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1– 3, NO VEM BER 2011

P R E S E N T A T I O N S CROSSING THE LINE: HAND & TECHNOLOGY IN A CHANGING WORLD

CR OS S I NG T H E L I NE: DRAW I N G I N T H E M ID D LE EA S T

01  AISAN KIANMEHR, VERITAS ARCHITECTS, KUALA LUMPUR CROSSING THE LINE BY DRAWING THE LINE OUT OF THE SPHERE OF IMAGINATION 02 ARASH SALEK URBAN IDENTITY OF MIDDLE EASTERN CITIES POST-STRUCTURAL CONCEPTS

1, T UE SDAY 9:30

2 , W E DNE SDAY

3 , T HUR SDAY

IN A TRADITIONAL REGION 03  BRIAN DOUGAN, AMERICAN UNIVERSITY OF SHARJAH,

9: 30

P R O F. JU LIA TO WNS END

9: 30

M A R IA M M O JD EH I

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INTR O D U C TIO N & K EY NO TE:

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COLLEGE OF ARCHITECTURE, ART & DESIGN

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NJA M A H D O U A I

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BEYOND VISUAL DRAWING AS A TRANSDISCIPLINARY PRACTICE

RE GIST R AT I O N T E A / C O F F E E

10:00

OPE N IN G R E M A R K S

10: 00

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DR. IRE N E B A R B E R I S , D R . M A R C E L O L I M A ,

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JU LIA TO WNS END

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PROF. ST E P H E N FA R T H I N G

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SWEDEN,

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KE YN OT E : P R O F. S T E P H E N FA R T H I N G

10: 45

M A ZD A K M O JD EH I

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SUSTAINED INSTABILITY

11: 00

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B R EA K

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04  MAZDAK MOJDEHI, KTH ROYAL INSTITUTE OF TECHNOLOGY STOCKHOLM,

05 A UREL VON RICHTHOFEN, GERMAN UNIVERSITY OF TECH. IN OMAN

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11:30

AISAN K I A N M E H R

11: 30

B R EA K

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C H R IS TO S

THE “WAVE-BREAKER”– A NOVEL APPROACH TO COMPUTER AIDED DESIGN

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11: 45

A U R EL V O N R IC H TH O FEN

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B R EA K

(CAD) REPRESENTATION

12:00

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B R EA K

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12:15

L UN CH B R E A K

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12: 15

LU NC H B R EA K

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12: 30

LU NC H B R EA K

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A STUDY OF THE SYMBOLISM IN IRANIAN PAINTINGS WITH AN

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ORIENTATION OF PROPHET’S ASCENSION

13:00

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ARASH S A L E K

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13: 30

D R . M A R C ELO LIM A

13: 30

K EYNO TE + C O D A

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D R . IR ENE B A R B ER IS –PAGE

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BRIAN D O U G A N

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D R . A M I J. A B O U - B A K R

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14:45

MARY CLA R E F O A

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15:00

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15: 00

K ELLY C H O R P ENING

15: 00

B U S TO S H A R JA H

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15:30

ART IST S PA N E L

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-R EA K

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R O TU ND A G A LLER Y

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GRAFFITI & PUBLIC SPACE–3 CONTEMPORARY CASE STUDIES IN

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THE MIDDLE EAST

17.00

AL QUOZ G A L L E R I E S

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A R TIS T PA NEL

17. 00

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RE CE PT I O N @ TA S H K E E L A R T C E N T E R

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D U B A I INTER NATIO NA L

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FINA NC IA L C ENTER

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PA R TIC IPA NTS

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D INNER –LO C ATIO N TB D

06 A ZADEH MALEKI

07 D R. AMI J. ABOU-BAKR, KING’S COLLEGE LONDON THE POLITICAL IMPLICATIONS OF MAP ‘DRAWINGS’ ON THE MIDDLE EAST 08 KELLY CHORPENING, CAMBERWELL COLLEGE OF ARTS, UNIVERSITY OF THE ARTS, LONDON, BACK TO THE DRAWING BOARD 09 M ARYCLARE FOA SOUNDING WAVES: DRAWING INTO THE MIND’S EYE. DRAWING AS AN INTERSECTION 10 M ARIAM MOJDEHI

DRAWING: A PORTRAIT AND LANDSCAPE, NOTATIONS OF OUR TIME 11 S UTAPA BISWAS, CHELSEA COLLEGE OF ART & DESIGN, UNIVERSITY OF THE ARTS, LONDON DRAWING SUBJECTIVE PERSPECTIVES – TIME IN THE CONTEXT OF VISUAL BEING. 12  JULIA TOWNSEND, AMERICAN UNIVERSITY IN DUBAI EASTERN AND WESTERN PARADIGMS IN DRAWING: KORANIC ILLUMINATION VERSUS THE PICTURE PLANE

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Crossing The Line Conference Schedule  

Crossing the Line Conference schedule (revised)

Crossing The Line Conference Schedule  

Crossing the Line Conference schedule (revised)

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