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3. Looking Inward from Collateral Damage, Pt. I

Ben Norton

q = 115

    

   

Tenor

    

Tenor 2

    

  

    

Countertenor

Countertenor 2

Baritone

Electric Guitar

5-string Bass Guitar

Piano

Synthesizer

  

Drum Set

  

 

      



p

mp

  

  

   

  

 

  

   

Synthesizer

   

   

Synthesizer

 mp

  

mp

mp

 

  

 

 

  



 

 

                                            mp

  

3

Copyright 2012 Ben Norton

 

     

     

 

 

 

 

 

 

 

 

 

                                    3


2

  

 

A  

 

 

 

T.

  

 

 

T. 2

  

 

  



 

 

  

 

 

10

C.

C. 2

Bar.

E. Gtr.

Bass

Pno.

Synth.

Synth.

Synth.

Dr.

    

   



 

 

p

mp

Feel

their

tears

 mp

 

drip

  

on

your

fin

- ger

 

  -

tips.

      

And wipe the

       



p

mp





blood

off

 your

  

 

 

 



 

 

 

 

 



 

 



  

  

 

 

     



 

 

 

 

 

 



 

 



                                                                    

p

mp

3

 

 

            


3

  

 

 

 

 

 

  

  

  



19

C.

C. 2

T.

T. 2

Bar.

E. Gtr.

Bass

Pno.

Synth.

Synth.

Falsetto

This

Dr.





  

is

the

price

 

     

of

 

priv

-

-

'lege.

 

 

lips.



 

 

  

 

Clean, Delay         

               

 

 

   

    

mp

 

p

 mp

  

        

 

          



p

 

 

 



 

 

 

 

 



 

 

 

 

 



 

 

 

 

  

 

Synth.

  

mp

  

 

mp

 

 

  

 

 

  

   

  

  

  

 

 

 

  

 

 

                                                                                              3

p

mp

3


4

  

 

 

 

 

 

T.

  

 

 

T. 2

  

 

   



28

C.

C. 2

Bar.

Hear

            E. Gtr. 

Bass

Pno.

Synth.

Synth.

Synth.

Dr.





mp

 mp

        

      

  

        

                      

 

    



them scream



 

in

fright,

 

 

 

p

mp

  

 

 

 



 

 

 

 

 



 

 

  

   

 

 

       

        

 

     

     

  



     

     

  

   

   

   

 

 

 

            

 





  



 

 

 

  

 

                                                          3

mp

 



 

   

 

 

                        mp


5

B

  C.  37

C. 2

T.

T. 2

Bar.

E. Gtr.

Bass

Pno.

Synth.

Synth.

Dr.

 

  

     ly





- ing

a

  

mf Falsetto



Hu - man

-

mf        

wake

at night,

 

 

  

fear - ing

for

their

  

  

sac

-

    ri

    

Don't

go

to

 

 

-

    -

 

 

 

 

mp

mf

  

    

This

      

  

lives.



   

   



the

f     

 

for

 

sleep.

fice



f

 



 

 

Distortion

f

 

mp

f

 

 



 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

   

  

  

             3

 

mf

 

 

 

   

                                                                   

mf

3

mp

is

 

 

Synth.

mf

f

         f


6

    46

C.

  Don't you

 

C. 2



  dream.

Don't

e -ven

close

your priv

 

       

f

This

       rich.

T.

       not some

T. 2

Bar.

E. Gtr.



 

Pno.

Synth.

Synth.

Synth.

Dr.

  

is

a

di

-

ileged

 

  -

-

 

 

maud

-

    

lin ap

 



- pe - al

to

      e -mo - tion.

             

   

      you

  Can't

       

  

sense





 

their

    

  to

f

mor



     

 

    

-

al - i

 

e

 -

    Don't you

 

 

 

 

 

ty.

 ven

feel?

 

 

  

  

mf



-



dy - ing.

 

      mf

are

you

pain?

     

they

ap - pe - al

 

'Cus

    

rect

 

eyes.

Do

     

Bass

  

  

 

 





 

 

 

 

 



 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

  

      

      

  

  

 

 

             

 

  

  

  

  

 

 

 

 

     

      

f

     

                                   

mf


7

     56

C.

         

 

f

We

  

C. 2

      f

We

       care?

T.

       See

T. 2

  Bar.   

E. Gtr.

Pno.

Synth.

Synth.

Dr.

no

our

 

-

 

lon - ger

selves

de

 

-

ny it.

have we

lost our

they

            

your

eyes.

Wake

     

    



up from

the dream

      been li - ving.

  

          

  

           

 O



- pen

    

 your

eyes

   

 

  

 

 we

ty.

     all...





 

are

all

      

to

are

it

Face



-

 

f

f

not haverights?

you've

pen

hu - man -i

 

  

         

 

a ra - vished

  



world.

                  

 

                 

   

 

 

  

 

 

   

 

 

  

 

 

   

 

 

   

 

 

 

 

 

��� 

  

      

Synth.

Do

     

O



fly.

  



-

 



                     

  

f

f





  



the bombs

    

ask

         

Face it: we

 

f

Bass

can

must

 

     

  

  

  

  

  

  

              f

 

 

  

  

  

  

  

  

  

  

  

   

 

                     


8

   67

C.

mp



Ad - mit

 

C. 2

mp

sites.

T.

T. 2

Bar.

E. Gtr.

  

  



 

Pno.

Synth.

Dr.

mp



par

   

Synth.

mp







in this rav - ished

 

a - sites

   

in this rav - ished

in this rav - ished

mp



we're

all

par

  

in this rav - ished

   

in this rav - ished

pp

 

 

pp

 

 



pp

 

 

pp

 

 

pp

 

 

 

 

 

 

world.



world.

     



 guilt



a

Bass

Synth.

  

world.

 world.

 world.

 

 



 

 

 

 



 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

  

 

 

 

p

  

   

   


9

    

 

 

  

 

 

T.

   

 

 

T. 2

    

 

 

  

 

 

  

 

 

  

 

 

77

C.

C. 2

Bar.

E. Gtr.

Bass

Pno.

Synth.

Synth.

Synth.

Dr.

       



        

    

   

 

  

   

   

   

  

   



 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

  


3. Looking Inward