Conclusion Hypothesis sum up This research deals with the challenge to combine the aesthetics to the genetic algorithm in a resilient way that will increase the production of proposals, under certain circumstances, along with evaluations that will follow and consist the feedback for the next generation. This approach is going to introduce a new aspect to the computational aesthetics in an expanded way. Simulation is the imitation of a system and it’s testing under a variety of simulated, or limited environments, to gain a better understanding of the system. The architecture world is about to establish a close cooperation with the computational world since the design spirit and the algorithmic expression can open a brand new and exciting world, with respect to constructability, by creating a mechanism that can produce, evaluate, and reconfigure the aesthetics of the design. The everyday life is not static, the science world is not static, the technology is running even fastest • how could the design world, and the scenography of our lives be static. What we develop, we want to be applicable in the architecture and design world. The artificial environments created, either way, should be dynamic systems of material and immaterial artifacts as E.Manzini has mentioned. The new set of language created should be able to determine the future of the architecture itself while performing its best self. We are talking about a bidirectional research: designing the product and designing the behavior prior to the final result. Via the observation of nature in all its scales (from macro to micro), we try to figure out the main set of rules that will lead our projects behavior in an optimizing way to the best , objectively or subjectively result. This does not aim at the reproduction of nature - since it is perfect as it is, but at the understanding of its intentions, its mechanisms and some of the magic hidden in this endless world.
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