Page 1


1. Lullaby of the Occupied from Collateral Damage, Pt. I h = 110

Ben Norton

        Don't go        f

Tenor

Tenor

   Electric Guitar   Electric Guitar

5-string Bass Guitar

E. Gtr.

E. Gtr.

Bass

   

 

   

 

mf

 

 

    

 

dream.

   

  

f

 

 

 



f



Don't

you

   f        

                    

f

          

 



Don't

                         

Distortion

 

 sleep.

 

        

   

    

 

 

ev - en

                                           

                            

       Dr.    

Synth.

 

8

T.

    

to

 



 Synthesizer      Drum Set

T.

 

A  

                           Copyright 2012 Ben Norton

                 


2

T.

T.

E. Gtr.

E. Gtr.

Bass

14       close

your

   

  

E. Gtr.

E. Gtr.

Bass

Synth.

Dr.



eyes.

'Cus

they

                                       

                                 

           Dr.      

T.

doomed young

       

Synth.

T.



20          are watch - ing,

   

 

"pro

-

 -

-

  tect

     

 

f

fly

-

ing

o -ver - head;

     

     

  -

 -

   

bomb - ing

-

o -ver heads.

      

  

 

ing

free

 



"Pro - tect

 -

dom."

    -

ing free - dom."

                                             

            

  

                                   

                                                 


T.

T.

E. Gtr.

E. Gtr.

3

B 27         

                   Clean, Delay         

 Bass  

f

               

              Dr.       

Synth.

     33

T.

T.

E. Gtr.

E. Gtr.

Bass

   

 

     

    

          

  

  

     

  

 

 

 

 

 

                                                

          

                                                              

     

       

 

 

                

            Dr.    

Synth.

           

               

      

 

          


4

     40

T.

T.

E. Gtr.

E. Gtr.

Bass

   

                  

 

             

 

 

 

    

   

  

 

   

   

                                             Dr.                             

Synth.

     44

T.

T.

E. Gtr.

E. Gtr.

Bass

Synth.

Dr.

   

   

   

        

 

 

   

 

 

 

 

 



  

 

 

                         

                          


5

     47

T.

T.

E. Gtr.

E. Gtr.

Bass

Synth.

   

          

E. Gtr.

   

                                  

       

 

                              

                 "free - dom" what they real - ly mean is

 

 

 

  Growl 

 

f

 

privi

-

lege.

 

     

 

 

 

 

        

  

  

 

  

     

       

Scream

Privi

  

-

f

 

lege.

 

Privi - lege.

                                      

E. Gtr.

Bass

Synth.

Dr.

 

By

53

T.

 

                           

Dr.

T.

C   

    

 

                                  

 

                                                        


6

             Ev' 59

T.

T.

E. Gtr.

Bass

Synth.

Dr.

-

  

T.

ry

      

    

   

            

 

  

thing's

jus

 

-

 

-

            

 

 

 

ti

  

-

 

 

fied

 

 

in

 

the

                       

           

 

   

 

   

   

 

 

 

                

 

 

 

 

 

 

   "Free

  

of

  

"free

-



-

-

 

-

  

 

 

 

 

 

dom."

-

  

                                                    

E. Gtr.

Bass

Synth.

Dr.

 

                                                                 

name

E. Gtr.

-

    

67

T.



       

E. Gtr.

 

  

  

 

 

 

 

 

 

 

 

                                                                   

                                        


        75

T.

T.

E. Gtr.

7

 -

Bass

Synth.

E. Gtr.

 

 



 

          

 

 

 

 

 

 

 

 

 

 

       

                             

Dr.

 

 

 

 

 

                   

 

  

                                   f

                  

 

 

 

 

 

 

                                                               

                                                   Synth.      Bass

dom."

                         

82

E. Gtr.

-

 



 

Dr.

T.

-

 

                             

E. Gtr.

T.

  

 

D  

  

 

                                     

                                                       


8

        89

T.

T.

E. Gtr.

E. Gtr.

 

 

 

 

 

 

          



         

   

                Synth.    Bass

Dr.

   

           95

T.

T.

E. Gtr.

Bass

Synth.

Dr.

   

 

   

            

 

 

 

 

 

 

 

               

   

             

 

      

         

 

 

      

   

 

   

       

 

                                             

 

   

 

 

     

         

  

           

                       

             

E. Gtr.

   

                                                         

 

 

 

   


       101

T.

T.

E. Gtr.

  

E. Gtr.

  

9

 

 

 

 

      

   

       

                        Synth.        Dr.            Bass

 

      

 

 

       

 

    

 

    

 

                            

 

    

 

1. Lullaby of the Occupied  

The score to "Lullaby of the Occupied," track 1 on Collateral Damage, Pt. I (2012). You can download this at http://peculatemusic.com/scores...

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