerie Thomas Fritsch, Paris Literature Karl Ruhrberg, Miotte, Cologne, 2000, p. 304


Important Design from a Private New York Collection

143. Jean Royère

1902-1981

Corner coat rack circa 1955 Oak, painted steel. 20 7/8 x 42 3/8 x 41 3/8 in. (53 x 107.6 x 105.1 cm) Estimate $15,000-20,000 Provenance Sotheby’s, New York, “Important 20th Century Design,” June 14, 2006, lot 74 Acquired from the above by the present owner Literature Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 2, Paris, 2012, p. 79


Actual size


Property from an Important East Coast Collection

144. Line Vautrin

1913-1997

“Gerbera” mirror circa 1955 Talosel resin, colored mirrored glass, convex mirrored glass. 7 in. (17.8 cm) diameter Estimate $8,000-12,000 Provenance Private Collection, New York, circa 1962, acquired at Bloomingdale’s, New York by repute Thence by descent Literature Patrick Mauriès, Line Vautrin: Miroirs, exh. cat., Galerie Chastel-Maréchal, Paris, 2004, pp. 84-85

145. Jean Royère

1902-1981

Daybed circa 1952 Painted steel, fabric. 26 1/2 x 73 x 30 in. (67.3 x 185.4 x 76.2 cm) Estimate $10,000-15,000

The present model daybed is documented in the Jean Royère papers held by the Musée des Arts décoratifs, Paris in the lits fle as tracing plan no. 3.963.


146. Jean Royère

1902-1981

“Trèfe” cofee table circa 1955 Oak, oak-veneered wood. 14 5/8 x 55 1/8 x 27 5/8 in. (37.1 x 140 x 70.2 cm) Estimate $45,000-65,000 Provenance Private collection, Lebanon Galerie Jacques Lacoste & Galerie Patrick Seguin, Paris Literature Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 1, Paris, 2012, p. 77 for a similar example Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 2, Paris, 2012, p. 62 for a similar example


147. Jean Royère

1902-1981

Door handles circa 1945 Bamboo, gilt bronze. Each: 5 1/4 in. (13.3 cm) long Comprising 7 sets of door handles, 5 single door handles, 5 keys, 8 escutcheons and 4 lock covers. Estimate $5,000-7,000 Provenance Acquired from the designer’s former residence, Paris

Literature Pierre-Emmanuel Martin-Vivier, Jean Royère, Paris, 2002, pp. 121, 134, 140, 143, 269 Galerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 2, Paris, 2012, p. 339 for a drawing Pierre-Emmanuel Martin-Vivier, Jean Royère, Paris, 2017, pp. 151, 154, 157, 281


148. Jean Royère

1902-1981

Pair of armchairs circa 1960 Ash, fabric, brass. Each: 32 1/2 x 26 3/4 x 21 3/4 in. (82.6 x 67.9 x 55.2 cm) Estimate $35,000-45,000 Provenance Galerie Jacques Lacoste & Galerie Patrick Seguin, Paris


149. Jean Royère

1902-1981

“Croisillon” daybed circa 1955 Oak, fabric. 31 1/8 x 80 3/8 x 39 3/8 in. (79.1 x 204.2 x 100 cm) Estimate $25,000-35,000 Provenance Beirut, Lebanon Galerie Jacques Lacoste & Galerie Patrick Seguin, Paris

The present model daybed is documented in the Jean Royère papers held by the Musée des Arts décoratifs, Paris in the lits fle as tracing no. 4.452.


150. Ado Chale

b. 1928

“Goutte d’eau” dining table circa 1980 Bronze, painted steel. 28 3/4 x 39 1/4 x 81 3/8 in. (73 x 99.7 x 206.7 cm) Edge of tabletop incised Ado Chale, underside further incised 951 752 369 845. Estimate $50,000-70,000

Phillips would like to thank Ilona Chale from the Ado Chale studio for her assistance cataloguing the present lot.


151. Robert Cloutier and Jean Cloutier 1930-2008, b. 1930 “Tête d’homme-porte-pipe” circa 1959 Glazed ceramic. 13 5/8 in. (34.6 cm) high Reverse incised Cloutier. Estimate $8,000-12,000 Provenance Patrick Favardin, circa 2003 Acquired from the above by the present owner Literature Patrick Favardin, Les frères Cloutier: céramistes et sculpteurs, Paris, 2014, p. 60

The present lot bears a hinge at one ear that allows the face to open, revealing a cavity serving as a pipe-holder and tobacco reserve.


Property from the Collection of Jay Kobrin and Gordon Micunis

152. John Dickinson

1920-1982

Pair of “Africa” tables circa 1976 Painted cement. Each approximately: 25 5/8 (65.1 cm) high, 22 1/4 in. (56.5 cm) diameter Estimate $10,000-15,000 Provenance Gloria and Richard Kobrin, New York, circa 1975 Gifed from the above to the present owner Literature Mitchell Owens, “John Dickinson,” Elle Décor, February, 2005, pp. 50, 52 Todd Merrill and Julie V. Iovine, Modern Americana: Studio Furniture from High Craf to High Glam, New York, 2008, pp. 228, 232


Property from a Private Collection, Paris

153. Marc du Plantier

1901-1975

Cabinet circa 1964 Parchment-covered wood, bronze, painted steel. 30 1/4 x 75 3/8 x 18 1/4 in. (76.8 x 191.5 x 46.4 cm) Estimate $40,000-50,000 Provenance Private collection, Paris Acquired from the above, late 1960s Thence by descent to the present owner Literature Galerie Willy Huybrechts and AmĂŠlie Marcilhac, Exposition Marc du Plantier, exh. cat., Paris, Galerie Willy Huybrechts, 2005, p. 46 for a drawing of a similar example Yves Badetz, Marc du Plantier, Paris, 2010, p. 348 for a similar example


154. Paavo Tynell

1890-1973

Pair of ceiling lights circa 1939 Glass, brass. Each: 23 in. (58.4 cm) drop, 20 in. (50.8 cm) diameter Estimate $8,000-12,000 Provenance Pielishovi restaurant, Karjalassa, 1939 Private collection, Helsinki Acquired from the above by the present owner Literature Martta Martikainen-Ypyä, “Liike-, hotelli-ja asuinrakennus ‘Pielishovi’ Joensuussa,” Arkkitehti, 1942, p. 121


155. Märta Blomstedt

1899-1982

Pair of armchairs, designed for the Hotel Aulanko, Hämeenlinna, Finland circa 1939 Birch, sheepskin. Each: 34 3/4 x 36 3/4 x 35 in. (88.3 x 93.3 x 88.9 cm) Estimate $15,000-20,000 Provenance Private collection, Helsinki Acquired from the above by the present owner Literature “Hotel Aulanko bei Tavastehus (Hämeenlinna): Architekten Märta Blomstedt und Matti Lampén,” Das Werk: Architektur und Kunst = L’oeuvre: architecture et art, no. 27, 1940, p. 95 for a similar example


156. Børge Mogensen

1914-1972

Pair of “Spanish” chairs circa 1958 Oak, leather, brass. Each: 26 1/2 x 32 1/4 x 24 in. (67.3 x 81.9 x 61 cm) Manufactured by Fredericia Stolefabrik, Copenhagen, Denmark. Estimate $5,000-7,000 Literature Grete Jalk, 40 years of Danish Furniture Design, Denmark, 1987, pp. 67-69 Noritsugu Oda, Danish Chairs, San Francisco, 1996, pp. 136-7 Michael Müller, Børge Mogensen Simplicity and Function, Berlin, 2017, pp. 137, 213-14


Property from a Private Miami Beach Collection

157. Alvar Aalto

1898-1976

Pair of rare extendable “L-leg” tables 1930s Birch, plastic laminate-covered birch. Each: 28 x 44 x 30 in. (71.1 x 111.8 x 76.2 cm) fully extended Manufactured by O.y. Huonekalu-ja Rakennustyötehdas A.b., Turku, for Artek, Finland. Estimate $7,000-9,000

Provenance Private collection, Helsinki Phillips, London, “Nordic Design,” September 26, 2013, lot 202 Acquired from the above by the present owner Literature “Finmar: Furniture of the future for the home of Today,” Finmar, sales catalogue, London, 1939, p. 22 Alvar Aalto, Alvar Aalto: Designer, Helsinki, 2002, p. 173 for a similar example Thomas Kellein, ed. alvar & aino aalto. design collection bischoferger, exh. cat., Kunsthalle Bielefeld, Zurich, 2005, p. 97 for a similar example


Property of a Gentleman

158. Vilhelm Lauritzen

1894-1984

Two sets of door handles, from the National Broadcasting Building, Copenhagen circa 1940 Chromium-plated metal. Each: 7 3/4 x 5 3/4 x 5 in. (19.7 x 14.6 x 12.7 cm) Estimate $2,000-3,000 Provenance National Broadcasting Building (Radiohuset), Copenhagen Private collection, Copenhagen Phillips, “Design,� New York, June 15, 2012, lot 79 Acquired from the above by the present owner


Σ

159. Carl Malmsten

1888-1972

“Berlin” sofa 1937 Brazilian rosewood, fabric. 30 1/2 x 79 3/4 x 33 1/8 in. (77.5 x 202.6 x 84.1 cm) Estimate $4,000-6,000 Literature Lena Blomquist, Carl Malmsten, Stockholm, 2005, p. 376


Property from the Estate of a Distinguished Private Dutch Collector

160. Sueharu Fukami

b. 1947

Untitled circa 1982 Porcelain, seihakuji glaze. 12 5/8 x 14 3/4 x 12 1/4 in. (32.1 x 37.5 x 31.1 cm) Estimate $20,000-30,000 Provenance Galerie Maghi Bettini, Amsterdam, 1987 Acquired from the above by the present owner Exhibited “Sueharu Fukami,” Togakudo Gallery, Kyoto, 1986

The present lot is one of Sueharu Fukami’s earliest examples of this wheel-thrown conical form, which later became known as “Chu” or “Midair.” While the present work was titled “Utilitarian and Solid (Opulence)” in the 1986 Togakudo Gallery exhibition in Kyoto, Mr. Fukami has since advised that he currently prefers “Untitled.”


Property of a Los Angeles Collector

161. Taizo Kuroda

b. 1946

Untitled 30 (Cracked Bowl) 2015 Porcelain. 18 1/2 in. (47 cm) diameter Impressed with artist’s seal and incised Taizo. Underside with sticker, 30. Together with custom kiri wood box, inscribed in pencil with artist’s name and date. Each box ink-stamped with artist’s seal and (disc dish). Estimate $12,000-18,000 Provenance Acquired from the artist by the present owner


Property of a Los Angeles Collector

162. Taizo Kuroda

b. 1946

Untitled 13 (Mei Ping) and Untitled 22 (Mei Ping) 2015 Porcelain. Taller: 10 3/4 in. (27.3 cm) high Each impressed with artist’s seal and incised Taizo. Underside of taller vessel with sticker, 13 and underside of shorter with sticker, 22. Each together with custom kiri wood boxes, inscribed in pencil with artist’s name and date. Each box ink-stamped with artist’s seal and (white porcelain fower vase). Estimate $15,000-20,000 Provenance Acquired from the artist by the present owner


163. Roseline Delisle

1952-2003

164. Roseline Delisle

1952-2003

“Quadruple 1” 1991 Glazed porcelain. 19 in. (48.3 cm) high Underside incised Roseline Delisle/ QUADRUPLE 1, 91. Together with original box.

“Quadruple 10” 1995 Glazed porcelain. 21.5 in. (54.6 cm) high Underside incised Roseline Delisle/ QUADRUPLE/ 10.95.

Estimate $3,000-5,000

Estimate $3,000-5,000

Provenance Private collection, Tokyo

Provenance Private collection, Tokyo


Σ

165. Ettore Sottsass, Jr.

1917-2007

“Liana” bookshelf circa 1993 Oak-veneered wood, Honduran mahogany-veneered wood, painted wood, glass. 75 x 83 3/4 x 23 5/8 in. (190.5 x 212.7 x 60 cm) From the edition of 10. Produced by Meccani Arredamenti, Cascina, Italy. Estimate $8,000-12,000


Property from a Private Collection, Washington, D.C.

166. Judy Kensley McKie and Jonathan Bonner b. 1944 and b. 1947 “Arizona #2” table 1986 Painted wood, metal. 24 3/4 x 19 x 15 1/2 in. (62.9 x 48.3 x 39.4 cm) Underside of wood base incised ©JKM/1986. Underside of top incised Jonathan Bonner © 1986. Estimate $15,000-20,000 Provenance The Gallery at Workbench, New York Acquired from the above by the present owner, 1986


Property from a Private Collection, Washington, D.C.

167. Judy Kensley McKie

b. 1944

Unique “Lizard Cabinet” 1987 Painted wood. 86 x 23 5/8 x 12 in. (218.4 x 60 x 30.5 cm) Reverse of proper right back leg signed in paint © JKM 1987. Estimate $20,000-30,000 Provenance The Gallery at Workbench, New York Acquired from the above by the present owner, 1980s Literature Todd Mckie and Judy Kensley McKie, McKie, exh. cat., Brandeis University, Waltham, 1990, p. 30 for a similar example


Property from an Important American Collection Σ

168. Wendell Castle

1932-2018

Unique “You’ll Have to Wait...” bench 1997 Stained Honduran mahogany, painted jelutong. 18 1/2 x 74 x 16 1/4 in. (47 x 188 x 41.3 cm) Base incised Castle ‘97. Estimate $20,000-30,000 Provenance Acquired from the artist by the present owner, 2006 Literature Emily Evans Eerdmans, Wendell Castle, A Catalogue Raisonné 1958-2012, New York, 2014, illustrated pp. 328-29


Property from an Important American Collection

169. Wendell Castle

1932-2018

Unique “Handy Man” bench 2004 Acrylic-painted basswood. 32 1/2 x 64 x 22 1/4 in. (82.6 x 162.6 x 56.5 cm) Seat incised Castle ‘04. Estimate $12,000-18,000 Provenance Acquired from the artist by the present owner, 2005 Literature Emily Evans Eerdmans, Wendell Castle, A Catalogue Raisonné 1958-2012, New York, 2014, illustrated p. 332


170. Alessandro Mendini

b. 1931

“Poltrona di Proust� armchair 2003 Patinated bronze. 40 7/8 x 40 7/8 x 29 7/8 in. (104 x 104 x 76 cm) Number 3 from the edition of 6, plus 2 artist’s proofs and 1 prototype. Reverse incised A. Mendini/3 / 6 2003. Estimate $40,000-60,000

Phillips would like to thank Beatrice Felis from the Atelier Mendini for her assistance cataloguing the present lot.


171. Adrian Saxe

b. 1943

“Squash” teapot circa 1990 Glazed porcelain. 7 1/8 x 5 3/8 x 9 1/8 in. (18.1 x 13.7 x 23.2 cm) Estimate $6,000-8,000 Provenance Private collection, Tokyo


Important Design from a Private New York Collection

172. Elizabeth Garouste and Mattia Bonetti b. 1949 and b. 1953 “Roc” bench 1982 Bourgogne stone, painted iron covered wood. 22 3/8 x 60 x 19 3/4 in. (56.8 x 152.4 x 50.2 cm) Produced by Galerie Néotù, Paris, France Estimate $8,000-12,000 Provenance Galerie Tino Zervudachi, Paris Acquired from the above by the present owner


Property from the collection of Howard Meister

173. Howard Meister

b. 1953

“Learning Her Lie” chair 1989 Painted steel. 37 1/4 x 16 1/4 x 19 in. (94.6 x 41.3 x 48.3 cm) Number 15 from the edition of 16. Underside signed in marker Howard Marc Meister/ #15 / 30 1989. Estimate $8,000-12,000 Literature Howard Meister, Howard Meister, Tokyo, 1991, p. 6

Howard Meister’s original intention when he designed Learning Her Lie was to produce 30 chairs, however he later decided to make it a more limited edition, with just 16 chairs in total. The present example is from his very frst series of chair designs, made with the intention of infusing common objects with poetic meaning. It has been exhibited at various galleries in Chicago, Osaka, Tokyo and New York between 1989 and 2017, including the artist’s frst solo exhibition in 1982 at Art et Industrie in New York. Another example from this series is in the permanent collection at The Art Institute of Chicago.


The present carpet is one of three designed by Steven Holl and produced by V’Soske in 1991 for the Stretto House in Dallas, Texas. The shaded efect was created by combining ffy-six colors in unique combinations in a special texture of cut-pile worsted wool yarn.


Property from an Important Private Collection, Colorado

174. Steven Holl

b. 1947

Unique “Score” carpet from the Stretto House, Dallas, Texas 1991 Wool. 280 x 66 in. (711.2 x 167.6 cm) Produced by V’Soske, New York. Underside with fabric label. Estimate $5,000-7,000

Provenance Acquired from the architect by the present owner Literature Yukio Futagawa, ed., Steven Holl, GA Architect no. 11, Tokyo, 1993, illustrated p. 85 Steven Holl, ed., Stretto House: Steven Holl Architects, Michigan, 1996, illustrated p. 59 Robert McCarter, Steven Holl, London, 2015, illustrated p. 96


Property from an Important Private Collection, Colorado

175. Steven Holl The fowing rhythmic elements of the Stretto House, including the table and carpet which were exclusively designed for the house, are the product of Steven Holl’s interest in musical structures. He was specifcally inspired by a 1936 composition by the Hungarian composer Béla Bartók, which emphasized momentum and rhythmic divisions. Just as Paul Klee translated Bach’s scores into a visual experience, Holl has incorporated geometric forms akin to stafs, time signatures and various musical notes into his carpet and table designs to create a fuid work.

b. 1947

Table from the Stretto House, Dallas, Texas circa 1991 Aluminum, glass. 29 1/4 (74.3 cm) high, 47 1/2 in. (120.7 cm) diameter Estimate $15,000-20,000 Provenance Acquired from the architect by the present owner Literature Steven Holl, ed., Stretto House: Steven Holl Architects, Michigan, 1996, illustrated pp. 65-66


Property of Liesbeth van der Plas-Eskes, the Netherlands

176. Gerrit Thomas Rietveld

1888-1964

Unique low table circa 1940 Painted birch plywood and pine. 18 1/4 in. (46.5 cm) high, 35 3/8 in. (90 cm) diameter Produced by Gerrit Thomas Rietveld, Utrecht. Estimate $15,000-20,000 Provenance Vrouwgien Noppen-Rietveld, gifed to her by her father, Gerrit Thomas Rietveld, on the occasion of her wedding, 1940 Acquired from the above by the present owner (granddaughter of the architect), 1988 Literature Marijke Küper and Ida van Zijl, Gerrit Th. Rietveld 1888-1964, The Complete Works, exh. cat., Centraal Museum, Utrecht, 1992, p. 204, no. 324 Peter Vöge, The Complete Rietveld Furniture, Rotterdam, 1993, p. 79, no. 108

Phillips would like to thank Rob Driessen for his assistance cataloguing the present lot.

Gerrit Thomas Rietveld’s pragmatic approach towards furniture is apparent in his chairs, but even more so in his table designs. While the famous De Stijl asymmetric end table is an exception to the rule, most of his tables are rudimentary archetypes of their function: a horizontal plane supported by a simple base, preferably made out of ready-made or easily accessible material such as door panels and standard iron gas pipes. For Truus Schröder, Rietveld made a dining table top out of four raw planks with irregular edges, and he regarded his austere crate series as one of his most satisfactory furniture concepts. Given his approach, the present table is sophisticated despite its relatively basic form. Although the base of crossed boards echoes the crate designs, the rounded edges give it a playful twist. Rietveld frst applied this idea in a series of low chairs similar to the “Beugel” chair design, with wooden bases instead of the customary tubular steel frames, the rounded edges of the planks ftting neatly into the curves of the undulating plywood seats. One of these low wooden “Beugel” chairs is recorded in Rietveld’s private apartment and a set of these chairs with a matching small high table, similar to the present larger low table, is in the collection of the Stedelijk Museum. Although Rietveld never designed a specifc table for his “Beugel chairs,” it is not surprising that these two tables became known as “Beugeltafels.” Rietveld designed the table for his youngest daughter Vrouwgien Rietveld (1918-1995) as a gif for her wedding in January 1940, together with a pair of crate chairs. It is possible that the table originally was unpainted with a clear fnish, which would have matched with the pair of crate chairs. The top was later painted an aluminum color, much like the paint found on the frames of “Beugel” chairs, with black fnish on the edges of the top and the legs. In later years, the table top and the frame were overpainted in white, covering the curved heads of the screws which originally must have been a visible and decorative part of the construction of the base. —Rob Driessen


Property of a Gentleman

177. Donald Judd

1928-1994

Single Daybed 32 1993 Pine. 44 x 80 x 45 1/2 in. (111.8 x 203.2 x 115.6 cm) Executed by Wood and Plywood Furniture, San Luis Obispo, CA. Underside impressed Judd 1993 © SBCP 237 WPF. Estimate $40,000-60,000 Provenance Acquired from the artist Phillips, New York, “Design & Design Art,” December 14 2006, lot 258 Galerie Downtown, Paris, 2009 Acquired from the above by the present owner Literature Donald Judd, Donald Judd Furniture: Retrospective, exh. cat., Museum Boymans-van Beuningen, Rotterdam, 1993, pp. 45, 110 for similar examples Barbara Bloemink and Joseph Cunningham, Design ≠ Art, Functional Objects From Donald Judd to Rachel Whiteread, exh. cat., Cooper-Hewitt National Design Museum, New York, 2004, p. 167 for a similar example Donald Judd: A good chair is a good chair, exh. cat., Ikon Gallery, Birmingham, 2011, p. 10 for a similar example Donald Judd Furniture, ed., Donald Judd Furniture, New York, 2017, pp. 64-65


178. Ken Price

1935-2012

“Gila” cup 1972-1976 Cup: glazed earthenware. Box: glass, painted wood, birch-veneered plywood. 12 3/4 x 12 1/2 x 10 1/2 in. (32.4 x 31.8 x 26.7 cm) Underside of box signed in pencil KP3 / 4. Estimate $10,000-15,000 Provenance Acquired from the artist by the present owner, 1978 Literature Ken Price: Happy’s Curios, exh. cat., Los Angeles County Museum of Art, 1978, p. 21 for a similar example


179. Oscar Niemeyer

1907-2012

Ottoman circa 1978 Leather, steel. 15 x 30 x 30 in. (38.1 x 76.2 x 76.2 cm) Manufactured by Tendo Brasileira, Brazil. Estimate $3,000-5,000 Literature Jean Petit, Niemeyer: Poète d’Architecture, Lugano, 1995, p. 383


Important Design from a Private New York Collection

180. Oscar Niemeyer

1907-2012

Pair of lounge chairs circa 1978 Leather, steel. Each: 32 5/8 x 31 1/8 x 43 1/2 in. (82.9 x 79.1 x 110.5 cm) Manufactured by Tendo Brasileira, Brazil. Estimate $20,000-30,000 Provenance William T. Georgis, New York, 2010 Acquired from the above by the present owner

Literature L’architecture d’aujourd’hui, Paris, no. 171, JanuaryFebruary 1974, pp. 102-103 Maria Cecília Loschiavo dos Santos, Móvel moderno no Brasil, São Paulo, 1995, p. 60 Jean Petit, Niemeyer: Poète d’Architecture, Lugano, 1995, p. 362 for a drawing, p. 363, 383 Catarina Vaz Pinto, Design brasileiro: mobiliário moderno e contemporâneo, exh. cat., Museu do Design e da Moda, Lisbon, 2012, n.p.


Property from a Private Collection, Miami

181. Fernando Campana and Humberto Campana b. 1961 and b. 1953 Prototype “Labirinto” bookshelf 1997 Painted stainless steel. 54 7/8 x 62 3/8 x 11 7/8 in. (139.4 x 158.4 x 30.2 cm) Prototype from the edition of 3. Produced by Campana Objetos Ltds ME, São Paulo, Brazil. With decal printed campana. Estimate $10,000-15,000 Provenance Acquired from the designers by the present owner, 1999 Exhibited “Projects 66: Campana/Ingo Maurer,” The Museum of Modern Art, New York, November 27, 1998– January 19, 1999 Literature Mel Byars, Tropical modern: The Designs of Fernando and Humberto Campana, New York, 1998, p. 35 Fernando Campana and Humberto Campana, Campana Brothers, Complete Works (So Far), New York, 2010, p. 258

Phillips would like to thank Daniel Kini of the Campana Studio for his assistance cataloguing the present lot.


Property of a West Coast Collector

182. Anne-Mette Jensen and Morten Ernst b. 1969 and b. 1964 “Waves” sofa, model no. EJ 142 Leather, painted fberglass. 23 x 75 x 57.5 in. (58.4 x 190.5 x 146.1 cm) Manufactured by Erik Jørgensen, Denmark. Estimate $14,000-18,000 Provenance Private collection, Stockholm Phillips, London, “Design,” April 25, 2013, lot 126 Acquired from the above by the present owner Literature Erik Jørgensen Møbelfabrik, Erik Jørgensen, Svendborg, 2004, pp. 58, 104-5.


Property from a Private Collection, New York

183. Lisa Johansson-Pape

1907-1989

Pair of table lamps circa 1954 Opaque glass, chromium-plated metal, fabric shades. Each: 24 1/4 in. (61.6 cm) high Produced by Iittala, Finland. Estimate $5,000-7,000 Provenance Private collection, Helinski Phillips, “Nordic Design,� London, September 24, 2014, lot 151 Acquired from the above by the present owner


Property from a Private Collection, Washington, D.C.

184. Sam Maloof

1916-2009

Low back settee 1987 Maple, ebony. 30 3/8 x 34 x 23 in. (77.2 x 86.4 x 58.4 cm) Underside branded No. 43 1987/Sam Maloof F.A.C.C./Š. Estimate $20,000-30,000 Provenance Acquired from the artist by the present owner, circa 1987

Literature Jonathan L. Fairbanks and Elizabeth Bidwell Bates, American Furniture 1620 to the Present, New York, 1982, p. 521 Michael A. Stone, Contemporary American Woodworkers, Layton, 1986, p. 79 Jeremy Adamson, The Furniture of Sam Maloof, exh. cat., The Smithsonian American Art Museum, Washington D.C., 2001, pp. 185, 211, 228, 248 Sam Maloof and Jonathan Fairbanks, Sam Maloof Woodworker, New York, 2013, pp. 145, 147


Property from a Private Collection, Washington, D.C.

185. Sam Maloof

1916-2009

Low back side chair 1988 Maple, ebony. 30 1/4 x 22 x 22 3/8 in. (76.8 x 55.9 x 56.8 cm) Underside branded No. 4 1988/Sam Maloof F.A.C.C./Š. Estimate $10,000-15,000 Provenance Acquired from the artist by the present owner, circa 1988 Literature Michael A. Stone, Contemporary American Woodworkers, Layton, 1986, p. ix Jeremy Adamson, The Furniture of Sam Maloof, exh. cat., The Smithsonian American Art Museum, Washington D.C., 2001, pp. 132, 156 Sam Maloof and Jonathan Fairbanks, Sam Maloof Woodworker, New York, 2013, pp. 84, 141


186. Ronald Hayes Pearson

1924-1996

“Vision” fatware service circa 1961 Sterling silver, stainless steel. Largest utensil: 9 in. (22.9 cm) Manufactured by International Silver Company, Meriden, Connecticut. Forks and spoons impressed with manufacturer’s hallmark and INTERNATIONAL STERLING, hollow handle pieces impressed STERLING HANDLE. Comprising 24 dinner forks, 24 salad forks, 24 dinner forks, 24 butter knives, 24 soup spoons, 24 teaspoons, 2 salad servers, 3 serving spoons, 1 sugar spoon, 2 sauce ladles, 1 lemon fork (total 153). Estimate $6,000-8,000 Literature Barbara M. Ward and Gerald W.R. Ward, Silver in American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, exh. cat., Yale University Art Gallery, 1979, pp. 122–24 Jewel Stern, Modernism in American Silver: 20th-Century Design, exh. cat., Dallas Museum of Art, New Haven, 2005, pp. 276-77, 280-81


187. Comte

1932-1960

Rare children’s settee and pair of armchairs circa 1938 Leather, painted iron. Settee: 27 5/8 x 35 3/8 x 21 1/4 in. (70.2 x 90 x 54 cm) Each armchair: 27 5/8 x 15 3/4 x 21 1/8 in. (70.2 x 40 x 53.5 cm) Together with a certifcate of authenticity from the Comité Jean-Michel Frank. Estimate $30,000-50,000 Provenance Madariaga family, Buenos Aires Acquired from the above by the present owner Literature Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank: un décorateur dans le Paris des années 30, Paris, 2009, pp. 13, 91-92 for similar examples

The Argentinian retail and decorating frm, Comte, represented Jean-Michel Frank beginning in 1932. By 1936 Comte had entered into an exclusive agreement with Frank to produce his designs locally in Buenos Aires, Argentina. Comte was the sole authorized manufacturer in Argentina under the supervision of Jean-Michel Frank and created works similar in construction, size and material to those being made in France at the time. The present lot was made at the special request of the Madariaga family for a children’s room in their country house. It was modeled afer a 1926 full-size settee and pair of armchairs by Jean-Michel Frank.


Property from an Important East Coast Collection

188. A. Durenne Jardinière 1930s Painted iron. 33 1/4 x 27 x 27 in. (84.5 x 68.6 x 68.6 cm) Manufactured by A. Durenne, Paris, France. Estimate $1,000-1,500 Provenance Alexandre Biaggi, Paris Acquired from the above by the present owner, 2005 Literature François Baudot, Jean-Michel Frank, New York, 1999, p. 22 for a similar example

The present model jardinière has ofen been associated with Jean Michel Frank, as the designer is known to have selected garden furniture from the A. Durenne (Fonderie du Nord) catalogue for his decorative schemes. In addition to producing garden furniture, A. Durenne also created larger outdoor works. A 1924 advertisement listed balconies, balustrades, columns, and electric street lamps among their wares.


Property from an Important French Collection

189. Jean-Michel Frank

1895-1941

Ceiling light circa 1935 Painted plaster. Variable drop, 20 in. (50.8 cm) diameter Produced by Chanaux & Company, Paris, France. Together with a certifcate of authenticity from the ComitĂŠ Jean-Michel Frank. Estimate $40,000-50,000

Provenance Private collection of a relative of Jean-Michel Frank Thence by descent to the present owner Literature Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank: The Strange and Subtle Luxury of the Parisian HauteMonde in the Art Deco Period, New York, 2012, p. 386


Property from a Private East Coast Collection

190. Clément Massier

1845-1917

Monumental jardinière circa 1889 Glazed earthenware. 23 3/4 in. (60.3 cm) high, 35 1/2 in. (90.2 cm) diameter Produced by Golfe-Juan, A.M., France. Underside impressed CLEMENT MASSIER Golfe-Juan (AM). Estimate $7,000-9,000 Provenance Edwin J. Beinecke, acquired from the artist’s workshop, Golfe-Juan, France, 1939


191. Paul Frankl

1887-1958

Desk circa 1927 Painted and gilt wood. 29 3/8 x 53 1/2 x 25 1/4 in. (74.6 x 135.9 x 64.1 cm) Estimate $8,000-12,000 Provenance Wickersham Family, Piedmont, California, commissioned from the designer circa 1927 Acquired from the above Acquired from the above by the present owner, 2004

Phillips would like to thank Christopher Long for his assistance cataloguing the present lot.


192. Jean Mayodon

1893-1967

Pair of large urns 1951 Glazed earthenware. Each: 36 3/4 in. (93.3 cm) high Produced by the Manufacture Nationale de Sèvres, France. Underside signed in gilt SÈVRES M/1951. Estimate $40,000-60,000 Provenance Simone del Duca, Paris Couteau-Bégarie, Paris, “Succession Simone del Duca,” November 19, 2004, lot 78 Acquired from the above by the present owner


Property from a Private Collection, Connecticut

193. Ingrid Donat

b. 1957

“Table Basse Or Tout Bronze (Grand Modèle)” 2006 Bronze. 16 7/8 x 75 3/8 x 35 in. (42.9 x 191.5 x 88.9 cm) Cast by Blanchet-Landowski Foundry, Bagnolet, France. Number 1 from the edition of 8 plus 4 artist’s proofs. Leg impressed with artist’s cipher and 1 / 8/ Landowski Fondeur/2006. Estimate $45,000-65,000 Provenance Barry Friedman Ltd., New York Acquired from the above by the present owner, 2006


Property from a Private Collection, Connecticut

194. Ingrid Donat The present lot was produced by the artist as a “commande speciale” at the owner’s request. Originally, the table was designed to have simple, lightly decorated feet and the present example was revised to include more elaborate decoration. Eventually, Ingrid Donat decided to produce the whole edition in the same way, with more ornamentation or double feet, hence the title, “Pieds Doubles.”

b. 1957

Unique “Table Basse Or Tout Bronze Pieds Doubles” 2006 Bronze. 16 7/8 x 30 x 24 3/8 in. (42.9 x 76.2 x 61.9 cm) Cast by Blanchet-Landowski Foundry, Bagnolet, France. Number 2 from the edition of 8 plus 4 artist’s proofs. Leg impressed with artist’s cipher and 2 / 8 cs/Landowski Fondeur/2006. Estimate $20,000-30,000 Provenance Barry Friedman Ltd., New York Acquired from the above by the present owner, 2006


Property from an Important Private Collection, Colorado Σ

195. Émile-Jacques Ruhlmann

1879-1933

Bed, model no. 894b NR 1932 Kingwood-veneered oak, bronze, glass. 39 x 85 x 81 in. (99.1 x 215.9 x 205.7 cm) Interior of foot board branded Ruhlmann, 1932 and with Atelier A medallion mark. Estimate $20,000-30,000 Provenance Ader Tajan, Paris, “Collection Roberto Polo,” November 7, 1991, lot 104 Acquired from the above by the present owner Literature Florence Camard, Ruhlmann: Master of Art Deco, New York, 1984, p. 91 for a similar example Florence Camard, Jacques-Émile Ruhlmann, New York, 2011, p. 180 for a similar example

The drawing for the present model bed is recorded in the reference album “Sièges, lits, guéridons, tables” (inventory number 2002.18.12) held by the Ruhlmann Archives at the Musée des Années Trente, Boulogne Billancourt, Paris.


196. Jean Puiforcat

1887-1945

Rare table clock circa 1930 Nickel-plated brass, marble. 4 7/8 x 6 1/4 x 2 1/4 in. (12.5 x 16 x 5.6 cm) Movement executed by Hour-Lavigne, Paris, France. Reverse impressed JEAN E. PUIFORCAT. Interior impressed 957. Together with key. Estimate $15,000-25,000 Provenance Galerie AM, Paris Private collection, France Acquired from the above by the present owner Literature Franรงoise de Bonneville, Jean E. Puiforcat, Paris, 1986, p. 311 for similar examples


197. Jean Puiforcat

1887-1945

“Bayonne” fatware service 1924-1973 Sterling silver, stainless steel. Largest utensil: 9 1/2 in. (24.1 cm) Executed by Puiforcat, Paris. Each impressed with goldsmith’s hallmark EP and the Minerva guarantee hallmark. Knife blades further impressed Jean E. Puiforcat. Comprising 24 dinner forks, 24 dinner knives, 12 soup spoons, 12 forks, 12 fsh knives, 12 dessert forks, 12 dessert spoons, 10 paring knives, 6 butter knives, 1 cheese knife, 2 fsh servers, 12 oyster forks, 2 sauce spoons, 2 pastry knives, 4 dessert knives, 12 mocha spoons, 2 salad servers, 4 hors-d’oeuvre servers (total 165). Estimate $30,000-40,000

Provenance Christie’s, Paris, “Arts Décoratifs du 20ème Siècle et Design,” May 28, 2008, lot 363 Literature Françoise de Bonneville, Jean E. Puiforcat, Paris, 1986, p. 252


Property of a Gentleman

198. Pierre Chareau

1883-1950

Side table, model no. SN3 African mahogany, painted iron. 18 1/2 x 19 1/8 x 19 1/8 in. (47 x 48.6 x 48.6 cm) Estimate $15,000-20,000 Provenance Michel Souillac, Paris Hervé Poulain et Rémy Le Fur, Drouot Montaigne, Paris, “Collection Michel Souillac,” April 5, 1993, lot 324 Acquired from the above by the present owner Literature Marc Vellay and Kenneth Frampton, Pierre Chareau: Architecte-Meublier 1883-1950, Paris, 1984, pp. 100, 318 Esther da Costa Meyer, Pierre Chareau: Modern Architecture and Design, exh. cat., The Jewish Museum, New Haven, 2016, pp. 58-59


Property from a Private Collection, Los Angeles

199. Frank Lloyd Wright

1867-1959

Wall light, from the Avery Coonley House, Riverside, Illinois circa 1908 Patinated bronze, glass. 7 1/4 x 9 x 11 in. (18.4 x 22.9 x 27.9 cm) Estimate $8,000-12,000 Provenance Avery Coonley House, Riverside, Illinois Hirschl & Adler, New York Acquired from the above by the present owner, 1992 Literature Donald Hofmann, Frank Lloyd Wright’s Robie House, New York, 1984, pp. 48-50, 52, 63, 65, 77, 79 for similar examples Frank Lloyd Wright: Facets of Design, exh. cat., The Chrysler Museum, 1990, n.p.


Property from an Interior Designed by Muriel Brandolini


Property from an Interior Designed by Muriel Brandolini

200. Claire Cormier-Fauvel

b. 1956

Set of four “Cherry Blossom” sconces 2005 Painted iron, painted metal, glass. Each approximately: 23 3/4 x 21 x 13 in. (60.3 x 53.3 x 33 cm) Estimate $6,000-8,000 Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 170

Property from an Interior Designed by Muriel Brandolini

201. Jean Royère

1902-1981

“Tour Eifel” console table circa 1949 Painted steel, marble, brass. 34 1/2 x 43 x 13 in. (87.6 x 109.2 x 33 cm) Estimate $35,000-45,000 Provenance DeLorenzo 1950, New York Acquired from the above by the present owner, 1991 Literature Catherine and Stéphane de Beyrie and Jacques Ouaiss, Jean Royère, New York, 2000, p. 21 Pierre-Emmanuel Martin-Vivier, Jean Royère, Paris, 2017, p. 142 for a similar example


Property from an Interior Designed by Muriel Brandolini

202. Claire Cormier-Fauvel

b. 1956

“Cherry Blossom� mirror 2005 Painted iron, mirrored glass, glass beads. 26 x 22 1/2 x 5 in. (66 x 57.2 x 12.7 cm) Estimate $3,000-5,000


Property from an Interior Designed by Muriel Brandolini

203. Martin Szekely

b. 1956

“P.P.C.” console table 2006 Stained oak, brass, Corian. 35 x 66 5/8 x 19 1/4 in. (88.9 x 169.2 x 48.9 cm) Prototype 1 from the edition of 8 plus 2 artist’s proofs and 2 prototypes. Estimate $5,000-7,000 Provenance Galerie kreo, Paris Acquired from the above by the present owner

Phillips wishes to thank Aurélie Julien for her assistance cataloguing the present lot.


Property from an Interior Designed by Muriel Brandolini

204. Hervé van der Straeten

b. 1965

“Lustre à Facettes,” no. 283 2004 Patinated bronze. 37 in. (94 cm) drop, 58 1/2 in. (148.6 cm) diameter Estimate $12,000-18,000 Provenance Galerie Hervé van der Straeten, Paris Acquired from the above by the present owner Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 183


Property from an Interior Designed by Muriel Brandolini

205. Kim Moltzer

b. 1938

Set of ten “Bamboo� wall lights circa 2005 Bronze, painted metal, glass. Each: 23 7/8 x 4 1/4 x 5 5/8 in. (60.6 x 10.8 x 14.3 cm) Estimate $10,000-15,000 Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 177


Property from an Interior Designed by Muriel Brandolini

206. Hervé van der Straeten

b. 1965

Lustre mobile, no. 227 2004 Patinated bronze. 45 in. (114.3 cm) drop, 15 3/8 in. (39.1 cm) diameter Impressed HV. Estimate $20,000-30,000 Provenance Galerie Hervé van der Straeten, Paris Acquired from the above by the present owner Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated pp. 176, 237

Property from an Interior Designed by Muriel Brandolini

207. Hervé van der Straeten

b. 1965

Unique “Buble Gum” table 2005 Patinated bronze, oak, slate. 29 1/2 in. (74.9 cm) x 78 1/2 in. (199.4 cm) Estimate $15,000-20,000 Provenance Galerie Hervé van der Straeten, Paris Acquired from the above by the present owner Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 176


Property from an Interior Designed by Muriel Brandolini

208. Richard Jensen and Kjaerulf Rasmussen Set of eight dining chairs circa 1950 Teak. Each: 31 7/8 x 17 7/8 x 17 1/4 in. (81 x 45.4 x 43.8 cm) Estimate $6,000-8,000 Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 176


Property from an Interior Designed by Muriel Brandolini

209. Maarten Baas

b. 1978

Set of fve “Clay” children’s chairs 2007 Steel, painted clay. Each: 20 1/8 x 11 5/8 x 12 1/8 in. (51.1 x 29.5 x 30.8 cm) All chairs impressed BAAS. Four chairs signed on the underside in marker Maarten/ December ‘07. Estimate $5,000-7,000

Provenance Moss, New York Acquired from the above by the present owner Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 213 Maarten Baas, Maarten Baas: Hide and Seek, Eindhoven, 2017, pp. 26-27


Property from an Interior Designed by Muriel Brandolini

210. Martin Szekely

b. 1956

Property from an Interior Designed by Muriel Brandolini

211. Martin Szekely

b. 1956

“L.D.” side table 2004 Chromium-plated steel. 19 1/8 x 22 7/8 x 11 3/8 in. (48.6 x 58.1 x 28.9 cm) Number 1 artist’s proof from an edition of 8 plus 2 artist’s proofs and 2 prototypes. Underside incised MARTIN/ SZEKELY/2004/E.A.1.

“L.D.” side table 2004 Stainless steel, aluminum. 19 1/8 x 22 7/8 x 11 3/8 in. (48.6 x 58.1 x 28.9 cm) Number 8 from an edition of 8 plus 2 artist’s proofs and 2 prototypes. Underside incised MARTIN/ SZEKELY/2004/8 / 8.

Estimate $6,000-8,000

Estimate $6,000-8,000

Provenance Galerie kreo, Paris Acquired from the above by the present owner

Provenance Galerie kreo, Paris Acquired from the above by the present owner

Phillips wishes to thank Aurélie Julien for her assistance cataloguing the present lot.

Phillips wishes to thank Aurélie Julien for her assistance cataloguing the present lot.


Property from an Interior Designed by Muriel Brandolini

212. Martin Szekely

b. 1956

“G.V.” side table 2004 Lacquered stainless steel. 18 (45.7 cm) high x 12 in. (30.5 cm) diameter Number 13 from the edition of 20 plus 2 artist’s proofs and 2 protoypes. Underside incised MARTIN/SZEKELY/2004/13 / 20. Estimate $6,000-8,000

Provenance Galerie kreo, Paris Acquired from the above by the present owner Literature Martin Szekely, ed., Martin Szekely, Zurich, 2010, pp. 110-11

Phillips wishes to thank Aurélie Julien for her assistance cataloguing the present lot.


Property from an Interior Designed by Muriel Brandolini

213. Hervé van der Straeten

b. 1965

Pair of “Tabouret capsules,” no. 216 2002 Painted aluminum. Each: 13 1/2 in. (34.3 cm) high, 23 1/2 in. (59.7 cm) diameter Estimate $6,000-8,000 Provenance Galerie Hervé van der Straeten, Paris Acquired from the above by the present owner, 2005 Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated p. 173


Property from an Interior Designed by Muriel Brandolini

214. Fedora Design Unique “Flowers� carpet 2004 Wool. 158 1/2 x 131 1/2 in. (402.6 x 334 cm) Executed by Federica Tondato. Estimate $2,000-3,000 Literature Muriel Brandolini, The World of Muriel Brandolini, New York, 2011, illustrated pp. 184-85


Sale Information Design Sale Auction and Viewing Location 450 Park Avenue New York 10022 Auctions 13 December 2018 Day Sale Auction 2pm Lots 101–214 Evening Sale Auction 5pm Lots 1–29 Viewing 9 – 13 December Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as NY050218 or Design Day Sale and NY050318 or Design Evening Sale. Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Auction License 2013224 Auctioneers Hugues Joffre - 2028495 Sarah Krueger - 1460468 Henry Highley - 2008889 Adam Clay - 2039323 Jonathan Crockett - 2056239 Kaeli Deane - 2058810 Samuel Mansour - 2059023 Rebecca Tooby-Desmond - 2058901 Catalogues Amy Pokora +1 212 940 1324 catalogues@phillips.com $35/€25/£22 at the gallery Client Accounting Sylvia Leitao +1 212 940 1231 Michael Carretta +1 212 940 1232 Buyer Accounts Dawniel Perry +1 212 940 1371 Seller Accounts Carolina Swan +1 212 940 1253 Client Services 450 Park Avenue +1 212 940 1200 Shipping Anaar Desai +1 212 940 1320 Photographers Kent Pell Byron Slater Matthew Kroening Jean Bourbon Marta Zagozdzon Ben Anderson

Design Department Worldwide Head Alexander Payne apayne@phillips.com Head of Design, Europe Senior International Specialist Domenico Raimondo draimondo@phillips.com Senior International Specialist, Americas Meaghan Roddy mroddy@phillips.com Head of Department, New York Cordelia Lembo clembo@phillips.com Head of Sale, London Madalena Horta e Costa mhortaecosta@phillips.com International Specialist Marcus McDonald mmcdonald@phillips.com Senior Specialist Sofa Sayn-Wittgenstein ssayn-wittgenstein@phillips.com Specialist Kimberly Sørensen ksorensen@phillips.com Senior Cataloguer Nicola Krohman nkrohman@phillips.com Cataloguers Emily FitzGerald eftzgerald@phillips.com Caroline Pedote cpedote@phillips.com Administrators Georgina Walsh gwalsh@phillips.com Antonia King antonia.king@phillips.com International Business Manager Adam Clay aclay@phillips.com Senior Property Manager Oliver Gottschalk ogottschalk@phillips.com Property Manager Jack Ryan jryan2@phillips.com International Ceramics Consultant Ben Williams bwilliams@phillips.com

Front cover Eugene Schoen, Important table from the Radio-Keith-Orpheum (RKO) Roxy Theatre at Rockefeller Center, New York, circa 1932, lot 16 (detail) Back cover Jean-Michel Frank, Table lamp, circa 1925, lot 4 (detail) Property from an Interior Designed by Muriel Brandolini In situ photography: Pieter Estersohn


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Jewels. Now. Jewels Auction 6 December, New York Public viewing 30 November6 December, 450 Park Avenue. Enquiries jewels@phillips.com +1 212 940 1378 Oscar Heyman for Cartier. A Diamond and Emerald Ring.

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• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $300,000, 20% of the portion of the hammer price above $300,000 up to and including $4,000,000 and 12.5% of the portion of the hammer price above $4,000,000 on each lot sold.

• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

City

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable sales or use tax. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specified, if less than 50% of the low estimate.

State/Country

Zip Code Phone

Mobile

Email

Fax

• Your bid must be submitted in the currency of the sale and will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

Phone (for Phone Bidding only)

• If we receive identical bids, the first bid received will take precedence.

Phone number to call at the time of sale (for Phone Bidding only) 1.

2.

Please complete the following section for telephone and absentee bids only Lot Number

Brief Description

In Consecutive Order

US $ Limit* Absentee Bids Only

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of willful misconduct. Agreement to bid by telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded. • Please submit your bids to the Bid Department by email to bidsnewyork@phillips.com or by fax at +1 212 924 1749 at least 24 hours before the sale. You will receive confirmation by email within one business day. To reach the Bid Department by phone please call +1 212 940 1228. • Absent prior payment arrangements, please provide a bank reference. Payment can be made by cash (up to $10,000), credit card (up to $50,000), money order, wire transfer, bank check or personal check with identification. • Lots cannot be collected until payment has cleared and all charges have been paid. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips. com or available by emailing dataprotection@phillips.com. • Phillips’s premises may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy.

* Excluding Buyer’s Premium and sales or use taxes

Signature

Date

By checking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

Please check this box to receive emails about upcoming sales, exhibitions, and special events ofered by members of the Phillips group, as referenced in our Privacy Policy available on our website at www.phillips.com, where you may also update your email preferences or unsubscribe at any time.


Design 21 March 2019, London Berkeley Square, London W1J 6EX Public viewing 15–21 March 2019 Monday to Saturday, 10am–6pm Sunday, 12pm–6pm Enquiries Madalena Horta e Costa mhortaecosta@phillips.com

George Nakashima ‘Minguren I’ cofee table, circa 1976

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Index Aalto, A. 157

Garouste, E. 172

Arad, R. 18

Gatard, D. 134

Arteluce 108

Giacometti, A. 7, 8

Baas, M. 209

Holl, S. 174, 175

Niemeyer, O. 179, 180 Parisi, I. 111, 112, 121 Pearson, R.H. 186

Bertoia, H. 24

Poli, F. 116 Ponti, G. 12, 13, 103, 105, 106,

Barragán, L. 17 Ingrand, M. 101, 120

113, 114 Price, K. 178

Blomstedt, M. 155 Bonetti, M. 172

Jeanneret, P. 128, 132, 135,

Prouvé, J. 124, 126, 127, 129,

Bonner, J. 166

136, 139, 140

130, 131

Burton, S. 19

Jensen, A.M. 182

Puiforcat, J. 196, 197

Jensen, R. 208 Campana, C. 181

Johansson-Pape, L. 183

Quarti, M. 110

Campana, F. 181

Jolain, M. 137, 138

Quinet, J. 125

Castle, W. 20, 21, 22, 168, 169

Jouve, G. 141

Chale, A. 150

Judd, D. 177

Rasmussen, K. 208 Rietveld, G.T. 176

Chareau, P. 198 Cloutier, J. 151

Kaneko, J. 23

Royère, J. 3, 9, 143, 145, 146, 147,

Cloutier, R. 151

Kuroda, T. 161, 162

148, 149, 201 Ruhlmann, É.J. 195

Comte 187 Cormier-Fauvel, C. 200, 202 Delisle, R. 163, 164

Lauritzen, V. 158 Le Corbusier 136

Saxe, A. 171

Lelii, A. 104, 118, 123

Scarpa, C. 122 Schoen, E. 16

Dickinson, J. 152 Dominioni, L.C. 10

Malmsten, C. 159

Sottsass Jr., E. 165

Donat, I. 193, 194

Maloof, S. 184, 185

Stilnovo 107, 109, 119

du Plantier, M. 153

Martin, R. W. & Brothers

Szekely, M. 203, 210, 211, 212

Durenne, A. 188

26, 27, 28, 29

Ernst, M. 182

Massier, C. 190

Tifany Studios 25

Matégot, M. 133

Tynell, P. 154

Mayodon, J. 192 Fedora Design 214

McKie, J.K. 166, 167

Van Der Straeten, H. 204, 206,

Fornasetti, P. 115, 117

Meister, H. 173

207, 213

Frank, J.M. 4, 5, 6 , 189

Mendini, A. 170

Vautrin, L. 1, 2, 144

Frankl, P. 191

Miotte, J. 142

Venini 102

Fukami, S. 160

Mogensen, B. 156 Mollino, C. 11

Wegner, H. 14, 15

Moltzer, K. 205

Wright, F.L. 199


26. R. W. Martin & Brothers


175. Steven Holl


170. Alessandro Mendini


176. Gerrit Thomas Rietveld


167. Judy Kensley McKie


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DESIGN DAY SALE [Catalogue]  

Phillips presents the Design Day Sale on 13 December 2018 in New York.

DESIGN DAY SALE [Catalogue]  

Phillips presents the Design Day Sale on 13 December 2018 in New York.