PEUT-ETRE ISSUE 10

THE TRAVEL ISSUE

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Charlotte Stevens - Fort du Cognelot - Robe Haute Couture Yiqing Yin Collection Blooming Ashes Printemps-Eté 2016

CONTENTS

Delicate wood sculptures for textile print photographed by Monsieur D., India

THE TRAVEL ISSUE P5 - CONTENTS

P7 - WORD FROM THE EDITOR

P8 - NOMADE EN PAYS DE LANGRES - PSYCHÉ - Château du Pailly P18 - LONDON - AT HOME WITH Natalie Gibson

P44 - NOMADE EN PAYS DE LANGRES - PERSEPHONE - Jardins de Cohons P53 - MOSCOW - STREET ART - Tati S.Titch

P84 - NOMADE EN PAYS DE LANGRES - AUSIERA - Ecole de vannerie – Fayl Billot

P92 - NOMADE EN PAYS DE LANGRES - ALBA - Abbaye d’Auberive P101 - INDIA - TRAVEL DIARY – Monsieur D. in Rajasthan

P137 - PARIS - GOLDEN FINGERS - M. et Mme D.

P160 - NOMADE EN PAYS DE LANGRES - L’APPEL - Château de Clefmont P168 - PARIS - FANTASTIC GARDEN - Valérie Belmokhtar

P182 - NOMADE EN PAYS DE LANGRES - CEINTE - Tour du Petit Sault – Langres P195 - SPECIAL THANKS P197 - CONTRIBUTORS

Detail of bowls M. et Mme D. brought back from various travels

All images copyright © Nathalie Malric unless otherwise indicated. All rights reserved.

No part of this publication may be reproduced in whole or in part without permission from the publisher.

Copyright Peut-être Magazine 2017

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WORD FROM THE EDITOR

We at Peut-être are happy to introduce THE TRAVEL ISSUE to you, covering both down-to-earth and oneiric travel. Travelling gives us the opportunity to open our mind, discover new places, new cultures, and new people... Enriching our knowledge and understanding of this complex and enigmatic world.

In this issue, Clara D. and Antoine D. bring us to Rajasthan in India to meet passionate craftsmen who use deep-rooted techniques that are passed down from one generation to another. It is where, among other places, they found men and women who closely collaborated with them to build their brand new household linen line, which collects their multi-talented souls, and is called M. & Mme D. Street artist Tatiana Blinkova guides us in Moscow to discover her geotag-based project So Do I, through colourful and playful collages she patiently displayed in 115 locations in the city.

Central Saint Martins’ legendary fashion print tutor and designer Natalie Gibson opens to us the doors to her exquisitely extravagant and cat friendly house in London where she’s been living for 50 years.

French painter, engraver and illustrator Valérie Belmokhtar invites us to travel, not geographically, but in our mind, to her dreamy, lavish and naturalist world full of butterflies, giant owls and adorable chubby little girls.

Peut-être is working on raising awareness on many subjects, but also and above all, it is a place where one can dream. That is why we are so happy to publish a two-year body of work that was shot in Le Pays de Langres, a cold and wet area in the northeast of France. A location filled with incredible architectural, cultural and historical heritage that inspired Sylvain Chiarelli (stage director of Compagnie Préface theater) and I. We decided to gather our knowledge and skills, to uncover the potential of beautiful old places with a fresh eye, many of them unnoticed, underrated, mostly by those who live nearby and see them everyday.

In this issue, we take you to unusual and unique sites like L’Abbaye d’Auberive, an abbey founded in 1135 that was also used as a women’s jail, and where feminist Louise Michel was imprisoned between 1871 and 1873. We take you to ghostly and haunting Tour du Petit Sault in Langres, which is featured on our cover; Château de Clefmont, owned by an American citizen passionate about old stones, who studied art in Aix-en-Provence during his youth and shares his time between rural France and sunny California; dreamy and romantic Renaissance Château du Pailly that gives us the opportunity to share with you a symbolist story embodied by redhead model Charlotte Stevens; and finally the wild gardens in Cohons were the perfect setting to reflect the mineral and natural mood, connecting the garments to nature, which resulted in a photos series of a spectacular creature dressed in huge crystals reflecting the extraordinary nature that surrounds her. None of these places would have been the same without the theatricality of the intricate, mysterious and fascinating Haute Couture creations by French fashion designer Yiqing Yin. She gave me the opportunity to choose from her archives to decide which of her creations of mesmerizing dresses would make sense in places. In those old sleeping beauty places full of history came to life in the most magical way we could ever expect and it’s been a wonderful experience.

This is what we wish you to experience when flicking through the pages of THE TRAVEL ISSUE.

Nathalie Malric

Marine Mercandalli in Le Jardin de Vergentière in Cohons in North-East of France

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PSYCHé Château du Pailly

Art direction, Photography & Styling by Nathalie Malric Artistic advisor & Title by Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Charlotte Stevens - Marylin Models Haute Couture dress by Yiqing Yin Collection Les Rives de Lunacy Fall Winter 2013-2014

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L’AVEYRON

AT HOME WITH NATHALIE GIBSON

DE TEMPS ET DE GRES ROSE

Natalie Gibson’s home is as eclectic, colourful and vibrant as the unique prints and textiles she creates. An internationally recognized textile designer, Natalie is currently the Head of the Fashion Print course at Central Saint Martins, and has produced collections for major international fashion houses. She was awarded an MBE for her services to fashion and textile design, and has nurtured designers such as Stella McCartney, Sarah Burton, John Galliano and Alexander McQueen. Natalie kindly welcome us into her home she has shared with husband, painter Jon Weallans, for over 50 years. Over a cup of tea and homemade raspberry jam tartines we delved into her colourful and vibrant world:

La cathédrale Notre-Dame de Rodez, construite entre le XIIIe et XVIe siècles, est une cathédrale catholique romaine située à Rodez dans le département de l’Aveyron. C’est la cathédrale du diocèse de Rodez et Vabres.

Bien que les travaux de construction aient duré de 1277 jusqu’à la fin du XVIe siècle s., la cathédrale bénéficie d’une remarquable unité tant à l’intérieur qu’à l’extérieur. En effet, le parti général de l’édifice fut fixé dès l’origine.

Interview by Nathalie Malric. Text by Clarice Chian.

Peut-Etre: Hi Natalie, when you opened to doors of your house to me, I was in awe of all the beautiful things you have collected through the years. Where do they all come from?

Natalie Gibson: Most of the things in my house come from travels abroad - street markets usually. I find plenty in markets in London and car boot sales in the country. All the really beautiful furniture and pots are Jon’s - he loves Arts and Craft era. He is sometimes horrified by the things I bring home, and says he can’t believe I went to Art School! The stained glass was designed by both of us, and the Cat rug was designed by me, which is available from Aram Designs in London.

How long have you been living in this house with your husband Jon? I’ve been living in this very old house, which was built in 1650, for 50 years. It is getting rather full, as I’m not good at throwing things away.

Do you know more about the story of this house and did you find out who lived there before you through all these years?

Our house just escaped the fire of London, and the area was heavily bombed during the Second World War. In the basement I found woodblock prints illustrating lists of deaths in the great plague and public hangings. It was originally part of Bermondsey Abbey, an extremely working class district until the 1990’s.

‘My husband Jon is sometimes horrified by things I bring home and says he can’t believe I went to Art school!’

Your home is full of vintage things that come from all over the world, but I can feel you are still very connected to your English roots, like your teacup featuring Prince Charles and Diana and an art print of David Bowie.

Actually, my roots aren’t particularly English. My father was Russian (which introduced me to the fabulous constructivist ceramics and textiles and of course Dhiagalev and the ballet Russes) and my mother was Scottish, so of course I’m mad about tartan. The art print of David Bowie is by Justin de Villeneuve (a very nice birthday present from him).

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What inspires you in your designs?

Many of my designs are based on cats, birds and flowers; I am totally inspired by my surroundings.

What do you consider to be the secret of a good print?

That would be different for every individual. It should stop you in your tracks.

You should want to own it, live with it or wear it. Maybe it is joyous or very subtle. It is irresistible.

‘I’ve been living in this very old house, which was built in 1650, for 50 years.

In the basement I found woodblock prints What was your background beillustrating fore your started designing your lists of deaths own prints and teaching at Cenin the great plague tral Saint Marand public hangings. ‘ tins College of

Art and Design (CSM)?

Originally I studied painting at the Chelsea School of Art, and then printed textiles at the Royal College of Art. I was a freelance designer for many years and it was a natural evolution to teach what I love doing (whilst continuing designing as well). I really enjoy the students and the people I work with.

You have taught many students who have become influential fashion designers.

Yes, many students from the Fashion course at Saint Martins (now Central Saint Martins College) are internationally famous, such as John Galliano, Stephen Jones, Alexander McQueen. You can scratch the surface of design successes and find a CSM graduate creating magic.

What makes Central Saint Martins College so special?

Central Saint Martins College is special because the students are

At home with

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Natalie and Cool Dude

Florence sitting comfortably on piled-up cushions

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Perséphone Jardins de Cohons

Art direction, Photography & Styling by Nathalie Malric Artistic advisor & Title by Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Marine Mercandalli - Premium Models Haute Couture dress by Yiqing Yin Collection Ouvrir Vénus Fall Winter 2011-2012

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Ronde de pierre ouverte ô mes veines de vert sous la percée du jour à travers le feuillage pluie des feuilles versée goutte à goutte à la pierre dans son sexe de roche au silence du vert pierre évasée qui se perce aux perles de l’eau et toujours chute infime en arbre-pluie inverse arbre surgi de pluie venu de goutte en pierre mon amour à lui-même se lie de la terre à la terre et l’arbre à mi-chemin du ciel se lie à l’autre entrailles creusées d’eau au grand labour du temps et semence du sang de mes veines offertes goutte à goutte versée ô pluie lente et solide voie lactée douce aiguë d’étreinte minérale en versement de lait au ruisseau de la pierre

Michaël Ludwig

MOSCOW

STREET ART TATI S.TITCH Far from creating speculative art for an elitist microcosm, Kazakhstan born nomad photographer Tatiana Almond, aka Tati S.Titch, brings poetry through her street art visuals and makes them available to anyone who keeps their eyes peeled and looks close enough to spot the little treasures she displays in France, Russia, Netherlands, Georgia, Cyprus,Turkey. Peut-être chats with Tati, about ‘So Do I’, one of her geotag-based projects that takes us to the heart of Moscow, and reveals the diversity of a city where historical architecture, post-industrial ruins, skyscrapers and elements of the old regime intertwine.

Interview by Nathalie Malric. Text by Clarice Chian.

E

ach pin on the Google map corresponds to a collage, pasted in a specific location in Moscow. Altogether, these pins and collages form a phrase in Russian. It says ‘So Do I’. It is a statement of a universal response of a city to our own attitude towards it. The project comprises of 115 collages each made around an InstaxWide film frame. In her most humble way, and with a great sense of colour and composition, Tatiana is committed to not damaging the walls of the city, using magazine cut outs, recycled paper and silicone glue, simply for the joy of making and spreading her art.

By taking magazines and fashion photography to a higher level and showing us urban landscapes from a different perspective, she transcends any little thing in our everyday life, as long as we re-examine our vision of Beauty and Art.

Your work and lifestyle are very raw and spontaneous. How do you deal with the art scene?

I graduated from several schools and courses. I studied Art Photography in British Higher School of Design, Movie Directing in New York Film Academy and Contemporary Art at Andrey Bartenev’s course in Moscow. I feel like I have some idea about how the Contemporary Art Scene functions. Still, I feel controversial about the institutional part of it. Frankly speaking, art seems to have the same level of bureaucracy as in many other fields. So instead of going the traditional way, like curated exhibitions, art fairs, and competitions, I prefer direct contact with my audience. For example, through social networks (Facebook, Instagram etc.) and Street Art.

Peut-être: Hi Tatiana, can you introduce yourself to our readers?

Tati S. Titch: I’m now 31, born in Kazakhstan. I’ve been to more than 50 countries, five of which I was fortunate to spend more than a year of my life in.

I worked as a stylist for Playboy magazine, and am the only Russian ambassador for Fujifilm Instant. I have had art shows in Russia, Belarus, Georgia, France, USA and Ecuador. I have had the pleasure and honour of discussing creative process issues with Chuck Palahniuk, Sarah Moon, Josef Koudelka and Jean-François Lepage. For a year I have lived near Père Lachaise, and I have enjoyed it a lot. I consider myself a good swimmer and a decent collage maker.

What else? I am a huge artichoke lover.

So is this how the idea for the ‘So Do I’ project came about?

It started with an idea to play with a technological feature that I use a lot during my trips: Google Maps pins. I used to save a lot of locations by “pinning” them, to gain better orientation in new areas. If you zoom out of the map with a dozen of pins, you can sometimes see a shape that those pins connect into. I thought: one day I should make this imaginary connection more obvious. It was an interesting challenge. In this case, the shape is not created by saving the coordinates of some places you know, but the other way round. Your pins form a preset shape on the map; their coordinates are random in a way. So most probably you haven’t been to the pinned locations before. Eventually I figured out that a shape of a letter is the simplest form to express my artistic idea. It is the least abstract one, so the audience won’t misinterpret my message. The issue of ”readability” was very important to me because of the project’s social component.

What is your artistic background?

My mum says I used to hunt for scissors since the first time I saw them. Around the age of 5 I was finally allowed to get a pair. That’s when I started to experiment with collaging. According to my mother, I loved to cut patterns out of curtains and even tried cutting carpets, which, of course, I was not allowed to do. If we are talking about art as career – I suppose I don’t feel I am following this path.

Street artist Tatiana Almond

Why “So Do I”?

It is my artistic statement, a universal response of a city to our own

Tati S.Titch

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Iconic French actor GĂŠrard Philippe

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AUSIERA Ecole Nationale d’Osiériculture et de Vannerie – Fayl Billot

Art direction, Photography & Styling by Nathalie Malric Artistic advisor & Title by Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Zuzanna Zobanska - Crystal Models Haute Couture dress by Yiqing Yin Collection Les Rives de Lunacy Fall Winter 2013-2014

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ALBA Abbaye d’Auberive

Art direction, Photography & Styling by Nathalie Malric Artistic advisor & Title by Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Marine Mercandalli - Premium Models Haute Couture dress by Yiqing Yin Collection Spring of Nüwa Fall Winter 2012-2013

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INDIA

TRAVEL DIARY Monsieur D. in Rajasthan Photography by Monsieur D. Post production Nathalie Malric Text by Clarice Chian

In order to find craftsmen to collaborate with for his upcoming house linen brand M. et Mme D., Antoine D., or Monsieur D, recently travelled to meet craftsmen in Rajasthan in India, who preserve rare and old techniques such as wood block-print ateliers, ceramic painting, and mother-of-pearl cutting.

A man of many talents, Antoine himself is an embroiderer, a ceramicist, an illustrator, and silk painter.

In the following pages, he takes us along his Rajasthan through his travel snaps, sharing the rich textures and handcrafted techniques used for generations:

A l’ombre du musée Anokhi de l’impression textile près de Jaipur

Monsieur D. in Rajasthan

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Claustra dans la ville rose

Paysage dÊsertique au fot d’Amber

L‘élégance du geste de Vipul, maitre artisan potier, dans un atelier près de Jaipur

Lever du soleil au Taj Mahal

Sudha, imprimeur au blockprint

Sadha imprime carré après carré cette immensité

PARIS

GOLDEN FINGERS M. et Mme D. Clara D. and Antoine D. met each other at a Paris haute couture embroidery atelier in 2009.

In 2017 they embark on a journey to create couture interior objects, fuelled by their passion for travels, luxury, and craftsmanship with M. et Mme D. Having recently moved to the suburbs of Paris, the pair have furnished their home with furniture and objects from flea markets, filling the rest with their own creations and customized pieces. Here, we find out more about M et Mme D, and their new home: Interview by Nathalie Malric. Text by Clarice Chian.

Peut-être: Hi Mr & Mme D., one thing that struck me above all else when I came to visit you at your home in Rosny-sous-Bois in the suburbs of Paris, is that there is not even a tiny space out there where you didn’t leave your artistic mark. I would say your house is one of your creations, which contains all the others. Is this how you see it?

Monsieur D.: Definitely, when we bought it, we knew we would make this place our own.

Mme D.: What appealed to us was its potential, we wanted to give it back its old lady charm, and inspire a poetic character.

How long have you been living in this house?

Mme D.: We bought it in 2013 and it looked... very different, so to speak!

Monsieur D.: There were a lot of things that needed to change: a wall to break down, the attic space to convert, fake marble adhesive wallpaper on the real marble fireplace... We had to return some authenticity back.

‘Nature is a genuine and timeless source of inspiration.

Having my hands in the soil allows me to recharge my batteries and dream about new projects.’

You created a romantic garden; you grow patiently and with a lot of love poppies, irises, and English roses... Is it important for you to have green space?

Mme D.: Speaking

for myself, I’m a city girl; I’m not a green thumb.

I let Mr D. look after it but I really enjoy this green space.

Monsieur D.: To me it’s essential. Having my hands in the soil allows me to recharge my batteries and dream about new projects.

Nature seems to inspire you a lot, just like Natalie Gibson who is also part of this issue. Birds are really part of your creative world.

Monsieur D.: Nature is a genuine and timeless source of inspiration. You just have to focus on some details to develop many ideas. Is it indeed possible not to be filled with wonder at the sight of a bird’s feathers?

What are your other sources of inspiration?

Mme D.: Travels, we did some big travels together (Ouzbekistan, China, Japan, India...). Every time we come back with our heads full of great ideas.

Monsieur D.: We also have more classical inspirations, such as pre-Raphaelite and Flemish paintings, Art Nouveau and Art Deco, as well as the early years of photography.

Vase épine et pied de lampe (création M. D.) abat jour écaille de nacre

You seem to have a fascination for green and blue colour range. What you they mean to you?

Mme D.: As far as I can remember, I have always loved The green colour.

When I was a teenager I chose green to paint my room. Later in my first apartment I also put some hints of green colour on some furniture. I think that even if I’m a city girl green brings a kind of serenity and is a source of healing to me.

Blue is something different, it’s a colour I had to learn to appreciate later when I discovered all these shades, these vibrations like Le bleu canard, bleu d’orage, bleu turquoise… When it comes to green I immediately think of vert d’eau, vert émeraude, vert de gris…

Monsieur D.: This colour range evokes the great skies from the North Sea… I started using these colours on the walls of my first apartment in Paris to suggest nature and remind me of hushed tones of the Flemish countryside I come from… and that never left me ever since then!

Bleu ciel, bleu d’orage, bleu nuit, bleu océan, bleu glacier, bleu paon, bleu pervenche, bleu saphir, bleu indigo, bleu encre, bleu cathédrale, bleu gris, bleu vert...

Vert sapin, vert mousse, vert fougère, vert menthe,vert prairie, vert tilleul, vert jade, vert amande, vert de gris, vert bronze, vert bouteille, vert émeraude...

What is your best memory of a trip so far?

Mme D.: Without a doubt it’s the unscheduled visit of a madrassa in Boukhara in Ouzbekistan, which is usually not open to the public. We discovered a whole series of rooms painted with magnificent frescos! A magical memory!

Monsieur D.: A fabulous hike in the fog of the yellow mountains in the west of Shanghai, worthy of a Chinese tale.

‘To us an object that has a story has a soul, unlike any other new and manufactured object.

We also like that forgotten things by some people become some other person’s treasures.’

You seem to like flea markets and customizing things.

Mme D.: Yes, it’s a passion we have in common, even though we recently had to be more selective as we can’t push the walls!

M. et Mme D.

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peut être Monsieur D.: To us an object that has a story has a soul, unlike any other new and manufactured object. We also like that forgotten things by some people become some other person’s treasures.

How did your desire to create evolve since we met 5 years ago? How did you decide to launch your own brand, and why household linen?

Mme D.: Little by little it became obvious to us; we were looking for something different and above all the idea of creating our own world.

Monsieur D.: After creating our own decorative world at home, creating stories for some other projects to make people dream became a matter of course.

What does your first collection look like?

Mme D.: Our first collection is about an ideal bedroom.

Monsieur D.: We offer a poetic world tour of rare artisanal craftsmanship, with a Couture collection of ceramic and textile objects.

How would you define Mr & Mme D.’s style?

Monsieur D.: It’s an amalgamation of nostalgia, romanticism, black magic, preciosity and hushed-tones.

Do you already have signature creations that are typical of Mr &t Mme D.?

Mme D.: Without any doubt the ceramic fish scales mirrors by Mr D. How does your four hands creation process work? Do you each have a specific role?

Mme D.: Here again it’s very obvious; I’m a very organized person whereas Mr D. is very creative. I’m very realistic and practical whereas he is the artist.

So very naturally Mr D. is on the creative board, then we discuss about it and then we give birth to the project.

Antoine, you are a multi-talented craftsman: ceramic, silk painting, embroidery, and drawing, do you ever stop?

Monsieur D.: I love craftsmanship and I love being a craftsman. To me understanding and doing things is vital.

The craftsmen you collaborate with work with ancient techniques, some of them having almost disappeared, and on the other side of the world. Can you tell me more? Are the skills you are looking for becoming extinct?

Mme D.: Sometimes, yes indeed. Actually Mr & Mme D. is above all the love for craftsmanship, textiles, and beautiful things. This is what we want to bring forward: the craftsmen, the knowledge, and then the product. For us everything is connected. A: Industrialization really hurts craftsmanship; for example, even in India, which is renowned for their craftsmanship, it is difficult to find people ready to work for projects in small quantities. I love being a craftsman. To me understanding and doing things is vital.

How do you feel at the start of the launch of your brand Mr et Mme D.?

Mme D.: A lot of excitement, which doesn’t mean it is without a little apprehension. But we are very happy to give birth to this project. It’s something we weren’t really aware of but it has been sprouting for a long time.

In what direction would you like your project to go?

Mme D.: We ideally would like to offer our services a little bit like a interior decorating agency with made-to-measure projects for hotels, and restaurants for example.

Monsieur D.: We wish to continue our beautiful artisanal journey over our future encounters.

What are the next steps for your project?

Mme D.: The next important one in the development of our brand is a presentation of our creations at the professional salon Maison & Objets in January 2018.

What do you dream of for your brand?

Monsieur D.: To be contracted to decorate the interior of a hotel in Paris!

www.metmmed.com Instagram: monsieur_d_antoine ***

Antoine D. and Clara D. aka M. et Mme D.

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Golden Fingers

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Le vaisselier M. et Mme D. qui s’étoffe selon les trouvailles, bols d’Ouzbékistan, du Vietnam, de Chine...

Vase art déco, trophée chien-loup en céramique (création M. D.)

Le défunt M Loizo (création M. D.)

Petit temple indien

Dans la cage d’escalier

La famille Loizo, céramique et textile (création M. D.)

Un coin de l’atelier

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L’APPEL Château de Clefmont

Art direction, Photography & Styling by Nathalie Malric Artistic advisor Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Charlotte Stevens - Marylin Models Haute Couture dress by Yiqing Yin Collection Blooming Ashes Spring Summer 2016 Special thanks to Mr Daniel Frachon

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Fantastic

Garden

VALERIE BELMOKHTAR

Valérie Belmokhtar is an illustrator, painter and a printmaker born and based in Paris, France.

Having studied at the Fine Arts School of Paris Ensba and the Art and Crafts Design School Olivier de Serres, she likes to link her work to nature, mythology, fairy tales and plants. Her works are populated with revisited mythological visions, portraits of childhood and dreams tinged with melancholy; a pictorial space that is mysterious, soft, and floating.

Valérie also likes children’s books world, textiles and patterns.

She has published illustrations for children books («Desserts à lire et à croquer»), novel covers, illustrated for newspapers and magazines (Le Monde, Le magazine Littéraire), and also illustrated interior objects and worked on textile and paper print.

Her work has been exhibited in different countries and cities such as Boston, Paris, Bruxelles, Osaka, and Tokyo.

Valérie Belmokhtar builds an intimate and sensitive world by investigating a wide field of visual expression, working with painting, drawing, etching, illustration, collage or photomontage.

Here we explore Valérie’s mythical and poetic world: Clarice Chian

http://vbelmokhtar.free.fr www.instagram.com/valerie_belmokhtar www.etsy.com/fr/shop/ValerieBelmokhtarArt

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Robe Papillons, gouache on cardboard

Philomèle E.A , linocut and collage on paper

Le Petit Monde, E.A 2, dry point/Etching and collage on paper

Detail of PensĂŠes Papillons, acrylic on paper

Detail of robe jardin bleue , acrylic on canvas

Bleue Cosmos, La robe est la chrysalide Du Papillon Fantôme

Lumière d’étoiles, Tissée de sèves et d’eaux Du cœur des roses arrachées à la nuit

Sous la peau des robes Sang de Fleurs Sources des Rivières Bleues

Les corps ont disparu Reste un écho Cousu d’ailes vivantes

Bertrand Secret

Detail of Robe Azyadé, acrylic on canvas

peut ĂŞtre

Ceinte Tour du Petit Sault – Langres

Art direction, Photography & Styling by Nathalie Malric Artistic advisor & Title by Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Model Charlotte Stevens - Marylin Models Haute Couture dress by Yiqing Yin Collection In Carne Spring Summer 2012

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Detail of Yiqing Yin bodice - In Carne Spring Summer 2012

CONTRIBUTORS FOUNDER CREATIVE DIRECTOR PHOTOGRAPHER GRAPHIC DESIGNER Nathalie Malric ARTISTIC ADVISOR Sylvain Chiarelli FASHION & LIFESTYLE WRITER EDITOR Clarice Chian POETRY BY Michaël Ludwig Bertrand Secret www.peutetremagazine.com peutetremagazine@hotmail.fr

ON OUR COVER : Charlotte Stevens @ Marylin Models Haute Couture bodice, skirt and veil by Yiqing Yin Creative direction, Photography & Styling by Nathalie Malric Art direction : Sylvain Chiarelli Make up by Julie Baudrier Hair styling by Steven Laudat Location: Tour du Petit Sault - Langres - France

MENTION LÉGALES Peut-Être 49 rue St Antoine 75004 Paris France Charlotte Stevens - Fort du Cognelot - Robe Haute Couture Yiqing Yin Collection Blooming Ashes Printemps-Eté 2016 Charlotte Stevens wearing a Yiqing Yin Haute Couture dress - In Carne Spring Summer 2012

IMPRESSION Pixartprinting SpA, a Cimpress Company Via 1° Maggio, 8 30020 Quarto d’Altino VE Italia

PARU OCTOBRE 2017 Dépôt légal octobre 2017 28 euros France Métropolitaine ISSN 2259-1427 197

3 770009 524018 ISSN : 2259-1427 - N°10 France : 28€ - Octobre 2017